diff --git a/README.md b/README.md index 45e2340..00309c2 100644 --- a/README.md +++ b/README.md @@ -22,4 +22,6 @@ Some tooling used by the Janitors to process comments, and shows. Some sanitize settings files needed. +## sql +A daily dump of the HPR Database diff --git a/sql/hpr.sql b/sql/hpr.sql index 19859b5..c68d632 100644 --- a/sql/hpr.sql +++ b/sql/hpr.sql @@ -11806,7 +11806,13 @@ INSERT INTO `assets` (`episode_id`, `filename`, `extension`, `size`, `sha1sum`, (3882,'hpr3882.flac','flac',54360165,'e60818c0a46437e1179d93996eb74d7271fb8a29','audio/flac; charset=binary','setgid FLAC audio bitstream data, 16 bit, mono, 192 kHz, 136909306 samples'), (3882,'hpr3882.opus','opus',6727905,'9be328c07dbe2b1d64aaaf6f4cff328e3f05e613','audio/ogg; charset=binary','setgid Ogg data, Opus audio,'), (3882,'hpr3882.wav','wav',273820004,'6fdc5731efabab479eb01e8c2586024df7f41dc2','audio/x-wav; charset=binary','setgid RIFF (little-endian) data, WAVE audio, mono 192000 Hz'), +(3921,'hpr3921.wav','wav',2536180096,'68d80d50ed4f23201298a399fa6be9b48c5eb849','audio/x-wav; charset=binary','setgid RIFF (little-endian) data, WAVE audio, mono 192000 Hz'), +(3921,'hpr3921.opus','opus',59966057,'30bf4f3e57289340b5077d25be8436db14cdb9f8','audio/ogg; charset=binary','setgid Ogg data, Opus audio,'), (3899,'hpr3899.wav','wav',154997100,'16defa81aacbaa00e129a5541e7ce6cf8bea10d3','audio/x-wav; charset=binary','setgid RIFF (little-endian) data, WAVE audio, mono 192000 Hz'), +(3921,'hpr3921.mp3','mp3',52838969,'cad3c36ce9316bb65ac3cba3d67bd4e7c0ebb3c0','audio/mpeg; charset=binary','setgid Audio file with ID3 version 2.4.0, contains:MPEG ADTS, layer III, v1, 64 kbps, 48 kHz, Monaural'), +(3921,'hpr3921.ogg','ogg',59965715,'3955817622559c99e7d36cf106f0b85966133cb3','audio/ogg; charset=binary','setgid Ogg data, Opus audio,'), +(3921,'hpr3921.spx','spx',24946267,'faf01beb6bf72a6b6c612cb0c9a4555b9ea884b7','audio/ogg; charset=binary','setgid Ogg data, Speex audio'), +(3921,'hpr3921.flac','flac',440278857,'ef49280319b56778919a1bd97da4c7728de40a6c','audio/flac; charset=binary','setgid FLAC audio bitstream data, 16 bit, mono, 192 kHz, 1268089304 samples'), (3899,'hpr3899.opus','opus',3458103,'29cbb24c16c952461534b35430b12d893c18cd96','audio/ogg; charset=binary','setgid Ogg data, Opus audio,'), (3897,'hpr3897.opus','opus',59617504,'88f9e7f491911f1c7c6ca97b7a56e4e49c93d6c4','audio/ogg; charset=binary','setgid Ogg data, Opus audio,'), (3897,'hpr3897.wav','wav',2383066478,'177f1d6b65389c32d9cd8a2ac184403ceab48e1c','audio/x-wav; charset=binary','setgid RIFF (little-endian) data, WAVE audio, mono 192000 Hz'), @@ -11830,14 +11836,14 @@ INSERT INTO `assets` (`episode_id`, `filename`, `extension`, `size`, `sha1sum`, (3895,'hpr3895.spx','spx',2247688,'3e5dbcd524e63e38384142a303a375d6547b8425','audio/ogg; charset=binary','setgid Ogg data, Speex audio'), (3895,'hpr3895.ogg','ogg',4981768,'e497d4b64e6fdfbe6784065b7c9306ca6ab6c310','audio/ogg; charset=binary','setgid Ogg data, Opus audio,'), (3892,'hpr3892.flac','flac',180158081,'e0b5f79c9eec958ca563f00e888d415ed06cfb83','audio/flac; charset=binary','setgid FLAC audio bitstream data, 16 bit, mono, 192 kHz, 424906297 samples'), -(3892,'hpr3892.opus','opus',21164733,'cb335a08b691854312940683504c555ede8f9936','audio/ogg; charset=binary','setgid Ogg data, Opus audio,'), -(3892,'hpr3892.wav','wav',849814022,'7e17bb5cebc1e5d2b8f340e38d3a55efec5be12b','audio/x-wav; charset=binary','setgid RIFF (little-endian) data, WAVE audio, mono 192000 Hz'), +(3892,'hpr3892.opus','opus',21164733,'cb335a08b691854312940683504c555ede8f9936','audio/ogg; charset=binary','setgid Ogg data, Opus audio,'); +INSERT INTO `assets` (`episode_id`, `filename`, `extension`, `size`, `sha1sum`, `mime_type`, `file_type`) VALUES (3892,'hpr3892.wav','wav',849814022,'7e17bb5cebc1e5d2b8f340e38d3a55efec5be12b','audio/x-wav; charset=binary','setgid RIFF (little-endian) data, WAVE audio, mono 192000 Hz'), (3895,'hpr3895.mp3','mp3',4761701,'f5dca84e4f561418c4ddce0dc3c6146e50fac056','audio/mpeg; charset=binary','setgid Audio file with ID3 version 2.4.0, contains:MPEG ADTS, layer III, v1, 64 kbps, 48 kHz, Monaural'), (3892,'hpr3892.spx','spx',8359224,'881e4eef2b91cae05f5b4efbc5f57fc4461edba1','audio/ogg; charset=binary','setgid Ogg data, Speex audio'), (3891,'hpr3891.mp3','mp3',49822411,'d4df28efe652c280e25b1861f635677f3d92e752','audio/mpeg; charset=binary','setgid Audio file with ID3 version 2.4.0, contains:MPEG ADTS, layer III, v1, 64 kbps, 48 kHz, Monaural'), (3891,'hpr3891.ogg','ogg',52748095,'e812c7b1a1c94c075b80d93ef75c46f13f8f445b','audio/ogg; charset=binary','setgid Ogg data, Opus audio,'), -(3891,'hpr3891.spx','spx',23522067,'48aae339081a1d783ec7741bcd8a9afa14fc124a','audio/ogg; charset=binary','setgid Ogg data, Speex audio'); -INSERT INTO `assets` (`episode_id`, `filename`, `extension`, `size`, `sha1sum`, `mime_type`, `file_type`) VALUES (3891,'hpr3891.flac','flac',452002411,'9e3d161ec7ff970142f2519481ea42c0265b574c','audio/flac; charset=binary','setgid FLAC audio bitstream data, 16 bit, mono, 192 kHz, 1195692352 samples'), +(3891,'hpr3891.spx','spx',23522067,'48aae339081a1d783ec7741bcd8a9afa14fc124a','audio/ogg; charset=binary','setgid Ogg data, Speex audio'), +(3891,'hpr3891.flac','flac',452002411,'9e3d161ec7ff970142f2519481ea42c0265b574c','audio/flac; charset=binary','setgid FLAC audio bitstream data, 16 bit, mono, 192 kHz, 1195692352 samples'), (3891,'hpr3891.opus','opus',52748391,'a26acaa7f543dd248fab3799308732981564fd0d','audio/ogg; charset=binary','setgid Ogg data, Opus audio,'), (3891,'hpr3891.wav','wav',2391386146,'4bfdd40dddd39f02bcfce3ae0fce55981fb75149','audio/x-wav; charset=binary','setgid RIFF (little-endian) data, WAVE audio, mono 192000 Hz'), (3892,'hpr3892.mp3','mp3',17706364,'350247c53902db9ae02e7d57b0d704c6cd5dce6c','audio/mpeg; charset=binary','setgid Audio file with ID3 version 2.4.0, contains:MPEG ADTS, layer III, v1, 64 kbps, 48 kHz, Monaural'), @@ -12148,7 +12154,7 @@ CREATE TABLE `comments` ( `last_changed` datetime NOT NULL DEFAULT current_timestamp(), PRIMARY KEY (`id`), KEY `comments_eps_id_idx` (`eps_id`) -) ENGINE=MyISAM AUTO_INCREMENT=3766 DEFAULT CHARSET=utf8mb3 COLLATE=utf8mb3_unicode_ci COMMENT='New comments table populated from c5t_* tables'; +) ENGINE=MyISAM AUTO_INCREMENT=3767 DEFAULT CHARSET=utf8mb3 COLLATE=utf8mb3_unicode_ci COMMENT='New comments table populated from c5t_* tables'; /*!40101 SET character_set_client = @saved_cs_client */; -- @@ -15919,7 +15925,8 @@ INSERT INTO `comments` (`id`, `eps_id`, `comment_timestamp`, `comment_author_nam (3762,3879,'2023-06-22 16:48:25','Kevin O\'Brien','Dr. Campbell','I have also started tuning out Dr. John Campbell for many of the reasons you mentioned, but Excess Deaths is indeed a legitmate issue becasue for various reasons you cannot rely on death certificates and such as a measure of the cause of death.','2023-06-22 17:16:05'), (3763,3880,'2023-06-22 16:50:44','Kevin O\'Brien','Addendum','A bit after the installation I noticed that the A/C would turn on, but no cold came out. So I called a professional. He verified that I had installed the thermostat correctly. But I forgot to turn the breaker back on for the Condensor unit.','2023-06-22 17:16:05'), (3764,3884,'2023-06-24 16:40:16','Kevin O\'Brien','PIN Story','Loved the discussion of passwords/PINs. I have a story about that. My first degree is in History, so when I set up a particular PIN, I took a date from an historical event because no one would guess that. About a year later I had the \"foreheäd slap\"moment when I realized that the 4 digits also matched my wife\'s birthday.','2023-06-24 22:11:42'), -(3765,3876,'2023-07-01 20:05:38','Reto','Good information about recording','Hi Ryuno-Ki,\r\n\r\nAs already mentioned in the HPR Community News for June 2023, my suggestion to listen to:\r\n\r\nSome tips and tricks, for a new host http://hackerpublicradio.org/eps/hpr3673/\r\n\r\nSoftware:\r\nEpisode 3496: How I record HPR Episodes http://hackerpublicradio.org/eps/hpr3496\r\n\r\nEpisode 3698 :: Spectrogram Audacity http://hackerpublicradio.org/eps/hpr3698\r\n\r\n\r\nFor me, I want to keep it simple for now, 3673 & 3496 are my way to go.\r\n\r\nCheers\r\nReto','2023-07-02 18:57:06'); +(3765,3876,'2023-07-01 20:05:38','Reto','Good information about recording','Hi Ryuno-Ki,\r\n\r\nAs already mentioned in the HPR Community News for June 2023, my suggestion to listen to:\r\n\r\nSome tips and tricks, for a new host http://hackerpublicradio.org/eps/hpr3673/\r\n\r\nSoftware:\r\nEpisode 3496: How I record HPR Episodes http://hackerpublicradio.org/eps/hpr3496\r\n\r\nEpisode 3698 :: Spectrogram Audacity http://hackerpublicradio.org/eps/hpr3698\r\n\r\n\r\nFor me, I want to keep it simple for now, 3673 & 3496 are my way to go.\r\n\r\nCheers\r\nReto','2023-07-02 18:57:06'), +(3766,3891,'2023-07-03 16:04:59','norrist','solocast updates','@reto, thanks for mentioning solocast. I have made a few updates since hpr3496. The biggest changes are\r\n\r\n- You can now install solocast from the Python Packing Index - https://pypi.org/project/solocast/\r\n- solocast now works with Markdown scripts as requested by Ken - https://gitlab.com/norrist/solocast/-/issues/1','2023-07-03 16:14:02'); /*!40000 ALTER TABLE `comments` ENABLE KEYS */; UNLOCK TABLES; /*!50003 SET @saved_cs_client = @@character_set_client */ ; @@ -19901,7 +19908,8 @@ INSERT INTO `eps` (`id`, `date`, `title`, `duration`, `summary`, `notes`, `hosti (3896,'2023-07-10','The Brochs of Glenelg',782,'A verbal tour in situ of one of the two brochs of Glenelg','In this episode I visit one of the best preserved brochs on the Scottish mainland called Dun Telve. It is one of two that are a few miles outside the village of Glenelg which is rare itself in that its name is a palindrome.\n\n

\"The

\n\n

\"The

\n',268,101,0,'CC-BY-SA','history,scotland,prehistoric',0,0,1), (3895,'2023-07-07','What\'s in my backpack',514,'Stache walks through the contents of his work backpack','

I have many things in my work backpack, to include a Raspberry Pico,\nmultiple USB drives, USB cables, two laptops, my glasses and a\nsunglasses case attached to the outside.

\n

It is a 5.11 RUSH MOAB 10 Sling Pack 18L, not because I want to be\n\"tacticool\" but because I like their products, and that they support\nveterans like myself.

\n',408,23,0,'CC-BY-SA','backpack contents, toolkit',0,0,1), (3897,'2023-07-11','HPR AudioBook Club 22 - Murder at Avedon Hill',6119,'In this episode the HPR Audiobook Club discusses the audiobook Murder at Avedon Hill by P.G. Holyfie','In\nthis episode the HPR Audiobook Club discusses the audiobook Murder\nat Avedon Hill by P.G. Holyfield\n
\n

Non-Spoiler Thoughts

\n
\n\n

Beverage Reviews

\n
\n\n

Things We Talked About

\n
\n\n

Our Next Audiobook

\n
\n

A\nPrincess of Mars by Edgar Rice Burroughs

\n

The Next Audiobook Club\nRecording

\n
\n

Right now we are working through a backlog of older episodes that\nhave already been recorded. Once that ends we fully anticipate recording\nnew episodes with listener participation.

\n

Feedback

\n
\n

Thank you very much for listening to this episode of the HPR\nAudioBookClub. We had a great time recording this show, and we hope you\nenjoyed it as well. We also hope you\'ll consider joining us next time we\nrecord a new episode. Please leave a few words in the episode\'s comment\nsection.

\n

As always; remember to visit the HPR contribution page HPR could\nreally use your help right now.

\n

Sincerely, The HPR Audiobook Club

\n

P.S. Some people really like finding mistakes. For their enjoyment,\nwe always include a few.

\n

Our Audio

\n
\n

This episode was processed using Audacity. We\'ve been making\nsmall adjustments to our audio mix each month in order to get the best\npossible sound. Its been especially challenging getting all of our\nvoices relatively level, because everyone has their own unique setup.\nMumble is great for bringing us all together, and for recording, but\nit\'s not good at making everyone\'s voice the same volume. We\'re pretty\nhappy with the way this month\'s show turned out, so we\'d like to share\nour editing process and settings with you and our future selves (who, of\ncourse, will have forgotten all this by then).

\n

We use the \"Truncate Silence\" effect with it\'s default settings to\nminimize the silence between people speaking. When used with it\'s\ndefault (or at least reasonable) settings, Truncate Silence is extremely\neffective and satisfying. It makes everyone sound smarter, it makes the\nfile shorter without destroying actual content, and it makes a\nconversations sound as easy and fluid during playback as it was while it\nwas recorded. It can be even more effective if you can train yourself to\nremain silent instead of saying \"uuuuummmm.\" Just remember to ONLY pass\nthe file through Truncate Silence ONCE. If you pass it through a second\ntime, or if you set it too aggressively your audio may sound sped up and\nchoppy.

\n

Next we use the \"Compressor\" effect with the following settings:

\n
Threshold: -30db\n\nNoise Floor: -50db\n\nRatio: 3:1\n\nAttack Time: 0.2sec\n\nDecay Time: 1.0 sec`
\n

\"Make-up Gain for 0db after compressing\" and \"compress based on\npeaks\" were both left un-checked.

\n

After compressing the audio we cut any pre-show and post-show chatter\nfrom the file and save them in a separate file for possible use as\nouttakes after the closing music.

\n

We adjust the Gain so that the VU meter in Audacity hovers around\n-12db while people are speaking, and we try to keep the peaks under\n-6db, and we adjust the Gain on each of the new tracks so that all\nvolumes are similar, and more importantly comfortable. Once this is done\nwe can \"Mix and Render\" all of our tracks into a single track for export\nto the .FLAC file which is uploaded to the HPR server.

\n

At this point we listen back to the whole file and we work on the\nshownotes. This is when we can cut out anything that needs to be cut,\nand we can also make sure that we put any links in the shownotes that\nwere talked about during the recording of the show. We finish the\nshownotes before exporting the .aup file to .FLAC so that we can paste a\ncopy of the shownotes into the audio file\'s metadata.

\n

At this point we add new, empty audio tracks into which we paste the\nintro, outro and possibly outtakes, and we rename each track\naccordingly.

\n

Remember to save often when using Audacity. We like to save after\neach of these steps. Audacity has a reputation for being \"crashy\" but if\nyou remember save after every major transform, you will wonder how it\never got that reputation.

\n',157,53,1,'CC-BY-SA','Audiobook club, audiobook, fantasy, fiction',0,0,1), -(3899,'2023-07-13','Repair corrupt video files for free with untruc',320,'This is how I fixed corrupt video files from my dash cam after an accident','

My original blog post on this topic: https://pquirk.com/posts/corruptvideo/

\n\n

Make your donations to:
\nhttps://www.paypal.com/paypalme/anthwlock
\nhttps://vcg.isti.cnr.it/~ponchio/untrunc.php

\n',383,0,0,'CC-BY-NC-SA','video,corrupt,fix,file,linux',0,0,1); +(3899,'2023-07-13','Repair corrupt video files for free with untruc',320,'This is how I fixed corrupt video files from my dash cam after an accident','

My original blog post on this topic: https://pquirk.com/posts/corruptvideo/

\n\n

Make your donations to:
\nhttps://www.paypal.com/paypalme/anthwlock
\nhttps://vcg.isti.cnr.it/~ponchio/untrunc.php

\n',383,0,0,'CC-BY-NC-SA','video,corrupt,fix,file,linux',0,0,1), +(3921,'2023-08-14','HPR AudioBook Club 23 - John Carter of Mars (Books 1-3)',6516,'In this episode the HPR Audiobook Club discusses the first three books of John Carter of Mars','In\nthis episode the HPR Audiobook Club discusses the audiobooks A\nPrincess of Mars, The\nGods of Mars, and The\nWarlord of Mars by Edgar Rice Burroughs\n
\n

Non-Spoiler Thoughts

\n
\n
    \n
  • Burroughs is kind of verbose, which is symbolic of the time period\nin which it was written.
  • \n
\n

Beverage Reviews

\n
\n
    \n
  • Thaj: Tempting fate with a tall glass of the highly\ntoxic, Dihydrogen\nMonoxide
  • \n
  • x1101: Shipyard\nLittle Horror of Hops Its a very amber IPA
  • \n
  • Pokey: Yellow Tail\nChardonay Its definitely a chardonay in flavor. You can taste the\ncost effectiveness up front, but it mellows out on the finish, and is\npretty okay for the price on average.
  • \n
  • FiftyOneFifty: Funky Pumpkin spiced\npumpkin ale
  • \n
  • Mark: Lagunitas IPA
  • \n
\n

Things We Talked About

\n
\n
    \n
  • Chat Secure secure XMPP,\nThink of the children!!!

  • \n
  • Technology on Barsoom

  • \n
  • Deus Ex Machina much???

  • \n
  • Names in fantasy books

  • \n
\n

Our Next Audiobook

\n
\n

See\nYou At The Morgue by Lawrence Blochman

\n

The Next Audiobook Club\nRecording

\n
\n

Right now we are working through a backlog of older episode that have\nalready been recorded. Once that ends we fully anticipate recording new\nepisodes with listener participation.

\n

Feedback

\n
\n

Thank you very much for listening to this episode of the HPR\nAudioBookClub. We had a great time recording this show, and we hope you\nenjoyed it as well. We also hope you\'ll consider joining us next time we\nrecord a new episode. Please leave a few words in the episode\'s comment\nsection.

\n

As always; remember to visit the HPR contribution page HPR could\nreally use your help right now.

\n

Sincerely, The HPR Audiobook Club

\n

P.S. Some people really like finding mistakes. For their enjoyment,\nwe always include a few.

\n

Our Audio

\n
\n

This episode was processed using Audacity. We\'ve been making\nsmall adjustments to our audio mix each month in order to get the best\npossible sound. Its been especially challenging getting all of our\nvoices relatively level, because everyone has their own unique setup.\nMumble is great for bringing us all together, and for recording, but\nit\'s not good at making everyone\'s voice the same volume. We\'re pretty\nhappy with the way this month\'s show turned out, so we\'d like to share\nour editing process and settings with you and our future selves (who, of\ncourse, will have forgotten all this by then).

\n

We use the \"Truncate Silence\" effect with it\'s default settings to\nminimize the silence between people speaking. When used with it\'s\ndefault (or at least reasonable) settings, Truncate Silence is extremely\neffective and satisfying. It makes everyone sound smarter, it makes the\nfile shorter without destroying actual content, and it makes a\nconversations sound as easy and fluid during playback as it was while it\nwas recorded. It can be even more effective if you can train yourself to\nremain silent instead of saying \"uuuuummmm.\" Just remember to ONLY pass\nthe file through Truncate Silence ONCE. If you pass it through a second\ntime, or if you set it too aggressively your audio may sound sped up and\nchoppy.

\n

Next we use the \"Compressor\" effect with the following settings:

\n
Threshold: -30db\n\nNoise Floor: -50db\n\nRatio: 3:1\n\nAttack Time: 0.2sec\n\nDecay Time: 1.0 sec
\n

\"Make-up Gain for 0db after compressing\" and \"compress based on\npeaks\" were both left un-checked.

\n

After compressing the audio we cut any pre-show and post-show chatter\nfrom the file and save them in a separate file for possible use as\nouttakes after the closing music.

\n

We adjust the Gain so that the VU meter in Audacity hovers around\n-12db while people are speaking, and we try to keep the peaks under\n-6db, and we adjust the Gain on each of the new tracks so that all\nvolumes are similar, and more importantly comfortable. Once this is done\nwe can \"Mix and Render\" all of our tracks into a single track for export\nto the .FLAC file which is uploaded to the HPR server.

\n

At this point we listen back to the whole file and we work on the\nshownotes. This is when we can cut out anything that needs to be cut,\nand we can also make sure that we put any links in the shownotes that\nwere talked about during the recording of the show. We finish the\nshownotes before exporting the .aup file to .FLAC so that we can paste a\ncopy of the shownotes into the audio file\'s metadata.

\n

At this point we add new, empty audio tracks into which we paste the\nintro, outro and possibly outtakes, and we rename each track\naccordingly.

\n

Remember to save often when using Audacity. We like to save after\neach of these steps. Audacity has a reputation for being \"crashy\" but if\nyou remember save after every major transform, you will wonder how it\never got that reputation.

\n

Attribution

\n
\n

Record\nScratch Creative Commons 0

\n',157,0,1,'CC-BY-SA','mars, audiobook club, fiction, scifi, audiobook',0,0,0); /*!40000 ALTER TABLE `eps` ENABLE KEYS */; UNLOCK TABLES; @@ -20169,7 +20177,7 @@ INSERT INTO `hosts` (`hostid`, `host`, `email`, `profile`, `license`, `local_ima (297,'swift110','anthonyvenable110.nospam@nospam.gmail.com','

\r\nHello I have been using Linux since 2010 and I learn more and more each day. My blog can be found at https://anthonyvenable110.wordpress.com\r\n

','CC-BY-SA',0,'',1,'swift110'), (298,'tcuc','infotcuc.nospam@nospam.gmail.com','

The American viking.

','CC-BY-SA',0,'',1,'T C U C '), (299,'Fin','finlaygmitchell.nospam@nospam.gmail.com','','CC-BY-SA',1,'',1,'Fin'), -(300,'b-yeezi','by33zi.nospam@nospam.protonmail.com','

\r\nI am a dad, small-business owner, scientist, and Linux enthousiast with a lust for knowledge. You can find me on reddit at https://www.reddit.com/user/b-yeezi/ or look for @ryoung29 on twitter. \r\n

','CC-BY-SA',1,'',1,'b-yeezi'), +(300,'Mr. Young','by33zi.nospam@nospam.protonmail.com','

\r\nI am a dad, small-business owner, scientist, and Linux enthousiast with a lust for knowledge. You can find me on reddit at https://www.reddit.com/user/b-yeezi/ or look for @ryoung29 on twitter. \r\n

','CC-BY-SA',1,'',1,'b-yeezi'), (301,'Amunizp','amunizp.nospam@nospam.member.fsf.org','

\r\nI am a scientist as my day job and in my free time I enjoy being with my family. I also contribute to my local hacerspace/makerspace: https://wiki.richmondmakerlabs.uk/index.php?title=Main_Page\r\n

\r\n

\r\nmy handle at gnusocial is @andresinmp@loadaverage.org\r\n

','CC-BY-SA',1,'',1,'A MunizP'), (302,'Stilvoid','steve.nospam@nospam.offend.me.uk','

\r\nDoes things with servers. Deeply embedded in the Linux world with no way out and sees that as a great thing. Father of one. Often too polite.\r\n

\r\n

\r\nIf you want to know more about me, look here: https://offend.me.uk/about/ and feel free to get in touch.\r\n

','CC-BY-SA',0,'',1,'Stilvoid'), (303,'Alpha32','andrew.neher1.nospam@nospam.gmail.com','

\r\nJust a guy with a microphone. And a computer. and some other stuff, but that\'s not important.\r\n

','CC-BY-SA',0,'',1,'Alpha32'), @@ -20820,4 +20828,4 @@ UNLOCK TABLES; /*!40014 SET UNIQUE_CHECKS=@OLD_UNIQUE_CHECKS */; /*!40111 SET SQL_NOTES=@OLD_SQL_NOTES */; --- Dump completed on 2023-07-03 14:41:44 +-- Dump completed on 2023-07-04 7:38:51