diff --git a/sql/hpr.sql b/sql/hpr.sql
index c68d632..6794c4c 100644
--- a/sql/hpr.sql
+++ b/sql/hpr.sql
@@ -19909,7 +19909,7 @@ INSERT INTO `eps` (`id`, `date`, `title`, `duration`, `summary`, `notes`, `hosti
 (3895,'2023-07-07','What\'s in my backpack',514,'Stache walks through the contents of his work backpack','<p>I have many things in my work backpack, to include a Raspberry Pico,\nmultiple USB drives, USB cables, two laptops, my glasses and a\nsunglasses case attached to the outside.</p>\n<p>It is a 5.11 RUSH MOAB 10 Sling Pack 18L, not because I want to be\n\"tacticool\" but because I like their products, and that they support\nveterans like myself.</p>\n',408,23,0,'CC-BY-SA','backpack contents, toolkit',0,0,1),
 (3897,'2023-07-11','HPR AudioBook Club 22 - Murder at Avedon Hill',6119,'In this episode the HPR Audiobook Club discusses the audiobook Murder at Avedon Hill by P.G. Holyfie','<h2\nid=\"in-this-episode-the-hpr-audiobook-club-discusses-the-audiobook-murder-at-avedon-hill-by-pg-holyfield\">In\nthis episode the HPR Audiobook Club discusses the audiobook <a\nhref=\"https://archive.org/details/podcast_murder-at-avedon-hill_280056756\">Murder\nat Avedon Hill</a> by P.G. Holyfield</h2>\n<hr />\n<h2 id=\"non-spoiler-thoughts\">Non-Spoiler Thoughts</h2>\n<hr />\n<ul>\n<li>Great reading, great audio quality, fun setting and setup. It had\nthe feel of a role playing adventure at the beginning, but was well\nfleshed out by the middle. It would have been slightly better if all of\nthe guest voices had had a pronunciation guide for the names.</li>\n</ul>\n<h2 id=\"beverage-reviews\">Beverage Reviews</h2>\n<hr />\n<ul>\n<li><strong>Thaj:</strong> A delicious regular chocolate malt from the\nlocal ice cream shop \"The Comfy Cow\"</li>\n<li><strong>x1101:</strong> Barton\'s 1795</li>\n<li><strong>Pokey</strong> Leinenkugel\'s: I have a fall variety pack,\nbut this is not the fall. I\'m not enjoying this beer as much as I\nexpected. It\'s good, and I can taste the high quality of the\ningredients, but I think it\'s just the wrong season for this.</li>\n</ul>\n<h2 id=\"things-we-talked-about\">Things We Talked About</h2>\n<hr />\n<ul>\n<li><p><a\nhref=\"https://boardgamegeek.com/boardgame/822/carcassonne\">Carcassonne</a></p></li>\n<li><p><a href=\"https://scribl.com/books/P8EE5/shadowmagic\">Shadow\nMagic</a></p></li>\n</ul>\n<h2 id=\"our-next-audiobook\">Our Next Audiobook</h2>\n<hr />\n<p><a\nhref=\"https://librivox.org/a-princess-of-mars-by-edgar-rice-burroughs-2/\">A\nPrincess of Mars</a> by Edgar Rice Burroughs</p>\n<h2 id=\"the-next-audiobook-club-recording\">The Next Audiobook Club\nRecording</h2>\n<hr />\n<p>Right now we are working through a backlog of older episodes that\nhave already been recorded. Once that ends we fully anticipate recording\nnew episodes with listener participation.</p>\n<h2 id=\"feedback\">Feedback</h2>\n<hr />\n<p>Thank you very much for listening to this episode of the HPR\nAudioBookClub. We had a great time recording this show, and we hope you\nenjoyed it as well. We also hope you\'ll consider joining us next time we\nrecord a new episode. Please leave a few words in the episode\'s comment\nsection.</p>\n<p>As always; remember to visit the HPR contribution page HPR could\nreally use your help right now.</p>\n<p>Sincerely, The HPR Audiobook Club</p>\n<p>P.S. Some people really like finding mistakes. For their enjoyment,\nwe always include a few.</p>\n<h2 id=\"our-audio\">Our Audio</h2>\n<hr />\n<p>This episode was processed using <a\nhref=\"https://www.audacityteam.org/\">Audacity</a>. We\'ve been making\nsmall adjustments to our audio mix each month in order to get the best\npossible sound. Its been especially challenging getting all of our\nvoices relatively level, because everyone has their own unique setup.\nMumble is great for bringing us all together, and for recording, but\nit\'s not good at making everyone\'s voice the same volume. We\'re pretty\nhappy with the way this month\'s show turned out, so we\'d like to share\nour editing process and settings with you and our future selves (who, of\ncourse, will have forgotten all this by then).</p>\n<p>We use the \"Truncate Silence\" effect with it\'s default settings to\nminimize the silence between people speaking. When used with it\'s\ndefault (or at least reasonable) settings, Truncate Silence is extremely\neffective and satisfying. It makes everyone sound smarter, it makes the\nfile shorter without destroying actual content, and it makes a\nconversations sound as easy and fluid during playback as it was while it\nwas recorded. It can be even more effective if you can train yourself to\nremain silent instead of saying \"uuuuummmm.\" Just remember to ONLY pass\nthe file through Truncate Silence ONCE. If you pass it through a second\ntime, or if you set it too aggressively your audio may sound sped up and\nchoppy.</p>\n<p>Next we use the \"Compressor\" effect with the following settings:</p>\n<pre><code>Threshold: -30db\n\nNoise Floor: -50db\n\nRatio: 3:1\n\nAttack Time: 0.2sec\n\nDecay Time: 1.0 sec`</code></pre>\n<p>\"Make-up Gain for 0db after compressing\" and \"compress based on\npeaks\" were both left un-checked.</p>\n<p>After compressing the audio we cut any pre-show and post-show chatter\nfrom the file and save them in a separate file for possible use as\nouttakes after the closing music.</p>\n<p>We adjust the Gain so that the VU meter in Audacity hovers around\n-12db while people are speaking, and we try to keep the peaks under\n-6db, and we adjust the Gain on each of the new tracks so that all\nvolumes are similar, and more importantly comfortable. Once this is done\nwe can \"Mix and Render\" all of our tracks into a single track for export\nto the .FLAC file which is uploaded to the HPR server.</p>\n<p>At this point we listen back to the whole file and we work on the\nshownotes. This is when we can cut out anything that needs to be cut,\nand we can also make sure that we put any links in the shownotes that\nwere talked about during the recording of the show. We finish the\nshownotes before exporting the .aup file to .FLAC so that we can paste a\ncopy of the shownotes into the audio file\'s metadata.</p>\n<p>At this point we add new, empty audio tracks into which we paste the\nintro, outro and possibly outtakes, and we rename each track\naccordingly.</p>\n<p>Remember to save often when using Audacity. We like to save after\neach of these steps. Audacity has a reputation for being \"crashy\" but if\nyou remember save after every major transform, you will wonder how it\never got that reputation.</p>\n',157,53,1,'CC-BY-SA','Audiobook club, audiobook, fantasy, fiction',0,0,1),
 (3899,'2023-07-13','Repair corrupt video files for free with untruc',320,'This is how I fixed corrupt video files from my dash cam after an accident','<p>My original blog post on this topic: <a\nhref=\"https://pquirk.com/posts/corruptvideo/\"\nclass=\"uri\">https://pquirk.com/posts/corruptvideo/</a></p>\n<ul>\n<li>Untruc at Github: <a href=\"https://github.com/anthwlock/untrunc\"\nclass=\"uri\">https://github.com/anthwlock/untrunc</a></li>\n<li>Windows version: <a\nhref=\"https://github.com/anthwlock/untrunc/releases\"\nclass=\"uri\">https://github.com/anthwlock/untrunc/releases</a></li>\n<li>Arch linux version: <a\nhref=\"https://aur.archlinux.org/packages/untrunc-git\"\nclass=\"uri\">https://aur.archlinux.org/packages/untrunc-git</a></li>\n</ul>\n<p>Make your donations to:<br />\n<a href=\"https://www.paypal.com/paypalme/anthwlock\"\nclass=\"uri\">https://www.paypal.com/paypalme/anthwlock</a><br />\n<a href=\"https://vcg.isti.cnr.it/~ponchio/untrunc.php\"\nclass=\"uri\">https://vcg.isti.cnr.it/~ponchio/untrunc.php</a></p>\n',383,0,0,'CC-BY-NC-SA','video,corrupt,fix,file,linux',0,0,1),
-(3921,'2023-08-14','HPR AudioBook Club 23 - John Carter of Mars (Books 1-3)',6516,'In this episode the HPR Audiobook Club discusses the first three books of John Carter of Mars','<h2\nid=\"in-this-episode-the-hpr-audiobook-club-discusses-the-audiobooks-a-princess-of-mars-the-gods-of-mars-and-the-warlord-of-mars-by-edgar-rice-burroughs\">In\nthis episode the HPR Audiobook Club discusses the audiobooks <a\nhref=\"https://librivox.org/a-princess-of-mars-by-edgar-rice-burroughs-2/\">A\nPrincess of Mars</a>, <a\nhref=\"https://librivox.org/the-gods-of-mars-version-3-by-edgar-rice-burroughs/\">The\nGods of Mars</a>, and <a\nhref=\"https://librivox.org/the-warlord-of-mars-version-3-by-edgar-rice-burroughs/\">The\nWarlord of Mars</a> by Edgar Rice Burroughs</h2>\n<hr />\n<h2 id=\"non-spoiler-thoughts\">Non-Spoiler Thoughts</h2>\n<hr />\n<ul>\n<li>Burroughs is kind of verbose, which is symbolic of the time period\nin which it was written.</li>\n</ul>\n<h2 id=\"beverage-reviews\">Beverage Reviews</h2>\n<hr />\n<ul>\n<li><strong>Thaj:</strong> Tempting fate with a tall glass of the highly\ntoxic, <a href=\"http://www.dhmo.org/facts.html\">Dihydrogen\nMonoxide</a></li>\n<li><strong>x1101:</strong> <a\nhref=\"https://www.beeradvocate.com/beer/profile/139/149716/\">Shipyard\nLittle Horror of Hops</a> Its a very amber IPA</li>\n<li><strong>Pokey:</strong> <a\nhref=\"http://www.yellowtailwine.com/chardonnay/\">Yellow Tail\nChardonay</a> Its definitely a chardonay in flavor. You can taste the\ncost effectiveness up front, but it mellows out on the finish, and is\npretty okay for the price on average.</li>\n<li><strong>FiftyOneFifty:</strong> <a\nhref=\"https://www.boulevard.com/beer/our-beers/\">Funky Pumpkin spiced\npumpkin ale</a></li>\n<li><strong>Mark:</strong> <a\nhref=\"https://lagunitas.com/beer/ipa/\">Lagunitas IPA</a></li>\n</ul>\n<h2 id=\"things-we-talked-about\">Things We Talked About</h2>\n<hr />\n<ul>\n<li><p><a href=\"https://chatsecure.org/\">Chat Secure</a> secure XMPP,\nThink of the children!!!</p></li>\n<li><p>Technology on Barsoom</p></li>\n<li><p>Deus Ex Machina much???</p></li>\n<li><p>Names in fantasy books</p></li>\n</ul>\n<h2 id=\"our-next-audiobook\">Our Next Audiobook</h2>\n<hr />\n<p><a href=\"https://scribl.com/books/P34C6/see-you-at-the-morgue\">See\nYou At The Morgue</a> by Lawrence Blochman</p>\n<h2 id=\"the-next-audiobook-club-recording\">The Next Audiobook Club\nRecording</h2>\n<hr />\n<p>Right now we are working through a backlog of older episode that have\nalready been recorded. Once that ends we fully anticipate recording new\nepisodes with listener participation.</p>\n<h2 id=\"feedback\">Feedback</h2>\n<hr />\n<p>Thank you very much for listening to this episode of the HPR\nAudioBookClub. We had a great time recording this show, and we hope you\nenjoyed it as well. We also hope you\'ll consider joining us next time we\nrecord a new episode. Please leave a few words in the episode\'s comment\nsection.</p>\n<p>As always; remember to visit the HPR contribution page HPR could\nreally use your help right now.</p>\n<p>Sincerely, The HPR Audiobook Club</p>\n<p>P.S. Some people really like finding mistakes. For their enjoyment,\nwe always include a few.</p>\n<h2 id=\"our-audio\">Our Audio</h2>\n<hr />\n<p>This episode was processed using <a\nhref=\"https://www.audacityteam.org/\">Audacity</a>. We\'ve been making\nsmall adjustments to our audio mix each month in order to get the best\npossible sound. Its been especially challenging getting all of our\nvoices relatively level, because everyone has their own unique setup.\nMumble is great for bringing us all together, and for recording, but\nit\'s not good at making everyone\'s voice the same volume. We\'re pretty\nhappy with the way this month\'s show turned out, so we\'d like to share\nour editing process and settings with you and our future selves (who, of\ncourse, will have forgotten all this by then).</p>\n<p>We use the \"Truncate Silence\" effect with it\'s default settings to\nminimize the silence between people speaking. When used with it\'s\ndefault (or at least reasonable) settings, Truncate Silence is extremely\neffective and satisfying. It makes everyone sound smarter, it makes the\nfile shorter without destroying actual content, and it makes a\nconversations sound as easy and fluid during playback as it was while it\nwas recorded. It can be even more effective if you can train yourself to\nremain silent instead of saying \"uuuuummmm.\" Just remember to ONLY pass\nthe file through Truncate Silence ONCE. If you pass it through a second\ntime, or if you set it too aggressively your audio may sound sped up and\nchoppy.</p>\n<p>Next we use the \"Compressor\" effect with the following settings:</p>\n<pre><code>Threshold: -30db\n\nNoise Floor: -50db\n\nRatio: 3:1\n\nAttack Time: 0.2sec\n\nDecay Time: 1.0 sec</code></pre>\n<p>\"Make-up Gain for 0db after compressing\" and \"compress based on\npeaks\" were both left un-checked.</p>\n<p>After compressing the audio we cut any pre-show and post-show chatter\nfrom the file and save them in a separate file for possible use as\nouttakes after the closing music.</p>\n<p>We adjust the Gain so that the VU meter in Audacity hovers around\n-12db while people are speaking, and we try to keep the peaks under\n-6db, and we adjust the Gain on each of the new tracks so that all\nvolumes are similar, and more importantly comfortable. Once this is done\nwe can \"Mix and Render\" all of our tracks into a single track for export\nto the .FLAC file which is uploaded to the HPR server.</p>\n<p>At this point we listen back to the whole file and we work on the\nshownotes. This is when we can cut out anything that needs to be cut,\nand we can also make sure that we put any links in the shownotes that\nwere talked about during the recording of the show. We finish the\nshownotes before exporting the .aup file to .FLAC so that we can paste a\ncopy of the shownotes into the audio file\'s metadata.</p>\n<p>At this point we add new, empty audio tracks into which we paste the\nintro, outro and possibly outtakes, and we rename each track\naccordingly.</p>\n<p>Remember to save often when using Audacity. We like to save after\neach of these steps. Audacity has a reputation for being \"crashy\" but if\nyou remember save after every major transform, you will wonder how it\never got that reputation.</p>\n<h2 id=\"attribution\">Attribution</h2>\n<hr />\n<p><a\nhref=\"https://freesound.org/people/ZeSoundResearchInc./sounds/117512/\">Record\nScratch</a> Creative Commons 0</p>\n',157,0,1,'CC-BY-SA','mars, audiobook club, fiction, scifi, audiobook',0,0,0);
+(3921,'2023-08-14','HPR AudioBook Club 23 - John Carter of Mars (Books 1-3)',6516,'In this episode the HPR Audiobook Club discusses the first three books of John Carter of Mars','<h2\nid=\"in-this-episode-the-hpr-audiobook-club-discusses-the-audiobooks-a-princess-of-mars-the-gods-of-mars-and-the-warlord-of-mars-by-edgar-rice-burroughs\">In\nthis episode the HPR Audiobook Club discusses the audiobooks <a\nhref=\"https://librivox.org/a-princess-of-mars-by-edgar-rice-burroughs-2/\">A\nPrincess of Mars</a>, <a\nhref=\"https://librivox.org/the-gods-of-mars-version-3-by-edgar-rice-burroughs/\">The\nGods of Mars</a>, and <a\nhref=\"https://librivox.org/the-warlord-of-mars-version-3-by-edgar-rice-burroughs/\">The\nWarlord of Mars</a> by Edgar Rice Burroughs</h2>\n<hr />\n<h2 id=\"non-spoiler-thoughts\">Non-Spoiler Thoughts</h2>\n<hr />\n<ul>\n<li>Burroughs is kind of verbose, which is symbolic of the time period\nin which it was written.</li>\n</ul>\n<h2 id=\"beverage-reviews\">Beverage Reviews</h2>\n<hr />\n<ul>\n<li><strong>Thaj:</strong> Tempting fate with a tall glass of the highly\ntoxic, <a href=\"http://www.dhmo.org/facts.html\">Dihydrogen\nMonoxide</a></li>\n<li><strong>x1101:</strong> <a\nhref=\"https://www.beeradvocate.com/beer/profile/139/149716/\">Shipyard\nLittle Horror of Hops</a> Its a very amber IPA</li>\n<li><strong>Pokey:</strong> <a\nhref=\"http://www.yellowtailwine.com/chardonnay/\">Yellow Tail\nChardonay</a> Its definitely a chardonay in flavor. You can taste the\ncost effectiveness up front, but it mellows out on the finish, and is\npretty okay for the price on average.</li>\n<li><strong>FiftyOneFifty:</strong> <a\nhref=\"https://www.boulevard.com/beer/our-beers/\">Funky Pumpkin spiced\npumpkin ale</a></li>\n<li><strong>Mark:</strong> <a\nhref=\"https://lagunitas.com/beer/ipa/\">Lagunitas IPA</a></li>\n</ul>\n<h2 id=\"things-we-talked-about\">Things We Talked About</h2>\n<hr />\n<ul>\n<li><p><a href=\"https://chatsecure.org/\">Chat Secure</a> secure XMPP,\nThink of the children!!!</p></li>\n<li><p>Technology on Barsoom</p></li>\n<li><p>Deus Ex Machina much???</p></li>\n<li><p>Names in fantasy books</p></li>\n</ul>\n<h2 id=\"our-next-audiobook\">Our Next Audiobook</h2>\n<hr />\n<p><a href=\"https://scribl.com/books/P34C6/see-you-at-the-morgue\">See\nYou At The Morgue</a> by Lawrence Blochman</p>\n<h2 id=\"the-next-audiobook-club-recording\">The Next Audiobook Club\nRecording</h2>\n<hr />\n<p>Right now we are working through a backlog of older episode that have\nalready been recorded. Once that ends we fully anticipate recording new\nepisodes with listener participation.</p>\n<h2 id=\"feedback\">Feedback</h2>\n<hr />\n<p>Thank you very much for listening to this episode of the HPR\nAudioBookClub. We had a great time recording this show, and we hope you\nenjoyed it as well. We also hope you\'ll consider joining us next time we\nrecord a new episode. Please leave a few words in the episode\'s comment\nsection.</p>\n<p>As always; remember to visit the HPR contribution page HPR could\nreally use your help right now.</p>\n<p>Sincerely, The HPR Audiobook Club</p>\n<p>P.S. Some people really like finding mistakes. For their enjoyment,\nwe always include a few.</p>\n<h2 id=\"our-audio\">Our Audio</h2>\n<hr />\n<p>This episode was processed using <a\nhref=\"https://www.audacityteam.org/\">Audacity</a>. We\'ve been making\nsmall adjustments to our audio mix each month in order to get the best\npossible sound. Its been especially challenging getting all of our\nvoices relatively level, because everyone has their own unique setup.\nMumble is great for bringing us all together, and for recording, but\nit\'s not good at making everyone\'s voice the same volume. We\'re pretty\nhappy with the way this month\'s show turned out, so we\'d like to share\nour editing process and settings with you and our future selves (who, of\ncourse, will have forgotten all this by then).</p>\n<p>We use the \"Truncate Silence\" effect with it\'s default settings to\nminimize the silence between people speaking. When used with it\'s\ndefault (or at least reasonable) settings, Truncate Silence is extremely\neffective and satisfying. It makes everyone sound smarter, it makes the\nfile shorter without destroying actual content, and it makes a\nconversations sound as easy and fluid during playback as it was while it\nwas recorded. It can be even more effective if you can train yourself to\nremain silent instead of saying \"uuuuummmm.\" Just remember to ONLY pass\nthe file through Truncate Silence ONCE. If you pass it through a second\ntime, or if you set it too aggressively your audio may sound sped up and\nchoppy.</p>\n<p>Next we use the \"Compressor\" effect with the following settings:</p>\n<pre><code>Threshold: -30db\n\nNoise Floor: -50db\n\nRatio: 3:1\n\nAttack Time: 0.2sec\n\nDecay Time: 1.0 sec</code></pre>\n<p>\"Make-up Gain for 0db after compressing\" and \"compress based on\npeaks\" were both left un-checked.</p>\n<p>After compressing the audio we cut any pre-show and post-show chatter\nfrom the file and save them in a separate file for possible use as\nouttakes after the closing music.</p>\n<p>We adjust the Gain so that the VU meter in Audacity hovers around\n-12db while people are speaking, and we try to keep the peaks under\n-6db, and we adjust the Gain on each of the new tracks so that all\nvolumes are similar, and more importantly comfortable. Once this is done\nwe can \"Mix and Render\" all of our tracks into a single track for export\nto the .FLAC file which is uploaded to the HPR server.</p>\n<p>At this point we listen back to the whole file and we work on the\nshownotes. This is when we can cut out anything that needs to be cut,\nand we can also make sure that we put any links in the shownotes that\nwere talked about during the recording of the show. We finish the\nshownotes before exporting the .aup file to .FLAC so that we can paste a\ncopy of the shownotes into the audio file\'s metadata.</p>\n<p>At this point we add new, empty audio tracks into which we paste the\nintro, outro and possibly outtakes, and we rename each track\naccordingly.</p>\n<p>Remember to save often when using Audacity. We like to save after\neach of these steps. Audacity has a reputation for being \"crashy\" but if\nyou remember save after every major transform, you will wonder how it\never got that reputation.</p>\n<h2 id=\"attribution\">Attribution</h2>\n<hr />\n<p><a\nhref=\"https://freesound.org/people/ZeSoundResearchInc./sounds/117512/\">Record\nScratch</a> Creative Commons 0</p>\n',157,0,1,'CC-BY-SA','mars, audiobook club, fiction, scifi, audiobook',0,0,1);
 /*!40000 ALTER TABLE `eps` ENABLE KEYS */;
 UNLOCK TABLES;
 
@@ -20828,4 +20828,4 @@ UNLOCK TABLES;
 /*!40014 SET UNIQUE_CHECKS=@OLD_UNIQUE_CHECKS */;
 /*!40111 SET SQL_NOTES=@OLD_SQL_NOTES */;
 
--- Dump completed on 2023-07-04  7:38:51
+-- Dump completed on 2023-07-05  6:22:31