131 lines
8.0 KiB
Plaintext
131 lines
8.0 KiB
Plaintext
|
|
Episode: 1934
|
||
|
|
Title: HPR1934: Experiencing the Meegopad T-02 Part two
|
||
|
|
Source: https://hub.hackerpublicradio.org/ccdn.php?filename=/eps/hpr1934/hpr1934.mp3
|
||
|
|
Transcribed: 2025-10-18 11:19:08
|
||
|
|
|
||
|
|
---
|
||
|
|
|
||
|
|
This is HPR episode 1934 entitled Experiencing the MiGAPAD-D022 Part 2.
|
||
|
|
It is hosted by a shadowy figure and is about 15 minutes long.
|
||
|
|
The summary is part 2 of the saga of the MiGAPAD-D022.
|
||
|
|
This episode of HPR is brought to you by An Honesthost.com.
|
||
|
|
Get 15% discount on all shared hosting with the offer code HPR-15.
|
||
|
|
That's HPR-15.
|
||
|
|
Better web hosting that's honest and fair at An Honesthost.com.
|
||
|
|
You are listening to a shadowy figure on Hacker Public Radio.
|
||
|
|
As I gazed upon the remains of the MiGAPAD-D022 scattered around my office like a chainsaw wielding maniac came unglued all over it.
|
||
|
|
I recall night-wise telling me, always keep your baseball bat, sledgehammer and chainsaw locked outside the shed when working with computers.
|
||
|
|
This is a sort of wisdom that can only come from experience.
|
||
|
|
But that MiGAPAD-D2 had a comment.
|
||
|
|
But my desk didn't.
|
||
|
|
I needed to replace both.
|
||
|
|
So I hopped back on tellment to let C-Parm Noah wanted my money back.
|
||
|
|
He said something about having an intimate relationship with myself.
|
||
|
|
I knew I needed to look other places to find another MiGAPAD-D2.
|
||
|
|
So I called C-2 the canary who just got out of the joint early with time off for bad behavior.
|
||
|
|
He's saying a little song about Alpha-32's little home ruling operation and is still.
|
||
|
|
He told me he could get the T-2.
|
||
|
|
But I'd have to meet him down at Mad Dog horses at midnight to get it.
|
||
|
|
And that would give me plenty of time to all by 5150's to see if I could find a new chainsaw resistant desk.
|
||
|
|
Hey, it's AcroPublic Radio. I love that show.
|
||
|
|
I can't wait to get on there and start scoring Farbees.
|
||
|
|
Oh, not another idiot using background music. Everybody hates that.
|
||
|
|
They really don't care who they let on there do they.
|
||
|
|
As I approached 5150's 24-hour pawn shop, I could see the places calling the GMAT.
|
||
|
|
Led by the Royal Dutch Patent Cops, they were loading out evidence in a pickup truck toolbox.
|
||
|
|
Every time I meet a guy wearing gas masks proclaiming the range lunacy, the same thing happens.
|
||
|
|
Every donut shop in town suddenly becomes empty.
|
||
|
|
So I nonchalantly draw one by.
|
||
|
|
I needed to find a chainsaw resistant desk and I needed to find one now.
|
||
|
|
Then it occurred to me. James Bond has Q.
|
||
|
|
A shadowy figure's got the Lafayette Public Library Maker Space.
|
||
|
|
It's my little secret I tried to in a pinch.
|
||
|
|
So I pointed my big block mo part towards the library and did my best to obey all the traffic laws.
|
||
|
|
A shadowy figure abides.
|
||
|
|
I arrived at the Maker Space just before closing time incident free.
|
||
|
|
Johnny Law had his hands full with 5150.
|
||
|
|
I strode into the Maker Space like I owned a joint.
|
||
|
|
Then I went looking for my inside contact, Sig Flub.
|
||
|
|
I found her making a Kindle stand wearing a Budcast T-shirt, a blue Mohawk and an Eagles of Death Metal Tattoo.
|
||
|
|
I told her I needed a chainsaw resistant desk and I needed one now.
|
||
|
|
She just sort of looked at me with concern.
|
||
|
|
Then I told her I've been working a lot with computers lately.
|
||
|
|
She relaxed a bit and said, oh, I see. Windows user, huh?
|
||
|
|
I said, no, me go pad T2.
|
||
|
|
She said she'd seen a trend developing.
|
||
|
|
This was the third one this week.
|
||
|
|
But the other two needed to be baseball bat resistant.
|
||
|
|
I told her I keep mine and shit.
|
||
|
|
She told me I might want to keep my chainsaw out there too.
|
||
|
|
I said, not a chance.
|
||
|
|
I wanted to strike fear into the heart of the next me go pad T2 that thinks it's going to play any games with a shadowy figure.
|
||
|
|
That looked a concern returned to Sig Flub's face.
|
||
|
|
I slipped her a C note and told her to have a delivered to my mountain fortress.
|
||
|
|
Walking into Mad Dog Morse's pool halls like walking into a roaring 20 speak easy.
|
||
|
|
I took a look around the joint and spied a hook of the hun sitting in the back with a blonde on one arm and a redhead on the other.
|
||
|
|
Both were admiring as mighty Sony PCMD100.
|
||
|
|
Upon the killer cope with shooting pool alone over in the corner sporting a $2 lapel mic from the Amazon wire to a Morance PMD660 under a sports coat.
|
||
|
|
He said no me to come on over.
|
||
|
|
Once I got there he handed me a cue and told me to rank him up.
|
||
|
|
I asked him, what are the stakes?
|
||
|
|
He replied, I heard you were in the market for me go pad T02.
|
||
|
|
I said, yeah, how did you know?
|
||
|
|
He told me clad to the canary was asking around about a shadowy figure earlier.
|
||
|
|
I fit the description.
|
||
|
|
So what's on the line I asked?
|
||
|
|
He told me his me go pad T02 against my blue yeti.
|
||
|
|
I reached in my trench coat, pulled out my yeti and placed it on the pool table.
|
||
|
|
Let's rock killer cope.
|
||
|
|
We each placed our hardware on a cocktail table in a rack tomorrow.
|
||
|
|
Killer cope broke like a man possessed.
|
||
|
|
He sunk two low balls and lined up for an easy shot on the floor.
|
||
|
|
I ordered a drink from the waitress as a cloud began to gather around us.
|
||
|
|
He dropped the four ball like a palm dress in the back seat of a 68 chavelle on a hot Saturday night.
|
||
|
|
He lined up to bank the six ball on the long bank into the corner pocket.
|
||
|
|
He sunk it but he scratched.
|
||
|
|
Now I had to mix in progress and make it now.
|
||
|
|
I hammered the twelve ball inside pocket and lined up to sink to fifteen on the other side.
|
||
|
|
It dropped but now I didn't have an angle to shoot anything.
|
||
|
|
I had to do a jump shot to get past a seven ball.
|
||
|
|
If I could do it it would set me up to run the table.
|
||
|
|
No dice, the nine ball wasn't dropping.
|
||
|
|
Killer cope took a long slash off his whiskey and eyed the table.
|
||
|
|
Then smiled as he said.
|
||
|
|
Seven ball near corner, two ball on the side, and three ball in the far corner.
|
||
|
|
He fired the cue ball at just the right angle to sink the seven and ricochet down the table to drop the two.
|
||
|
|
But he didn't have enough momentum to make it to the three.
|
||
|
|
I took out the thirteen, the nine, and eleven in quick succession.
|
||
|
|
When I lined up to sink the fourteen, I looked up from the table and saw Class II,
|
||
|
|
the canary over at the bar talking to Mad Dog Morris.
|
||
|
|
They were both pointing at me.
|
||
|
|
The canary was ratting me out.
|
||
|
|
And Mad Dog Morris didn't get his name from grooming poodles down by the seaside.
|
||
|
|
I once watched him in a fit of drunken rage pick a fight with the entire three judges pub.
|
||
|
|
He kicked everybody's ass one at a time.
|
||
|
|
And his enforcer, known as the Frank Nity of Glasgow, once peed in the same toilet as Lord Kelvin.
|
||
|
|
These aren't the sort of people you want to mess with.
|
||
|
|
Mad Dog stepped up to the pool table, looked me in the eye, and said,
|
||
|
|
a little bird told me he skipped out on your bar tab last weekend.
|
||
|
|
I told him it must have been a case of mistaken identity.
|
||
|
|
He told me he was going to change my identity if I didn't cough up $62.50.
|
||
|
|
I asked him if he'd take a chainsaw, resist a desk in his place.
|
||
|
|
Then all went quiet.
|
||
|
|
A look came over Mad Dog's face.
|
||
|
|
It was the same look he had the night he beat up everybody in the three judges pub.
|
||
|
|
I didn't look away from his cold steely eyes as a little smoke.
|
||
|
|
But I clutched my pool stick a little bit tighter.
|
||
|
|
Keep an eye on your HPR feed for a shadowy figure to find out what happens in part three.
|
||
|
|
Special thanks go to the HPR contributors who give me such fantastic material to work from.
|
||
|
|
Without you, I wouldn't have nothing to build a story from.
|
||
|
|
All music is courtesy of the amazing Kevin McCloud at www.compatect.com
|
||
|
|
All sound effects courtesy of FreeSound.org contributors you can find out more in the show notes.
|
||
|
|
This is a shadowy figure signing out from the darkness.
|
||
|
|
You've been listening to Hacker Public Radio at HackerPublicRadio.org.
|
||
|
|
We are a community podcast network that releases shows every weekday Monday through Friday.
|
||
|
|
The show, like all our shows, was contributed by an HPR listener like yourself.
|
||
|
|
If you ever thought of recording a podcast, then click on our contributing to find out how easy it really is.
|
||
|
|
Hacker Public Radio was founded by the Digital Dog Pound and the Infonomicon Computer Club and is part of the binary revolution at binrev.com.
|
||
|
|
If you have comments on today's show, please email the host directly, leave a comment on the website or record a follow-up episode yourself.
|
||
|
|
Unless otherwise stated, today's show is released on the earth.
|
||
|
|
Create a comments, attribution, share a like, 3.0 license.
|