diff --git a/sql/hpr.sql b/sql/hpr.sql
index c3b7971..3a38bb4 100644
--- a/sql/hpr.sql
+++ b/sql/hpr.sql
@@ -11806,8 +11806,38 @@ INSERT INTO `assets` (`episode_id`, `filename`, `extension`, `size`, `sha1sum`,
(3882,'hpr3882.flac','flac',54360165,'e60818c0a46437e1179d93996eb74d7271fb8a29','audio/flac; charset=binary','setgid FLAC audio bitstream data, 16 bit, mono, 192 kHz, 136909306 samples'),
(3882,'hpr3882.opus','opus',6727905,'9be328c07dbe2b1d64aaaf6f4cff328e3f05e613','audio/ogg; charset=binary','setgid Ogg data, Opus audio,'),
(3882,'hpr3882.wav','wav',273820004,'6fdc5731efabab479eb01e8c2586024df7f41dc2','audio/x-wav; charset=binary','setgid RIFF (little-endian) data, WAVE audio, mono 192000 Hz'),
-(3957,'hpr3957.wav','wav',876180156,'7ae670cd41eef0f2540c2b6bc70250409c094610','audio/x-wav; charset=binary','setgid RIFF (little-endian) data, WAVE audio, mono 192000 Hz'),
-(3957,'hpr3957.opus','opus',21949557,'b83f0ae187c15a30845f5ce055aa6a3f982cea86','audio/ogg; charset=binary','setgid Ogg data, Opus audio,'),
+(3929,'hpr3929.wav','wav',256574322,'4fdaf51ff6397d6f3bcdc2fbe57a4f5fff95dea1','audio/x-wav; charset=binary','setgid RIFF (little-endian) data, WAVE audio, mono 192000 Hz'),
+(3929,'hpr3929.opus','opus',5787489,'41d0abe7630e01e2386c9beb7bff44a107c51022','audio/ogg; charset=binary','setgid Ogg data, Opus audio,'),
+(3929,'hpr3929.flac','flac',42307647,'23433f9e6e308187cb0b5ec577ed27d3183a862d','audio/flac; charset=binary','setgid FLAC audio bitstream data, 16 bit, mono, 192 kHz, 128286459 samples'),
+(3929,'hpr3929.spx','spx',2524111,'be9bebc74d2de6c0282c09e64662ad4601f4771d','audio/ogg; charset=binary','setgid Ogg data, Speex audio'),
+(3929,'hpr3929.ogg','ogg',5787231,'198e03bc83cd615dcea8de9a185be48acd28df46','audio/ogg; charset=binary','setgid Ogg data, Opus audio,'),
+(3929,'hpr3929.mp3','mp3',5347109,'c9473b6880d22550d1ebde7fdb2f3d77cd9e8b0f','audio/mpeg; charset=binary','setgid Audio file with ID3 version 2.4.0, contains:MPEG ADTS, layer III, v1, 64 kbps, 48 kHz, Monaural'),
+(3928,'hpr3928.wav','wav',594289860,'7dd203d6ec7375187e1e696a7d5ed00489ab52c2','audio/x-wav; charset=binary','setgid RIFF (little-endian) data, WAVE audio, mono 192000 Hz'),
+(3928,'hpr3928.opus','opus',14811435,'b7cca64f2d5afff0deca1ded3a9dc700493421e0','audio/ogg; charset=binary','setgid Ogg data, Opus audio,'),
+(3928,'hpr3928.flac','flac',122090659,'9d3694e84c9c0aa6e374e278c1d3d495b178214e','audio/flac; charset=binary','setgid FLAC audio bitstream data, 16 bit, mono, 192 kHz, 297144229 samples'),
+(3928,'hpr3928.spx','spx',5845891,'667e89fa9e5d5215adf46965132064a297b3cc31','audio/ogg; charset=binary','setgid Ogg data, Speex audio'),
+(3928,'hpr3928.ogg','ogg',14811180,'e5f0878f04da19df55c3434907a0ea77d82ba620','audio/ogg; charset=binary','setgid Ogg data, Opus audio,'),
+(3928,'hpr3928.mp3','mp3',12382946,'b11d995859cf378e511df35759c72ed79df31ae9','audio/mpeg; charset=binary','setgid Audio file with ID3 version 2.4.0, contains:MPEG ADTS, layer III, v1, 64 kbps, 48 kHz, Monaural'),
+(3927,'hpr3927.wav','wav',174031284,'d37f1cc971d8b9db95c9a1c7281005ebfceadb4a','audio/x-wav; charset=binary','setgid RIFF (little-endian) data, WAVE audio, mono 192000 Hz'),
+(3927,'hpr3927.opus','opus',4435782,'336c21db4875e9dfaeaf3a531bdb54d6f2f9c824','audio/ogg; charset=binary','setgid Ogg data, Opus audio,'),
+(3927,'hpr3927.flac','flac',35205107,'8d1a3b4023a5bfc7ea3bb6880aff9a561be62def','audio/flac; charset=binary','setgid FLAC audio bitstream data, 16 bit, mono, 192 kHz, 87014940 samples'),
+(3927,'hpr3927.spx','spx',1712281,'781f7aa83f290a4584719f465f81699ac7da49ab','audio/ogg; charset=binary','setgid Ogg data, Speex audio'),
+(3927,'hpr3927.ogg','ogg',4435524,'b11bfa12d93e5ea8845b527bafe2b7a67ccb59a5','audio/ogg; charset=binary','setgid Ogg data, Opus audio,'),
+(3927,'hpr3927.mp3','mp3',3627557,'a9549fd0545e35bb72955020e70b9046ae25079b','audio/mpeg; charset=binary','setgid Audio file with ID3 version 2.4.0, contains:MPEG ADTS, layer III, v1, 64 kbps, 48 kHz, Monaural'),
+(3961,'hpr3961.wav','wav',989048324,'5231b30eec2e8ba1b340cbc06ab46bb68b46d910','audio/x-wav; charset=binary','setgid RIFF (little-endian) data, WAVE audio, mono 192000 Hz'),
+(3961,'hpr3961.opus','opus',24712992,'eba0ea97acfbde05ccd72112933f203714407c05','audio/ogg; charset=binary','setgid Ogg data, Opus audio,'),
+(3961,'hpr3961.spx','spx',9728761,'e182795070da9f6dbf8f0d1e9cc8cd40694b76be','audio/ogg; charset=binary','setgid Ogg data, Speex audio'),
+(3961,'hpr3961.flac','flac',194474219,'4f2cb71c2158a12dd451d333b056340b796d41e9','audio/flac; charset=binary','setgid FLAC audio bitstream data, 16 bit, mono, 192 kHz, 494523442 samples'),
+(3961,'hpr3961.ogg','ogg',24712698,'f2eb443599205b0ef0175d45f589eeb1259c0dff','audio/ogg; charset=binary','setgid Ogg data, Opus audio,'),
+(3961,'hpr3961.mp3','mp3',20607113,'06a95538511c18e320241f16c3dfb39657ea418e','audio/mpeg; charset=binary','setgid Audio file with ID3 version 2.4.0, contains:MPEG ADTS, layer III, v1, 64 kbps, 48 kHz, Monaural'),
+(3926,'hpr3926.wav','wav',1070297664,'d88d67a85425920ed439e3015acc58d6e482bb28','audio/x-wav; charset=binary','setgid RIFF (little-endian) data, WAVE audio, mono 192000 Hz'),
+(3926,'hpr3926.opus','opus',21888687,'50fa212f4ace336d01a79e2fd270b026aacd165d','audio/ogg; charset=binary','setgid Ogg data, Opus audio,'),
+(3926,'hpr3926.flac','flac',242761638,'efc30d288f20e0d7bd8081b530a91b8e7e8adf51','audio/flac; charset=binary','setgid FLAC audio bitstream data, 16 bit, mono, 192 kHz, 535148117 samples'),
+(3926,'hpr3926.spx','spx',10527899,'bd2bde94334fd3316edf2698948306728742c288','audio/ogg; charset=binary','setgid Ogg data, Speex audio'),
+(3926,'hpr3926.mp3','mp3',22299774,'e7bb465c72596de09d51e3a66629896fbf7fc6c8','audio/mpeg; charset=binary','setgid Audio file with ID3 version 2.4.0, contains:MPEG ADTS, layer III, v1, 64 kbps, 48 kHz, Monaural'),
+(3926,'hpr3926.ogg','ogg',21888404,'64fd393361fe31e2ff0600dd8f47ab0a20806e4c','audio/ogg; charset=binary','setgid Ogg data, Opus audio,'),
+(3957,'hpr3957.wav','wav',876180156,'7ae670cd41eef0f2540c2b6bc70250409c094610','audio/x-wav; charset=binary','setgid RIFF (little-endian) data, WAVE audio, mono 192000 Hz');
+INSERT INTO `assets` (`episode_id`, `filename`, `extension`, `size`, `sha1sum`, `mime_type`, `file_type`) VALUES (3957,'hpr3957.opus','opus',21949557,'b83f0ae187c15a30845f5ce055aa6a3f982cea86','audio/ogg; charset=binary','setgid Ogg data, Opus audio,'),
(3957,'hpr3957.spx','spx',8618516,'56d18d30f836c959a9959cb2c123bb6c6b63b8ab','audio/ogg; charset=binary','setgid Ogg data, Speex audio'),
(3957,'hpr3957.flac','flac',174961358,'8b24330135fb91e94b2d03bb3ed3b9f9fe0bb489','audio/flac; charset=binary','setgid FLAC audio bitstream data, 16 bit, mono, 192 kHz, 438089374 samples'),
(3957,'hpr3957.mp3','mp3',18255657,'cd54e970f5f90c34a3367ea90f4a6a0a35f9bee3','audio/mpeg; charset=binary','setgid Audio file with ID3 version 2.4.0, contains:MPEG ADTS, layer III, v1, 64 kbps, 48 kHz, Monaural'),
@@ -11836,8 +11866,8 @@ INSERT INTO `assets` (`episode_id`, `filename`, `extension`, `size`, `sha1sum`,
(3965,'hpr3965.spx','spx',1382435,'45d5fc65e698aaffc945ce164a251c11f883c8e1','audio/ogg; charset=binary','setgid Ogg data, Speex audio'),
(3965,'hpr3965.ogg','ogg',3113281,'865525178c607e1a04c1103e7ec30b36e041c1c6','audio/ogg; charset=binary','setgid Ogg data, Opus audio,'),
(3965,'hpr3965.mp3','mp3',2928924,'31dcef4579506c834f79b16093db081c18486d8b','audio/mpeg; charset=binary','setgid Audio file with ID3 version 2.4.0, contains:MPEG ADTS, layer III, v1, 64 kbps, 48 kHz, Monaural'),
-(3955,'hpr3955.wav','wav',167893632,'278f094549c182c532fd31a6b86c9fc0e1c5e7dc','audio/x-wav; charset=binary','setgid RIFF (little-endian) data, WAVE audio, mono 192000 Hz');
-INSERT INTO `assets` (`episode_id`, `filename`, `extension`, `size`, `sha1sum`, `mime_type`, `file_type`) VALUES (3955,'hpr3955.opus','opus',3729184,'1d67cd8e0daf6c33813b4f788645557024c2c6c4','audio/ogg; charset=binary','setgid Ogg data, Opus audio,'),
+(3955,'hpr3955.wav','wav',167893632,'278f094549c182c532fd31a6b86c9fc0e1c5e7dc','audio/x-wav; charset=binary','setgid RIFF (little-endian) data, WAVE audio, mono 192000 Hz'),
+(3955,'hpr3955.opus','opus',3729184,'1d67cd8e0daf6c33813b4f788645557024c2c6c4','audio/ogg; charset=binary','setgid Ogg data, Opus audio,'),
(3955,'hpr3955.flac','flac',33421403,'ad74420301eea9f3a06b718a6f8b664ac99d3047','audio/flac; charset=binary','setgid FLAC audio bitstream data, 16 bit, mono, 192 kHz, 83946097 samples'),
(3955,'hpr3955.ogg','ogg',3728893,'a2b62b87eb082c7729d27e3ea55f464cec5f5fc2','audio/ogg; charset=binary','setgid Ogg data, Opus audio,'),
(3955,'hpr3955.spx','spx',1651882,'2e9738c4b124c6b399db0545f12a8997e320682f','audio/ogg; charset=binary','setgid Ogg data, Speex audio'),
@@ -20148,8 +20178,11 @@ INSERT INTO `eps` (`id`, `date`, `title`, `duration`, `summary`, `notes`, `hosti
(3942,'2023-09-12','RE: How to make friends.',763,'Sgoti replies to Klaatu\'s show, \"How to make friends.\"','RE: How to make friends.
\n\n',391,0,0,'CC-BY-SA','Friends, reply show',0,0,1),
(3946,'2023-09-18','Planning for a planner, part 02.',2168,'Sgoti and Bumble Bee discuss discbound planners, agendas, ink pens and more.','Discbound Planners and\nNotebooks.
\n\nSource: Staples.com\ndiscbound notebook search
\n
Supporting Source: Staples\narc customizable notebook, 6.3/4in x 8.3/4in, 60 sheets, narrow ruled,\nblack
\n
Source: Happy Planner.
\n
Source: JoAnn
\n
Source: Transparent\nnotes, 36 sheets/pad, 1 pad/pack $5.19.
\n
Source: 6\npack discbound pocket letter size envelope organizer
\n
Source: Zgmj\nclassic size discbound lined refill paper, happy planner inserts,\n100sheets/200pages loose-leaf paper, 100gsm white paper, 7x9.25\nin
\n
Source: Classic\nsize discbound daily planner refill paper, happy planners insert,\n200sheets/400pages to do list planner refill, 100gsm white paper, 7x9.25\nin
\n
Source: Discbound\nundated daily plan paper refill, 120 gsm, 80 sheets, happy planner 9\ndisc pre-punched inserts, 7x9.25 inch, daily to-do, notes, and\nscheduling
\n
Source: Leather\npersonalized discbound planner cover
\n
\nThis work is licensed under a Creative Commons\nAttribution-ShareAlike 4.0 International License.
\n',391,0,0,'CC-BY-SA','Discbound, Notebooks, Planners, Happy Planner, Ink Pens.',0,0,1),
(3957,'2023-10-03','The Oh No! News.',2201,'Sgoti talks about investment and recovery scams.','The Oh No! news.
\nOh No! News is Good\nNews.
\n\n- TAGS: User space, investment scams, recovery\nscams
\n
\n
\nUser space.
\n\nSource: Avoiding and Reporting\nScams.
\n
Supporting Source: Refund\nand Recovery Scams.
\n
Supporting Source: Investment\nopportunity scams.
\n
Source: Reddit Community:\nr/Scams
\n
\n
\n\n- Additional Information.\n
\n- What is a \"Data\nBreach\"? A data breach is a security violation, in which sensitive,\nprotected or confidential data is copied, transmitted, viewed, stolen,\naltered or used by an individual unauthorized to do so.
\n- What is \"Malware\"?\nMalware (a portmanteau for\nmalicious software) is any software intentionally designed to cause\ndisruption to a computer, server, client, or computer network, leak\nprivate information, gain unauthorized access to information or systems,\ndeprive access to information, or which unknowingly interferes with the\nuser\'s computer security and privacy.
\n- What is a \"Payload\"?\nIn the context of a computer virus or worm, the payload is the portion\nof the malware which performs malicious action; deleting data, sending\nspam or encrypting data. In addition to the payload, such malware also\ntypically has overhead code aimed at simply spreading itself, or\navoiding detection.
\n- What is \"Phishing\"?\nPhishing is a form of social engineering\nwhere attackers deceive people into revealing sensitive information or\ninstalling malware such as ransomware. Phishing\nattacks have become increasingly sophisticated and often transparently\nmirror the site being targeted, allowing the attacker to observe\neverything while the victim is navigating the site, and transverse any\nadditional security boundaries with the victim.
\n- Social\nengineering (security) In the context of information security,\nsocial engineering is the psychological\nmanipulation of people into performing actions or divulging\nconfidential information. A type of confidence trick for the purpose of\ninformation gathering, fraud, or system access, it differs from a\ntraditional \"con\" in that it is often one of many steps in a more\ncomplex fraud scheme.
\n \n- What is \"Information\nSecurity\" (InfoSec)? Information security, sometimes shortened to\nInfoSec, is the practice of protecting information by mitigating information risks. It\nis part of information risk\nmanagement.\n
\n- Information Security Attributes: Confidentiality, Integrity and Availability (C.I.A.).\nInformation Systems are composed in three main portions, hardware,\nsoftware and communications with the purpose to help identify and apply\ninformation security industry standards, as mechanisms of protection and\nprevention, at three levels or layers: physical, personal and\norganizational. Essentially, procedures or policies are implemented to\ntell administrators, users and operators how to use products to ensure\ninformation security within the organizations.
\n
\n- What is \"Risk\nmanagement\"? Risk management is the identification, evaluation, and\nprioritization of risks followed by coordinated and economical\napplication of resources to minimize, monitor, and control the\nprobability or impact of unfortunate events or to maximize the\nrealization of opportunities.
\n- What is a \"Vulnerability\"\n(computing)? Vulnerabilities are flaws in a computer system that\nweaken the overall security of the device/system. Vulnerabilities can be\nweaknesses in either the hardware itself, or the software that runs on\nthe hardware.
\n- What is an \"Attack\nSurface\"? The attack surface of a software environment is the sum of\nthe different points (for \"attack vectors\") where an unauthorized user\n(the \"attacker\") can try to enter data to or extract data from an\nenvironment. Keeping the attack surface as small as possible is a basic\nsecurity measure.
\n- What is an \"Attack\nVector\"? In computer security, an attack vector is a specific path,\nmethod, or scenario that can be exploited to break into an IT system,\nthus compromising its security. The term was derived from the\ncorresponding notion of vector in biology. An attack vector may be\nexploited manually, automatically, or through a combination of manual\nand automatic activity.
\n- What is\n\"Standardization\"? Standardization is the process of implementing\nand developing technical standards based on the consensus of different\nparties that include firms, users, interest groups, standards\norganizations and governments. Standardization can help maximize\ncompatibility, interoperability, safety, repeatability, or quality. It\ncan also facilitate a normalization of formerly custom processes.\n
\n- What is a \"Replay\nattack\"? A replay attack is a form of network attack in which valid\ndata transmission is maliciously or fraudulently repeated or delayed.\nAnother way of describing such an attack is: \"an attack on a security\nprotocol using a replay of messages from a different context into the\nintended (or original and expected) context, thereby fooling the honest\nparticipant(s) into thinking they have successfully completed the\nprotocol run.\"
\n- What is a\n\"Man-in-the-middle attack\"? In cryptography and computer security, a\nman-in-the-middle, ..., attack is a cyberattack where the attacker\nsecretly relays and possibly alters the communications between two\nparties who believe that they are directly communicating with each\nother, as the attacker has inserted themselves between the two\nparties.
\n- What is \"Transport Layer\nSecurity\" (TLS)? Transport Layer Security (TLS) is a cryptographic\nprotocol designed to provide communications security over a computer\nnetwork. The protocol is widely used in applications such as email,\ninstant messaging, and voice over IP, but its use in securing HTTPS\nremains the most publicly visible.
\n- What is a \"Handshake\"\n(computing)?. In computing, a handshake is a signal between two\ndevices or programs, used to, e.g., authenticate, coordinate. An example\nis the handshaking between a hypervisor and an application in a guest\nvirtual machine.
\n- What is Security\ntheater? The practice of taking security measures that are\nconsidered to provide the feeling of improved security while doing\nlittle or nothing to achieve it.
\n \n
\n
\n
\n\n',391,74,0,'CC-BY-SA','User space, investment scams, recovery scams',0,0,1),
-(3926,'2023-08-21','Karate Do: An Overview',2706,'Hipernike talks about Karate, its meaning and some of the things he has learnt','Sorry for my English, I\'m still improving it, and specially for\nconfusing kicks with hand strikes.
\n\n- Gichin\nFunakoshi: The father of modern karate and the founder of Shotokan\nstyle\n
\n- Book Karate-Do Kyohan
\n- Nijū kun:\nHis 20 precepts
\n
\n- In Karate your main enemy is yourself
\n- Three pillars of Karate:\n
\n- Kata: Series\nof movements that symbolize a combat
\n- In Shotokan Style, there are 27 kata practiced
\n- Kihon: Practice of the basic techniques
\n- Kumite: Combat
\n
\n- Dashi (Stances)
\n- Dōjō\nkun: Training hall rules
\n- Karate belt\norder
\n- Sensei: \"One who\ncomes before\"
\n- Four main Karate styles\n
\n- Goju-ryu, Shotokan-ryu, Wado-ryu, and Shito-ryu
\n
\n- Taikyoku\nShodan
\n- Kanku\nDai
\n- Bassai\nDai
\n- Tekki Shodan\nperformed by Gichin Funakoshi
\n- The Last Samurai: No mind\nscene\n
\n- The outcome of a battle depends on how one handles emptiness and\nfullness (Gichin Funakoshi, Nijū kun)
\n- Defense techniques\n
\n- Age uke
\n- Soto uke
\n- Uchi uke
\n- Shuto uke
\n
\n- Attack techniques\n
\n- Empi uchi
\n- Uraken uchi
\n- Shuto uchi
\n- Kentsui uchi (hammer strike with your fist)
\n
\n
\n',410,0,0,'CC-BY-SA','karate, martial arts, sports',0,0,0),
-(3961,'2023-10-09','RERE: How to make friends.',2495,'Sgoti and Mugs Up chat about, \"How to make friends womans edition\".','RERE: How to make friends.
\n\nSource: hpr3904 ::\nHow to make friends
\n
Source: hpr3942 ::\nRE: How to make friends.
\n
Source: Friendship
\n
Source: Interpersonal\nrelationship
\n
Source: Affection
\n
Source: Blood\nbrother.
\n
\nI thought this was funny: How to Ask a\nFriend to Hang Out.
\n',391,0,1,'CC-BY-SA','Make friends, Mugsup, Klaatu',0,0,0);
+(3926,'2023-08-21','Karate Do: An Overview',2706,'Hipernike talks about Karate, its meaning and some of the things he has learnt','Sorry for my English, I\'m still improving it, and specially for\nconfusing kicks with hand strikes.
\n\n- Gichin\nFunakoshi: The father of modern karate and the founder of Shotokan\nstyle\n
\n- Book Karate-Do Kyohan
\n- Nijū kun:\nHis 20 precepts
\n
\n- In Karate your main enemy is yourself
\n- Three pillars of Karate:\n
\n- Kata: Series\nof movements that symbolize a combat
\n- In Shotokan Style, there are 27 kata practiced
\n- Kihon: Practice of the basic techniques
\n- Kumite: Combat
\n
\n- Dashi (Stances)
\n- Dōjō\nkun: Training hall rules
\n- Karate belt\norder
\n- Sensei: \"One who\ncomes before\"
\n- Four main Karate styles\n
\n- Goju-ryu, Shotokan-ryu, Wado-ryu, and Shito-ryu
\n
\n- Taikyoku\nShodan
\n- Kanku\nDai
\n- Bassai\nDai
\n- Tekki Shodan\nperformed by Gichin Funakoshi
\n- The Last Samurai: No mind\nscene\n
\n- The outcome of a battle depends on how one handles emptiness and\nfullness (Gichin Funakoshi, Nijū kun)
\n- Defense techniques\n
\n- Age uke
\n- Soto uke
\n- Uchi uke
\n- Shuto uke
\n
\n- Attack techniques\n
\n- Empi uchi
\n- Uraken uchi
\n- Shuto uchi
\n- Kentsui uchi (hammer strike with your fist)
\n
\n
\n',410,0,0,'CC-BY-SA','karate, martial arts, sports',0,0,1),
+(3961,'2023-10-09','RERE: How to make friends.',2495,'Sgoti and Mugs Up chat about, \"How to make friends womans edition\".','RERE: How to make friends.
\n\nSource: hpr3904 ::\nHow to make friends
\n
Source: hpr3942 ::\nRE: How to make friends.
\n
Source: Friendship
\n
Source: Interpersonal\nrelationship
\n
Source: Affection
\n
Source: Blood\nbrother.
\n
\nI thought this was funny: How to Ask a\nFriend to Hang Out.
\n',391,0,1,'CC-BY-SA','Make friends, Mugsup, Klaatu',0,0,1),
+(3927,'2023-08-22','Audacity Update 20230702',372,'RESERVE SHOW. Audacity has been having problems lately.','Audacity seems to have developed some sensitivity problems of late\nand that has affected my ability to process my podcast files as\nexplained in HPR 3900. I have found some evidence that the Audacity team\nis aware of this, but for now this is how I work around the problem.
\nLinks
\n\n',198,0,0,'CC-BY-SA','Audacity, MP3, transcoding',0,0,1),
+(3928,'2023-08-23','RE: Klaatu.',1467,'Sgoti confuses everyone with bash nonsense.','HPR Shows by Klaatu.
\n\n- Source: hpr3887 ::\n10 must-know commands for a new cloud admin.
\n- Source: hpr3882 ::\nAlternatives to the cd command.
\n
\nHot sauce lady.
\n\n- Source: Franks Red Hot Queen\n2011.
\n
\npwd && ls --group-directories-first --classify --almost-all\n\n# some more ls aliases\nalias la='ls -l --human-readable --group-directories-first --classify --almost-all'\nalias ll='ls --group-directories-first --classify --almost-all'\nalias lr='ls -l --human-readable --group-directories-first --classify --recursive'\nalias lar='ls -l --human-readable --group-directories-first --classify --almost-all --recursive'\nalias lap='ls -l --human-readable --group-directories-first --classify --almost-all | less'\n\n# safety first ;)\nalias rmi='rm --interactive --verbose'\nalias mvi='mv --interactive --verbose'\nalias cpi='cp --interactive --verbose'\nalias .shred='bleachbit --shred'\n\n# cd multi dir\nalias ..='cd ..;'\nalias .2='cd ../..;'\nalias .3='cd ../../..;'\nalias .4='cd ../../../..;'\nalias .5='cd ../../../../..;'\n\n# Directory controls.\nfunction cd () {\nclear;\nbuiltin cd "$@" && ls --group-directories-first --classify --almost-all;\n\nhistory -w;\n}\n\n#function pp () {\n#builtin pushd +$@ && ls --group-directories-first --classify --almost-all\n#}\n\nfunction pushup (){\nbuiltin pushd $HOME/.config/vim/sessions/\nbuiltin pushd $HOME/.local/bin/\nbuiltin pushd $HOME/.thunderbird/*.default-release/\nbuiltin pushd $HOME/Documents/non-of-your-business/\nbuiltin pushd $HOME/Downloads/in/\nbuiltin pushd $HOME/Downloads/out/\nbuiltin pushd $HOME/Downloads/playground/\nbuiltin pushd $HOME/Music/hpr/shows/\nbuiltin pushd $HOME/projects/\nbuiltin pushd $HOME/projects/hprbank/bp/\nbuiltin pushd $HOME/symlinks/\nbuiltin pushd $HOME/tmp/\nbuiltin pushd +11\n\nbuiltin dirs -v\n}\n\nalias pd='pushd'\nalias dirs='dirs -v'\n\n# Update\nalias .upg='sudo apt update && sudo apt upgrade -y;'\n\n# shutdown | reboot\nalias .sd='sudo shutdown -P now;'\nalias .rs='sudo reboot;'\n\n# Misc\nalias ccb='cat $HOME/cb | xsel --input --clipboard && echo "Copy. $(date "+%F %T")";'\nalias pcb='xsel --output --clipboard > $HOME/cb && echo "Copy. $(date "+%F %T")";'\nalias zz='xsel -c -b && echo "Clipboard Cleared. $(date "+%F %T")";'\n\n# File Mods\nalias 700='chmod --verbose =700'\nalias 600='chmod --verbose =600'\nalias 400='chmod --verbose =400'\n\n###############################################################################\n# Functions\n###############################################################################\n\nfunction .s () {\nln --symbolic --verbose --target-directory=$HOME/symlinks/ $(pwd)/${1};\n}\n\nfunction extract () {\nif [ -f $1 ]\nthen\n case $1 in\n *.tar.bz2) tar -vxjf $1 ;;\n *.tar.gz) tar -vxzf $1 ;;\n *.tar) tar -xvf $1 ;;\n *.bz2) bunzip2 $1 ;;\n *.rar) unrar -x $1 ;;\n *.gz) gunzip $1 ;;\n *.tar) tar -vxf $1 ;;\n *.tbz2) tar -vxjf $1 ;;\n *.tgz) tar -vxzf $1 ;;\n *.zip) unzip $1 ;;\n *.Z) uncompress $1 ;;\n *.7z) 7z -x $1 ;;\n *) echo "Good Heavens, '$1' will NOT extract..." ;;\n esac\nelse\n echo "Good Heavens, '$1' is NOT a valid file."\nfi\n}\n\nfunction myip () {\nip addr | grep 'state UP' -A2 | tail -n1 | awk '{print $2}' | cut -f1 -d'/';\n}\n\nfunction .mkd (){\nmkdir -v $(date +%F) && pushd $(date +%F);\n}\n\nfunction .mkt (){\ntmpdir=$(mktemp -d /tmp/$(date +%F).XXXXXXXX) && pushd ${tmpdir}\n}\n\nfunction .d (){\necho $(date +%F)$1 | xsel -i -b;\n}\n\n\nfunction .sh () {\nNEWSCRIPT=${1}.sh\n\ncat >> ${NEWSCRIPT} << EOS\n#!/bin/bash\n# License: GPL v3\n# This program is free software: you can redistribute it and/or modify\n# it under the terms of the GNU General Public License as published by\n# the Free Software Foundation, either version 3 of the License, or\n# (at your option) any later version.\n#\n# This program is distributed in the hope that it will be useful,\n# but WITHOUT ANY WARRANTY; without even the implied warranty of\n# MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the\n# GNU General Public License for more details.\n#\n# You should have received a copy of the GNU General Public License\n# along with this program. If not, see <https://www.gnu.org/licenses/>.\n\n#Name: ${NEWSCRIPT}\n#Purpose:\n#Version: beta 0.01\n#Author: SGOTI (Some Guy On The Internet)\n#Date: $(date +%F)\n\n#variables:\n\n#start:\n\nexit;\nEOS\n\nif [ -f "${NEWSCRIPT}" ]\nthen\n chmod 700 ${NEWSCRIPT}\nelse\n echo "Good Heavens! There isn't a "${NEWSCRIPT}""\nfi\n}\n\nfunction .fmd () {\nxsel -o -b | fmt -w 76 | sed 's/$/ /g\ns/ / /g\ns/ / /g\ns/ / /g\ns/$/ /g\ns/ *$/ /g\ns/ / /g' | xsel -i -b;\n}\n
\n#!/bin/bash\n# License: GPL v3\n# This program is free software: you can redistribute it and/or modify\n# it under the terms of the GNU General Public License as published by\n# the Free Software Foundation, either version 3 of the License, or\n# (at your option) any later version.\n#\n# This program is distributed in the hope that it will be useful,\n# but WITHOUT ANY WARRANTY; without even the implied warranty of\n# MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the\n# GNU General Public License for more details.\n#\n# You should have received a copy of the GNU General Public License\n# along with this program. If not, see <https://www.gnu.org/licenses/>.\n\n#Name: bfn.sh\n#Purpose: Create better file names.\n#Version: beta 0.01\n#Author: SGOTI (Some Guy On The Internet)\n#Date: 2022-11-08\n\n#variables:\noldname=$(echo ${1%.*})\nnewname=$(echo $oldname | sed 's/ /-/g;s/_/-/g;s/./-/g;s/--*/-/g;/\\/d' | tr [:upper:] [:lower:])\next1=".$(echo ${1##*.})"\next2=".$(echo ${1##*.} | tr [:upper:] [:lower:])"\n\n#start:\nfunction bcase () {\n if [ -f $1 ]\n then\n echo -e "renaming $oldnamen";\n mv -v "$oldname$ext1" "$newname$ext2";\n else\n mv -v "$oldname" "$newname";\n fi\n}\n\nbcase\nexit;
\n#!/bin/bash\n# License: GPL v3\n# This program is free software: you can redistribute it and/or modify\n# it under the terms of the GNU General Public License as published by\n# the Free Software Foundation, either version 3 of the License, or\n# (at your option) any later version.\n#\n# This program is distributed in the hope that it will be useful,\n# but WITHOUT ANY WARRANTY; without even the implied warranty of\n# MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the\n# GNU General Public License for more details.\n#\n# You should have received a copy of the GNU General Public License\n# along with this program. If not, see <https://www.gnu.org/licenses/>.\n\n#Name: perm.sh\n#Purpose:\n#Version: beta 0.01\n#Author: SGOTI (Some Guy On The Internet)\n#Date: 2023-01-13\n\n#variables:\nvar_dir=${1}\n\n#start:\nfunction bfp () {\n find "${var_dir}" -type d -exec chmod -R =700 {} +\n find "${var_dir}" -type f -exec chmod -R =600 {} +\n}\n\nbfp\n\nexit;
\nThis work is licensed under a Creative Commons\nAttribution-ShareAlike 4.0 International License.
\n',391,0,1,'CC-BY-SA','Bash scripting, bash commands, bash_aliases',0,0,1),
+(3929,'2023-08-24','Some experiences with different notes apps',587,'About apps that store notes as markdown','\n',403,0,0,'CC-BY-SA','markdown, notes',0,0,1);
/*!40000 ALTER TABLE `eps` ENABLE KEYS */;
UNLOCK TABLES;
@@ -21069,4 +21102,4 @@ UNLOCK TABLES;
/*!40014 SET UNIQUE_CHECKS=@OLD_UNIQUE_CHECKS */;
/*!40111 SET SQL_NOTES=@OLD_SQL_NOTES */;
--- Dump completed on 2023-08-18 7:25:19
+-- Dump completed on 2023-08-20 15:10:09
![\"Creative](\"https://i.creativecommons.org/l/by-sa/4.0/88x31.png\")