1564 lines
63 KiB
Plaintext
1564 lines
63 KiB
Plaintext
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Episode: 4391
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Title: HPR4391: HPR Community News for May 2025
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Source: https://hub.hackerpublicradio.org/ccdn.php?filename=/eps/hpr4391/hpr4391.mp3
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Transcribed: 2025-10-26 00:12:06
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---
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This is Hacker Public Radio Episode 4391 for Monday 2 June 2025.
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Today's show is entitled HBR Community News for May 2025.
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It is part of the series HBR Community News.
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It is hosted by HBR volunteers and is about 77 minutes long.
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It carries an explicit flag.
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The summary is, HBR volunteers talk about shows released and comments posted in May 2025.
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Hi everybody, my name is Cam Fallon and you are listening to another episode of HBR.
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This is the HBR Community News for May 2025 and joining me today is...
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Scarry!
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And also...
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Gary!
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How are you doing there, Kevin?
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How's the photo?
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I am very well, thanks.
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Yes, I was supposed to be on last month's episode and ended up getting infected cut in the
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bottom of my food.
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I couldn't wait for your ending, so when you guys were recording last month, I was actually
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up the doctor getting a checked out, so yeah, thankfully it's now yield over.
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The student inflicted more like self-inflicted drama, and I can't even blame anyone for
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shame.
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Okay, well, this is HBR Hacker Public Radio, which is a community podcast where the shows
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are released by community listeners like yourself and they can be on any topic that are
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of interest to hackers.
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This here, if you listen to now, is the Community News and record this on the Friday before
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the first Monday of the month.
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And that's very specific, it might even sound like an SQL query if you're paying attention.
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So HBR is a community podcast and you can basically join the 400 or more hosts who have released
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shows, volunteered shows into the feed.
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To produce random stuff that has more than 4,390 HBR episodes with 300 other episodes
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is a grand total of 4,690, so we're nearly 470 shows, 4,700 shows.
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And as we do, we introduce the new host, Kevin, would you like to do that this month?
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I would dearly love to, but we have no new host sadly.
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So how does this shame?
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No new host, how could that be, Kevin?
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How could that be?
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We have 130,000 monthly subscribers, we're on Spotify, we're on iTunes, we're on all
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the other social medias, how is it possible that people are not sending in shows?
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Are we a consuming society or do we want to contribute back?
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Are these hollow words I see on all the social medias gone past, about how we want to protect
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an independent web?
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Why, Kevin?
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Why?
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Maybe just a whole 130,000 subscribers have already donated a show, that would be a bit
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right, wouldn't it?
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Yeah, I think you might want to move into the maths department with that sort of, I know
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I'm talking about the where future's feed, you must be absolutely filled to the brim.
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Let me have a look at the future feed.
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Alas, we have some shows, we have some free slots coming up and then next week's next week
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and we have lots and lots of free slots.
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The week 25 has all the slots free, that's the week after next and the week after that
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has also several free slots.
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So yes, people, plenty of free slots and as we say, when you upload you can, if you're
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a new host, you should just pick the first available slot.
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You should record high, I'm Bla, my name is, say your name and then tell us a little bit
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about yourself, how you got into tech, how you came about, your story basically, to be
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innocent, to HPR and how you got, how you got into tech and we will then listen to that
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show and we will give you lots of encouragement and hints at other shows that you can submit.
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If you're a regular, you end up a more from us, which is, you know, that's just terrible
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is it not?
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Yes.
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Exactly.
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Okay.
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So anyway, enough about this, shall we go and go?
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The whole reason for the HPR community news is to bring you up today's and stuff that's
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been happening on the HPR in the background and also a little bit about what's been happening
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so that every host at least gets some comments on their show.
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Just by the way, are the currency by which we pay our host?
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So if you had listened to a show and you thought, hey, I got something from that or I'm going
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to file that away for another minute or I had to chisel in that or that show made me
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cry or something at the bottom of every page on that, on the actual media player that
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you're looking at right now, there's a link right there that says leave a comment on
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the show and you can do that.
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The magic word is public.
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So the magic word is public.
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What does the P in HPR is sent for?
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It's public type in that.
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Allow much accompaniment and press send and then we will approve it and then it will
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get added to the show and you'll hear it.
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You'll hear it on next much show as well.
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Well, that's of course the spam in which case we take much delight in deleting it and
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blocking your IP address forever.
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Anyway, as I said, I don't get paid for this, but I do drive a certain amount of joy
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after that.
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No, I don't.
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We actually don't block that much spammer because the swapping IP addresses like all the
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people's change under or okay, I digress.
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Shall we talk about the shows then guys?
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Absolutely.
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I think that's why we adhere.
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Yeah.
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I'm offering too much.
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I've been out in the sun.
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4369, what LP records do you have?
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This is by Fred Black and it says Fred counts up their long playing vinyl records by
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organization number and I happen to remember that this one was from the reserve queue and
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when I posted it, I was, you know, we scrub too.
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We don't listen to the shows before we post them, but we do scrub too to make sure what
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it was.
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I started like a numbers station coming across as you're going, four, three, eight, seven,
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two.
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Did he, did he notice us that?
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Yes.
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I did, actually.
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It was funny.
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There was something actually that I was thinking as he was going through all these LPs,
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all these LPs, I thought, this is historical.
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I mean, this is something the modern kids will know nothing about, music on a physical
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media.
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Wow.
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You remember that when it wasn't just a streaming service.
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Actually, it's on the growth, on the increase now and vinyl record sales exceeded CD sales
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for the first time ever.
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The other thing I'm noticing as well, though, is I don't know if you're into the indie
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scene, but with the independent artists, there's a lot more of them offering LPs and tapes
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like on the bandcamp and that.
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And CDs are just a thing of the past that got on, yeah.
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My youngest buys records all the time and has a crappy record player, but actually doesn't
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listen to them, listens to them on Spotify, but has the record for the physical thing,
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which is important because there won't come a time when all these services may well
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die off.
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Oh, yeah.
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And, you know, if you've been paid for nothing but, you know, digital formats, streaming
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right, essentially, you've lost the streaming right when they go.
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Well, interesting, like, a little bit of, a little bit of interest recently, you know,
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the whole streaming and Netflix was like that you could have anything, you want to watch
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anything, it's available online, everything's available online.
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And that was fine because the publishing houses wanted to break the backs of the cable
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companies who had a monopoly hold on the distribution.
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So they wanted to encourage online services.
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But recently, they've changed the licensing in general.
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And this is public information.
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This isn't anything to do with my job.
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By the way, I do not speak for my employer, blah, blah, blah.
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But a lot of the licensing now is also you have to pay them fees for having a dormant
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on your platform.
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So even if nobody watches this prior to this, you could have like all the Disney movie,
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or, you know, all the, all the, whatever, you know, kevy, kevy movies, the whole series
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of those on your streaming platform.
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And, you know, if only one person watched them, then they got paid for that.
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But now they're charging the streaming services for having those movies on their platforms,
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which of course means these streaming services, where you thought everything was available,
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is no longer available.
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And of course, as all the hacker news, the people, the feeds will tell you then the rise
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of torrenting is increasing again, surprise, surprise.
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The joy of copyright.
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Yeah.
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Information wants to be free.
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And the other half of that apparently is information also wants to be expensive, which
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is very true.
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Something was with the whole point of this was all to get rid of the monopoly, and now
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they exceed the monopoly again.
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Anyway, Fred Black, this show, if you didn't hear it, fake goes through his record series
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with the, with the point that this is from the reserve queue.
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So if you're, if you're hearing this tough, you know, get your, get your recording device
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out.
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And, hopefully actually get the numbers for tracking down the records, which I found
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very strange when I was posting it, but when I was listening to it, I was going, oh,
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that's actually quite good because, uh, because that's actually quite useful.
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Piddy didn't make it into the show notes, but we do have it in the transcript.
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So it should be, uh, should be OK-ish, at least, you know, where to jump to, to get
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the, uh, the numbers.
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I also noticed a large overlap in what Fred has in his albums to what I have in mind.
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So Fred, you have excellent taste.
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Moving on, no comments on that alas.
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Uh, playing civilization part four, part eight, and this is, uh, we'll, uh, describe all
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of these as a few of these.
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This is where a hookah, uh, under the series, computer strategy games is going through
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his favorite series called civilization, part three, which is like, you start off with,
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um, Kevin, describe civilization.
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Well, civilization game, it's a turn-based strategy game.
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And essentially, the, there are so many different things you can do.
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And if you want to play it militarily, where you wipe out, uh, the rest of the
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others, there is a victory condition for that.
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If you want to play that, if you want to just be the most dominant, uh,
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foresh in business, etc, there is a money victory.
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But a hook actually goes on in this one to describe the different victory types.
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And he focuses actually on the culture victory.
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Now, what that means is that with a culture victory, with individual, uh,
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types of buildings, you will actually get culture points.
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And when it comes to certain, uh, one-off things, like if you, for example,
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let's say, Hanging Gardens of Babylon, the first player who is able to research and get
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unable to build the Hanging Gardens of Babylon, they've got that.
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You can't have ten of them.
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You're only allowed one.
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And the more certain different things will actually affect your culture.
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And to get a victory in culture, what you need to do is have three cities that achieve,
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I think it's some like legendary or ultimate culture.
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I think it's legendary.
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I think it's legendary.
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So once you get the three, if that's your victory condition,
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then you do that.
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So I hope I talk some, actually on both parts, he's kind of referring to this,
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but are this specifically he is focusing on the cultural victory.
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He talks about things like the science and military stuff,
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but this one's mainly focused on the culture.
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Yeah, fantastic.
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And I was actually even interested in what he did
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for somebody who absolutely has no interest whatsoever in gaming.
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It was quite interesting.
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Oh, totally.
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I thoroughly enjoyed this whole series and so far isn't actually a game I'm overly familiar with.
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So I mean, he's actually drawn me into it, I have to confess.
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And we'll get your feelings on the game in the next episode, Scotty.
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And then we had community news where we had three cups and one for each of us.
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So can somebody do polls?
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Yeah, I can do.
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Right in MP3 quality.
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Why do you most of your podcasts not play back on Sonos speakers?
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And I respond.
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Good question.
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We're willing to find out, but you also need to help us.
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Please see the issue repo announced host.com,
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HPR, HPR tools issues 12.
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All we need is someone with a sonos setup to run some tests.
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If no one was in tears, then it won't get fixed.
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I want to specifically talk about this.
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Paul, please get in touch with me.
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Ken at fallon.ie.
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Please get in touch.
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Admin at hackerpublicradio.org.
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Posting questions like this is extremely frustrating because it's like,
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I have a problem.
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Okay.
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I have no information to help you.
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And we could have loads of people having issues with our podcasts.
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And it could be a trivial fix.
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But I need, I don't have Sonos speakers.
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And even if I did, maybe I don't have the brand that you do.
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So we can troubleshoot this together.
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It's, this is how open source free labor software works.
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You also need to help us all.
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Okay.
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That's about that.
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Scottie.
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Henry Cameron says,
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thanks for the community news episode.
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It's an honor to be a part of the community and a listener
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and sometimes a contributor.
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And also it could be on the community news.
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Don't, don't, don't, don't.
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As you can all tell them of it,
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wacky today, don't know why.
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No, it didn't notice.
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I've had two days off.
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There you go.
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The power of Gnu Readline, part four.
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Scottie talks about V.I. settings for the Gnu Readline.
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I wonder who's going to raise their head here.
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Do you want to do that first one, Kevin?
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Right.
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So this is by,
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are you talking about the comments here, sorry?
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Hi.
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Yeah.
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This is by Conan Doyle.
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Scottie is so likable.
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I always like hearing Scottie.
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It's great how he drops in the odd laugh.
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He puts just about anyone in a good mood.
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Interesting, little though.
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That comment was posted with the same IP address as Scottie himself.
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Don't do that.
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Anyway, surprise, surprising nobody when the word V.I. is mentioned.
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Mr. Dave Morris appears.
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Thanks for this excellent show.
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The V.I. mode has been in Readline forever,
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but I didn't use it.
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Even though I use V.I.
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every day.
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You made me ask myself why customer?
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I think that when I first learned about Readline,
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which was mainly in Unix,
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Ultrix, Sonowass and others in the early 90s,
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which I promised 10 ages ago I would do a show on and still happen done.
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The V.I. interface wasn't as comprehensive as it is now.
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So I went with the Emax mode.
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It's a long, high-legal, and I may be wrong.
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Anyway, your description of this aspect of Readline
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makes me want to enable V.I. mode smiley face.
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And I definitely didn't add any comments into that comment.
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So what was that about Scottie?
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One word.
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It's about Vi in your terminal.
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Yeah, and this is like when you go control in control D,
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that's all Emax key bindings.
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But you can change that to Vi bindings.
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I never knew that.
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Would you believe that?
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I never knew that.
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I can only imagine setting that one Friday,
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and then coming back in on the Monday morning going,
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what has just happened to my keyboard?
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Yeah, in the show, I also mentioned that
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you're definitely going to want to set the prop indicator.
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That's an issue I had as well.
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So just use a little eye for insert mode and a C for command mode.
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And that'll help you realize when you're pushing buttons and nothing's happening.
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Oh, I'm in command mode, switch to insert.
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Yeah, and yeah, very good.
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As I said, strange that you're not working full-time in tech
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and not having 20 years experience behind you,
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because it is, it just find it amazing the level of detail that you have on topics.
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I have to grow a really long beard.
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Exactly.
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That's it.
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Yeah, get one of those Santa beards.
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The following day, we had rsync with standard in as a source,
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and this was by 0x0 or oxyl.
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Use the find pipe.
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It's the result using find pipe to
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pipe its result into rsync to make a copy.
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That's it.
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And Paul J said,
|
||
|
|
um, what Paul J said, yes.
|
||
|
|
Orsync capabilities.
|
||
|
|
Hi, oxyl.
|
||
|
|
Thanks for the show.
|
||
|
|
One question.
|
||
|
|
Does nursing only copy the files that have changed in the source or destination
|
||
|
|
directly?
|
||
|
|
In other words, you don't need the find part of the command.
|
||
|
|
Or did you only want to transfer new changes and all changes would not have
|
||
|
|
been transferred across?
|
||
|
|
I use rsync to keep my server music up to date.
|
||
|
|
I have a local copy of my of my music
|
||
|
|
ripped from CDs.
|
||
|
|
I actually own exclamation ricks.
|
||
|
|
And have an instance of jelly fill running on the server.
|
||
|
|
I mount the server directory on my local machine and then run rsync-a-vt-delete
|
||
|
|
and then the path to its mpd music and then the path to mount music.
|
||
|
|
This copies files from my local directory into the mounted directory and deletes
|
||
|
|
any files in the latter, which were not on the former.
|
||
|
|
If I understand your show, you are working to archive the same thing,
|
||
|
|
have a master copy of a machine and update the directories on the other machines.
|
||
|
|
I like the print zero option.
|
||
|
|
I haven't seen that before and it looks useful.
|
||
|
|
I look forward to another episode.
|
||
|
|
And Archer 72 posts,
|
||
|
|
command number two, rsync-pology.
|
||
|
|
That sounds like a great setup.
|
||
|
|
Are there details you can share in a show?
|
||
|
|
I am cautious of dash-dash-delete because of nearly lost data of my child's younger pictures
|
||
|
|
and the day after her birth video, that's going to divorce court materials.
|
||
|
|
Of course, my backup strategy was not great either.
|
||
|
|
I ended up using test disk or photorec.
|
||
|
|
It has been a while and I'm sadly lacking documentation.
|
||
|
|
I'll then link to cgs- sorry cgsecurity.org
|
||
|
|
We have Dave Morris saying enjoying this show.
|
||
|
|
Thanks for this.
|
||
|
|
I like your stream of consciousness approach to making a show.
|
||
|
|
And it's a good to follow along with your thoughts.
|
||
|
|
Yes, I agree with Paul Jay that rsync is all about updating the destination with different
|
||
|
|
detected with differences detected from the source.
|
||
|
|
So fine, seems redundant.
|
||
|
|
However, it's interesting examining the print zero option.
|
||
|
|
I have used it when I have files with spaces and other weirdness in the names,
|
||
|
|
which I need to process.
|
||
|
|
Many other commands accept no terminal names and no terminated names.
|
||
|
|
So this is very useful.
|
||
|
|
Here's a case in an hpr script I wrote a long time ago when I was a janitor.
|
||
|
|
Scrolling down slightly, he lists the script, you know,
|
||
|
|
map file and a few other things there.
|
||
|
|
It fills in array picks with picture file names,
|
||
|
|
avoiding problems with spaces in the names, hopefully anyways.
|
||
|
|
The no characters generated by a find are non-printable,
|
||
|
|
but you can save the output and view it in the editor
|
||
|
|
and with odd or tat v to see them.
|
||
|
|
You mention ACL, which stands for access control list,
|
||
|
|
a positive feature which gives more find grain access controls to the
|
||
|
|
file system objects.
|
||
|
|
Looking forward to more shows like this.
|
||
|
|
Very cool.
|
||
|
|
Yep, absolutely.
|
||
|
|
I've always been a little bit afraid to use rsync because of, you know,
|
||
|
|
I feel like if I screw something up on my end,
|
||
|
|
it's just going to help me maximize screwing up everywhere.
|
||
|
|
So I just, you know, yeah, totally get that.
|
||
|
|
I use it every day and I've had, for some of the hpr stuff,
|
||
|
|
I've used like delete, delete from.
|
||
|
|
So there's like several delete options and delete before and delete after
|
||
|
|
and all sorts.
|
||
|
|
So you first copy it over then only at the end of the thing that
|
||
|
|
do you delete it from the source or from the destination or whatever.
|
||
|
|
Very dangerous.
|
||
|
|
So I don't use rsync for deleting because I accidentally did, you know,
|
||
|
|
did a controller and then modified my rsync and then found out,
|
||
|
|
oh, I'm working on my musical or I've copied it or I've moved it to my backup
|
||
|
|
disk and I've removed it from my computer itself.
|
||
|
|
So like then I went from completely unachieving what I wanted to do
|
||
|
|
which was actually have a good backup of my data.
|
||
|
|
I removed the source.
|
||
|
|
So words warning there.
|
||
|
|
But the print zero is interesting sometimes for making it possible
|
||
|
|
to pipe from one thing into the other.
|
||
|
|
It's available on lots of different commands if you go looking.
|
||
|
|
Yeah, I was wondering about that.
|
||
|
|
Well, we'll come around to the other show.
|
||
|
|
But yeah, it's really cool.
|
||
|
|
Okay, so the following day we had hpr4374
|
||
|
|
which was the final show in the new year thing.
|
||
|
|
Hard to believe it was, it's over so early in the year.
|
||
|
|
Yeah, here's hope into next year.
|
||
|
|
We get it out just as early.
|
||
|
|
Absolutely testament to the editors.
|
||
|
|
They are brilliant, absolutely brilliant.
|
||
|
|
I don't know.
|
||
|
|
As like looking at the queue, you know, they're having them come out in the summer when there's a
|
||
|
|
lull always, you know, always, I don't know.
|
||
|
|
I'm between two minds.
|
||
|
|
I'm between two minds always on the new year show anyway.
|
||
|
|
So there you go.
|
||
|
|
Claudio M has a comment, ha, the sign off.
|
||
|
|
Lull did know I'd be the one signing off.
|
||
|
|
Everybody for the new year show.
|
||
|
|
She was fun and it looked forward to the next one.
|
||
|
|
Ha ha.
|
||
|
|
Yeah, the question is does he remember signing off?
|
||
|
|
Ha ha.
|
||
|
|
Seriously.
|
||
|
|
So the next day we had, I again,
|
||
|
|
operator coming in with something I had no clue about and went to add
|
||
|
|
as some Wikipedia pages to find out about it.
|
||
|
|
So long chain carbons, eggs and dough roll, dang go.
|
||
|
|
I'm sure I got that wrong.
|
||
|
|
And apparently it's a mud dumpling, a Japanese art form where
|
||
|
|
earth and water are combined and molded, then carefully polished,
|
||
|
|
create a delicate, shiny sphere examples in the show notes.
|
||
|
|
And then separately, he was also making eggs, mud dumpling soup.
|
||
|
|
Yeah, I must admit, I absolutely love when operator does this.
|
||
|
|
Normally though, he's generally talking about making a recipe.
|
||
|
|
I'm talking about tech.
|
||
|
|
This one was talking about this, the clay thing.
|
||
|
|
I actually had to really listen to it.
|
||
|
|
I was like, wait a minute.
|
||
|
|
Did he just could I clearly lump into his soup?
|
||
|
|
No, I can't believe it.
|
||
|
|
After all, listen to this again.
|
||
|
|
Yeah, I agree.
|
||
|
|
I got a little crossed with the episode as well.
|
||
|
|
I had to go back and play it.
|
||
|
|
I played it actually three times.
|
||
|
|
But yeah, it's great episode.
|
||
|
|
And I do love hobbies.
|
||
|
|
Anything that helps you take your mind off of the grind of life
|
||
|
|
and just gets recalibrated.
|
||
|
|
Wonderful.
|
||
|
|
Very good.
|
||
|
|
Yes, I'm inclined to agree with you.
|
||
|
|
Torin Doyle says, second comment.
|
||
|
|
Wonder what is that person?
|
||
|
|
Let me just check.
|
||
|
|
Have they ever submitted a show?
|
||
|
|
Let me just check.
|
||
|
|
No, last, no.
|
||
|
|
That's interesting isn't it, now guys?
|
||
|
|
Oh yeah.
|
||
|
|
Community member that we don't know anything about.
|
||
|
|
Gosh.
|
||
|
|
Cruity of the egg industry.
|
||
|
|
Alas, the face of male chicks in the egg industry.
|
||
|
|
His riff, mass, okay.
|
||
|
|
Have you mass, I don't know what that word is.
|
||
|
|
Basically all three not nice things.
|
||
|
|
Have you tried making the soup with a nice substitute?
|
||
|
|
And Bob responds with three range eggs.
|
||
|
|
I'm sure operator only used eggs from his own chickens.
|
||
|
|
And my own comment.
|
||
|
|
Where I'm speaking to Bob.
|
||
|
|
Ed Bob, wait a minute, hold on.
|
||
|
|
Yeah, there we go.
|
||
|
|
Speaking of Bob,
|
||
|
|
tongue firmly planted in cheek.
|
||
|
|
I say, and they have the best homemade and locally slash,
|
||
|
|
locally slash responsibly sourced.
|
||
|
|
Dorodongo, any chicken could ever lay eyes on.
|
||
|
|
Booch.
|
||
|
|
See what I did there?
|
||
|
|
I'm here already.
|
||
|
|
Dorodongo, thank you.
|
||
|
|
Somebody in here, I would pronounce this.
|
||
|
|
Excellent, excellent.
|
||
|
|
Moving on.
|
||
|
|
Re-research.
|
||
|
|
Lee talks about doing academic research.
|
||
|
|
Oh, and I have to kind of agree with them on this.
|
||
|
|
Anyway, Paul says, sonos play.
|
||
|
|
But Paul, you kill me here.
|
||
|
|
You kill me.
|
||
|
|
Yeah, I'm trying to understand why this podcast plays,
|
||
|
|
okay, am I sonos and not everyone does.
|
||
|
|
So HBR plays, okay, but another one doesn't.
|
||
|
|
I have a problem, folks.
|
||
|
|
Okay, you can do Lee's one.
|
||
|
|
Oh, no.
|
||
|
|
Kelly, Kelly, you do Lee's.
|
||
|
|
And then, well, given who noted number three,
|
||
|
|
I thought I better do Lee's one.
|
||
|
|
Good.
|
||
|
|
Good.
|
||
|
|
Yeah, sonos, not sure why HBR in general
|
||
|
|
might play better than others on wireless speakers.
|
||
|
|
If talking about this particular episode,
|
||
|
|
it was submitted as a flag file,
|
||
|
|
though, as you can see,
|
||
|
|
it has been converted to a choice of formats.
|
||
|
|
All other things been equal.
|
||
|
|
It could be the frequency range of the recording.
|
||
|
|
Personally, I still haven't settled on a favorite recording setup
|
||
|
|
and generally just use whatever equipment is turned.
|
||
|
|
In my own comment, LLMs in the academic research.
|
||
|
|
I've heard about LLMs in academic research,
|
||
|
|
but it is not good news.
|
||
|
|
A flood of junk white papers linked to a article about that
|
||
|
|
is the result of LLMs at the moment.
|
||
|
|
Spammer's ruined everything.
|
||
|
|
That is for sure.
|
||
|
|
Yes, absolutely.
|
||
|
|
Absolutely.
|
||
|
|
Then, actually, I quite liked him giving his own experience
|
||
|
|
is on it and the fact that it's funny.
|
||
|
|
It made me think so much of school systems
|
||
|
|
in the UK, the education system.
|
||
|
|
He, you know, is him speaking about him wanting to do something
|
||
|
|
and he was actually putting in the effort to think
|
||
|
|
and they're like, no, no, stick to the syllabus.
|
||
|
|
We're here to teach you to pass exams.
|
||
|
|
Don't do it to learn.
|
||
|
|
To learn, not just to learn.
|
||
|
|
It's exactly like it.
|
||
|
|
I, yeah, yeah, I'll go into this as I'll later, I guess.
|
||
|
|
But it was frustrating to see that anyone who's ever spoken
|
||
|
|
to Lee, like, you know, there should really be a degree
|
||
|
|
for people who are, it's okay.
|
||
|
|
We know you're, you know, if you look at the degree
|
||
|
|
from the point of view, essentially,
|
||
|
|
it's a group of people going, we're going to put the
|
||
|
|
reputation of our whatever that this person is competent
|
||
|
|
at the thing that he or she or they says they are.
|
||
|
|
That is what, you know, a university degree gives you.
|
||
|
|
It's a bit of paper.
|
||
|
|
It means, you know, it's in the same way that, you know,
|
||
|
|
five pound notice is just a five pound notice.
|
||
|
|
It doesn't mean anything unless you believe in it.
|
||
|
|
It's the same with university degrees.
|
||
|
|
So I've often thought like, you know, bring people into a room
|
||
|
|
yeah, you're smart enough to be like the David Einstein, you know,
|
||
|
|
he released three papers without ever having a doctor or anything.
|
||
|
|
And then, okay, you're instantaneously.
|
||
|
|
We recognize you as as knowing your stuff, basically.
|
||
|
|
There could be a way to do that.
|
||
|
|
It's a little, it's a little more difficult today
|
||
|
|
because of the tools mentioned earlier.
|
||
|
|
Yeah, but yeah, I find it in a one-to-one conversation.
|
||
|
|
It's fairly easy to source out somebody.
|
||
|
|
Oh, yeah, yeah.
|
||
|
|
Yeah, one-to-one, correct.
|
||
|
|
Yeah, yeah.
|
||
|
|
And in this situation, it's like, okay,
|
||
|
|
this person is responding well to non-standard
|
||
|
|
ways of doing stuff.
|
||
|
|
So let's, let's see how we can help them.
|
||
|
|
And yeah, okay.
|
||
|
|
But that's a, that's a whole other topic.
|
||
|
|
Maybe subject of around table sometime.
|
||
|
|
Yeah, absolutely.
|
||
|
|
Password store with the pass command.
|
||
|
|
Try Unix-like password manager from Clat 2.
|
||
|
|
And never heard of this, but it was actually quite interesting.
|
||
|
|
It uses GPG and old favorite of Clat 2s.
|
||
|
|
And you take your file, it has a file and follows a format.
|
||
|
|
So each file for each site follows a format.
|
||
|
|
And I think you can also pipe it into their extensions
|
||
|
|
for Chromium and Firefox as well.
|
||
|
|
Yep.
|
||
|
|
What do you think?
|
||
|
|
Tempted?
|
||
|
|
Oh, yeah, definitely.
|
||
|
|
You said, in fact.
|
||
|
|
And I said, great show.
|
||
|
|
I did not know Pass has add-ons.
|
||
|
|
Very nice.
|
||
|
|
I'll give it a try.
|
||
|
|
Also, are you, are you used,
|
||
|
|
are you still using slash developing credit?
|
||
|
|
Mentioned in HBR 3018, encrypted edit?
|
||
|
|
The credit project is a great example
|
||
|
|
of hackers enjoying free as-and-freedom software.
|
||
|
|
Happy hacking, Scotty.
|
||
|
|
I like to also include there as well with this information.
|
||
|
|
For any newcomers to the community,
|
||
|
|
definitely go back and check out that episode.
|
||
|
|
HBR 3018 by Clat 2.
|
||
|
|
He mentions Pass, the same project here again.
|
||
|
|
And he demonstrates just how flexible his mind is
|
||
|
|
using the source material from Pass to create his own thing,
|
||
|
|
which is the credit project mentioned in that comment.
|
||
|
|
And also, if you don't know,
|
||
|
|
Clat 2 had a long-running show called Canoe World Order,
|
||
|
|
which has come to an end.
|
||
|
|
But, well worth going back, listening to that as well.
|
||
|
|
Absolutely, yeah.
|
||
|
|
I would recommend that.
|
||
|
|
Actually, one of the, on the subject of this,
|
||
|
|
it was something I was listening to and I'm thinking,
|
||
|
|
this is definitely one I'm going to put in the to-do pile
|
||
|
|
for, especially in the winter months,
|
||
|
|
not a bit more time in front of the computer,
|
||
|
|
and a bit less time for it to do work outside.
|
||
|
|
Exactly, yes.
|
||
|
|
The next day we had noticed,
|
||
|
|
the SQL to get the next free slot.
|
||
|
|
Very specific to HPR.
|
||
|
|
But a great example of how you do unions,
|
||
|
|
joins and stuff like that.
|
||
|
|
And if you ever use relational databases at all,
|
||
|
|
and if you're getting it to that store,
|
||
|
|
you will come across these.
|
||
|
|
Very handy to use something like SQLite,
|
||
|
|
even to, you know, it just goes to a file,
|
||
|
|
and you don't need to run any services around thinking,
|
||
|
|
you can try out all of this stuff.
|
||
|
|
And it's very useful, like,
|
||
|
|
that you join two tables based on IGs and stuff.
|
||
|
|
And there are very good examples in this.
|
||
|
|
And it's something that you quite often need to do,
|
||
|
|
you know, taking information from very multiple tables
|
||
|
|
and stuff like that.
|
||
|
|
And Norris does an absolutely excellent job in explaining it.
|
||
|
|
So much so that, because I'm intimately familiar with this one,
|
||
|
|
because I've copied and pasted and used it already,
|
||
|
|
and it's been running for months.
|
||
|
|
So, but I was able to follow this in my head,
|
||
|
|
without having to refer to the show notes,
|
||
|
|
which are excellent, by the way, as well.
|
||
|
|
Thank you for that.
|
||
|
|
Yeah, absolutely.
|
||
|
|
I mean, I'm not an SQL user at all, to be honest.
|
||
|
|
So I was worried for the first, you know,
|
||
|
|
when it was introduced a lot,
|
||
|
|
this is going to be way over my head.
|
||
|
|
No, it actually wasn't.
|
||
|
|
He did a really good job, as you see,
|
||
|
|
explaining it.
|
||
|
|
And well, certainly for somebody who's not that familiar with it,
|
||
|
|
the show notes were certainly a big help,
|
||
|
|
but they weren't action necessity.
|
||
|
|
So I would say excellent job here.
|
||
|
|
Yeah, one other thing, Norris has other shows
|
||
|
|
using SQL and SQL Lite.
|
||
|
|
I went back to his very first show,
|
||
|
|
where he spoke about using Bash with SQL Lite
|
||
|
|
and a technique that he used there,
|
||
|
|
that I have notes to use that technique here
|
||
|
|
to practice with SQL Lite using these same techniques.
|
||
|
|
Yeah, very good.
|
||
|
|
You see?
|
||
|
|
Perfect.
|
||
|
|
And how did I go for you?
|
||
|
|
Or is that an upcoming show?
|
||
|
|
That's an upcoming.
|
||
|
|
I had to decide for the other things.
|
||
|
|
Well, cut it there.
|
||
|
|
Mapping municipalities' digital dependencies
|
||
|
|
by Trollocoster asking your help
|
||
|
|
in mapping public services for governmental websites.
|
||
|
|
And basically trying to find out a way to,
|
||
|
|
if you're local, you know,
|
||
|
|
if all the services are online, that's great.
|
||
|
|
You know, you don't have an option
|
||
|
|
and find streamlined and blah, blah, blah, blah.
|
||
|
|
But if you want to get your passport
|
||
|
|
and renewed or your driver's license renewed,
|
||
|
|
where are the services?
|
||
|
|
Is the website hosted locally in the community?
|
||
|
|
Is it hosted locally in your region?
|
||
|
|
Is it hosted locally in your country?
|
||
|
|
Or is it somewhere else?
|
||
|
|
Is it dependent on a large
|
||
|
|
monopolies who can shut down your email
|
||
|
|
and prevent you accessing?
|
||
|
|
Yes, not that that would ever happen.
|
||
|
|
Plus.
|
||
|
|
So that has a lot of people here,
|
||
|
|
especially in Europe,
|
||
|
|
looking at where the servers are hosted.
|
||
|
|
And this is related to the topical,
|
||
|
|
at the moment, one of the international criminal courts,
|
||
|
|
emailed this hosted on Microsoft platform.
|
||
|
|
And one of their people's email accounts was locked out
|
||
|
|
even though they're outside of the US.
|
||
|
|
So that was interesting.
|
||
|
|
Now, I'm hoping I'm not getting this,
|
||
|
|
my memory jumbled up, it's been the wrong episode,
|
||
|
|
but I think somebody speaks about the contingencies
|
||
|
|
and just the fact that there are some
|
||
|
|
who still have the proper contingency
|
||
|
|
where they can operate with pencil and paper.
|
||
|
|
Yeah, this was the same episode,
|
||
|
|
right, I'm just making sure.
|
||
|
|
I was really into City here that
|
||
|
|
I think was Switzerland,
|
||
|
|
they said about the airport,
|
||
|
|
which we're totally able to run.
|
||
|
|
Yeah, I thought it was Belgium,
|
||
|
|
also Belgium was there.
|
||
|
|
But I was thinking about internationally,
|
||
|
|
that could actually prove their headache in itself,
|
||
|
|
because if they were the only country
|
||
|
|
that got it to run,
|
||
|
|
yeah, the planes could take off,
|
||
|
|
but could they land safely on the other side
|
||
|
|
if it was a international flight?
|
||
|
|
Yeah, exactly.
|
||
|
|
Well, it's always
|
||
|
|
amazed me that we believe a lot of things,
|
||
|
|
that the whole world is going to come to an end,
|
||
|
|
it's going to be a flash,
|
||
|
|
and all of our technical stuff is going to stop working.
|
||
|
|
Yeah, the world was able to fight two international wars,
|
||
|
|
World War One and World War Two,
|
||
|
|
before the event of computers,
|
||
|
|
just using pen and paper,
|
||
|
|
and local communications,
|
||
|
|
and the organization that was required
|
||
|
|
in order to do such a massive global thing
|
||
|
|
before technology was in place like the internet.
|
||
|
|
So, on the other hand,
|
||
|
|
we did have telegraph networks.
|
||
|
|
So, we have radio,
|
||
|
|
part to know,
|
||
|
|
heart to know.
|
||
|
|
We have the Roman Empire.
|
||
|
|
There you go.
|
||
|
|
I'm sure they must have used Facebook and all the other social media.
|
||
|
|
Oh, yeah.
|
||
|
|
Anyway, can you please stop me going off
|
||
|
|
and the tangent?
|
||
|
|
Because for some reason,
|
||
|
|
I've been here for tangent ISIS tonight.
|
||
|
|
Some guy in the interest,
|
||
|
|
you had a comment.
|
||
|
|
Really, please.
|
||
|
|
Yes.
|
||
|
|
See, I'm smart about it.
|
||
|
|
I've put all my tangents in writing.
|
||
|
|
Good math.
|
||
|
|
I agree with the intentions.
|
||
|
|
This seems a noble goal,
|
||
|
|
and maybe fun to learn about how most of our critical systems
|
||
|
|
are bottlenecked by fang
|
||
|
|
with the major companies.
|
||
|
|
That's what fangs are.
|
||
|
|
The...
|
||
|
|
Hold on, I got lost.
|
||
|
|
Oh, I imagine there isn't a one-size-fits-all
|
||
|
|
approach for something like this.
|
||
|
|
Different techniques used per locale,
|
||
|
|
major systems,
|
||
|
|
governance,
|
||
|
|
may rotate services,
|
||
|
|
depending on budget restrictions,
|
||
|
|
regulations,
|
||
|
|
such as the GDPR
|
||
|
|
or public bidding systems.
|
||
|
|
Here today,
|
||
|
|
gone tomorrow.
|
||
|
|
Thanks for the show, Scotty.
|
||
|
|
Well, one of us has planned it at least.
|
||
|
|
Yeah, I think what he's doing is great,
|
||
|
|
finding out all this information,
|
||
|
|
but I don't know how long you can actually maintain it
|
||
|
|
or how long it'll be relevant for
|
||
|
|
before things are swapped out.
|
||
|
|
And again, depending on your government,
|
||
|
|
there's no telling how long they actually hold
|
||
|
|
those contracts for those services.
|
||
|
|
So, you know, it's...
|
||
|
|
What I think is noble.
|
||
|
|
I think the aim of the project was not to find that information,
|
||
|
|
but find out how you would find out that information.
|
||
|
|
So, if there's an API from your government website,
|
||
|
|
for example, that provides you with this,
|
||
|
|
which, you know, seems minimum,
|
||
|
|
and failing that, that you can look up the DNS records,
|
||
|
|
or failing that, that, you know,
|
||
|
|
you can find it in the company records, or...
|
||
|
|
So, what he was asking was,
|
||
|
|
in your country or in your region,
|
||
|
|
what are the ways that you can find out
|
||
|
|
where the stuff is hosted,
|
||
|
|
so that you can track
|
||
|
|
where it is hosted in the future as things change?
|
||
|
|
I imagine that'll put you on a list over here in the US.
|
||
|
|
Shall I read your comment, then?
|
||
|
|
On the next show, Isaac Asimov,
|
||
|
|
the rest of Asimov's foundation stories,
|
||
|
|
or do you want to read out all your own comments?
|
||
|
|
That one we could probably delete.
|
||
|
|
That download was terrible,
|
||
|
|
so we could, like, skip all of that comment.
|
||
|
|
Yeah, so you had a comment there about where you can find it.
|
||
|
|
The following day was a one
|
||
|
|
had what omnithentance makes to my brain and your brain.
|
||
|
|
Is social media good for you, be it Feddy, or not?
|
||
|
|
And I had a comment on that, which was interesting show.
|
||
|
|
I found this report from the BBC on a study
|
||
|
|
from Birmingham University,
|
||
|
|
saying that there is lack of evidence
|
||
|
|
to suggest money phones and school alone
|
||
|
|
makes a difference when it comes to students' grades,
|
||
|
|
behavior, and well-being.
|
||
|
|
Link provided.
|
||
|
|
And then, Antoin responds with
|
||
|
|
nice study, smiley face, old school, like that, actually.
|
||
|
|
I can, thanks very much for the report on the study,
|
||
|
|
published this year, it presented us as the first study
|
||
|
|
in the world to look at school phone rules
|
||
|
|
alongside measures of public health and education,
|
||
|
|
at least peer-reviewed.
|
||
|
|
So it's nice that we have a first conclusion on the topic.
|
||
|
|
As the law is recent in Brazil as a whole,
|
||
|
|
states were clearly regulating it sparsely.
|
||
|
|
We only have perceptions of students and teachers
|
||
|
|
and specialist talk, no clear data studies.
|
||
|
|
But I would bet one to be conducted here,
|
||
|
|
still 2025 or beginning of 2026
|
||
|
|
with data collected or early and systematically.
|
||
|
|
And then when it comes,
|
||
|
|
I'll try to remember to post that here,
|
||
|
|
to share the same or another conclusion,
|
||
|
|
being outlined from another socials too.
|
||
|
|
Thanks very much for contributing with my knowledge
|
||
|
|
in a subject I appreciate,
|
||
|
|
and maybe other listeners of it too.
|
||
|
|
Very good.
|
||
|
|
Then there's my comment from my two cents at Antony.
|
||
|
|
Conversations have gotten worse.
|
||
|
|
I find that users often listen to respond,
|
||
|
|
not listen to understand.
|
||
|
|
I need to quickly respond.
|
||
|
|
The need to quickly respond is greater
|
||
|
|
than gaming perspective.
|
||
|
|
And then I also aim to comment that can
|
||
|
|
behold the awesome power of the United States educational system.
|
||
|
|
And there's a link to a very unfortunate situation.
|
||
|
|
Apparently there's a young girl who graduated high school
|
||
|
|
and is going to college and got accepted,
|
||
|
|
but she doesn't know how to read.
|
||
|
|
All right.
|
||
|
|
More like she is not able to read her right.
|
||
|
|
Lacks the is intellectually capable of doing it,
|
||
|
|
but has dyslexia severe dyslexia and can't read
|
||
|
|
nor write, but can speak, can operate at that level verbally.
|
||
|
|
Yeah, and you can tell it's the system that failed her there.
|
||
|
|
That's why, you know,
|
||
|
|
having had somebody as a parent of some kids
|
||
|
|
who has gone through this as well.
|
||
|
|
Yeah, the school system is exactly the same,
|
||
|
|
say about no offense, Kevin, but school systems
|
||
|
|
were designed to get 90% of the people through.
|
||
|
|
So 80% of the people through, actually,
|
||
|
|
they, you know, the bell curve, you get 80%
|
||
|
|
through more or less with a good education.
|
||
|
|
Then you have the 10% who are high,
|
||
|
|
holograph people who are highly gifted.
|
||
|
|
And they have issues as well,
|
||
|
|
bought usually because they're able to, you know,
|
||
|
|
cruise through exams.
|
||
|
|
They're also get flushed out the system.
|
||
|
|
And then on the other side,
|
||
|
|
you have the people who have other issues,
|
||
|
|
be it motoric, be it
|
||
|
|
dyscalculia dyslexia, nonverbal gaps in the
|
||
|
|
thingy profile, different types of autism, et cetera, et cetera.
|
||
|
|
It's not so up for that.
|
||
|
|
It's not, it's a factory for getting kids from A to B
|
||
|
|
and it's not set up for that.
|
||
|
|
And then it's a struggle.
|
||
|
|
You can't really be asking teachers
|
||
|
|
who have their job is to go through the syllabus
|
||
|
|
and get them out of the door to take the time away from that
|
||
|
|
and give them the care that these kids need.
|
||
|
|
Now, yes, there should be,
|
||
|
|
there should be dedicated teachers for that.
|
||
|
|
But it's also very hard.
|
||
|
|
When I was reading that, I was going,
|
||
|
|
does this girl have,
|
||
|
|
does this student have what level of learning difficulties is?
|
||
|
|
Does the person have the ability to,
|
||
|
|
is there something in their head that prevents them from seeing the letters
|
||
|
|
or typing the letters?
|
||
|
|
Are, you know, it's like,
|
||
|
|
there's more to it than that.
|
||
|
|
Sorry.
|
||
|
|
Yeah, they run.
|
||
|
|
They, she mentioned that she does benefit from special education
|
||
|
|
and she has brought up certain issues
|
||
|
|
with her special education instructor.
|
||
|
|
But what would happen?
|
||
|
|
What was the result of her bringing up issues?
|
||
|
|
We don't know that that was never mentioned.
|
||
|
|
Yeah, I, I mean, it sucks.
|
||
|
|
And yes, there should be more attention given to people
|
||
|
|
who have, you know, these weird edge cases,
|
||
|
|
not weird edge cases, but, yeah.
|
||
|
|
When I say,
|
||
|
|
an onstander, do you mean nonstander?
|
||
|
|
An onstander, yeah, but I also mean like,
|
||
|
|
you know, those 10% and 90% of the time,
|
||
|
|
I'm that 10%.
|
||
|
|
So, yeah, please don't be apologizing to me.
|
||
|
|
Certainly, I've been as critical as you like it from the education,
|
||
|
|
about the education system in this country
|
||
|
|
and that's coming from an educator.
|
||
|
|
Yeah, but in fairness, it is a, it's not ideal,
|
||
|
|
but it gets people edge cases.
|
||
|
|
And you have to, like we, you have thousands of kids,
|
||
|
|
you have to mass produce it.
|
||
|
|
But then you go, well, you know, it only costs,
|
||
|
|
then you have the bean counters, like you go,
|
||
|
|
oh, it costs, it's cost to meet this,
|
||
|
|
the exact same amount to, to teach these five kids
|
||
|
|
as it does us these 40 kids over here.
|
||
|
|
You know what I mean?
|
||
|
|
And that's, oh yeah, totally get it.
|
||
|
|
Yeah, that's a fact.
|
||
|
|
And the fact is, at the end of the day,
|
||
|
|
you're not actually, regardless of what parents might think
|
||
|
|
or the general public might believe,
|
||
|
|
kids are not being taught to live in the outside world.
|
||
|
|
They're not being taught life skills most of the time.
|
||
|
|
They've been taught to pass exams.
|
||
|
|
That's actually what they say.
|
||
|
|
Exactly.
|
||
|
|
You know, the job of most teachers,
|
||
|
|
I say this with a bit of a caveat,
|
||
|
|
because my guys don't sit exams,
|
||
|
|
but the job of most teachers to get them through exams.
|
||
|
|
That's it.
|
||
|
|
It doesn't actually matter if they understand it.
|
||
|
|
It's, do they understand how to answer the question about it?
|
||
|
|
And I personally found that frustrating myself
|
||
|
|
that I was there to learn.
|
||
|
|
And then you just had, it's a need to know, Ken.
|
||
|
|
Thankfully, some friends who would just go,
|
||
|
|
it's a need to know, you need to learn this
|
||
|
|
and you need to regurgitate it.
|
||
|
|
And like in four days, you can forget that you ever knew this.
|
||
|
|
Which is just, you know, I often say,
|
||
|
|
I quit school and then I started learning.
|
||
|
|
Yeah, totally agree with that.
|
||
|
|
Have we done Antoin's reply comment?
|
||
|
|
No, not for now.
|
||
|
|
I'm just thinking that before we end up missing it out.
|
||
|
|
So he replies with, at Scotty,
|
||
|
|
yes, good observation.
|
||
|
|
Thanks for sharing also from the other,
|
||
|
|
the other part was not directed to me.
|
||
|
|
But anyway, I read it, moving story,
|
||
|
|
sad outgoings, but with a powerful outcome
|
||
|
|
by Alicia and her supporters.
|
||
|
|
Grateful.
|
||
|
|
And I want to ask HBOR listeners,
|
||
|
|
right, I'm the kind of,
|
||
|
|
I try to edit out stuff that is political
|
||
|
|
or gives my point of view on stuff.
|
||
|
|
And I'm asking people, should I do that?
|
||
|
|
Would you be put off if I, you know,
|
||
|
|
I'm bringing, of course, I'm bringing my own biases.
|
||
|
|
I try not to, but normally I would go back
|
||
|
|
and edit out this last piece
|
||
|
|
because it's too much of my personal opinion.
|
||
|
|
So what I'm asking you to do is be mature
|
||
|
|
and not paint HBOR.
|
||
|
|
If you totally disagree with anything I say,
|
||
|
|
that's my personal opinion,
|
||
|
|
don't paint HBOR with that brush cause, you know,
|
||
|
|
you can have an opinion on this
|
||
|
|
and I can still pump out your show.
|
||
|
|
Even if I do or don't agree with your opinion
|
||
|
|
or even if you do or don't agree with my opinion,
|
||
|
|
if you don't want to meet.
|
||
|
|
Yeah, but I actually,
|
||
|
|
on a personal note here,
|
||
|
|
I actually think that's something
|
||
|
|
that we in general,
|
||
|
|
whether it's school kids or whether it's even adults,
|
||
|
|
we've lost the ability to do.
|
||
|
|
We can disagree and still be friends.
|
||
|
|
We don't have to hate each other we disagree with.
|
||
|
|
You know, so to be honest,
|
||
|
|
if we're actually making a point at times ourselves
|
||
|
|
of disagreeing on this show without,
|
||
|
|
you know, cut wanting to cut each other's throats,
|
||
|
|
then that's definitely something
|
||
|
|
that's actually a good thing to show.
|
||
|
|
Yeah, you can disagree and still talk to each other.
|
||
|
|
Well, I just mentioned that in my previous comment there,
|
||
|
|
you know, people listening just so that they can quickly
|
||
|
|
respond to a thing versus listening
|
||
|
|
to better understand a person.
|
||
|
|
And remember to like, share and subscribe
|
||
|
|
this video and give your comments.
|
||
|
|
Join us a picture.
|
||
|
|
No, actually,
|
||
|
|
don't bother leaving a comment in this show.
|
||
|
|
Record your own opinion.
|
||
|
|
And so just in the show.
|
||
|
|
Yeah.
|
||
|
|
And in to answer your question, Eric Chan?
|
||
|
|
Yes, we want more stuff from you.
|
||
|
|
Yeah, I'm just thinking maybe round tables,
|
||
|
|
we used to do a lot of that back in the day.
|
||
|
|
So, you know, round tables, parents and education,
|
||
|
|
that sort of thing, round tables on,
|
||
|
|
on, you know, the best way to,
|
||
|
|
to educate kids or an education,
|
||
|
|
or have a radio or whatever.
|
||
|
|
But that's bringing a few people from different backgrounds.
|
||
|
|
And as you say, Kevin,
|
||
|
|
we don't have to agree,
|
||
|
|
but we can take the other person's input
|
||
|
|
and think about it, you know?
|
||
|
|
Yes, absolutely.
|
||
|
|
Now, speaking of something that couldn't possibly cause
|
||
|
|
a cause debate is understanding, again,
|
||
|
|
a 10 again, a decibel scale.
|
||
|
|
This is in not, yeah, it is in the ham radio section.
|
||
|
|
And you will be asked about this whole DB thing
|
||
|
|
comes up everywhere.
|
||
|
|
Kevin, you've come across a note out.
|
||
|
|
No, you haven't.
|
||
|
|
Because you haven't got your license.
|
||
|
|
I'm thinking of thinking of Dave.
|
||
|
|
Dave, yes.
|
||
|
|
Why haven't you got your license Scotty?
|
||
|
|
Why haven't you got your license?
|
||
|
|
Anyway, ham radio, you're going to come across this a lot.
|
||
|
|
And it's kind of off-putting until you realize
|
||
|
|
it's the reason ham radio guys use logarithmic scales
|
||
|
|
is because it allows very quick addition,
|
||
|
|
very quick you to manipulate stuff using addition.
|
||
|
|
And it goes back to the whole use of slide rules and stuff.
|
||
|
|
And somebody wants to, you know,
|
||
|
|
do a show about the background of logarithmic scales
|
||
|
|
and stuff.
|
||
|
|
Please feel free to do so.
|
||
|
|
But you're going to come across this all the time
|
||
|
|
in order to pass your exam.
|
||
|
|
So depending on the location that you're in.
|
||
|
|
And Paul did an excellent show on what the various different
|
||
|
|
DBs are and how to use them,
|
||
|
|
calculate them.
|
||
|
|
And best information is the best news for you.
|
||
|
|
Is that it's here in the show notes?
|
||
|
|
And everything is also given out with examples.
|
||
|
|
So it's fantastic.
|
||
|
|
No comments on that.
|
||
|
|
And indeed, there are no comments on the next episode
|
||
|
|
which was changing font in Arch Linux Willand.
|
||
|
|
How also changed his default font for the system.
|
||
|
|
And I had never, I think I messed with fonts on my system once or twice
|
||
|
|
and just messed it up so badly I haven't bothered to touch it since then.
|
||
|
|
But I can see why you might want to do it.
|
||
|
|
It made me fear, you know,
|
||
|
|
I'm going to be tempted by the dark side there.
|
||
|
|
Am I going to install a new system font and see what happens?
|
||
|
|
Anyone tempted?
|
||
|
|
Nope.
|
||
|
|
I did it once in the past, but it was simple.
|
||
|
|
I needed to add a Microsoft font for a project,
|
||
|
|
a school project, and that was simple enough.
|
||
|
|
But after that, after listening to the show, especially,
|
||
|
|
nope.
|
||
|
|
Yeah.
|
||
|
|
Nothing wrong.
|
||
|
|
Nothing about the show, but yeah, yeah.
|
||
|
|
Weirdly.
|
||
|
|
It feels, I'm not saying the show was bad or anything.
|
||
|
|
Please don't misunderstand.
|
||
|
|
But it feels a bit too finicky in hands on.
|
||
|
|
Yeah, but it depends on the district you're running here.
|
||
|
|
It's like arch.
|
||
|
|
You're definitely going to run into that.
|
||
|
|
And also quite a lot of stuff now requires
|
||
|
|
as moved to UTFH.
|
||
|
|
So we've got a lot of lifts and smiley faces and all sorts of stuff,
|
||
|
|
where you now previously could have gotten away without that,
|
||
|
|
you know, just a basic ASCII rendering.
|
||
|
|
Now things have moved on.
|
||
|
|
So there are times when you do need to change the font.
|
||
|
|
In fact, just the other day, my wife's window 11 work PC,
|
||
|
|
the fonts all completely changed to like tiny,
|
||
|
|
italic fonts because they had installed a printer driver from HP.
|
||
|
|
So this is good information to know that if suddenly you don't get enough of a day,
|
||
|
|
and then all your fonts are changed for some reason,
|
||
|
|
how you can get it back.
|
||
|
|
Yeah.
|
||
|
|
Yeah.
|
||
|
|
I'll say this is definitely the old power user version of 2D fonts.
|
||
|
|
There's no GUI here.
|
||
|
|
I think when you're messing with this stuff,
|
||
|
|
Oxo is like definitely on the side of the map,
|
||
|
|
where there's like hereby dragons.
|
||
|
|
But good episode.
|
||
|
|
Everybody should do this.
|
||
|
|
You know, in a virtual machine, crack up a virtual machine,
|
||
|
|
install a Windows manager and then mess with the fonts
|
||
|
|
and see what breakage comes because it's hilarious.
|
||
|
|
It also shows you which systems are linked to each other.
|
||
|
|
You know, some systems will have no problem.
|
||
|
|
They're getting their fonts from something else.
|
||
|
|
And others are completely and totally bored.
|
||
|
|
Yeah. Now, Windows is a different animal altogether.
|
||
|
|
If you want pain and suffering, deal with fonts and windows,
|
||
|
|
that'll make you frustrated enough to just burn down the hard drive.
|
||
|
|
But in Linux, at least there's a path.
|
||
|
|
In Windows, you have to deal with the registry.
|
||
|
|
And you don't want it.
|
||
|
|
Yeah.
|
||
|
|
The following day, we had browser and dedicated apps
|
||
|
|
on a mobile phone.
|
||
|
|
Traditional browsers can reduce the number of dedicated apps
|
||
|
|
on a smart mobile phone and is by Henry Kerman.
|
||
|
|
And I couldn't agree more.
|
||
|
|
And I quite often run apps on a mobile phone.
|
||
|
|
The only downside is if it's offline,
|
||
|
|
if I'm somewhere where there's no data, for example,
|
||
|
|
or where there's a spotty Wi-Fi.
|
||
|
|
Yeah, I would totally agree.
|
||
|
|
It's, I reckon for most people, you know what I mean?
|
||
|
|
This might be actually a good, what's what I'm looking for.
|
||
|
|
Any of research or something,
|
||
|
|
if you can call your child's phone that.
|
||
|
|
If you could actually clean your child's phone completely,
|
||
|
|
all the crappy apps that you, well,
|
||
|
|
we guys seems to have no pain up any.
|
||
|
|
But if you've got rid of most of them and replace them
|
||
|
|
just with going on to whatever browser you've got
|
||
|
|
and just have placed the shortcuts onto the screen,
|
||
|
|
it will be easy to see how much of a different
|
||
|
|
selection notice.
|
||
|
|
Yes, yeah, yeah.
|
||
|
|
Scotty, you commented.
|
||
|
|
Yeah, quick comment there.
|
||
|
|
I agree, mobile apps actors restrict the browsers
|
||
|
|
and the apps will limit the user more than they ever will
|
||
|
|
assist the user and require root-level privileges
|
||
|
|
for, quote, reasons.
|
||
|
|
Go for it.
|
||
|
|
Yeah, yeah, yeah, yeah.
|
||
|
|
Yeah, and I'm wondering why, why certain apps
|
||
|
|
could possibly need internet access,
|
||
|
|
the ability to make a phone call, the ability to, yeah.
|
||
|
|
Yeah, your flashlight needs access to all of your messages,
|
||
|
|
your contacts, everything.
|
||
|
|
Yeah, exactly.
|
||
|
|
I mean, clearly this guitar tuner needs access to emails
|
||
|
|
and the ability to take over your phone
|
||
|
|
because it just needs access to a guitar tuner yet.
|
||
|
|
Yeah, exactly.
|
||
|
|
Following the cable on the management,
|
||
|
|
Manamann, the hours I spent looking for
|
||
|
|
the charge master 9,000 NGX pro enterprise addition.
|
||
|
|
Until I went and looked at the photos and oh, okay, thank you.
|
||
|
|
And the two photos are like,
|
||
|
|
rats nest of cables and a rats nest of, of, you know,
|
||
|
|
police report like the fire appears to have started in a drawer somewhere.
|
||
|
|
Yeah, you might, do you think he didn't have
|
||
|
|
the actual name there?
|
||
|
|
I imagine the insurance company might be interested in those.
|
||
|
|
Yeah, absolutely, absolutely.
|
||
|
|
I could just imagine.
|
||
|
|
No, no, it was bought legitimately.
|
||
|
|
Yeah, yeah.
|
||
|
|
It's got to see, Mark, your comment was.
|
||
|
|
It's over 9,000, which is a reference.
|
||
|
|
I don't know how many people will get that.
|
||
|
|
We all do it, but you've mastered it.
|
||
|
|
I now require a charge master.
|
||
|
|
I'll make a note to attempt this arson clear scroll project someday.
|
||
|
|
Velcro for all Scotty.
|
||
|
|
Excellent, excellent, excellent.
|
||
|
|
Although I did like his the fact that he had
|
||
|
|
we stickers or something to label.
|
||
|
|
Yeah, the label of cables.
|
||
|
|
I liked that.
|
||
|
|
It was actually, it was a few blumen weeks too late for me,
|
||
|
|
because the week I had, he had a very specific charger.
|
||
|
|
For, it was a Raspberry Pi project, what do you call it?
|
||
|
|
The GPI case looks like an old-style game board.
|
||
|
|
Yeah.
|
||
|
|
And not the GPI 2, it was.
|
||
|
|
And it's got a very, very blumen distinctive
|
||
|
|
charging charger, and I could not find the dash thing.
|
||
|
|
And then I had to order a new one.
|
||
|
|
Of course, there was a, got the connection number.
|
||
|
|
Ordered that.
|
||
|
|
It was quite pricey, because obviously there wasn't
|
||
|
|
that many places selling it.
|
||
|
|
And I went, wait a minute, what's that coming
|
||
|
|
to the back of your computer?
|
||
|
|
You are kidding me.
|
||
|
|
He had left the charging cable to the back of the computer.
|
||
|
|
So that would have actually been quite nice.
|
||
|
|
Yeah, yeah.
|
||
|
|
Well, batteries never...
|
||
|
|
Again, the following day, we had spicy tavern,
|
||
|
|
spicy roleplay, spicy tavern, spicy roleplay for degenerates.
|
||
|
|
Yes, another one that I had no clue what he was on about.
|
||
|
|
But the website says,
|
||
|
|
it's an advanced, locally deployed interface designed,
|
||
|
|
facilitated, deep interactive roleplaying experiences,
|
||
|
|
based on the large language models such as Claude and Gemini.
|
||
|
|
Similarly, tavern allows users to engage in custom-built characters
|
||
|
|
that they can bold according to their own preferences.
|
||
|
|
This tool was created by this blah, blah, blah,
|
||
|
|
and the silly tavern in great community,
|
||
|
|
very diversions of taverns, AI, etc, etc.
|
||
|
|
So obviously, not something that I would ever like to use
|
||
|
|
as I don't do role-playing games.
|
||
|
|
What do you guys think?
|
||
|
|
Yeah.
|
||
|
|
Yeah, I once I saw the spicy portion of it and realized
|
||
|
|
he was going where I thought he was going,
|
||
|
|
then, uh, no, I decided I would not do this particular project.
|
||
|
|
And another reason it was the whole, you know,
|
||
|
|
LLM thing.
|
||
|
|
I'm not a big fan of it myself.
|
||
|
|
Yeah, I kind of took me a while.
|
||
|
|
I started listening to this on my commute and I'm kind of going,
|
||
|
|
wait a minute, what the heck is he talking about here?
|
||
|
|
And then actually I did figure it out towards the end.
|
||
|
|
Yeah, it's, I mean, interesting enough episode,
|
||
|
|
but not something I'm ever going to touch with a large pool.
|
||
|
|
Yeah, it's, uh, it's interesting.
|
||
|
|
The operator is big into the old LLMs and stuff,
|
||
|
|
so yeah, it's right up as Ali, I guess.
|
||
|
|
I'm just used for character generation,
|
||
|
|
but I, I get the feeling it's quite adult by times.
|
||
|
|
Yeah, that and I got a feeling that are probably
|
||
|
|
landy and trouble somewhere.
|
||
|
|
So you might want to put a,
|
||
|
|
if you're going to deal with this,
|
||
|
|
just keep in mind not safe for work.
|
||
|
|
Uh-huh.
|
||
|
|
Um, the next day we had a show called,
|
||
|
|
did she say she flew light aircraft
|
||
|
|
where Elizabeth expands on her experience with light aircraft
|
||
|
|
and how it relates to her geekiness and very interesting
|
||
|
|
upbringing from Elizabeth and great to get a background on
|
||
|
|
her, uh, her background completely, you know,
|
||
|
|
what she took as normal.
|
||
|
|
A lot of people I think and we go, oh my god, that was cool.
|
||
|
|
Yeah, totally.
|
||
|
|
I mean, I thought I'd enjoy the whole thing.
|
||
|
|
It was, and especially like you say,
|
||
|
|
I mean, it was literally just, she says,
|
||
|
|
I jumped on a plane and did this in the same way.
|
||
|
|
I'd say I got a bus to town.
|
||
|
|
Yeah, yeah.
|
||
|
|
Both, uh, both her parents are, uh, uh, pilots
|
||
|
|
and they also spent some time in Africa
|
||
|
|
and she went to boarding school,
|
||
|
|
like it was actually a lot of, lots of interesting stuff.
|
||
|
|
I love the actual story about her.
|
||
|
|
I mean, I thought this was such an amazing
|
||
|
|
about she remembers flying.
|
||
|
|
I think it was her father flying kind of in.
|
||
|
|
So she could see like inside of like the active volcano
|
||
|
|
and the kind of greenery and everything.
|
||
|
|
Totally amazing.
|
||
|
|
And then, and then showing later,
|
||
|
|
the kind of after it had, the lava started
|
||
|
|
spewing again, seeing the difference.
|
||
|
|
You're like, wow, what an experience.
|
||
|
|
Yeah, but it was also said that the same, like,
|
||
|
|
as you say yourself,
|
||
|
|
or remember that field before the build test goals, you know.
|
||
|
|
Yeah.
|
||
|
|
Yeah.
|
||
|
|
Yeah, she, she got me with a statement she mentioned
|
||
|
|
in the show about the plane being held together by duct tape.
|
||
|
|
Yeah.
|
||
|
|
I began thinking, you know, as a kid,
|
||
|
|
maybe you would think too much about it,
|
||
|
|
but today, like, oh, goodness me.
|
||
|
|
That and I annoyed everyone in the house because she kept,
|
||
|
|
when she said that the plane was called up Bonanza,
|
||
|
|
I kept then going around the house singing it.
|
||
|
|
The Bonanza theme song.
|
||
|
|
I don't know if you, well, I don't know if you guys.
|
||
|
|
Yeah, I remember.
|
||
|
|
No, it was, yeah.
|
||
|
|
Yeah, so I kept doing that.
|
||
|
|
So it was great.
|
||
|
|
I enjoyed the show.
|
||
|
|
Excellent.
|
||
|
|
Archer 72 says, thanks for sharing.
|
||
|
|
Thanks for sharing your flight experiences.
|
||
|
|
It was interesting that both you and my wife grew up in Oregon.
|
||
|
|
Those were my dad was also a Vietnam veteran.
|
||
|
|
He liked gas powered planes when I grew up.
|
||
|
|
The type which were fly by where
|
||
|
|
or control line flying,
|
||
|
|
which I just looked up archived.org,
|
||
|
|
and there's a link to cocksmodels.com.
|
||
|
|
It was not quite the link I just put up,
|
||
|
|
which was solid blue,
|
||
|
|
which I think may have been a kit build.
|
||
|
|
Anyway, thanks for the trip down memory lane.
|
||
|
|
Looking forward to more shows, Archer 72.
|
||
|
|
And Kevin O'Brien was also at a comment.
|
||
|
|
I love the show.
|
||
|
|
Great show.
|
||
|
|
I loved hearing about your flying experiences with your family.
|
||
|
|
Super.
|
||
|
|
And Norrist gives us a BSD overview
|
||
|
|
and free BSD, open BSD thingy.
|
||
|
|
About time.
|
||
|
|
Yeah.
|
||
|
|
Yeah.
|
||
|
|
That's true.
|
||
|
|
That's true.
|
||
|
|
I look how I use my router.
|
||
|
|
Home router.
|
||
|
|
That's a show.
|
||
|
|
Workstations.
|
||
|
|
That's a show.
|
||
|
|
Nas.
|
||
|
|
That's a show.
|
||
|
|
Recommendations.
|
||
|
|
Show, show, show, show, show, show, show, show, show.
|
||
|
|
And ZFS series right there.
|
||
|
|
No pressure, Norrist.
|
||
|
|
Someone do days on.
|
||
|
|
Dave Morris.
|
||
|
|
Thanks for this.
|
||
|
|
And you have to.
|
||
|
|
There's a gift.
|
||
|
|
Oh, well, that had to be a carry then.
|
||
|
|
No, do it without the extra.
|
||
|
|
It's fine.
|
||
|
|
I have never used modern BSD variants.
|
||
|
|
Though at my work, I've used various BSD versions
|
||
|
|
like SonOS, HPUX,
|
||
|
|
Ultrix.
|
||
|
|
I've had the MPS, MIPS,
|
||
|
|
deck stations running Ultrix on my desk for many years
|
||
|
|
as part of a network called deck artnet.
|
||
|
|
Oh, yes.
|
||
|
|
Technology.
|
||
|
|
Yep.
|
||
|
|
I'm tempted to install one of these BSDs
|
||
|
|
on my spare machine just to see what it's like now.
|
||
|
|
Don't make a great show,
|
||
|
|
not along with all the long promised episodes
|
||
|
|
that he has done,
|
||
|
|
but not that I'm bitter, Dave.
|
||
|
|
What is he with my HPR work now?
|
||
|
|
Oh, yeah, Dave.
|
||
|
|
Oh, yeah.
|
||
|
|
Well, to be fair, he is putting it with me.
|
||
|
|
Now he's not even getting credited for his HPR work.
|
||
|
|
But that's his own choice.
|
||
|
|
I would like to ask him, Norrist,
|
||
|
|
to if you could do another show on your BSD router,
|
||
|
|
I went to the Open BSD website,
|
||
|
|
looking for that project he was talking about,
|
||
|
|
about setting up the BSD router
|
||
|
|
and also checked out his show
|
||
|
|
where he discussed running Open BSD on his router,
|
||
|
|
because I like the sound of it,
|
||
|
|
the benefits that he put up about Open BSD.
|
||
|
|
And I just couldn't find the details
|
||
|
|
that were satisfied my curiosity.
|
||
|
|
So if he could do another show,
|
||
|
|
maybe even just drop a couple links
|
||
|
|
or something as well, that'd be great.
|
||
|
|
Fantastic.
|
||
|
|
The following day, we had Ron,
|
||
|
|
doing what he should do,
|
||
|
|
which is responding with a show
|
||
|
|
another long windy comment.
|
||
|
|
Gosh, on this episode,
|
||
|
|
Ron talks about his experiences
|
||
|
|
with the Unix command find
|
||
|
|
and the print zero option relations
|
||
|
|
to Oxo's experience.
|
||
|
|
So this is in relation to Oxo's
|
||
|
|
how to use the XR command,
|
||
|
|
our Oxo show from earlier in the month.
|
||
|
|
Which was with the R-Sync and print zero.
|
||
|
|
That's the money.
|
||
|
|
And Oxo, as I said,
|
||
|
|
Hyron, very interesting episode.
|
||
|
|
I did a quick search and learned
|
||
|
|
that besides XR, Grip, Sort and WC
|
||
|
|
can receive null terminates
|
||
|
|
input via the dash set option.
|
||
|
|
Also, it seems that Tara can handle
|
||
|
|
null terminated filenames by the use of null,
|
||
|
|
certainly more to explore for me
|
||
|
|
regards Oxo.
|
||
|
|
And Oxo, the ear security,
|
||
|
|
that take up that chalase,
|
||
|
|
that they say far as they do.
|
||
|
|
Anyway, somebody do Dave's show.
|
||
|
|
Right, so Dave responds with Hyron.
|
||
|
|
This was great.
|
||
|
|
I had some similar thoughts to you
|
||
|
|
and made a comment on show 4373.
|
||
|
|
You win more HPR points by making a show about them.
|
||
|
|
I have a to-do note myself to myself
|
||
|
|
to prepare a show on find,
|
||
|
|
but I've never gotten round to it.
|
||
|
|
It's a very powerful and useful tool
|
||
|
|
and someone should talk about it.
|
||
|
|
Similarly with XRs,
|
||
|
|
as you said, cheers Dave.
|
||
|
|
Dave is going to fill up the queue pretty soon.
|
||
|
|
Yeah, yeah.
|
||
|
|
You know, this is the danger of putting in comments.
|
||
|
|
You know, we remember you existed.
|
||
|
|
We'll never forget, Dave.
|
||
|
|
Absolutely not.
|
||
|
|
Playing Civilization for Part 9.
|
||
|
|
Using Wonders to help you win.
|
||
|
|
And as Kevin already explained,
|
||
|
|
that Ahuka is going through the series of games.
|
||
|
|
Same game, different ways to win.
|
||
|
|
And as with the Libra Office episode,
|
||
|
|
Kevin or Ahuka went through every single episode.
|
||
|
|
And every single application and every single menu item
|
||
|
|
in order to cover completely.
|
||
|
|
He appears to be doing that here with Civilization.
|
||
|
|
Yeah, from the way he spoke.
|
||
|
|
It sounded like this was him actually clocking off on Civil 4.
|
||
|
|
I'm not saying he's not going to restart once in a fight,
|
||
|
|
but this did sound like it was a wrapping up one.
|
||
|
|
And yeah, he wrapped up on actually talking a bit
|
||
|
|
and I mentioned earlier a bit the
|
||
|
|
you can't have multiple wonders of the world, etc.
|
||
|
|
You can't have multiple like
|
||
|
|
Eiffel Tower or Hanging Gardens of Babel on, etc.
|
||
|
|
But what he did was he went through quite a few of them
|
||
|
|
and actually said where they were good
|
||
|
|
and what was actually really detailed about it was
|
||
|
|
he actually said where they were best.
|
||
|
|
Because of course with Civ,
|
||
|
|
you go through the eras.
|
||
|
|
Different things and in different times.
|
||
|
|
Yeah, I really enjoyed this show.
|
||
|
|
Yeah, and in Jamer's speak that would be called
|
||
|
|
their OP overpowered.
|
||
|
|
But yeah, I think he is wrapping up on the Civ 4.
|
||
|
|
Yeah, it definitely did sound like that yet.
|
||
|
|
No, great episode.
|
||
|
|
I actually, you know,
|
||
|
|
if ever at the Coffee Corner,
|
||
|
|
anything about Civilizations 4 comes up,
|
||
|
|
I'm covered.
|
||
|
|
Which is actually, let's face it, we'll be hates.
|
||
|
|
The dude in HPR has done a series on that,
|
||
|
|
which is basically all I ever say at the Coffee Corner.
|
||
|
|
Now, would this make a hooker the HPR gamer,
|
||
|
|
the resident gamer here?
|
||
|
|
Fine by me.
|
||
|
|
I mean, he's done more shows on gaming than anyone else has.
|
||
|
|
Yeah, then fight more.
|
||
|
|
It's a lot of shows there as well.
|
||
|
|
Like you guys, yeah?
|
||
|
|
Well, to be fair, he's done a lot of table-tut.
|
||
|
|
Well, they're still games don't get it wrong,
|
||
|
|
but the video games or digital video games versus
|
||
|
|
actual roleplay table top games.
|
||
|
|
Yeah, but as a non-gamer, that's like,
|
||
|
|
Oh, Ubuntu is not Fedora.
|
||
|
|
Anyway, that's all the shows.
|
||
|
|
I definitely do think that there's a difference there.
|
||
|
|
I was all the shows, guys,
|
||
|
|
thanks for all the shows.
|
||
|
|
And there were some comments on previous shows.
|
||
|
|
So this one was on PODNAN like,
|
||
|
|
Vigrant by Klatu.
|
||
|
|
This is how I use PODNAN for my desktop.
|
||
|
|
And we have some guy in the internet, say.
|
||
|
|
It's show time.
|
||
|
|
I'm enjoying PODNAN and stumbling into this show.
|
||
|
|
I agree, containers for headless digital testing is very nice.
|
||
|
|
It's also, it's so nice.
|
||
|
|
Why not go at splunking?
|
||
|
|
See you around, Sky.
|
||
|
|
Interesting, interesting.
|
||
|
|
Good idea. I like that.
|
||
|
|
Claudio Miranda did a show where he introduced HPR listeners to the Tildiverse
|
||
|
|
and Lee and Zero has given us two links there.
|
||
|
|
One to youtrana.com and the other to dimension.sh
|
||
|
|
where they give us two links to another public access, Unix.
|
||
|
|
Then we had Archer 72 talking about Piper TTX using the Piper Voices and Archer 72's comments
|
||
|
|
will be read by.
|
||
|
|
I found a Firefox extension that uses Piper Voices,
|
||
|
|
listed as experimental.
|
||
|
|
It is called Redalout, link included.
|
||
|
|
Very good.
|
||
|
|
And John the Knows Guy had a show, his first I believe,
|
||
|
|
my ridiculously complicated DHCP setup at home and Windigo says as advertised.
|
||
|
|
We were promised a ridiculously complicated DHCP setup and did you deliver?
|
||
|
|
Thanks John, I really enjoyed this episode and I also
|
||
|
|
thought with my home network and I'm taking a lot of inspiration from your setup.
|
||
|
|
So the next one is My First Episode by Axel and we had Torren Doyle, Archer 72 saying welcome,
|
||
|
|
hello, welcome aboard, welcome aboard, looking forward to your next show and the way
|
||
|
|
Axel saying thank you all.
|
||
|
|
And then the final one is Trickster saying lessons learned,
|
||
|
|
moderating technical discussion panels, tips for effectively moderating tech discussions
|
||
|
|
and preparation of audience engagement.
|
||
|
|
Kevin, can you do that one please?
|
||
|
|
It is high Trickster, great talk, thank you, while I may never face such a situation,
|
||
|
|
I would appreciate to get a link to one or more of such panel shows to listen to it,
|
||
|
|
Cheers Rito.
|
||
|
|
And that is all the comments, there was no discussion on the mailing list, although
|
||
|
|
there was much tears and consternation on the on the HBOR Matrix channel when I realized
|
||
|
|
that I had in fact been backing up my non-marking directory and I'd been working directly on
|
||
|
|
the wrong directory and did a get pull and completely overalls the all the work that I had done
|
||
|
|
on the HBOR processing script.
|
||
|
|
Sorry, I used the bad word there but it really was appropriate, it was, I was in literal
|
||
|
|
tears after it was tired, had a serious, serious stuff going down and then that happened,
|
||
|
|
of course that's why it happened, but I've been hoping that I'd be on the backup disc, hoping
|
||
|
|
I'd be somewhere else but not. Luckily though I had most of the stuff on my bash history
|
||
|
|
where I've been trying it out and I saved that and it was at least able to get things
|
||
|
|
up and running using, getting the functions back up and running where it could pull the shows,
|
||
|
|
but then there was a huge backlog again and I was like doing tomorrow's show today and the
|
||
|
|
internet archive was taking so slow and I had to do stuff manually, but kind of every cloud has
|
||
|
|
a silver lining, I was able to get it done and the code is in a lot better shape now
|
||
|
|
and I've made a lot of the functions and I'm in the process of going back to the other functions
|
||
|
|
so that I can run any given function independently and it does its own independent checks to see
|
||
|
|
whether I have enough information to do what I need to do and have I produced the stuff that I
|
||
|
|
needed to produce so that's quite good at me. It will make processing and replacement of modules
|
||
|
|
a lot easier and making other tooling like where we need to re-encode or there's a new
|
||
|
|
and you format becomes available I should be able to use these functions to you know find out
|
||
|
|
what the metadata for the show was so I can update the tags and stuff so but it was a hectic
|
||
|
|
hectic month but I am now pushing to me and I don't care Ron it's better to push it wrong
|
||
|
|
than not push it at all. So in the business we call that a re-factor?
|
||
|
|
aha yeah yeah cold re-factoring that's what it was. Was it rapid disassembly?
|
||
|
|
a rapid cold re-factor in this one huh?
|
||
|
|
I'm changing old rapid cold, rapid cold re-factor and you if there's one thing that hasn't been
|
||
|
|
rapid it has been this episode and it's largely down to me sorry about that everybody but there you go
|
||
|
|
um do you have anything else to share? nope as well. No I'm the same yes glad to be back actually
|
||
|
|
after a few months off so if you don't want me back on then please do come and replace me.
|
||
|
|
except it. Anyway tune in tomorrow for another exuditing episode of Hacker.
|
||
|
|
Publum Lake. Radio Lake!
|
||
|
|
You have been listening to Hacker Public Radio at Hacker Public Radio does work. Today's show was
|
||
|
|
contributed by a HBR listener like yourself if you ever thought of recording podcast and click
|
||
|
|
on our contribute link to find out how easy it really is. Hosting for HBR has been kindly provided
|
||
|
|
by an honesthost.com, the internet archive and our sings.net. On the Sadois status today's show
|
||
|
|
is released on our creative commons attribution 4.0 international license.
|