657 lines
54 KiB
Plaintext
657 lines
54 KiB
Plaintext
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Episode: 18
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Title: HPR0018: An Interview with Ed Piskor
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Source: https://hub.hackerpublicradio.org/ccdn.php?filename=/eps/hpr0018/hpr0018.mp3
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Transcribed: 2025-10-07 10:23:46
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---
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So
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Hello everybody and welcome to Hacker Public Radio, the suspect dog with you on this
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episode.
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And today we actually have a very special guest on the show, somebody who, if you read
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the banner at forums, you might have seen him enter recently and talk about a project
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that he's working on, Ed Piscore is joining the show with today.
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And we're going to talk about his latest book, his latest graphic novel called Lizzy Wig,
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the One Freak, which is a graphic novel about, well actually I guess we'll go into what
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it's about in a few seconds, but first of all, Ed, thank you for being on the show.
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Thanks for having me, thanks, real good to talk to you, Ed.
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Alright, so, first impressions of the book, alright, you ready for this?
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I'm here.
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Alright, so, first of all, thank you for sending me the copy, I appreciate it.
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It was weird, first of all, there's a weird backstory here that you and I know that I guess
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we could share is I was traveling a lot during this, when you sent me this book and I
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wasn't able to get my hands on it, I was looking forward to reading it through the holidays,
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I came back and I couldn't get into my PO box because I really wanted to read this
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on the flight I had coming up, I flew out to San Diego, shots just to Sevant and the
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guys out in San Diego, generic, and I was looking forward to reading it on the plane, however,
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the post office was closed because it was the 31st and the first for the only two days
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that I was home, so when I tried to go was a Sunday and a holiday, so I couldn't get
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the stupid thing, so I didn't get the reading on the plane, but I did get it when I got
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back, and very excited, the first thing I did was flip the book over, first of all, let's
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talk the size of the book, now what are the dimensions here?
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It's like a seven and a half inch square, so seven and a half inches all around.
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Perfect square, so first thing I did, I picked up the book, nice glossy cover, I was
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impressed that I wasn't sure what to expect if this was going to be stapled together quite
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honestly, I wasn't expecting this, it came in great shape, I'm very impressed, it's bound
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very well, I'm a little bit anal about my books too, I'm one of those guys that
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I can't stand people who bend the front cover back around the book while they're reading
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it, oh man that bug's that army for some reason, that's a book, I know what you're talking
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about man, I know what you're talking about, I hate where people fit in front of me and
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they take a look at my club, they can then just manipulate it all weird and roll it up
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and put it in their pocket and it just makes you want to cry man, it worked hard on this
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stuff, you know?
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That's a book man, you can't do that, that's like, I don't know, sacrilege or something,
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I just can't do that to books and anyway, so mine is still even though I've read the whole
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thing, the spine is still perfect, no cracks, no creases, so I will keep it in that condition
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I hope, so the first thing I did I felt, pick it up my hands, I was impressed, it was
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good binding, I was surprised at that, so if anybody's wondering about ordering something
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online like that and wondering how it comes, it does come just you could buy this off
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the shelf in any bookstore, and actually is this available in bookstores at all or is
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it only online?
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No, just distributing it myself, right, like with you, if you get in touch with a distributor
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to pick up your stuff I mean, they just, like you end up losing money just by shipping
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it to them and stuff like that, so I'm just handling it on my own.
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Exactly, we found the same exact thing with our magazine, you have to front all the
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shipping to get it to them and then there's such a delay in getting the sales numbers
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back and getting paid for it, and then whatever they don't sell they don't pay you for, and
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it's such, it's so hard to get into that market or into that distribution line, so I totally
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understand what you're saying.
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Yeah, in comics there's a monopoly, when it comes to distribution, this company called
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Diamond, and since they're a monopoly, they can command that you give them, I think
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it's 60% off to carry the book, and I mean, with each copy you're losing a lot of money,
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that's crazy, so I think my audience is extravagant enough to find the book in the internet
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the perfect way of distribution, but people talk about it, if they want it they'll find
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it.
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And that's the same thing with us, but also to throw in there, this is something that
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the printed medium is, I love the printed medium, there's other ways of distributing online
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and stuff, but I like the printed medium, it's somethings are just designed to work well
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for it, and I think this is one of them.
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There's a whole movement of web comics out there, and I don't know, there's just something
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about looking at a screen, I like something tangible that you can kick back on the couch
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and just, you know, step away from the computer for a second and, like, decompress.
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Yeah, and they're out in a recliner or something.
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Some things work better online, some things work better printed, it's just the nature
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of it, and I think this is definitely something, I don't think I would like reading this online
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as much as I do, having it printed.
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So yeah, I saw the same way in there.
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Yeah, so I think it also, first of all, I'm impressed with the printing and the way
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this thing is put together, that I wasn't expecting, so that ended up being pretty good.
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I didn't know if you were going to staple this out of your house and send it to me or what.
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So nice glossy cover, nice thick card stock cover, and even the interior paper, see,
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there's a lot in your artistic style, and we probably will come back to this later,
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but in your artistic style, there's a lot of shading and colors, and you're not afraid
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to make dark backgrounds and shadows and things like that to help offset it.
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So nice thick paper inside, so it doesn't lead through to the other side, which is very
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in something that I learned in doing the magazine that you have to be careful with.
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Yeah, absolutely.
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Now, here's the first thing that made me say, uh-oh, wait a minute, flip it over to the back,
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and on the back cover is a big, free, Kevin's thumper sticker, basically.
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And I immediately thought to myself, oh no, this is going to be the Kevin Mittening story
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again, we're going to hear the poor Kevin, Kevin got this, Kevin got that.
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Well, and I began flipping through the pages.
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First of all, the artwork was very interesting, and again, wasn't sure what to expect.
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So I flipped through it, of course, it immediately looked interesting.
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I'm going to go back to the page, you want to start reading.
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First of all, thanks for the introduction, nice first page, you sent me.
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I appreciate that.
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Started reading it immediately, and I was kind of half reading it to be honest,
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sitting in front of the TV, I just got home, I was trying to watch the news,
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and picked this up and half reading it, and I found it about four pages into it.
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I had to turn the TV off and concentrate on the book.
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So you did a good job of engaging me within the first few pages.
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And that's a big obstacle.
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Yeah, that's a big obstacle overcome, I think, in most readers.
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Americans sadly have a short attention span.
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I don't think I'm as bad as most, but I guess I probably have my moments.
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And first page, of course, the title, the first frame says,
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The Mythology of Boynthump, aka Kevin Fennical Jr.
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So there's the Kevin from the back.
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So it obviously does have some relation to the free Kevin movement,
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for obvious reasons, but this is not a book,
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true or false, this is not a book about Kevin Midnick.
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Yeah, it's definitely not a book about Kevin Midnick per se, though.
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Somebody who knows the story of Midnick might recognize some scenarios and situations
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that this character gets himself into every now and again.
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Right, now is there, okay?
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First of all, Kevin is good because,
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not only you got Kevin Midnick, Kevin Poulson, you've got just the name Kevin,
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for I don't know, weird reason seems like after name, because of them,
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I guess because of some of the big names historically.
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Is there any other significance to the Kevin J. Fennical Jr?
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They're kind of, it doesn't have much to do with actor lore, so much as it does,
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so much as it has to do with just my personal life.
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I have a friend named Kevin.
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He's in the computers, and he's very tech savvy.
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His name is Kevin.
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And the last name that you don't need to know.
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And I worked with the guy in this real shitty call center here in Pittsburgh.
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And the people were so in that that in the computer system where they sort of
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had his name stored, they misspelled it.
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They called him Kevin Fennical, so he was so pissed off about that.
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And whenever I would call him Kevin Fennical,
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he would screw up my name and we would just like make fun of each other
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with calling each other retarded names and stuff.
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Yeah, that's a great story.
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It's just my way to get people to say Kevin Fennical over public airway and anywhere else.
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One day we're going to cross in real life at a con or something like that.
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You've got a point to him and I'll walk up and say, hey, you're Kevin Fennical.
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Easy to do, man.
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The point's up monitor.
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Well, I was going to bring that up later in the show when I started breaking it down.
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But yeah, the point's thump, first of all Michael, that's kind of unique.
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I've never heard that.
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It's a very, it's very onomatopoeia.
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It's kind of like a point thump.
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And then as I started reading, it actually some page 23.
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I'm flipping to it right now.
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Where in the book, there's a backstory of how he picked up the handle.
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And I didn't get it.
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I'm like, wait a minute.
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That's, I don't get the punchline of this joke on page 23.
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I'm like, well, I'm not quite getting that one.
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You know, it's probably, it's probably a little bit inside.
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And in the book, I just kind of chalked it up just a stoner humor.
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I'm like, this guy's just stoned because I don't get that at all.
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I'm not sure what that's about.
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So, but anyway, okay.
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So again, I'm worried that this is going to be another free Kevin book.
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Or is he either going to be about Kevin?
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And he's the main character, Kevin Mittnik, that is, which is not true.
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Or it's going to be a book where the main character worships Kevin Mittnik.
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It's going to tell us about all the injustices and stuff against Kevin Mittnik.
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Now, not to dismiss them or put them down, it's just been done to death.
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So, I was happy to read a few pages in that that is absolutely clearly not the case here.
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Like I said, you did reference some things, some stories that may be tighter, some,
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what is urban legends or myths or whatever you want to call it that may or may not have
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been attributed to Kevin or other people in there.
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You did a good job of mixing some real stories or, I guess, is that a,
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is that not to be more on real stories?
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Real, no, I guess there are real stories and some mythology and some,
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I heard that he could do this and I heard he could, there was a reference in here about
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whistling into the phone, you know, which was the point.
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Yeah, that was one that's been told.
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There were references like that in there.
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Well, actually, let's back up and kind of go through the book.
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But back to the opening of the book, the introduction here is,
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you've got to main character that we've immediately realized is not Kevin Mittnik,
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because you say Kevin Fennicle's doing it on the first panel.
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And then like the first two or three pages are, I don't know what I call an interview pages,
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basically people saying, oh, yeah, I know that guy.
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This is what he's like.
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And you get all these different viewpoints from all these different types of people.
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And it, they're so varied that it is exactly like some of the myths and stories that
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get spread around.
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You know, people from the old, there's probably so many people that have said so many stories
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about all these old hackers and probably only certain percentage of them are true.
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Some of them are true that no one's ever thought were true.
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I mean, it's good that you're creating a mythology off the character to start with.
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Even though he's completely fictional, you're creating a mythology,
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so it's kind of accurate.
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And then, yeah, and then by page 12, this is where you really get to the narrative, I guess,
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of the story, your main plot device, I guess would be Winston Smith as the name of the character
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on a radio show called Off the Rocker.
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Now, I do think that majority of our listeners,
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the majority of our hacker listeners, will realize that that's a playoff of Off the Hook,
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the TV show out of New York, 2600 radio show Off the Hook, and or Off the Wall, both shows
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from Emanuel Goldstein.
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And there's also a double reference there because Winston Smith and Emanuel Goldstein
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both characters from 1984 by George Orwell.
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Right.
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So a lot of well-read hackers would have gotten that.
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Quite a few probably didn't, to be honest.
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I think so many of the forums didn't get the reference.
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And I explained who Winston Smith.
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Because I think they asked when you put up the sample pages on there.
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And I had to say, right, man, that's 1984, man, you got to respect George Orwell here.
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I guess I'm not that clever, man.
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The narrator here, and it's not throughout the entire thing,
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but he comes in when it's necessary to further the plot and to fill in some gaps
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of the story, is Winston Smith hosting a radio show going out of the airways talking about
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Kevin, aka Boinkthump here, in the present day, a radio show that you're listening to,
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while the rest of the book is kind of talking about a young Boinkthump growing up,
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and even getting the handle by, like I said, this early is page 23, was it, I said earlier?
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Yeah, yeah, and we're on.
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Yeah, so it's the story that you're watching the main character is when he was younger,
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but every once in a while you'll come in with a, I don't know, a flash forward or a present day
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narrative explaining what's going on to the main character as, I guess, I can't say real life,
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but in the now.
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Right, so in the present time context of the story, I guess.
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There you go, see, you tell it better, I can't think of the proper term, the words here,
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but the majority of it is following the adventures of this young guy.
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First of all, okay, so the name we talked about, the other thing I got to ask you,
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the other thing that jumps out of me within a couple of pages, and even on the cover,
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but what I once I started reading is I suddenly found myself going, damn, homeboy has got a
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throw, man, dude, it's got some hair. This guy has got a hair, I mean, that's, that is some hair,
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man. That's like, you know, it's almost like a trademark of the character, I mean,
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at first I'm like, man, what is this dude doing with the hair, and then kind of towards the end,
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it's like, it fits him, it's like, it worked.
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You know what I sort of lifted that from, was this kind of legendary picture of Kevin
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Poulson, where he's sitting on, he's sitting on this table, and there are like a million rotary
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phones all around him, and some like old payphones around him in the picture. He's got like this
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mad 80s hair, man. I had to exaggerate a little bit for my own use, but that was kind of the
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inspiration and just that ugly as 1970s 80s hairstyle. Exactly, exactly. And you know, that's
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another thing, I guess we can talk about now too, is that you did a good job in keeping everything
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in the proper timeframe. Like one thing I do is I'm a very critical reader for loop holes and
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mistakes and things like that. You know, I'm the guy that watches a movie and says, dude, there's no
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way he can do that with a cell phone because they hadn't invented that technology yet. I'm that guy.
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So when I read this and I was looking for stuff like that, not because I wanted to pick it apart,
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but just because it's what I do, and I got to say I didn't find a single one. I didn't find anything.
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I was even looking at silly stuff, but you're going to laugh at this, but this is again, I guess
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me being a weird hacker or just a weird nerd in general, but even like some of the background scenes,
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you would have a car and I'm thinking, okay, what year was that model car started because I don't
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know if it was invented yet. Like little weird stuff like that I look for. I couldn't catch anything
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in the head book, so you should feel very proud of that. Thanks a lot, man. Like I did a lot of
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research to try to make it as accurate as time as possible, but also to tell you the truth,
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you know, when you're dealing with the highest form of technology that we're really playing around
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with in this issue is a telephone, then you're not going to see too many discrepancies when it comes to
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when it comes to different models or something like that. Like when we start getting into computers,
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that's probably where I'm going to get an email from you telling me how I screwed up for something like that.
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Well, and actually I admit I'm not a big phone freak. I've learned a whole lot from the guys in
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the forums, all of them in dual parallel and blackgrass and all those guys, but I am not a phone
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freak, but I do know that a lot of our listeners will be able to identify and tell you,
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I can't tell you what model phone this is that you use. I don't know if you use,
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did you go to a phone booth and use it as a reference so that you drew it to make it
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match a certain type of pay phone because there are guys, there are phone freaks out there that
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can tell you, oh, the phone that you drew in this picture, what didn't come in to play until 1994
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or something. So you may still get caught, it's just I didn't get you on that one. I don't know what
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phone you use. Did you go to a pay phone for reference? No, I'm just using Google image search,
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man. It's like a cartoonist's best friend when it comes to that sort of thing, but I'm not going
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to point it out, so I should shoot myself in the flip, but there's a phone or two in there
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that I really screwed up on and you know, it was only upon refreshing that I'm like,
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what year is this story taking place? And I'm like, oh, damn it, I screwed up.
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Well, I didn't want to point it out. Some of the phone freaks might. On the front cover,
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the one that that that he's looking at the front cover has a rotary dial on it.
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Right. Whereas all the rest interior have the touchstones.
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Well, see, you pointed it out. Like, the, the, well, not all of them. Yeah, I'm stuck in there when
|
||
|
|
it has, it has the touchstones and I'm pretty, well, put it this way. If they were around,
|
||
|
|
that's not what I wanted. You know, I just screwed up, but if you look further,
|
||
|
|
I do see it into the book like, can you see a paper? They all have the rotary.
|
||
|
|
Yeah, exactly. I'm looking at the one with the two steves and they are using one of the
|
||
|
|
paper and it has rotary. That you got me then. Ah, there we go. Well, that's minor though. You can,
|
||
|
|
that's not necessarily bad. I mean, that's just like my anal retentiveness, but that doesn't,
|
||
|
|
I don't think that's that's minor. If anything, that just varies the art to make it different.
|
||
|
|
I mean, that's an artistic choice. That's no big deal either.
|
||
|
|
I'm the same kind of way though. I'm very analytical and, you know, I've, I, we're sort of
|
||
|
|
kindred spirits in this way, man, and, and, you know, I try to be a stickler for decals. So,
|
||
|
|
I consider that little section just like a wad.
|
||
|
|
All right, so let's see. So as we go throughout the story, now, I don't want to give away the
|
||
|
|
complete story or anything, but the, the short version as we follow the life of
|
||
|
|
Kevin, aka, Wayne Sump, throughout his younger years, mostly messing with the phone system,
|
||
|
|
but there's a lot of other things. There's some dumpster diving in there. There is some
|
||
|
|
block picking. There's a lot of other things and they're not forced. They're very natural.
|
||
|
|
There's some other hacker references worth mentioning in here. Like, okay, we mentioned
|
||
|
|
free cabin earlier, and there's a lot of Midnick references scattered throughout, like some of
|
||
|
|
the things that he did or allegedly did, et cetera, that our main character here does something
|
||
|
|
very similar or the exact same thing from some of those stories. He's not Kevin Midnick, but
|
||
|
|
parts of him are in there. He's, again, an amalgam of lots of different characters.
|
||
|
|
All right, there's, there's some red boxing on these pay phones. There's quite a few
|
||
|
|
pay phones in here, so definitely a fitting title for a volume one being freak.
|
||
|
|
Red boxing, there's a mention of whistling into the phone, and our main character here has
|
||
|
|
perfect pitch. Now, I don't think Kevin's ever been accused of that, but certainly that comes from
|
||
|
|
joybubbles, right? That's where that narrates. So it's for our main character, and you don't
|
||
|
|
specifically say that, but again, hackers who know some of the history, and I don't know that a lot
|
||
|
|
of them do, would recognize that, and there's one scene where he's reading a magazine, and I think
|
||
|
|
you do put a little note to say that it's October 1971 Esquire magazine. Now, that is a very obscure
|
||
|
|
reference. Let me give you big kudos for that. That's a very obscure reference that I don't think,
|
||
|
|
I think 99% of hackers do not realize, because it's Esquire magazine. What hacker reads Esquire
|
||
|
|
magazine, but that particular issue, October 1971, of Esquire magazine, had an article on
|
||
|
|
phone freaking, and it was Captain Crunch and Joy Bubbles, aka Joe and Grecia, and there was an
|
||
|
|
article about red boxing and phone freaking in general, and stuff, and about those two guys,
|
||
|
|
mostly, and most people probably don't even realize that. That was 1971,
|
||
|
|
2600 magazine came about 1984. This is 1971, October 1971, so just to put some perspective
|
||
|
|
in some date. Look how long ago that was, so that is a very cool reference that you put in there,
|
||
|
|
and if I can take a moment, I don't want to get corny or have a weird moment of silence or
|
||
|
|
anything, but, you know, Joy Bubbles, Joe and Grecia just passed away last year, founder of the
|
||
|
|
Church of eternal childhood. So, Joy Bubbles, you will be missed from the community for sure.
|
||
|
|
And didn't you tell you had some connection to Joy Bubbles, you get knowledge from up there?
|
||
|
|
Yeah, I, you know, just with the whole thing where he sort of reverted back to childhood,
|
||
|
|
or whatever, he was a big fan of his Roger's neighborhood, and his Roger's neighborhood,
|
||
|
|
was shot here in Pittsburgh. When Mr. Roger's died, Joy Bubbles took a silver mish,
|
||
|
|
come here in Pittsburgh, because all of the shows are archived at the Pittsburgh Library,
|
||
|
|
and so he spent days listening to everything he'll show, and then he just traveled back home
|
||
|
|
to, uh, without the rest of his days. Yeah, he was an interesting character. He's an interesting guy
|
||
|
|
who loved life so much. He, he would always tell people that he was five years old.
|
||
|
|
He got to a point in his life, and he said, I'm five years old, and the next year, he's still five
|
||
|
|
years old. He'd stopped aging. He was just, I'm five years old. I'm going to keep that mindset of
|
||
|
|
enjoying life and having Joy for life, and he even legally changed his name to Joy Bubbles.
|
||
|
|
So he wouldn't even his name was a hack, because, uh, I guess in the phone book, they,
|
||
|
|
they require you to have two names for him to go along with your sub number.
|
||
|
|
So his name is Joy Bubbles, and that was it. So he was able to, uh, manipulate them in that way,
|
||
|
|
and, uh, he was also able to, like, if you, if you booked up bubbles, like, if you missed it,
|
||
|
|
it mistook his name for being his first name, Joy last name, Bubbles.
|
||
|
|
But you take a look at Bubbles, and it would say, he Joy Bubbles in parentheses,
|
||
|
|
in his local phone book. Wow, I did not know that. That is awesome.
|
||
|
|
I know what, there's this, this is great interview. Uh, it's, it's on off the
|
||
|
|
look where his name was high-rise Joe at the time, and, and, uh, he's just going through a bunch
|
||
|
|
of trick. You, you really, like, can feel his enthusiasm just coming through the speakers
|
||
|
|
when he's talking about phones and stuff like that. He, he talks about things like that.
|
||
|
|
That's good stuff. I, I did not know that. I picked up something new again.
|
||
|
|
Um, there's also a reference in here to the two Steve's, Steve Jobs and Steve Wozniak,
|
||
|
|
their side characters in your, and your book here as well. And I like the way that you kind of
|
||
|
|
mix them into Kevin's story. I word it that way, because it is Kevin's story. Um, mixed them
|
||
|
|
into it in passing. Like, I have this kind of anonymous run-in, if you will. And actually,
|
||
|
|
Kevin kind of honed them in this thing. I won't give, I give that away completely, but that was kind
|
||
|
|
of neat that they just crossed through. Again, I, it's kind of like, um, it, it's a tough tight
|
||
|
|
rope to walk, to be honest, where you're not making all of these historical figures characters
|
||
|
|
in your book, where he just like, you know, I think we said it earlier, the forest gump,
|
||
|
|
where you just have him meet every famous person, and that's the story. That would not be as good,
|
||
|
|
I don't think. I think it's much better that you incorporated different parts of historical
|
||
|
|
figures and hacking to your fictional characters. Sometimes it's the main character. Sometimes
|
||
|
|
it's his friend. Sometimes it's people that just happen to come through his life for a
|
||
|
|
one small moment in time. This is like the knowledgeable reader would, would pick up that,
|
||
|
|
that it's Steve Jobs and Wazniak with, you know, sewing blue boxes or whatever, but I never
|
||
|
|
mentioned them really, uh, using their last names or anything like that. I just,
|
||
|
|
there's two characters named Steve. And, uh, you know, so it's just, I like to put little things in
|
||
|
|
there, um, that, that, uh, that people might pick up on and, and feel sort of, uh,
|
||
|
|
just feel sort of like, you know, they're inside baseball or something like that. We're,
|
||
|
|
where they're just like, I get this, but you probably don't or something like that.
|
||
|
|
And it's good too, because if you don't get that reference, it doesn't hurt the story. I mean,
|
||
|
|
it's two guys that interacts with it. Still further supply. But if you do get some of the,
|
||
|
|
it's like, like we kind of talked about earlier about your, your friend's name. It's kind of
|
||
|
|
in jokes, you know, it's inside jokes. So if you get those, you get that much more enjoyment out of
|
||
|
|
it. But it's certainly, even if you don't get it, you can still read it and it's still further
|
||
|
|
supply and it still works as a great story. So it's those little in jokes, which are great. And
|
||
|
|
even in that scene too, it kind of, I kind of felt like there was a little Bernie S in that part,
|
||
|
|
as far as the selling the red boxes or whatever out of the trunk of the car, selling tone dollars
|
||
|
|
or red boxes, I think they're out of the trunk. So again, without ruining that little part of the
|
||
|
|
story, I don't want to go and mess it up. But kind of felt like, again, incorporating another
|
||
|
|
figure from the ghost of hacker past, I guess. In that exact story, there's the mad hat or looking
|
||
|
|
character on the phone and he says something like, you know, we have, we have a guy in Philly who
|
||
|
|
wants to buy three of these blue boxes. Exactly. And the guy that I had in mind was totally Bernie S.
|
||
|
|
Absolutely. So yeah, you can, and you can, again, it can, it's just relevant enough to pick up the
|
||
|
|
reference. And that's what makes it great. Don't go in their face. Don't make them recognize it.
|
||
|
|
You know, those beat, you could have clearly said Steve Jobs and Steve was next suddenly walk past
|
||
|
|
and you don't just leave it vague enough to make people figure it out. So that's, you didn't
|
||
|
|
great job at that. I have to say. And I don't want to go, I said, I don't want to ruin every single
|
||
|
|
hacking reference here. There's a lot of them. And these are just a few examples. There's a couple
|
||
|
|
of other just kind of general old school references. I don't know if they're exactly hacking or whatever.
|
||
|
|
Again, I did point out that, you know, the technical reference were accurate to that time frame.
|
||
|
|
So that was really good. There was like, and this is maybe, you know, me being the old guy here,
|
||
|
|
I do remember the days where we would do the old coin on a string. In the very first
|
||
|
|
vending machines and early video games and stuff, you could do that. And it didn't even have to be
|
||
|
|
a coin in the rare. You could find some of those really cheap, low-end machines, or you could just
|
||
|
|
put a slug in there. That stuff was obviously fixed very quickly. That didn't last very long,
|
||
|
|
but it's a great legend or it may even urban legend, if you say, because it was so extremely rare.
|
||
|
|
But they they caught on to that really quickly, stopping not only the slugs that started checking
|
||
|
|
for weight and like the ridges along the edge of the quarters and stuff like that. But for the
|
||
|
|
string itself, they would put the razor blades in there. So you drop your coin in and have a
|
||
|
|
razor blade that was kind of angled down. So if you try to pull it back up, it would slice the
|
||
|
|
string and take your course. So they did put stuff to stop that in really quick, but that is
|
||
|
|
absolutely a great little reference too. And and I got to give you kudos here because you did
|
||
|
|
stump me. There was a reference in here that I did not get, okay? Until I did I read it in the back
|
||
|
|
and there were two or three pages at the very end where you do explain some of the references in
|
||
|
|
case people didn't get them. Not all of them, but quite a few that you explained. And this was one
|
||
|
|
of them and I had not heard of this or did not get it until I read the notes. It's on page 47.
|
||
|
|
And you referenced what's called the eight queens puzzle. Oh yeah, and I did not, I had never
|
||
|
|
heard of that before. I know I know I know how to play chess. I went through in high school,
|
||
|
|
I played chess and a little bit through college, but I had never heard of the eight queens puzzle.
|
||
|
|
And it is a chess puzzle, a chessboard thing. And I'll let the listener do their reference
|
||
|
|
because that's exactly what I did. When I read this book and when I saw that I went out and I
|
||
|
|
actually looked and I think Wikipedia even had an article on it, but I went out and did some
|
||
|
|
searching, found out a description. Here's what the eight queens puzzle is. I sat and thought
|
||
|
|
about it. I didn't have a chessboard handy, but visually I'm counting out squares. I'm like, okay,
|
||
|
|
well, that's the challenge. So here, here, here, and I actually figured it out in my head the
|
||
|
|
solution. And then I went back to page 47 in the book and looked and sure enough that's exactly
|
||
|
|
you have the pieces in the exact position. So that is probably one of my favorite frames. And I'm
|
||
|
|
going to come back to frames towards the end of this too, but that was very cool because I didn't
|
||
|
|
get it. And I think there's going to be something for everybody in here. Nobody I think is going to
|
||
|
|
get all of the references. There's so many of them in here and some of them are so obscure and so
|
||
|
|
passive in nature that I think there's something in here that everybody's going to look up or hear
|
||
|
|
or learn for the first time. So kudos to you for that as well. There's lots of social engineering,
|
||
|
|
also mixed in the book from the bus stop and stamping the transfer of passes, which is something
|
||
|
|
that we yes, we used to do. I'd never had the the punch method. We'll say again, I don't want to
|
||
|
|
ruin too much of the story, but that he used, but certainly silly. It's much more simple, but
|
||
|
|
all you had to do back when I would ride the city bus was have a ticket that was dated in time stamp
|
||
|
|
from within the last 24 hours. So we would just look for people at a bus stop or look in the trash,
|
||
|
|
go trashing and pull one out that somebody else threw away who wasn't transferring and walk on
|
||
|
|
away for our busing chop on there and they didn't know the difference. So that is absolutely a good
|
||
|
|
example. The pizza example, things like that that's classic old school and can work still today
|
||
|
|
probably. What else here? Well again, I want to give all the details out. I guess that there's
|
||
|
|
something in there for everybody all in all to kind of wrap up here because we're over 30 minutes.
|
||
|
|
All in all and we don't have a time so don't worry about that. We can go for however long we want
|
||
|
|
to. But I guess as a summary, the things that I want to emphasize on point out is that you had a
|
||
|
|
lot of accurate depictions and stuff in there. Even when they weren't direct references to people
|
||
|
|
or events, you did a good job also and this is the most difficult part to me. You actually captured
|
||
|
|
the essence of and the feeling of it all. And I think let me let me flip open to it. I have a
|
||
|
|
marked here on my notes page 70. Page 70 is a great example of this. And if you don't mind,
|
||
|
|
I'd like to actually just read this page on here if I can. Yeah, go ahead. I'm not worried about
|
||
|
|
that sort of thing. It is our two, our main character and his best friend Winston who again,
|
||
|
|
Winston ends up being the radio host in the future, you know, who's narrating the whole thing.
|
||
|
|
But when he was younger was, I guess, best friends. Can we say that with Kevin and the story?
|
||
|
|
So these two are talking and they're talking about party lines and talking on them and something.
|
||
|
|
And you really, I wouldn't change a single word in the way you did this. So if I can just read this,
|
||
|
|
this is from Kevin Fennical Boyntomp. This is him suddenly, I don't know if it's an epiphany or just
|
||
|
|
suddenly, well, I'll just read it. Basically, he's talking to his friend about party lines and all
|
||
|
|
of a sudden he comes through with this. He says, you know, Winston, I was thinking about the power
|
||
|
|
of communications and the puzzle of the phone system. There's so much more to it than just these
|
||
|
|
party lines. Imagine the technology behind the scenes that keeps the phone system going. I mean,
|
||
|
|
it's incredible. We take it for granted. People just think you hit a few buttons and boom,
|
||
|
|
you're magically connected. You know, the average phone call usually bounces through many different
|
||
|
|
systems that make up the whole network. They keep updating things. I'm sure Blue Boxing will
|
||
|
|
become obsolete. I can tell what we know about the network is very small. But to better understand
|
||
|
|
any of things, we can probably come up with some awesome pranks and stuff. I want to figure it out
|
||
|
|
to the point that I can hear the president fart using the phone system. I think we can make a better
|
||
|
|
tool out of the phone than anyone can imagine. And I think that really, see it captures a couple
|
||
|
|
things. First, the fascination and the appreciation. It's a word that hackers don't use a lot,
|
||
|
|
but they don't realize that they have this appreciation. It's not a word they use, but they
|
||
|
|
you do. You have an appreciation for technology. And in his speech, you get across not only that
|
||
|
|
appreciation and fascination with the system, but also the fun aspect of it. So yes, I know it's
|
||
|
|
not embarrassing at all because it shows that he's not only, he's not like a nerd focused on it
|
||
|
|
only for the technology aspect. There is certainly that factor in there, but it's also for the fun
|
||
|
|
aspect and for the challenge. And it's just so many words to describe, I guess, a hackers fascination
|
||
|
|
with technology that you can't list a bunch of adjectives. I think it works better as an emotional
|
||
|
|
exposition like that. And I think that little speech right in there was my favorite part of the
|
||
|
|
whole book. It may be corny. It may be a little bit silly, but it captured the essence of the mind
|
||
|
|
of a hacker. And I think you nailed it on the head. Thanks. Thanks so much, man. I don't know what to say.
|
||
|
|
That's that's that's the hey, thank you. That was that made the whole that was my favorite part of
|
||
|
|
the whole book. Let's see, what else? And yeah, hearing the magic and the wonder in his voice,
|
||
|
|
talking about the, and this is just volume one for the phone system. I'm sure that's going to
|
||
|
|
carry over. That's the, again, I'm not a phone freak, but I appreciate that's the way I feel about
|
||
|
|
the computer system and the interwebs, you know, these tubes carrying all the data out there,
|
||
|
|
you know, it's like, I don't know. I guess again, it's corny. I know how the interwebs work, you know,
|
||
|
|
analytically and technically how it works. But sometimes, I mean, everybody listening right now,
|
||
|
|
humor me with this for a second. Well, yeah, I want you to sit back as you listen to this. And I want
|
||
|
|
you to just for a second visualize how many people are out there right now connected to everybody else.
|
||
|
|
I mean, it's just amazing. I just, I know it's so corny, but that blows my fucking mind. I just can't
|
||
|
|
believe that here we are in an age where anybody is a click away from anybody else.
|
||
|
|
I mean, the world is instantaneously a smaller place because of the internet. It's very, very easy
|
||
|
|
to communicate with anybody and I have the same sentiment. Oh, man, you, I mean, you've got
|
||
|
|
to love technology just after. So yeah, anyway, the, the, the moral there is you captured that
|
||
|
|
essence very well. You actually, it's very genuine. You capture the innocence and someone who's
|
||
|
|
genuinely interested in the topic and in learning and thinking outside of the box, which happens.
|
||
|
|
That's only one example. There were others like that as well. So yeah, I related to that because
|
||
|
|
that's how I think about a lot of things and it just absolutely kind of spoke to me to be really
|
||
|
|
corny, I guess. So I thought that was fantastic. My favorite part of the book. One other thing that
|
||
|
|
kind of stood out to me and you probably laughed at this, but you know, Kevin's school and all,
|
||
|
|
but homeboy got his ass beat a little bit too much. And he was a bit of a punk. I mean, come on,
|
||
|
|
now we've all been around the block and a few fights here and there, but this dude got beat down
|
||
|
|
a few times. I hope he stands up for himself soon. Well, you know, you know what it is. I just
|
||
|
|
wanted the casual reader to be sort of sympathetic to the character. Yeah. So I wanted to put obstacles
|
||
|
|
in his way. I see that. I can't see that. That works. I guess that's the main reason why I did it,
|
||
|
|
but you know what to tell you? The truth is, like, now this might sound corny, but I actually like
|
||
|
|
like this character as a person. If you could leave with Allison. Right. Yeah. But when I am a
|
||
|
|
Mazikist, man, and I like to put, I like to screw with them. I just, like, it gives me pleasure to
|
||
|
|
draw and get in and kick in the nuts. I mean, it has nothing. That has nothing to do with what I
|
||
|
|
think of hackers or anything like that. It's just like, you know what, man, I think he had it too
|
||
|
|
good. He passed you pages. Yeah. He's going to get kicked in the balls right now.
|
||
|
|
Well, and you know what, his, and again, I'm not going to ruin the story, but he's he's got kind
|
||
|
|
of a rough life anyway. Family life and financial and that kind of stuff. Anyways, not coming from the,
|
||
|
|
you know, a certain type of background, I guess. So, you know, I think that's something that
|
||
|
|
people can relate to and appreciate the underdog aspect or the challenging aspect of it.
|
||
|
|
But again, he still comes up from that and he still has these gifts that make him so much more
|
||
|
|
than probably most people view the character as, you know. Right. There are anybody that exists
|
||
|
|
to that little world. Right. Now, now let's talk a little bit about the art style itself.
|
||
|
|
You have a pretty consistent format throughout the book. Four panels per page.
|
||
|
|
Is that something you consciously chose to do? Do you like that format for this particular story
|
||
|
|
or do you like that format in general or do you just think it fit well for this particular
|
||
|
|
graphic novel? I've done a few different graphic novels so far and what I hope to accomplish
|
||
|
|
with each one of them. I was almost look different from the other. So this particular story
|
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|
|
that I wrote and drew, I wanted it to have the same sort of beat, so to speak, as an old-time
|
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|
|
adventure comic strip like Dick Tracy or something like that that would have been in a newspaper.
|
||
|
|
Right. And those little segments are told and little four panel beats in the same way.
|
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|
So that's just what I was. That's a very old-school reference. I mean, Dick Tracy,
|
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|
|
the phantom stuff like that. That's going way back. Oh yeah. That's where I gained most of my
|
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|
|
inspiration artistic wise. The stories are very quaint and how key if you take a look at them now.
|
||
|
|
But I just think that those people were continent like draft men and they could tell a story
|
||
|
|
in pictures like nobody else. Well, and you know, when I read it too, what jumped into my mind
|
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|
|
is it immediately reminded me. And again, I'm an old guy, so I remember these old comics.
|
||
|
|
Like the old Arkram, Robert Kram, and not him specifically, but these old 70s keep on trucking
|
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|
|
kind of style of artwork. I mean, it seemed very like it was influenced from that. I don't know
|
||
|
|
if it was consciously or not or if that just is your style. I mean, I don't know if this is good,
|
||
|
|
bad insult or whatever, but I mean, I think I could pluck you out of the space-time continuum,
|
||
|
|
drop you into the early 70s and you could publish this book and it would fit in with that style and
|
||
|
|
that era. So to me, that's a great thing. It's not superheroes with capes and big muscles and
|
||
|
|
everything. They have their place too. I'm not putting them down, but this today is a very good
|
||
|
|
feeling of being different than what's out today with some throwback and an homage almost
|
||
|
|
to those old 70s comics. Thanks a lot, man. You know, I gained a lot of my artistic inspiration
|
||
|
|
from a lot of those those cartoonists as well, Arkram in particular. I mean, you brought
|
||
|
|
up this name and I'm not ashamed to say that he had a huge influence because I consider that
|
||
|
|
guy the best. So, might as well still from the best, man. Yeah, well, and it's not exactly like
|
||
|
|
his style, but it's certainly reminiscent of it. You can tell there's some influence from that
|
||
|
|
era and that genre. So that's very cool. I guess here, let's kind of wrap. Well, actually,
|
||
|
|
there's one other thing I wanted to mention about the art too that you put in, you know how to say
|
||
|
|
what is it? The devil is in the details. There's a couple of other little things that I thought that
|
||
|
|
really completely rounded it out that really made it from like an A product to an A plus
|
||
|
|
product and these are the little polishes that you can put on. Things like when there is a scene
|
||
|
|
with him at a pay phone, there might be graffiti on the side of it, but for example, I saw one of
|
||
|
|
the things that was tagged on the side of the phone was the handle Cheshire Catalyst. So there's still
|
||
|
|
little references. Now, the character didn't say it, the narrator didn't reference it, there was
|
||
|
|
no reference whatsoever unless you just happen to notice it. And there are quite a few things like that,
|
||
|
|
things in the background scene, things on signs, stuff like that that you should look for and you
|
||
|
|
might pick up and recognize. So look for stuff like that as you're reading as well. It adds to the
|
||
|
|
depth of the whole thing that little bit of shine when it's all said and done. So that was a nice
|
||
|
|
little touch too. So if you ever wonder, if anybody notices those kind of little things, yes, we do.
|
||
|
|
Yeah, you know what I appreciate that so much because I sort of created the project
|
||
|
|
with people like you and my tour in the local and no references and things like that. And I
|
||
|
|
appreciate not being as soon as these sorts of things, but you know, you feel like I don't know
|
||
|
|
about you. I'm not going to speak for you, but whenever I see something and I get a reference
|
||
|
|
that I understand something that I know other people don't, it feels kind of cool, man. I feel like
|
||
|
|
it's part of the club or something. And I want it to come away with that sort of feeling,
|
||
|
|
you know, that maybe it's an okay story or something like that, but you know, at least I understood
|
||
|
|
this a little bit better than the average bear. Well, I think mission accomplished. I think
|
||
|
|
you nailed it. I think this is absolutely a great purchase. It's worth every dime. People should
|
||
|
|
definitely go pick this up. Your website, edpiscord.com, edpiscord.com. They can buy this book,
|
||
|
|
right? $15 is the first, this is the first one out, right? Yeah, yeah. I'm deep in volume two right
|
||
|
|
now. As you say, I'm not going to, I'm not going to commit you or anything, but you started it.
|
||
|
|
You don't have a time frame or any kind of things like that to talk about yet, but you have started it.
|
||
|
|
Oh, absolutely. Okay. And there's going to be, I know where everything's going and it's just a matter
|
||
|
|
like they call it pencil mileage that I have to do right now. I just have a lot of pencil mileage
|
||
|
|
ahead of me. Gotcha. Gotcha. This is one and you're working on two of four. I tell the complete
|
||
|
|
story and the next three books, the next one is at the, it is pretty clear. Excuse me, I suddenly
|
||
|
|
have the hiccups on the radio and that's got to be awful. The second book, the first book is called
|
||
|
|
Freak. The second book is called Hacker. And at the end of this book, he's getting his first home
|
||
|
|
computer so you can see the transition of the story, obviously. Volume three and we won't go into
|
||
|
|
too much detail. We'll let it speak to themselves. It's going to be called fugitive and volume four is
|
||
|
|
going to be called innate. So we're going to follow this character and his life and his trials and
|
||
|
|
tribulations, if you will. And well, that might have been literally actually his trials. But we're
|
||
|
|
going to follow this character and I got to say there is a bit of connection. I do want to see
|
||
|
|
what happens to boring thumb. I'm not sure if I can say boring thumb with a straight face ever but
|
||
|
|
I do want to see how the porn kid turns out because you know, there's a little bit of all of us
|
||
|
|
in this character. You've captured a little bit of Hacker dumb and this one guy. So the other thing
|
||
|
|
that I want to mention and you and I haven't like, I brought you on the show but I didn't tell you
|
||
|
|
any of these questions. I wanted to keep it all in prompt to kind of drop it on you but I am going
|
||
|
|
to pimp this out. I don't know if you care about this anyway. I'm going to go ahead and pimp it
|
||
|
|
out because I would love to see people not only by the book, but I noticed. So I'll kind of put
|
||
|
|
you on the spot here. I did notice that on the last page here, each panel created this individual
|
||
|
|
five by five illustration on a six by seven piece of Bristol, you do have and will sell people
|
||
|
|
the artwork from this. And for me, I'm definitely going to get a couple of these and hang in my office.
|
||
|
|
I'm not going to tell the listeners which one I'm going to wait and make sure I get them first
|
||
|
|
and get this and frame this and probably hang it here in my in my hat cave here in the
|
||
|
|
office at home. People can order those now. Do they do that on the website? Should they email you
|
||
|
|
directly for that? Working out. They should buy emails at the website and they should contact me and
|
||
|
|
let me know what they're interested in and what they would like to purchase or whatever and all
|
||
|
|
that, you know, the reason I'm selling this is just sort of like I said, there's a lot of
|
||
|
|
pencil mileage ahead on the rest of the volumes of these. And I just needed as much time as
|
||
|
|
possible to produce this stuff. And, you know, the print costs of this first volume sort of need
|
||
|
|
to be taken care of. I don't expect to be out of the rent anytime soon. I know that feeling.
|
||
|
|
So that will just help with the cost of production and things. That's good. That's good. It's
|
||
|
|
well worth it and people can contact you directly. You want to give a ballpark number or something
|
||
|
|
in case people think this is going to be cost too much for them or whatever. Sometimes.
|
||
|
|
Well, it definitely depends on like level of detail and how cool I think something is.
|
||
|
|
Right, sure. But there were certain ones that I sold for first lowest at $15. But obviously you're
|
||
|
|
not going to get a panel that has like eight characters or doing cool things for something like
|
||
|
|
that. And then the prices are based on like level of detail. Now, now that's just a curiosity
|
||
|
|
question. A, two-quart question, if you will. A, how long did it take you to draw this entire
|
||
|
|
thing start to finish and B, how long did it take you to draw one, let's say, medium complexity panel?
|
||
|
|
The whole, the whole book took me about a year. But that's not to say that I worked on it constantly
|
||
|
|
because that's just not true. I worked on, I drew a whole another book in between, in between
|
||
|
|
this book. So I got a whole bunch of this book done. I drew a whole another book sort of just
|
||
|
|
keep my head above water. And when I finished that project, I finished working on this book.
|
||
|
|
It took about a year, took some like around one Christmas to the next. And then the second
|
||
|
|
second question, how long did it take to do an average panel? I'd say about two and a half to
|
||
|
|
three hours. Wow. Yeah, I'm just, I'm very slow and I just really have to take my time.
|
||
|
|
Right. Well, I mean, you know, I think you and I were talking earlier too before we started
|
||
|
|
the show that you do take pride in the detail and you try not to make mistakes or if you do,
|
||
|
|
you'll redo it or fix it to make it right instead of pushing it out. I mean, you, you're
|
||
|
|
satisfied with every one of the pages and panels in this. Yeah, I have a, there's a pride factor.
|
||
|
|
So you can call it that complex? Yeah, there's a pride. I mean, you have a pride for this. You're,
|
||
|
|
you know, you take pride in that and that's definitely to be commended. So I don't think is anything,
|
||
|
|
I mean, please, well, means if you find a person in it, in it's each individual panel, let's point
|
||
|
|
that out. So if you do, if you already have the book, thank you for the purchase. Obviously,
|
||
|
|
I'll speak on your behalf there, but if you do want to purchase one of the individual frames
|
||
|
|
itself, it's not the entire page. It's, if you find one you like, you will say, give me, you
|
||
|
|
know, I'm interested in page number 28 panel number three, because each one of these individual
|
||
|
|
panels is what's on that five by five or actually six by seven sheet, but it's a five by five
|
||
|
|
graphic. So the page and the panel and then you'll get back to them with more details and
|
||
|
|
whatever, but, you know, for the level of detail and for an original piece like this, I think,
|
||
|
|
you know, people should be jumping out of the sheet if they can get, you know, a good panel for,
|
||
|
|
you know, 25 to 50 bucks easily, you know, I think they should be glad to pay for that and a lot more,
|
||
|
|
especially like you said, it's the level of detail is going to be a factor in there. There may be more
|
||
|
|
than that, but I think that would be great and help fund, you know, the next issue of the book and
|
||
|
|
get that printed and everything and, you know, I hate, I don't, I don't want to drop a negative
|
||
|
|
thing on you here, but I hope you end up breaking even at least when it's all said and done to get
|
||
|
|
the whole series out start to finish. I know, I do, I can't appreciate what a commitment it is to
|
||
|
|
come out of pocket to fund this kind of stuff and I have literally been there and I know exactly
|
||
|
|
what you have to shell out and, you know, be happy to break even when it gets to a certain point.
|
||
|
|
I would love to see you do a whole lot more than break even, so please buy some of the art.
|
||
|
|
Again, I'm pimping you out. You're not doing it. Don't worry, I'm pimping it for you because I
|
||
|
|
really do want people to buy some of this stuff. Great little thing to have hanging in your office.
|
||
|
|
So again, edpiscore.com, EDPISKOR.com, and any of your other work as well. And we were talking
|
||
|
|
about this because it's obviously related to hacking technology, something our audience will appreciate.
|
||
|
|
But check out some of the other stuff that you've got there as well.
|
||
|
|
Ed, thank you for being on the show. I appreciate your time. Anything that we didn't cover that you
|
||
|
|
wanted to mention, the website, of course, some of your other work people might be interested in.
|
||
|
|
Anything else that I didn't cover?
|
||
|
|
You know what, just off the bat thinking about it. I just want to let people know the
|
||
|
|
grab the book so far that if they send me an email with the word handle in the subject one,
|
||
|
|
and they let me know what their screen name or handle is. I'm going to do whatever I can to get
|
||
|
|
that into a volume two. So they might turn up as a character or they'll certainly be referred to
|
||
|
|
in some way. The name might be scrolled on a wall graffiti style. Yeah, graffiti on the
|
||
|
|
pay phone. That'd be awesome. Cool. Yeah. Yeah. Go for me as well. Am I going to be in there?
|
||
|
|
What's that? Is that go for me as well? Do I get in there?
|
||
|
|
Oh, there'll be. There'll be a big stank dog somewhere in there.
|
||
|
|
Well, a dog will wander by on one of the panels with a little with a little fume stinky fumes coming
|
||
|
|
up. I don't know if there's something.
|
||
|
|
All right, man. One of the things where
|
||
|
|
Mike, I want to give a shout out to anybody who grabs the book and is supporting it and
|
||
|
|
making it possible to do volume two. So anybody that grabbed it,
|
||
|
|
talks me an email. If you want your name to be included, I could understand
|
||
|
|
how people are proprietary over the privacy. And of course I won't do it without being asked.
|
||
|
|
But you know, get in touch with me and do that. I'll be happy to include your names
|
||
|
|
somehow because for anybody that grabs it. Yeah. See, that's awesome. I mean, that's
|
||
|
|
you know, it's it's not it's part of the community. You know, this is actually, you know,
|
||
|
|
showing that it's not something that was written by an outsider. It encompasses and includes
|
||
|
|
the community. And it's the I think that's really a cool gesture on your part. I think that's
|
||
|
|
pretty awesome. So I want you to pick. Why don't you pick the email address before we go?
|
||
|
|
The email address is Winpy Rutherford at Gmail. W-I-M-P-Y or U-T-H-E-R-F-O-R-D at Gmail. And it's
|
||
|
|
easy to get to if you just go to my website. And the website is at piscord.com.
|
||
|
|
You can never say it too many times. We're going to pimp. I'm going to pimp that
|
||
|
|
get this thing out there. I want people buying this man. I'm really excited about this. I think
|
||
|
|
it's really cool project. So I appreciate spreading the word. And I have a big chunk of the story
|
||
|
|
online at the site too. So if people are just like on the fence about it, think you can't get
|
||
|
|
it out and decide if they want that they wouldn't support the print version or not. Yeah, that is
|
||
|
|
I'm glad that is a great thing to mention. Yeah, I forgot all about saying that. Absolutely,
|
||
|
|
some samples and stuff they can look out there. So that's awesome. All right. So they can
|
||
|
|
they can see probably all the other references that you talked about because you didn't run the
|
||
|
|
story because it's already out there, man. Some of it. Yeah. Yeah. All right. Well, that's going
|
||
|
|
to do it. Thank you once again for being on the show ed. And hey, if we we do make it to a conference
|
||
|
|
somewhere, actually, these I think these would sell like hotcakes at one of the conferences. Take
|
||
|
|
these to Defcon in July. I think it is or August or whenever it is this year. Something like that.
|
||
|
|
If I have a table or something, I'll gladly give you space. Or if we can work you in somewhere.
|
||
|
|
We'll see what we can do to make this happen. And we'll talk offline about some other projects.
|
||
|
|
But thank you for being on the show. That's going to do it for this episode of Hacker Public
|
||
|
|
Radio. So everybody tune in tomorrow for another episode. Unless it's Friday, then I guess
|
||
|
|
there probably won't be one till Monday. But tune in for another episode of Hacker Public Radio.
|
||
|
|
Thank you for listening to Hacker Public Radio. HPR is sponsored by caro.net.
|
||
|
|
So head on over to caro.at for all your hosting.
|