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Plaintext
183 lines
12 KiB
Plaintext
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Episode: 4400
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Title: HPR4400: Isaac Asimov: Other Asimov Novels of Interest
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Source: https://hub.hackerpublicradio.org/ccdn.php?filename=/eps/hpr4400/hpr4400.mp3
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Transcribed: 2025-10-26 00:15:43
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---
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This is Hacker Public Radio Episode 4400 for Friday the 13th of June 2025.
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Today's show is entitled, Isaac Esemov, Other Esemov Novels of Interest.
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It is part of the series science fiction and fantasy.
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It is hosted by Ahukar, and is about 15 minutes long.
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It carries a clean flag.
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The summary is, a look at three standalone novels from Esemov.
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Hello, this is Ahukar, welcoming you to Hacker Public Radio and another exciting episode
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in our science fiction and fantasy.
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And what I want to do this time is to basically wrap up the discussion of Esemov.
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He's one of the three major writers of what is called the Golden Age of Science
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Fiction, and we've spent some time looking at his work.
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But I'm going to wrap it up with this one, and then we'll move on to some other writers
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and other kinds of science fiction and things.
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So Asemov wrote a lot of novels that we've already discussed that were all brought together
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in this giant foundation slash robots universe.
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You know, he tied in the foundation series and the robot series with the novel Robots
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and Empire and made it all one big thing.
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And we've seen in the later foundation novels that the character of Ardennial Oliva continues
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throughout the series.
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So that's great, but he wrote a few things outside of all of that.
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And some of it are, I think, pretty interesting now.
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Now we're really only looking at the novels for adults here, okay?
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Now there's a juvenile series called Lucky Star.
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It's nothing special, and there are other authors who have done better juvenile novels
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to be very frank.
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That was not Asemov's strong suit.
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You know, if you're looking for someone who wrote really excellent juvenile novels, the
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master of that was Robert Heinlein, as far as the golden age is concerned, but what I
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want to do is take a look at three of Asemov's adult novels outside of the series.
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Now in foundation's edge, there is a hint that ties this novel end of eternity into the
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foundation universe.
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But you know, nothing in this novel supports that.
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And you know, I think we can very easily just kind of skip that and treat it as a standalone
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novel.
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It sometimes novelists have a bad habit late in life of trying to mess around with their
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own backstory.
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So the protagonist of End of Eternity is a fellow named Andrew Harlan, and he's a member
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of an organization called Eternity that exists outside of time and can travel up when and
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down when, in devices called kettles, and when they arrive, reenter time.
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They do this in order to police what happens and to promote human happiness by making small
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actions that cause what they call reality changes.
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But there are limits to where eternity can go.
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They cannot access anything prior to the 27th century, which is when the temporal field
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that supports eternity was created.
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And there are so-called hidden centuries that they cannot access.
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Now Andrew Harlan is sent to the 480 second century on a mission, and falls in love with
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someone there, a lady named Nois Lambend.
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When he realizes that the reality change will affect her century, he breaks the rules
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of eternity to take her out of her century and hide her within eternity, taking her to
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the empty sections of eternity that exist within the hidden centuries.
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Meanwhile, he is also teaching a new person, Brinsley Sheridan Cooper, all about the primitive
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times, ie everything from our day through the 27th century.
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He's been given this task because he's something of a nerd about all of that old history,
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but eventually starts to suspect that there is a reason for this assignment.
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He researches the temporal mathematics behind eternity, and starts to suspect that the
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inventor of the temporal field had to have had help from the future.
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This is confirmed by the management of eternity, and it becomes clear that Cooper is learning
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about primitive times, because they are sending him back to become the person who events
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the temporal field, thus keeping the circle intact.
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Harlan is starting to be a bit suspect to the management, so they lock the controls
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of the kettle used to send Cooper back in time, but Harlan breaks the controls and sends
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Cooper back to the 20th century instead of the 27th.
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But when eternity continues to exist, management decides that all is not lost and send Harlan
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to rescue him and bring him to the correct time, and he agrees, but only if he can bring
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noise with him.
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When they get there, he finds the crucial clue, an advertisement in a pulp magazine that
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contains a mushroom cloud, but the magazine was published several years before the first
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atomic bomb, so it has to come from Cooper.
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Just as in a side, mushroom clouds are not things that only happen with nuclear explosions.
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Any large explosion will do it, it's just that nuclear explosions tend to be large.
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But you can get enough TNT together, you can get a mushroom cloud as well, but aside
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from that, so he sees that clue, then Harlan confronts noise and says she had to come
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from the hidden centuries, and she admits to that, and then tells him that they had developed
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a different time travel technology, one which allowed them to see different futures.
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They found that in many of those futures, the human race went on to colonize the galaxy,
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but in every one where eternity arose, the race eventually died out never leaving Earth.
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By tweaking reality to make everyone happier, eternity had sapped the vigor of humanity.
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They decided it is better not to rescue Cooper, and in that moment, eternity disappears.
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Now, you can see a distinct thematic relationship here with the idea of the spacers in the robots
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series, whose reliance on robots to give them comfort also sapped them of vigor.
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I think this is a really fun novel, and worth a look.
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Now the next one is the gods themselves, and this was Asimov's first original work
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of fiction in 15 years, published in 1972, because in 1957, with the Sputnik, he stopped
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writing fiction, and devoted himself entirely to writing factual science.
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We had to turn out engineers and scientists, and regain the lead over those russkes and
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all of that.
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During that period, he did write the novelization for the movie Fantastic Voyage, no sense in
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talking about that.
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I mean, he just took their story and novelized it.
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In any event, his return to fiction in 1972 was welcomed, and this novel won both the
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Nebula Award and a Hugo Award.
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Now the difference between them is that Nebula Awards are voted on by writers, and the
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Hugo's are voted on by fans, but both are considered prestigious in the science fiction community.
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There's very interesting novel in three parts, each of which was first published as a story
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in a science fiction magazine before they were collected as a novel.
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Part one is set on the earth, and is entitled Against Stupidity.
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A scientist develops what comes to be called the pump, which exchanges tungsten 186 for
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plutonium 186 in a swap with a parallel universe.
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This yields a great deal of power.
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Then about 25 years later, another scientist figures out that the initiative for this
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exchange actually came from the parallel universe and invites a linguist to join him.
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They then inscribed symbols on strips of tungsten 186 and develop a method of communication
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across these universes.
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Meanwhile, they work out that the process used by the pump is changing the strong nuclear
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force in the sun, making it likely to explode, and making the corresponding sun in the
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parallel universe grow colder and dimmer.
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They cannot get anyone to believe them, though.
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Kind of like how difficult it is at first to get people to believe global warning.
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That is changing, but it's still struggle sometimes.
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So they beg the people in the parallel universe to stop, but it turns out they have been
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conversing with dissidents there who cannot stop it, and they beg the earth people to stop.
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Part two is set in the parallel universe and is entitled to gods themselves, and it may
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be the most creative storytelling, as Amath has ever done.
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First the physical laws of this universe are different from ours, and because this section
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is from the viewpoint of the natives of this universe, they take for granted things that
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would make us go, huh?
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Next, the inhabitants of this parallel universe, or at least the ones we're dealing with in
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this novel, have three sexes, and each chapter in this section has three subsections.
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And each from the viewpoint of a character within a triad, which is their equivalent
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of a married couple.
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As Amath later pointed out that some people had criticized him for writing novels that
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contained virtually no sex, and this section of the novel, he really goes at it.
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Only it's weird alien sex.
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I would say that the entire novel is worth reading just for this section, to see how
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a master can handle truly alien topics.
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Part three is set in the moon, back in our universe, and is entitled to contend in vain.
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Some other people have worked out what the pump is doing to our son.
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Lunar society has diverged from earth society in interesting ways, and they continue researching
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the pump and discover a third universe that is in a pre-big bang stage, which they call
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the cosmic egg, or cosmic, for short.
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It is exactly the opposite properties to that of the triad universe, and they work out
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a way to balance things between the three universes so that disasters avoid it.
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Now, if you put the titles of these three sections together, you get a quote from Friedrich
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Schiller, against stupidity the gods themselves contend in vain.
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And as a matter of several places, as I said, that this novel was his favorite of all of
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his novels and his best writing, and I'm going to agree with that.
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I think it is fantastic, if you've never read it, you really owe it to yourself.
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Now the last one is a novel called Nemesis.
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This is loosely tied to the foundation universe by a reference in the novel Forward the Foundation
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by Harry Seldon, about a 20,000 year old story.
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The background of the story does not need anything from the foundation universe, however.
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It is known that over the millions of years of the Solar System's history, the Orte-Cloud
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periodically gets disturbed, and comets rain down.
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One hypothesized cause of this has been called Nemesis, a dim companion.
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In this novel, it is a red dwarf star that is simply passing by, but it has given the
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name Nemesis due to the theory on comet disturbances, and it definitely has the potential to
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destabilize the Solar System.
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A recently discovered technology provides advanced propulsion at a significant fraction of light
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speed.
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So a space colony was moved to the system where it took up a position around the moon
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of a gas giant, which is a planet like Jupiter, that was orbiting the star.
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The moon was called Errithro, due to the red light illuminating it.
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To eventually discover that the bacterial life on this moon is actually a giant organism
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capable of telepathy, which is reminiscent in some ways of Gaia from the foundation universe.
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This presents them with a problem, since this is the first other star system Earth people
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have visited.
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Should they colonize Errithro?
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Or instead look to the asteroid belts of the Nemesis system.
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But then another breakthrough on Earth develops faster than light drives, and now the whole
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galaxy is open to colonization.
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Now, I would say this is an average Asimov novel, but that means it's pretty good, because
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you know, average for Asimov is better than 90% of the people out there.
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And with this, we have concluded our look at the worlds of Isaac Asimov, the first of
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the big three of the Golden Age.
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I think what I want to do next is take a look at Arthur C. Clarke, and some of his classics.
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So this is a hookah for Hacker Public Radio, signing off, and is always encouraging you
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to support free software.
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Bye bye.
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You have been listening to Hacker Public Radio, and Hacker Public Radio does a walk.
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Today's show was contributed by a HBR listener like yourself, if you ever thought
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of a quick podcast, you click on our contribute link to find out how easy it really is.
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Hosting for HBR has been kindly provided by an onsthost.com, the internet archive and
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our syncs.net.
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On the Sadois status, today's show is released under Creative Commons, Attribution 4.0 International
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License.
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