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Plaintext
1276 lines
98 KiB
Plaintext
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Episode: 2462
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Title: HPR2462: AudioBookClub-14-Triplanetary-(First-in-the-Lensman-Series)
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Source: https://hub.hackerpublicradio.org/ccdn.php?filename=/eps/hpr2462/hpr2462.mp3
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Transcribed: 2025-10-19 03:41:56
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---
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This is HBR Episode 2462 entitled for the O-Book Club 14 Trip Laneteries
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First in the LN7 series and is part of the series HBR or the O-Book Club
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It is hosted by HBR or the O-Book Club and is about 117 minutes long
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and carries an explicit flag. The summer is in this episode
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The HBR or the O-Book Club discusses Trip Laneteries
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First in the LN7 series by EE
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This episode of HBR is brought to you by an honesthost.com
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Get 15% discount on all shared hosting with the offer code
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HBR15 that's HBR15
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Better web hosting that's honest and fair at an honesthost.com
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Let's knock them ports.
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Hello and welcome to another episode of Hacker Public Radio.
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Today again we've got another Hacker Public Radio audio book club
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Poké and I am one of the members of this round table
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and joining us all today is Taj.
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What's good everybody but I think really it's more of a triangular table at this point.
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It's a twerkle. No we need one more for a squircle.
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All right anyway we also got X1101. What's up dude?
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I am coming to you live from the frozen raining mid-coast.
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Yeah it is freezing rain tonight. It's going to be ice by the morning.
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Tomorrow's going to be a bitch to get to work. Get up early.
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Is mid-coast a word? Is that a thing?
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Yes. So it's kind of like Kentucky and nobody outside of the areas I've ever heard of that.
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I thought the mid-coast was the part of my shirt that sticks out where I wish it wouldn't.
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Boom boom.
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Damn I just showed just started and I've got three of those from you guys already.
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I'm not on a roll.
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Taj, this was your book. Why don't you explain to people in cases they've never heard before?
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What is the audiobook club and how does it work?
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The audiobook club is a gathering of fine individuals who have chosen for the past month to
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partake in an audiobook that is freely available. This one came from Librevox.
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And we decided to get together on patch Tuesdays of every month that discussed set audiobook.
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We do so by the beginning of the episode. We'll be spoiler free commentary on the book.
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Then we will all partake in a beverage and review that said beverage for a nice little
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animation. And in the end of the book, we will spoil the Everloven, but Jesus out of the book and
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tell you why you should or should not have enjoyed it.
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Nicely done my friend. Very well. I will add that at the very least we have fine individuals
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because all hacker public radio listeners and show hosts are welcome to participate.
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But on a really good night, we just get a room full of nerds.
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Same plan. Well, I don't know. Not everybody has to be a nerd to be a fine individual.
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Just if you step it up another notch, you go from fine individual to nerd. That's the way I see it.
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I second that opinion. Fair point.
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So our book was Triplanetary by E.E. Air quotes Doc and Air quotes Smith.
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And this was pretty cool and pretty historically significant, right?
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I think so. Yeah.
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Yes, it is.
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So Todd, you got a better grasp on this than I do. Why is it historically significant?
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This is the first book in a series of books that is called the Lensman series.
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It was written kind of, I know this I think was originally written in 38, but then it was kind of
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cont in to the Lensman series because it was written before that. And then he went back and
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added some to make it part of that series. It's just one of those things is really super
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influential to most people who made science fiction that people are age grew up with.
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If you read interviews with a lot of people somewhere along the line, they will mention reading
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Lensman and being super influenced by it. Star Wars is a big example. DC Comics, the Green
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Lantern Core is basically a gigantic ripoff of the Lensman. I know for me, the way I came into it
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was Babylon 5. The guy that wrote that J. Michael Stravinsky talks about Lensman, like it's the
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Bible. I mean, it's a lot of people have read it. It's just super influential.
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I got a lot of Star Trek out of it, not so much Star Wars.
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It definitely is space opera, like in the best sense of the word. I read it begrudgingly
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because I was like 50 sci-fi, but now I actually have this weird appreciation where I really dig
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retro sci-fi mainly from reading this and just really liking it. The only thing I think that
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these books suffer from is there are so many things that these books came up with that everybody
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else has used and now everybody's like, oh, I've seen that a million times. Well, this is
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probably the first place that happened. Yeah, that kept me going through parts of it that
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to me, I had that 50 sci-fi feeling and not when I heard the audiobook, but when I read it,
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because I had read this on the Kindle a while back before I even knew it was available as an
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audiobook. And that kept me going, you know what, this is probably the first time I'd like to see
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where, if not where some other stuff came from, because maybe I'm not good enough to pick that out,
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but maybe I could recognize something, maybe something would be familiar to me, and it'll feel
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like some new sci-fi. And then I'll know that it came from that. It's not so bad in this book,
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but the later books, there's a lot of stuff that's just like, oh, people just flat out rip this off,
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like hardcore. But isn't that how all of sci-fi works? Does somebody does it? Everybody else thinks
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it's cool and rips it off terribly? Things how all of art works? Agreed. I mean, shoot, that's how
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technology works. You know, I mean, the first guy that ever does something, you know, he gets
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to call himself a scientist, and the second guy who does it, he gets to call himself an engineer,
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the third guy who does a thing gets to call himself a technician, you know, and the fourth guy's
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just a line operator or a mechanic, you know, I mean, everything's kind of like that.
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I mean, I have to make our Star Wars reference for the evening, but I mean, John Williams made a
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living ripping off other people's music and making it sound awesome, so I mean, that works.
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I have another one in my notes too. I don't get the reference, but that's okay.
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It's a music nerd joke. Anybody?
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When I was in music school, we used to sit around and listen to John Williams soundtracks and
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like set and pick out like little motifs and things and be like, oh, that's from this,
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this symphony here. He just, he reuses a lot of other people's ideas. And I mean, he does
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brilliantly. I mean, all his music sounds great. That's great for movies and whatnot, but he
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definitely borrows a little bit in the sounds like pocket bells rant.
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Give it goodby. Give me Danny Elfman any day. Depends on when Danny Elfman.
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Now, I don't seem to care. Danny Elfman is Danny Elfman. I'm very happy with Danny Elfman no
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matter when it came from even Oingo Boingo. Especially Oingo Boingo. In fact, especially Oingo Boingo
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on the Gong show. Well played, Sarah. Well played. I'll just be over here being too
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young to get the references. When we're done, Google Oingo Boingo Gong show. And if it touches you,
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you then will like everything about Oingo Boingo. And if it doesn't, you will not like anything
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about Oingo Boingo. It is absolutely the touchstone for Oingo Boingo. It's, it's their definitive
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work. Get off my lawn. I'm an excited boy when it comes to Oingo Boingo. I'm sorry.
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So anyway, it's back in this book. Wait, there's a book. Squirrel. Gonna be one of those shows.
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In true HPR audio book club fashion. I have notes this time.
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All right, he got one that's not a spoiler.
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We've kind of covered a lot of it. And a lot of the other ones are spoilers.
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But I guess my notes say that the
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Star Trek and every other sci-fi ever. I did see a lot of the green lantern in this. And
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I watched that movie, The Green Lantern. The one with that guy that kind of looks like Ben Affleck.
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Does that work? Well, I don't know. I'm not a Ben Affleck fan. So I would rather see that guy in
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all of his roles. I just didn't like Ben Affleck. But anyway, that one and the guy that
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spoiler turns yellow at the end of that movie. I could just picture that guy has the villain
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and any peek in this. That would be Sinestro for anybody who's watching at home that is screaming
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into the movie. Yeah, you're sorry. You're allowed to hate me for not getting or liking the
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Green Lantern thing or pretty much any DC comic for that matter. No, if you didn't like the
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Green Lantern movie, you're in you're in with all the Green Lantern fans. So you're good.
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Oh, right on. Okay. I enjoyed it as a movie. I did not enjoy it as a comic book transition
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into a movie. And for reference, I believe his name is Ryan Reynolds.
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The guy that looks like Ben Affleck. Yes, head fourth, he shall be known as not Ben Affleck.
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What wait, all right, hold on. Why are you guys laughing at me? Is that a stupid thing to say? Am I
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making some error here that I don't know about? I don't see the resemblance, but that's completely
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okay. I'm just gonna refer to him as not the guy who plays Batman.
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Okay, because I don't mind being laughed at. I don't want you to get the wrong idea. I just,
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sometimes I like to know why. I hovered a chuckle. So I wanted to chuckle so I pressed the button.
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Okay, fair enough. I don't know. I thought that this book was cool, not just for its
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historical significance in literature, which it was cool for that.
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Dan Carlin is a guy to listen to his podcast and he has said in the past that you can get anybody
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interested in history, even though most people hate history, if you get them to look into the
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history of the thing that they already like, because everything has history. So, you know,
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most people don't like history because it's always political history, but it's not going to people
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generally don't like politics. But if someone's a fan of racing, get them to study racing history,
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or a fan of cosmetics, study cosmetic history, or in this case a fan of literature,
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get them to look a little bit into literary history, and I thought it was good for that.
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But it was also good as a window into like the time that it was written and the different
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morality and ethics, and in a lot of the similar ones as well, but just the kind of general
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outlook on the world that at least this author thought that people would relate to.
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I think you have a great point because I would love to sit down and read the pre-Lensmonary
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right, because that was done in 38, and I don't remember, I think it was at 45 or 40, it was,
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it was post 45, I think when it was rewritten for Lensman, I'm dying to know how much of a change
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between that point, because I think there's some things in the book that should have changed,
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or if they did change it, I'd love to see how they changed, or if it didn't change it all.
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Just thinking for a moment about other sci-fi books and having had rewrites, not that long ago,
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I read another classic sci-fi book that I kicked myself for having not read 10 years earlier,
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but a stranger in a strange land, and I think I've found an original copy before the rewriting
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had to do. Oh, is that digital? Will it be a link?
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I'm sorry, no, not a, he did, the original one is the one you can find now.
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When he originally published it, they had to cut like a third of the book out,
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because the story as it's published now, it was just a little bit a lot over the top for the
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sensibilities at the time, and it's publisher made them cut like a third of the book out,
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and I think I found one of those is what I mean. When was that written, is that our next audiobook?
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I don't know if there's an audiobook at all of it, while we're talking, I will go find out.
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Cool, that would be cool if two episodes in a row of the conversation just suggested the audiobook,
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rather than us pre-planning it. We have reached emergence.
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So, I don't know, I'm going to try to, I think I can touch on this without
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getting into spoilers, but I felt like a lot of this book felt kind of muddled and kind of confused,
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just because so much of it felt like pre-World War II, and then things were thrown in there that
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felt post-World War II, and you could feel at certain points that kind of time-spanded.
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Did you notice that, touch? My understanding is that all of that was added for the rewrite.
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They're all the stuff before actually all that stuff, basically before World War III was added
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after the, when he did the Lensman rewrite, but yeah, there's a definite shift, and really those,
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I could, you could totally cut those chapters out, and I'd be okay, except for one, I don't
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want to spoil it. We'll get in there when we spoil it. There's a chapter in there that I think
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is really good. Oh, we all are, don't cut any of them. I would disagree.
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Okay.
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I think the core of the story is in the back half, and I think that that was always the story,
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but yeah, there's a definite thing, and I think it's interesting, because we could say how
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it kind of echoes the time that it was written, but I also think that it is in some ways
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insanely predictive of things that are still occurring, that bothered me greatly.
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Yeah, for sure, and that's a great point, and you're absolutely right, but maybe I didn't make
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my, but that wasn't the point I was trying to make. I didn't, I wasn't referring to the plot line
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at all. I just meant that the, like, maybe some of the technologies that he invented for the book,
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I just think a lot of them maybe wouldn't have been thought about before World War II, and then
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post-World War II, they were so obvious, maybe like he couldn't have avoided using them,
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like that kind of thing. I'm interested now, because I'm curious just to which one you're thinking of.
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I don't know if I have specifics, though. I don't know, Fission, maybe.
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Yeah, they're real big on the nuclear talk, which I mean makes sense for the time. I mean,
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it would basically be like to me anytime you have 50 sci-fi, and it talks about nuclear,
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it's the same thing as if I go pick up a novel in the store today that sci-fi, and it talks about
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using dark matter to like do things like it's just the hot word that nobody actually, we kind of
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barely understand that people just use the cell call. Yeah, and when they do that, I always picture like
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Captain Nemo from the Disney 20,000 leagues under the sea with the, you know, the, the Fission is
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just kind of lighting, illuminating his face. You know, that's what would happen, you know,
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just a little light. It'll be okay, everything will be safe. Yeah, already to get the window open,
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and you're showing the guy, you know, here's how it's powered, and he opens the little,
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the little window when he looks through like that's that's kind of what I picture
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in a setting like this book where it's thrown about like like that, because it really is
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just the magic of this book. The plot bullet is Fission. Bring it back.
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Mantid XX01, go port knocking. No, I was looking for Stranger, and it is not freely available.
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Oh, that's too bad. Okay, we'll have to do something else, but we'll worry about that later.
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Is it public domain, or is it still copyrighted?
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As far as I can tell, it's still copyrighted because when he died in the copyright
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relapsed and that his wife renewed it, and that's how they published the
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now famous version of the book, the original rendition of it. While I'm glad that happened,
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I wish it was in the public domain. No, no disagreement.
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Yeah, that's too bad. Yeah, I'm going to have to look in that later, because I've heard it a couple
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of times. I've never read it. So I mean, I don't think we ever actually just kind of went around
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to said like what were your feelings about it? We've talked about it kind of like, I mean,
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I said before we start recording like I like this, and I enjoy listening to it, but my enjoyment
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is very much colored by the books after this. I think it's probably for me the weakest in the series.
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So I'm kind of lukewarm on it, and I'm interested just like just shotgun approach. How do you
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guess feel about it? I really liked it, but I really liked it as a 40s or 50s era space opera
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with the guy reading it and the quality of the recording, which I liked, by the way,
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and I'll come back to that in a moment, I kind of felt like I was just sitting around the family
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radio waiting for this episode to come on for, you know, all of them in a row, but I really enjoyed
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listening to it. Yeah, I think, Todd, you probably hit the nail on the head with lukewarm.
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It was, it's difficult to frame my opinion squarely around the audio book, having read
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the text version first, and recently as well. It was only very recently that I read it.
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And when I read it, it felt like required reading, because I had heard a couple of times,
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you got to read the lens, been secrecing the world, and it's not for as well known as it is.
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It doesn't seem to be all that well known, like I had a hard time finding the lens,
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Wikipedia seems to be the only authority on it out there, other than, you know, just
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you Google for it, you find conversations. So just to even find the stuff,
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was not the easiest thing, or was not as easy as I was expecting it to be. So when I found this,
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it's like, okay, this is the first one, I'd like to read the first one. And had I known that it
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wasn't the first one, that that was a retroactive change, I might have just skipped it.
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So I kind of plotted through it, you know, waiting for it to get to the awesome. And this never
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really gets to the awesome, it gets good. And like you said, some of the preamble chapters,
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I think one of them in particular is the best one in the book. And I'd like to hear if we're
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thinking of the same chapter. But it's, it was good. It was good enough to keep reading.
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But I wouldn't call it a page turner, and I wouldn't call the audio book
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appointment listening, either. It was not like every like, oh, I can't wait till I finish my
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topical podcast so I can get to, you know, my, my, my entertainment here, my, my serial fiction.
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It wasn't like that. Like it has been with many of the books we've reviewed, or many of the audio
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books we've reviewed, excuse me. Yeah, I agree. Like it is kind of like a very well-known secret, I guess,
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that people talk about it all the time. It's very hard to find things about it. I know if you
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Google Lensman, like all that really ever comes up as the anime, which it's on YouTube, you
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can watch it if you want. It's, it's atrocious. Especially if you've read the books, it's atrocious.
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I mean, it's cool. If you just watch it, like, and say, okay, this is just a, you know, 70s anime that,
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you know, is spacey and has stuff in it that might be cool. It's, it's all right. It's not great,
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but it is not the Lensman from the books. But I, I am typically, I try to avoid Libravox a lot of
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the times because I've been burned on a lot of readers. And I tend to find that the audio quality is
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not as good as it is at other places, but I thought the audio quality was good. And he did, he did
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a pretty good job. I take issue with some of his pronunciations of things, but you know, this
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nothing to be, to be too upset about. I, I know if I had not read this before in paper, I,
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there's one word that he says that I would have never known what it was if I had not read the book.
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If you complain about this guy's reading, I'm going to hit you with a heart and pipe because
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he's done so much reading on Libravox. If you, like, click on his name, he's got tons and tons
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and tons of books. This guy's just, he's a community guy and he's a giver. And that's awesome.
|
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|
|
And yeah, I'll hit you in our R and pipe if you mention it again.
|
||
|
|
Now he's all, I mean, like, the whole thing is really good. And it's really subtle. That's
|
||
|
|
what I like. I actually enjoy it. Like it's, I do kind of get that like audio drama vibe,
|
||
|
|
but without like over the top-ness. Like he kind of does voices, but he doesn't really. It's kind
|
||
|
|
of like, I'll just change my selection a little bit and that's good enough. And I kind of dig
|
||
|
|
that. I think it's cool. It's a cool touch. But yeah, the R and thing drove me insane constantly.
|
||
|
|
Well, that's, that's I think more what I meant about the audio drama was just his, his tone and his
|
||
|
|
pacing gave me that kind of feel. And I only had one little quirk I found with the audio.
|
||
|
|
There was one of the back half of the chapters where there was a little
|
||
|
|
blip or something happened where the recording wasn't smooth, but one in a whole book is
|
||
|
|
fine. And I fully admit, if I'm going to talk trash about Liebervox without like putting
|
||
|
|
my own ass on the line and doing some reading for him, but that's not that cool. So I will
|
||
|
|
wear that. Yeah, no, I said, yeah, no, I hate saying that. Anyway, it was a good reading. It
|
||
|
|
definitely was the, I did, did not agree with the way he pronounced the word iron. And I didn't
|
||
|
|
agree with a couple other pronunciations at the time that I can't even think of now. It's only
|
||
|
|
because iron is, is a central figure. It's almost a character in this book that you notice it
|
||
|
|
because it gets said a lot. As far as the rest of his reading, I thought it was, it was good.
|
||
|
|
He, he came very, very close to that old timey radio feel. And I'm not sure if he was going for
|
||
|
|
that or if it just came natural to him, but I certainly enjoyed it. And as far as the audio
|
||
|
|
quality, the recording quality was fantastic. The only thing I noticed and it was not the same
|
||
|
|
thing that X 101 that you noticed. Somewhere along in the middle of the book, I noticed that the,
|
||
|
|
the recording would go silent or he would stop speaking. And there was noise in that silence.
|
||
|
|
And it was not always the same noise. It was different stuff. At the end of one episode,
|
||
|
|
almost sounded like a record needle had gotten to the end of the record. And it was just kind of
|
||
|
|
popping. And another one there was, it sounded like typing was going on on a, on a mechanical
|
||
|
|
typewriter almost, it almost sounded like keys hitting the, you know, the keys to hammers hitting
|
||
|
|
the paper. It was weird. It was so, so faint. I wouldn't have noticed it if I hadn't been listening
|
||
|
|
on an ear, but I wouldn't have noticed it in the car or anything. But I wasn't sure if that was
|
||
|
|
going on or if he was trying to, you know, do something in there just for fun, but I found it
|
||
|
|
interesting. Interesting is good. It was a non-seqator, that's for sure, but an interesting one.
|
||
|
|
Please, like we don't go to non-seqators like every 30 seconds. I'm not complaining. I'm not
|
||
|
|
complaining at all. It's just something odd that I noticed. Another thing, did anybody else have
|
||
|
|
any trouble with the download? I didn't. Nope. Okay, I had trouble with the, I downloaded the
|
||
|
|
zipped version where you get all the files in one, you know, zipped one.zip. And it wouldn't
|
||
|
|
unzip. It had errors. And I downloaded it and it gave me errors unzipping it. So I, you know,
|
||
|
|
moved it and tried it again and it gave me errors again. So I deleted it and downloaded it again
|
||
|
|
and it gave me errors again the second time. And I used it a different downloader each time,
|
||
|
|
so I don't think it was on my end. And I was just having to use my favorite Firefox plugin,
|
||
|
|
down them all, and grabbed the individual files with it and they were all fine. But yeah,
|
||
|
|
that the zip file just was giving me errors. And see, I listened to everything. I listened to the
|
||
|
|
stuff with, um, as the RSS feed. So I wouldn't have had the same experience at all. I'm pretty sure
|
||
|
|
I downloaded the zip and it worked fine. So I don't know, mileage may vary. I guess it must be on my end
|
||
|
|
then. Blame fair point. Oh, I can blame fair point for a lot this month. There's a rabbit hole.
|
||
|
|
We won't soon come out of my internet was down for over a week. And there were several long
|
||
|
|
and angry phone calls to fair point who did not handle the situation well at all. Are you talking
|
||
|
|
Comcast level bad or just bad? I have never had the kinds of problems with Comcast that I have had
|
||
|
|
with fair point. Now I haven't dealt much with Comcast. It's mostly been if I'm helping someone
|
||
|
|
who'd spend them because I don't think I've ever had Comcast myself. But no, it was bad. I called up
|
||
|
|
complaining about an outage. And the first, the very first thing that they did that pissed me off
|
||
|
|
right from the start, they would not even call it an outage. And, you know, the fact that my
|
||
|
|
bill is paid and my internet doesn't work, it's out. That's an outage. They would not tell me
|
||
|
|
when a technician was going to have a look at their system on their end. And until that happened,
|
||
|
|
they could not tell me when a technician was going to make a if or when a technician was going
|
||
|
|
to make a site visit out to my house. And to the best of my knowledge, they did not fix it.
|
||
|
|
It came back up and may or may not have been something I did here. I'm not sure because I did
|
||
|
|
do something. And it worked the next day. I didn't think it had come back up the night that I
|
||
|
|
was messing with it. But yeah, they pissed me right off just by not even telling me if or when
|
||
|
|
a technician would be able to look at it. The only thing they told me was it would be at least
|
||
|
|
24 to 48 hours before a technician would have a chance to look and tell me whether or not a
|
||
|
|
technician was coming out to look at it. I'm pretty sure if my internet was off for a week by
|
||
|
|
the time they got here, I'd have like dreadlocks and be covered in mud and wearing deer skins and
|
||
|
|
devolved into grunting. I mean, I know that's like a first world thing, but it wouldn't go well.
|
||
|
|
Yeah, I have an Android phone, but it's real slow and real small hardware. It's not the kind of
|
||
|
|
thing that I can type out emails on, so a lot of things just didn't get done at my house.
|
||
|
|
Anyways, that book. That book, man. Sorry. I didn't mean to do that.
|
||
|
|
Oh, I totally just chucked a grenade and watched it happen. Yeah, you knew my internet. What's
|
||
|
|
that would we've been talking? And to be fair, at my last job, I dealt enough with fair
|
||
|
|
point that I'm fairly comfortable making fun of them anytime the opportunity arises.
|
||
|
|
Hey, me too. Same thing at my last job.
|
||
|
|
Whew, I'm ready for a drink after that fair point, Grant.
|
||
|
|
All right, you'll have to excuse me while I go and fetch mine.
|
||
|
|
Was was there more to say, breeze, boiler? I mean, to force us into our intermission.
|
||
|
|
Nope, I need a drink too.
|
||
|
|
No, I think we got it. Okay.
|
||
|
|
Touch, have you got your drink ready to go? Let me wait. Let me guess. Is it iced tea?
|
||
|
|
It is not iced tea. Lemonade. It is not lemonade. Oh, let's see. You might have a fancy bottle of
|
||
|
|
fruit juice. It is not fancy. Holy smokes. I, all right. I struck out. What do you got?
|
||
|
|
I am boring as always, but, you know, enjoying it. I have a, well, head. It's gone already,
|
||
|
|
but I had a glass of grapefruit juice. Oh, all right. That's cool.
|
||
|
|
I haven't heard anybody say that in a long time. Grapefruit juice seems to have
|
||
|
|
faced out. It's, I don't know, I, every once in a while, I just get a hanker in for it.
|
||
|
|
And so we were at the store today and I saw it and I was like, hey, that would be nice this evening.
|
||
|
|
So that's what I picked up. That's because that's your right big bottle of it or like a,
|
||
|
|
like a big jug of it, like a gallon-ticing or small. It's one of the, it's like a local
|
||
|
|
like juice place that makes all kinds of juices. I don't know where the fruit comes from because
|
||
|
|
obviously they don't grow many grape fruits in Indiana. But it just comes in like a gallon,
|
||
|
|
like no, just pick it up and bring it home. So that's pretty good.
|
||
|
|
Just thinking about drinking like the grape juice makes me want to put on lip balm.
|
||
|
|
Wow. Yeah, it's just, it kind of just attacks my lips. It's good stuff. I like grapefruit juice,
|
||
|
|
but yeah, it's making my lips feel dry and cracked already.
|
||
|
|
Nothing like that citric acid don't remind you of all those little microscopic cuts.
|
||
|
|
Yeah, that's exactly right. Do you cut it with anything or just drink it straight?
|
||
|
|
Straight up. It's the only way to go. Oh, straight up. Oh, so you shake it and strain it.
|
||
|
|
I just poured out the bottle and put it in the cup.
|
||
|
|
Well, that's straight. See, one of my nerderies is mixology and they're straight and straight
|
||
|
|
up are not the same thing. I have been educated. Yeah, everybody thinks that straight
|
||
|
|
up is straight and it isn't straight is just straight straight up means you shake it with ice
|
||
|
|
and then you strain the ice out of it. So it cools the drink off and doesn't water it down very much
|
||
|
|
where straight is not cooled and on ice waters it down. But it's useless to correct anybody
|
||
|
|
because everybody gets it wrong. I will probably never get it wrong again because I'll have
|
||
|
|
little space foggy in my brain saying don't that's not right. This is how people become educated.
|
||
|
|
Well, I spent a lot of time in college competitive drinking and you know, I learned how to
|
||
|
|
mix some drinks and wanted to do it right. I've got a couple of books on mixing drinks and that
|
||
|
|
was one of the things that they wanted you to get right before they moved on to the next lesson,
|
||
|
|
you know. So basically you're telling me that you study more about mixology and college that you
|
||
|
|
did actually which was the study. Well, yeah, I thought you knew that. I thought it went without saying.
|
||
|
|
Well done. Well, there's a time and a place for everything and it's called college.
|
||
|
|
All right, what's your drink X-1-1-1?
|
||
|
|
Tonight I'm sharing with you all a gift from a good friend of mine. This is Goose Island's
|
||
|
|
2014 bourbon county brand stout, stout aged in bourbon barrels. Damn. This is 13.8% alcohol by volume,
|
||
|
|
12 fluid ounces. Holy smokes you're going to make it to the end of the show? 13.8?
|
||
|
|
Maybe. That's impressive. Did they tell you how old the bourbon barrels are? How many years
|
||
|
|
did the bourbon flavored them? It doesn't, I don't think. This has developed in the bottle over 5 years.
|
||
|
|
Okay, that's cool. All right, most importantly, can you taste the bourbon?
|
||
|
|
Well, let's start with how it smells. It smells almost like a rich chocolate syrup.
|
||
|
|
You can taste the bourbon and the smoke, but there's a lot of chocolatey stout flavor still.
|
||
|
|
Dude, I'm getting shivers. I want one of those. What was the you and I, or maybe it was me and Bill,
|
||
|
|
had one in Boston that was almost this good, that tasted like a bourbon ale that was basically bourbon,
|
||
|
|
but at 8%. Yeah, I was in on some of that. That was the Kentucky brewery. I think it's
|
||
|
|
the name of the brewery, Kentucky brewery, bourbon barrel. I think that was the bourbon barrel
|
||
|
|
ale and later I found in a bottle the bourbon barrel stout, which was awesome. Yeah, this is definitely
|
||
|
|
a stout, but that's not Kentucky brewery, right? No, this is by Goose Island out of Chicago.
|
||
|
|
Oh man, it sounds so good. Yeah, and I found the same thing. The bourbon barrel ale was
|
||
|
|
one of the top two or three beers I've ever had and the bourbon barrel stout blew it out of the water.
|
||
|
|
Now, my friend who gave this to me said they only sell this one day a year. They sell it on
|
||
|
|
Black Friday and they sell out because they only make a little bit of it and it sells out.
|
||
|
|
And he gave me a bottle a week or so ago and I decided to save it to share with you fine folks.
|
||
|
|
That is a true friend. Keep that guy around. Oh my god, this is so good.
|
||
|
|
Hi, so jealous. That sounds phenomenal. If I hadn't had that bourbon barrel stout,
|
||
|
|
I wouldn't have anything to compare it to because nothing really even compared to that as far as
|
||
|
|
the complexity and the balance and the bourboniness of it. And yeah, that sounds awesome, dude.
|
||
|
|
Congratulations on scoring one of those. I swear in my head, Kenan, I thought you just said
|
||
|
|
when you finished that sentence about how good it was that you said I'll be in my bunk.
|
||
|
|
I might have, I might have.
|
||
|
|
For all you listening at home that Firefly reference right there,
|
||
|
|
how that went to the drinking game, bingo thing, whatever you're playing.
|
||
|
|
All right, time for mine or are you going to share more because I'm listening if you want to.
|
||
|
|
I'm still there with you.
|
||
|
|
It's multi and chocolatey and very strong.
|
||
|
|
It may be just a hair suite for my tastes, but that's mostly how.
|
||
|
|
Yeah, and I come from drinking, especially for Guest Island, they make an English style IPA
|
||
|
|
that I was either in the 30s or the 50s on the IBU scale. So I mean, it's bitter and this is
|
||
|
|
completely the other way. Nice. How is it for carbonation? It's got to be kind of low
|
||
|
|
carbonation and smooth with the flavor like that. Low carb, very smooth. There's no head at all.
|
||
|
|
That's pretty good. That's awesome. It looks like I'm staring at a glass of cola
|
||
|
|
only considerably better. Yeah, I like when a beer won't allow light to pass through it.
|
||
|
|
Pokey, were you the one who recommended double bag?
|
||
|
|
Yes, I recommend double bag to everyone ever speak to.
|
||
|
|
I had it. I enjoyed it.
|
||
|
|
Yeah, that's that's my go-to beer. I mean, there are definitely like fancier beers, but
|
||
|
|
not all you can't drink all of them any time of year, any weather, all six of them in the same
|
||
|
|
night if you're in that kind of a mood, but double bag you can anytime, many plays, it's appropriate.
|
||
|
|
I mean, long as you don't have to drive because it is a double and it does have a fairly high alcohol
|
||
|
|
content for beer, but yeah. Well, one day I got five IPAs and that and it was a nice
|
||
|
|
change of pace in the middle there. That's pretty cool. Yeah, to see that, that's one of the things I
|
||
|
|
like about it the most is that you can drink several of them without tiring of them and I
|
||
|
|
I cannot do that with with bitter beers at all. Well, I got a bunch of different ones and that
|
||
|
|
was a really interesting thing to drink, you know, three or four or five IPAs in a row.
|
||
|
|
Kind of getting, well, this one's got these notes different than that one and it was it was
|
||
|
|
interesting and a lot of fun. Oh, yeah, next to an IPA, double bag would would taste pretty
|
||
|
|
multi. All right, go for it, Poké. What are you, what are you sharing with us tonight?
|
||
|
|
Okay, I found one that was a really nice pleasant surprise. It's, it's, it's definitely a,
|
||
|
|
it's a micro brew and it's a micro brew price, but at least it's not a craft beer price and
|
||
|
|
it's really, really drinkable and it's from a brewery that's that's fast becoming one of my
|
||
|
|
favorite breweries. Smutty knows brewing company and this one is their winter ale, which unfortunately,
|
||
|
|
I'm not going to be able to get it all year round, but this one's just really, really nice.
|
||
|
|
It was really surprised, not really surprised because Smutty knows has been, you know,
|
||
|
|
everything I've tried from them has been been good, but it was really pleased that how good this
|
||
|
|
one is. So it's, boy, it's an interesting flavor. I'm going to describe this one. I need another
|
||
|
|
sip, hold on. So it, it feels kind of thick for an ale, but it's, it's almost a porter of an ale.
|
||
|
|
It's, it's darker than an ale. It's thicker than your standard ale. I mean, it's, you know,
|
||
|
|
that's probably pretty standard for a winter ale. It's, it's nice and multi. It's, it's got a real
|
||
|
|
kind of caramel sweetness to it. Not like a, not a real sugary sweetness and, and you know,
|
||
|
|
sometimes you get a real sweet beer is almost like a honey sweet, but this isn't. This is more like
|
||
|
|
a caramel, more like a, like a browned butter kind of taste, which is really smooth and, and soft
|
||
|
|
feeling in the mouth. And just it feels thick. And it still got some suds to it. It's, it's not like,
|
||
|
|
you know, towards the, the stouts and the porters, it, it feels more like an ale, but thicker.
|
||
|
|
And just more substantial. And it's, uh, it's making me really happy.
|
||
|
|
Seems like we're betting on the house one night in the drink department.
|
||
|
|
Yeah, it's got a interesting smell to it. I,
|
||
|
|
boy, I almost want to say it smells like your grandma's attic, but in a good way.
|
||
|
|
Kind of, kind of dusty and, um, you know, like cardboard boxy, but not that old nasty
|
||
|
|
dust and, and, you know, cardboard box has been dried out, but just that kind of, kind of,
|
||
|
|
hey, there's something good coming out of this box, you know, almost like, hey, that's where the,
|
||
|
|
that's where the Christmas ornaments are. That, that kind of box. Hey, grandma, what's this book called
|
||
|
|
triple anitary? Oh, that's, that's the book that we're about to spoil, sunny. Okay. I nearly did a
|
||
|
|
spit take with my stout, and that would have been very upsetting. But I didn't for us.
|
||
|
|
But I didn't so.
|
||
|
|
Sorry, bruh. Yeah, I appreciate it. I would have appreciated you trying that hard to get me some.
|
||
|
|
All right, touch. Best chapter of the book. I love it. I don't know if it's a best chapter of
|
||
|
|
the book, but it's like the one that, like, I constantly remember, and I can never, it's,
|
||
|
|
it's the chapter I can never remember what book it's from, but it's from this book,
|
||
|
|
is the one during World War II, the Siberians, like, where the weapons guys that are, like,
|
||
|
|
testing stuff. I love that chapter. Like, it's, it has nothing to do with anything else other than
|
||
|
|
showing how, like, awesome the kinesens are. Um, but I just love it. Like, I could read that all day long.
|
||
|
|
Yeah, I thought that one's great too. And you said you didn't like the rest of the other ones.
|
||
|
|
I thought a good close second was the gladiator chapter. I really enjoyed that one.
|
||
|
|
Of all the history ones, I think that's probably the, the best. Um, because I mean, when it was
|
||
|
|
rewritten, you know, World War II just happened. So I mean, I guess he was, you know,
|
||
|
|
World War II was being modern. Um, I, I despise the Atlantis chapter. Yeah. I, I have no idea what's
|
||
|
|
there. I have no idea why Atlantis is some dukelier civilization that everybody else forgot about.
|
||
|
|
I mean, I still get it. Yeah, as if there's no such thing as fallout and it doesn't have a half-life.
|
||
|
|
Oh, it's like, it's science fiction or anything. Oh, wait.
|
||
|
|
Whopper. Yeah, I'm totally with it. And you're right. And the kinesens thing was awesome. And
|
||
|
|
I need to ask a question about this because if I didn't just miss it, then somehow something
|
||
|
|
that I thought was very important got edited out of this book. And having to do with the kinesens and
|
||
|
|
with the, what the red haired. So in, in the book that I read, I remember very distinctly early on
|
||
|
|
when the, um, the good super aliens, uh, said they were going to, you know, create these bloodlines,
|
||
|
|
the ones that they were going to do on Terran and remind me to get back to that. The ones that
|
||
|
|
were going to do, uh, they would have a male named kinesan in every generation and also, um,
|
||
|
|
a line that would produce females, uh, occasionally or whatever, but no kinesan would ever
|
||
|
|
marry a red haired female until, you know, they decided that the, the super being was going to come
|
||
|
|
from them. And I don't remember hearing that in this book, except much later on, maybe,
|
||
|
|
oh, I don't know, maybe three quarters of the way through it felt like it was later. And it was
|
||
|
|
only in passing. It wasn't spelled out clearly like that, like the text version that I read. Unless
|
||
|
|
I just missed it. I mean, it's extremely important to the later books, um, those two bloodlines.
|
||
|
|
I don't know if they actually, I don't remember, it's hard for me to like separate what's this book
|
||
|
|
and what's the other books. Um, it's, I don't know if they explicitly spell it out in this book
|
||
|
|
that that's what's going on. I mean, they, they'd say that it's a breeding program kind of like
|
||
|
|
their own little version of eugenics, um, to create these two bloodlines to, to create basically
|
||
|
|
the second stage linzenman, um, later. So, but I don't know if it was specifically spelled out in
|
||
|
|
this book, but it may be on the Wikipedia, you might, might have been thinking about that.
|
||
|
|
No, no, no, it was specifically spelled out in the text version. I remember it thematically.
|
||
|
|
It's been a long time since I read the text version. How about you X 1101, does any of that ring a bell
|
||
|
|
to you? Um, it's hard to say I'm also reading through the rest of the series now and it's hard to
|
||
|
|
again distinguish which was which? Yeah, okay. Yeah, I, I, I mean, maybe it was
|
||
|
|
something that was, you know, pasted into the version that I read at some point or maybe it was
|
||
|
|
edited out of this version. It's something in the revisions. It was there on point and isn't now
|
||
|
|
and I thought it was, when I read the book, it felt so critical that when it wasn't in the audio
|
||
|
|
version, it felt like a glaring omission to me. So, I don't know. I wonder if Sam Kennisin is in that
|
||
|
|
bloodline? Uh oh, are you guys still there or did my internet just screw up again?
|
||
|
|
Nope, I hear you. I hear you. Okay, all right. All right. Um, another question I had for you
|
||
|
|
guys. Maybe you guys can help me with this because your bolts seem much more well versed in sci-fi than
|
||
|
|
I am. Why does he call earth? What is it called? Terran? I forget the exact name. What is that
|
||
|
|
reference? Because I've heard it once or twice before, but I think only in literature and I don't
|
||
|
|
get why that's done, why he doesn't just say earth. I wonder the same thing.
|
||
|
|
Uh, Tara is Latin for earth. So I'm assuming like, I know in Star Trek, they call, they call it
|
||
|
|
with Tara, Tara or Tara a lot of times. Um, I know that in these books, they're, they call it
|
||
|
|
tell us which tell us, sorry, thank you. That's, that's interesting. I don't know where they came from,
|
||
|
|
but yeah, they, they call it, they, they have, um, this book has interesting names for like, um,
|
||
|
|
things like, like the columns, people, salarins, people from our solar system, um, which is kind
|
||
|
|
of cool because I mean, it's, um, multiple people on multiple different planets. So you stop
|
||
|
|
thinking of yourself as being from a planet. You start thinking of yourself from the system,
|
||
|
|
which is kind of interesting. So laryn's was cool. I did like that. I did all being the sun. Um,
|
||
|
|
and, and I, it was better than earthlings that, you know, the word earthlings, if that was in
|
||
|
|
this book, it would have been just two 1950s sci-fi. Um, so I definitely prefer Terence to earthlings.
|
||
|
|
Well, to, to, to Larian's, is that what you said? It wasn't Terence. That was my mistake.
|
||
|
|
No, no, no, but I've seen Terence instead of earthlings. And I prefer that. It, it, because
|
||
|
|
your earthlings just feel 50s bad sci-fi. I like humans. No, no, no, humans. You gotta get the
|
||
|
|
full Ferengi in there. Either one's fine. There has to be some rule of acquisition about bad
|
||
|
|
Ferengi, um, accents. It doesn't have to be Ferengi. It can be robot, human.
|
||
|
|
Sorry, the first thing I went to was quirk. Yeah, and I didn't mean to say robot either. I'm
|
||
|
|
meant to say robot. Robo, what? Hi, robot. Tip of the hat to another podcast. But if you guys have
|
||
|
|
ever heard the, uh, the onion radio news anytime that guy says, robot, I laugh my ass off the
|
||
|
|
way he says it is, is, is, is, is sterical to me. I thought they discontinued that because I listened
|
||
|
|
to that years ago. And then it's like the feed stopped. No, they didn't discontinue making them.
|
||
|
|
They just discontinued making the feed work. If you go check, you can manually download them.
|
||
|
|
Well, that sucks. Yes. Yes, it totally defeats the purpose of RSS feeds and podcasts. It's,
|
||
|
|
it's, they've completely devolved into something that I just can't, you know, find the time to go,
|
||
|
|
listen to, excuse me, listen to it. And I've got, I've got the onion in my RSS feeds and every now
|
||
|
|
and then I send something to my wife because it's just too ridiculous not to. But if you use the RSS
|
||
|
|
feed, you don't, they don't get hits on their ads. So they don't make any money.
|
||
|
|
Uh, yeah, that's a good point. You're saying this, um, no, I take that back though.
|
||
|
|
The way that the RSS works is you get headlines, you don't get the full article. So I skim the
|
||
|
|
headlines, find what I want and then hit the link into the, to their site. Oh, that's, that's
|
||
|
|
enough. The onion headlines is all I need. I don't need to read the articles.
|
||
|
|
Can I just rant about how that is the dumbest thing ever? I hate what sites do that. And usually,
|
||
|
|
no matter how much I like the site, if they start doing that with the, with the RSS feed,
|
||
|
|
I boot them straight out of my reader. Do what? Just give you the headlines? Yes, I hate that.
|
||
|
|
I mean, I don't know. I mean, you don't read ours. I do not read ours. And that's why the thing
|
||
|
|
that I hate is when they span the article across multiple pages and you have to click so that they
|
||
|
|
get another ad click. Oh, yeah, drives like the five page articles. I do like when they tip you off
|
||
|
|
going into it. And they say the top five things that you can't live without knowing from now on,
|
||
|
|
they that you can just skip it that that much. I'm glad they warn you ahead of time.
|
||
|
|
This is going to be a slideshow with 50 ads all around it.
|
||
|
|
Sounds like somebody needs ad block.
|
||
|
|
Well, that's the thing. I do have ad block and it makes it all that much more pointless,
|
||
|
|
less pointful. It's just entertaining.
|
||
|
|
Too lazy to set up ad block. Another just not go.
|
||
|
|
You're too lazy to install a Firefox plugin that blocks all of the ads.
|
||
|
|
No, because they're like certain places I want to go that like I want them to get red ad revenue
|
||
|
|
because I like those people and it's like to go in and set up the exceptions for everything.
|
||
|
|
It's just like I'll just look at them. That's fine.
|
||
|
|
You just train your brain to do the ad blocking for you.
|
||
|
|
I'm pretty good at it. You forget I have fair points. It takes more time to load a web page with ads
|
||
|
|
over fair point. I wonder if you can get them over to this important knocking and get that figured
|
||
|
|
out for you. Oh man. I'll knock your port, mister. Right back on the topic.
|
||
|
|
So here's an interesting connection that I saw. I don't know. So first of all, have you
|
||
|
|
either of you seen new Star Trek? Yes. Yes and no. Red matter.
|
||
|
|
And it's just as dumb here as it is in Star Trek.
|
||
|
|
Did you see it? Or am I reaching too far there?
|
||
|
|
I don't know. Maybe. I could see maybe being. See, but that would require JJ Abrams to actually have
|
||
|
|
read one's meant, which I'm not sure happened. By the way, total aside, Star Wars trailer.
|
||
|
|
I feel like I'm the only person in the world that's like,
|
||
|
|
me. No, you're not good. I just said me when I found out there was a Star Wars trailer when you
|
||
|
|
said Star Wars trailer. Nicely done. I'm a huge Star Wars fan. And no matter how terrible it is,
|
||
|
|
it's still going to be shut up and take my money. But that doesn't mean I won't leave the theater
|
||
|
|
very depressed afterwards. No, see, I'm an Empire Strikes Back fan, but really that's it.
|
||
|
|
I'm more worried about me going in and actually being good. And that will probably piss me off
|
||
|
|
more than because I can write it off if it sucks. And you blame Disney. Well, not even Disney.
|
||
|
|
I can blame JJ Abrams because he screwed up Star Trek already. Here we go. You blame Abrams.
|
||
|
|
I'm going to blame Disney. All right, fair enough. But it's like, and I'm pissed off about them,
|
||
|
|
just like jettisoning the EU. But if it's good, then I'm like, damn it. I have to like this now.
|
||
|
|
I also am very upset about them singing the EU because between me and my sleeping child,
|
||
|
|
there's a bookshelf. And that bookshelf is packed too high and too deep with the EU.
|
||
|
|
You know, all that time, there was nothing there, but the EU and all your real fans, you know,
|
||
|
|
read it and learned it. And then you're just like, yeah, you know, whatever money, we're just
|
||
|
|
going to throw it out. Well, they were such good stories. They could have had to do no work
|
||
|
|
script writing, gone to the shelf of EU books. I'm like, hmm, this one made it and been done.
|
||
|
|
Because every fan of the EU, basically, when they said, hey, let's make episode 7, 8, 9 go,
|
||
|
|
you better do air to the empire. Just do it. Just make those into movies and you're done.
|
||
|
|
It'll make tons of money. It'll be great. Which air to the empire? That was the crazy clone of the
|
||
|
|
Jedi. That's the Toronto trilogy. Oh, okay. Yeah. Oh, that was amazing.
|
||
|
|
Right. Imagine that is like an actual trilogy of movies.
|
||
|
|
But there's not enough force and all the movies are about the Jedi and the force and stuff.
|
||
|
|
And there's not enough of that.
|
||
|
|
I think people are, I think people are fed up with the force at this point. And it was cool,
|
||
|
|
but as soon as they explained it in the midi-chlorian thing, who even wants to hear it anymore?
|
||
|
|
And the Star Wars universe has so much more going on for it. It's such a rich, you know,
|
||
|
|
social, political universe that they have so much more room to play in.
|
||
|
|
But that's just a boring aspect of it. That's the only really interesting thing
|
||
|
|
that stays continuous throughout the first three movies. Actually, even all six movies,
|
||
|
|
though, I really don't really consider that the other three. But anyway, yeah, the political
|
||
|
|
thing is the cool part about those stories. But it's for an American audience, so why would you
|
||
|
|
include that? And that makes sense that why you would like empire then, because that's the one's
|
||
|
|
the least space magic and it's all actual action and politics. And it's dark.
|
||
|
|
Well, yeah. But not dark for dark sake. It's dark to make it feel more real.
|
||
|
|
And Lucas actually didn't direct that one. That's why it's good.
|
||
|
|
Last thing on Star Wars, the only good thing that has come from the new canon is
|
||
|
|
I've been watching that Star Wars robings. No, go away.
|
||
|
|
The new Star Wars Rebels cartoon. I've been watching that with my kiddo. And I can just tell,
|
||
|
|
like it was a bunch of dudes that were setting around going, we didn't make a new Star Wars cartoon.
|
||
|
|
We watched a lot of Firefly and it was really good. So let's just make Firefly and set it in space
|
||
|
|
and make it for kids. I said it in Star Wars and make it for kids. Firefly was already in space.
|
||
|
|
I know. But it's interesting, but it's still not worth jessing everything else.
|
||
|
|
I'll have to, when that comes to Netflix, I'll have to watch it because I've watched a lot of
|
||
|
|
clone wars, which has been good.
|
||
|
|
Anyway, it's back at the book. I did have one other Star Wars thing that's on point.
|
||
|
|
No, David, I said back at the book.
|
||
|
|
This is, he's going to bring us back.
|
||
|
|
Yeah, this is book. For some reason, the Iron Extractors made me think of the Death Star.
|
||
|
|
Yes, I will second that.
|
||
|
|
How?
|
||
|
|
It blows up planets.
|
||
|
|
That's not what they did at all.
|
||
|
|
I know. It was a bad segue, but I don't know why.
|
||
|
|
It's in my notes and I remember having a mental connection there.
|
||
|
|
A lot of the ships are like described as being spherical.
|
||
|
|
So it kind of makes sense to me.
|
||
|
|
Yeah, that's true. The supership is spherical.
|
||
|
|
It made me think of cowboys and aliens.
|
||
|
|
Yeah, now that you mentioned that, I hadn't thought about that, but yeah.
|
||
|
|
I haven't seen that, so I have no idea.
|
||
|
|
Oh my god, it's wrong with you. It's like the greatest movie.
|
||
|
|
Oh, see, I would have said it's decent.
|
||
|
|
But for Hollywood, that's an achievement as a decent movie.
|
||
|
|
Yeah, that's what I mean. It's cowboys and aliens and nothing more.
|
||
|
|
Well, truth and advertising works sometimes, I guess.
|
||
|
|
Yeah, yeah. It's, you go into a lot of movies,
|
||
|
|
you know, expecting one thing, and when it's something, you know, with a title like
|
||
|
|
cowboys and aliens or, you know, uh, well, I can't even think of any.
|
||
|
|
Robocop. Robocop. Sure. Yeah, yeah.
|
||
|
|
You come out of it going.
|
||
|
|
Well, no, actually, Robocop was pretty good.
|
||
|
|
But there are some that you come out of it going.
|
||
|
|
I think you tried to do a little too much with that.
|
||
|
|
And cowboys and aliens is not that.
|
||
|
|
They did just enough and it worked.
|
||
|
|
It was very well balanced.
|
||
|
|
It was exactly what it, it was advertised as being.
|
||
|
|
And if you like cowboys and if you like aliens,
|
||
|
|
that's what you got in, in just the right doses.
|
||
|
|
I will have to check it out on your recommendation.
|
||
|
|
It's not, I don't, don't check it out in my first recommendation when I out first,
|
||
|
|
that it was not the greatest movie ever.
|
||
|
|
It's just cowboys and aliens, that's all.
|
||
|
|
I'm totally cool with that.
|
||
|
|
I mean, if that's, if that's the what's on the 10 and that's what I get, I'm good.
|
||
|
|
You know, I got the point.
|
||
|
|
Okay, so I'm going to bring something up from the book.
|
||
|
|
So this is written in 38.
|
||
|
|
I went and just looked.
|
||
|
|
Can we talk about how much like,
|
||
|
|
how many times like city level destruction happens?
|
||
|
|
And this book is rewritten like literally right after the first atomic weapons.
|
||
|
|
And like, I'm wondering if he looked at that and was like,
|
||
|
|
oh my god, what am I going to do with this?
|
||
|
|
Or like, like, how did that play into that?
|
||
|
|
Because it's huge.
|
||
|
|
Like they literally level like tons of, I mean, they blow up a city.
|
||
|
|
They're actually the blow up two cities.
|
||
|
|
Pittsburgh.
|
||
|
|
Pittsburgh.
|
||
|
|
Sorry.
|
||
|
|
And then they like,
|
||
|
|
released biological weapons on one and like entire population.
|
||
|
|
Like, it's like serious.
|
||
|
|
People complain about movies where they like blow up cities.
|
||
|
|
Like these guys were legit.
|
||
|
|
Like, they were like, we're not playing around.
|
||
|
|
We're just going to blow things up like by the city.
|
||
|
|
And then they shake hands and yeah, totally chill afterwards.
|
||
|
|
Like, yeah, there's one agent say,
|
||
|
|
oh, you know, they get back to earth and be like,
|
||
|
|
hey, we signed a treaty.
|
||
|
|
That's not the most egregious thing.
|
||
|
|
It's like, dude, you put me in a cage.
|
||
|
|
You've braided me around.
|
||
|
|
You polked and prodded me pretty much torturing me.
|
||
|
|
But you know what?
|
||
|
|
I kind of, I feel you.
|
||
|
|
I got, I respect you.
|
||
|
|
Yeah, the whole time he was, he was, uh, what do they call that syndrome?
|
||
|
|
Were you sympathized with your stockholders?
|
||
|
|
Thank you.
|
||
|
|
Yeah, it's like, he went into it with stock home syndrome.
|
||
|
|
Well, they describe him as being very, you know,
|
||
|
|
analytical and detached in most things.
|
||
|
|
And, you know, while it doesn't excuse the behavior,
|
||
|
|
if you find another not quite as advanced as you civilization,
|
||
|
|
that takes some special effort to communicate with,
|
||
|
|
I can't understand seeing that as a novelty.
|
||
|
|
We do it to, we do it to apes and stuff.
|
||
|
|
But he is real chill with like, he's like, yeah, I'm cool with you.
|
||
|
|
But like, literally a couple of hours or a couple of days before I think, actually,
|
||
|
|
a couple of days before I just like threw like toxic chemicals into your cities and killed
|
||
|
|
probably millions of your people.
|
||
|
|
But, you know, we're still cool.
|
||
|
|
Yeah, but it wasn't to the dames.
|
||
|
|
He's, he's across between at 20s gangster and a, uh,
|
||
|
|
greaser from the, the jets and the sharks and it's, that, that was weird.
|
||
|
|
How we got to transform when he was with, uh, Cleo.
|
||
|
|
But him killing all those fishes was completely impersonal.
|
||
|
|
He was simply trying to get away.
|
||
|
|
It wasn't like, he hated them, was out to get them,
|
||
|
|
wanted to kill them.
|
||
|
|
It was simply his only way to get how to get away.
|
||
|
|
Yeah, I don't know, maybe I'm just talking about me, like, I'd be pissed.
|
||
|
|
There would be some malice in it for me.
|
||
|
|
So I think it would be hard to just separate that, but these professionals.
|
||
|
|
So maybe, maybe he's good at it.
|
||
|
|
The other thing that like, it drove me crazy when I, when I read the book the first time,
|
||
|
|
was Cleo, like, how like, 1940s woman she is and how like, oh, I have to be protected
|
||
|
|
and all this stuff.
|
||
|
|
And then at the end of the book, like the last chapter, she's like, I'll throw bombs.
|
||
|
|
I'll shoot things what you want.
|
||
|
|
I got you, like, I got you back.
|
||
|
|
Let's do this, uh, that was, I thought it was interesting.
|
||
|
|
And it's another thing I wonder if that changed between the two, um,
|
||
|
|
writings or if that was constantly the thing.
|
||
|
|
I was okay with that because she was a naive kid.
|
||
|
|
But by the end of it, you know, she had virtually gone through boot camp.
|
||
|
|
And she's just the exact right age where you could go through boot camp
|
||
|
|
and make that kind of a transformation.
|
||
|
|
I mean, she's going like full on Sarah Connor at the end of this, which is kind of cool.
|
||
|
|
Ooh, nice Terminator reference.
|
||
|
|
Have it have one of those in a while.
|
||
|
|
Do you mean never have to say it just for the reference?
|
||
|
|
No, I mean it.
|
||
|
|
Like, she's like, when I was reading it, I kind of read it as like,
|
||
|
|
you know, I'm done just waiting around.
|
||
|
|
Like, let's, let's get something done so we can get out of here.
|
||
|
|
Like, she's, she's fully willing to like play whatever role needs to be
|
||
|
|
done to get out.
|
||
|
|
Like, it's not a, to her, like, I think her more is not malice.
|
||
|
|
Her is just like, what has to happen to make this work?
|
||
|
|
And I'm down.
|
||
|
|
So I would understand her being more cold and calculated about it than I would cost again.
|
||
|
|
Okay, I have one more Star Trek reference to just slip in here.
|
||
|
|
And that's, did you see Star Trek Voyager?
|
||
|
|
Yeah, I actually liked Voyager.
|
||
|
|
And I know a lot of people didn't like that one, but I enjoyed Voyager a lot.
|
||
|
|
Yes.
|
||
|
|
I have a lot of nostalgia because it premiered when I was a kid in elementary school,
|
||
|
|
when I watched it all the way through till it's my watch did real time as it aired.
|
||
|
|
And so for me, that's the most nostalgic Star Trek from anybody.
|
||
|
|
This reminds me very much of the whole Captain Proton hollow drama.
|
||
|
|
The Tom Paris always has gone on.
|
||
|
|
I agree.
|
||
|
|
And that also proves that you were very young.
|
||
|
|
Or it reminds you of this.
|
||
|
|
Yes, that's more accurate, but seeing as I saw that one first,
|
||
|
|
this made me think of that, which was probably based on this.
|
||
|
|
And now I can't tell which way my pointer is going because my brain's broken.
|
||
|
|
I got a real flash Gordon feel from this whole book.
|
||
|
|
I never could get the flash Gordon thing out of my head.
|
||
|
|
And I never even seen flash Gordon.
|
||
|
|
It just it felt like that the whole time.
|
||
|
|
One of the things that I have constantly wondered about this.
|
||
|
|
And it's been it's been in the works.
|
||
|
|
Oh, often on again for years since I've like found out about this series of books.
|
||
|
|
How has somebody not picked this up as like a huge franchise and started like just pumping out
|
||
|
|
movies? I mean, you'd have to change a lot of it because obviously some of the stuff seems
|
||
|
|
cliche, even though it's kind of like this is where it began. But I mean,
|
||
|
|
there is so much in these books that you could turn into movies that would be awesome.
|
||
|
|
I can't believe it's never gotten off the ground.
|
||
|
|
Well, you said they made an anime out of it.
|
||
|
|
So maybe someone in that world owns the rights to it.
|
||
|
|
There are actually up until a couple of years ago, they were working on a Linseman movie.
|
||
|
|
And actually it was the guy like I said at the beginning,
|
||
|
|
a JMS the guy that created Babylon 5. He was the writer for it.
|
||
|
|
And so he was because he's a huge fan.
|
||
|
|
And so he was writing it and then it fell through.
|
||
|
|
Like I don't know for whatever reason they decided to not make the movie.
|
||
|
|
But were they going to have were they going to have not been aflaken it?
|
||
|
|
That would be awesome.
|
||
|
|
But I would love to see like this is one of those things that like if you could remake a book.
|
||
|
|
These would be cool books to remake.
|
||
|
|
Even if you did do this a movie just to like rewrite them.
|
||
|
|
The same stories but just like with modern sensibilities.
|
||
|
|
I think it would be very interesting.
|
||
|
|
I think people would enjoy them a lot.
|
||
|
|
Because people enjoy them even with the barrier of it being older and canically shay and kind of
|
||
|
|
kind of sticky a little bit in some spots.
|
||
|
|
Just to kind of update it would be cool.
|
||
|
|
Whoa, 330 reference.
|
||
|
|
I made a 330 reference and I didn't even realize it.
|
||
|
|
Yeah, yeah, sticky.
|
||
|
|
Oh, I didn't realize that was a 330 thing.
|
||
|
|
That's okay.
|
||
|
|
It's 330, we'll get it.
|
||
|
|
It's an audience of one.
|
||
|
|
It's fine with me.
|
||
|
|
We'll take it.
|
||
|
|
I mean, let's be honest, we know that our audience is one anyways.
|
||
|
|
So you will, you know what?
|
||
|
|
If it's included in the drinking game and he's the only one that takes a drink,
|
||
|
|
I'm still happy with it.
|
||
|
|
So 330, take a drink for the sticky.
|
||
|
|
I could have formalized the drinking game on the wiki sometime.
|
||
|
|
Well, you can't just put it on the wiki.
|
||
|
|
There's got to be some kind of
|
||
|
|
program that'll print out your card for you.
|
||
|
|
So it's got to, you got to randomize the card.
|
||
|
|
Isn't the HBR Audio Book Club drinking game just basically turn on the HBR Audio Book Club?
|
||
|
|
I thought it was the Audio Book Club bingo.
|
||
|
|
I didn't, it wasn't a drinking game, right?
|
||
|
|
It was bingo.
|
||
|
|
Either one.
|
||
|
|
We can have drinking bingo.
|
||
|
|
Yeah, yeah, we could do that.
|
||
|
|
So what did you guys think about, now this, I'm going to go
|
||
|
|
to the place that I always find interesting is the politics and the morality of this.
|
||
|
|
What did you think about when they were talking about
|
||
|
|
was kind of in the commissioner, is that who he was?
|
||
|
|
Virgil Sands is the guy that you're thinking of.
|
||
|
|
Yeah, yeah, yeah.
|
||
|
|
Okay, so there was that one chapter where they're in his office and he gets the call from the guy
|
||
|
|
who's, you know, an agent who's found some group of pirates and
|
||
|
|
he's like, and he was even a martian that he was talking to and he wasn't even a human.
|
||
|
|
He's like, do you know, do you think, do you think we should let him live and bring him to trial or not?
|
||
|
|
And the guy's just like, not, he's like, you're right, just kill them all.
|
||
|
|
And the author, the narrator, you know, so the author did this through the narrator spelled out
|
||
|
|
in no uncertain terms, his admiration for a man who can wield that kind of power and be above
|
||
|
|
the law. And like, I just found that disgusting. I really did not like that part.
|
||
|
|
I didn't like what it said about the author.
|
||
|
|
I didn't like what it said about that time period in our history.
|
||
|
|
If he was indeed representing our, the sensibilities of his time,
|
||
|
|
that it was really, really uncomfortable with that almost as, actually, even more uncomfortable
|
||
|
|
than I was with the V2 gas and that being used as a, as a common weapon.
|
||
|
|
And that was not the only example of it.
|
||
|
|
It was just the most egregious one.
|
||
|
|
X-1-1-0-1. How far are you into the next book?
|
||
|
|
Like chapter two.
|
||
|
|
Virtual Sam's is extremely important to the Lensman series.
|
||
|
|
So yeah, I'm getting that.
|
||
|
|
Um, he, the, he's almost like straight up J Edgar Hoover.
|
||
|
|
Yeah.
|
||
|
|
Yeah, I'm trying not to spoil thanks.
|
||
|
|
Only without address.
|
||
|
|
Well, I guess, I mean, as he's portrayed in triplanetary, he's like straight up J Edgar Hoover.
|
||
|
|
Right, you can tell when the, um, this is hard to talk around.
|
||
|
|
There are certain criteria that are very important to what, um,
|
||
|
|
the Ariseans feel are, um, people who are worthy of helping them.
|
||
|
|
Um, Virtual Sam's meets all those criteria.
|
||
|
|
That's what they're looking for.
|
||
|
|
So it's, it's interesting that, yeah, I agree with you.
|
||
|
|
I think that like him making that call in that office is terrible and horrendous.
|
||
|
|
But, um, that's what they're looking for.
|
||
|
|
Yeah, I kind of got that. I mean, they're, they're, I kind of got that they,
|
||
|
|
they appreciate that quality that a person can wield that kind of power and yet control it.
|
||
|
|
Um, but the way the writer approached it really seemed more like
|
||
|
|
he was admirable the man who can wield that kind of power.
|
||
|
|
Um, there didn't seem to be much emphasis on the control at part, which wouldn't have made it much better.
|
||
|
|
But it was, um, it stood out for its absence, you know, it was, it was like, you know, it's standing
|
||
|
|
in the corner, Bueller, Bueller, self-control, self-control. It just, he didn't put a fine point on it,
|
||
|
|
stuck out. I'd be interested to see like how,
|
||
|
|
um, how popular these books are outside of America, because these books are very American,
|
||
|
|
like they are written for American sensibilities. Um, and I mean, it kind of makes sense the time
|
||
|
|
that like these were written. It was like, rah, rah, rah, America's invincible. We go over, we do
|
||
|
|
what we got to do, you know, um, so it was a different time. So I could see where that, like,
|
||
|
|
politically, I, I think people back then may have appreciated that kind of, just in general,
|
||
|
|
more than we do today. Yeah, it said whole attitudes of, well, we know what's best because,
|
||
|
|
well, because we're who we are. Marka.
|
||
|
|
Okay. Thank you for picking that up.
|
||
|
|
I'm not sure that that's any different, though, than how we as a society act today,
|
||
|
|
there are still groups that at least act like and get away with being completely above the
|
||
|
|
now side of the law. They're just a little subtle about that. We call those people assholes.
|
||
|
|
I ran into that a lot at my previous job. Guys who you just could not explain a situation to,
|
||
|
|
you know, like you just couldn't talk to them about what's going on in the Middle East because,
|
||
|
|
oh, dude, bomb them all. Don't worry about those people. You just,
|
||
|
|
I don't know, it's just not where I come from.
|
||
|
|
Isn't that how we get all that started in the first place? I'm just saying.
|
||
|
|
Yeah, well, there's no cure for it, except for more of it, I guess.
|
||
|
|
Well, violence is like XML. If it doesn't solve your problem, you're not using enough of it.
|
||
|
|
Usually I use that line in reverse because we're talking about XML, but it works just as well that way.
|
||
|
|
Yeah, it's truth.
|
||
|
|
All right, another parallel I got with much more modern fiction is the breeding program in this
|
||
|
|
and keeping the family lines separate until they were ready for the, you know, the penultimate
|
||
|
|
families to me was doing. These guys are trying to breed more deep.
|
||
|
|
Yes, that's essentially exactly what you're trying to do.
|
||
|
|
I totally missed that and that's funny because usually I think of
|
||
|
|
Dune as the source of being ripped off, not the destination.
|
||
|
|
Yeah, yeah, yeah. And totally the movie version of Dune, screw that book version.
|
||
|
|
You have a check.
|
||
|
|
You will repent for your sense there.
|
||
|
|
Actually, I really dig the David Lynch movie. I think it's awesome. It's just not the books.
|
||
|
|
But I will sit and watch the Dune movie anytime it's on TV. It's awesome.
|
||
|
|
It has staying a petrature hair. I mean, it's awesome.
|
||
|
|
I have seen it so many times because I cannot turn it off if it's on.
|
||
|
|
And like my brother and I were raised, we raised each other on that movie.
|
||
|
|
And I never read the books as a kid. So I only got the movie. And it's fantastic. And if you ask
|
||
|
|
anyone who ever didn't read the book, what they thought of the movie,
|
||
|
|
typically they like the movie if they can get over like the gross parts and the weird parts.
|
||
|
|
And isn't that the whole movie? Yes.
|
||
|
|
That's what makes it awesome.
|
||
|
|
See, I read the books and saw the 2000 movie. I think I saw the 1985 movie once and couldn't stand it.
|
||
|
|
Wow. I like the miniseries. It's good.
|
||
|
|
Yeah, but if you read the books first and especially if you read the books and then saw
|
||
|
|
the miniseries first, you wouldn't like it. However, if they had named it something else,
|
||
|
|
if they had named it a racus, or if they changed all the proper nouns to something else,
|
||
|
|
I bet you would have liked it. Except you would have said, hey, this is totally ripping off certain
|
||
|
|
parts of doing. Yes. But I say the same thing about a certain set of albums by a certain band.
|
||
|
|
Well, this is a great album. It's just not great as compared to the rest of the things that they've done.
|
||
|
|
I'm thinking about it. I think the first Blu-ray I ever bought was the David Lynch student movie.
|
||
|
|
Because I thought it would be awesome to see that in the high-deaf.
|
||
|
|
But if it was recorded in low-deaf and then you watch it in high-deaf, what happens there?
|
||
|
|
I believe it was re-done. It looks really good. There was some kind of jiggly-puggerated one on
|
||
|
|
the make it look good. Well, if it's on film, film is essentially high-deaf anyway. It's only ever
|
||
|
|
the conversion to video or to some digital format that brought it down to, you know,
|
||
|
|
brought the resolution down if they if they did it from the source film if they have it. No,
|
||
|
|
that's going to be high-deaf anyways, isn't it? Yes. I think actually the film goes past high-deaf.
|
||
|
|
I think it actually you can get a lot higher resolution if you want it.
|
||
|
|
Speaking of film, did you guys hear that they're filming the next James Bond movie on film?
|
||
|
|
Again, they're going away from digital. Yeah, well, that's because Sony taught them that it's
|
||
|
|
much easier to get all your movies stolen if they're undigital. Man, that's like the third
|
||
|
|
Sony jab this time. This is awesome. And that means we're showing restraint.
|
||
|
|
It's also the third really tremendous Sony break-in over just dumb security moves that I can
|
||
|
|
remember in the past 10 years or so. And okay, I have to rant a moment about Sony.
|
||
|
|
This is something that's really kind of stupid. Before you do, were you referring to the kinks
|
||
|
|
because Beverly, Beverly, no, and I Beverly, Muswell Hill Bill East was an awesome album. I
|
||
|
|
have to totally disagree with you if you're talking about the kinks. No, I was talking about the
|
||
|
|
new stuff from Metallica. Oh, hey Metallica. Sorry, carry on. Well, I'm sorry for you.
|
||
|
|
Where was I going? Rant against Sony. Yes, mildly technical rant. I'm a PlayStation 3 owner.
|
||
|
|
I use it primarily to watch Netflix, but I do also play some video games on it. The dumbest idea
|
||
|
|
ever is for them to use my sign-in to their network as the keychain for my sign-in to all the other
|
||
|
|
services I sign up for. Because when their network's down, that means I can't sign into anything.
|
||
|
|
Yeah, that's pretty dumb. I just won't forgive them for owning Spider-Man.
|
||
|
|
It's the worst idea in the history of really bad Sony ideas.
|
||
|
|
Well, wait, isn't that exactly what Google does?
|
||
|
|
But Google rarely goes down. Sony obviously has issues in that area.
|
||
|
|
Well, sure, you're complaining about the network model, not the uptime model. I mean,
|
||
|
|
yes, Google has six nines and Sony has three. So that's the part that sounds like what you're
|
||
|
|
upset about. But I guess when I go to a site and I sign in with Google, I've made that choice.
|
||
|
|
The only time I made a choice with the PlayStation was owning the PlayStation.
|
||
|
|
I've put in my credentials for other things, for Netflix, for YouTube, for Hulu, for Amazon.
|
||
|
|
But I can't use the accounts I've set up that aren't related to Sony at all unless I can sign
|
||
|
|
into the PlayStation network. So it's the difference is if I go to a site and I choose to sign up with
|
||
|
|
Google, that is me advocating that responsibility to Google because I chose to. This is them using
|
||
|
|
sign-in to their network as the keychain to get to all of my other credentials that I've already
|
||
|
|
put in, but they're locking through my sign-on to their network.
|
||
|
|
Well, okay, that's the AOL model and that worked pretty good for a while. You might be too
|
||
|
|
young to remember that. I remember all these funny coasters I got in the mail.
|
||
|
|
I remember collecting some of the tins that they sent out just because I figured I might have
|
||
|
|
a use for those someday and people were already well beyond the point of throwing all that shit
|
||
|
|
away. So I thought they might be a little collectible and I have no idea what happened to them.
|
||
|
|
Did you make a, um, would burner out of them or something?
|
||
|
|
No, they would make a decent alcohol stove though, um, methanol.
|
||
|
|
All right, my Sony ran so far. I just, that happened to me the other day and I was really pissed off.
|
||
|
|
Fair enough. So you probably would have hated AOL too then.
|
||
|
|
I didn't have to use it much except for the messenger, but even that was awful.
|
||
|
|
You know, I got the point. How's about the science in this book? Were you guys
|
||
|
|
able to just look past the huge flaws in basic engineering?
|
||
|
|
You mean like Fissionable Iron? No, I figured that was Magic Plot Bullets. I was okay with that. No,
|
||
|
|
I'd mean like all of the surrounding system, like all they had to do was get more power out of
|
||
|
|
the iron and then their shields got stronger. I mean their screens, sorry, not their shields.
|
||
|
|
Their screens got stronger and their rays got stronger. Like to say nothing about power
|
||
|
|
conductors, fuses, you know, any of that stuff. It just more power and also they were just able to
|
||
|
|
generate limitless power as if Fusion created electricity, not heat, you know.
|
||
|
|
Well, I think one of the other things is it's like how they were like, oh yeah, we just saw
|
||
|
|
this stuff that some aliens, you know, we just saw like 20 minutes ago, but we already got it ready
|
||
|
|
and it's bolted into the ship right ago. Like we're not going to test it. Let's just do it.
|
||
|
|
The turn around that thing was real quick. Yeah, it was. And how the spaceship broken space
|
||
|
|
and they're like, oh, we'll just build some new generators out here. How did nothing mind you?
|
||
|
|
They couldn't even land. They have a 3D printer. They'll be all right.
|
||
|
|
We have no material, no supplies, no spares, no back us, but we got electricians and engineers
|
||
|
|
and they're on the job. See, but I guess that's something that always bothered me again to the
|
||
|
|
Star Trek universe where they had the replicator, but they could never replicate anything useful.
|
||
|
|
If my ship's broken, I can't replicate parts for it, but dammit, I'll replicate me a sandwich.
|
||
|
|
Sandwiches are important, man. That's that's he's my favorite Earl.
|
||
|
|
If I could get my 3D printer printed sandwich, that would be pretty badass.
|
||
|
|
And he'd be the most disgusting sandwich ever. It would be like
|
||
|
|
Mars a pan and broad dough.
|
||
|
|
Never mind. I don't want one now.
|
||
|
|
Yeah. What could you shoot through that thing that would taste like anything?
|
||
|
|
And it would like the only flavor that it would have is, you know, maybe there's like a mixing
|
||
|
|
compartment where it would put, you know, like a the powdered noodles and noodles packet and just
|
||
|
|
I'm not. Yeah, I'm not looking forward to 3D printed food. I think that's the
|
||
|
|
that's the ultimate sign that that the middle class is dead and we're all just the bottom dwellers.
|
||
|
|
I don't know. I can't wait for lab ground meat. I think that'd be awesome.
|
||
|
|
I'm not with you on this one.
|
||
|
|
You can always grow the best steak. I have to worry if I get it. You just grow it.
|
||
|
|
Yeah, but, but, but feel is the best steak because of the mistreatment. That's what makes it so tasty.
|
||
|
|
So you mistreat cells instead?
|
||
|
|
Abuse. No, it's getting nothing to do with mystery. And you say that lab ground meat is going to be the
|
||
|
|
best thing ever. Try some first and then let us know how that how that goes for you.
|
||
|
|
Oh, I'm sure it tastes like snoburger right now, but I mean, look, look at there. I mean,
|
||
|
|
if we can make iron-fishing the bowl and we can fix our spaces,
|
||
|
|
when they break, we can make lab ground meat that tastes like meat.
|
||
|
|
Is allotropic a word? I'm going to look that up.
|
||
|
|
If not, he sure likes using it. And no, soylent is not something I'm going to try.
|
||
|
|
Thank you very much. I figured you could run the 3D printer.
|
||
|
|
Dude, I watched the documentary about that stuff and I was just like, nope. Oh, thank you. I like eating too much.
|
||
|
|
Yeah, everything you're right about is like, wow, I'm too busy to eat. I am never, never too busy to eat.
|
||
|
|
And everybody who says that is a giant tool.
|
||
|
|
Also, I like cooking and food and flavor too much to ever be too busy to eat.
|
||
|
|
My stomach is testament to this.
|
||
|
|
Allotrop is a word. It's when a chemical element can exist in two or more different forms,
|
||
|
|
such as how carbon can be a diamond or carbon-suit or graphite.
|
||
|
|
So basically, whenever it's liquid, he's calling it an allotropic, okay?
|
||
|
|
So regular iron is ice-9 and the other iron is like water.
|
||
|
|
But somehow, turning it liquid makes it red, too.
|
||
|
|
Yeah, as if it were molten that threw me off.
|
||
|
|
Science. Man, I can't believe I screwed up a ice-9 reference. That one could have won for the episode.
|
||
|
|
And for all your kids playing at home, if you don't get it and go look it up and you discover who
|
||
|
|
that's from, don't bother. God, I hate Kurt Vonnegut.
|
||
|
|
What? How do you hate Kurt Vonnegut?
|
||
|
|
It's garbage. It's all garbage. The only thing that that man has ever written that aren't garbage
|
||
|
|
are nonsense. Man, I thought we had something broken.
|
||
|
|
Oh, come on. Give me an example.
|
||
|
|
First of all, I'm over here being too young to understand the reference.
|
||
|
|
First you trash, dude. Now I'm up on it. What's going on, man?
|
||
|
|
Well, it's Star Wars. I don't like Star Wars.
|
||
|
|
Fair, fair enough. I mean, granted, there hasn't been much to sway you to want to like Star Wars
|
||
|
|
for like, you know, 20 years or so. So closer to 30, man.
|
||
|
|
Most of, most of the good things about Star Wars were over before I was born.
|
||
|
|
Sorry, man. Well, that's okay. My favorite album is Record of the Year I was born.
|
||
|
|
And I saw them live and they were all like old men and it was weird.
|
||
|
|
Open, make good music. There's plenty of old men that can make good music. There's Willie Nelson.
|
||
|
|
I think that we're going to have to admit that you and I have a different definition of good
|
||
|
|
music. I am not saying you're wrong. I'm simply saying you and I have very different definitions
|
||
|
|
of good music. Yeah. Yeah, that's true. And you know what? I have always said, and you know,
|
||
|
|
so I may be taking a hypocritical point here, but I have always said that, you know, just because
|
||
|
|
I like something doesn't mean it's any good. And just because something's good doesn't mean I have
|
||
|
|
to like it. I've always had odd tastes in music. Most of my favorite music this week, anyway,
|
||
|
|
involves either synthesizers or at least two bass pedals. Like I said, you may want to check
|
||
|
|
out Oingo Blingo on the gong show. Are there synthesizers involved? Not in that particular
|
||
|
|
performance, but as I said before, it's their defining moment for sure.
|
||
|
|
Everything that they did after that point was simply an attempt to synthesize that point. So,
|
||
|
|
yeah, you could dig it. Anyways, back at the book. Yeah, I was just trying to remember what else
|
||
|
|
I could talk about. I think I brought up all the things I had meant to bring up.
|
||
|
|
So, as people who have never read the books, how confusing was some of it? Like, did you feel like
|
||
|
|
there were parts missing that you didn't get? No, no, I don't think so. Like I said,
|
||
|
|
as someone who did read the book, there was that big part missing, but no, I don't think anything.
|
||
|
|
You mean, well, there was the kind of weird absence of the Martians and the notions that they
|
||
|
|
had mentioned, but only that one guy said one word. And I thought that was like, he could have
|
||
|
|
gone some neat places with that. Other than that, I don't know what you might be referring to.
|
||
|
|
I'm just curious because I mean, the reason I found this audiobook is I was just
|
||
|
|
like trolling around looking for something. And I was actually in the back of my head. I had
|
||
|
|
a couple of years ago went to one of the used bookstores and I found this really cool,
|
||
|
|
like two book giant, like real hardbound book, really nice books of the entire Lensman series
|
||
|
|
and like hardbound book. And I was like, man, I would really like to read those again,
|
||
|
|
but I don't have time to actually set how to read them. So I was like, well, these are old enough.
|
||
|
|
They're probably public domain. So I went looking for all of them. The only one I can find is
|
||
|
|
Triplanetary, which is sad. I wish the other ones were audiobooks. But just as somebody who has
|
||
|
|
read them and going back, I always wonder like, am I seeing things or understanding things because
|
||
|
|
I've read the other or are there things there? Because I mean, there are obvious things that set
|
||
|
|
up, but I don't think you have to know them. So it's just it's a curiosity thing on my part.
|
||
|
|
Because he obviously went back and rewrote it and knowing the connections that would have to
|
||
|
|
the later books. I don't know all the other words that just came from you. The only thing that
|
||
|
|
that I can relate to is at the end of the book where Virgil Sam's was like, oh, we need a new
|
||
|
|
sign. We need a new symbol. Something that can't be duplicated and can only be used by
|
||
|
|
by the Triplanetary people, which was obviously alluding to the lenses. And if you didn't know
|
||
|
|
there were future books, you might think that that were left unaddressed and not in a way that
|
||
|
|
seemed like it was setting you up for a sequel. Other than that, no, I'm not real sure.
|
||
|
|
If anything was was grigiously missing.
|
||
|
|
Cool. Just like I said, it was just curiosity on my part. I thought it ended really weird.
|
||
|
|
Like it almost seemed like it ended in the middle of a chapter.
|
||
|
|
Well, I think that's probably because that was the book it was serialized. It was like magazine
|
||
|
|
articles, kind of like the old amazing stories where actually that might be where it was published.
|
||
|
|
And like the whole my understanding is the whole back half of the book with
|
||
|
|
cost again and them and all that was already written. That's what was actually published.
|
||
|
|
It was the stuff before they got added on later.
|
||
|
|
Yeah, no, I just yeah, I know they're doing it again. It was that one line of hers like right
|
||
|
|
at the end where Cleo was just like, well, I don't think I'll ever get used to them.
|
||
|
|
And it just ended there. It was like, really, you're going to you're going to finish up
|
||
|
|
like an I love Lucy episode or something like, you know, a punchline without a joke.
|
||
|
|
I don't know. I didn't quite it didn't seem to fit or I didn't understand it maybe.
|
||
|
|
You mean you're going to end the novel on a vaguely bigoted comment? That's cool.
|
||
|
|
It's not the worst ending I've ever seen.
|
||
|
|
No, no, not at all.
|
||
|
|
No, I'm looking at you Neil Stevenson. I'm looking at you.
|
||
|
|
No, on the whole it was wrapped up nicely. All the bases seemed to have been covered. It just
|
||
|
|
was a strange line to end it on. He was getting paid by the word and he figured he had enough
|
||
|
|
to buy what he wanted. Okay. I don't know that for a fact. I just said that. Yes, I know. That's
|
||
|
|
obvious. Yeah, I don't know. It's a weird book that I don't think I'll ever get used to.
|
||
|
|
Well played, Sarah. Well played. Yeah, it'd be better if we just ended on that, but we can't. But
|
||
|
|
no, I again, you I think you hit it right on the head when you said it was, you know,
|
||
|
|
you were lukewarm on it and I'm lukewarm on the book. I did like it. It was worth reading. I'm
|
||
|
|
glad I invested the time in it. But more as a study of history than for its sheer entertainment value.
|
||
|
|
Anybody else final thoughts? I enjoyed it. I'm reading the rest of them, but I enjoy it because
|
||
|
|
it's nice to see where science fiction has come from. So it might not be me disagreeing with you.
|
||
|
|
Yeah, I think you have to I think reading it, you have to do some mental hand waving to make it
|
||
|
|
like cognitively jive. No, but I mean, like I really like the books. I think now this one,
|
||
|
|
like I said, triple and Terry, I think is the worst of all of them. I mean, it definitely feels like
|
||
|
|
a kind of a rushed throw together and bolted onto the beginning of the series to make some
|
||
|
|
characters later. I mean, they're really, I don't even think there was a reason, but that's
|
||
|
|
monetary. I mean, because you could completely not have those characters introduced in this book
|
||
|
|
and they work just as fine and the books afterwards. But if you dig it, go read the rest of them
|
||
|
|
because they get better and then they get worse again, like most series. But you know, it's everybody's
|
||
|
|
got a little different taste. Like I said, I'm kind of lukewarm on it myself.
|
||
|
|
If if all right, so that's interesting because X 1101 is reading the next book in the series and
|
||
|
|
you've already read the next books, would you recommend the next books in the series? And
|
||
|
|
if so, which it sounds like you would, but I'll let you answer. But if so,
|
||
|
|
assuming that the rest of the books are the yardstick by which this is measured, how many
|
||
|
|
feet and inches would you rate this book up against the others?
|
||
|
|
If the others are like a foot, like the best is a foot. This is my yard.
|
||
|
|
My yard. There are yard. We'll give you more increments from that. But whatever you like, use any
|
||
|
|
scale you like. No, we're going with the foot because I don't want a math. I get paid to math.
|
||
|
|
I don't want a math anymore. If the best book is a foot, this is maybe like four inches.
|
||
|
|
Like it's it's really it's a significant drop in quality.
|
||
|
|
Oh, okay. See, I was thinking I thought you might say seven inches or eight inches out of a foot.
|
||
|
|
The other ones are more put together than this. Like this feels like very collusion to me, like
|
||
|
|
this story. The other ones have more of a through line. Now, obviously, the other books are written
|
||
|
|
completely out of order. The next book in the series, First Lensman was written after
|
||
|
|
triplanetary was well, basically, it was written at the same time he wrote triplanetary.
|
||
|
|
So like, First Lensman wasn't even one of the original books. The third book was the first book.
|
||
|
|
So I mean, you can kind of tell too, like the quality kind of moves around a little bit.
|
||
|
|
You can kind of if you didn't know that they were not written in that order, you would tell
|
||
|
|
something was up. I don't think you could tell that they weren't written in order. But it's
|
||
|
|
interesting. I mean, there's there's enough in the books to you. One of them you will probably like.
|
||
|
|
What's a decent enough endorsement, I guess?
|
||
|
|
Like, I really like First Lensman. I think it's a good book. The next one. A lot of people don't,
|
||
|
|
because they're like, it was just bolted on, blah, blah, blah, blah. I think it's a good book. So
|
||
|
|
cool. All right. So do we have a book picked out for our next audio book club? If you guys don't
|
||
|
|
have any suggestions, I've got one that I think would be interesting. I think that's agreeable.
|
||
|
|
X-1-1-1, did you have a suggestion or anything? So I don't want a 70-weeks to tell this. I can wait.
|
||
|
|
Nope. All you. All right. Here's a book. I've been waiting to do. I've wanted to do it since
|
||
|
|
the audio book club started. But I felt like we needed to mature a little first in our
|
||
|
|
kind of our format, not as people. I think we're mature enough or immature enough to handle just
|
||
|
|
about anything that comes across. But I thought this one was a really good story, but it's a
|
||
|
|
tough list. And I'll tell you, going into it, the audio quality is really poor. And you really
|
||
|
|
have to concentrate on it to hear it and understand it. It's a totally foreign setting,
|
||
|
|
but I think that is part of what made the book so interesting and the story so interesting.
|
||
|
|
And it's, I'm dipping back in here to podiobooks.com. And this one is called City of Masks. And it says
|
||
|
|
it's by Mike Reeves, McMillan, and that's a hyphenated last name. And all I really want to say about
|
||
|
|
it because I think the conversation about it could be good. But all I want to say about it is
|
||
|
|
that I thought the story was really good. And the audio quality was really poor. And so I think
|
||
|
|
it's going to be a challenge to listen to because of the audio quality. But I think that the
|
||
|
|
story's worth it. And I'd love to hear what other people have to say about this one. And I don't
|
||
|
|
think a lot of people would get through it if it weren't a quote unquote assignment.
|
||
|
|
Sounds good. Yeah. Does it? No objections? All right. I can deal with some bad audio as long as it's a
|
||
|
|
good book. And, you know, that's just my opinion. Like I said about music, just because I like it,
|
||
|
|
doesn't mean it's good. I mean, I think it's good. But I'd love to hear what some other people
|
||
|
|
think about this one. Well, you don't like curve on it. So your judgment is a little suspect.
|
||
|
|
Fair enough. Fair enough. And I do like when you go boy and go.
|
||
|
|
But I like the Green Lantern movie. This is just going to be the episode of arguing about this.
|
||
|
|
Thanks everyone for listening. And thanks again to you guys for being here and being part of
|
||
|
|
the audiobook club. No, we're enjoyable as always. All right. Thanks everyone for listening.
|
||
|
|
Have a good night. Peace.
|
||
|
|
Poor knocking. And we're out.
|
||
|
|
You have been listening to Hacker Public Radio where Hacker Public Radio does our. We are a
|
||
|
|
community podcast network that releases shows every weekday Monday through Friday. Today's show,
|
||
|
|
like all our shows, was contributed by a HPR listener like yourself. If you ever consider
|
||
|
|
recording a podcast, then visit our website to find out how easy it really is. Hacker Public
|
||
|
|
Radio was founded by the digital dog pound and the economical computer club. HPR is funded by the
|
||
|
|
binary revolution at binref.com. All binref projects are proudly sponsored by linear pages.
|
||
|
|
From shared hosting to custom private clouds, go to lunarpages.com for all your hosting needs.
|
||
|
|
Unless otherwise stasis, today's show is released under a creative comments,
|
||
|
|
attribution, share in life. He does our own license.
|
||
|
|
You're just looking at the servers up. I totally host my server like a week and a half ago.
|
||
|
|
And I thought it was catastrophic. Oh, I feel very fortunate that the servers up. I'm very
|
||
|
|
grateful for sitting that up every time it's working. Regardless of what may or may not have happened
|
||
|
|
in my absence. That's actually the first thing that went through my head. It's nice to have
|
||
|
|
other people rely on your stuff. When I set up my server, I didn't know shit about doing server
|
||
|
|
so I was just like, I'm going to try this and just fumble around. I'm still in that space.
|
||
|
|
You know, every once in a while, I'll just make a stupid mistake. I made a stupid mistake.
|
||
|
|
The first thing that went through my head is I have to have this fixed by the next
|
||
|
|
audio book cover. We will have notes. The first rule of being a server admin Taj is before
|
||
|
|
you edit a config file, you back it up. It wasn't even a config file. So I wanted to try a Jitsi
|
||
|
|
meat, which is like hangouts, but you know, free and I own it. Yeah, yeah. I remember the
|
||
|
|
floss weekly about Jitsi and being a phone guy, I was kind of enamored with it.
|
||
|
|
Yes, it's like, it's like what, but free. I'm sorry. It was shifting my headphones just at the
|
||
|
|
wrong point. It's basically Google hangouts, but free and like you self-host it. So like a lot of
|
||
|
|
the stuff you can do with Google hangouts, like multiple people and record your desktop and
|
||
|
|
cheer your desktop and all that stuff you can do with it. So I was like, oh, I'm going to set this
|
||
|
|
up on my server. This is badass and I actually got it to work. But I didn't know what engine X was.
|
||
|
|
And so when it installed, I was like, okay, that's cool. And it's all well totally wiped out all my
|
||
|
|
patchy because I didn't know what it was. I didn't know that it would wipe out a patchy.
|
||
|
|
So I had to go back and it really wound up just being fixing config files. I mean, it wasn't that
|
||
|
|
hard, but like for a good day, I was just shitting my pants. So are you now on engine X?
|
||
|
|
No, it's still running Apache because I haven't, to be honest, I haven't figured it out and I
|
||
|
|
haven't had time to figure it out. Once I get sorted out, I want to get it running because it's
|
||
|
|
freaking cool. Yeah, you should be able to, you should be able to set them up to if you've got one
|
||
|
|
thing that needs Apache and one thing that needs engine X, you should be able to set them up to
|
||
|
|
listen on different ports. That's not a bad idea. I need to figure that out. I'm sure it's, well,
|
||
|
|
I know actually I do know how to do it on Apache because that's what happened to go back and change
|
||
|
|
to make it work. But I originally wanted to get it set up because I was like, this would be
|
||
|
|
something to cool with, do with the, if we do the RPG, like we could do use that to like share maps
|
||
|
|
and look at it and stuff. And so I was like, oh, this would be super cool to put on the server. So,
|
||
|
|
you know, I'll get it one of these days. Right now, grad school takes presidents.
|
||
|
|
You're still the coolest. That's awesome. No, why? Okay, isn't half the idea behind engine X to
|
||
|
|
not have to run Apache so that your CPU is less loaded and your RAM is, you know, the more free
|
||
|
|
RAM, I mean, I know the speed is the main thing, but isn't that a big part of it?
|
||
|
|
Engine X can also be a forward or reverse proxy. So you could set it in front of Apache for certain
|
||
|
|
things as well. It can do a caching proxy. It can do all kinds of stuff. Oh yeah, I heard about that
|
||
|
|
at a conference. I heard somebody explain in that where it can pretty much make everything think
|
||
|
|
that it's Apache until it can't be Apache and then forward it on. And it's, uh, and just,
|
||
|
|
lightens the load like system-wide, like massive, massive systems. It can just kind of trick
|
||
|
|
into thinking Apache's working here, just fine. It's really cool. See now, my best buddy, his,
|
||
|
|
like, his job is to manage Apache servers. And if you know what you're doing, it's,
|
||
|
|
Apache's not terrible. It just, there's a lot to it. And it's a dark art in and of itself.
|
||
|
|
Oh, I know Apache's not terrible. It's, it's one of the greatest things that's ever happened
|
||
|
|
on the planet. It's just engine X has some advantages for, you know, a guy who wants to run
|
||
|
|
a lightweight server. Yeah, there are some things that does faster, definitely.
|
||
|
|
The most comical part about it was I was trying to explain to my wife what happened. And, you know,
|
||
|
|
I, I never like said these things out loud. I think I said them in my head that never made sense.
|
||
|
|
And I was like, oh, well, my patchy got, you know, messed up because I installed engine X. She
|
||
|
|
just looks at me and she goes, that's racist. Engine X will serve your website up by any means
|
||
|
|
necessary. Nothing. Does it mean anything to anybody? I guess crickets from this end.
|
||
|
|
Crickets, crickets, crickets. I know as soon as you just say it, I'm going to be like,
|
||
|
|
oh, it was political. Malcolm X was, was by any means necessary.
|
||
|
|
Yeah, okay. I wouldn't put that together. Whereas Martin Luther King was, was, you know,
|
||
|
|
all for peace. Malcolm X preached by any means necessary. So yeah, that was bad.
|
||
|
|
See, I, I know this is a little terrible, but every time I think of Martin Luther King and Malcolm
|
||
|
|
X always see his machinito and professor X. Oh my god, this is true. I never thought of that.
|
||
|
|
That's brilliant. Oh, I know it. Somebody point is, okay, here's this superhero related thing.
|
||
|
|
We were talking about the wood gas stove. And I showed that to somebody. And he goes, hey,
|
||
|
|
that's just like Batman, where he makes a motorcycle in a car and takes a piece off of each and
|
||
|
|
gets a helmet out of it. No joke. I'm going to take that Martin Luther King Jr. and Malcolm X
|
||
|
|
thing. And the one of the social studies teachers at our school is, he's a total dork like me.
|
||
|
|
We hang out all the time. I'm going to tell him that. And I guarantee he shits his pants. He's
|
||
|
|
going to think that's the most awesome thing ever. I guess I don't know how it was. I've always
|
||
|
|
seen that metaphor there. I would not be surprised in any way to find out that, that those were
|
||
|
|
the actual influences for those two characters now that think about it. Yeah, I always
|
||
|
|
remember it was deliberate. No, I mean, it's perfect. I mean, it's, it's like literally exactly
|
||
|
|
the right thing. So I mean, yeah, it has to be that. I spent my Thanksgiving setting up mail.
|
||
|
|
But it was doing it for me. So it was more fun. But
|
||
|
|
I hate, I hate editing email at work. So what do I do? I set up my own mail server at home.
|
||
|
|
So yeah, I've always wanted to do that. So I could control my stuff because you know,
|
||
|
|
Gmail, whatever. But it's just such a pain in the ass. It's actually wasn't that bad. I mean,
|
||
|
|
my buddy's already got a VPS. That's the thing is you have to have a VPS for that because it's not
|
||
|
|
something you can self-host at home because unless you do like a business class line because to get
|
||
|
|
SMTP working, you have to have reverse DNS working. Well, not just that, but even once you
|
||
|
|
get it working, a lot of ISPs will just block your traffic because they'll see too much going
|
||
|
|
in out of port 25 and just think your spammer. Well, yeah, that too. But I was I was thinking to get
|
||
|
|
it up legitimately, you would need the DNS records because most real email providers,
|
||
|
|
you try and send somebody an email and you don't have reverse DNS set up, right? They'll be like,
|
||
|
|
ah, no. I think the next thing that I want to play with, and this is, you know, if I get some
|
||
|
|
free time, but something's really cool is port knocking. I'd like to try setting up like some
|
||
|
|
port knocking rules on my router. I have no idea what that is, but it sounds completely dirty.
|
||
|
|
Oh, yeah, baby. It's totally dirty. It's basically, you tell the router to not allow any incoming
|
||
|
|
traffic or, you know, on whatever ports, and then you set it up to listen, just like it always does,
|
||
|
|
and you ping certain ports in a certain order, a certain number of times, like
|
||
|
|
dialing a combination and the router will unlock a certain port for incoming traffic. So it's
|
||
|
|
like having a password over a port. So you would do that if you were trying to come in from the
|
||
|
|
outside. So it's sort of like a, like you said, like a combination lot. Yes, exactly. That's sweet.
|
||
|
|
Yeah, isn't it really neat? Integral told me about that years ago now, and I always thought
|
||
|
|
it was the coolest thing, and just figured it was like over my head, but I've learned enough
|
||
|
|
since then to think that I could probably handle that if, you know, if my router can handle it,
|
||
|
|
which I think it can, because I'm running tomato, but I think you'd probably handle it.
|
||
|
|
And then you just write a script for, you know, that knocks on the right ports, and you can only,
|
||
|
|
you know, give that script to the people who you want to have access to your server,
|
||
|
|
work through your router. I shouldn't have to be a server, I guess.
|
||
|
|
And does it actually have to be ICMP traffic, or is it going to just literally be an attempt
|
||
|
|
to connect into that port? That's the other question. Well, it's literally just a ping. You send
|
||
|
|
a series of pings to different, you know, you just send the command ping one time, this address,
|
||
|
|
this port, and then ping this time, this address, that port, and you have a combination setup.
|
||
|
|
I don't know how it probably doesn't have to be very long, but it could be, I would imagine,
|
||
|
|
and you just, you hit them in the right order, and, you know, within a certain time frame,
|
||
|
|
and it opens a port for your connection. But I don't know if it's how that works,
|
||
|
|
if it's timed out, or if it works until the port's broken, or if it's now open to everybody,
|
||
|
|
I don't know. That's interesting. I guess I didn't know you could ping to a specific port.
|
||
|
|
I think of ping as a protocol. Maybe I'm wrong. You probably know far more about this than I do,
|
||
|
|
so I will say I could easily be wrong in the way that I misunderstood it.
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But yeah, I think to ping a port, you just add the colon after the address, right?
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Todd, any idea?
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I have never tried it, so I don't know. Okay, maybe it seems like something that would maybe work.
|
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I do like the combination part of it, though. It just makes me want to just like start slamming
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on people's routers and trying to force ports to see what I can get it open up. I mean,
|
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it's so random because you'd have to know what port would open to even go in. I mean, it seems
|
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|
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fairly secure, but I guess if you could script it to where it would just randomly try everything
|
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|
|
very, very fast, it might be not the most secure thing in the world.
|
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|
|
Well, I don't, I mean, it has a layer of security. I don't think it's a very strong layer of
|
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|
|
security because if someone, like I'm in in the middle, could just see what you're doing,
|
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|
|
and then he's got it. But you know, other than that, I think it probably is pretty fair because
|
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|
|
what it, as I understand it, if I understand it correctly, what it protects you from is the random
|
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|
|
script kitty who's just scanning the network. Right, just the novelty of it. I mean, like the three
|
||
|
|
of us, you were the only one that had heard of it. So I mean, I think even if you were watching
|
||
|
|
the traffic, you'd probably be like, what the fuck's going on? Like, what's this guy doing this?
|
||
|
|
I mean, you might eventually figure it out, but I've heard of it. I've just never set it up.
|
||
|
|
Now we got to put a DM link in the show notes.
|
||
|
|
I've already put it in the chat. Yes, I know that's why I now know it has to go in the show notes.
|
||
|
|
So I'm assuming this is going to wind up being the end of the show.
|
||
|
|
Yeah, it's going to have to be now. This is cool stuff, especially when I make all those
|
||
|
|
pork knocking jokes in the middle of the review. Oh, I mean, they'll be retroactive by the time
|
||
|
|
this place. I know people will hear it and be like, there it is. I now know what it is.
|
||
|
|
It's a background in joke. It's a reverse background in joke because this part goes at the end of the
|
||
|
|
show. It's a recursive joke. That's what you get from a room full of gunudists.
|
||
|
|
Really, was that a bad joke? You didn't like that? I'd loved gunudists the first time I heard it.
|
||
|
|
It's better than some of the other ones I've heard. Yeah, well, that's what it was. I said free
|
||
|
|
tarred to somebody because I prefer gunudist. That's see, that would have been funny.
|
||
|
|
It was it was it wasn't it was Matt Lee actually. So it came from the perfect source.
|
||
|
|
Oh, he's hilarious. Yeah, he is. I like him. I have the neck beard to prove it.
|
||
|
|
Yes, I know. You could go as Matt Lee to a Halloween party.
|
||
|
|
And actually, Pokey, since the last time you saw me, I don't think I've had a haircut
|
||
|
|
and I haven't shaved an over a month. So I'm looking like a lumberjack here.
|
||
|
|
Well, you live in the right place for it and I don't blame you.
|
||
|
|
I may have the neck beard though. All the way down to the shirt collar gets a little itchy scratchy.
|
||
|
|
Yeah, I've never liked having a neck beard. It might be your wants to grow that way and it's a
|
||
|
|
constant battle to to stop it. So it's it's I can't do it with just a razor. I need clippers because
|
||
|
|
a razor can't keep ahead of it. I'm pretty sure if I started to grow a neck beard, my wife would
|
||
|
|
fix that solution problem mostly.
|
||
|
|
My wife's not fond of the neck part of the neck beard, but the beard part of it, I have actually
|
||
|
|
been forbidden from removing my beard. Yes, same here. It's my wife said the same thing. I'm not
|
||
|
|
allowed to shave now. See, Matt was the opposite for a long time. She said I couldn't have one. And
|
||
|
|
then so I had to go tea forever and I rocked that for all this worth. And then finally last year,
|
||
|
|
I was like, look, it's no shave November. I'm grown a beard. I don't care. It's it's for reason.
|
||
|
|
She's like, okay, then I grew it. She's like, okay, it's kind of nice, but you get to keep it
|
||
|
|
trimmed and clean. Yes, I did no shave November, but I started kind of in the middle of October and
|
||
|
|
I haven't stopped yet. See, I took it a different way. I took it to mean that my wife thinks I'm ugly
|
||
|
|
and I should cover up my face as much as I can. See, I have pictures of my wife and I actually
|
||
|
|
met in high school. And so we went to prom together and I have prom pictures of the two of us
|
||
|
|
still in my wallet. And at one point I showed them to some people I worked with and their first
|
||
|
|
response was, who is that with your wife? Nice. Because everybody cares for on a picture of
|
||
|
|
another man with their wife. Yes, exactly. I've got your beat. I met my wife in middle school. So
|
||
|
|
I met my first wife in high school. And now I didn't go so well longer. All right, you guys want
|
||
|
|
to start the show? Sure.
|