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Ken Fallon 2023-08-05 15:06:58 +02:00
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1 changed files with 20 additions and 6 deletions
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@ -11806,6 +11806,18 @@ INSERT INTO `assets` (`episode_id`, `filename`, `extension`, `size`, `sha1sum`,
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@ -11824,8 +11836,8 @@ INSERT INTO `assets` (`episode_id`, `filename`, `extension`, `size`, `sha1sum`,
(3915,'hpr3915.spx','spx',3335733,'ca502f72d4e35079effc07c4f3c358bfcf9689d3','audio/ogg; charset=binary','setgid Ogg data, Speex audio'), (3915,'hpr3915.spx','spx',3335733,'ca502f72d4e35079effc07c4f3c358bfcf9689d3','audio/ogg; charset=binary','setgid Ogg data, Speex audio'),
(3915,'hpr3915.ogg','ogg',8825166,'ed11b97b23d0b238086e76b8e6c4377dddcac0ca','audio/ogg; charset=binary','setgid Ogg data, Opus audio,'), (3915,'hpr3915.ogg','ogg',8825166,'ed11b97b23d0b238086e76b8e6c4377dddcac0ca','audio/ogg; charset=binary','setgid Ogg data, Opus audio,'),
(3915,'hpr3915.mp3','mp3',7066294,'58b069b4657f3bf7b5d31fe8f46b632e4e89690c','audio/mpeg; charset=binary','setgid Audio file with ID3 version 2.4.0, contains:MPEG ADTS, layer III, v1, 64 kbps, 48 kHz, Monaural'), (3915,'hpr3915.mp3','mp3',7066294,'58b069b4657f3bf7b5d31fe8f46b632e4e89690c','audio/mpeg; charset=binary','setgid Audio file with ID3 version 2.4.0, contains:MPEG ADTS, layer III, v1, 64 kbps, 48 kHz, Monaural'),
(3914,'hpr3914.wav','wav',131837262,'5ad9d9a3dc94aa29551b6e1f2460a2e6fe5256ac','audio/x-wav; charset=binary','setgid RIFF (little-endian) data, WAVE audio, mono 192000 Hz'), (3914,'hpr3914.wav','wav',131837262,'5ad9d9a3dc94aa29551b6e1f2460a2e6fe5256ac','audio/x-wav; charset=binary','setgid RIFF (little-endian) data, WAVE audio, mono 192000 Hz');
(3914,'hpr3914.opus','opus',3156114,'02ee281d04484890d6d418e6b16e6e9223d92378','audio/ogg; charset=binary','setgid Ogg data, Opus audio,'), INSERT INTO `assets` (`episode_id`, `filename`, `extension`, `size`, `sha1sum`, `mime_type`, `file_type`) VALUES (3914,'hpr3914.opus','opus',3156114,'02ee281d04484890d6d418e6b16e6e9223d92378','audio/ogg; charset=binary','setgid Ogg data, Opus audio,'),
(3914,'hpr3914.flac','flac',26396808,'4681dee781ebab3090717a3b31c4b81b76e113b1','audio/flac; charset=binary','setgid FLAC audio bitstream data, 16 bit, mono, 192 kHz, 65917928 samples'), (3914,'hpr3914.flac','flac',26396808,'4681dee781ebab3090717a3b31c4b81b76e113b1','audio/flac; charset=binary','setgid FLAC audio bitstream data, 16 bit, mono, 192 kHz, 65917928 samples'),
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@ -11836,8 +11848,8 @@ INSERT INTO `assets` (`episode_id`, `filename`, `extension`, `size`, `sha1sum`,
(3913,'hpr3913.spx','spx',1500273,'04af17678176dd3fc48941c066516ec7e17c2918','audio/ogg; charset=binary','setgid Ogg data, Speex audio'), (3913,'hpr3913.spx','spx',1500273,'04af17678176dd3fc48941c066516ec7e17c2918','audio/ogg; charset=binary','setgid Ogg data, Speex audio'),
(3913,'hpr3913.flac','flac',29058349,'687b673a3cceafe03676dae6a1e581664b40e52e','audio/flac; charset=binary','setgid FLAC audio bitstream data, 16 bit, mono, 192 kHz, 76235790 samples'), (3913,'hpr3913.flac','flac',29058349,'687b673a3cceafe03676dae6a1e581664b40e52e','audio/flac; charset=binary','setgid FLAC audio bitstream data, 16 bit, mono, 192 kHz, 76235790 samples'),
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INSERT INTO `assets` (`episode_id`, `filename`, `extension`, `size`, `sha1sum`, `mime_type`, `file_type`) VALUES (3913,'hpr3913.mp3','mp3',3178498,'7796f6756a740aac076bafbf69f268cc440185f3','audio/mpeg; charset=binary','setgid Audio file with ID3 version 2.4.0, contains:MPEG ADTS, layer III, v1, 64 kbps, 48 kHz, Monaural'), (3913,'hpr3913.mp3','mp3',3178498,'7796f6756a740aac076bafbf69f268cc440185f3','audio/mpeg; charset=binary','setgid Audio file with ID3 version 2.4.0, contains:MPEG ADTS, layer III, v1, 64 kbps, 48 kHz, Monaural'),
(3912,'hpr3912.flac','flac',23751862,'ce013a32eb350b3599e6958432af2b0354e78901','audio/flac; charset=binary','setgid FLAC audio bitstream data, 16 bit, mono, 192 kHz, 60254285 samples'), (3912,'hpr3912.flac','flac',23751862,'ce013a32eb350b3599e6958432af2b0354e78901','audio/flac; charset=binary','setgid FLAC audio bitstream data, 16 bit, mono, 192 kHz, 60254285 samples'),
(3912,'hpr3912.ogg','ogg',2943238,'1b45c0a821d741e0dd6a4b9cda60791843da086b','audio/ogg; charset=binary','setgid Ogg data, Opus audio,'), (3912,'hpr3912.ogg','ogg',2943238,'1b45c0a821d741e0dd6a4b9cda60791843da086b','audio/ogg; charset=binary','setgid Ogg data, Opus audio,'),
(3912,'hpr3912.spx','spx',1185859,'b2d0f6ce6e30be2505755f6ba543ffa5294a63da','audio/ogg; charset=binary','setgid Ogg data, Speex audio'), (3912,'hpr3912.spx','spx',1185859,'b2d0f6ce6e30be2505755f6ba543ffa5294a63da','audio/ogg; charset=binary','setgid Ogg data, Speex audio'),
@ -20041,7 +20053,9 @@ INSERT INTO `eps` (`id`, `date`, `title`, `duration`, `summary`, `notes`, `hosti
(3914,'2023-08-03','how to deal with blisters',262,'a technique my father taught me, for dealing with blisters','<p>Many years ago, my father taught me how to deal with blisters using a\nneedle and thread.</p>\n',399,0,0,'CC-BY-SA','first aid',0,0,1), (3914,'2023-08-03','how to deal with blisters',262,'a technique my father taught me, for dealing with blisters','<p>Many years ago, my father taught me how to deal with blisters using a\nneedle and thread.</p>\n',399,0,0,'CC-BY-SA','first aid',0,0,1),
(3915,'2023-08-04','Why the hell is my audio clipping?',802,'MrX has audio that is clipping but will he be able to fix it?','<p>This is an emergency show as we are short of shows. I was going to do\nthis show anyway as I noticed my audio was clipping on the last few\nshows I sent in yet I didn\'t notice it on the files I sent to HPR.</p>\n<p>In this episode I waffle a bit and read out some of the stuff on the\nHPR site about giving shows. During the recording I introduce increasing\namounts of attenuation each decrease in volume signified by a gong. I\nhope this will allow me to stop the clipping from my audio.</p>\n',201,0,1,'CC-BY-SA','audio, podcasting, Audacity',0,0,1), (3915,'2023-08-04','Why the hell is my audio clipping?',802,'MrX has audio that is clipping but will he be able to fix it?','<p>This is an emergency show as we are short of shows. I was going to do\nthis show anyway as I noticed my audio was clipping on the last few\nshows I sent in yet I didn\'t notice it on the files I sent to HPR.</p>\n<p>In this episode I waffle a bit and read out some of the stuff on the\nHPR site about giving shows. During the recording I introduce increasing\namounts of attenuation each decrease in volume signified by a gong. I\nhope this will allow me to stop the clipping from my audio.</p>\n',201,0,1,'CC-BY-SA','audio, podcasting, Audacity',0,0,1),
(3917,'2023-08-08','Response to \"Permission Tickets\" by oneofspoons',408,'Hopefully a useful provocation, in response to a recent intriguing show by another HPR host','<p>A response show to oneofspoons\' <a\nhref=\"https://hackerpublicradio.org/eps/hpr3909/index.html\">hpr3909 ::\nPermission Tickets\"</a>.</p>\n<p>Reference: <a\nhref=\"https://harpersmagazine.substack.com/p/the-writers-strike-or-the-writers#details\">Harper\'s\nPodcast -The Writers&#x2019; Strike, or: the Writers Strike</a></p>\n',399,0,0,'CC-BY-SA','crypto',0,0,1), (3917,'2023-08-08','Response to \"Permission Tickets\" by oneofspoons',408,'Hopefully a useful provocation, in response to a recent intriguing show by another HPR host','<p>A response show to oneofspoons\' <a\nhref=\"https://hackerpublicradio.org/eps/hpr3909/index.html\">hpr3909 ::\nPermission Tickets\"</a>.</p>\n<p>Reference: <a\nhref=\"https://harpersmagazine.substack.com/p/the-writers-strike-or-the-writers#details\">Harper\'s\nPodcast -The Writers&#x2019; Strike, or: the Writers Strike</a></p>\n',399,0,0,'CC-BY-SA','crypto',0,0,1),
(3919,'2023-08-10','How I hacked my voice',959,'tuturto talks about what she\'s doing to change her voice','<p>Resource mentioned in the episode: <a\nhref=\"https://www.youtube.com/@TransVoiceLessons\"\nclass=\"uri\">https://www.youtube.com/@TransVoiceLessons</a></p>\n',364,0,0,'CC-BY-SA','voice, trans',0,0,1); (3919,'2023-08-10','How I hacked my voice',959,'tuturto talks about what she\'s doing to change her voice','<p>Resource mentioned in the episode: <a\nhref=\"https://www.youtube.com/@TransVoiceLessons\"\nclass=\"uri\">https://www.youtube.com/@TransVoiceLessons</a></p>\n',364,0,0,'CC-BY-SA','voice, trans',0,0,1),
(3922,'2023-08-15','Silent Key',241,'A brief history of the term \"Silent Key\" as applied to amateur radio','<p>Hacker Public Radio &#x2013; Silent Key HPR3922</p>\n<p>Hello this is Trey, and I am recording this in the shadow of the loss\nof a good friend and mentor who helped guide me in my career and in\nhobbies like electronics, aviation, and amateur radio. The amateur radio\narea is what I will be discussing today.</p>\n<p>Many terms within amateur radio find their origins from the days of\ntelegraph, when operators would use Morse code to send messages across\ngreat distances using wires strung from pole to pole. The telegraph\n&#x201C;key&#x201D; (or code key) was basically a momentary contact switch which would\nclose an electrical connection when pressed. Pressing the key down for a\nshort period of time would send a short pulse down the line, which is\nreferred to as a &#x201C;dit&#x201D; (Sometimes the term &#x201C;dot&#x201D; is used). This may be\nwritten using the period &#x201C;.&#x201D; symbol. Holding the key down for a bit\nlonger would send a longer pulse down the line, called a &#x201C;dash&#x201D;\n(Sometimes the term &#x201C;dah&#x201D; is used) and it may be written using the\nhyphen &#x201C;-&#x201D; symbol.</p>\n<p>Telegraph operators became a close knit community, even though they\nwere geographically separated. Often one operator could identify another\noperator by subtleties in the style or personality of how they sent\ntheir messages. This was known as the operator&#x2019;s &#x201C;fist&#x201D; and today we\nwould describe it as a &#x201C;behavioral biometric&#x201D;. As the community of\ntelegraph operators moved around or were replaced, new &#x201C;fists&#x201D; would be\nidentified, as new personalities of code sending were tapped out on the\ntelegraph keys.</p>\n<p>When an operator passed away, it was a loss to the community, and a\nloss of someone who might have been befriended remotely by other\noperators. The term of respect created for this situation was &#x201C;Silent\nKey&#x201D; sent as the abbreviation &#x201C;SK&#x201D; ( &#x2026; -.- ). It meant that the\nparticular operator would never send code again. His telegraph key would\nbe silent.</p>\n<p>This tradition has been carried on among amateur radio operators or\n&#x201C;Hams&#x201D;. This is also a close knit community of people. While some still\nuse Morse code to communicate (Referred to as &#x201C;CW&#x201D; for continuous wave),\nthere are many other forms in use, including voice and digital modes.\nBut regardless of how we communicated with them, when we lose one of our\nown, we still say they are SK. Silent key. No longer able to\ntransmit.</p>\n<p>Organizations like the American Radio Relay League (ARRL) and QRZ.com\ntry to update their records when a Ham passes away. There are also\ndatabases like silentkeyhq.com which keep records and memories of\ndeceased operators.</p>\n<p>So, it is with great sadness that I have been updating the records\nfor my close friend and mentor KV4YD. Thank you for your friendship and\nsupport, and for sharing your wisdom over the years. You will be\nmissed.</p>\n<p><a\nhref=\"https://www.silentkeyhq.com/main.php?p=bin/NSKALookup.php&amp;call=KF8F&amp;uid=1111688122977783\"\nclass=\"uri\">https://www.silentkeyhq.com/main.php?p=bin/NSKALookup.php&amp;call=KF8F&amp;uid=1111688122977783</a></p>\n<p>(Note: There is intentionally 5 seconds of recorded silence at the\nend of this recording as a moment of silence to remember our silent\nkeys)</p>\n<p>KV4YD 73 VA E E</p>\n',394,43,0,'CC-BY-SA','morse code, cw, amateur radio, telegraph, memorial',0,0,1),
(3923,'2023-08-16','Meal preparation.',2488,'Sgoti chats with Bumble Bee about meal preparation.','<h2 id=\"meal-preparation-with-bumble-bee.\">Meal preparation with Bumble\nBee.</h2>\n<ul>\n<li><strong>Source:</strong> <a\nhref=\"https://en.wikipedia.org/wiki/Meal_preparation\">Meal\npreparation</a><br />\n\n<ul>\n<li>Meal preparation involves preparing meals ahead of time for a short\nor period of time. This practice may occur among people who desire to\nlose weight, gain muscle mass, or maintain a healthy lifestyle. Advance\npreparation can serve to standardize food portions. Meals preparation\nare fully cooked. Meals may be prepared in small containers such as\nTupperware, and are sometimes labeled and dated to remain\norganized.<br />\n</li>\n</ul></li>\n<li><strong>Source:</strong> <a\nhref=\"https://en.wikipedia.org/wiki/Onion\">Onions</a><br />\n\n<ul>\n<li>Freshly cut onions often cause a stinging sensation in the eyes of\npeople nearby, and often uncontrollable tears. This is caused by the\nrelease of a volatile liquid, syn-propanethial-S-oxide and its aerosol,\nwhich stimulates nerves in the eye. This gas is produced by a chain of\nreactions which serve as a defence mechanism: chopping an onion causes\ndamage to cells which releases enzymes called alliinases. These break\ndown amino acid sulfoxides and generate sulfenic acids. A specific\nsulfenic acid, 1-propenesulfenic acid, is rapidly acted on by a second\nenzyme, the lacrimatory factor synthase (LFS), producing the\nsyn-propanethial-S-oxide. This gas diffuses through the air and soon\nreaches the eyes, where it activates sensory neurons. Lacrimal glands\nproduce tears to dilute and flush out the irritant.<br />\n</li>\n<li>Cooking onions and sweet onions are better stored at room\ntemperature, optimally in a single layer, in large mesh bags in a dry,\ncool, dark, well-ventilated location. In this environment, cooking\nonions have a shelf life of three to four weeks and sweet onions one to\ntwo weeks. Cooking onions will absorb odours from apples and pears.\nAlso, they draw moisture from vegetables with which they are stored\nwhich may cause them to decay.<br />\n</li>\n<li>Sweet onions have a greater water and sugar content than cooking\nonions. This makes them sweeter and milder tasting, but reduces their\nshelf life. Sweet onions can be stored refrigerated; they have a shelf\nlife of around 1 month. Irrespective of type, any cut pieces of onion\nare best tightly wrapped, stored away from other produce, and used\nwithin two to three days.<br />\n</li>\n</ul></li>\n<li><strong>Source:</strong> <a\nhref=\"https://www.momswhothink.com/what-are-dump-dinners-and-which-recipes-are-easiest/\">What\nAre Dump Dinners, And Which Recipes Are Easiest?</a><br />\n</li>\n<li><strong>Source:</strong> <a\nhref=\"https://www.tasteofhome.com/collection/slow-cooker-dump-dinners/\">55\nDump Dinners for Your Slow Cooker</a><br />\n</li>\n<li><strong>Source:</strong> <a\nhref=\"https://www.pinterest.com/\">Pinterest</a><br />\n</li>\n<li><strong>Source:</strong> <a\nhref=\"https://www.amazon.com/mug-warmer/s?k=mug+and+warmer\">Mug\nwarmers.</a><br />\n</li>\n</ul>\n<p>This work is licensed under a <a\nhref=\"https://creativecommons.org/licenses/by-sa/4.0/\"\ntitle=\"CC-BY-SA 4.0 International\">Creative Commons\nAttribution-ShareAlike 4.0 International License</a>.</p>\n',391,0,0,'CC-BY-SA','Bumble Bee, Meal Prep',0,0,1);
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@ -20961,4 +20975,4 @@ UNLOCK TABLES;
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-- Dump completed on 2023-08-04 5:38:47 -- Dump completed on 2023-08-05 13:05:56