1260 lines
70 KiB
Plaintext
1260 lines
70 KiB
Plaintext
|
|
Episode: 4481
|
||
|
|
Title: HPR4481: HPR Community News for September 2025
|
||
|
|
Source: https://hub.hackerpublicradio.org/ccdn.php?filename=/eps/hpr4481/hpr4481.mp3
|
||
|
|
Transcribed: 2025-10-26 01:09:27
|
||
|
|
|
||
|
|
---
|
||
|
|
|
||
|
|
This is Hacker Public Radio Episode 4481 for Monday the 6th of October 2025.
|
||
|
|
Today's show is entitled HBR Community News for September 2025.
|
||
|
|
It is part of the series HBR Community News.
|
||
|
|
It is hosted by HBR volunteers and is about 83 minutes long.
|
||
|
|
It carries an explicit flag.
|
||
|
|
The summary is HBR volunteers talk about shows released and comments posted in September
|
||
|
|
2025.
|
||
|
|
Hi everybody, my name is Kim Falun, you're listening to another episode of Hacker Public
|
||
|
|
Radio.
|
||
|
|
Today it is the Community News for September 2025.
|
||
|
|
Joining me live from the United States of America is Scatty from the Free Independence
|
||
|
|
Scotland.
|
||
|
|
We have, we have, we have, and from the lowlands of Holland, you have me, Ken Falun.
|
||
|
|
HBR is Community Podcast that releases shows every weekday, Monday through Friday and
|
||
|
|
what makes us different from other podcasts is that we have been running for 20 years.
|
||
|
|
Number one, for number two, we are a podcast where the shows are released by people in
|
||
|
|
the community very much, in fact, identical to the people listening to this episode.
|
||
|
|
And this is the HBR Community News put on by the HBR volunteers, also known as the janitors,
|
||
|
|
who listen to all the shows during the month and then will provide some feedback.
|
||
|
|
And hopefully that will involve reading out the comments that you posted, support of
|
||
|
|
comments no doubt, to episodes so that everybody has some feedback.
|
||
|
|
So that's what this show is.
|
||
|
|
If you stick on to the end, there are some policy changes that are going to be occurring
|
||
|
|
that I need your feedback on.
|
||
|
|
So your attention will be appreciated for that.
|
||
|
|
However, who would like to introduce the new hosts?
|
||
|
|
How about Scatty do the first?
|
||
|
|
Oh.
|
||
|
|
Or the second.
|
||
|
|
Yeah, the first one's the time.
|
||
|
|
That's what we check.
|
||
|
|
Major Ersa.
|
||
|
|
Ersa.
|
||
|
|
And we had a new host, Wojciech from Poland.
|
||
|
|
So welcome, our new hosts.
|
||
|
|
It's always nice to have new hosts coming in, particularly a month where there are two
|
||
|
|
new hosts.
|
||
|
|
So we are also looking at, I'm looking at the queue right now.
|
||
|
|
And we have, after a little splurge after the vacation period was over, we have a lot
|
||
|
|
of empty slots coming up.
|
||
|
|
We have two empty slots next week, which, unless shows come in, will be reserve shows.
|
||
|
|
And one free slot the week after that, and then the weeks after that are completely empty.
|
||
|
|
So that's the state of the queue, and you know the rule.
|
||
|
|
If we don't get shows, we shut up, shall.
|
||
|
|
That's how it works.
|
||
|
|
So shall we go through the episodes for the last month?
|
||
|
|
Yeah.
|
||
|
|
And this could be a short show if we don't.
|
||
|
|
It could be yes.
|
||
|
|
I make it like it was an option.
|
||
|
|
The first episode was episode 4456, which was a HBR community news for August 2025.
|
||
|
|
That doesn't always happen, but it just happened this month.
|
||
|
|
And there were three count on three comments so we can give them up ourselves.
|
||
|
|
I will do the last one who wants to do the first one.
|
||
|
|
Yeah, I'll do that one.
|
||
|
|
So this is comment one by Candy Canierter, showed out.
|
||
|
|
I probably can't make an entire show about making some basic mods, but I appreciate the
|
||
|
|
positive comments and making little code projects for myself is really fun.
|
||
|
|
Also, it's Candy Kane Arter.
|
||
|
|
All right, okay.
|
||
|
|
After me totally mucking up that.
|
||
|
|
So thank you.
|
||
|
|
That's so important.
|
||
|
|
Those things out.
|
||
|
|
The name on that one, I'm not going to be able to get that, but pronouncing my name.
|
||
|
|
Hello there.
|
||
|
|
It's a mistake in pronouncing my name.
|
||
|
|
The letter sounds like KH.
|
||
|
|
It's a letter and they give some more information on the letter.
|
||
|
|
It's an Arabic alphabet letter.
|
||
|
|
The funny thing is that the same mistake has been done in the British teachers who were
|
||
|
|
in my primary school, although I used to write my name in English letters, I'm mad.
|
||
|
|
I would expect that the English speakers would pronounce the letter as H, yet that's
|
||
|
|
not what happened.
|
||
|
|
And the next is Ken.
|
||
|
|
Yep.
|
||
|
|
Hi.
|
||
|
|
Ha.
|
||
|
|
Mad.
|
||
|
|
Thanks for the feedback.
|
||
|
|
That was probably wrong as well, but I've tried.
|
||
|
|
I have a long history of mispronouncing people names here of the community news, so it's
|
||
|
|
not intentional.
|
||
|
|
I'm not just you.
|
||
|
|
However, the more schools you send in, the better the chances that I'll get it correct.
|
||
|
|
See what it did there, guys?
|
||
|
|
Oh, yeah, yeah.
|
||
|
|
I grew up at 100%.
|
||
|
|
Yeah.
|
||
|
|
Yes, maybe subtle.
|
||
|
|
Yes.
|
||
|
|
Totally.
|
||
|
|
Yeah.
|
||
|
|
So that's for sure.
|
||
|
|
Yeah.
|
||
|
|
The whole thing about name pronunciation is amazing.
|
||
|
|
I have.
|
||
|
|
Yeah.
|
||
|
|
So the following day was 4, 4, 5, 7 by Jezra DoDoDuce, and this is a, Jezra is making
|
||
|
|
an episode series of episodes about making a to-do application using the rest protocols,
|
||
|
|
which is quite interesting, particularly like his juvenile approach to naming stuff.
|
||
|
|
Totally.
|
||
|
|
Actually, I'm loving how he's actually given us such a regular update on this.
|
||
|
|
I mean, I must admit, it's one that I'm definitely going to try and either really reviewed
|
||
|
|
for Alex Jammer review for each PR episode, but I've enjoyed this.
|
||
|
|
Okay.
|
||
|
|
Yeah, I'm a caveman.
|
||
|
|
I'm still using, you know, painting paper and stuff like that, but I enjoy the show.
|
||
|
|
I particularly liked his idea that, or, you know, the concept of that he doesn't, the
|
||
|
|
pen and paper doesn't travel around with you, where is your phone tends to do?
|
||
|
|
So I'm inclined to agree with his logic, but I have had a long history of having unsuccessful
|
||
|
|
nor ticking applications, both physical and otherwise.
|
||
|
|
Yeah, I must admit, I am totally for the phone version, because like you say, it's always
|
||
|
|
in the pocket.
|
||
|
|
And also, I'm sick of, where's the list?
|
||
|
|
Oh, we left it on the kitchen table.
|
||
|
|
Oh.
|
||
|
|
This sounds like you guys need to get yourselves a fanny pack.
|
||
|
|
That sounds totally different in this side of the Atlantic.
|
||
|
|
Oh, so embarrassing.
|
||
|
|
It reminds me of a presentation, a HR person from the state's give in front of an
|
||
|
|
entire building of people, and we all need to get off our fanny, and we all need to do
|
||
|
|
this.
|
||
|
|
That's what it means to be different this side.
|
||
|
|
Yeah, exactly.
|
||
|
|
Wait, that means something different over there?
|
||
|
|
Oh, am I swearing or something?
|
||
|
|
Yeah.
|
||
|
|
Oh, really?
|
||
|
|
Holy smokes.
|
||
|
|
Which is why you got to be careful when you post your shows, you know, it doesn't cause
|
||
|
|
a fence in any language, in any country in any language, so you've got to be super careful.
|
||
|
|
However, the following day, we had creating an animation in PowerPoint, and this by David
|
||
|
|
Hingley, who we've met on, I think, over at our camp at least a few times, maybe a
|
||
|
|
fourth time, but this was an interesting one just using PowerPoint to slap out a quick
|
||
|
|
animation.
|
||
|
|
Yeah.
|
||
|
|
I thought I'd only enjoyed this.
|
||
|
|
The biggest issue was I listened to these on my commute to work, and this actually made
|
||
|
|
me want to kind of read us into it and actually go through it with a computer in front of
|
||
|
|
me.
|
||
|
|
So if you wanted those on my to-do list, whether it's actually a replying show, or whether
|
||
|
|
it's a comment, I need to actually get around to doing it to see how I do this.
|
||
|
|
Yeah.
|
||
|
|
Exactly.
|
||
|
|
Where are we now?
|
||
|
|
I'm a bit lost.
|
||
|
|
Following day.
|
||
|
|
How have I gotten to tea?
|
||
|
|
Oh, yeah.
|
||
|
|
Four or five, nine.
|
||
|
|
Yeah, my check is from Poland, and for a microsecond, I thought this was one of my colleagues
|
||
|
|
from Poland, who sent it in the show, but it wasn't, despite five years of badgering
|
||
|
|
them every day to send in an episode that never managed to do it.
|
||
|
|
Well, this was a cool episode, loads of stuff in there, mortal combat, you guys can bug
|
||
|
|
him to do shows about computers and about gaming, and we get computers, we'll be interesting
|
||
|
|
about all tones, Atari 2600 and nezuses, Schneider computers, do anyone ever hear of them?
|
||
|
|
No, that's what I was going to ask, is this something I've mistook?
|
||
|
|
And his first computer was a 48612 megawatts RAM and 850 megawatts hardest, that was massive
|
||
|
|
at the time.
|
||
|
|
Yeah.
|
||
|
|
Totally.
|
||
|
|
Turbo Pascal, that brings back memories, it was my first programming language.
|
||
|
|
Yeah, that's how you got the askamedes, I remember, sorry, Scotty.
|
||
|
|
My apologies.
|
||
|
|
I thought you guys all learned on like, was it assembly or something?
|
||
|
|
I'm not that old.
|
||
|
|
Although, yeah, the first program I officially learned was on punch cards using CNC machines.
|
||
|
|
So yeah, hi, suppose.
|
||
|
|
But great episode, Wojczyk, people, if you want to leave some comments, they're encouraging
|
||
|
|
Wojczyk to list of shows.
|
||
|
|
Archer 72 says, hi Wojczyk, it was a great first show with a lot of interesting topics
|
||
|
|
to your question.
|
||
|
|
How do you was good?
|
||
|
|
And so was your English eye for one looking forward to your October story, Baduč.
|
||
|
|
And Antrim said, welcome, it is an interesting beginning on teach and horror show would
|
||
|
|
be interesting, I agree, all the one English were good for me.
|
||
|
|
Do we got Hindrik, I apologize in advance, hello Wojczyk, I can't, it's like Woj Wojczyk,
|
||
|
|
I guess.
|
||
|
|
Woj.
|
||
|
|
It's tough.
|
||
|
|
The huge big asterix, like we already had a comment from somebody about how I butcher the
|
||
|
|
name.
|
||
|
|
Yeah.
|
||
|
|
Yeah.
|
||
|
|
It's a bit tough.
|
||
|
|
Hi Wojczyk.
|
||
|
|
For me, the non-English listener, your English is fine, well understandable and good speed.
|
||
|
|
Thank you for your first episode.
|
||
|
|
Andri says, I presume it's McNally, excellent for a show.
|
||
|
|
Just wanted to say that your HBO technology story was great to hear your English and all
|
||
|
|
of you were both fine.
|
||
|
|
You do speak quickly, but I've grown up in New York, speaking fast sounds perfectly normal
|
||
|
|
to me.
|
||
|
|
Thanks for keeping HBR interesting.
|
||
|
|
But not me, Andrew, you know, grew up in Glasgow, yeah, that's right, Andrew McNally.
|
||
|
|
That's right.
|
||
|
|
And Paul Jay says, welcome, hi Wojczyk, many thanks for the show.
|
||
|
|
Your sound quality was great, no problem with English delivery.
|
||
|
|
I look forward to more shows from you in the future, best regards, Paul.
|
||
|
|
Yeah, that was a good introductory show.
|
||
|
|
I thought I'd enjoyed it and he crossed a lot of, I'm actually quite interesting, having
|
||
|
|
my first console is Italian 2600.
|
||
|
|
But he's obviously the fact his first PC was running Windows 95, he's a bit younger than
|
||
|
|
me.
|
||
|
|
So it would be action seemed to find out, speak to him about the clones, actually, of the
|
||
|
|
2600.
|
||
|
|
Okay, the following day we had Artesee Clark, this is in a hookah series about science fiction.
|
||
|
|
Some very good links in here about Artesee Clark, another favorite of mine.
|
||
|
|
Yes, they were.
|
||
|
|
They were totally enjoyed it.
|
||
|
|
Yeah.
|
||
|
|
I love these shows and I'm still trying to get caught up on the foundation, I'm waiting
|
||
|
|
for the library to cycle my next copies through, but yes, I will eventually catch up to
|
||
|
|
this as well.
|
||
|
|
Well, I had never read any Artesee Clark at all, but I just haven't.
|
||
|
|
It's one of these, he's been on one of these two read piles for ages, so I actually
|
||
|
|
just went and see what I could get locally and I managed to get a city on the stars.
|
||
|
|
I started reading it yesterday and I'm a bit rage-chapterish and thoroughly enjoyed it.
|
||
|
|
So yeah, these have been good and it's good to hear people actually recommending these
|
||
|
|
kind of, these authors because they're probably the kind of ones that, yeah, you know the classic
|
||
|
|
author's sci-fi and things, but very often you might actually pass them over until somebody
|
||
|
|
says, you read them, they're right.
|
||
|
|
Artesee language.
|
||
|
|
I love the language.
|
||
|
|
Yeah, I love the language from the time when that these authors use.
|
||
|
|
Yeah, totally.
|
||
|
|
A smidgen of their time, though, politically correctness wise, but.
|
||
|
|
Yes.
|
||
|
|
So the next day, we had a battle of the mics with Lee and I'll be meeting up with Lee and
|
||
|
|
Elizabeth Barrow.
|
||
|
|
They're over visiting the Netherlands and we're going to meet up for a while, so I'm looking
|
||
|
|
forward to that.
|
||
|
|
And it is a simple enough show.
|
||
|
|
He, Lee records, he has five options for recording, recording a HDR episode and uses all
|
||
|
|
five recordings and as a comparison, the only thing I would say is that if we're doing
|
||
|
|
it again, maybe a longer passage, I believe somebody else did something similar in the
|
||
|
|
past, can't remember who it was now, where they read out the BSD license or the first two
|
||
|
|
or three sentences so we can get a little bit of variation in the sounds and the feedback
|
||
|
|
of the P and the different mouth movements, et cetera, but a good one for comparing mics
|
||
|
|
and stuff.
|
||
|
|
Yeah, absolutely.
|
||
|
|
I liked how he wasn't just going down the whole, you know, these are the ones I've used
|
||
|
|
in the past, you know, going to quite expensive microphones exclusively.
|
||
|
|
He also used, you know, like the microphone office iPad and one office MacBook and things
|
||
|
|
to go.
|
||
|
|
He really enjoyed it.
|
||
|
|
Like you see that, that's the only bit of constructive criticism I'd say to him, maybe
|
||
|
|
just read something a bit longer so we can get actually a proper gauge of the microphones.
|
||
|
|
And Candy, can either zero seven said interesting dive into the topic, not thought about
|
||
|
|
often.
|
||
|
|
I like how the quality of the mics were tested in the controlled way and playback so
|
||
|
|
you can hear the sound quality, obviously different mics produce varying quality, but
|
||
|
|
it's something I at least don't usually think about beyond this sounds a bit crunched.
|
||
|
|
I was, I was all the comments on that show.
|
||
|
|
I think is he trying to make us at the, what's your word, play on words here because you
|
||
|
|
got candy cane, art art and candy crunched, yeah.
|
||
|
|
I mean, is this a technique that normally happens on, on the web now where you don't
|
||
|
|
use any capitals in the comments, presumably, we're far too old to be considered young these
|
||
|
|
days or with it.
|
||
|
|
So hum the clue.
|
||
|
|
So following day, we had the first in what I know to be a series of episodes by Kevin
|
||
|
|
and Dave are too long standing holes, HBR beer garden introduction and desert desert
|
||
|
|
stouts, not desert stouts, that will be a bit specific.
|
||
|
|
That'll be very dry.
|
||
|
|
I'd imagine.
|
||
|
|
Right.
|
||
|
|
That's it.
|
||
|
|
Go in the corner.
|
||
|
|
Think well about what you've done.
|
||
|
|
Couldn't resist.
|
||
|
|
Couldn't resist.
|
||
|
|
This is your show where you're, where you're going through basically drinking beers and
|
||
|
|
I love the sound effects, I've been listening to these driving down the motorway, up the motorway
|
||
|
|
actually to, this is my daughter, a youngest actually who's in long term care and yeah, you're
|
||
|
|
the click and you go, blah, blah, blah, blah, blah, blah, blah, all right, when I get home,
|
||
|
|
when I have this done, I will be out of a crack in the tinny myself.
|
||
|
|
You know, I arrived back too late, but anyway, still.
|
||
|
|
That's a shame, but we didn't courage, that's good, it's good that we're having that
|
||
|
|
positive.
|
||
|
|
You're encouraging drinking, yes, good man, yeah.
|
||
|
|
Well, that's what worries me.
|
||
|
|
We got a message.
|
||
|
|
I think we've read it out the last show, it wasn't through HPR, but somebody actually
|
||
|
|
messaged and said, this, this show makes me want to start drinking again, it's brilliant,
|
||
|
|
and I'm going, that's not why we did it, trust me, that's really not why we did it, especially
|
||
|
|
if you had stopped.
|
||
|
|
Yeah, exactly.
|
||
|
|
I did, there was Scotty, do you want to do the response?
|
||
|
|
Yes, we have TA spinner, thoughts, love your exploring beers, that name's going to
|
||
|
|
be difficult for me there.
|
||
|
|
Half a vise, oh, lovely, love your exploring beers, I enjoy stout for the first time.
|
||
|
|
I've never tried a dessert stout, but planned to, and I am curious as to what you think
|
||
|
|
of this beverage, my current favorite, have, have, have, have, I'm going to need some
|
||
|
|
practice on that.
|
||
|
|
Well, it's a good job that myself and Dave are dedicated, because we are practicing,
|
||
|
|
and I found actually a couple of international available ones in the supermarkets here,
|
||
|
|
but there's one of the local breweries, have their own half a vise, and so I bought that
|
||
|
|
today, so one for the future.
|
||
|
|
Oh, excellent, you heard it here, folks, spoiler.
|
||
|
|
Yes, so the idea with this is just, you have to very briefly just mention it.
|
||
|
|
This was something, myself and Dave, we're planning a wee quile, and then we kind of initially
|
||
|
|
was going to be a standalone, and we thought, let's make it into an HPR series, and we're
|
||
|
|
instead of reviewing individual beers as such, or folks may show, we thought, well, not
|
||
|
|
everybody can get the same beers, especially when you cross the Atlantic, it's totally different,
|
||
|
|
but everybody can get a style of beer.
|
||
|
|
So that's what we're doing.
|
||
|
|
We're not just doing styles, we're kind of doing sub-styles as well, so look out for more.
|
||
|
|
Hefevising?
|
||
|
|
That's it.
|
||
|
|
It gets easier, the closer to the bottom of the beer you get.
|
||
|
|
Yes, so actually I'll also say as well, if anybody listening wants to come on and actually
|
||
|
|
do a show with us, you're more than welcome, just drop us a comment or send us an email
|
||
|
|
or something.
|
||
|
|
Contact us in the show so you're going to listen to it.
|
||
|
|
So the following day, we had a quick announcement about the Solfen Freedom Day in New Jersey, and
|
||
|
|
Murph apologises for the length of the show.
|
||
|
|
He proposes to send in a shorter one in the future, and thanks to Huka for allowing us
|
||
|
|
to move his show for to pop this on in, because it was a timely announcement.
|
||
|
|
Yep, thoroughly enjoyed it.
|
||
|
|
I just couldn't get over how quickly it was over, because I was like, oh, this sounds good.
|
||
|
|
What do you mean that's it done?
|
||
|
|
So, yeah, that mind you, I suppose.
|
||
|
|
One thing it does what it says on the turn, it's an advert for an event, and he does it very
|
||
|
|
well.
|
||
|
|
In, give them the information.
|
||
|
|
Get the hell out of there.
|
||
|
|
Last thing, if anyone was there at that event, and could do a show, you know, quick summary
|
||
|
|
about what it was like and stuff, also if you are going to show at a minimum, you can
|
||
|
|
record afterwards what the show, what your experience of the event was like.
|
||
|
|
Also do interviews there for HBR, you're a roving correspondent, that's absolutely approved
|
||
|
|
and allowed and approved.
|
||
|
|
And if they've got boots and stuff or have tables, there's a boot kit going around.
|
||
|
|
And if you can organize two or three people to help you sit there and tell everybody what
|
||
|
|
HBR is and what we do.
|
||
|
|
That's if people are going back to more conferences is something that definitely brings in new
|
||
|
|
hosts.
|
||
|
|
We know this for sure.
|
||
|
|
Yeah, absolutely.
|
||
|
|
Absolutely.
|
||
|
|
Yes, well, certainly, I do remember from my old camp experience, you certainly weren't
|
||
|
|
shy about encouraging shows.
|
||
|
|
Exactly.
|
||
|
|
Okay, the next day we had replacing a track pad on my laptop by Claudio, and congratulations
|
||
|
|
to Claudio and his lovely wife on their recent marriage.
|
||
|
|
So congratulations from all the HBR community and long life and happiness to you both.
|
||
|
|
However, this was about taking a gamble and trying to fix a track pad on this laptop.
|
||
|
|
So it was a kind of generic brand laptop and it was a bit of a gamble.
|
||
|
|
And you go after the listen to the episode to find out if the gamble paid off or not.
|
||
|
|
Yeah, absolutely.
|
||
|
|
That was actually a really good episode.
|
||
|
|
I thoroughly enjoyed listening to this and the things we should be encouraging more
|
||
|
|
of this because it annoys me.
|
||
|
|
We live in such a dash through our way society and you're thinking half of these things
|
||
|
|
don't need to be thrown away.
|
||
|
|
It's so annoying.
|
||
|
|
And the following day we had civilization, the part three, five part three.
|
||
|
|
And there we had victory types and terrain, victory types and terrain.
|
||
|
|
So they list the different types of victory types that there are.
|
||
|
|
And the differences in terrain that are available, I popped that in there.
|
||
|
|
Yes.
|
||
|
|
Well, you've actually pretty much covered it.
|
||
|
|
I'm not going to start going down the different ones, but well, with civilization, those
|
||
|
|
you haven't played it, it's not something I'll go on forever.
|
||
|
|
You do get a certain number of moves and you can have the victory type as being the
|
||
|
|
person who gets the best in this or this person to achieve this within the set amount.
|
||
|
|
First, if that makes sense, they're like, they're very different ones.
|
||
|
|
I mean, you get like so the, you know, if you wanted like our tradition of RTS, there
|
||
|
|
is a domination one where you just had to wipe out everybody else, but you can also do things
|
||
|
|
like cultural victories where, you know, you've gotten far more, it's far more of a building
|
||
|
|
up and getting not just cities or boxes, but actually getting culture into them.
|
||
|
|
And I don't want to spoil too much, but yeah, I thought I'd enjoyed it.
|
||
|
|
You also went on to talk about terrain and I think civilization five was the first one
|
||
|
|
to use hex tiles, if I remember rightly, but obviously each tile is a certain type
|
||
|
|
of terrain.
|
||
|
|
And it will cost you.
|
||
|
|
So if you move through it, there'll be a cost of food, there'll be a cost of, there
|
||
|
|
might be an actual cost cost as well.
|
||
|
|
So like some of them, if you want to go through it, you're going to spend gold.
|
||
|
|
So if it's special water, it costs you gold in the game.
|
||
|
|
So yeah, actually, I really enjoyed that and he's also spoke about if you want to place
|
||
|
|
things onto it, build something onto it, you're going to have some advantages, disadvantages.
|
||
|
|
So yeah, thoroughly enjoyed it from Mahooka.
|
||
|
|
So following day, we had episode four, four, six, six Hitchbier music project walking
|
||
|
|
tune towards a friend and this was by Fred Black and he actually, there's, he actually
|
||
|
|
posted the wrong audio for the show, which ended up in us having two shows.
|
||
|
|
So we later on in the month, we guess the actual audio that he intended to send in.
|
||
|
|
About the idea of sending in a show like this, something absolutely fine.
|
||
|
|
So Candy can eat or zero something, said quite unique idea for a show.
|
||
|
|
This was definitely out of the ordinary, but I liked how the song sounded and I hope
|
||
|
|
your friend liked it as well, smiley face.
|
||
|
|
Yeah, can't really add too much to that.
|
||
|
|
It was a very short and sweet show.
|
||
|
|
For once, it was, I thought Murphs would be the shortest show of the month.
|
||
|
|
No, he actually managed to get even more to do it.
|
||
|
|
Well, sometimes we have like eight hour feels so swings and roundabouts, I guess.
|
||
|
|
Then from the vineyards of France, we had Yerun coming in with a small, old, old usage intro
|
||
|
|
and a larger technical bit.
|
||
|
|
So this is a series about using the business application.
|
||
|
|
So from what I can gather, it's like the WordPress of developers.
|
||
|
|
So as he says, the technical menu, you need to be very careful about changes being
|
||
|
|
made in there.
|
||
|
|
That's pretty cool.
|
||
|
|
Yeah, totally.
|
||
|
|
It's interesting here because it's not something I would have had any interest in looking at myself,
|
||
|
|
but it is good to hear people talking about this and the depth he's going into.
|
||
|
|
I mean, for me, a lot of it does get a bit wasted, but I'm not actually the target audience
|
||
|
|
for this one.
|
||
|
|
But it is really good.
|
||
|
|
And if I was building up and all do, say it out, I don't know, that's right word I'm
|
||
|
|
going to say, but yeah, this would be well worth recommending to anybody who's interested
|
||
|
|
for this because he's really doing such a thorough job on it.
|
||
|
|
Again, anything else here in HBO, you know, just because you're not, it's not relevant
|
||
|
|
to you now.
|
||
|
|
It doesn't mean it won't be in the future, you know, somebody's, you're out somewhere
|
||
|
|
talking to somebody and you go on, hold on a second, there was somebody is looking for
|
||
|
|
a business application, but doesn't want to pay a SAP and you know, hold on, there's
|
||
|
|
a whole series of shows here in HBO about that.
|
||
|
|
That's happened to me more than once in the past.
|
||
|
|
Oh, absolutely, absolutely.
|
||
|
|
So the following day, we had the AI trap and fix where Archer 72 breaks the icons on
|
||
|
|
the system and gets them back together.
|
||
|
|
I think the breaking icons bit was with the help of AI and getting them back together
|
||
|
|
was with the help of just regular searching for stuff.
|
||
|
|
Yeah, this one gave me a chuckle listening to it, but I was the one thing that made me
|
||
|
|
think was the way Archer is, why in the world was he even trying AI as far as more various
|
||
|
|
not overly privileged, and this isn't going to encourage him either.
|
||
|
|
Exactly, and I just, you know, we've all been there where you do something silly like
|
||
|
|
this and, you know, all your icons are gone.
|
||
|
|
But the thing about running Linux is, you know, that, that happens sometimes and you
|
||
|
|
just go, okay, that's just happened, but it's not necessarily a reason to panic.
|
||
|
|
It's just right.
|
||
|
|
I'll fix that when I get around to it or if I can't be the only one who has done that
|
||
|
|
in the past.
|
||
|
|
Absolutely.
|
||
|
|
And this is where I love the fact it's so community-based.
|
||
|
|
It's not people saying, you know, I'm keeping it for myself.
|
||
|
|
You know, people do tend to share, especially the list community, they do tend to share,
|
||
|
|
I've seen, look, this is what I did and this is how I fixed it in case you have the same
|
||
|
|
thing.
|
||
|
|
Exactly.
|
||
|
|
Not all of them write nothing, where he's a podcaster, but it's all well done, well done.
|
||
|
|
I'm curious about the Gnome thing though.
|
||
|
|
I thought Archer was a KDE kind of guy.
|
||
|
|
So the whole Gnome thing was interesting, but I'm not surprised that he's out there fooling
|
||
|
|
around with the AI.
|
||
|
|
Archer's got an addiction.
|
||
|
|
We're going to have to take him to rehab over this AI.
|
||
|
|
Yeah.
|
||
|
|
Yeah.
|
||
|
|
So the following day we had disagree with me, three statements about life and living
|
||
|
|
by Antoine, and one, two, and three, while you're just going to have to listen to the
|
||
|
|
show to find out what he's on about.
|
||
|
|
This made me think of one of those, this isn't the show, this is just the beginning of
|
||
|
|
discussion.
|
||
|
|
I mean, really, if you want a full philosophy debate at the discussion, this is perfect
|
||
|
|
for it.
|
||
|
|
Absolutely.
|
||
|
|
Yes.
|
||
|
|
You know, you know what this brought me back to?
|
||
|
|
One of my all-time favorite shows, D&T, when he brought up the Toil versus, was it Toil
|
||
|
|
in livelihood or something like that?
|
||
|
|
Yes.
|
||
|
|
Yes.
|
||
|
|
Yeah.
|
||
|
|
It reminded me very much of that.
|
||
|
|
And by the way, D&T, where are you?
|
||
|
|
You know, another episode.
|
||
|
|
Oh, thank you.
|
||
|
|
All this for giving.
|
||
|
|
Yeah.
|
||
|
|
The following day, we had a show by Lee.
|
||
|
|
And at that time, I was working on some commemorative show idea.
|
||
|
|
And then the next day, and I said to myself, I need to do something.
|
||
|
|
And then the next thing, Lee said in this, and I went, OK, that's it.
|
||
|
|
I'm not basically his experience of HBO, not necessarily, which, of course, will be
|
||
|
|
everybody's experience in HBO, and he's missed loads of hosts, and he's missed loads
|
||
|
|
of shows.
|
||
|
|
And if your name wasn't in the lineup, that's, don't take that to heart.
|
||
|
|
Your contributions are very welcome, but, you know, it's Lee's experience of an episode.
|
||
|
|
So it was good.
|
||
|
|
It was amazing, the various different areas that HBO gets into.
|
||
|
|
Oh, totally.
|
||
|
|
I thoroughly enjoyed it.
|
||
|
|
And I thought he did well in that.
|
||
|
|
It wasn't too short that it was pointless, but it wasn't too long that you're like, yeah,
|
||
|
|
hurry up, get over this clip.
|
||
|
|
I thought you thought he timed these to perfection.
|
||
|
|
But of course, the shame of it is, I mean, you're always going to think, oh, he should have
|
||
|
|
collected it.
|
||
|
|
He should have that, should have had that, should have had that.
|
||
|
|
And, you know, the thing is, like you say, it's his experience, you know, so it is.
|
||
|
|
He did a good, a good variety, but please, anybody who's, you know, not, not mentioned,
|
||
|
|
please don't take it to heart, don't get offended.
|
||
|
|
Those are just the ones that stick.
|
||
|
|
I mean, if we were all to give our top 20 shows, we remember the most, we're not going
|
||
|
|
to come up with even likely the same 20.
|
||
|
|
Well, that is a good topic for a show.
|
||
|
|
I mean, if he'll excuse me, if a hook he can do his series on, uh, Libri Office, yeah,
|
||
|
|
or no, I mean, on, on what YouTube subscriptions he's listening to, your top 10 favorite
|
||
|
|
HPR shows will be a great topic to have, um, simply because, you know, you could tell
|
||
|
|
us what the show was about, why it impacted you.
|
||
|
|
For example, number one on my list would be all soldiers by, um, Lost in Bronx, which
|
||
|
|
was about, um, about podcasts fading and the correct way to do that.
|
||
|
|
And, um, HPR should to continue or not, and without that show, that show directly prompted
|
||
|
|
me to help out with HPR, which took HPR in a completely different direction.
|
||
|
|
And a lot has changed in that time and the whole thing about, as I said earlier, as soon
|
||
|
|
as they, we run out of episodes, that's inspired by that show.
|
||
|
|
So huge, huge impacts some shows can have.
|
||
|
|
So, um, even, you know, top 10, I said, but, you know, even if you want to do like top three,
|
||
|
|
or this is the HPR show that has impacted me most, you know, I'd love to hear about it.
|
||
|
|
Yeah, totally.
|
||
|
|
Totally, I get that.
|
||
|
|
Agreed.
|
||
|
|
I mean, do you know what would be cool is if later somebody did the series and referred
|
||
|
|
to one of those meta shows that referred to another show?
|
||
|
|
It's like the whole recurrent recurrence thing.
|
||
|
|
Anyway, Krivenu said congrats.
|
||
|
|
I will ignore that you make me feel old.
|
||
|
|
It was awesome to relive the history and enjoy the voices of all friends.
|
||
|
|
Thank you.
|
||
|
|
And Claudio M said happy 20th anniversary.
|
||
|
|
A big congratulations to HPR for 20 years, a little late on mine to respond, but better
|
||
|
|
late than never.
|
||
|
|
Perfect.
|
||
|
|
And then we had the TI 82 music and password manager.
|
||
|
|
Sometimes I don't know what operators talking about.
|
||
|
|
And then I kind of have to go back and relisten this.
|
||
|
|
So I was not aware of the TI 80 as a calculator.
|
||
|
|
I imagine, since then, I've found out that it's, um, being the basis of the basis of
|
||
|
|
calculators for secondary schools in the US.
|
||
|
|
So that makes it more, more obvious what he's doing.
|
||
|
|
Could all Texas instruments?
|
||
|
|
Yeah, that would be a good contract to get wouldn't it?
|
||
|
|
Definitely.
|
||
|
|
Right.
|
||
|
|
So we've got a message off now.
|
||
|
|
This person has left quite a few this month.
|
||
|
|
Great to see.
|
||
|
|
Candy, K and Arter, O7, TI Calc history.
|
||
|
|
I really miss when the fancier TI calculators, the ones that you could program on were
|
||
|
|
more popular.
|
||
|
|
I personally never could load any games on it or anything since our school never gave
|
||
|
|
us a transfer cable or the software to do it.
|
||
|
|
But I was always fascinated by the idea I used to love messaging with the bulletin programs
|
||
|
|
in class.
|
||
|
|
Cool.
|
||
|
|
I didn't know that this was a possibility because we were not allowed programmable calculators
|
||
|
|
at all.
|
||
|
|
Just scientific calculators.
|
||
|
|
Interesting.
|
||
|
|
The following day, go ahead over.
|
||
|
|
Sorry.
|
||
|
|
I was thinking about an article about discussing that calculator design needs to change.
|
||
|
|
We long story short, they were saying that we should be using basically IDEs now instead
|
||
|
|
of calculators because of the whole contract and everything going on now with calculators
|
||
|
|
and how it's all fit toward the hand versus we have a full keyboard, et cetera, et cetera.
|
||
|
|
Okay.
|
||
|
|
The next day, we had cheap yellow display project introduction to the cheap yellow display.
|
||
|
|
And this is by Trey and it's part of a series, which is great.
|
||
|
|
And it's an introduction to this display thing.
|
||
|
|
And the reason why I was so excited to see that is that there are three of them sitting
|
||
|
|
up here in my drawer and none of which I had used because I have a whole goal of projects
|
||
|
|
that need to be done down here and half an hour at the time.
|
||
|
|
But this is good might eventually get me off my bus and ask me what you're going to
|
||
|
|
do with the episodes or with the displays.
|
||
|
|
And if you have ideas, add it as a comment or better yet, do your own show.
|
||
|
|
Absolutely.
|
||
|
|
I had never heard of this until then.
|
||
|
|
And I heard it with that morning, it was released, the CYD and then you had a burning
|
||
|
|
sensation in your pocket, did you?
|
||
|
|
Actually, no.
|
||
|
|
The next thing it was was I thought, cool idea, but I don't need more stuff to clog up
|
||
|
|
the area.
|
||
|
|
And the next thing, I'll sense a text to the group, we have to get this into your own project
|
||
|
|
and review it for the next show.
|
||
|
|
So of course, guess what's next to me just now?
|
||
|
|
Fantastic.
|
||
|
|
Fantastic.
|
||
|
|
I was a bit of hold it up and then realized we're not on video camera.
|
||
|
|
We can send a link into your show when you release it.
|
||
|
|
Yeah, yeah, we'll do that.
|
||
|
|
Then speaking of your shows, if you're Beard Garden, Vosentwo, what is it?
|
||
|
|
What is it?
|
||
|
|
We have a comment.
|
||
|
|
We have a comment about Archer 72.
|
||
|
|
The following following the series, HiTray.
|
||
|
|
I have been following this series on the future feed.
|
||
|
|
This has been an interesting use of the CYD so far and I look forward to the future
|
||
|
|
shows.
|
||
|
|
Archer 72.
|
||
|
|
I did the same thing.
|
||
|
|
I've been binge watched them, so you all don't know what he's going to do yet, Vosentwo.
|
||
|
|
It will become obvious.
|
||
|
|
Okay, and now the following day we had HiTray Beard Garden 2, IPA.
|
||
|
|
Oh, not just IPA.
|
||
|
|
Session IPAs.
|
||
|
|
Session IPAs.
|
||
|
|
Yes.
|
||
|
|
I was, I'm now on the A1, anytime I think about podcasts, I flashback to where I was when
|
||
|
|
I heard that.
|
||
|
|
It doesn't matter if I go back to any of the podcasts that's more on the HPR, I flashback
|
||
|
|
to that particular spot and I was driving up the road listening to this.
|
||
|
|
I had no idea what a session IPA was.
|
||
|
|
It was a bit of a tangent there, sorry about that, fucks.
|
||
|
|
Now you're fine.
|
||
|
|
I'm very tired.
|
||
|
|
And did you, did you fix this issue?
|
||
|
|
No, because I really dislike IPAs to the point where they make me slightly ill.
|
||
|
|
Oh, well, no, like I said, if you, if you, I'm not the Worms biggest fan because I find
|
||
|
|
so many of the mass produced ones are generic, but as an IPA for me is awful, I can't
|
||
|
|
think of me that kind of like clear from the show that this was not my style at all.
|
||
|
|
I would have, I would have, you know, Humored Dave and had one for sure for the purposes
|
||
|
|
of what I was definitely with you and I think I also agree, like for some reason, you know,
|
||
|
|
we had, we had a lovely period there where there are microberries and they had their
|
||
|
|
own different tastes, the beer and then it just all went boom IPA, IPA, IPA, IPA, IPA.
|
||
|
|
Yeah, totally.
|
||
|
|
It's really annoying.
|
||
|
|
Yeah, but I don't want to say too much more purely because people won't listen to it.
|
||
|
|
So yeah, go back and listen to session IPAs and, yeah, and I have to, I have to have
|
||
|
|
a confession that we use the sounds for the very start of the show and I've got to put
|
||
|
|
the links into the first episode of show notes so they add in the subsequent ones.
|
||
|
|
That's very good.
|
||
|
|
Oh, if you remind me, I can go back and put them in.
|
||
|
|
I don't thank you.
|
||
|
|
No, you know, you know, you have me that I didn't check to see the licensing of those
|
||
|
|
because that's something I normally do.
|
||
|
|
Yeah, I don't know what I didn't want to give you a headache.
|
||
|
|
It was all clear to comments once.
|
||
|
|
Yeah, I checked them all since.
|
||
|
|
So they're all fine.
|
||
|
|
Then you had a comment from a weird Irish guy who says, floss beer trackers, high chaps,
|
||
|
|
can you do an episode on how to go about classifying a beer?
|
||
|
|
Do you use floss beer trackers possibly on F-Droid?
|
||
|
|
Thanks.
|
||
|
|
Yeah, we'll, we'll get to this in the next show.
|
||
|
|
Yeah, so I don't want to say too much, but I was talking a bit, Dave, and it was
|
||
|
|
sort of classifying beers.
|
||
|
|
I mean, you said about 80 Irish shows.
|
||
|
|
We could probably beat that.
|
||
|
|
Absolutely.
|
||
|
|
Well, I was thinking if people, you know, it's not conceivable that everybody joins at
|
||
|
|
the same time, but if somebody wanted to, all right, here's how I go about classifying
|
||
|
|
a beer.
|
||
|
|
It was more of the homework.
|
||
|
|
But let's see what.
|
||
|
|
Yeah, I know what you mean.
|
||
|
|
Yeah, yeah.
|
||
|
|
Yeah.
|
||
|
|
Let's see what you're, what you can work with.
|
||
|
|
And the reason I ask it is that I've had, I've tried to classify a beer twice, you know,
|
||
|
|
the same beer with six months in between, and what I came up with were two completely
|
||
|
|
different reviews.
|
||
|
|
So how do you get around that?
|
||
|
|
Yeah, well, I mean, I think I mentioned it actually in the show.
|
||
|
|
The beer I actually had, thankfully, didn't taste like a session IP or even IP at all.
|
||
|
|
It tasted far more like a golden nail.
|
||
|
|
So I was very much convinced that it was re, it was branded wrongly.
|
||
|
|
But I'm not complaining because we bet and I was expecting it to be, that, that, that
|
||
|
|
way that I was expected to be, that's like the bar is so low, I'm going to have to start
|
||
|
|
digging before I'm going to make a little, the following day, whatever what you wish for
|
||
|
|
actually.
|
||
|
|
You said that this sounds like I sure you've got to record them.
|
||
|
|
So now you've got your CDs, by the way, we're not shutting up.
|
||
|
|
Carry on, I'm enjoying it, I'm just hoping you get to something that I can actually buy
|
||
|
|
at some point.
|
||
|
|
That's never going to get a nice disclaimer.
|
||
|
|
I'm going to have to bring you on tour over here and we can go do a live session.
|
||
|
|
Oh, that would be good, yes, I thought we did that.
|
||
|
|
And from the first following day was Hacker Poetry 001, which I love to see because A is
|
||
|
|
shows that there's going to be more.
|
||
|
|
And number two, it's from a new host.
|
||
|
|
And this harkens back to the original foundations of HPR where we do this sort of Hackerie stuff.
|
||
|
|
Now of course, I did have to check with the host and make sure that they're understand
|
||
|
|
that HPR is a podcast, not a podcast distribution network and they're cool with that.
|
||
|
|
So first thing, first three poems.
|
||
|
|
And there was a comment from candy can eight or zero seven.
|
||
|
|
And we're deliberately pronouncing your name incorrectly, I guess.
|
||
|
|
Yeah, I think after they've seen how to pronounce it, I think you're just kind of a start
|
||
|
|
and annoy them deliberately.
|
||
|
|
Well, you're going to have to do a show just to tell us how you pronounce that properly.
|
||
|
|
The comment says, I love it.
|
||
|
|
I really like this idea.
|
||
|
|
The whole thing of having thought provoking poems is pretty cool, despite the length being
|
||
|
|
kind of short, which I agree with actually there.
|
||
|
|
And then the question is, also, is the league of better villains a real thing?
|
||
|
|
That's just what they want you to think.
|
||
|
|
Yes.
|
||
|
|
Very good.
|
||
|
|
I like it.
|
||
|
|
It's very hacky.
|
||
|
|
And we like that sort of thing.
|
||
|
|
And then the next day episode 4475 was Fred Black with the actual show that he meant
|
||
|
|
to send in.
|
||
|
|
And he also has the music sheet for the song as well and the tune.
|
||
|
|
So there you go.
|
||
|
|
For the tune, actually, no, it's not a song as such.
|
||
|
|
Yeah, this one gave me a chuckle actually with the first one, saying, no, that was almost
|
||
|
|
meant to do.
|
||
|
|
This is what it was.
|
||
|
|
Yeah.
|
||
|
|
Exactly.
|
||
|
|
I was going, yeah.
|
||
|
|
Okay, fine.
|
||
|
|
It's like all songs considered as the only thing I would have put it in under, but this,
|
||
|
|
it made more sense when you listen to this show because, you know, he's teaching somebody
|
||
|
|
the song.
|
||
|
|
And then at the end, you get the song.
|
||
|
|
So good.
|
||
|
|
Then we had Trollocoster.
|
||
|
|
Does AI cause brain damage going through the findings of a MIT study?
|
||
|
|
And it was about cognitive test, et cetera, et cetera, et cetera.
|
||
|
|
And there's quite a few.
|
||
|
|
I did like this show and there, I think they comments cover all my feelings.
|
||
|
|
So trace as excellent episode, Trollocoster.
|
||
|
|
I love the way you put this episode together and delivered it.
|
||
|
|
You addressed a serious issue in an entertaining and informative manner.
|
||
|
|
AI is a powerful tool.
|
||
|
|
And for a select group of people, the challenges like ADHD and or generic prosperity, prop,
|
||
|
|
bends, progenetic, genetic propensity.
|
||
|
|
Thank you.
|
||
|
|
And the whole dyslexia just whacked me in the face there.
|
||
|
|
For dementia, it can be a very dangerous one.
|
||
|
|
I try to daily exercise my brain to help minimize degradation brought on by some of the above
|
||
|
|
mentioned issues and complicated by age.
|
||
|
|
But I also need to be able to leverage powerful tools of AI.
|
||
|
|
Thank you for a reminder to practice more moderation.
|
||
|
|
And to think of ourselves more often than not.
|
||
|
|
And Trollocoster responded here with, thanks, Trey.
|
||
|
|
I really appreciate your feedback.
|
||
|
|
Don't even think of touching the topic of degenerative brain issues.
|
||
|
|
I guess my own brain full of degenerative thoughts block that idea out of my head.
|
||
|
|
Looking forward to your HPR episode on how to train the brain, not going insane, quoting
|
||
|
|
Cypressil here, keep on trolling.
|
||
|
|
No, don't keep on trolling.
|
||
|
|
There we got it in Staleo, wonderful episode.
|
||
|
|
Thank you, Trollocoster for the insightful and genuinely funny bittersweet episode.
|
||
|
|
Whether or not the audience loves or hates AI, you covered MIT research paper objectively
|
||
|
|
and in a way that made me laugh out loud more than once.
|
||
|
|
Thanks again.
|
||
|
|
And Trollocoster responds to that saying, hey, in Staleo, I'm afraid I won't be able to
|
||
|
|
submit any more podcast to HPR if you want my career to end on a high point.
|
||
|
|
So much flattery is dangerous.
|
||
|
|
That's it.
|
||
|
|
Did you like the episode?
|
||
|
|
Oh, don't worry, my inner tool is too strong.
|
||
|
|
Before I know it, I'll be spitting on my next soap buck episode.
|
||
|
|
I haven't decided who I'll insult in that one.
|
||
|
|
Oh, dear, dear, dear.
|
||
|
|
Yeah, this one, this came up in a personal circle during a call, me and some friends had.
|
||
|
|
We were discussing this multiple times recently.
|
||
|
|
And you referenced this episode?
|
||
|
|
No, no, I'm still trying to get those friends to review the site.
|
||
|
|
They hear the name and everybody becomes a little nervous, but the whole AI discussion,
|
||
|
|
they enjoy AI and the topic of, you know, brain rot basically came up and yeah, that's
|
||
|
|
why I need to get the hobby public radio site back live.
|
||
|
|
So you can redirect them to that with a certain degree of certainty that's going to be there.
|
||
|
|
And do do three, a doose plus one.
|
||
|
|
I continue to rather about do do to do up for getting done done.
|
||
|
|
That's such a child.
|
||
|
|
Candy can E, turn, zero, seven, cool app, both.
|
||
|
|
The app seems incredibly cool, but I'm still most likely going to stick with task warrior.
|
||
|
|
Best of luck with the development though.
|
||
|
|
What is task warrior?
|
||
|
|
Where does it come from?
|
||
|
|
Is it free, liberal, and open source?
|
||
|
|
When did you start using it?
|
||
|
|
All of these things will make a great introductory episode agreed 100% task warrior.
|
||
|
|
We need to know more and we need to know it from what was his name again, Candy can't
|
||
|
|
eat her.
|
||
|
|
That's the money.
|
||
|
|
You pronounce it correctly.
|
||
|
|
Can you stop in them, Jenna, that's terrible.
|
||
|
|
And the last was the last show of the month, believe it or not, folks.
|
||
|
|
I was about to say you didn't talk to her, but you got the next one.
|
||
|
|
Yeah, I just saved myself there locally and pointed out.
|
||
|
|
So what else did we have?
|
||
|
|
We had four comments from previous shows.
|
||
|
|
So back in June, journal, like you mean it, from some guy on the internet, archer 72 left
|
||
|
|
to comment, and that comment said, high scotty, while I have not started a paper journal,
|
||
|
|
I have started the electronic one, backed up by sync thing.
|
||
|
|
Soon after the show, I do like the idea of a bullet list.
|
||
|
|
And this is done with diaphragm, diacrafts, diagraphs.
|
||
|
|
Div Morris could tell you more about that one, and it also prompted me to write more on
|
||
|
|
actual paper.
|
||
|
|
Oh, yeah.
|
||
|
|
I love my caveman style of doing it.
|
||
|
|
Pin and paper.
|
||
|
|
Very different.
|
||
|
|
Well, if you're a real caveman, you would be out there chipping on a chiseling onto
|
||
|
|
a piece of wall, but none of this modern paper nonsense.
|
||
|
|
It's terrible.
|
||
|
|
Back in mind, they put effort in effort.
|
||
|
|
Yes.
|
||
|
|
Yes.
|
||
|
|
Yes.
|
||
|
|
So we also had a comment on orthopedic logic.
|
||
|
|
What is it?
|
||
|
|
That was episode 4442, and the comment was from Man on Fallon with the heading of thank
|
||
|
|
you.
|
||
|
|
And for some reason, I just went and closed in my tab.
|
||
|
|
Why didn't mean to do that?
|
||
|
|
I don't know if you had showed up or not said anything.
|
||
|
|
We've done kids silence.
|
||
|
|
We've taken care of it.
|
||
|
|
Yes.
|
||
|
|
No, I had to.
|
||
|
|
Actually, I have to admit my inadequacies, right?
|
||
|
|
So I have to buddy, thank you for the positive feedback, much appreciated.
|
||
|
|
Since the show, the article has been published with the NVO, the National Professional
|
||
|
|
Association in the Netherlands, and was the heading of their newsletter.
|
||
|
|
It was received very well.
|
||
|
|
All the positive feedback is a real boost.
|
||
|
|
It makes me want to spring into action to do more.
|
||
|
|
So thank you once again for your comments, Man on.
|
||
|
|
Well, was that in the mission of more shows?
|
||
|
|
Yeah, I just heard.
|
||
|
|
It's not a chance.
|
||
|
|
No.
|
||
|
|
Took me 20 years together to do that one.
|
||
|
|
So in the 40th anniversary, you should might have another one.
|
||
|
|
Exactly.
|
||
|
|
Or, orthopedic or he orthopedic, yeah, I can only say it was a certain amount of beer
|
||
|
|
myself orthopedic.
|
||
|
|
But the only reason that I actually knew how to say it was purely because we had to study
|
||
|
|
pedagogy in school, well, sorry for training to be a school teacher.
|
||
|
|
It's a topic you have to study here in Scotland.
|
||
|
|
Yeah, but it's a drove me bananas.
|
||
|
|
It's a completely different to what she's on about.
|
||
|
|
So the name is completely wrong.
|
||
|
|
Actually, it's not actually completely different.
|
||
|
|
It's just that's a slightly more anglified version pedagogy.
|
||
|
|
It is a similar thing in what it means.
|
||
|
|
So we also had a comment from Windigo saying singular and this was a do one episode one
|
||
|
|
of the do do to be not cover that.
|
||
|
|
No, that was not.
|
||
|
|
No, no, I was going to say that was last month.
|
||
|
|
So a windigo says singular versus plural functions.
|
||
|
|
I think you touched on the nugget of programming wisdom in this episode.
|
||
|
|
This should only work with one thing.
|
||
|
|
If you need to apply the same function to a collection of group, every language has a loop
|
||
|
|
construct that can help you do that, Smileyface.
|
||
|
|
I'd even take the step further.
|
||
|
|
Functions should do one thing and should do one thing to one thing.
|
||
|
|
Keep it nice and simple.
|
||
|
|
Yep.
|
||
|
|
OK.
|
||
|
|
Windigo, if you don't mind explaining more about that, I need some more detail on it.
|
||
|
|
I'm drawn a blank on some of it.
|
||
|
|
I'd appreciate it very much if you can get a show out about that.
|
||
|
|
And thank you, Scotty, for that obvious pitch that I feel to react to there.
|
||
|
|
And there was also two comments on HBR 4453, IPV6 for Luddites by Benny and McNally.
|
||
|
|
And comment five here was by Paul Jay, who says, fantastic show.
|
||
|
|
Thank you.
|
||
|
|
I think the explanation of IPV6 was very clear and understandable.
|
||
|
|
My home network is IPV4, even though I have an IPV6 and ready ISP and a static IPV6 address,
|
||
|
|
range as I now understand.
|
||
|
|
I feel like the time has come.
|
||
|
|
I will be listening to the show again in order to learn enough to get started.
|
||
|
|
I don't know if it would be practically possible, but we could make a show together
|
||
|
|
setting everything up on my home network.
|
||
|
|
What do you think we would have to find a way where you didn't have to do so much to make it happen?
|
||
|
|
I am not scouting for free consulting.
|
||
|
|
Thank you for a great episode, Paul.
|
||
|
|
Cool, thanks Paul.
|
||
|
|
That would be because Benny was saying he'd love to do more shows.
|
||
|
|
And this has been possibly one of the most, cause the most enthusiasm I've seen in a long
|
||
|
|
time on the social media's this episode.
|
||
|
|
So we had some guy called Dave Moore, Mara, is this his?
|
||
|
|
Dave Moore, is he new?
|
||
|
|
Do you see or is that show?
|
||
|
|
I think he must do that.
|
||
|
|
So we've got to be honest to show that guy.
|
||
|
|
I don't know.
|
||
|
|
Seems a bit strange.
|
||
|
|
I was a bit surprised to find that my ISP offered IPv6.
|
||
|
|
Hi, Benny.
|
||
|
|
This was a great show.
|
||
|
|
I really alerted me to how complicated I have, sorry, how complacent Dave.
|
||
|
|
Why are you putting in difficult words into your comments?
|
||
|
|
And you know what?
|
||
|
|
He's going to come into this episode with a whole list of like words that he's had to
|
||
|
|
correct me on over the years.
|
||
|
|
Anyway, hi, Benny.
|
||
|
|
This was a great show.
|
||
|
|
Really alerted me to how complacent I have become with my networking.
|
||
|
|
I checked my ISP Zen in the UK and they have IPv6 on request.
|
||
|
|
I need to teach myself more details though.
|
||
|
|
Of course, if someone were to make a show on the subject in HBR, I'd be very well on
|
||
|
|
my way.
|
||
|
|
See there?
|
||
|
|
See there?
|
||
|
|
That's a pro at work.
|
||
|
|
Back to his comment.
|
||
|
|
I would like to set up VLANs on my network.
|
||
|
|
So I can isolate gadgets like my EV charger and the monitoring things like octopus energy
|
||
|
|
send me that apparently needs to be on my phone.
|
||
|
|
I would also like to isolate any IoT devices that I install.
|
||
|
|
Currying on.
|
||
|
|
I also need to know how to allocate fixed IP addresses from a Raspberry Pi, Raspberry Pisces
|
||
|
|
and so on and so forth.
|
||
|
|
A long time ago, I used to be in charge of the network where I worked.
|
||
|
|
But that was when we ran X25.
|
||
|
|
So my brain needs a lot of updates from Dave.
|
||
|
|
So that was that, I think, any comments, guys?
|
||
|
|
No other than, yeah, like I said, the old pro slot work, I did like it, wasn't it?
|
||
|
|
It was relatively subtle for getting a new show in there.
|
||
|
|
Where are there?
|
||
|
|
I'm just going to check GitHub and see if there was anything committed.
|
||
|
|
So just so you know, Ron and the guys are working massively on an upgrade to the HPR website
|
||
|
|
and it is looking fantastic.
|
||
|
|
Excellent.
|
||
|
|
Always good to hear that.
|
||
|
|
So we'll be nice to get that update and out shortly, so hopefully by next month.
|
||
|
|
We look forward to that thing.
|
||
|
|
So there's been a lot of stuff on the HPR mail list this month and a lot of them revolve
|
||
|
|
around policy decisions and stuff that may not seem very important to you guys.
|
||
|
|
But they are important to all such janitors because the janitors don't make the decisions
|
||
|
|
around HPR.
|
||
|
|
We implement the policies as we see them and decisions are then made by the mail list.
|
||
|
|
So first one relates to auditors on HPR read that out now.
|
||
|
|
I have following a move.
|
||
|
|
This is from me to the mail list following a move from the new service.
|
||
|
|
Thanks, Josh.
|
||
|
|
By the way, during the month, we had a house wondering, I thought there was something
|
||
|
|
I was missing.
|
||
|
|
Yeah, we moved our servers from AWS back to a ducker set up that Josh has put together
|
||
|
|
on his website on his farm.
|
||
|
|
So Josh works for anonymous.com and they provide all the hosting for us.
|
||
|
|
So thank you, Josh, for that.
|
||
|
|
If I haven't said it often enough, I really do need to do that.
|
||
|
|
Anyway, back to the list.
|
||
|
|
Following the move to the new servers, I've had to recreate the auditors distribution
|
||
|
|
list and that reminded me that it's been on my to do list to explain what the auditors
|
||
|
|
are supposed to do and how they fit in with HPR with the idea that the outcome of this
|
||
|
|
discussion will go on to the HPR governance page, which currently reads, HPR is a community
|
||
|
|
driven policy decisions are proposed by and discussed on the mail list, which is open
|
||
|
|
to anyone to join mail list discussions, approach to the attention of the listening community
|
||
|
|
on the first Monday of the month in the HPR community news show this one.
|
||
|
|
This show is open to anybody to participate in and the schedule for it can be found on
|
||
|
|
the link provided.
|
||
|
|
Our hosting is provided by Josh Klapp from anonymous.com and he has the last words and everything
|
||
|
|
related to security, changing team of volunteers called admins or jansers, deal with the day-to-day
|
||
|
|
operations of HPR, acting as the first point of contact, processing the show's coordinating
|
||
|
|
policy discussions and moving spam, updating the website, etc.
|
||
|
|
They are contactable via admin at hackerpublicradio.org, they have no more say over policy than
|
||
|
|
anybody else, anyone who's shown a long-term dedication to the project and distrusted by
|
||
|
|
the community can become an admin, okay back to my mail.
|
||
|
|
So while the policy decisions are proposed and discussed on the mail list, it's up to
|
||
|
|
the jansers to implement it.
|
||
|
|
The jansers are expected to seek to policy only and ever give their personal opinion when
|
||
|
|
representing HPR.
|
||
|
|
As a communication is only carried out between the jansers and the host, the auditors will
|
||
|
|
be involved on topics where the jansers ask hosts to edit or remove shows for various
|
||
|
|
reasons.
|
||
|
|
For example, copyrighted content, hate speech, violating local laws to mention but a few.
|
||
|
|
By definition, this will never be seen by the community.
|
||
|
|
So how can we be sure that the jansers actually do what we ask them to do, or to put another
|
||
|
|
way who watches the watchers?
|
||
|
|
That's where the auditors come in.
|
||
|
|
The role of the auditor is to report back to the mail list that the jansers are faithful
|
||
|
|
in their communications.
|
||
|
|
This extends to what is said to the host, for example, that the policy actually exists
|
||
|
|
and also what is said on the mail list, that the show did actually contain hate speech
|
||
|
|
as an example.
|
||
|
|
Just like the jansers, auditors never give their personal opinions when representing HPR.
|
||
|
|
If that's not clear, please reply with questions.
|
||
|
|
Current auditors list is Brian and Carl and Dave and whatever.
|
||
|
|
That list will be kept on the website.
|
||
|
|
Keeping the number to be in 5 and 10 seems like a good balance to ensure somebody is available
|
||
|
|
at short notice.
|
||
|
|
And in reply to that, we have Carl Heyman with this match is my understanding of
|
||
|
|
the rule, but I'm a little unclear on when auditors should report.
|
||
|
|
Would this be any time an admin posts to the mail list that they have taken some action
|
||
|
|
based on policy, or only if somebody on the mail list questions, whether the details
|
||
|
|
of that action were carried out in good faith, my expectation would be the latter.
|
||
|
|
Are the auditors ever expected to participate in the conversation between Janser and host?
|
||
|
|
My expectation would be no.
|
||
|
|
If the question the auditors are meant to answer is are the janitors executing policy in
|
||
|
|
good faith?
|
||
|
|
I think the usual standard is what a reasonable person would say, but that could be construed
|
||
|
|
as inherently an opinion.
|
||
|
|
Hello?
|
||
|
|
Oh, you're okay.
|
||
|
|
Did you hear what was the last thing you heard, because was I pressing the shift or the
|
||
|
|
cap lock key?
|
||
|
|
Nothing.
|
||
|
|
I read out the reply from Carl Heyman and we didn't hear anything as we're like, okay,
|
||
|
|
that's from a self-escorty message.
|
||
|
|
Oh, so I've just been holding down the shift key and not the cap lock key.
|
||
|
|
Let me reread the entire thing.
|
||
|
|
What would have been, have you recorded, to record on your end?
|
||
|
|
No, it wouldn't have, because I wasn't speaking.
|
||
|
|
Okay.
|
||
|
|
Anyway, the answer is, so he had the question whether we should detail action carried
|
||
|
|
out in good faith thing.
|
||
|
|
So do you respond based on policy or only when the mail list asks if it was carried out
|
||
|
|
in good faith?
|
||
|
|
I also would think the latter, but you might also be if the generous ask you to.
|
||
|
|
And then the next one is, are auditors expected to participate in the conversation, his expectations
|
||
|
|
as no, I say, I agree communication should only be between the generous and the host.
|
||
|
|
The normal procedure is that when the generous notice an issue, they will contact the host
|
||
|
|
explaining that the issue is and linking to the policy.
|
||
|
|
It is then up to the host and only the host to decide what to do.
|
||
|
|
If the host disagrees, then they are the generous will bring it to the attention of the mail
|
||
|
|
list.
|
||
|
|
The auditors are there to observe.
|
||
|
|
If they have concerns about how the generous behave, then they should first discuss this
|
||
|
|
with the generous directly.
|
||
|
|
If the generous disagree, then the auditors or the generous will bring this attention to
|
||
|
|
the attention of the mail list.
|
||
|
|
And then it goes into the question, well, you know, good faith, reasonable person, exec,
|
||
|
|
etc.
|
||
|
|
I respond.
|
||
|
|
In the majority of cases, mail lists will be given all the information, as usually the
|
||
|
|
information can be shared, so there is no issue.
|
||
|
|
If that's not possible, then the auditors are there to say, yes, the generous are not
|
||
|
|
BSing you.
|
||
|
|
While I would never say this during a live event, if the auditors are involved, then there
|
||
|
|
is at least a possibility that we're being trolled.
|
||
|
|
The majority of HBR contributors know very well what the norms are, and are comfortable
|
||
|
|
going to the mail list directly, asking for clarifications before posting a show.
|
||
|
|
This is my preference, as it means we're not wasting effort posting and moving chills
|
||
|
|
around.
|
||
|
|
However, it also allows me as a host to give my personal opinions without having my hands
|
||
|
|
tied, remaining impartial in the janitor role.
|
||
|
|
And to which car responds perfectly clear, thanks.
|
||
|
|
Good.
|
||
|
|
So essentially, it's going to come to the mail list, and if it's not coming to the mail
|
||
|
|
list, the auditors are there to ensure everything is on the open up.
|
||
|
|
So then we had, I reopened an episode of your podcast, has been removed, and I am asking
|
||
|
|
if anyone has got contact information for Monster B or any of the other hosts involved
|
||
|
|
in this series.
|
||
|
|
It's about to take down notice from this episode from Spotify, HBR492, Monster B and Friends
|
||
|
|
from TIT Radio, Hostable Monster B, and Link to the episode, and link to archive.org TIT
|
||
|
|
Radio, and the issue is with Tory F's song of the week, Shine by Cactus.
|
||
|
|
I had a look at the options for Spotify provided, and there was no option to do anything
|
||
|
|
about it unless you had a license directly from the author.
|
||
|
|
I need to know if they got permission to release the song or not.
|
||
|
|
It's possible that there was a podcast-friendly agreement of music alley at the time, but
|
||
|
|
all their domains have shut down, and I've been struggling to catch up with them.
|
||
|
|
So any help tracking these guys down or any host of the show would be appreciated.
|
||
|
|
And there's a response by Brian Navarate with, I'm wondering, does a show being removed
|
||
|
|
from Spotify actually affect HBR? Should we care or does respond into them, give them
|
||
|
|
Spotify and others some sense of control over us?
|
||
|
|
And I respond with TLDR policy change thing, so how did they, I changed the title to,
|
||
|
|
how to deal with legacy issues and older shows?
|
||
|
|
And the policy change that I'm requesting is that we remove if there are shows on the
|
||
|
|
site which you feel harm HBR, first see if a response, actually this is what I want
|
||
|
|
to add.
|
||
|
|
If there are shows on the site which you feel should harm HBR, see the link in the mail
|
||
|
|
list.
|
||
|
|
First see if a response episode is sufficient to address the grievance.
|
||
|
|
If not, then please bring it to the attention of the generous at HBR and we will see if
|
||
|
|
the concerns are grounded based on the same career criteria as if we posted the show
|
||
|
|
today.
|
||
|
|
So in response to Brian, he asked how this affects HBR for a start, 100 and 81 listeners
|
||
|
|
can no longer hear this episode.
|
||
|
|
Number two, we can no longer expect to go and notice in our little backwater on the
|
||
|
|
internet, as the fact that we are on Spotify means us all our shows are being scanned.
|
||
|
|
And number three, and this is the most important one, we are knowingly in violation of the DMCA
|
||
|
|
and can also no longer use the safe harbor defense.
|
||
|
|
So this is not a discussion about should we or should we not remove the infringing copyright
|
||
|
|
music only the HBR domain holders, stankdog and myself get to say in that.
|
||
|
|
And I quote, for the record, no one else can voluntarily accept liability.
|
||
|
|
It falls back to me as site owner, no matter what, and that's from the list.
|
||
|
|
After consulting with my legal team, surprise surprise, the response was to remove the offending
|
||
|
|
content.
|
||
|
|
The show itself follows violates our current policies, never include content.
|
||
|
|
For example, music in you shows that you knew not a permission to redistribute.
|
||
|
|
However, the policy came in 10 years ago after 10 years after the show was posted.
|
||
|
|
So if we are posted it now, the show would be rejected.
|
||
|
|
So this discussion is about how to deal with legacy issues in older shows.
|
||
|
|
The issues may be identified by the janitor's noticing during posting or the Q18 hearing
|
||
|
|
it on the future feed or the general public when they show is posted to the main feed.
|
||
|
|
This topic came up recently in the discussion and in reply to Steve and I give a link to
|
||
|
|
that discussion.
|
||
|
|
I wrote, if there's any shows on the site which you feel harm HBR, firstly, if a response
|
||
|
|
episode is sufficient to address the grievance, if not, bring that to the attention of the
|
||
|
|
janitors at HBR and we will see if the concerns are grounded based on the same criteria as
|
||
|
|
if the show was posted today.
|
||
|
|
For the record, the normal procedure and link to the list is that when the janitor's notice
|
||
|
|
on the issue, we will contact the host explaining what the issue is, listing a link to the policy
|
||
|
|
and then it's up to the host and only the host to decide what to do.
|
||
|
|
If the host disagrees, then they or the janitors will bring that to the attention of the mailess.
|
||
|
|
So expect more discussion on what to do with 492 later but for now, is this approach outlined
|
||
|
|
above acceptable when dealing with complaints?
|
||
|
|
And car response with this looks good to me.
|
||
|
|
I also wouldn't be opposed to an addendum to the effect of in the case of time sensitive
|
||
|
|
issue, the janitor may take whatever temporary actions necessary to protect HBR and their
|
||
|
|
own liability while communication with the host or mailess is still pending.
|
||
|
|
To which I reply, hi, car list.
|
||
|
|
Actually, that's a very good point.
|
||
|
|
We've been in pretty stressful situations in the past waiting for a decision to come through.
|
||
|
|
It's also normal to delay posting shows for various technical or policy reasons.
|
||
|
|
So it's good to have this formalized.
|
||
|
|
How about a more generalized statement like the janitors may place content and hold while
|
||
|
|
communication with the host or mailess is ongoing?
|
||
|
|
And Brian and Ohio says, sounds good, thanks for the explanation and all you do at HBR.
|
||
|
|
Coolio, and then we had Scotty with the community news.
|
||
|
|
And I had a quick one in there about temporarily disabling the queue and re-enabling.
|
||
|
|
So it was an issue which has been resolved.
|
||
|
|
And policy change changes schedule guideline.
|
||
|
|
Scheduled guidelines are as follows.
|
||
|
|
You must have audio ready before you pick a slot.
|
||
|
|
New host interviews, other time critical shows should be used first slot.
|
||
|
|
Always feel free, try and fill the first free slots available in the upcoming weeks.
|
||
|
|
When queue is filling up, leave some free slots for new contributors.
|
||
|
|
Post-known articles into the first empty week.
|
||
|
|
If you're uploading a series shows post them every two weeks.
|
||
|
|
If you have an onerigen show that it's timeless than asked it to the reserve queue.
|
||
|
|
Okay, I noticed that it's not clear to new hosts what is and isn't allowed.
|
||
|
|
Since writing these guidelines we've changed the workflow and now using the reserve queue
|
||
|
|
to fill free slots.
|
||
|
|
So I would like to simplify the amount of guidelines that we have and make some of them rules.
|
||
|
|
The first guideline you must have your audio recorded from ready to upload before you
|
||
|
|
pick a slot has long since been a rule that is not optional without discussing exceptions
|
||
|
|
with the mail list.
|
||
|
|
So I would like to remove rule 3 which says always try and fill free slots that are available
|
||
|
|
in the upcoming two weeks.
|
||
|
|
The reason is that those slots can be filled with the reserve shows.
|
||
|
|
This reminds listeners that it is not a given that HBO will always have shows unless people
|
||
|
|
take the time to contribute.
|
||
|
|
We have been filling empty slot with reserve shows that have a warning for some time and
|
||
|
|
it's just proven extremely effective in drawing a new host and keeping the queue in equilibrium.
|
||
|
|
I would like to change rule 6 from change guidelines 6 to a rule.
|
||
|
|
So from if we are uploading a series shows post them every two weeks to all hosts must
|
||
|
|
leave 9 slots between their shows, again exceptions should be made on the mailing list.
|
||
|
|
That change is required for the following reasons.
|
||
|
|
First, it is that while most will be interested in giving topic others will not be.
|
||
|
|
Having too much repetition on a topic or host results in loss of listeners.
|
||
|
|
The second is that it is essential for managing the unstable equilibrium of the queue and
|
||
|
|
I go into more topic more logic on that in HBR 4195 hacking HBR hosts and having no open
|
||
|
|
slots means the host think that the project is healthy and they don't send in the show.
|
||
|
|
Having too many open slots gives people the feeling that HBR is failing as a project and
|
||
|
|
they don't send in the show.
|
||
|
|
And then the third reason is that it could be seen as a syndicated show or building your
|
||
|
|
own brand.
|
||
|
|
We have a policy on not syndication shows and another that HBR is a podcast and not
|
||
|
|
a podcast hosting platform.
|
||
|
|
The rest of the guidelines will be changed and simplified where possible but we remain
|
||
|
|
optional.
|
||
|
|
I will also be putting a lock in place so that new hosts can only post one show.
|
||
|
|
Our automation works when hosts have been created, hosts have been created in the system.
|
||
|
|
I deliberately don't automate host creation for security reasons.
|
||
|
|
A side effect of that is that it will also allow hosts to get some feedback on where they
|
||
|
|
need to make changes to improve the show or for it to give us time to implement fixes
|
||
|
|
required as a result of a new edge case.
|
||
|
|
And Jim Lennar responds to that.
|
||
|
|
Yurisinab both like to remove three about they always trying to fill three slots.
|
||
|
|
This is icon car in response to I would like to change six from uploading every two weeks
|
||
|
|
to you must leave nine slots between shows.
|
||
|
|
I agree with the motivation but I'm not sure the replacement wording is as clear as intended.
|
||
|
|
I would have preferred something like if you are uploading a series of shows and sure
|
||
|
|
there are at least two weeks between your shows and slots.
|
||
|
|
The word all hosts must leave nice slots between their shows just invites confusions where
|
||
|
|
new hosts i.e. Y9, what's special about nine etc.
|
||
|
|
I understand and agree with the three reasons you posted however I have a comment on number
|
||
|
|
three.
|
||
|
|
Unfortunately, I have seen this ideal violet several times the past two years.
|
||
|
|
There is one host who always uploads music and I believe he introduces it as a series.
|
||
|
|
There is another host who crosses his own podcast episodes from an existing show he has created.
|
||
|
|
I don't believe these fit with the overall issue our mission and are mildly irritated when
|
||
|
|
they get published.
|
||
|
|
Thank you for your continued genitalial work.
|
||
|
|
And can we do they there are three additional responses in the October one I think it'll
|
||
|
|
be handy or if we discussed it now rather than in a month.
|
||
|
|
So if you I'll send you the link in the chat one second and can somebody do Andrew Conway's
|
||
|
|
one.
|
||
|
|
I agree with the changes proposed except I suggest a tweak to one of the changes I would
|
||
|
|
like to change six he's referring to your comment I would like to change six from Andrew
|
||
|
|
then responds with I can see why you say nine slots but instead I think this is clear
|
||
|
|
quote must leave at least two weeks between their shows close quote thanks for your
|
||
|
|
janitor janitoring sir Andrew cool and iris but that was also covered in the other one
|
||
|
|
I agree that nine slots will be more and for the automation to check so how about something
|
||
|
|
like if you are multiple shows that makes no sense if you're uploading multiple shows
|
||
|
|
please then please least two weeks between the chosen slot what was I think if you are
|
||
|
|
uploading multiple shows then please leave at least two weeks between your chosen slots
|
||
|
|
and then I comment on Jim's question about the third is it could have been a syndicated
|
||
|
|
show building your own brand that you saw the ideal violated several times in the past
|
||
|
|
I say the policy is difficult won't put in words is about HPR is a podcast not a podcasting
|
||
|
|
hosting platform it's the difference between doing something for the benefit of HPR and
|
||
|
|
doing something for yourself and then he asks about cross posting podcast episodes from
|
||
|
|
some other show to HPR and I reply cross posting is not allowed unless they are posted
|
||
|
|
on HPR first please contact the janitors directly on this episode on which episode this is please
|
||
|
|
and I'll investigate and then he was there's one host that uploads music includes it as a series
|
||
|
|
doesn't fit in with the overall mission and I respond if there's a question about music being
|
||
|
|
copyrighted then we can contact the janitors but I think you're expressing a preference here
|
||
|
|
rather than a HPR policy the tradition as in tribe music I've released a music public in to
|
||
|
|
the openly in the public domain is compatible with our free software licensing the shows are
|
||
|
|
teaching and passing off skills to other listeners so it takes us the box of dedicated to sharing
|
||
|
|
knowledge and hackers belong history of making instruments circular branding and a new of
|
||
|
|
jazz rose creations for example and finally HPR has a long history of posting music so music copyright
|
||
|
|
music creation music identification music player demons music streaming music theory music itself
|
||
|
|
musical instruments music brains music production muse open and so I finish with there is no
|
||
|
|
requirement for you to like the shows that's why you have the deliki in your keyboard but I'd argue
|
||
|
|
that those shows do indeed fulfill the overall HPR mission and Brian and Ohio says good idea
|
||
|
|
for changes I think nine slots between shows is cleared unless prone to misunderstanding
|
||
|
|
I'm probably going to implement that in cold anyways so that when you do the when you request a
|
||
|
|
slot and you send an email a little basically reject it and give you a link to another date
|
||
|
|
I'm so is the confusion not in that it is nine shows but how you came about the number nine is
|
||
|
|
that where I'm understanding their confusion is in yeah I don't I agree with them that I don't
|
||
|
|
think if we say you know I'll post a show every two weeks then a human will go okay well I'll
|
||
|
|
post my last show on Wednesday then I'll skip next Wednesday I'll post it on the Wednesday
|
||
|
|
but a computer will go no you're not you're not allowed to do that because the Wednesday after
|
||
|
|
isn't it isn't ten slots yeah it is in two weeks so nine slots so we have like five five slots a
|
||
|
|
week so nine slots later you skip over plus one is the tenths show so that's when you can post
|
||
|
|
a potential ten slots later yeah that that part made sense to me so I was trying to figure out
|
||
|
|
why wouldn't make sense to others but then I you know I figured I'm missing something here yeah a lot
|
||
|
|
of people said people coming on wouldn't know what a slot is okay and then do the count okay well
|
||
|
|
I'll post my shows so is a slot other nine for you know empty vacancies in there so are they are
|
||
|
|
they could be construed to be slots so say all the next two weeks are full so then you post a show
|
||
|
|
and then you have to jump over another two weeks that are full and then you post a show and you
|
||
|
|
count nine so every two weeks is clear for everybody but in cold I'll make it nine slots somebody do
|
||
|
|
Jim's response and we can wrap this one up all right Jim so he responded to the I agree that nine
|
||
|
|
slots will be more or preferred and he gives a quote here if you are uploading multiple shows please
|
||
|
|
leave at least two weeks between your chosen slots yes quote that makes sense that's the one we use
|
||
|
|
yeah and referring to the the traditional uh of releasing music openly statement he uh says that
|
||
|
|
if there are instrumental I would agree and encourage more of the same but there are some shows
|
||
|
|
that are simply uh presentations of music without any instrumental learning uh hackers have a long
|
||
|
|
history of making instruments he's that's the next thing that he's um uh going to be addressing
|
||
|
|
by saying I agree and have one problem with these my only concern was presenting uh presenting
|
||
|
|
music for music sake with no intent of instrumental content with with hold on I feel like I'm
|
||
|
|
uh misunderstood instrumental content or presentation of instructional I think that's where you're
|
||
|
|
treating it yeah okay yeah my apologies there instructional content uh or uh presentation of
|
||
|
|
the novel ideas or origin research I suppose the series hold on I have to release control to
|
||
|
|
scroll down uh all songs considered best illustrates this as I have found one of them to be
|
||
|
|
hear my favorite songs and that's it then he's addressing there's no requirement for you to like
|
||
|
|
the shows with if music only or performance only pieces are permitted then there is no policy
|
||
|
|
violation here I will refrain from commenting on these further yeah um so they are permitted I prefer
|
||
|
|
the ones that are instructional and we get into issues anytime a music show comes in I now have to be
|
||
|
|
very careful because you have no idea where the copyright comes from so it and it's not just
|
||
|
|
copyright on the song it's copyright on the arrangement it's the copyright on blast so it gets
|
||
|
|
really complex so um yeah I uh technically I like the shows but technically I uh I don't like
|
||
|
|
cause it's more work for me I hear you have a opinion on copyright yeah I have an opinion that I
|
||
|
|
don't want to be in court you're so boring yeah exactly thank been there done that you just want
|
||
|
|
to see fly that's that's terrible it that is pretty much it okay guys I think we've covered
|
||
|
|
everything thanks to Josh for all the help that he gave me this month moving the stuff over I
|
||
|
|
it was just taken so long and then like all right Josh just goes I'll do it moved everything got
|
||
|
|
everything working like we had literally two minutes of downtime and then of course I had to go
|
||
|
|
and fix all my broken scripts because they're all pointing in the wrong place but uh
|
||
|
|
that actually encouraged me to get a little bit more automation and a little bit more tidying up
|
||
|
|
done a few more tickets done uh so that was uh I was good work all around and he stood it all up
|
||
|
|
in Docker you say very nice yeah you could do a few shows about how he set that up don't you think
|
||
|
|
oh yeah I'd be interested in that I'm pretty sure other hackers would also find interest in it
|
||
|
|
absolutely yes of great interest okay folks I smell pancakes wafting down here so without
|
||
|
|
further ado tune in tomorrow for a little exciting episode of hacker pub public radio you have
|
||
|
|
been listening to hacker public radio at hacker public radio does work today's show was
|
||
|
|
contributed by a hbr listener like yourself if you ever thought of recording podcast and click
|
||
|
|
on our contribute link to find out how easy it really is hosting for hbr has been kindly provided
|
||
|
|
by an onsthost.com the internet archive and our syncs.net on this otherwise status today's show
|
||
|
|
is released on our creative commons attribution 4.0 international license
|