3345 lines
109 KiB
Plaintext
3345 lines
109 KiB
Plaintext
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Episode: 272
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Title: HPR0272: EC Lug December 18th Meeting
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Source: https://hub.hackerpublicradio.org/ccdn.php?filename=/eps/hpr0272/hpr0272.mp3
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Transcribed: 2025-10-07 15:23:18
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---
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Soni Chatt puede —
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Hello and welcome to this week's O'Claire Linux user group. Today is Thursday
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December 18th and it's almost Christmas in here. And we are having internet
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connection and we are on this close location. Sounds mysterious. Sounds mysterious.
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It is just because of the special Christmas kind. You want to know where it is? Please send $20 to the following ad.
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The ad was very tricky. So how are we doing today? Good. Good. Shall we go in our two minutes of
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time? What are we doing? I want to start. I got some books from the library. Cool. To get me up to speed one was a visual or what's the script? Well, JavaScript.
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JavaScript and then one on XML and one on Java. So I'm paging through those and starting realizing
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the stuff isn't as complicated as I thought. So this is the JavaScript. That stuff's kind of actually makes good sense.
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And when you get about half of the book through, you can move to India and you can be after a professional programmer.
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I haven't turned you all that junk mail. It comes over here. That's the book. Oh, I'm sorry. Give them all credit. Give them all credit.
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So that's been keeping me busy. And what else can I do? I think that's about it. Just normal every day. Raise the kids. Put up with the wife. That kind of stuff.
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How do you do that? Do you have a how-to? How close that website? How to raise the kid and put up with the wife all day.
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And keep your sanity. So I don't know. That's my two minutes of favor. All right. I'll pass. Don't pass the gas.
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I haven't done a whole lot really. And missing with the spot again. Still playing with Banshee here and there. I still like it quite a bit.
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So I've changed my mind recently. I think you like Banshee because they're playing for Android. Yeah. And plug my phone into it.
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That's the whole reason. I think it works that so. But other than you know playing with those two things, I haven't done a whole lot.
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We've had some construction on the home side. I don't want a time to mess with a computer stuff. But I'm still using a boot to it. I haven't installed a new operating system yet.
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Let's start open soon. No, I don't think I'm going to do it. I don't think I should. I tried the open. There's a live CD the other day. And you know, there's enough difference.
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I can easily figure out how to mount the wife. It's reasonable amount of time. Just double flip on it. Yeah. I just don't have the time to right now.
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Right now anyways. We'll see if we get our house situated. Maybe that'll change.
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You know, you could try Slackware. It was released. I could try. What is Slackware?
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You said early distribution. They were one person out there. They went to a kernel one point. No, two point two point six right now.
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Oh, they made a switch. It's official. It's the person who started Slackware still. Yes, he's the manufacturer.
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Yeah, Patrick. What was his name? He's a little town next to the border there. The town name is Slackie.
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No, I don't know how I can work with Slackware actually. I did read that somewhere.
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What's its advantage or doesn't have one anymore? People love it. It's not saying there's no thread.
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Everything is standard. So that's what is the advantage. And people who don't have a time to touch it.
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It was one of the early ones that came with a half with decent stroller. I think that was what originally made popular.
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I think it was the second distribution we used. And you know, have an end curses in stroller that you could at least call it the help screen.
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It would help you make some choices about what you want.
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Yeah. And with the installer too, it didn't have depend or any of the dependency systems like they do now like the.
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Yeah, it was. You had to use their basic pack. Yes, which were straight up tarballs just come, you know, a compressed folder of files.
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And you just unlit it. Installation pretty much decisions were pretty much do you want this or don't you want this?
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When was all that ten years ago? I'd say the first we had like I think the last one I use was version three and that was probably 94.
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All right. There's a version about it. Yeah. And version 12.
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And people who love Slackware love it. And also it is a acquired taste.
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They were very accessible. That was one of the first things. I mean, there was a lot of trouble with network cards in those days.
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But they it was very easy to write these guys a letter and they would literally give you the hard code changes you had to make in the network card driver so that your network card would work.
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So it was one of a few ways to get the whole system up and running.
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Wow. There are a couple of derivatives of Slackware tours.
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Slack is like a mini live CD. I think there's probably more damn small.
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It's based on Slack. Is it? I don't think so, is it?
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I think Slack's with them with the the camera before they clover.
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Yeah. I know there's one iteration of those really small languages that is based on Slack.
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I don't know what that is. Oh, I don't think it is. I'm sure his based on Slackware.
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Yeah. I think I think I don't think it is damn small.
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I know what I know. I think I had it on for a while now.
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Computer. What was that call?
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I mean, it's not something anybody who's using deviance or wants to be too thrilled about.
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So you'd say it's kind of we progress past that point.
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You're kind of using what those guys know. I think it's getting what you used to.
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There are still people who are using Gen2 and they love it. They live with it.
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So they actually they think that if you are using Ubuntu then you are not putting up Linux user.
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So it's just a matter of opinion and people love it. Love it.
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It's a no frills. Yes. Yeah.
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And probably that part of the reputation is as you said that it was this very accessible.
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At the time when there was a lot of opinion that you are supposed to read your manual before you ask the question.
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So but it was still an ex the graphical ex.
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Yeah, it's really just had like T. W.
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Right now is a desktop manager.
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If you look at nowadays you wouldn't notice any difference really.
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Because the color themes would be different.
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But how did you see no?
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No, no, I think that he was in KDE.
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Oh, you couldn't have known too.
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Okay. The probably KDE.
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Yeah, let's wait past when I last used it.
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When I'm using it, it was just ex windows with T. W. M.
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I think he had a choice from T. W. M. and O. L. W. M.
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Or O. L. W. M.
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Which was kind of a slayerous looking type of open look.
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Oh, yes.
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It looks good.
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And Dan Small Linux was based on nuggets.
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Right. Yeah.
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There is one that based on Slackware and basically is just a stripped down flat.
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Yeah, no, there may be another one.
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And I don't know that one at all.
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But there was another one that I had put into that was, I thought it was named after somebody.
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And it was like Andrews, Andrews, Linux or something like that.
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I mean, it was just some little thing.
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It had some of the problems of Slackware where you couldn't put one thing or another together.
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And it worked out some of them.
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There we go.
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I got a whole list of all this Wikipedia's got a list of all the distributions.
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And I say what they're based off of.
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So under Slackware, we got a Strumi, basic Linux.
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Strumiware.
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Gotlinx.
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Post GIS.
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MU Linux.
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Nibblex.
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Slackintash.
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SMS.
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64.
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Slack.
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Top-bola.
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Jill.
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Linux.
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Vector Linux.
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And then walk Linux.
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Yeah.
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Don't want to think it may not even be out there.
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And then there's a bunch of them that are based off of Slack, which is the derivative of that.
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Backtrack, Davids, DNA Linux, and Slack.
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Brother.
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Are they based off of Slack, Steven?
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Yes.
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Yeah.
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Yeah.
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Yeah.
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We got here a fly.
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Maybe 250 megabytes.
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Because it's a live distribution.
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They have the other.
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Yeah.
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They take that base then.
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Right.
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Right.
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So.
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So.
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I don't know.
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Yeah.
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The one that's one.
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Yeah.
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That's.
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That's new slides before.
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But I did.
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Are those.
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Are the ones that are credit card shaped 200 meg or those like 100 megabytes?
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They might be less.
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I think they're less than a hundred megabytes.
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I have the whole terrible ones, but they were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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They were the same.
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Yeah they were the same.
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And the registers nobody wanted to buy it.
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And the registers.
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Yes.
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No, they didn't need it, so they didn't have any lost.
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Yes!
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Everybody suppose that someone was trying to go out the boxes that we walked in the window.
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Yeah.
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So somebody told me they went in there and they only had one register left to take credit cards on,
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because they sold the credit card slipers on the other lanes.
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That was like what I did.
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That was like my idea.
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Some of the stores were closed and the Claremont was going to close.
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Yeah, that was many, many years in the coming I think.
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That's the last thing that came down that was.
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Yeah, I don't know how they got this door open.
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I mean, the small business area, the smaller.
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I think there should be a company that there's so many businesses that we're going out of business.
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That's the name of it, because it's permanent coming out of this.
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Let me do that, yeah.
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That's what that was by.com.
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Yeah, that's it.
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So you make brand opening and going out of business.
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You swap it every two months.
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It just changed the name.
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My favorite business idea is that commercial, the guy willing on.
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And what does he say?
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A lot of the design goals.
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I can't remember. He ends up saying it's a commercial or something.
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It was commercial part of our memories.
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Saying the fact that you can sell anything if you say we don't include any of this or that.
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And he uses the transplants as examples.
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But they may transplants up.
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So he's going to sell tires with zero death crystals.
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I don't know.
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Does anybody buy that?
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Anybody buy the screaming yellow zonkers?
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I mean, there was a popcorn.
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It was just a popcorn dyed yellow.
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The whole marketing thing was called it something neat enough.
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It was like a bunch of hippies in San Francisco or something.
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It was like screaming yellow zonkers.
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And it was like a fat.
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We need anything else.
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It was just yellow popcorn.
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Was it microwaveable?
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No. It came already popped.
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It was a little box.
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It had like a lightning bolt across it.
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It's screaming yellow zonkers.
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It's very psychedelic letters.
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It probably cherries well for it.
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Oh, yeah. It was good.
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It was like eight times what you'd have to pay for.
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It was popcorn.
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They saved even more.
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It was awful.
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It was actually horrible.
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It was like way too salty.
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It was just awful.
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I don't remember that at all.
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It was in the late 60s.
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Or at least in Pittsburgh.
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Maybe they made it a little clearer.
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People were too frugal with their money.
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Yeah.
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It was a bit too big this size.
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But it bought it.
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Cool.
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Yeah. Oh, okay.
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My blues were very weak.
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Now that's on my guitar playing.
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That's pretty good.
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But my printer was very weak on the blues.
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And my firmware was reporting that it was only at like 43%.
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So I wondered why it was apparently the firmware
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that was just reporting.
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I put new cartridges in it.
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It was on the door.
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Anybody know why that happens?
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Is that actually just an estimate?
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It was really worse reporting things on the hardware.
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HP was monitoring the print card.
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And they just did that.
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It was so long that you replaced it last time.
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Yeah.
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If you don't buy yourself a new cartridge,
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we will delete your printer.
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Generally, they don't have any type of measuring device
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in those cartridges.
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What they do is they just measure how long you have it on.
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And based on that.
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I figured that because everything has an aspect of this.
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And it says like based on 5% coverage or something like that.
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So I figured it was this.
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Well, it does actually keep track of how much ink it thinks is going through.
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So if it's on full, it's for five seconds that knows,
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okay, that much ink should go through.
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So that's what it based on.
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So it's the same sort of thing.
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Now, is that mean that my waste drum and all that sort of stuff
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is misreporting to?
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You know, there's a waste-toned collection drum too.
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I don't know how...
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There might be a measurement in that.
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I don't think it's even like...
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Maybe the printer is a part.
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I don't think there's any wire there.
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It's just a rubber reservoir of glue with it.
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So it's anyway checked whether that's actually good.
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I don't know.
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Tip it upside down, you don't know what I'm talking about.
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Tip it upside down.
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Outside, you'll filter it back.
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You're ready.
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This is it.
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|
I can't.
|
|||
|
|
I've done that.
|
|||
|
|
I mean, it wasn't my printer's work, so I'm working on it.
|
|||
|
|
I'm just like, oh, no.
|
|||
|
|
Don't do that again.
|
|||
|
|
I'm lucky all the time.
|
|||
|
|
That's good.
|
|||
|
|
The other thing I was looking at,
|
|||
|
|
I found really nice and useful,
|
|||
|
|
were those Linux-free Linux lesson things
|
|||
|
|
that you had a link to for a while.
|
|||
|
|
Some of those are very good.
|
|||
|
|
Looking at the one for Pearl,
|
|||
|
|
and learned a few things from them.
|
|||
|
|
Did your brain become working?
|
|||
|
|
No, no.
|
|||
|
|
I think that there was also Pearl release.
|
|||
|
|
Yeah, there was like maintenance release.
|
|||
|
|
Well, the guy who invented tickle just retired.
|
|||
|
|
Anybody read that LWM stuff?
|
|||
|
|
There's a big political dispute going on in the devian world.
|
|||
|
|
Somebody who's one of the group managers.
|
|||
|
|
You know, they vote on things.
|
|||
|
|
Like they're going to do something.
|
|||
|
|
They always have to vote.
|
|||
|
|
Well, he got really flamed out,
|
|||
|
|
and got his feelings hurt, and he quit in the huff.
|
|||
|
|
So they're wondering whether this is the first signs of the death of devian
|
|||
|
|
other people in that.
|
|||
|
|
It's just healthy change.
|
|||
|
|
Did you go through the devian planet?
|
|||
|
|
Yeah, there's some weird stuff in that.
|
|||
|
|
You know, I was watching it for some time.
|
|||
|
|
I was like saying, wow.
|
|||
|
|
It's amazing that you can get anything done at all.
|
|||
|
|
Yeah, I just said, I don't have time to read this.
|
|||
|
|
Yeah, but well, I know read it from the interest in computing.
|
|||
|
|
I read it in sociological interest.
|
|||
|
|
You know?
|
|||
|
|
Yeah, that's only for other people.
|
|||
|
|
But it's amazing how many organizations have those kinds of problems.
|
|||
|
|
It's just incredible.
|
|||
|
|
There's some news that some women's got flamed and whatever else.
|
|||
|
|
Yeah, but yeah.
|
|||
|
|
Yeah, it's interesting.
|
|||
|
|
I mean, it's, you know, I'm not a regular reader with every now and then.
|
|||
|
|
I died in.
|
|||
|
|
Let's see what's going on.
|
|||
|
|
That's cool.
|
|||
|
|
I think it's your turn.
|
|||
|
|
Yeah, mostly cleaning snow off the side of this.
|
|||
|
|
Are those guys doing real good?
|
|||
|
|
Yeah, okay.
|
|||
|
|
We put in some of the, they have a salad as well.
|
|||
|
|
The salad?
|
|||
|
|
The salad.
|
|||
|
|
The salad.
|
|||
|
|
The salad.
|
|||
|
|
The salad.
|
|||
|
|
The salad.
|
|||
|
|
The salad.
|
|||
|
|
The salad.
|
|||
|
|
The salad.
|
|||
|
|
The salad.
|
|||
|
|
The salad.
|
|||
|
|
I think it's a little hutch, you know, that's very insulated and we put in 4 sixty wattтоpes and there's this.
|
|||
|
|
And um, I was kind of a freak.
|
|||
|
|
You know, they would like to look at that and say, that's a trap.
|
|||
|
|
I'm going to stay over here on the trips.
|
|||
|
|
Thank you very much.
|
|||
|
|
They got over it.
|
|||
|
|
Well, the letters inside and they went up the ramp and stuck their head in and said, hmmm.
|
|||
|
|
Some of the worst few days did run out as soon as we came down, so we wouldn't know
|
|||
|
|
if we were in there.
|
|||
|
|
The last few times I went down to let them out, they sort of stuck their head in and
|
|||
|
|
ran out.
|
|||
|
|
And the buildings passed the first snow load test.
|
|||
|
|
I mean, no sign of any.
|
|||
|
|
Their weakness is there.
|
|||
|
|
They're in another one this weekend.
|
|||
|
|
Yeah.
|
|||
|
|
But they drove on.
|
|||
|
|
Yeah.
|
|||
|
|
But it's working out pretty well.
|
|||
|
|
Yeah, they have a funny feeling of it.
|
|||
|
|
It's kind of what.
|
|||
|
|
Because the heat flows for the studio or kind of on the fritz.
|
|||
|
|
This wasn't the weekend.
|
|||
|
|
The current is still working out the installation on my heat pumps.
|
|||
|
|
Today, they were up there with butane torches melting the ice a lot of bits so that they
|
|||
|
|
could get the drain holes open there.
|
|||
|
|
Because sometimes the deep frost increases.
|
|||
|
|
You got a geothermal heat pump.
|
|||
|
|
It's a geothermal.
|
|||
|
|
It's just a, you know, it's a Fujitsu heat pump.
|
|||
|
|
Oh, the air and air all tight.
|
|||
|
|
Yeah.
|
|||
|
|
Yeah.
|
|||
|
|
So they're working that out.
|
|||
|
|
I guess I'll be patient with a little longer.
|
|||
|
|
Well, unfortunately, unfortunately, we've got a lot of wood.
|
|||
|
|
Yeah.
|
|||
|
|
It's actually going to cut in and, you know.
|
|||
|
|
The best time to have a go on the fritz is the cold weather.
|
|||
|
|
Because I got burned wood still hard anyway.
|
|||
|
|
It's the 40, it's the like 25 to 45 degree range where it's the most useful.
|
|||
|
|
Yeah, below 20, they don't even work.
|
|||
|
|
Do they?
|
|||
|
|
Yeah, well, they do.
|
|||
|
|
I mean, they give some, they give some heat.
|
|||
|
|
But they spend an awful lot of time going into the deep frost mode.
|
|||
|
|
Yeah.
|
|||
|
|
Oh, okay.
|
|||
|
|
Because I don't think it's going to go off.
|
|||
|
|
It's just the opposite way.
|
|||
|
|
The coil outside freezes up now.
|
|||
|
|
You know, it has to go into heating.
|
|||
|
|
It's actually tries to heat itself outside.
|
|||
|
|
It's a melt that reforts off the coils.
|
|||
|
|
It's kind of crazy.
|
|||
|
|
But it's helpful.
|
|||
|
|
I mean, it probably, even at zero,
|
|||
|
|
would probably keep the temperature in the building above freezing.
|
|||
|
|
That much heat you do get out of it.
|
|||
|
|
So.
|
|||
|
|
And that's pretty much what it's for this time.
|
|||
|
|
It's a back-to-feel system for half to be a way or, you know,
|
|||
|
|
if it's not frozen.
|
|||
|
|
Yeah, well, as I say, even with it going into the...
|
|||
|
|
I mean, it probably continued to work,
|
|||
|
|
but probably even less efficiently.
|
|||
|
|
But it started to sound like a bus.
|
|||
|
|
Sort of idling inside it.
|
|||
|
|
When you were kid, you put the cards,
|
|||
|
|
or your baseball cards on the spokes, the bicycle.
|
|||
|
|
It started to sound like that.
|
|||
|
|
Yeah.
|
|||
|
|
The blue cards.
|
|||
|
|
Not too much, you know.
|
|||
|
|
Just getting ready for a trip starting tomorrow.
|
|||
|
|
I'm glad to go.
|
|||
|
|
I'm 10.
|
|||
|
|
I'm 10.
|
|||
|
|
That's how it's supposed to be.
|
|||
|
|
Are we skiing or what?
|
|||
|
|
This is my mom.
|
|||
|
|
Yeah, but they're going to take you out.
|
|||
|
|
They're going to take you out to have them.
|
|||
|
|
Yeah.
|
|||
|
|
They're going to train.
|
|||
|
|
So where do they live, like, in the northwest part?
|
|||
|
|
In Great Falls.
|
|||
|
|
So it's kind of a little bit steep.
|
|||
|
|
Less flat.
|
|||
|
|
Because the train goes up and will cross kind of the top, right,
|
|||
|
|
among Hannah?
|
|||
|
|
Yeah.
|
|||
|
|
You're taking the train from Minneapolis?
|
|||
|
|
From Redwing.
|
|||
|
|
Redwing is nicer because you don't have to pay to park,
|
|||
|
|
and you don't have to worry about your car getting hired for moves.
|
|||
|
|
I would have to be totally referring to you.
|
|||
|
|
No, I was the city.
|
|||
|
|
I was the city.
|
|||
|
|
I went there before the bunny.
|
|||
|
|
I went there to pick up my mom.
|
|||
|
|
And there was a dodge.
|
|||
|
|
I don't know what the newer dodge is.
|
|||
|
|
Nice looking cars.
|
|||
|
|
But how big.
|
|||
|
|
Expandable to the car.
|
|||
|
|
Garage, bike, or something.
|
|||
|
|
And, uh, yeah, we drove by and I had to look at them.
|
|||
|
|
It's up in N.C., right?
|
|||
|
|
The park next to it.
|
|||
|
|
What the hell?
|
|||
|
|
Oh, the wheels are gone.
|
|||
|
|
We jacked it up and set blocks.
|
|||
|
|
There's chunks of wooden stuff on the wheels.
|
|||
|
|
No, that's not in New York.
|
|||
|
|
That was not unusual.
|
|||
|
|
I didn't realize they actually did this.
|
|||
|
|
I mean, I'm like, yeah.
|
|||
|
|
We've seen a lot of them.
|
|||
|
|
We've seen a lot of blocks in Times Square.
|
|||
|
|
You get them up on blocks, no wheels.
|
|||
|
|
All the windows next to it.
|
|||
|
|
The radio removed.
|
|||
|
|
You know.
|
|||
|
|
Sometimes they stick.
|
|||
|
|
Sometimes they stick.
|
|||
|
|
You know.
|
|||
|
|
That's it.
|
|||
|
|
That's it.
|
|||
|
|
So yeah.
|
|||
|
|
Much of a city.
|
|||
|
|
Why not talk?
|
|||
|
|
There really is no cost for parking.
|
|||
|
|
No.
|
|||
|
|
We have a...
|
|||
|
|
The city must be parked in their parking structure.
|
|||
|
|
That's good to know.
|
|||
|
|
That's nice.
|
|||
|
|
Why not talk about it?
|
|||
|
|
Isn't talk about closer?
|
|||
|
|
No.
|
|||
|
|
Actually.
|
|||
|
|
Talk about it.
|
|||
|
|
Well, then you've got to ride the train all the way back up about.
|
|||
|
|
I don't know.
|
|||
|
|
I have.
|
|||
|
|
Yeah.
|
|||
|
|
Because...
|
|||
|
|
What was it?
|
|||
|
|
I don't know what structure we're going to go.
|
|||
|
|
Yeah.
|
|||
|
|
Yeah.
|
|||
|
|
So a Chicago would work here.
|
|||
|
|
Yeah.
|
|||
|
|
So let's say...
|
|||
|
|
It's about a 22-hour train truck out there.
|
|||
|
|
Do you have a sleep car?
|
|||
|
|
No.
|
|||
|
|
Well, is there...
|
|||
|
|
Really?
|
|||
|
|
Yeah.
|
|||
|
|
It's like double the price.
|
|||
|
|
Yeah.
|
|||
|
|
For long hours.
|
|||
|
|
That means that you cannot sleep there.
|
|||
|
|
Well, the people that you're there...
|
|||
|
|
Well, they don't need to...
|
|||
|
|
People are like...
|
|||
|
|
They can't sleep.
|
|||
|
|
You didn't pay for sleeping.
|
|||
|
|
So you need to keep your eyes open.
|
|||
|
|
Yeah.
|
|||
|
|
They can't turn off the seats and bend down.
|
|||
|
|
Do they tell you exactly each stop on the ticket where you have to stop?
|
|||
|
|
I mean, you just stay out and say, get there or...
|
|||
|
|
Yeah.
|
|||
|
|
They have to get off and get out of the car.
|
|||
|
|
Well, you've got...
|
|||
|
|
No.
|
|||
|
|
There's no one training to do that.
|
|||
|
|
They put a little tag above your seat that says, bring it off.
|
|||
|
|
And then, like, for you're getting off...
|
|||
|
|
Conductor, whatever.
|
|||
|
|
Come walking through.
|
|||
|
|
Make sure you're awake.
|
|||
|
|
And go figure out how to get off.
|
|||
|
|
And train travel is nice.
|
|||
|
|
It is.
|
|||
|
|
No, with us.
|
|||
|
|
The only thing I know kind of funny is...
|
|||
|
|
They've not once not been able to do it without taking somebody off the train for drinking too much.
|
|||
|
|
What?
|
|||
|
|
Really?
|
|||
|
|
They'll take them off wherever they are.
|
|||
|
|
If you get out, I mean, they'll just kick you off.
|
|||
|
|
Some little tower that, you know, the only thing that comes through is the train.
|
|||
|
|
You know?
|
|||
|
|
They'll really kick you off.
|
|||
|
|
Wake up sometime and you don't know where you are.
|
|||
|
|
You wait next day and then you board it again.
|
|||
|
|
They'll kick you off.
|
|||
|
|
Do they have a dining car?
|
|||
|
|
You can go and eat.
|
|||
|
|
Yeah, they've got a dining car, the observation cars.
|
|||
|
|
The food on them is really good, actually.
|
|||
|
|
You've been on it before.
|
|||
|
|
Yeah, sometimes really expensive with club cars.
|
|||
|
|
It's like $8 for a sandwich.
|
|||
|
|
Yeah, it's not cheap.
|
|||
|
|
I mean, if you prepare it, but once you're on, you don't get off.
|
|||
|
|
No, you get to stay on it.
|
|||
|
|
Well, you know, if you were going to go...
|
|||
|
|
If I was to go to Seattle, there's a split somewhere up there,
|
|||
|
|
because one goes to Washington and one goes to Florida.
|
|||
|
|
Yeah, it used to be you could get off anywhere and then get back on as long as you would.
|
|||
|
|
Like the next day.
|
|||
|
|
Yeah.
|
|||
|
|
Yeah, I don't know if they still allow that.
|
|||
|
|
I don't know if you could still do that.
|
|||
|
|
The airlines even used to allow that on cross-country flights,
|
|||
|
|
but they definitely don't do that.
|
|||
|
|
The airlines don't allow you to do anything.
|
|||
|
|
They'd like this.
|
|||
|
|
You would be stripped down naked, no luggage.
|
|||
|
|
Yeah, I would.
|
|||
|
|
$57, you know.
|
|||
|
|
$15 a pair of pants.
|
|||
|
|
Oh, they charge you $15 for a person.
|
|||
|
|
You cannot be more than 35 pounds or whatever it is.
|
|||
|
|
Give me, give me, give me.
|
|||
|
|
I don't know.
|
|||
|
|
Yes, that's what it is.
|
|||
|
|
Cool.
|
|||
|
|
How many days are going to be gone?
|
|||
|
|
Friday to the next Sunday.
|
|||
|
|
That's nice.
|
|||
|
|
That's sweet.
|
|||
|
|
So how long did you say it takes to get out there on train?
|
|||
|
|
About 22 hours there.
|
|||
|
|
That's assuming the train doesn't get snowed in,
|
|||
|
|
or a freight train doesn't delay us.
|
|||
|
|
Last time I did it, we had like a three hour delay,
|
|||
|
|
because the freight train was on the track and was going really slow.
|
|||
|
|
They have bypasses in some areas.
|
|||
|
|
I wish they'd have more train stuff.
|
|||
|
|
You know, even for business travelers.
|
|||
|
|
Not because they can do your work while you're on it.
|
|||
|
|
You know, he's going to test the infrastructure.
|
|||
|
|
I mean, they have trains.
|
|||
|
|
Yeah.
|
|||
|
|
Train your feet are huge.
|
|||
|
|
Yeah, they're full house chairs, you know.
|
|||
|
|
Oh, yeah.
|
|||
|
|
It's a nice way.
|
|||
|
|
You know, in a hurry.
|
|||
|
|
That's just it.
|
|||
|
|
The speed is the only difference.
|
|||
|
|
These cars is a little bit less pleasant.
|
|||
|
|
I've traveled from like New York to Florida a couple of times.
|
|||
|
|
And it's, you know, an awful lot of stopping and an awful lot.
|
|||
|
|
It takes an awful lot of time.
|
|||
|
|
I did from New York to Boston.
|
|||
|
|
And I'm amazed how fast they cruised in neighborhoods.
|
|||
|
|
Like back yard.
|
|||
|
|
Yeah.
|
|||
|
|
They go through a neighborhood.
|
|||
|
|
And you're cruising like 60 miles an hour through a backyard.
|
|||
|
|
That's how it sets on to your side.
|
|||
|
|
I get on the metro from New York to Washington.
|
|||
|
|
And by the way, I think it goes 110 miles an hour.
|
|||
|
|
And it comes through.
|
|||
|
|
It's a really cool thing.
|
|||
|
|
Something to see.
|
|||
|
|
The nice thing to do is go west on the train.
|
|||
|
|
That's what we always used to do with students stand by days.
|
|||
|
|
We used to fly to Chicago and then take the train westward.
|
|||
|
|
And that was...
|
|||
|
|
Well, that's what we say about ease going on, right?
|
|||
|
|
Yeah.
|
|||
|
|
Very definitely.
|
|||
|
|
Rolls to go west.
|
|||
|
|
Well, I think what's going on in the Iowa was called the Zephyr.
|
|||
|
|
And it was really nice.
|
|||
|
|
It was a nice train ride.
|
|||
|
|
Very pleasant to come.
|
|||
|
|
Cool.
|
|||
|
|
Cool.
|
|||
|
|
Thank you.
|
|||
|
|
How about you?
|
|||
|
|
Nothing much.
|
|||
|
|
Other than I'm still trying to copy my walley seat on the...
|
|||
|
|
Getting close to the movie DVD.
|
|||
|
|
And you know how they try to screw you up.
|
|||
|
|
I think I mentioned last time that every track or chapter of the movie was by gig and size.
|
|||
|
|
So technically the DVD was like, you know, 500 or half a tear by a song.
|
|||
|
|
Because if you're trying to pull it just using normal tools, it tastes forever.
|
|||
|
|
But the DVD backup command, one word.
|
|||
|
|
You know, a decent job of at least taking the exact DVD and putting it on your hard drive.
|
|||
|
|
And so you would see the folders, the TS video and the Bobb files.
|
|||
|
|
And those all came up with the correct size and everything from there.
|
|||
|
|
Now I'm having problems now encoding any of these in ISO or whatever.
|
|||
|
|
But I was reading some tricks on there.
|
|||
|
|
I said, first off, the Bobb files.
|
|||
|
|
Just put an endpig extension on them and they'll play it.
|
|||
|
|
You can play them directly.
|
|||
|
|
The problem is that you have four of them for the movie.
|
|||
|
|
You have one meg inside or one gig inside.
|
|||
|
|
What's a Bobb file do for it?
|
|||
|
|
V-O-B.
|
|||
|
|
And that's how it's...
|
|||
|
|
You're just opening up the DVD on your PC and look at the file structure.
|
|||
|
|
It's split up into Bobb files.
|
|||
|
|
Like a video1.bob.
|
|||
|
|
Video2.bob is the file name.
|
|||
|
|
And so...
|
|||
|
|
But if you just take that V-O-B and change it to mpeg, you can play it in your mpeg player.
|
|||
|
|
If you don't have to...
|
|||
|
|
If it's not encrypted, you...
|
|||
|
|
Actually, if you double-click on it, the total will play it.
|
|||
|
|
And you can.
|
|||
|
|
And there's some tricks that I'm now trying to get the four Bobb files together.
|
|||
|
|
And I have successfully used the Cat command.
|
|||
|
|
And just say video plus video plus video.
|
|||
|
|
But the problem is my audio dropped out.
|
|||
|
|
You can take a look at the Abbott Mucks.
|
|||
|
|
It's a video editor program.
|
|||
|
|
It's mainly made for just fixing up videos.
|
|||
|
|
But I think you can concatenate videos together like that.
|
|||
|
|
That would help.
|
|||
|
|
And then you can...
|
|||
|
|
Yeah.
|
|||
|
|
I just want one big file.
|
|||
|
|
Like it's my popcorn hour.
|
|||
|
|
I wonder why.
|
|||
|
|
Is there any...
|
|||
|
|
Is there any...
|
|||
|
|
Is that actually totally equivalent?
|
|||
|
|
Actually, I used both.
|
|||
|
|
I did Cat.
|
|||
|
|
Then you do the plus signs and then the greater.
|
|||
|
|
When you do the plus signs, you are...
|
|||
|
|
Those will be directing your standard output.
|
|||
|
|
Yeah.
|
|||
|
|
But they'll attend.
|
|||
|
|
Is there any...
|
|||
|
|
Is that a pure append and a cat?
|
|||
|
|
I mean, just catting...
|
|||
|
|
I think anything else will sound...
|
|||
|
|
I don't know what cat is doing.
|
|||
|
|
But what you are doing, you are taking the stream.
|
|||
|
|
And you are putting it somewhere.
|
|||
|
|
And you are...
|
|||
|
|
You are appending a two existing file.
|
|||
|
|
So you end up the first file and washed it.
|
|||
|
|
Going to the second file, then the video didn't skip a beat.
|
|||
|
|
It's just that lost in audio.
|
|||
|
|
So it came out pretty clean that way.
|
|||
|
|
So it's just one other little thing that is posing left here.
|
|||
|
|
So look for a command there.
|
|||
|
|
And then I'll be pretty close to having that movie as a file.
|
|||
|
|
And so...
|
|||
|
|
Here's a question.
|
|||
|
|
When you stick an DVD in your DVD player or your computer,
|
|||
|
|
is there a certain file that it looks at?
|
|||
|
|
And that file tells what it is to read and what order it is to read and things like that?
|
|||
|
|
That's almost like a little script.
|
|||
|
|
That's not one of the VOM files?
|
|||
|
|
No.
|
|||
|
|
What's that thing called?
|
|||
|
|
The IFO or so.
|
|||
|
|
I forget what the...
|
|||
|
|
There's several different formatted files in there that...
|
|||
|
|
You know, when you put a DVD, you've got a file for your menus.
|
|||
|
|
And for all those pre-use it goes through.
|
|||
|
|
And then the legal disclaimer saying,
|
|||
|
|
that's what's a copy and all that stuff.
|
|||
|
|
Right.
|
|||
|
|
It's got those marked as you cannot get this.
|
|||
|
|
Oh, that's what you can't fast forward through my DVD player.
|
|||
|
|
And there's...
|
|||
|
|
Okay.
|
|||
|
|
And so there, when they open source these movies,
|
|||
|
|
they get rid of all those extra files.
|
|||
|
|
You can't, if you want.
|
|||
|
|
And you can copy it directly,
|
|||
|
|
adjusting to make an exact duplicate.
|
|||
|
|
Depending on the player, too,
|
|||
|
|
it doesn't have to honor what that file is.
|
|||
|
|
Right.
|
|||
|
|
You can put it into some PCs,
|
|||
|
|
and you just click fast forward,
|
|||
|
|
or if not fast forward,
|
|||
|
|
but next track, next track,
|
|||
|
|
and you'll just stick through all of them.
|
|||
|
|
Right to the menu.
|
|||
|
|
You can hit all of them.
|
|||
|
|
You can hit just menu.
|
|||
|
|
The right to the menu.
|
|||
|
|
And a lot of these authoring DVDs,
|
|||
|
|
author will convert that to like an XML file,
|
|||
|
|
it describes how that DVDs put together.
|
|||
|
|
Okay.
|
|||
|
|
And programs like Hue, DVD, author,
|
|||
|
|
that's what they do is they take the videos
|
|||
|
|
and then put that file together.
|
|||
|
|
So that that's got all the menuing system.
|
|||
|
|
And once you get done with this video,
|
|||
|
|
then jump to this video.
|
|||
|
|
Once you click on a button,
|
|||
|
|
go to this video, that sort of stuff.
|
|||
|
|
You mean like in the menu of the DVD?
|
|||
|
|
Yeah.
|
|||
|
|
Okay.
|
|||
|
|
Okay.
|
|||
|
|
And DVD author is a Linux program
|
|||
|
|
that actually allows you to make your own DVD menus
|
|||
|
|
and all that.
|
|||
|
|
So you copy your video off a camera,
|
|||
|
|
digital camera,
|
|||
|
|
make several different tracks.
|
|||
|
|
Oh, I see.
|
|||
|
|
Put a menu for like kids' graduation,
|
|||
|
|
Christmas time, whatever.
|
|||
|
|
You can create your own full DVD
|
|||
|
|
and with full menuing system and everything.
|
|||
|
|
Wow.
|
|||
|
|
Here's that program.
|
|||
|
|
So I'm going to capitalize it up,
|
|||
|
|
open up the menu.
|
|||
|
|
I think I've got a video of some of this.
|
|||
|
|
Perfect.
|
|||
|
|
So what program are we on?
|
|||
|
|
Tough, tough, tough,
|
|||
|
|
eight months.
|
|||
|
|
And have a month.
|
|||
|
|
So then it allows you to cut
|
|||
|
|
and everything and that.
|
|||
|
|
And then you, I believe you can
|
|||
|
|
they can re-transcode.
|
|||
|
|
Okay. So whatever you want.
|
|||
|
|
It's the only thing I had
|
|||
|
|
that was available.
|
|||
|
|
So how would you get a second track in there?
|
|||
|
|
Oh, you got a pen.
|
|||
|
|
Okay.
|
|||
|
|
I'll try that.
|
|||
|
|
And yeah, you can do some other things too,
|
|||
|
|
like they've got probably the ADI file.
|
|||
|
|
You can change print rates.
|
|||
|
|
You can add a whole bunch of different software.
|
|||
|
|
So it's kind of a neat little program
|
|||
|
|
for cleaning stuff off of a track.
|
|||
|
|
That's all I did.
|
|||
|
|
What can you feed into this program?
|
|||
|
|
Yeah.
|
|||
|
|
It's an install.
|
|||
|
|
We just haven't used it.
|
|||
|
|
Pretty much any videos.
|
|||
|
|
Looks like they had almost any container.
|
|||
|
|
Any...
|
|||
|
|
Yeah.
|
|||
|
|
That's all there.
|
|||
|
|
MPEG4.
|
|||
|
|
MPEG2.
|
|||
|
|
DB.
|
|||
|
|
Like straight video.
|
|||
|
|
HTC3.
|
|||
|
|
MJPEG.
|
|||
|
|
BDI.
|
|||
|
|
You get a lot of...
|
|||
|
|
Yep.
|
|||
|
|
You get a lot of...
|
|||
|
|
You can even put it out to play.
|
|||
|
|
HTC3 is on there.
|
|||
|
|
Yeah.
|
|||
|
|
MPEG3.
|
|||
|
|
MPEG2.
|
|||
|
|
You don't have to run.
|
|||
|
|
I've used it a couple of times to shift audio
|
|||
|
|
that was decent.
|
|||
|
|
And you can also stretch the audio
|
|||
|
|
so it matches and all that.
|
|||
|
|
It's a neat little program.
|
|||
|
|
So do we have a fire?
|
|||
|
|
All right.
|
|||
|
|
I got a big long list of things that I did here.
|
|||
|
|
Okay.
|
|||
|
|
So I made some business cards.
|
|||
|
|
They will look it on see if they like them.
|
|||
|
|
You were really thinking of something.
|
|||
|
|
Okay.
|
|||
|
|
Okay.
|
|||
|
|
This one matches you.
|
|||
|
|
In patient.
|
|||
|
|
Take one and pass it around.
|
|||
|
|
And take the slutty one.
|
|||
|
|
There's only seven.
|
|||
|
|
I don't want people to see the slutty one.
|
|||
|
|
Oh, there are all these different?
|
|||
|
|
No, they're all the same.
|
|||
|
|
Oh.
|
|||
|
|
So the slutty one.
|
|||
|
|
Okay.
|
|||
|
|
So I don't know.
|
|||
|
|
You can take...
|
|||
|
|
What do you say?
|
|||
|
|
Smuddy, you're smuddy.
|
|||
|
|
They're...
|
|||
|
|
Smuddy.
|
|||
|
|
Oh, you're...
|
|||
|
|
I have to go ahead and eat that one.
|
|||
|
|
The toner guy could...
|
|||
|
|
He made a little smudge on the paper.
|
|||
|
|
So...
|
|||
|
|
Smudge eight.
|
|||
|
|
Because I didn't want to see the smudge one.
|
|||
|
|
Actually, that's pretty darn good in your ears.
|
|||
|
|
Yes.
|
|||
|
|
Yeah.
|
|||
|
|
I thought these turned out pretty good.
|
|||
|
|
You're supposed to take one?
|
|||
|
|
Uh, just take a look at them.
|
|||
|
|
This is all printed off your...
|
|||
|
|
Yeah.
|
|||
|
|
Do you have new printers?
|
|||
|
|
Yeah.
|
|||
|
|
The whole...
|
|||
|
|
This is just the way these papers start with.
|
|||
|
|
Yep.
|
|||
|
|
Yeah.
|
|||
|
|
They're nice.
|
|||
|
|
Yeah.
|
|||
|
|
They're nice.
|
|||
|
|
Yeah.
|
|||
|
|
It's kind of hard to see.
|
|||
|
|
Yeah.
|
|||
|
|
I really hard to see the...
|
|||
|
|
Poor lighting in here.
|
|||
|
|
I'll say that you look at a hologram.
|
|||
|
|
You don't?
|
|||
|
|
That's pretty good.
|
|||
|
|
Yeah.
|
|||
|
|
You have to get a hologram on it.
|
|||
|
|
Okay.
|
|||
|
|
Not quite.
|
|||
|
|
So, I don't know what you could take a look at that.
|
|||
|
|
That looks good.
|
|||
|
|
Okay.
|
|||
|
|
I didn't get to drink a lot of water all the time.
|
|||
|
|
I don't know.
|
|||
|
|
I don't know.
|
|||
|
|
I don't know.
|
|||
|
|
You could take a look at that.
|
|||
|
|
That looks good.
|
|||
|
|
Okay.
|
|||
|
|
I didn't get to drink a lot of water all the time.
|
|||
|
|
I don't know.
|
|||
|
|
I don't know.
|
|||
|
|
I don't know.
|
|||
|
|
I don't know if people gather their other table and someone's litter room in.
|
|||
|
|
We're missing the dice.
|
|||
|
|
So...
|
|||
|
|
I guess I can wait until it's gonna get back but...
|
|||
|
|
This kind of led me on to the next thing I've got to talk about.
|
|||
|
|
Inkscape.
|
|||
|
|
Inkscape?
|
|||
|
|
Inkscape.
|
|||
|
|
Why wouldn't you?
|
|||
|
|
Inkscape.
|
|||
|
|
Well, I made...
|
|||
|
|
I made this with Inkscape and really no worries with this.
|
|||
|
|
I just started as a PNG, the flyer I wanted to export it to a PDF.
|
|||
|
|
I exported it to PDF, and there were lines going across, like white lines.
|
|||
|
|
Couldn't figure out what's going on.
|
|||
|
|
I couldn't figure out what's going on.
|
|||
|
|
I exported it to a PNG, it looks fine.
|
|||
|
|
What's the hack? Why would it work with a PDF?
|
|||
|
|
Found out, Inkscape doesn't export gradient to PDF.
|
|||
|
|
So what it did was it took my gradient, chopped it up into block,
|
|||
|
|
back the blocks on top of each other,
|
|||
|
|
and because the floating point in accuracy is a nice white line between everyone.
|
|||
|
|
So I had the business card, I don't quite have the flyer
|
|||
|
|
because the PNG for the flyer was over 7 meg.
|
|||
|
|
A little bit.
|
|||
|
|
But the flyer generally looks about the same.
|
|||
|
|
I could actually pop it up here.
|
|||
|
|
We're doing a great job. Keep it up.
|
|||
|
|
I think it looks good.
|
|||
|
|
You need to set it down there.
|
|||
|
|
Yeah, and that is the other thing.
|
|||
|
|
I'll leave into that as soon as I pop this up.
|
|||
|
|
Is there anything more here?
|
|||
|
|
Brown did you?
|
|||
|
|
Try using myth TV to rip that TV at all.
|
|||
|
|
I have a myth TV running at home.
|
|||
|
|
You don't?
|
|||
|
|
No.
|
|||
|
|
Is that a single maybe?
|
|||
|
|
There are things that a lot of the programs want to rip it down to something.
|
|||
|
|
I want to make that your pop TV.
|
|||
|
|
Well, so myth TV will rip it to an ISO.
|
|||
|
|
And that's what I'm trying to get is to an ISO.
|
|||
|
|
Any program looks at it and because of the file sizes,
|
|||
|
|
screw up.
|
|||
|
|
They don't come on.
|
|||
|
|
See, where are you?
|
|||
|
|
There's a problem with that.
|
|||
|
|
I wish I was going to hang the problem.
|
|||
|
|
Okay.
|
|||
|
|
I'm sorry.
|
|||
|
|
I was going to be afraid.
|
|||
|
|
Yeah.
|
|||
|
|
You're going to be able to be backed up.
|
|||
|
|
It also takes care of errors.
|
|||
|
|
Because they purposefully put errors on the DVD.
|
|||
|
|
They will bypass those and fill them in with blanks.
|
|||
|
|
No, there's a curve.
|
|||
|
|
Fan line tool.
|
|||
|
|
Yeah.
|
|||
|
|
DVD backup is just a command line tool.
|
|||
|
|
And you can very like the input output file.
|
|||
|
|
And in a way, it goes in a way as it's copying.
|
|||
|
|
This is DVD backup.
|
|||
|
|
Backup aka open source.
|
|||
|
|
Move.
|
|||
|
|
Now open source.
|
|||
|
|
Does this make open source movie?
|
|||
|
|
It makes open source movie.
|
|||
|
|
DVD backup.
|
|||
|
|
And if you're trying to read it,
|
|||
|
|
and just ran a system.
|
|||
|
|
It's good.
|
|||
|
|
It's good.
|
|||
|
|
But my kind of zip TV just uses the tools that
|
|||
|
|
probably even use a tool like DVD backup.
|
|||
|
|
You know, DVDs come there.
|
|||
|
|
I think DVDs are kind of in everything,
|
|||
|
|
but just makes it.
|
|||
|
|
You know, I don't know because, you know,
|
|||
|
|
when you play, if I move back today,
|
|||
|
|
what it does when you do DVD backup,
|
|||
|
|
it will take the name of the DVD,
|
|||
|
|
create a folder, and then fill the structure
|
|||
|
|
and it needs it just like you were looking at the DVD name.
|
|||
|
|
So it's all the files and everything are originally there.
|
|||
|
|
So if I were to go to play it,
|
|||
|
|
I don't know if it's encrypted still,
|
|||
|
|
or if it's just unencrypted.
|
|||
|
|
I would imagine it would be an exact duplicate.
|
|||
|
|
Myth TV uses M player to play stuff underneath the hood.
|
|||
|
|
What you could do, you could play the DVD with M player
|
|||
|
|
and pipe it out to an uncompressed format,
|
|||
|
|
start the uncompressed format.
|
|||
|
|
You know, that's what I think is why I can't someone develop
|
|||
|
|
something like that.
|
|||
|
|
If you can play it,
|
|||
|
|
if you can play it,
|
|||
|
|
why can't you just be able to,
|
|||
|
|
at that time, just put it out to a file again
|
|||
|
|
while it's playing.
|
|||
|
|
I mean, you can maybe play the DVD.
|
|||
|
|
Well, I think it's like the heroes that I have do exactly that.
|
|||
|
|
I want to say it's what cognitive scenes
|
|||
|
|
to do.
|
|||
|
|
Because really, I don't care about the ripping time
|
|||
|
|
because I can run it overnight,
|
|||
|
|
and I don't care about compressing or changing the format
|
|||
|
|
or trying to cut down the file size.
|
|||
|
|
So you figured it very,
|
|||
|
|
because I really want to make an exact duplicate
|
|||
|
|
by destroying the DVD.
|
|||
|
|
I can re-create it again if I needed to with a new DVD right here.
|
|||
|
|
I've used the program Fog and a few times,
|
|||
|
|
it brings it to an odd file,
|
|||
|
|
or an OGM file,
|
|||
|
|
so I think you tend to do some performance.
|
|||
|
|
That almost seems like what you're doing.
|
|||
|
|
Let's take everything.
|
|||
|
|
And then the movie will be playing
|
|||
|
|
with your window in the program while it's creating the file.
|
|||
|
|
So I wonder if it's just straight scale,
|
|||
|
|
but framed by frame, you know, piece by piece.
|
|||
|
|
Because I know when they do the DVDs,
|
|||
|
|
they, where the DVD companies do,
|
|||
|
|
I mean, it's not a straight linear image on the DVD.
|
|||
|
|
It's not like it took one megabyte to go
|
|||
|
|
for the first 30 minutes,
|
|||
|
|
and then two megabytes for 30 minutes.
|
|||
|
|
They find scenes where it's black,
|
|||
|
|
and they'll compress it down,
|
|||
|
|
and it'll be a variable compression
|
|||
|
|
as it moves through the movie.
|
|||
|
|
So it's a little more,
|
|||
|
|
so it might be difficult for a program
|
|||
|
|
to go the same thing.
|
|||
|
|
I haven't used it much,
|
|||
|
|
because it's written well.
|
|||
|
|
I can't actually fit it on my screen.
|
|||
|
|
My 1200 by 800 isn't enough for it,
|
|||
|
|
and you can't resize it.
|
|||
|
|
You have a small screen.
|
|||
|
|
You have to buy a bigger screen.
|
|||
|
|
It's old.
|
|||
|
|
It's like three years old.
|
|||
|
|
Maybe get a cheap second one,
|
|||
|
|
because it's side by side.
|
|||
|
|
I'm upgraded.
|
|||
|
|
Yeah, absolutely.
|
|||
|
|
I've always upgraded the other machine.
|
|||
|
|
I don't know if I'm allowed to upgrade.
|
|||
|
|
You don't want to say the offer
|
|||
|
|
is going to be running on.
|
|||
|
|
Next is not even running right now.
|
|||
|
|
I'm going to download it in three days.
|
|||
|
|
Have you tried it?
|
|||
|
|
I'm planning to install Linux on it,
|
|||
|
|
as soon as I get my Xbox to play games on.
|
|||
|
|
I'm sick of playing games like PC.
|
|||
|
|
But you might not be able to find actually
|
|||
|
|
as many games.
|
|||
|
|
You know,
|
|||
|
|
something is not actually released on Xbox.
|
|||
|
|
What is, let's say, 4 PC.
|
|||
|
|
There's only a couple of games I play in there.
|
|||
|
|
I mean, when did you get it?
|
|||
|
|
You do.
|
|||
|
|
You do.
|
|||
|
|
I'm going to have some ninjas.
|
|||
|
|
That's what I'm going to tell you.
|
|||
|
|
Brian, have you tried playing a...
|
|||
|
|
That's not only your DVD drive to your popcorn hour
|
|||
|
|
you have to see if that will rip communities?
|
|||
|
|
That won't rip,
|
|||
|
|
because they said the popcorn hour doesn't do...
|
|||
|
|
Well, that's the recording movies discussion.
|
|||
|
|
If you see it, it has to record.
|
|||
|
|
But I don't think it has an output capability.
|
|||
|
|
And you can hook a drive up.
|
|||
|
|
You can hook a drive up and treat it just like a DVD player.
|
|||
|
|
So we'll go, we'll work that one.
|
|||
|
|
I just wanted to have everything actually.
|
|||
|
|
What do you have?
|
|||
|
|
The neurons?
|
|||
|
|
Yeah, you play, you basically hook any DVD player
|
|||
|
|
and just put them in your output to the nerves.
|
|||
|
|
And it makes an empty four out of it.
|
|||
|
|
So you're using neurons to decode?
|
|||
|
|
No, and the...
|
|||
|
|
It just records.
|
|||
|
|
It's just basically recording.
|
|||
|
|
Because you're just sending signal in there.
|
|||
|
|
And then you add the player with the...
|
|||
|
|
It doesn't copy the disk or the...
|
|||
|
|
It uses the player in the keyboard to do that.
|
|||
|
|
It just takes over that.
|
|||
|
|
It comes out.
|
|||
|
|
Or the YouTube that comes in on the network
|
|||
|
|
it doesn't create the YouTube type file.
|
|||
|
|
It creates its own type of file.
|
|||
|
|
But basically any output.
|
|||
|
|
I mean, it's different in the sense than using the double deck.
|
|||
|
|
You know, the deck that has the VHS and DVD.
|
|||
|
|
I mean, copy VHS to DVD and vice versa.
|
|||
|
|
But it's got something in there that won't let you do that.
|
|||
|
|
It's an encrypted thing.
|
|||
|
|
It does not have that.
|
|||
|
|
There's also a turtle beach thing.
|
|||
|
|
What's that called?
|
|||
|
|
It's a...
|
|||
|
|
It's a thing you can stick into your computer
|
|||
|
|
that basically will also just take any video output from any source
|
|||
|
|
and make various kinds of files out of it.
|
|||
|
|
But you don't end up with a disk.
|
|||
|
|
I mean, then you can turn around and...
|
|||
|
|
Put it back out.
|
|||
|
|
Put it back out and use your video DVD recorder
|
|||
|
|
to make a DVD out of it.
|
|||
|
|
And if you close the thing that they call closing disk.
|
|||
|
|
If you close the disk, it'll light up the play on any computer
|
|||
|
|
or anything that you want to play on.
|
|||
|
|
The other thing that you have an issue with downloading open source movies.
|
|||
|
|
Because while he's out there...
|
|||
|
|
Yeah, while he's out there in 1080p, 720p, DVD, RIP.
|
|||
|
|
Technically, if you own the disk, I can type that illegal.
|
|||
|
|
Yeah, at home.
|
|||
|
|
That's right.
|
|||
|
|
We just optioned, really giving it out.
|
|||
|
|
We just bought a movie, or whatever.
|
|||
|
|
And there were actually two movies.
|
|||
|
|
Two disk, and one was, I think, MPEC four-file.
|
|||
|
|
And the other one was DVD.
|
|||
|
|
They just did that with all of it.
|
|||
|
|
They said you can buy the unencoded or the...
|
|||
|
|
What?
|
|||
|
|
It was a violation of some place in there that it's not fully...
|
|||
|
|
It was more like a less resolution or something like that.
|
|||
|
|
I don't know.
|
|||
|
|
I didn't try it.
|
|||
|
|
I can't imagine they'd release it unencrypted.
|
|||
|
|
It was more expensive.
|
|||
|
|
It was like a collector edition.
|
|||
|
|
It had a dollar.
|
|||
|
|
I think it's just like a plus five dollars or something.
|
|||
|
|
It was like $24.
|
|||
|
|
Okay.
|
|||
|
|
So you could take your movie.
|
|||
|
|
I don't have to do it.
|
|||
|
|
I need to do it for you.
|
|||
|
|
They do it for you.
|
|||
|
|
Just copy it off the thing.
|
|||
|
|
Yeah.
|
|||
|
|
Oh, the big argument.
|
|||
|
|
Like, if you watch those things...
|
|||
|
|
There's probably enough 10 acres of that.
|
|||
|
|
If you watch those things, podcasts.
|
|||
|
|
What they're arguing is that if you buy something,
|
|||
|
|
and you have various technologies that you could view your material on,
|
|||
|
|
you should be allowed to watch it on your iPod or watch it on your TV set
|
|||
|
|
or watch it on your computer,
|
|||
|
|
and that that's not a violation of fair use.
|
|||
|
|
That's the only thing.
|
|||
|
|
But copyright holders don't like fair use.
|
|||
|
|
Because they want to...
|
|||
|
|
Right.
|
|||
|
|
...too much...
|
|||
|
|
...couching as they...
|
|||
|
|
...paint the effects on the data.
|
|||
|
|
Well, that's the thing.
|
|||
|
|
Personally, I feel that that kind of restriction of use of any information
|
|||
|
|
is not really in the water on an elephant thing.
|
|||
|
|
But then use to spread people differently.
|
|||
|
|
They want their money.
|
|||
|
|
Yeah.
|
|||
|
|
They're the ones who may have the money that they make the laws.
|
|||
|
|
Well, the Mickey Mouse was what it was.
|
|||
|
|
Will.
|
|||
|
|
Will.
|
|||
|
|
Will.
|
|||
|
|
Willy?
|
|||
|
|
Yeah, I will.
|
|||
|
|
Willy, Steve O'Willey.
|
|||
|
|
So it was, it was in the original creation of...
|
|||
|
|
world of Disney. Right. And right now it's copyrighted and nobody can do it.
|
|||
|
|
I mean, you know, historically, I've said this before, but I think the history and the facts show
|
|||
|
|
that too much restriction on that kind of stuff actually impedes creativity because the one, you know,
|
|||
|
|
semi-valid argument for copyright is that somebody should be rewarded for their efforts to do something creative.
|
|||
|
|
But in the long run, I think most many, most certainly a lot of creative people I know really don't agree with that.
|
|||
|
|
They feel that having to watch too carefully about, you know, where they're getting their sources from.
|
|||
|
|
So it's never wild in Shakespeare. I mean, you rip off anybody you felony.
|
|||
|
|
You know, so I mean, it's an argument. But I mean, you do want people to get some
|
|||
|
|
remuneration for their efforts when they're created as persons. But...
|
|||
|
|
But at this point, you walk doesn't it? Yeah. See, at this point, what's happened is that the big companies for purely,
|
|||
|
|
you know, business type reasons have sucked all the power into their corner.
|
|||
|
|
And you're just continuing to try to bring that up.
|
|||
|
|
Because if you have to pay for the knowledge, I mean, what would be our living on is just the knowledge, you know,
|
|||
|
|
living on those shoulders of the giants.
|
|||
|
|
So if you have to pay for the older knowledge and older knowledge is not available,
|
|||
|
|
that will reduce us to, you know, nothing.
|
|||
|
|
It's the humanizing. I mean, that's what Takeshensky's whole thing.
|
|||
|
|
That's the uniform, I think. It doesn't recognize the name.
|
|||
|
|
But he is an objective parking meter. So you know how outrageous that somebody charges you for space you're going to occupy.
|
|||
|
|
You know, we'll put on a planet. You have a right to be wherever we have to be.
|
|||
|
|
You know, it says we have to pay to be there. You know, I mean, in a way if you think about it.
|
|||
|
|
That's why he said those bombs because they don't want to...
|
|||
|
|
Well, he's the objective people who were impinging upon his human space, he felt.
|
|||
|
|
So that's why he's...
|
|||
|
|
That's why he's sent it to university.
|
|||
|
|
He's eliminated a few fingers to make his point.
|
|||
|
|
You know what I'm saying?
|
|||
|
|
No, no.
|
|||
|
|
I don't agree with his means.
|
|||
|
|
Yeah.
|
|||
|
|
And I'll put this right on.
|
|||
|
|
I think he got a point.
|
|||
|
|
I still think that's what killed Sony's music format, the A-Track.
|
|||
|
|
That's why he's sending that to Sony.
|
|||
|
|
Sony A-Track?
|
|||
|
|
Sony A-Track.
|
|||
|
|
The letter A-Track.
|
|||
|
|
They had...
|
|||
|
|
I think they had...
|
|||
|
|
I think they had...
|
|||
|
|
I think they had...
|
|||
|
|
I think they had...
|
|||
|
|
I think they had...
|
|||
|
|
The mini-discs.
|
|||
|
|
Oh, the mini-discs.
|
|||
|
|
Yeah, the mini-discs.
|
|||
|
|
You have the A-Track audio compression format.
|
|||
|
|
And honestly, I used it for years and I...
|
|||
|
|
I suppose it's sort of that it's better than anything I've ever heard before.
|
|||
|
|
It's for compression and sound quality.
|
|||
|
|
But it was so locked down that so much control over the hardware,
|
|||
|
|
wouldn't when anybody touched it, they just basically suffocated it themselves.
|
|||
|
|
Well, they did that over and over and over.
|
|||
|
|
Yeah.
|
|||
|
|
They made the same mistakes as beta.
|
|||
|
|
I mean, if you look at beta in a VHS, you can tell the difference it's written on,
|
|||
|
|
which is where it's written.
|
|||
|
|
But beta, you try to get a beta cassette now.
|
|||
|
|
I mean, it's just...
|
|||
|
|
That's just frustrating.
|
|||
|
|
They made...
|
|||
|
|
Oh, there's three stuff.
|
|||
|
|
They have good technology.
|
|||
|
|
It's just that they ended up killing it over and over again.
|
|||
|
|
They do it themselves, too.
|
|||
|
|
I mean, if they do so much as let, you know, open source the format
|
|||
|
|
that could have continued to make hardware.
|
|||
|
|
They don't even open source.
|
|||
|
|
They've maybe licensed it a little bit, not as restrictive.
|
|||
|
|
I don't think you could buy a third-party piece of hardware that did a track.
|
|||
|
|
It was only Sony all the time and they wanted to control or roll it.
|
|||
|
|
Yeah.
|
|||
|
|
I think the result is, you know, they go away.
|
|||
|
|
The place where the folks have an argument is some of the, like, the after-and-sav strikes now,
|
|||
|
|
I mean, are proposed strikes.
|
|||
|
|
These are the people who feel that they should get a cut of DVD sales when they're creating,
|
|||
|
|
when their talent and creative work is on the disk.
|
|||
|
|
And of course, the producers are trying very hard not to give them anything, you know.
|
|||
|
|
But there you see where the motives of the people who run in the business really show true.
|
|||
|
|
Because if anybody has an argument that they should get some residuals on a DVD
|
|||
|
|
that's distributed when you're the actor in it or the writer, you know, for that.
|
|||
|
|
They definitely have a case.
|
|||
|
|
But the hardware manufacturers, I can't understand why they don't see this in their own interest
|
|||
|
|
to disseminate that stuff as widely as possible, you know.
|
|||
|
|
And it doesn't seem to me to be necessary to be that competitive.
|
|||
|
|
I think a lot of those technologies could code this personally.
|
|||
|
|
Look at Apple, you know, and he's posting pretty good with the proprietary stuff.
|
|||
|
|
It's a lot easier to make a dollar now than two dollars later.
|
|||
|
|
So if you can make a dollar now and leave it closed so that you're the only one who can do it,
|
|||
|
|
it's a lot better than, you know, years down the road.
|
|||
|
|
You're making a whole bunch of money because it's your format everywhere.
|
|||
|
|
Hard to track the investors too with that model.
|
|||
|
|
Right, you're starting up a company investor who want to see money
|
|||
|
|
and they want to see it now, not 10 years down the road.
|
|||
|
|
So if you come up with a part of the two, yeah.
|
|||
|
|
Come up with something that makes money now and who cares what it does in the year.
|
|||
|
|
That's probably what they're doing.
|
|||
|
|
You'll be retired and have your cash pay up by the minute.
|
|||
|
|
Yeah.
|
|||
|
|
We're tired of going to the market.
|
|||
|
|
I don't know.
|
|||
|
|
Okay, what else do you have for us?
|
|||
|
|
I showed you, I've got the flyer.
|
|||
|
|
Now the problem with it, I kind of explained it while you were on a beer run.
|
|||
|
|
Inkscape doesn't export gradients to PDF.
|
|||
|
|
It exports them at blocks of solid area and doesn't line the blocks up right.
|
|||
|
|
So I can't export it to PDF.
|
|||
|
|
So I can only export it as PNG.
|
|||
|
|
Okay.
|
|||
|
|
It's a high enough resolution to print it.
|
|||
|
|
It comes out to about seven mags.
|
|||
|
|
Okay.
|
|||
|
|
So I can send it to you if it's about seven mags.
|
|||
|
|
That's fine.
|
|||
|
|
Okay.
|
|||
|
|
Send it to you.
|
|||
|
|
Now, along with that, when I printed these out, you can't tell they look green.
|
|||
|
|
They're not green.
|
|||
|
|
They're actually kind of more of a teal color.
|
|||
|
|
And I wasn't expecting that because as far as I could tell, they look green.
|
|||
|
|
It's blue, blue, green.
|
|||
|
|
Yeah, it's blue, blue, green.
|
|||
|
|
So what I ended up doing, I inkscape went and I made a color chart.
|
|||
|
|
Color space.
|
|||
|
|
That actually, it goes through the entire RGB spectrum and prints out all the different RGB values.
|
|||
|
|
That's very technical.
|
|||
|
|
Cool.
|
|||
|
|
So what's the point?
|
|||
|
|
What do you get to pick one?
|
|||
|
|
Pretty much.
|
|||
|
|
What do you get by all together and average it?
|
|||
|
|
When you're picking the color on the screen, you don't know what it's going to look like.
|
|||
|
|
Yeah.
|
|||
|
|
You have no idea what it's going to look like.
|
|||
|
|
So instead of picking the color on the screen, you look at the sheet.
|
|||
|
|
Oh, I get it.
|
|||
|
|
Get the three values here.
|
|||
|
|
Okay.
|
|||
|
|
Regardless how it goes up here.
|
|||
|
|
That's what it's going to look like when it prints out because that is the color of the screen.
|
|||
|
|
Oh, so you're assigning the color rules on the screen.
|
|||
|
|
Yep.
|
|||
|
|
And you can actually buy these.
|
|||
|
|
And actually, they have, there's three different modes of color that graphics really work with.
|
|||
|
|
There's the CMYK, the RGB.
|
|||
|
|
But then there's also something called Pantone.
|
|||
|
|
Now, Pantone is really what you want.
|
|||
|
|
But you have to pay a licensing fee to use it.
|
|||
|
|
And what Pantone is, it says that this particular color right here is named this.
|
|||
|
|
So if you go into Photoshop and you pick, you know, color red three,
|
|||
|
|
you are guaranteed that it will look exactly like that.
|
|||
|
|
You're going to have a system to move it.
|
|||
|
|
Yeah.
|
|||
|
|
All of the professional printing shops, they have their Pantones printed out.
|
|||
|
|
And they pretty much calibrate their systems.
|
|||
|
|
The red three looks like that everywhere.
|
|||
|
|
So you can pick Pantone colors and be sure that it's going to come out exactly how you want to come out.
|
|||
|
|
Sort of like PDF did for the document.
|
|||
|
|
You know, wherever you print a PDF document.
|
|||
|
|
Realist is a Mac and Apple.
|
|||
|
|
Yeah.
|
|||
|
|
So what are the differences between that and assigning it a RGB value?
|
|||
|
|
Because an RGB value doesn't necessarily specify what the real value is.
|
|||
|
|
Right.
|
|||
|
|
RGB is interpreted by this.
|
|||
|
|
But you may have another computer system like a cray or something that doesn't understand RGB.
|
|||
|
|
But if they support Pantones.
|
|||
|
|
Kind of like guarantee that it'll work.
|
|||
|
|
It also depends on your partner.
|
|||
|
|
You're going to have a monitor on your partner.
|
|||
|
|
Right.
|
|||
|
|
Right.
|
|||
|
|
RGB is between 0 and 100.
|
|||
|
|
What's 100?
|
|||
|
|
What's 0?
|
|||
|
|
It depends on the monitor.
|
|||
|
|
On this screen, 0 is not complete black.
|
|||
|
|
It's actually a gray color.
|
|||
|
|
White is not complete white.
|
|||
|
|
It's actually a gray color.
|
|||
|
|
It's different.
|
|||
|
|
It's going to look different on my screen versus on there in RGB color.
|
|||
|
|
But you can buy monitors and printers that are Pantone and they're calibrate.
|
|||
|
|
They've got calibrate.
|
|||
|
|
You can actually buy a USB device that you have in suction attached to your monitor that will calibrate your monitor.
|
|||
|
|
And it's got to be, you know, it's like it's a paint story.
|
|||
|
|
They have devices that you can put a sample underneath it.
|
|||
|
|
You'll be done.
|
|||
|
|
I'm ready to see what it is.
|
|||
|
|
And actually, you can go one step outside of Pantone.
|
|||
|
|
Pantone is actually based on a system called Month Cell.
|
|||
|
|
And you can, for quite a lot of money, buy a set of very, very elegantly produced chips.
|
|||
|
|
Color chips in the Month Cell system.
|
|||
|
|
I mean, it's expensive.
|
|||
|
|
I mean, I don't know.
|
|||
|
|
25 years ago, the advertising company already posted 35 years ago.
|
|||
|
|
You know, the advertising company, you know, right.
|
|||
|
|
It was like $3,000 for this box, a little piece of tile that had color span on it.
|
|||
|
|
And on the back of that, it translates into various things like RGDs, hands up.
|
|||
|
|
You can actually read the back of the chip.
|
|||
|
|
It'll tell you what the equivalent is in about, oh, I don't know.
|
|||
|
|
What there was about 30 different color systems that they indexed each of these Month Cell chips, too.
|
|||
|
|
So this is going to be very complicated.
|
|||
|
|
People who are totally hung up on getting exactly the right color.
|
|||
|
|
I don't know.
|
|||
|
|
It was paying for the color of the background of the red.
|
|||
|
|
They really wanted it to be a precise color.
|
|||
|
|
It's the most appealing.
|
|||
|
|
It can't be this shade of red.
|
|||
|
|
It's going to be a little bit with an orange.
|
|||
|
|
Yeah.
|
|||
|
|
Exactly.
|
|||
|
|
I thought this was a, you know, a green color.
|
|||
|
|
And you look at it in full white.
|
|||
|
|
It's not green.
|
|||
|
|
It's actually very good.
|
|||
|
|
It's in either dodge of your place.
|
|||
|
|
Because that's going to look different in every color in white.
|
|||
|
|
Right.
|
|||
|
|
Well, I looked at it in white, white, in white.
|
|||
|
|
That's not green.
|
|||
|
|
And actually, I looked, and the printer doesn't actually, well, I'm using RGB color.
|
|||
|
|
Tell me me.
|
|||
|
|
I've got a CDYK printer.
|
|||
|
|
Yeah.
|
|||
|
|
Because it's, you know, a color laser.
|
|||
|
|
It's got the fourth color.
|
|||
|
|
I'll tell you something, even screw your color.
|
|||
|
|
If you look at this and then shift your eyes, the colors are the same.
|
|||
|
|
Yes.
|
|||
|
|
And if you look at this.
|
|||
|
|
If you look at your image and you're flooring, when you're calibrating your eyes to see colors.
|
|||
|
|
And so, right.
|
|||
|
|
Color is a completely flat, fluid thing.
|
|||
|
|
There's no such thing.
|
|||
|
|
I know color.
|
|||
|
|
And if you look at the CMYK on there, you can see that the, or, if you look at the RGB.
|
|||
|
|
There's down at the bottom.
|
|||
|
|
There's RGB.
|
|||
|
|
You can see that as they get darker, they actually shift huge.
|
|||
|
|
So the red doesn't say red.
|
|||
|
|
It actually goes to slight blue hue and then goes to black.
|
|||
|
|
And then there's something called top tone.
|
|||
|
|
Some inks and figments actually have something called top tone.
|
|||
|
|
You know, the color actually looks different, whether you're looking straight on it or looking at it at an angle.
|
|||
|
|
Which, of course, any LCD monitor also.
|
|||
|
|
Great.
|
|||
|
|
How about we just call it gray scale?
|
|||
|
|
So, yeah.
|
|||
|
|
New yellow gray scale.
|
|||
|
|
I've liked it already.
|
|||
|
|
So anyway, that's like a long one.
|
|||
|
|
That's what I mean to create that document there.
|
|||
|
|
And I printed it out.
|
|||
|
|
This is just a proof.
|
|||
|
|
That's not the...
|
|||
|
|
Gray scale is indeed quite interesting.
|
|||
|
|
Because you say the same thing.
|
|||
|
|
It takes something like paint shot.
|
|||
|
|
And try to make it like 10 bands of color of gray.
|
|||
|
|
That actually appear to be equidistant.
|
|||
|
|
That's a little sperm that you can trust.
|
|||
|
|
Take a sheet and divide it into 10 columns.
|
|||
|
|
And try to arrange them so that you think you have 10 equally spaced shades of gray.
|
|||
|
|
So you see how long it takes you to do that.
|
|||
|
|
And then when you can come down to...
|
|||
|
|
You do what your eye thinks is equally spaced.
|
|||
|
|
And then see what your sliders say.
|
|||
|
|
And whether or not...
|
|||
|
|
What your eye see actually agree with the mathematics
|
|||
|
|
that the algorithm that the computer uses to do that.
|
|||
|
|
All right.
|
|||
|
|
So about halfway done.
|
|||
|
|
So that led me into the inkscape tutorials.
|
|||
|
|
And actually it's...
|
|||
|
|
I don't know if anybody has ever looked at it.
|
|||
|
|
But they've got some really, really nice inkscape tutorials.
|
|||
|
|
And they're actually fairly nice tutorials on using inkscape.
|
|||
|
|
And doing some really complex stuff.
|
|||
|
|
Inkscape tutorials...
|
|||
|
|
Oh.
|
|||
|
|
That's not going to work.
|
|||
|
|
That is going to work.
|
|||
|
|
You can scan it to your computer.
|
|||
|
|
Yeah.
|
|||
|
|
Yeah.
|
|||
|
|
Yeah.
|
|||
|
|
Yeah.
|
|||
|
|
Yeah.
|
|||
|
|
Yeah.
|
|||
|
|
Yeah.
|
|||
|
|
Yeah.
|
|||
|
|
Yeah.
|
|||
|
|
Yeah.
|
|||
|
|
Yeah.
|
|||
|
|
Yeah.
|
|||
|
|
Yeah.
|
|||
|
|
Yeah.
|
|||
|
|
Yeah.
|
|||
|
|
The first one there.
|
|||
|
|
All right.
|
|||
|
|
A list.
|
|||
|
|
Yep.
|
|||
|
|
So it's just...
|
|||
|
|
You know, like the first one there is creating that in the inkscape.
|
|||
|
|
How to draw that.
|
|||
|
|
So if you're interested in how to do anything in inkscape,
|
|||
|
|
this is definitely something to take a look at.
|
|||
|
|
You can learn quite a bit from going through these tutorials.
|
|||
|
|
Thanks.
|
|||
|
|
Thermosubscibe.
|
|||
|
|
The Thermosubscibe.
|
|||
|
|
Podcast.
|
|||
|
|
Was it for inkscape?
|
|||
|
|
It was your...
|
|||
|
|
The next reality had a couple of sessions on inkscape with the tutorial.
|
|||
|
|
But, there is the whole podcast just for tutorials.
|
|||
|
|
For...
|
|||
|
|
I think it's for inkscape.
|
|||
|
|
Oh, yeah.
|
|||
|
|
There's a lot of the graphic sites.
|
|||
|
|
There's lots of online tutorials for Photoshop inkscape.
|
|||
|
|
Because it's a lot.
|
|||
|
|
Because...
|
|||
|
|
Because the three programs inkscape, blender and what is the third one?
|
|||
|
|
Here you can...
|
|||
|
|
Publishing.
|
|||
|
|
For pub...
|
|||
|
|
Scribes?
|
|||
|
|
Scribes.
|
|||
|
|
They actually...
|
|||
|
|
I have them mixed together.
|
|||
|
|
I cannot have myself.
|
|||
|
|
But I think that all these games, there is a podcast and tutorial site for doing stuff like that.
|
|||
|
|
And actually it's a video.
|
|||
|
|
So you can be watching how to do it.
|
|||
|
|
Oh, yeah.
|
|||
|
|
10 minutes.
|
|||
|
|
Yes.
|
|||
|
|
That's what it is.
|
|||
|
|
Screencast.
|
|||
|
|
I think I've seen some of those.
|
|||
|
|
Yeah.
|
|||
|
|
Those are good as well.
|
|||
|
|
I just saw that.
|
|||
|
|
It's something interesting.
|
|||
|
|
Alright.
|
|||
|
|
So that led me to my...
|
|||
|
|
What?
|
|||
|
|
Visiting.
|
|||
|
|
Yeah.
|
|||
|
|
I was very busy.
|
|||
|
|
I should give you more beers.
|
|||
|
|
We're at nothing to do here.
|
|||
|
|
We're at nothing to do here.
|
|||
|
|
We didn't have any.
|
|||
|
|
We didn't even relax, man.
|
|||
|
|
So that got into the walk on tablet.
|
|||
|
|
I have a drawing tablet.
|
|||
|
|
Yes.
|
|||
|
|
And the big issue with that was...
|
|||
|
|
You had to have it plugged in when X started because X was the program that really drove all the configurations for it.
|
|||
|
|
Well, they've got this new demon that runs in the background called W Demon.
|
|||
|
|
And it simulates the pad.
|
|||
|
|
So that when you plug in the pad, it takes all the signals and passes them through to X.
|
|||
|
|
But when X starts up, it thinks the pad is plugged in.
|
|||
|
|
So it configures everything like it was plugged in.
|
|||
|
|
So I thought that was kind of interesting that you could unplug it and plug it in.
|
|||
|
|
And X thinks it's there.
|
|||
|
|
But it's really not until you plug it in.
|
|||
|
|
And I have to try my pad and Linux again because I kind of have the pads.
|
|||
|
|
The force to using Windows to keep it working smooth.
|
|||
|
|
It actually works really nice.
|
|||
|
|
I mean, I can show you...
|
|||
|
|
I've got it with me.
|
|||
|
|
I can show you later exactly what it does.
|
|||
|
|
Yeah.
|
|||
|
|
So I thought that was kind of interesting.
|
|||
|
|
That's the Fedora.
|
|||
|
|
This is...
|
|||
|
|
That's with Fedora 10.
|
|||
|
|
But I don't know.
|
|||
|
|
I'm sure that these programs are also available.
|
|||
|
|
How is it?
|
|||
|
|
It was...
|
|||
|
|
It's actually...
|
|||
|
|
What about the Linux project?
|
|||
|
|
Linux project.
|
|||
|
|
Isn't it?
|
|||
|
|
Is that what they call it?
|
|||
|
|
Linux project.
|
|||
|
|
I don't know.
|
|||
|
|
It was created in November 15, 2007.
|
|||
|
|
So I don't know.
|
|||
|
|
What was W...
|
|||
|
|
WACOM.
|
|||
|
|
Yeah.
|
|||
|
|
On the pad really just worked.
|
|||
|
|
I had to set up a few settings in X to get everything working.
|
|||
|
|
But like the pressure sensitivity worked great.
|
|||
|
|
You know, the eraser worked.
|
|||
|
|
All the buttons worked.
|
|||
|
|
So...
|
|||
|
|
But how did it work?
|
|||
|
|
The demon?
|
|||
|
|
It was just W.
|
|||
|
|
W didn't...
|
|||
|
|
Like that?
|
|||
|
|
A-E, I think it is.
|
|||
|
|
A-D-A-E-M-O-N.
|
|||
|
|
D-A-E.
|
|||
|
|
It's not an A-M-L-M-R, except...
|
|||
|
|
D-A-E.
|
|||
|
|
A first.
|
|||
|
|
A before E, except after D.
|
|||
|
|
The left hand before D.
|
|||
|
|
Wait.
|
|||
|
|
Left hand, pinky.
|
|||
|
|
B-E.
|
|||
|
|
B-E.
|
|||
|
|
Not...
|
|||
|
|
Yeah.
|
|||
|
|
Everyone.
|
|||
|
|
Everyone.
|
|||
|
|
Okay.
|
|||
|
|
That's it.
|
|||
|
|
That's it, that's it, that's it.
|
|||
|
|
Let's go.
|
|||
|
|
Y'all got it.
|
|||
|
|
You hit D.
|
|||
|
|
Up.
|
|||
|
|
Enter.
|
|||
|
|
D.
|
|||
|
|
Hey!
|
|||
|
|
She W, David.
|
|||
|
|
That's not the same thing.
|
|||
|
|
That's not the same thing.
|
|||
|
|
It's not the same thing.
|
|||
|
|
It's not the same thing.
|
|||
|
|
So I don't know.
|
|||
|
|
It might be something fairly new.
|
|||
|
|
You got it.
|
|||
|
|
It says it's also called the Hot Plug Helper for Wacom.
|
|||
|
|
Well, it goes from Parle and Serial Port.
|
|||
|
|
Might as well speak.
|
|||
|
|
So.
|
|||
|
|
So then, if I was going to be working?
|
|||
|
|
I'm sure the demon wasn't just fine.
|
|||
|
|
Well, well, anyway, that's another thing.
|
|||
|
|
Well, can you explain who went to Spain there?
|
|||
|
|
Or Mexico.
|
|||
|
|
Longest in Spain.
|
|||
|
|
It's Spain.
|
|||
|
|
Role.
|
|||
|
|
Italy.
|
|||
|
|
Italy.
|
|||
|
|
We explained what the demon is.
|
|||
|
|
Who drew it?
|
|||
|
|
Who drew it?
|
|||
|
|
No.
|
|||
|
|
I spy on Artisan Axe Gunther.
|
|||
|
|
Yes.
|
|||
|
|
He probably got a dollar in there.
|
|||
|
|
He's trying to know if a family is basically her.
|
|||
|
|
She just moved to California for our wedding present.
|
|||
|
|
And going to my house, take what you want.
|
|||
|
|
I don't know.
|
|||
|
|
So we said, OK.
|
|||
|
|
Cool.
|
|||
|
|
OK.
|
|||
|
|
Two more things.
|
|||
|
|
OK.
|
|||
|
|
And I'm going to go.
|
|||
|
|
Two more.
|
|||
|
|
Wow.
|
|||
|
|
Be very related.
|
|||
|
|
These don't fit in those.
|
|||
|
|
Yeah.
|
|||
|
|
I agree.
|
|||
|
|
You can take my tummy.
|
|||
|
|
You can take it.
|
|||
|
|
You have to redo the beginning.
|
|||
|
|
You've got to say, this is the virus.
|
|||
|
|
Well, I'm going to do this.
|
|||
|
|
And then it's going to come three weeks later.
|
|||
|
|
And I want it back.
|
|||
|
|
No.
|
|||
|
|
I don't know.
|
|||
|
|
I just was one of those weeks.
|
|||
|
|
I got...
|
|||
|
|
I looked at that Cayden live script.
|
|||
|
|
And I got it to compile.
|
|||
|
|
And I got it working.
|
|||
|
|
And it's a 90% rule.
|
|||
|
|
They hit 90% with the last release.
|
|||
|
|
So they decided it's time to rewrite it.
|
|||
|
|
And now it crashes all the time.
|
|||
|
|
It's horrible.
|
|||
|
|
I can't even use it.
|
|||
|
|
It crashes so much.
|
|||
|
|
What's it supposed to do for you?
|
|||
|
|
It's a non-linear video editor.
|
|||
|
|
Oh.
|
|||
|
|
Let me see.
|
|||
|
|
So it...
|
|||
|
|
Yeah.
|
|||
|
|
They had it.
|
|||
|
|
And they're like, oh, yep.
|
|||
|
|
It's bold rewrite.
|
|||
|
|
It's really great.
|
|||
|
|
And yes.
|
|||
|
|
It's like Windows rewrite...
|
|||
|
|
They did rewrite TCP.
|
|||
|
|
I think it's that.
|
|||
|
|
Oh.
|
|||
|
|
Wow.
|
|||
|
|
We'll see if that works.
|
|||
|
|
Yeah.
|
|||
|
|
I mean, that's real great.
|
|||
|
|
Here.
|
|||
|
|
I can show it in real quick.
|
|||
|
|
There's probably the single biggest reason I'm helping.
|
|||
|
|
I'm buying a machine to play games on other than Windows PC.
|
|||
|
|
Because my network always holds down.
|
|||
|
|
I can.
|
|||
|
|
Connect to it.
|
|||
|
|
Hang on.
|
|||
|
|
Questions instead of off.
|
|||
|
|
No, it's like with movie files.
|
|||
|
|
I try to transfer movie backer.
|
|||
|
|
It'll just drop after a couple hundred megs.
|
|||
|
|
It'll just decide to give off pretty stuff.
|
|||
|
|
Well, what?
|
|||
|
|
Uh...
|
|||
|
|
Did you update the firmware on the router just to...
|
|||
|
|
This is not the router.
|
|||
|
|
It's the...
|
|||
|
|
You're trying to...
|
|||
|
|
PVT.
|
|||
|
|
PTV.
|
|||
|
|
I can have a Linux virtual machine running inside the Windows box.
|
|||
|
|
That's fine.
|
|||
|
|
I don't...
|
|||
|
|
I don't...
|
|||
|
|
Is that transfer files on my wireless all the time?
|
|||
|
|
I mean...
|
|||
|
|
That's not even wireless.
|
|||
|
|
I never do.
|
|||
|
|
I mean, some...
|
|||
|
|
Or...
|
|||
|
|
Uh...
|
|||
|
|
Just...
|
|||
|
|
I mean...
|
|||
|
|
FTP, this and that.
|
|||
|
|
I can, you know,碰 the gate gate files back and forth.
|
|||
|
|
So, I mean, it's just...
|
|||
|
|
You know, it's got the full, uh...
|
|||
|
|
All the video tracks down here.
|
|||
|
|
And you just lay out your videos however you want them.
|
|||
|
|
And then you can add transitions in between them.
|
|||
|
|
It's got a whole list of effects that you can do.
|
|||
|
|
Oh.
|
|||
|
|
It's...
|
|||
|
|
It's real.
|
|||
|
|
It's got all the features.
|
|||
|
|
It's right there.
|
|||
|
|
It just...
|
|||
|
|
It crashes all the time.
|
|||
|
|
Oh.
|
|||
|
|
What do you...
|
|||
|
|
Yeah, well...
|
|||
|
|
You think it's your...
|
|||
|
|
You're ready.
|
|||
|
|
You think you're ready?
|
|||
|
|
You think you're ready for...
|
|||
|
|
Katie for...
|
|||
|
|
Yes.
|
|||
|
|
Okay.
|
|||
|
|
See?
|
|||
|
|
There you have it.
|
|||
|
|
I could use it past about four minutes before it just...
|
|||
|
|
Let's see if there's Windows Movie Maker.
|
|||
|
|
I mean, Windows Movie is like three minutes, so that's even better.
|
|||
|
|
Yeah, and you know, I...
|
|||
|
|
I do realize that...
|
|||
|
|
Like, there it goes.
|
|||
|
|
It just crashed on it.
|
|||
|
|
Hi, I'm Ben.
|
|||
|
|
But do they...
|
|||
|
|
I think it would you koshered in and build an...
|
|||
|
|
A random save function because they realize it will crash?
|
|||
|
|
Yes, they did actually.
|
|||
|
|
And it asks you.
|
|||
|
|
Do you want to enable this highly recommender?
|
|||
|
|
Yeah.
|
|||
|
|
Why does that stuff happen?
|
|||
|
|
Well, you know...
|
|||
|
|
Our program sucks.
|
|||
|
|
Don't worry.
|
|||
|
|
Even the professional...
|
|||
|
|
You know, editors aren't that stable.
|
|||
|
|
I don't know if it's just that difficult to do or...
|
|||
|
|
What the deal is, but...
|
|||
|
|
Like, even Adobe Premiere...
|
|||
|
|
Has like an auto save that saves every two minutes.
|
|||
|
|
Because...
|
|||
|
|
Who knows when it's going to go down.
|
|||
|
|
So, I really don't even have that home.
|
|||
|
|
Yeah.
|
|||
|
|
My guess is that probably, you know, you have all the encoding
|
|||
|
|
and all the special stuff.
|
|||
|
|
They skimp on the checking of the data going through there.
|
|||
|
|
You know, it gets performance.
|
|||
|
|
Yeah.
|
|||
|
|
You know, sometimes it gets a lot.
|
|||
|
|
And sometimes it comes back to volume.
|
|||
|
|
But that's really what every software package
|
|||
|
|
advertises were the fastest.
|
|||
|
|
You know, we can code it.
|
|||
|
|
Oh, so if you're going to get that, you'll have to.
|
|||
|
|
Right.
|
|||
|
|
We can get your final movie to be a faster.
|
|||
|
|
Did it use that as a big crash to fastest?
|
|||
|
|
Yeah.
|
|||
|
|
What?
|
|||
|
|
That is only key.
|
|||
|
|
We don't advertise that.
|
|||
|
|
We need one to advertise with zero death crystals.
|
|||
|
|
Zero death?
|
|||
|
|
Yeah.
|
|||
|
|
We need that live, definitely.
|
|||
|
|
We have zero death crystals.
|
|||
|
|
Can it live definitely needs last death crystal?
|
|||
|
|
It does.
|
|||
|
|
Yeah.
|
|||
|
|
Very well.
|
|||
|
|
It could be something on my PC too.
|
|||
|
|
I don't know.
|
|||
|
|
But yeah, it just wasn't stable.
|
|||
|
|
And then the last thing I got.
|
|||
|
|
You sure?
|
|||
|
|
This is kind of a true part of it.
|
|||
|
|
Oh.
|
|||
|
|
Oh.
|
|||
|
|
Just a second.
|
|||
|
|
I was looking at three parts.
|
|||
|
|
Nana.
|
|||
|
|
Banshee went through.
|
|||
|
|
And he got all my cover art.
|
|||
|
|
He got one wrong.
|
|||
|
|
Where does it store cover?
|
|||
|
|
In the folder.
|
|||
|
|
No, it doesn't.
|
|||
|
|
No, it isn't there.
|
|||
|
|
Well, there's a couple places.
|
|||
|
|
One more.
|
|||
|
|
Yes.
|
|||
|
|
Okay.
|
|||
|
|
A new portion of the store.
|
|||
|
|
Okay.
|
|||
|
|
A minor clue is coming up.
|
|||
|
|
Okay.
|
|||
|
|
Okay.
|
|||
|
|
It stores it in your home directory called .cash.
|
|||
|
|
And then inside there there's a folder called album art.
|
|||
|
|
Ah.
|
|||
|
|
Okay.
|
|||
|
|
And that's where it puts all your album art as well as stuff
|
|||
|
|
that downloads for last FM songs as playing.
|
|||
|
|
Okay.
|
|||
|
|
But basically what I did is I deleted everything out of there
|
|||
|
|
and put the album art in the actual folder where it ripped it to.
|
|||
|
|
And it will, as long as it doesn't have anything in that cache folder,
|
|||
|
|
it will default was in.
|
|||
|
|
Okay.
|
|||
|
|
So if I get rid of it in there and then have it repulled.
|
|||
|
|
Because that's the problem.
|
|||
|
|
The service that it gets it off of was right.
|
|||
|
|
But for some reason it pulled the wrong one the first time.
|
|||
|
|
And then it won't repull it.
|
|||
|
|
Yes.
|
|||
|
|
You've got to.
|
|||
|
|
So, okay.
|
|||
|
|
I was looking and looking and I couldn't find anything that said where I'm actually well.
|
|||
|
|
You've got to delete it out and then put the one you want in the album.
|
|||
|
|
Okay.
|
|||
|
|
And then like replay the disc or something.
|
|||
|
|
It'll still flash a bunch of different sizes and versions of it into that cache folder.
|
|||
|
|
Because it uses a different size for the one for the disc image.
|
|||
|
|
It's just for the one that it displays.
|
|||
|
|
Well, it's due to my playing.
|
|||
|
|
So it makes like four versions of it or something.
|
|||
|
|
But I thought it was stuff that was there.
|
|||
|
|
Well, those are.
|
|||
|
|
Yeah.
|
|||
|
|
It pulled the wrong one again.
|
|||
|
|
So I'll have to go in there and put the right one in there.
|
|||
|
|
I had all the odd stuff I have.
|
|||
|
|
There was only one album cover I didn't find.
|
|||
|
|
And one that it pulled a correct A correct album cover.
|
|||
|
|
Not the correct one.
|
|||
|
|
Yeah.
|
|||
|
|
I got one that it didn't pull the correct one.
|
|||
|
|
It pulled any album cover.
|
|||
|
|
I got another one that it didn't pull the right cover at all.
|
|||
|
|
Pulled the wrong album.
|
|||
|
|
I've got one.
|
|||
|
|
And I've got one really weird artist.
|
|||
|
|
I might know.
|
|||
|
|
Got one more didn't pull anything.
|
|||
|
|
Where does it pull those from?
|
|||
|
|
No, I actually looked into that to find out exactly what that was.
|
|||
|
|
And that's what I'm leaning into.
|
|||
|
|
It pulled it from music brains.
|
|||
|
|
Now, they're a website apparently.
|
|||
|
|
They've got like.
|
|||
|
|
That's the last step that we're talking about now.
|
|||
|
|
No, it's like a music brains.
|
|||
|
|
It's just a site that has information about all of these.
|
|||
|
|
And it's all open source.
|
|||
|
|
It's a program called music brains.
|
|||
|
|
They actually the program is called Picard.
|
|||
|
|
It was actually in the repositories.
|
|||
|
|
It is called Picard.
|
|||
|
|
Picard music brains.
|
|||
|
|
The best thing about this program is that instead of an OK button,
|
|||
|
|
they have a button that says make it so.
|
|||
|
|
Oh, I got it.
|
|||
|
|
I've got a letter.
|
|||
|
|
I've got a letter.
|
|||
|
|
Who is the winner of the Windows version?
|
|||
|
|
Well, I see you can stand for life forms.
|
|||
|
|
It doesn't say life forms, but it does say stand.
|
|||
|
|
I want to see what you can say.
|
|||
|
|
I don't know where that is.
|
|||
|
|
It says the artist is.
|
|||
|
|
It's like the artist's party.
|
|||
|
|
Actually, yeah.
|
|||
|
|
This has all of the information about the CDs.
|
|||
|
|
And if you download this program, then you can go in,
|
|||
|
|
you can edit the information so that you're helping,
|
|||
|
|
you know, if your CD is wrong,
|
|||
|
|
you can feed that information back to them
|
|||
|
|
and tell them, hey, this information's wrong.
|
|||
|
|
This is the right information.
|
|||
|
|
If you have a new CD that's not in the library,
|
|||
|
|
In Picard we'll go so far as to not just look at the name of the song, but it actually
|
|||
|
|
analyzes the trial itself and compares a hash to something that's been on the audio file
|
|||
|
|
to figure out what it is. And it's not actually even a true hash,
|
|||
|
|
it actually listens to the music, so you can have different encodings of it
|
|||
|
|
at different pit rates. You can say, well
|
|||
|
|
I might give the name the disc and have kind of the right name of the song
|
|||
|
|
and we'll kind of take all the stuff into it.
|
|||
|
|
Yeah, so I thought that was really interesting. I downloaded that, I didn't really get it too much for
|
|||
|
|
a chance to play with it, but I thought I would mention it. That's it, I'm done.
|
|||
|
|
I agree with you. You were dreaming a lot of Red Bull as we should.
|
|||
|
|
No, I just didn't. I don't know, I just didn't have anything else.
|
|||
|
|
I've been going to bed early.
|
|||
|
|
I'm going to go to bed early.
|
|||
|
|
Yeah, we've been going to bed early.
|
|||
|
|
Yeah, she's going to second check.
|
|||
|
|
That one's in home until like 1130.
|
|||
|
|
Holy cow.
|
|||
|
|
Alright, you know what?
|
|||
|
|
Get it out with that.
|
|||
|
|
That energy goes away.
|
|||
|
|
I haven't done anything.
|
|||
|
|
I have computerized.
|
|||
|
|
It's cold.
|
|||
|
|
It's cold.
|
|||
|
|
It's cold.
|
|||
|
|
It's what I do.
|
|||
|
|
I just told the day I'm a very negative person.
|
|||
|
|
It takes a lot of people.
|
|||
|
|
I just told them all day in the morning.
|
|||
|
|
So I guess I have to be positive if I make the beer and then I give it to people.
|
|||
|
|
No, it's better people.
|
|||
|
|
I don't know.
|
|||
|
|
I don't know.
|
|||
|
|
I don't know.
|
|||
|
|
Some reason people don't like eating walkin' up at six in the morning.
|
|||
|
|
It's a bad job.
|
|||
|
|
I don't know what to do.
|
|||
|
|
I can't imagine.
|
|||
|
|
I liked that if I got drunk at any time.
|
|||
|
|
Yeah, especially at six in the morning.
|
|||
|
|
6, 7, 8, 9, 10, 9.
|
|||
|
|
I don't like it.
|
|||
|
|
Yeah, guys are the worst thing.
|
|||
|
|
Yeah.
|
|||
|
|
I was about to get myシルク out of there.
|
|||
|
|
In 2021.
|
|||
|
|
Do you want me to play the Sutton Glocks OverThere?
|
|||
|
|
I wanted to lay down.
|
|||
|
|
Let me be here with it.
|
|||
|
|
Keep those bodies fluidized for me.
|
|||
|
|
Anyway, Dr. Tomy, you need to have four beers a day.
|
|||
|
|
Hey.
|
|||
|
|
Oh, yeah, keep this with me, I have to talk to you a little bit more about it than you call me every day.
|
|||
|
|
Well, you do a very good job making beer though, my goodness.
|
|||
|
|
Oh, thank you. The stuff was all standing, this is very good too.
|
|||
|
|
I like this stuff.
|
|||
|
|
This is very good. The stuff was just really good too, I just...
|
|||
|
|
Yeah, that's good.
|
|||
|
|
Actually, this is my first home grand badge.
|
|||
|
|
So, straight on the business.
|
|||
|
|
I'm glad you guys like this.
|
|||
|
|
And it's fun to make it.
|
|||
|
|
And I need to have a people who drink it.
|
|||
|
|
How was your most profitable running the Linux group?
|
|||
|
|
You don't get a big margin all the time.
|
|||
|
|
I think you're a little bit more in the hall, but it's possible.
|
|||
|
|
Yeah.
|
|||
|
|
Open source beer.
|
|||
|
|
Open source beer.
|
|||
|
|
Well, there is actually new...
|
|||
|
|
There's new store.
|
|||
|
|
Homebrew and the Y-making store.
|
|||
|
|
Children.
|
|||
|
|
They call it cabs and corks.
|
|||
|
|
Where is it?
|
|||
|
|
It's behind the boxes.
|
|||
|
|
And I didn't...
|
|||
|
|
In King's Plaza.
|
|||
|
|
You know, there's a Greek place.
|
|||
|
|
They call it a Greek place.
|
|||
|
|
So, it's...
|
|||
|
|
That's good place.
|
|||
|
|
There's a Greek restaurant.
|
|||
|
|
It's really good too.
|
|||
|
|
They sell cameras.
|
|||
|
|
Oh, it's kind of like a fancy shutdown.
|
|||
|
|
No, it's nothing.
|
|||
|
|
Oh, but the guy...
|
|||
|
|
The guy is really weird, but if you're doing a lot of work...
|
|||
|
|
You're like a lunch place.
|
|||
|
|
Yeah, but you can have dinner there too.
|
|||
|
|
Yeah, okay.
|
|||
|
|
Yeah.
|
|||
|
|
A lot of people take a look.
|
|||
|
|
I've been there a lot of people come in now.
|
|||
|
|
And he's been there forever.
|
|||
|
|
As long as I remember him in here.
|
|||
|
|
I can actually use their stylists.
|
|||
|
|
Yeah, you have to.
|
|||
|
|
Because this is actually a circuit board.
|
|||
|
|
A circuit board.
|
|||
|
|
A circuit board.
|
|||
|
|
A circuit board.
|
|||
|
|
A circuit board.
|
|||
|
|
A circuit board.
|
|||
|
|
I thought I'd get what done.
|
|||
|
|
I have to go back.
|
|||
|
|
I have to go back.
|
|||
|
|
The different device.
|
|||
|
|
See.
|
|||
|
|
So there's a eraser.
|
|||
|
|
See?
|
|||
|
|
What?
|
|||
|
|
It all set about for each other.
|
|||
|
|
He's right in mode.
|
|||
|
|
He's...
|
|||
|
|
I'll go back to mode.
|
|||
|
|
By when mobier?
|
|||
|
|
By when mobier?
|
|||
|
|
By when mobier?
|
|||
|
|
By when mobier?
|
|||
|
|
By when mobier?
|
|||
|
|
What about it?
|
|||
|
|
I forgot some door.
|
|||
|
|
I thought he went down to the talking.
|
|||
|
|
Hey, I'm done.
|
|||
|
|
I'm sorry.
|
|||
|
|
I'm sorry.
|
|||
|
|
I'm sorry.
|
|||
|
|
I'm sorry.
|
|||
|
|
I want to go back.
|
|||
|
|
Besides for her work being...
|
|||
|
|
Pogacle?
|
|||
|
|
Oh, I've been there.
|
|||
|
|
Can you write for Christmas?
|
|||
|
|
I finally finished making my Christmas cards last night.
|
|||
|
|
So, what can you do now?
|
|||
|
|
I already gave up on making Christmas cards.
|
|||
|
|
It's nice to get a Christmas card just here.
|
|||
|
|
Yeah.
|
|||
|
|
Do you write?
|
|||
|
|
No.
|
|||
|
|
I don't write.
|
|||
|
|
Do you guys want to do a bar with Link's group Christmas card?
|
|||
|
|
No, just my family.
|
|||
|
|
I'll get you a link.
|
|||
|
|
You can check it twice.
|
|||
|
|
What are all these answers?
|
|||
|
|
They're going to buy two dollar stamps for them.
|
|||
|
|
There's always less people overseas to send.
|
|||
|
|
People that I had right before.
|
|||
|
|
It was a cost to send a letter to get your own play.
|
|||
|
|
I have no idea.
|
|||
|
|
Not a lot.
|
|||
|
|
Like maybe a dollar.
|
|||
|
|
It depends on the way.
|
|||
|
|
Oh, pretty cheap.
|
|||
|
|
80 cents a dollar.
|
|||
|
|
It's holiday.
|
|||
|
|
So.
|
|||
|
|
What do you think about it?
|
|||
|
|
No.
|
|||
|
|
Great.
|
|||
|
|
Is the triple APC still working fine?
|
|||
|
|
I don't know.
|
|||
|
|
So nice.
|
|||
|
|
There are people.
|
|||
|
|
They have big fingers like me.
|
|||
|
|
I don't like you.
|
|||
|
|
Good.
|
|||
|
|
Good.
|
|||
|
|
Cool.
|
|||
|
|
Yeah, usually keyboard and stuff.
|
|||
|
|
Yeah, the only thing is just my head is like issue with the space bar.
|
|||
|
|
But fire and did something to it.
|
|||
|
|
Did you get better?
|
|||
|
|
Fire assistance.
|
|||
|
|
I'm getting easier because I'm going to make better.
|
|||
|
|
No, come on.
|
|||
|
|
I think he stuck something in there so it works better now.
|
|||
|
|
Did I jam something there and it worked fine?
|
|||
|
|
Well, that's nice.
|
|||
|
|
How about you?
|
|||
|
|
Last three days at St. Paul.
|
|||
|
|
Minnesota IP Symposium.
|
|||
|
|
It's their state's government like IP seminar things.
|
|||
|
|
We just have to join in.
|
|||
|
|
Anyone can go, I guess.
|
|||
|
|
And we just said that for the last three days.
|
|||
|
|
Did one of the first day took class on project management.
|
|||
|
|
The bare bones of project management.
|
|||
|
|
And then some other little seminars.
|
|||
|
|
And today did one on the difficult people.
|
|||
|
|
It should be cool.
|
|||
|
|
The only two I really liked was the difficult people on the project management.
|
|||
|
|
So you will know how to deal with me right now.
|
|||
|
|
You're not a difficult person.
|
|||
|
|
You don't know.
|
|||
|
|
Well, I don't work with you.
|
|||
|
|
Let's go that way.
|
|||
|
|
So that's cool.
|
|||
|
|
What do you mean that?
|
|||
|
|
How was the difficult person one interesting?
|
|||
|
|
It was because it's like it was like this is what you can do.
|
|||
|
|
But what you're really going to do is change your attitude toward that person more or less.
|
|||
|
|
Yeah.
|
|||
|
|
Don't sit there arguing with them, right?
|
|||
|
|
Yeah.
|
|||
|
|
I mean, change your...
|
|||
|
|
What are you doing works?
|
|||
|
|
Yeah.
|
|||
|
|
So this wasn't really true to the person it does.
|
|||
|
|
You know, you got to use these different tactics.
|
|||
|
|
They'll too.
|
|||
|
|
And the worst kids, you showed it good.
|
|||
|
|
So that's what you know, you know, you're thinking like you didn't teach you how to deal with these.
|
|||
|
|
But it's basically teaching.
|
|||
|
|
Because you're not going to change the person.
|
|||
|
|
You're going to change your attitude towards that person.
|
|||
|
|
Things you can say to them to get them to calm down or this or that.
|
|||
|
|
It's like from my zone.
|
|||
|
|
Yeah.
|
|||
|
|
You know, sometimes it's the best option.
|
|||
|
|
Yeah, I could see for computer IT people.
|
|||
|
|
I want to buy some of my work all the time, but then they were the babies.
|
|||
|
|
So I'm not sure that we're going to make some concessions there.
|
|||
|
|
No, but it was really, you know, it gave you some little...
|
|||
|
|
You know, I'll call it verbal to get you two things to say.
|
|||
|
|
You know, just, you know, it's like you can remember that when you're in the heat of it.
|
|||
|
|
So it's going to take practice.
|
|||
|
|
He says, like, these things you have to say to the person is going to be like,
|
|||
|
|
you have to do at least 27 times before it will really truly take effect.
|
|||
|
|
So it's calm down.
|
|||
|
|
If you take a long period of time.
|
|||
|
|
It's not like, is that a technical number or it's a 27?
|
|||
|
|
Yes.
|
|||
|
|
It's a constant three-dimensional number.
|
|||
|
|
But before as far as restarting your routine, really 27.
|
|||
|
|
Three brain cells.
|
|||
|
|
Three dimensions.
|
|||
|
|
It was 27.
|
|||
|
|
Wow.
|
|||
|
|
Okay.
|
|||
|
|
Wow.
|
|||
|
|
So, but you gotta remember, you do it and you gotta...
|
|||
|
|
And we have the guts to do it because if someone's threatening you, you know,
|
|||
|
|
you know, cut you up or whatever, you gotta be like, okay, stand up to the corner.
|
|||
|
|
I'm all the time on the way or wherever the things, you know.
|
|||
|
|
I was told that I loved the boss of that person and he almost slapped a few times.
|
|||
|
|
I don't know.
|
|||
|
|
I don't know.
|
|||
|
|
And then I thought he's going to get heart attack.
|
|||
|
|
I was just saying, cold down.
|
|||
|
|
You just said, cold down.
|
|||
|
|
Are you sure you don't have to raise your hands and go, are you threatening me?
|
|||
|
|
Well, no.
|
|||
|
|
I'm a flashy anybody.
|
|||
|
|
Yeah.
|
|||
|
|
Yeah, exactly.
|
|||
|
|
I ain't going to take it all.
|
|||
|
|
I'm just going to take it all in.
|
|||
|
|
Wow.
|
|||
|
|
I know why you were getting at it.
|
|||
|
|
You were all young.
|
|||
|
|
I know you're the least group of that's what you get.
|
|||
|
|
He started it.
|
|||
|
|
And you're all stupid.
|
|||
|
|
I tried to.
|
|||
|
|
I slipped it under the rug, but I pulled it right back out.
|
|||
|
|
Pulled it right back out, laying it around.
|
|||
|
|
You have a man.
|
|||
|
|
Yeah, I wish I could share.
|
|||
|
|
Yeah.
|
|||
|
|
Yeah.
|
|||
|
|
Yeah.
|
|||
|
|
Yeah.
|
|||
|
|
Yeah.
|
|||
|
|
Yeah.
|
|||
|
|
Yeah, that was cool.
|
|||
|
|
Yeah.
|
|||
|
|
Anything else?
|
|||
|
|
Well, they have this thing.
|
|||
|
|
Maybe I should be in one of the booths.
|
|||
|
|
They had all these vendors on one day.
|
|||
|
|
And they had this ace or open box.
|
|||
|
|
It was about as big as what they say.
|
|||
|
|
Pretty small.
|
|||
|
|
You know, enough room for a desk.
|
|||
|
|
And I think I was telling you that earlier that you can get it with an infrared port and a remote and everything.
|
|||
|
|
For basically everything you need to get it to be a rent TV box.
|
|||
|
|
Which I thought was cool.
|
|||
|
|
Wow.
|
|||
|
|
Cool.
|
|||
|
|
Yeah.
|
|||
|
|
Good morning.
|
|||
|
|
And I didn't do anything.
|
|||
|
|
I just put a newsletter on.
|
|||
|
|
And brought down a couple of servers.
|
|||
|
|
Yeah.
|
|||
|
|
Yeah.
|
|||
|
|
Absolutely.
|
|||
|
|
And watched the video to be happy.
|
|||
|
|
We'll take the beers just a second.
|
|||
|
|
This one is Blondale.
|
|||
|
|
I like your Keymark tab, your Best Buy tab.
|
|||
|
|
Yeah.
|
|||
|
|
Shop.
|
|||
|
|
Shop.
|
|||
|
|
Shop.
|
|||
|
|
Shop.
|
|||
|
|
Shop.
|
|||
|
|
Shop.
|
|||
|
|
Shop.
|
|||
|
|
Shop.
|
|||
|
|
Shop.
|
|||
|
|
Shop.
|
|||
|
|
Shop.
|
|||
|
|
Shop.
|
|||
|
|
Shop.
|
|||
|
|
Shop.
|
|||
|
|
Shop.
|
|||
|
|
Shop.
|
|||
|
|
Shop.
|
|||
|
|
Shop.
|
|||
|
|
Shop.
|
|||
|
|
Shop.
|
|||
|
|
Shop.
|
|||
|
|
Shop.
|
|||
|
|
Shop.
|
|||
|
|
Shop.
|
|||
|
|
Shop.
|
|||
|
|
Shop.
|
|||
|
|
Shop.
|
|||
|
|
Shop.
|
|||
|
|
Shop.
|
|||
|
|
Shop.
|
|||
|
|
Shop.
|
|||
|
|
Shop.
|
|||
|
|
Shop.
|
|||
|
|
Shop.
|
|||
|
|
Shop.
|
|||
|
|
Shop.
|
|||
|
|
Shop.
|
|||
|
|
Shop.
|
|||
|
|
Shop.
|
|||
|
|
Shop.
|
|||
|
|
Shop.
|
|||
|
|
Hey, it sounds like you're going to give me chills.
|
|||
|
|
For several days we listen to the news every night,
|
|||
|
|
so you're any housewife.
|
|||
|
|
You guys have a lot of fame in it.
|
|||
|
|
Thank you, you know, I always, you know, I could tell you.
|
|||
|
|
What is this?
|
|||
|
|
Somebody made a pump.
|
|||
|
|
It's all the stuff that I'm searching for, you know,
|
|||
|
|
what I'm working, cake rising.
|
|||
|
|
Which, everything.
|
|||
|
|
Let's go back to the next one.
|
|||
|
|
I think this is a good personality.
|
|||
|
|
I want to know what else?
|
|||
|
|
Beer, beer, beer.
|
|||
|
|
That applies to the Google article.
|
|||
|
|
How much does Google really know about you?
|
|||
|
|
How much does Firefox really know about you?
|
|||
|
|
Absolutely. They know a lot.
|
|||
|
|
See?
|
|||
|
|
I wonder about that sometimes, because like,
|
|||
|
|
I'll be on website.
|
|||
|
|
I went to a Jewish store website one day,
|
|||
|
|
and the next week, whenever I go to Yahoo Mail,
|
|||
|
|
I keep seeing ads for the story story.
|
|||
|
|
Well, what I do is actually, I have deleted all the cookies
|
|||
|
|
every time I close it.
|
|||
|
|
I think it's interesting.
|
|||
|
|
It's fun now. I'm like, what are you going to see today?
|
|||
|
|
Yes.
|
|||
|
|
As well as I run two applications.
|
|||
|
|
And one of them is non-script.
|
|||
|
|
And that one is pretty good.
|
|||
|
|
So actually, it cuts all the junk out.
|
|||
|
|
And the other one is the adblocker plus.
|
|||
|
|
And that one actually.
|
|||
|
|
Those are adunch.
|
|||
|
|
Yes.
|
|||
|
|
My wife's getting pretty good at cookies
|
|||
|
|
when it comes to travel arrangements.
|
|||
|
|
It really makes a big deal whether you visit the site
|
|||
|
|
before or not and what kind of deals you will get and stuff.
|
|||
|
|
You'll visit the site one time,
|
|||
|
|
the first time in, you'll get a really decent price.
|
|||
|
|
If you come back the second time,
|
|||
|
|
the prices are all higher.
|
|||
|
|
And you can do that within the next minute,
|
|||
|
|
and the price will be higher.
|
|||
|
|
So you delete your cookies again, and you go back to it.
|
|||
|
|
Make sure you save that paper.
|
|||
|
|
If you buy a box to delete your cookies,
|
|||
|
|
then go to it again and see which price is different.
|
|||
|
|
Because sometimes it's even reversed.
|
|||
|
|
I wonder how long it takes.
|
|||
|
|
Before they sell cookie packets.
|
|||
|
|
Cookie packets.
|
|||
|
|
So you download all the entire packet of cookies
|
|||
|
|
so you get all the best deals.
|
|||
|
|
And all the ads.
|
|||
|
|
She's actually noticed that if she goes too soon,
|
|||
|
|
resource vacations this or that,
|
|||
|
|
if she goes to competitors,
|
|||
|
|
you will get a different deal
|
|||
|
|
because they know you've been to these other sites.
|
|||
|
|
Wow, that's good.
|
|||
|
|
This is what I do with the cookies.
|
|||
|
|
It is they, they probably know that that cookie is there.
|
|||
|
|
They don't know what is the value of the cookie.
|
|||
|
|
Some cookies are enough.
|
|||
|
|
No, no, no, no.
|
|||
|
|
The cookie actually goes,
|
|||
|
|
if you, if you the request for a cookie,
|
|||
|
|
it actually goes and requests you only the,
|
|||
|
|
the value from the server
|
|||
|
|
where it was placed into.
|
|||
|
|
It depends on the type of cookie.
|
|||
|
|
It depends on type of cookie.
|
|||
|
|
If you like it, you can apply it.
|
|||
|
|
If you like it, you're cookie bolder.
|
|||
|
|
And we'll get it with text.
|
|||
|
|
You can actually go into some cookies.
|
|||
|
|
And it's like, oh, here's the preferences
|
|||
|
|
that they've last visited.
|
|||
|
|
Here's this.
|
|||
|
|
And you can really see some interesting cookies out there.
|
|||
|
|
They can read some of your sources.
|
|||
|
|
And that in fact, that was some of the hacks
|
|||
|
|
and stuff like that.
|
|||
|
|
And the price of these can read a cookie from another site.
|
|||
|
|
Yeah, you should be, you should be.
|
|||
|
|
Because I, you know, I was working with a cookie
|
|||
|
|
writing some code for it.
|
|||
|
|
And if you went out on the same server,
|
|||
|
|
what, what, what place looking on there,
|
|||
|
|
then you actually could not get to it.
|
|||
|
|
Yeah, from, you couldn't pull it from your surface.
|
|||
|
|
Yeah.
|
|||
|
|
I'm sure they can find a way around that.
|
|||
|
|
The industry, they, they might,
|
|||
|
|
they, they, did my thing to server.
|
|||
|
|
And that's how they get to.
|
|||
|
|
Right. They, they go to your,
|
|||
|
|
your browser saying, I'm this place.
|
|||
|
|
I'm, you know, my place,
|
|||
|
|
but it's not really the same place or something.
|
|||
|
|
Thank you.
|
|||
|
|
So I'm running this at block,
|
|||
|
|
at blocker plus and then no script.
|
|||
|
|
That's what I'm writing.
|
|||
|
|
No script.
|
|||
|
|
What was the nature of this super duper
|
|||
|
|
internet explorer floor?
|
|||
|
|
Oh, boy. Yeah. This one was bad.
|
|||
|
|
There was a couple lines,
|
|||
|
|
a JavaScript that you could put.
|
|||
|
|
It will cause a buffer overflow.
|
|||
|
|
And you could execute any code you sent on the page.
|
|||
|
|
Was the, sorry.
|
|||
|
|
And that could be just planted on any web site.
|
|||
|
|
They visit the website and they can
|
|||
|
|
execute arbitrary code on your PC.
|
|||
|
|
That's how we actually improved a customer experience.
|
|||
|
|
Yeah.
|
|||
|
|
That was an internet explorer.
|
|||
|
|
Yeah. Yeah.
|
|||
|
|
Yeah. They actually released a patch
|
|||
|
|
outside of their normal patch
|
|||
|
|
update process.
|
|||
|
|
So that's, that's the biggest problem I have with Microsoft.
|
|||
|
|
Is they integrate all their products so together
|
|||
|
|
that your internet explorer can get
|
|||
|
|
at your office product,
|
|||
|
|
your office products can get a hard drive.
|
|||
|
|
And so if you compromise any one of those things,
|
|||
|
|
you pretty much compromise your whole system.
|
|||
|
|
It actually made DVC.
|
|||
|
|
Yeah, but yeah, this one.
|
|||
|
|
This one, there's a patch of browsers that did this.
|
|||
|
|
I mean, you know,
|
|||
|
|
if Firefox would have had that,
|
|||
|
|
they would have been able to execute
|
|||
|
|
code on your Linux machine too.
|
|||
|
|
So I mean, it's, it's a fairly major bug.
|
|||
|
|
Yeah, they were saying the other browsers don't have.
|
|||
|
|
So they did it through JavaScript?
|
|||
|
|
No, I can't.
|
|||
|
|
They caused a buffer overflow in JavaScript.
|
|||
|
|
And then put the program pointer,
|
|||
|
|
the program counter somewhere way off,
|
|||
|
|
somewhere way off,
|
|||
|
|
which they could actually move it to some place
|
|||
|
|
where they were actually,
|
|||
|
|
where you see if you would think it up,
|
|||
|
|
and it's our executing whatever you've stuck there.
|
|||
|
|
Which you can download.
|
|||
|
|
You said that's the way they did like those JPEG ones
|
|||
|
|
too long, typical, right?
|
|||
|
|
Yeah, there were some instances where they'd set the width
|
|||
|
|
and the height to negative numbers.
|
|||
|
|
And then, you know, based on
|
|||
|
|
whatever renderer there was,
|
|||
|
|
it would keep going, keep going, keep going,
|
|||
|
|
and cause an error,
|
|||
|
|
and then the program pointer would jump somewhere.
|
|||
|
|
That's what is C for you.
|
|||
|
|
If that would have been Java,
|
|||
|
|
that would never happen.
|
|||
|
|
And all these to be interesting.
|
|||
|
|
Yeah, in Java, it would throw an array out of bounds exception.
|
|||
|
|
No pointer.
|
|||
|
|
And it goes away.
|
|||
|
|
No, array out of bounds.
|
|||
|
|
Negative 1.
|
|||
|
|
Yeah, it would actually cut it.
|
|||
|
|
New Florida power plant.
|
|||
|
|
You know, somehow WebLogic
|
|||
|
|
has figured out how to crash the jerry
|
|||
|
|
because they can do it pretty consistently.
|
|||
|
|
Oh, yeah.
|
|||
|
|
Thank you.
|
|||
|
|
WebLogic is a Java.
|
|||
|
|
Yeah, WebLogic is written in Java,
|
|||
|
|
but they figured out how to crash that jerry.
|
|||
|
|
Oh, they work hard for it.
|
|||
|
|
Oh, they do. They write all sorts of weird codes.
|
|||
|
|
And you should underrun for being crashed.
|
|||
|
|
Oh, you pay a lot of money for that weird code.
|
|||
|
|
They probably bought it from India.
|
|||
|
|
I wouldn't be surprised.
|
|||
|
|
Yeah.
|
|||
|
|
This code is way, way too.
|
|||
|
|
I know it's not.
|
|||
|
|
To be from India.
|
|||
|
|
I'm like, what's that?
|
|||
|
|
It's actually a high set of bad code.
|
|||
|
|
They like use like all these little tricks of the trade
|
|||
|
|
that you should use, but they use it anyway.
|
|||
|
|
So they can do fancy,
|
|||
|
|
fancy with being feature A.
|
|||
|
|
So it's from Indonesia.
|
|||
|
|
It's Malaysia.
|
|||
|
|
Malaysia.
|
|||
|
|
They haven't died within a month.
|
|||
|
|
I'm dead serious.
|
|||
|
|
It's so cold for that drive.
|
|||
|
|
Three drives die.
|
|||
|
|
Every single one of them has been from Malaysia.
|
|||
|
|
And when I go for a replacement,
|
|||
|
|
they replace them with one from Taiwan.
|
|||
|
|
And they were fine.
|
|||
|
|
That's weird.
|
|||
|
|
So I don't trust drives from Malaysia anymore.
|
|||
|
|
But if any of buying stuff you don't know.
|
|||
|
|
Yeah, you don't know because
|
|||
|
|
they have four plants,
|
|||
|
|
and whichever one you happen to get,
|
|||
|
|
that's what you get.
|
|||
|
|
That's what I wonder if they don't like sell
|
|||
|
|
the Malaysia ones, mix them in.
|
|||
|
|
And then they hold the Taiwan ones,
|
|||
|
|
which are slightly better for all the replacement.
|
|||
|
|
The replacement.
|
|||
|
|
So you don't get a replacement.
|
|||
|
|
The crashes.
|
|||
|
|
That's my bet.
|
|||
|
|
Should we go on newsletter?
|
|||
|
|
newsletter.
|
|||
|
|
I mean, we went through our two minutes of fame.
|
|||
|
|
You should have had $2 or something.
|
|||
|
|
Well, I think at this point,
|
|||
|
|
I'm gonna head out.
|
|||
|
|
Why don't we get hold of it?
|
|||
|
|
Why don't we get hold of it?
|
|||
|
|
Why don't we get hold of it?
|
|||
|
|
Why don't we get hold of it?
|
|||
|
|
Why don't we get hold of it?
|
|||
|
|
Why don't we get hold of it?
|
|||
|
|
No more, the next meeting is here.
|
|||
|
|
It takes two hours to get there.
|
|||
|
|
You know, we're here.
|
|||
|
|
You have to leave soon, too.
|
|||
|
|
So should we go really fast?
|
|||
|
|
Yes.
|
|||
|
|
Because then, I think that after 9.30 hour,
|
|||
|
|
welcome is the welcome.
|
|||
|
|
Thanks.
|
|||
|
|
Okay, so shall we go?
|
|||
|
|
Yes.
|
|||
|
|
You drive safe.
|
|||
|
|
You're gonna see if you get on.
|
|||
|
|
There was something that, uh,
|
|||
|
|
a visit filed the lawsuit against, uh,
|
|||
|
|
Cisco as far as GPO violation.
|
|||
|
|
Then you better read it about that.
|
|||
|
|
I read about that.
|
|||
|
|
It's more of the love hate relationship I would say.
|
|||
|
|
Cisco has just been a real jerk.
|
|||
|
|
It seems like they contact them and say,
|
|||
|
|
you're not following the GPO and they go,
|
|||
|
|
there you go.
|
|||
|
|
And then they contact them like couple weeks later.
|
|||
|
|
You're not following the GPO.
|
|||
|
|
Oh, yeah, whatever.
|
|||
|
|
Here you go.
|
|||
|
|
You're not following the GPO.
|
|||
|
|
And now they're finally just going to assume,
|
|||
|
|
because they just don't get it.
|
|||
|
|
Well, they sort of, I think they sued them once.
|
|||
|
|
And that's what it was,
|
|||
|
|
why we got our, uh, DWW.
|
|||
|
|
Yeah, DWRT.
|
|||
|
|
Yeah, DWRT.
|
|||
|
|
That was actually first original firmware,
|
|||
|
|
was, uh, they were, they were source code release.
|
|||
|
|
And then, uh, rest of them,
|
|||
|
|
was, was followed.
|
|||
|
|
Hmm.
|
|||
|
|
So, I don't know like that.
|
|||
|
|
Let's just do it.
|
|||
|
|
I'm happy to have that.
|
|||
|
|
So, uh, we shall see what,
|
|||
|
|
what will happen here.
|
|||
|
|
Um, well,
|
|||
|
|
we'll see.
|
|||
|
|
The MRR 2.0 was released.
|
|||
|
|
Did someone check it out?
|
|||
|
|
Hey, check it out.
|
|||
|
|
I played with it last night.
|
|||
|
|
I couldn't get my music library to import.
|
|||
|
|
I pushed a button, it crashed.
|
|||
|
|
I opened it again.
|
|||
|
|
Nothing that I had saved.
|
|||
|
|
It's not in Python.
|
|||
|
|
And then I had to restart X.
|
|||
|
|
What they said, they have a few more releases that come on before.
|
|||
|
|
There's some of these things over.
|
|||
|
|
I got a video editor for you.
|
|||
|
|
You love it.
|
|||
|
|
Typical Katie stuff.
|
|||
|
|
Uh, well, I stole it.
|
|||
|
|
And I run it for some time.
|
|||
|
|
We'll try to import my stuff in my player.
|
|||
|
|
And I'm running the old Amrock again.
|
|||
|
|
Okay. So, I shouldn't have shot it.
|
|||
|
|
I should've loaded it in the right.
|
|||
|
|
Yeah.
|
|||
|
|
Well, it looked, um, it looked different, you know.
|
|||
|
|
Yeah, the inner, how'd you like the interface?
|
|||
|
|
So, um, the buttons are,
|
|||
|
|
the major buttons are big.
|
|||
|
|
But when you go to your library,
|
|||
|
|
you know, I'm getting old, you know.
|
|||
|
|
I don't know what it was been either.
|
|||
|
|
I opened the last FM thing on there.
|
|||
|
|
And I got my home subscribed to
|
|||
|
|
and I tried to play the last FM channel.
|
|||
|
|
I could not figure out how to make it start playing.
|
|||
|
|
I double clicked it.
|
|||
|
|
I right clicked it.
|
|||
|
|
I left clicked it.
|
|||
|
|
I tried to drag it.
|
|||
|
|
I can play, pause, play, pause.
|
|||
|
|
I couldn't do anything.
|
|||
|
|
I don't know.
|
|||
|
|
Okay, the Python error is scrollable.
|
|||
|
|
It's not Python.
|
|||
|
|
I don't know what it is.
|
|||
|
|
I think I need to tilt my head to see the correct button
|
|||
|
|
that was shifted.
|
|||
|
|
Yeah.
|
|||
|
|
It just reaffirmed for the UI personally.
|
|||
|
|
I don't use Katie because I can't.
|
|||
|
|
Yeah.
|
|||
|
|
I just don't understand.
|
|||
|
|
Did you notice the resources of it?
|
|||
|
|
Is it as large as the old version?
|
|||
|
|
I don't know.
|
|||
|
|
I don't know.
|
|||
|
|
I know that it pulled a whole bunch of different libraries.
|
|||
|
|
They said they took out the MySQL database back in the article.
|
|||
|
|
Yeah.
|
|||
|
|
After they wanted to stream more of
|
|||
|
|
tours like other players.
|
|||
|
|
Which was could put SQL white in the back in the back.
|
|||
|
|
That would be too easy.
|
|||
|
|
That would be too easy.
|
|||
|
|
So did you end up looking at Banshee?
|
|||
|
|
Did you come to any conclusions?
|
|||
|
|
I don't know.
|
|||
|
|
As soon as you said it doesn't do genre sorting.
|
|||
|
|
I don't think it's done.
|
|||
|
|
To me that's so good.
|
|||
|
|
Back on rhythm box.
|
|||
|
|
Not rhythm box.
|
|||
|
|
I'm on the old version.
|
|||
|
|
I'm sorry.
|
|||
|
|
Yeah.
|
|||
|
|
I looked a little bit at their playlists.
|
|||
|
|
I've done built into it.
|
|||
|
|
It looks like it could be pretty easy to put in.
|
|||
|
|
They have like the smart playlist feature
|
|||
|
|
quick searches of music library and then group things
|
|||
|
|
into playlists automatically.
|
|||
|
|
To some degree.
|
|||
|
|
You should be able to do it at least by, you know,
|
|||
|
|
if it can select how to play tags and stuff like that.
|
|||
|
|
Yes.
|
|||
|
|
So I mean all your music is paid by artists.
|
|||
|
|
I'll try and genre and stuff.
|
|||
|
|
I can't speak for certain that it would work like that.
|
|||
|
|
But if it looked like it should,
|
|||
|
|
you'd think it'd be able to do that.
|
|||
|
|
And so then we were already talking about Slackware.
|
|||
|
|
It was climate already.
|
|||
|
|
But they had released once about that too.
|
|||
|
|
And I think there was like six CDs.
|
|||
|
|
Yeah.
|
|||
|
|
Yeah.
|
|||
|
|
There's actually a lot of people out there.
|
|||
|
|
Then today was open soot 11.1.
|
|||
|
|
It was released.
|
|||
|
|
This article is that it's going to be released.
|
|||
|
|
I did download it.
|
|||
|
|
I downloaded live CD.
|
|||
|
|
And I was able to run 64-bit version.
|
|||
|
|
Of live CD.
|
|||
|
|
So I think I might try it.
|
|||
|
|
Other ones.
|
|||
|
|
I can figure it out enough.
|
|||
|
|
There was something that the tracking build status with Paul's.
|
|||
|
|
And it's a Paul's audio.
|
|||
|
|
Paul's, I think, what it is.
|
|||
|
|
It's a, it's a, it's a build server.
|
|||
|
|
Did somebody look into it?
|
|||
|
|
No.
|
|||
|
|
No.
|
|||
|
|
No.
|
|||
|
|
I read the summary.
|
|||
|
|
So I think that, well, I've been really, really too much to it.
|
|||
|
|
But I saw that Paul's actually your build server.
|
|||
|
|
Personal build server.
|
|||
|
|
So you can do actually your different builds.
|
|||
|
|
Paul's supports and.
|
|||
|
|
And maybe.
|
|||
|
|
The thing about that is you probably want something that actually runs before you check it in.
|
|||
|
|
Not after you check it in.
|
|||
|
|
Because technically, if it doesn't pass, whatever tests, you know, a unit test and whatever, you don't want to check it in your branch.
|
|||
|
|
Well, yes, I know.
|
|||
|
|
What?
|
|||
|
|
That would be great.
|
|||
|
|
But it never happens that way.
|
|||
|
|
There, there, you get other people to do your debugging.
|
|||
|
|
Well, you don't get other people to do your debugging at the point.
|
|||
|
|
You don't have to do your debugging before you check it into the branch.
|
|||
|
|
Really, the general way of doing it, the main development branch always needs to compile, always needs to work.
|
|||
|
|
I mean, yeah, okay.
|
|||
|
|
You can check in something with a bug, but.
|
|||
|
|
Yeah, a lot of people.
|
|||
|
|
Yeah.
|
|||
|
|
A lot of stuff I get, you know, it looks like they're giving it to you.
|
|||
|
|
So you can do your debug.
|
|||
|
|
Yeah, exactly.
|
|||
|
|
There are some software packages that do that.
|
|||
|
|
They'll like plug into a subversion.
|
|||
|
|
And when you try to check it in, it goes through on the server.
|
|||
|
|
And before it actually commits it, it will run through a full build, make sure it builds.
|
|||
|
|
Run through all your unit tests.
|
|||
|
|
Do whatever other things, you know, you can run like a style cop or FX cop.
|
|||
|
|
Whatever you need to do on your source code to make sure it falls on your standards.
|
|||
|
|
And then it checks it in.
|
|||
|
|
Okay.
|
|||
|
|
So.
|
|||
|
|
I wasn't aware that you can actually do have their programs like that.
|
|||
|
|
I thought that how it works that you committed.
|
|||
|
|
And then you, you know, you're not in the bills.
|
|||
|
|
Yeah, we're actually looking at a team city to do that.
|
|||
|
|
Obviously, that's not a windows thing.
|
|||
|
|
That's a or a Linux thing.
|
|||
|
|
That's Microsoft thing.
|
|||
|
|
That's what we're using at work in city.
|
|||
|
|
I'm not going to put it in newsletter.
|
|||
|
|
No.
|
|||
|
|
It is free to use up to a certain point.
|
|||
|
|
So I mean, it's not.
|
|||
|
|
What I thought at first is this might be something you can run on a package that you get.
|
|||
|
|
So you don't mess up your file system.
|
|||
|
|
And then have to end up pulling it out.
|
|||
|
|
I think it's mostly development.
|
|||
|
|
Yeah.
|
|||
|
|
Is there anything that does what I'm saying where you can actually check a package before you actually put it in?
|
|||
|
|
Well, at one point I was thinking about that.
|
|||
|
|
You know, why don't you just take your entire ETC directory and make it like a subversion repository or something so that when you've got a change,
|
|||
|
|
you can revert your change back out.
|
|||
|
|
But I don't know.
|
|||
|
|
I've never seen that.
|
|||
|
|
Sometimes this is not the, you know, the, when you are placing new package.
|
|||
|
|
I think it's a package manager issue.
|
|||
|
|
The package manager should do that.
|
|||
|
|
Yeah.
|
|||
|
|
Because well, there is canari package manager, which is a foresight is using all our path.
|
|||
|
|
And that one actually what you can do, you can do the snapshots.
|
|||
|
|
So if you apply new package, you don't like it, you can actually revert it back.
|
|||
|
|
But I'm not aware that RPM, any RPM manager or Debian manager.
|
|||
|
|
No, you don't.
|
|||
|
|
You know, actually you can put it in there.
|
|||
|
|
There's a Linux version.
|
|||
|
|
Team City.
|
|||
|
|
So there you go.
|
|||
|
|
You are just missing my art.
|
|||
|
|
It's not free.
|
|||
|
|
Well, it's free up to a point.
|
|||
|
|
Like if you, what is it?
|
|||
|
|
The open source.
|
|||
|
|
You can have up to 20 user counts, up to 20 build configurations, three build agents,
|
|||
|
|
blah, blah, blah, blah.
|
|||
|
|
Some, uh, freeloar to it.
|
|||
|
|
And oh, it's also open source life.
|
|||
|
|
It's free for non commercial open source software development.
|
|||
|
|
So there you go.
|
|||
|
|
And everything.
|
|||
|
|
Let me five build in company.
|
|||
|
|
That's not non commercial.
|
|||
|
|
That's not commercial.
|
|||
|
|
No, that's commercial.
|
|||
|
|
But you can have up to 20, up to 20 user counts, up to 20 build configurations.
|
|||
|
|
And unless you're fairly, you know, major is, you know, build house,
|
|||
|
|
you're probably not going to go over that.
|
|||
|
|
It's just a pattern to submit changes.
|
|||
|
|
It's something to look at.
|
|||
|
|
I don't have to look at it.
|
|||
|
|
Because I was playing with a handheld.
|
|||
|
|
And this does actually integrate with hands as well.
|
|||
|
|
So you can run the handheld.
|
|||
|
|
But the handheld was just trial.
|
|||
|
|
Well, they have an open source version of handheld that's about 10 years old.
|
|||
|
|
That you can use.
|
|||
|
|
That's pretty free.
|
|||
|
|
And if you want to use the other one, you've got a, you know, fork order to change for it.
|
|||
|
|
So this is actually a remote bill.
|
|||
|
|
It's going to be on a pre-tested commit.
|
|||
|
|
Build chains and dependencies.
|
|||
|
|
Build progress and estimation.
|
|||
|
|
On the fly test results reporting.
|
|||
|
|
Newly fail test.
|
|||
|
|
Just a whole bunch of stuff.
|
|||
|
|
Cool.
|
|||
|
|
Well, how are you going to implement it for us?
|
|||
|
|
Sure.
|
|||
|
|
At my standard going rate for consultant?
|
|||
|
|
Yeah.
|
|||
|
|
And don't worry, I'll do it.
|
|||
|
|
Let's see.
|
|||
|
|
What's the standard going rate for consultants now?
|
|||
|
|
Like $200 an hour?
|
|||
|
|
Two beers an hour.
|
|||
|
|
Two beers an hour.
|
|||
|
|
Two beers an hour.
|
|||
|
|
Two beers an hour.
|
|||
|
|
Eight hours, yes, yes.
|
|||
|
|
Two beers an hour.
|
|||
|
|
Two beers an hour.
|
|||
|
|
Two beers an hour.
|
|||
|
|
What's the standard you have to wear into your works?
|
|||
|
|
Three hours.
|
|||
|
|
Yeah.
|
|||
|
|
That's the within infrastructure contract.
|
|||
|
|
Thank you.
|
|||
|
|
Let's do just a kick- chce an hour out all year.
|
|||
|
|
What content?
|
|||
|
|
Hourly rates.
|
|||
|
|
That looks like you installed agents on your like deploy servers.
|
|||
|
|
And then you have,
|
|||
|
|
does it like a infrastructure sign for you to install the pieces on it?
|
|||
|
|
You actually, okay.
|
|||
|
|
You run this on a server and then you're commit actually.
|
|||
|
|
and then your commit actually, it doesn't go straight
|
|||
|
|
to the repository, it goes to the build server,
|
|||
|
|
the build server builds it, make sure it all runs,
|
|||
|
|
and then commits it to your repository.
|
|||
|
|
Cool.
|
|||
|
|
Yeah, it looks similar to the answer that stuff was.
|
|||
|
|
There was an article about managing your movie,
|
|||
|
|
open source movie collection, just with it.
|
|||
|
|
No.
|
|||
|
|
Did anybody read them on?
|
|||
|
|
About that.
|
|||
|
|
Oh, okay.
|
|||
|
|
I didn't, but I'm gonna get around to it eventually.
|
|||
|
|
That was a brief thing, but I don't really have any movies,
|
|||
|
|
that stuff.
|
|||
|
|
Yeah.
|
|||
|
|
It's something we'd like to do at some point.
|
|||
|
|
It was, it was already by thought, you know,
|
|||
|
|
I didn't read too much about it.
|
|||
|
|
You don't have to any open source movies,
|
|||
|
|
but I have a very large, do you?
|
|||
|
|
That's what we need to do, we need to get a paid,
|
|||
|
|
a hard drive and just start putting this thing.
|
|||
|
|
It'd be nice just to have them all on the main
|
|||
|
|
the initials.
|
|||
|
|
We need to get all my drives, so cheap and balanced.
|
|||
|
|
Yeah.
|
|||
|
|
Right, 1.5, terabyte is only like 150,000,
|
|||
|
|
and then I only get cheaper, so I'm gonna start now,
|
|||
|
|
and by the time you get all done driving,
|
|||
|
|
I'm backing up AXX OS movies,
|
|||
|
|
and I'm just starting to do ISOs.
|
|||
|
|
Hey, ISOs are everything, and he's very happy
|
|||
|
|
that he did it for me.
|
|||
|
|
There was an article about bi-directional file system
|
|||
|
|
syncing, so there are actually these two packages,
|
|||
|
|
Unison and D-director Sync Pro.
|
|||
|
|
D-director Sync Pro is in Java,
|
|||
|
|
and Unison is GTK, and you can also run it directly
|
|||
|
|
from the prompt.
|
|||
|
|
I was actually using Unison at one point,
|
|||
|
|
probably put it on here again.
|
|||
|
|
It actually worked pretty well.
|
|||
|
|
You run it through, you can do the configuration graphically,
|
|||
|
|
and then you can actually tell it to sync up
|
|||
|
|
from the command line, so you can have it on an automatic script
|
|||
|
|
or whatever, so I don't know, to me,
|
|||
|
|
that was a little bit more useful than the Java one,
|
|||
|
|
because the Java one is, you have to start up
|
|||
|
|
this big Java program to do it whenever you want to use it.
|
|||
|
|
And when you are looking for your little programs,
|
|||
|
|
really, most likely, you don't care to see it.
|
|||
|
|
Yeah, I don't want to know what's happening.
|
|||
|
|
I want to, you don't want to see
|
|||
|
|
those pretty boxes moving?
|
|||
|
|
No, no, I want to connect to the network,
|
|||
|
|
and it goes, oh, you change this?
|
|||
|
|
Okay, sync it up, you can sync it up,
|
|||
|
|
and it'll be open behind the scenes.
|
|||
|
|
I always enjoy my time with a Windows 98
|
|||
|
|
when I went to work, and I moved the boxes around.
|
|||
|
|
I was looking at it for three hours.
|
|||
|
|
I thought, listen, there's a defradler.
|
|||
|
|
You can go download that, you can watch your boxes again.
|
|||
|
|
I'll do that, so you're like, what's going on?
|
|||
|
|
It's got all kinds of colors, just what you want, so.
|
|||
|
|
Oh, they actually do anything,
|
|||
|
|
or does it just move the boxes around?
|
|||
|
|
It actually does, it actually does.
|
|||
|
|
It's actually more functional than the Windows defrad.
|
|||
|
|
Is that the JKD-Frag?
|
|||
|
|
No, JKD-Frag, you don't get boxes,
|
|||
|
|
but you get boxes.
|
|||
|
|
You get a lot more old in the place.
|
|||
|
|
Nice, cool.
|
|||
|
|
You can go out here and probably sell them at it.
|
|||
|
|
JKD-Frag is, yeah, I've used that,
|
|||
|
|
but the defradler is a puriform,
|
|||
|
|
they've got a couple of programs, a C-cleaner.
|
|||
|
|
They don't be part of that, they do C-cleaner.
|
|||
|
|
They have to pay for it, though.
|
|||
|
|
The defradler, nope, they're all, oh, no.
|
|||
|
|
These all those sorts of tools, you know, aren't they?
|
|||
|
|
Yeah, they've got a file.
|
|||
|
|
It's a solid, it's a solid file.
|
|||
|
|
Yeah, I mean, if you're really in the pick-up.
|
|||
|
|
Go to C-cleaner.com, I think,
|
|||
|
|
or C-cleaner, Search for C-cleaner.
|
|||
|
|
There's like three or four system utility programs
|
|||
|
|
I have, but they're all free, so.
|
|||
|
|
There was some, some other article about K-12 Lennings,
|
|||
|
|
Founders, Hand of Project,
|
|||
|
|
the Flutera community.
|
|||
|
|
So, I guess that's for educational programs,
|
|||
|
|
some kind of package.
|
|||
|
|
They don't really look into it, but.
|
|||
|
|
I thought it was, maybe somebody would be interested.
|
|||
|
|
There was an interview with the Warren Woodrow,
|
|||
|
|
who is a founder of Mappes.
|
|||
|
|
Once I listened to his interview, it was interesting.
|
|||
|
|
I didn't read this one, but it's, he had an interesting guy.
|
|||
|
|
Then there was one tutorial.
|
|||
|
|
I think you were talking about tutorials.
|
|||
|
|
Yeah, I took a quick glance at that.
|
|||
|
|
Actually, it looked a little, little basic.
|
|||
|
|
The first few things, I looked at,
|
|||
|
|
spent an awful lot of time on some pretty basic stuff.
|
|||
|
|
Yeah.
|
|||
|
|
But it was, it was a long tutorial.
|
|||
|
|
Yeah, there you go.
|
|||
|
|
So, you could, as you get down on your list,
|
|||
|
|
it gets a little bit more into stuff.
|
|||
|
|
Yeah, you guys who are using Fedora,
|
|||
|
|
you should be reading this.
|
|||
|
|
Okay.
|
|||
|
|
Quick, share your screenshot with J-Shot.
|
|||
|
|
I guess that's for taking your screenshots.
|
|||
|
|
With this program.
|
|||
|
|
So.
|
|||
|
|
And Wi-Fi with base photo.
|
|||
|
|
We were talking about it.
|
|||
|
|
Yeah, they had their frame on wood.
|
|||
|
|
That was, this is actually,
|
|||
|
|
like three hours.
|
|||
|
|
Very good deal for a touchscreen, linux space.
|
|||
|
|
I went on their forums,
|
|||
|
|
and they plan on releasing an SDK for it,
|
|||
|
|
and also opening it up for hackers completely.
|
|||
|
|
That would be cool.
|
|||
|
|
Yeah.
|
|||
|
|
Yeah, sometimes within the next year.
|
|||
|
|
And I don't know, I put on the forums
|
|||
|
|
that you were looking for something for recipes.
|
|||
|
|
And somebody actually came back with the suggestion
|
|||
|
|
that you could use it for your recipes.
|
|||
|
|
That's exactly what they said.
|
|||
|
|
Take all your photos, put them on a flicker,
|
|||
|
|
and then you can subscribe to Flicker on this.
|
|||
|
|
And then you can actually view your recipes right there.
|
|||
|
|
And Flicker is.
|
|||
|
|
And do you have, like, Russian or what?
|
|||
|
|
I feel like eating today.
|
|||
|
|
Oh, that's the iPhone.
|
|||
|
|
You shake it and tell us what restaurant they are.
|
|||
|
|
Oh, but they said that they're probably planning on.
|
|||
|
|
That'd be a hot idea.
|
|||
|
|
I feel like eating today.
|
|||
|
|
They said they're probably planning on adding opera as a web browser
|
|||
|
|
so that you can use it for, like, a web interface.
|
|||
|
|
And, you know, there's a lot of things you can use.
|
|||
|
|
You can use it as a remote too,
|
|||
|
|
as long as you've got a web browser,
|
|||
|
|
because a lot of things have the web interface.
|
|||
|
|
So have a USB plug into it so I can get a scanner.
|
|||
|
|
So I can scan it.
|
|||
|
|
This is a print in the fridge.
|
|||
|
|
And then my microwave can talk to me.
|
|||
|
|
Oh, the fridge.
|
|||
|
|
And then your fridge can order your...
|
|||
|
|
Yeah, it's not what I've used before.
|
|||
|
|
And then when you're pitching your bells, it takes over, right?
|
|||
|
|
Is that only a hard network connection?
|
|||
|
|
Oh, no.
|
|||
|
|
It's a Wi-Fi.
|
|||
|
|
Yeah.
|
|||
|
|
And for 140 bucks, it's got to be perfect.
|
|||
|
|
Yeah.
|
|||
|
|
You know, the screen, Wi-Fi, it's a touch screen.
|
|||
|
|
So it's very nice.
|
|||
|
|
Yeah.
|
|||
|
|
It does.
|
|||
|
|
It has Wi-Fi enabled...
|
|||
|
|
Yeah.
|
|||
|
|
...eight inch, four by three, eight hundred by two.
|
|||
|
|
You know, for earlier, you can check...
|
|||
|
|
Oh, that's right.
|
|||
|
|
Oh, have you just put it in your...
|
|||
|
|
Put one in your bedroom.
|
|||
|
|
One in your living room.
|
|||
|
|
One in your kitchen and stuff.
|
|||
|
|
It's full screen.
|
|||
|
|
Full screen touch screen.
|
|||
|
|
It's...
|
|||
|
|
It's got 802-11 VNG.
|
|||
|
|
One gig internal memory.
|
|||
|
|
Wow.
|
|||
|
|
It syncs the flicker.
|
|||
|
|
You can email photos to the frame.
|
|||
|
|
You can have...
|
|||
|
|
It has SD cards for us.
|
|||
|
|
USB mass storage support.
|
|||
|
|
You can play MP3s.
|
|||
|
|
Power-shaving, clack-and-learn functions.
|
|||
|
|
Yeah, yeah, yeah, whatever.
|
|||
|
|
All they need is a movie player in there now.
|
|||
|
|
Yeah.
|
|||
|
|
Well, you know, even if it's...
|
|||
|
|
It's an easy, even-watch cooking show.
|
|||
|
|
You know, if it's a movie...
|
|||
|
|
If it's...
|
|||
|
|
If it's...
|
|||
|
|
If it's...
|
|||
|
|
If it's...
|
|||
|
|
If it's...
|
|||
|
|
If it's...
|
|||
|
|
If it's Linux-based, I mean, I don't know how you...
|
|||
|
|
You can get it.
|
|||
|
|
And...
|
|||
|
|
If it's...
|
|||
|
|
We have a performance probably on video.
|
|||
|
|
It's probably limited.
|
|||
|
|
Yeah.
|
|||
|
|
Very small, probably.
|
|||
|
|
It's all re-pressure-at-most kind of screen and stuff.
|
|||
|
|
It's still on its own.
|
|||
|
|
I mean, even if they don't open it up for hacking,
|
|||
|
|
somebody's gonna figure out how to hack this.
|
|||
|
|
I mean, it's just too...
|
|||
|
|
Too hackable.
|
|||
|
|
That's the root.
|
|||
|
|
And the password is a secret.
|
|||
|
|
If they just have a look at passwords.
|
|||
|
|
Oh, yeah.
|
|||
|
|
Maybe they don't.
|
|||
|
|
There was an article about...
|
|||
|
|
I think we were just talking about...
|
|||
|
|
How much does Google not love you?
|
|||
|
|
And I think that's a probably book, so they didn't really tell you exactly what they know about you, they told you what the book covers.
|
|||
|
|
Yeah.
|
|||
|
|
You got to go buy the book.
|
|||
|
|
No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
|
|||
|
|
Why did they did that?
|
|||
|
|
Of this is great.
|
|||
|
|
Last year they did a research has got the data, you know, just search data and they associate with the IP and they were able to find people based off of their searches.
|
|||
|
|
So like they found like, they, on of the data, they found like 10 people specifically in contact with them to make sure they were right.
|
|||
|
|
But they could tell me stuff, you know, where they have searched, what they've looked for on everything.
|
|||
|
|
Because you know, a lot of people type their address and be Google.
|
|||
|
|
Yeah.
|
|||
|
|
So you want to do a map?
|
|||
|
|
You want to do a map and any of that stuff.
|
|||
|
|
Well, that was the scandal when AOL passed some set for the data mining and they found that ladies somewhere on an East Coast through, you know.
|
|||
|
|
I think that was, you know.
|
|||
|
|
There was an article, if Microsoft, you applied to books.
|
|||
|
|
So that was pretty good.
|
|||
|
|
Yeah.
|
|||
|
|
That was funny.
|
|||
|
|
Yeah.
|
|||
|
|
It would be that color too.
|
|||
|
|
Yeah.
|
|||
|
|
I checked.
|
|||
|
|
Yeah.
|
|||
|
|
It's dark gray on black, you know.
|
|||
|
|
Only you can read this book and only you, nobody else.
|
|||
|
|
So that was kind of funny.
|
|||
|
|
But it might be true.
|
|||
|
|
What else we have?
|
|||
|
|
Well, that was a circle.
|
|||
|
|
There was circle menus in circle.
|
|||
|
|
I don't know why those didn't take off.
|
|||
|
|
I mean, they had been playing around with those fact eight, nine years ago.
|
|||
|
|
And I'm sure I can tell you why the circle film is stacked around.
|
|||
|
|
It uses up a lot of testing state for, you know.
|
|||
|
|
I don't know.
|
|||
|
|
Somebody had actually made a plugin for GTK1 that actually had circular menus on the right
|
|||
|
|
click context menu.
|
|||
|
|
And everybody just got all off, excuse me, all off in his face about doing it.
|
|||
|
|
Oh, who would want that blah, blah, blah.
|
|||
|
|
When you think about it, it's a sugar, sugar user interface.
|
|||
|
|
It's sort of like a circle.
|
|||
|
|
Circle menus are, you can definitely get things done faster with the circle.
|
|||
|
|
It's all the technology.
|
|||
|
|
Because like, you know, the first TV we had when I was a little kid, the screen was round.
|
|||
|
|
Absolutely.
|
|||
|
|
Almost perfectly circular.
|
|||
|
|
Because they could have made a tool square.
|
|||
|
|
Yeah.
|
|||
|
|
Right.
|
|||
|
|
And so I mean, if that had stayed that way, you know, then all these other things might work differently.
|
|||
|
|
For some reason, they decided TV screens should be nothing.
|
|||
|
|
The nice thing, the nice thing, oh, I'm sorry.
|
|||
|
|
And it goes in a sheet.
|
|||
|
|
I'll see these sheets.
|
|||
|
|
Then it really makes a sense to make it square instead of square.
|
|||
|
|
Oh, well, it's longer or no.
|
|||
|
|
I'm talking to G.
|
|||
|
|
But the G.
|
|||
|
|
Yeah.
|
|||
|
|
The second TV we had was a rectangle.
|
|||
|
|
And I think, I think maybe it's because it's hard to compose.
|
|||
|
|
I mean, as an artist, it's hard to compose in a circle.
|
|||
|
|
Yeah.
|
|||
|
|
Whereas it's, you know, traditionally much easier to do rectangle.
|
|||
|
|
Framing.
|
|||
|
|
How hard.
|
|||
|
|
How hard it is to live in a bubble.
|
|||
|
|
I installed this and I had to move it forcefully because it, I had to install it fortunately
|
|||
|
|
because it couldn't find a penancees that were there.
|
|||
|
|
But the menu, it claimed one there and then messed up everything and synaptic was yelling at me.
|
|||
|
|
Things were going poorly.
|
|||
|
|
That was a good order, right?
|
|||
|
|
No, it was a good order too.
|
|||
|
|
Oh, it's good that I have it.
|
|||
|
|
The thing about the circular menus is you don't actually have to visually scan.
|
|||
|
|
Whereas if you right click and look, okay, I have to go down, down, down.
|
|||
|
|
And you don't have any contacts.
|
|||
|
|
That's how far you're going except for visual.
|
|||
|
|
This way, you know, okay, I need to go to the right.
|
|||
|
|
Yeah.
|
|||
|
|
When you go to the right.
|
|||
|
|
I'm sure it minimizes mouse movements.
|
|||
|
|
Right.
|
|||
|
|
And not only minimizes mouse movements, but once you learn where the things are,
|
|||
|
|
you don't even have to look, you can go click, click, click.
|
|||
|
|
You know, right up, down the left.
|
|||
|
|
And that's the item that you want.
|
|||
|
|
So it's a lot quicker once you learn to use it.
|
|||
|
|
It's the same thing with like mouse gestures.
|
|||
|
|
People look at mouse gestures and say, oh, that's stupid.
|
|||
|
|
But once you start using them, you realize this is so fast.
|
|||
|
|
Because it's a shortcut.
|
|||
|
|
Right.
|
|||
|
|
It's a shortcut.
|
|||
|
|
And the circular menus give you that ability to have a shortcut on every.
|
|||
|
|
I agree.
|
|||
|
|
I agree.
|
|||
|
|
It's an old hit.
|
|||
|
|
You don't build it right.
|
|||
|
|
It's never winter head.
|
|||
|
|
It's never winter head.
|
|||
|
|
It's never winter head.
|
|||
|
|
It's never winter head.
|
|||
|
|
It's never winter head.
|
|||
|
|
It's never winter head.
|
|||
|
|
It's never winter head.
|
|||
|
|
Try to, you know, try to see how much material you waste building around building.
|
|||
|
|
Is it a lot of it to you?
|
|||
|
|
What's that?
|
|||
|
|
Oh, yeah.
|
|||
|
|
It's huge.
|
|||
|
|
How do you do angles with the new one?
|
|||
|
|
The trouble is the math.
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
What do you know?
|
|||
|
|
Where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah.
|
|||
|
|
That's it.
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Yeah, where do you put your colors?
|
|||
|
|
Whatever.
|
|||
|
|
If somebody wants to.
|
|||
|
|
The lag radio is not podcast anymore.
|
|||
|
|
It's stopped.
|
|||
|
|
But it was still there.
|
|||
|
|
And we're talking about blue bows.
|
|||
|
|
Yeah.
|
|||
|
|
And then we have a few how to create minimal
|
|||
|
|
and beautiful desktop to the conkeys.
|
|||
|
|
Somebody, I think you were doing conkeys,
|
|||
|
|
so there is another script.
|
|||
|
|
Creating virtual machine,
|
|||
|
|
FOSN, KVM, VMware,
|
|||
|
|
and VMware with VMware Builder on Ubuntu,
|
|||
|
|
because VMware Builder is a package,
|
|||
|
|
so it probably doesn't apply just for Ubuntu.
|
|||
|
|
Virtualizing with KVM on Ubuntu,
|
|||
|
|
and I don't know if you've got better user in the face,
|
|||
|
|
but I think that you were trying KVM at some point,
|
|||
|
|
and sort of you gave up.
|
|||
|
|
All virtual machines.
|
|||
|
|
KVM.
|
|||
|
|
They didn't try KVM if what do you know?
|
|||
|
|
Yeah, it works fine.
|
|||
|
|
And then you generally use it through the virtual machine,
|
|||
|
|
but actually comes from the door project,
|
|||
|
|
the virtual door manager,
|
|||
|
|
or you can use it through the QVMU.
|
|||
|
|
And then KVM actually uses the QVMU virtual machine,
|
|||
|
|
but there's some relationship between the two
|
|||
|
|
that I don't understand.
|
|||
|
|
And then we have Build, Fedora,
|
|||
|
|
10 of the Remix.
|
|||
|
|
Wait for that a little bit.
|
|||
|
|
Hold on.
|
|||
|
|
Yeah, I'm not interested in making a Fedora Remix this week.
|
|||
|
|
Yes.
|
|||
|
|
I feel like it's going to be next week.
|
|||
|
|
Yes, next week.
|
|||
|
|
And then using HDMI Audio Video and Linux,
|
|||
|
|
there was a guy here who tried HDMI and wasn't pretty happy,
|
|||
|
|
so I don't know.
|
|||
|
|
So there was how to.
|
|||
|
|
And that would be about all for our newsletter.
|
|||
|
|
And I guess that's probably all what we are going to record here.
|
|||
|
|
I think he's busy for the same thing.
|
|||
|
|
Thank you.
|
|||
|
|
Thank you for buying stuff.
|
|||
|
|
And I'll see you next year.
|
|||
|
|
And if anybody was listening, thanks for listening.
|
|||
|
|
I guess.
|
|||
|
|
Thank you for listening to Hack the Public Radio.
|
|||
|
|
HPR is sponsored by tarot.net.
|
|||
|
|
So head on over to CARO.nc for all of our community.
|
|||
|
|
Thanks for watching.
|
|||
|
|
Thank you.
|