571 lines
51 KiB
Plaintext
571 lines
51 KiB
Plaintext
|
|
Episode: 1506
|
||
|
|
Title: HPR1506: HPR AudioBookClub 6 Shaman Tales Book 1 South Coast
|
||
|
|
Source: https://hub.hackerpublicradio.org/ccdn.php?filename=/eps/hpr1506/hpr1506.mp3
|
||
|
|
Transcribed: 2025-10-18 04:26:06
|
||
|
|
|
||
|
|
---
|
||
|
|
|
||
|
|
ᶘ╜ ᶜ ᶸᶇᶘ°ᶇ ¯¬ ᵡʻ ᶘ╷ᶕ'ᶴᶴᶶᶶᶤᶕ'ᶶlle
|
||
|
|
Hello, and welcome to another episode of Hacker Public Radio. Today is the Hacker Public
|
||
|
|
Radio Audio Book Club. I'm Pokey, and with me today is Colin. Hello, Colin.
|
||
|
|
Hi, Cookie, how are you?
|
||
|
|
Very well, thank you. Run a little late, as usual, and as my name would imply, but other
|
||
|
|
than that, things are pretty good.
|
||
|
|
Excellent. Good to hear you.
|
||
|
|
All right. And so today, it's just the two of us. Probably my fault. I didn't put out enough
|
||
|
|
emails and stuff, reminding people that the show was coming up. I'll try to be better
|
||
|
|
about that for the next book club. And again, let's see, we'll try to do it on like patch
|
||
|
|
Tuesday around 7 p.m. Eastern time in May for our next show. So I'll see that right up
|
||
|
|
at the front. So if you want to listen to our next book, and we'll say that at the end
|
||
|
|
of this show, and please join us, you know, Hacker Public Radio community members are
|
||
|
|
welcome to join. Colin and I have just met. This is first time on a podcast, right?
|
||
|
|
Absolutely. This is my Hacker Public Radio debut.
|
||
|
|
Excellent. Excellent. Welcome to Hacker Public Radio. Ken's going to be thrilled.
|
||
|
|
It's good to be here. I've been listening to Hacker Public Radio for just over a year
|
||
|
|
now and been looking to drum up the courage to take parts. Hopefully this will work out
|
||
|
|
relatively well. Yeah, I think it's going to be fine. I think you're going to realize
|
||
|
|
just how welcoming our community is and friendly and helpful everybody is. All right. So
|
||
|
|
we are going to review the audio book. Okay, he retitled it. I believe it's, I have to read
|
||
|
|
this whole thing because he changed the name. Shaman Tales 1 South Coast by Nathan Lowell.
|
||
|
|
This is the second time I've listened to it the first time it was just called South Coast,
|
||
|
|
but he went and renamed all of his books. And the fact that I've listened to it twice should
|
||
|
|
tell you a little bit about it. That it is a good book. I do like the book very much. So the
|
||
|
|
way that we do this review for anybody who's new is we're going to not do any spoilers at first.
|
||
|
|
We'll just talk about the book and how, whether we liked it or not, what we thought of it.
|
||
|
|
When we run out of things to say without spoiling it, we'll have a brief intermission where we
|
||
|
|
each review a beverage of our choice. And then after that, we're going to spoil the heck out of it.
|
||
|
|
So if you haven't listened to it and you plan to, you can listen right up until the beverage review
|
||
|
|
without any spoilers. Okay. So I for one liked this book. I thought it was good. I didn't think
|
||
|
|
it was very good because I've heard a bunch of Nathan Law's other books and I like all of them
|
||
|
|
better. This is my least favorite of his books. I like all of the rest of them better than this one.
|
||
|
|
The mysticism, I think, just gets a little beyond me in this one.
|
||
|
|
Well, that's interesting because this is the first Nathan Law book that I heard.
|
||
|
|
I thought it was pretty good. There were a few aspects where I thought perhaps you could go
|
||
|
|
into a bit more depth and bring in some more story, but then on reflection I was thinking
|
||
|
|
that actually that might make the story a bit more complicated. But I folly a point
|
||
|
|
Pokey about the mysticism aspect there. On the one hand, you had that aspect and then on the
|
||
|
|
other hand, you had some quite detailed modeling and it was sometimes a bit difficult to marry
|
||
|
|
the two together. Yeah, and all of his books are very character driven. The plots of the books
|
||
|
|
are typically like this one where it's people who you'd like to know doing ordinary things. They
|
||
|
|
just happen to be way in the future. These folks just happen to be on another planet, but this could
|
||
|
|
happen today and here, except for a couple of the futuristic things. And they're just
|
||
|
|
dealing with problems that one might expect to deal with. And it's not, there's nothing terribly
|
||
|
|
dramatic or I don't know, I can't think of the word, there's conflict. The conflict is very
|
||
|
|
believable, very realistic and nothing's going to end the universe. There's no heroes really.
|
||
|
|
Is that, am I saying that right? Yeah, I think so. I completely agree. I thought that was one of the
|
||
|
|
really great parts of the book. And as you say, the character development and the way that he
|
||
|
|
managed to really bring two key elements of the story together was, it was a really good listen.
|
||
|
|
And I found it to be one of those books that you can listen to and it'd be quite relaxing and
|
||
|
|
not necessarily have to be one of those books where you have to really pay attention and then
|
||
|
|
I can easily consume myself listening to this again in the future.
|
||
|
|
That's very true. I was in the middle of another audio book when this one came up and it was time
|
||
|
|
to listen to it. And the other one, though it's very, very good and I like it a lot, when I listen
|
||
|
|
to it, I have to be listening to it. I can't really do much else. It's not an easy book to listen to,
|
||
|
|
I guess, even though it's re-enjoyable. And when I switched over to this one, it was a lot
|
||
|
|
easier to listen to. Nathan Lowell's storytelling and his voice are just so easy to listen to.
|
||
|
|
Yeah, absolutely. I mean, I listen to this book in a whole different range of places.
|
||
|
|
Occasionally, I listen to it late in the evening, but I actually found myself having to
|
||
|
|
relisten to the episodes because I'd fall asleep halfway through. But I've listened to it on the
|
||
|
|
train work, although not last time, having to concentrate heavily at work. But it really is
|
||
|
|
that kind of book that you can just listen to and because of his voice as well, particularly,
|
||
|
|
I think you're quite happy if you don't feel that you've listened to an episode properly to just
|
||
|
|
pick it up and listen to it again. Yeah, definitely. He could have called in on our
|
||
|
|
or Senate, Senate segment in for our April Fool's show, just listening to him read the phone book
|
||
|
|
would have been completely satisfying. Yeah, absolutely.
|
||
|
|
The, sorry, switching through tabs here, Ken Fallon also listened to it. No, he can't join us.
|
||
|
|
He did write me an email and he's got some different things to say about some different
|
||
|
|
different segments of our show. And he said, in general, he really enjoyed this book,
|
||
|
|
and it was delightful to listen to it again. Okay, so he's listened to it once before as well.
|
||
|
|
His style of storytelling is both relaxing and exciting at the same time, very addictive listening.
|
||
|
|
And it's about what we just said. Yeah, pretty much. I think it's a rounded out quite concisely.
|
||
|
|
Yeah, and another thing I like about Nathan Law, his books are not short, but they're not long either.
|
||
|
|
They're you can get through them in a weekend, you know, one if you want to, or you quicker if
|
||
|
|
you really are into it, but he's fairly concise as well. I like that. Yeah, yeah. And I think
|
||
|
|
that perhaps comes back to maybe what I was implying earlier about. He could have gone into more
|
||
|
|
detail in some sections of the book, but I feel that that may have distracted him from what he was
|
||
|
|
trying to do. Yeah, and he did get into some detail, but most of his detail was, you know,
|
||
|
|
the mundane things like, you know, how fishing nets were put together and how reels worked,
|
||
|
|
and that kind of thing I thought that was neat too. Yeah, yeah, I completely agree. I mean,
|
||
|
|
when I'm talking about some of the other aspects, I mean, he touched on some pressure from
|
||
|
|
external sources. I don't think I'm going to be getting into too many spoilers to say it was
|
||
|
|
employer in particular. And he could have gone into that a bit more, but again, having thought
|
||
|
|
about it, I think he would have actually distracted from the point of the book and of the
|
||
|
|
characterisation. And I think you're right, Pokey, when he does go into more detail, it's always
|
||
|
|
benefiting the people within the book, and you kind of feel that you're actually listening to
|
||
|
|
the characters rather than listening to the book to a degree. Yeah, yeah, very much so. And
|
||
|
|
another thing about this book that might be unique, I don't notice it a lot with it, but I found
|
||
|
|
myself rewinding this one an awful lot because I would just maybe get too relaxed while listening
|
||
|
|
to it. And then I'd miss something and say, oh, and I probably would have just let it slide,
|
||
|
|
but I didn't want to miss anything for the club like, oh, I might have missed something great
|
||
|
|
to talk about. There's some detail, but there was no real specific detail that I could
|
||
|
|
think of to, you know, throw many comments about. No, and I agree with you there. I think there
|
||
|
|
are two characters in particular that it was quite easy to confuse. Do you which two was that?
|
||
|
|
I found myself having to rewind a lot to see whether I was listening to Richard or Otto.
|
||
|
|
That's not the two I was thinking of. Which two two two reckon? That's funny because if I
|
||
|
|
confused two characters, it was always Jimmy and was a Tony. Yeah, yeah, no, I can see that
|
||
|
|
particularly when they were actually out and about doing some fishing. Yeah, I mean, it might
|
||
|
|
have just been because their names, you know, both end with an E sound, so maybe that was it, but
|
||
|
|
occasionally I would find I would have to rewind it and listen to which name was speaking again,
|
||
|
|
because they had very similar voices too, I think. Yeah, I think that was the same for me with Otto
|
||
|
|
Richard and the fact that they particularly towards the end of the book, they started to relate
|
||
|
|
to each other quite well. Oh, yeah, towards the end. Yes, I can see that.
|
||
|
|
Well, I'm having trouble thinking of anything else to say without spoilers.
|
||
|
|
Yeah, the same here. That's exactly what I was just thinking.
|
||
|
|
I guess it's time for a beverage then. What did you bring?
|
||
|
|
Well, I bought with me one of my favourite aisles from the southwest of the UK, because I'm
|
||
|
|
based in the UK. It's called Golden Glory, and it's by the Badger Breweries. It's actually
|
||
|
|
described as being a kind of, I'm going to minute, I pulled up a description here, which will be
|
||
|
|
quite helpful. Yeah, it's actually described as an American blonde ale style beer, if that helps
|
||
|
|
you out at all, poohy. I have quite a sweet too, so I've gone for quite a sweet fruity flavour
|
||
|
|
ale. I find it quite refreshing, and it's one of those aisles that you can happily drink on its own,
|
||
|
|
or with something fairly light as well as something a bit more heavy like your state possibly.
|
||
|
|
Right on. That sounds pretty good. I like blonde aisles every now and again. A lot of times,
|
||
|
|
I tend to stick with the darker beers. I like a creamier flavour sometimes, you know,
|
||
|
|
tending towards a coffee flavour or vanilla port or a stout or something is good to, or just like a
|
||
|
|
heavy ale, like a double or something, but a blonde ale every now and again is quite refreshing,
|
||
|
|
especially like if you're drinking like a half a waist and you need to cut that yeast or the
|
||
|
|
wheat, yeah, the wheaty yeasty flavour little something, those blonde aisles can do the trick sometimes.
|
||
|
|
Yeah, absolutely. I find them cut easier to drink. I mean, I like the heavier aisles,
|
||
|
|
I'm not really so much of a stout man. The good ones definitely, but I have to be in the right
|
||
|
|
mood for that. Yeah, you do, and stouts, I usually don't drink like a ton of them consecutively.
|
||
|
|
Like one or two is good and then I can switch over to an ale or a log or something.
|
||
|
|
Cool. How is that one for hoppiness? It's hoppy, but the general kind of zesty peachy type flavour
|
||
|
|
is probably slightly stronger than the hoppy. Oh, right on, yeah.
|
||
|
|
Yeah, I always have to ask over here because we got so many micro brews now in the past,
|
||
|
|
done five or ten years, all these craft beers are showing up and it seems like every one of them
|
||
|
|
makes seven IPAs. I'm not that big a fan of hops, you know. Yeah, now I know what you mean,
|
||
|
|
I think it's great that the micro brews are coming up. I don't know quite what it's like over
|
||
|
|
in America, but over in the UK, it's very easy to walk into a brewery owned pub because pretty
|
||
|
|
much most of them are brewery linked around these days and you just have some very bland general
|
||
|
|
purpose aisles, whereas the micro brews can quite often, if they're working well, come up with something
|
||
|
|
a bit unique. Yeah, and that's the weird thing too is a lot of them have those unique beers and
|
||
|
|
flavored beers and I'm not always, you know, I'm not thrilled if somebody tries to hand me a blueberry
|
||
|
|
beer, you know. You're not into that kind of flavour. I remember trying a rather nice raspberry one
|
||
|
|
once. Yeah, well, that's it. I could try one once. I don't, you know, like orange beers,
|
||
|
|
some people have these orange flavored beers or lime in a beer. I'm just not into that, but
|
||
|
|
give me something dark and smoky and I'm happy. Yeah, what I want to know these days is how many of
|
||
|
|
these micro brews are using their raspberry pies to help them sort out the brain process.
|
||
|
|
They should every one of them be doing that. There's, at the Northwest Linux or Linux Fest
|
||
|
|
Northwest, there's a group of guys who do exactly that and they make an open source beer and they use,
|
||
|
|
or do we know as a raspberry pies and stuff. David Whitman's talked about it a couple of times when
|
||
|
|
he's been up to Linux Fest Northwest and it's really exciting and it sounds like it's worth the
|
||
|
|
trip. Yeah, it does definitely does. I mean, the nearest I've got to it so far was reading the,
|
||
|
|
I think it's the last issue of Linux Voice has got a brew pie tutorial type description
|
||
|
|
thing in it, which was an interesting read. Oh, it's fantastic. All right, so my beer
|
||
|
|
for the past year or so, I've been trying to get back into camping and hiking and hunting and
|
||
|
|
woodsy type stuff and I've been working on camp stoves, you know, little hiking backpackable
|
||
|
|
stoves to take with me and and it seems to me like a wood stove is great and alcohol stove is great,
|
||
|
|
so I'm trying to make different combinations of them and a lot of them and a lot of the ultra light
|
||
|
|
hikers do a lot with the fosters beer cans because they're so huge. So tonight I grabbed a fosters
|
||
|
|
logger and I've never had one before. I've never had a fosters before, but I bought it just for
|
||
|
|
the can. I know Peter 64 is certainly rolling around it and no, but if it's bad Peter 64, you can
|
||
|
|
be happy because I deserve it for for trying it, but I just need the can to make a stove.
|
||
|
|
I think I'll be interested to see what you think when you try it, Pokey. Yeah, I think I'm
|
||
|
|
happy we've paid to 64 on this one. All right, well here it goes. What do you think?
|
||
|
|
I had some just barely beer in a can. It's kind of like a, of course, Miller Budweiser type of beer.
|
||
|
|
It's kind of thin in flavor other than that kind of stale giant brew beer flavor,
|
||
|
|
kind of watery on the back end and the aftertaste is kind of stale. And yeah, pretty sudsy.
|
||
|
|
It's beer, but just barely. That sounds like the fosters I know and avoid.
|
||
|
|
Yeah, I've moved into Ayles and I've never looked back. I try and go as independent as I can and
|
||
|
|
yeah, fosters. I think you rounded out pretty well with your your cause and your Budweiser.
|
||
|
|
I'd say that almost as a slight injustice to Budweiser. Oh no, Budweiser really can't stand.
|
||
|
|
I can't take that. You know, I used to know someone, you'll have to see for more. I used to know
|
||
|
|
someone who used to keep his Budweiser bottle in his pockets warm up for a drink and I never understood
|
||
|
|
why he was drinking Budweiser to start with but to drink it warm. I mean, really. Oh my gosh,
|
||
|
|
that's crazy. Oh, this beer is going to make me burp an awful lot. I'll try to remember to do that
|
||
|
|
off mic. Okay. Yeah, so that's fosters. If you need a camping stove or an ultra light aluminum pot
|
||
|
|
and you're a DIY or go for it, but maybe try to get a friend to drink it.
|
||
|
|
Why is move? And Ken wrote in and said that he was drinking a Rui-Bos-T-R-O-O-I-B-O-S.
|
||
|
|
I'm not a T-drinker. Is that one that I should know if I were a T-drinker?
|
||
|
|
Yes, I think so. I do have to say I drink a lot of tea mainly because I don't like the taste of
|
||
|
|
coffee, but Rui-Bos is one of the naturally caffeine-free teas. It's got an interesting,
|
||
|
|
I think it's slightly lemony taste to it, but it's not something I particularly enjoy myself.
|
||
|
|
Okay, Rui-Bos. All right. Yeah, if I drink tea, it's usually allong tea. It's the only one I
|
||
|
|
really will go out of my way for. Yeah, I like Rui-Bos and I like green teas and you have to have
|
||
|
|
some good old English breakfast teas. I've tried it. I've never, I don't know, maybe I wasn't
|
||
|
|
doing it right. Who knows? We don't really get tea over here. We get the shake out of the machines
|
||
|
|
when they're done making your tea and they put it in paper bags and that's what we get.
|
||
|
|
Okay, remind me to bring some tea bags with me if I have rained up in your part of the world.
|
||
|
|
Yeah, somebody and I cannot remember his name because it's not an English-ized name and I lost
|
||
|
|
the email. I can't find it, but somebody on IRC and he was in one of the Nordic countries sent me
|
||
|
|
a motherboard that he was all done with and I'm pretty sure it's the one I'm using now actually.
|
||
|
|
And he sent me a bag of tea with it in a package of ramen noodles, which I thought was terribly
|
||
|
|
clever because the ramen noodles will tell you whether or not the motherboard's been mistreated
|
||
|
|
and shipping and the tea was looked like something fancy and I just I didn't know what to do with
|
||
|
|
that. I had to look up how to brew tea. It was good, but I didn't know how I had no idea what to do
|
||
|
|
with it. I definitely liked the idea of the noodles as a way of checking to see whether the package
|
||
|
|
has been handled correctly or not. That's very clever. Yeah, and I don't know if he did that on
|
||
|
|
purpose or if he was just being a little cheeky throwing tea and ramen noodles own a balloon. He
|
||
|
|
shipped a balloon as well and it was funny as hell because on the shipping label, I don't know
|
||
|
|
he must have had to declare what was in the box. So it said motherboard, tea, noodles, and balloon.
|
||
|
|
I just thought that was hilarious. I still laugh about it. Can you imagine the guy at custom's
|
||
|
|
face reading that list? Yeah, I know. Maybe the tea and the ramen noodles, whatever,
|
||
|
|
but the balloon, he must have really just scratched his head about that.
|
||
|
|
Yeah, that was going to be one of those packages where he went home and told his family about it
|
||
|
|
and this weird guy sending these components off to someone. I mean, what they're going to need
|
||
|
|
all of those things for. Yeah, and now that I think about it, the guy who sent it to me, I'm sure
|
||
|
|
he must have got a good laugh about throwing that eclectic list of things in the same box.
|
||
|
|
And I bet when he told his family, they just looked at him funny too.
|
||
|
|
Yeah, when you opened it, Poke, did you have a look on your face as if to say, why did he send this?
|
||
|
|
No, I was completely thrilled. Are you kidding me? Even the balloon was fun.
|
||
|
|
Yeah, well, yeah, I'm surprised. Complete surprise. I hope you made the most of it.
|
||
|
|
Yeah, you bet I did. I don't remember if I just, I probably gave the balloon to one of the kids,
|
||
|
|
but I drank the tea and I ate the noodles for sure. And then like I said, I'm pretty sure this is
|
||
|
|
the mother board I'm using now. In that case, it must have been treated well. Yeah, the noodles
|
||
|
|
were pretty much intact. All right, so we can get into spoilers now. Yeah, I thought it was,
|
||
|
|
I thought it was an interesting book. I thought the, you know, the dilemma, they're
|
||
|
|
living on this fishing planet and all of a sudden, then they're running close to their quotas anyway.
|
||
|
|
They're running a pretty lean organization. All of a sudden, their quotas go up by 20%
|
||
|
|
or everyone's going to lose their job. And that pretty much was the driving force behind the whole book.
|
||
|
|
Yeah, absolutely. It really provided that outside influence that basically the whole
|
||
|
|
community that was involved within the book and the area itself really had to struggle against
|
||
|
|
a new follow, Jimmy who's kind of having to take responsibility for it. Now, I have to admit,
|
||
|
|
he does a really good job of actually making sure he takes that responsibility seriously,
|
||
|
|
but takes quite a long time for him to move out of the kind of thought box that he's kind
|
||
|
|
of stuck himself in that kind of tradition in terms of what they've been doing for so long.
|
||
|
|
Yeah, and that now that you mentioned it is a fairly common theme in Nathan Law's books,
|
||
|
|
the thinking outside the box theme. And, you know, all of his, you know, quote-unquote heroes are
|
||
|
|
the people who think outside the box now that you mentioned it. Okay, yeah, that's interesting.
|
||
|
|
I mean, I mean, the way I thought about the book is that there seems to be several phases to it,
|
||
|
|
although having said that they kind of merged together so you couldn't distinctly say one appeared
|
||
|
|
after the other, but you had the kind of Jimmy Tony and Casey relationship and then you had Richard
|
||
|
|
Otto and Rachel, I think it was, at the other end, and then you had some further interactions
|
||
|
|
in between which were always quite interesting and all very well coordinated. You really got
|
||
|
|
the sense that there was this community and that the characters were would interact with each
|
||
|
|
hour in the way that Nathan was describing. Yeah, and one thing about the relationships there,
|
||
|
|
as I kept waiting for, like, a love story there between, like, and I thought it was going to be
|
||
|
|
Jimmy and what was it in Casey? Is that what it was? Yeah, yeah, there was definitely something
|
||
|
|
looking like it might have been on the cards there. Otto and I think Susan, who was an incidental
|
||
|
|
character at one point as well. Yeah, and that was exactly that was just incident. That was just to say,
|
||
|
|
hey, he's reaching that age, but the Casey and Jimmy thing, I kept expecting it to happen and it never
|
||
|
|
did and as close as it ever got was when Jimmy suggested to Tony that Tony might be missing Casey
|
||
|
|
for love interest reasons and I thought that was kind of how to left field.
|
||
|
|
Yeah, I guess. I mean, Casey is one of those interesting characters in the book,
|
||
|
|
though, isn't she? Because for a short while she seems to play a really major role,
|
||
|
|
particularly when it comes to going out and being on the boat and teaching the guys how to
|
||
|
|
fish again, so to speak, or in Tony's case, to fish to begin with. But she kind of falls away
|
||
|
|
later in the book and as you say, that kind of left field remark, I don't know whether that was
|
||
|
|
just a case of looking to bring her back into the book and remind people that she was there,
|
||
|
|
or whether Nathan is looking to perhaps avoid getting down that road and opening up a relationship,
|
||
|
|
I don't know. Yeah, I mean, she was mentioned once or twice in like the brainstorming segments,
|
||
|
|
where they were trying to find fisheries and stuff, but you're right, she did kind of fade away,
|
||
|
|
I hadn't even thought of it that way. Well, I was, when I was listening to it, and I mean,
|
||
|
|
I listened to the last episode this evening, actually, and she seems to get replaced by Rachel as
|
||
|
|
the story goes through. Oh, yeah, you know, you're right about that. Rachel was the woman who ran
|
||
|
|
the bar. Well, I'd better check, but if I remember rightly, it wasn't Rachel, I'm thinking about Richard's
|
||
|
|
wife. Okay, yeah, okay, no, I was thinking that she was replaced by the woman who runs the bar
|
||
|
|
and was, and was teaching them how to do crabs. Yeah, I think we're actually might be talking about
|
||
|
|
a similar person. Yeah, because Richard's wife went and did the actual crabbing her an auto went
|
||
|
|
out and set the traps and learn how to do crabbing, but there was the woman who ran the pub who
|
||
|
|
wasn't interested in doing crabbing, but she seemed to know everything about it, which that kind of
|
||
|
|
took me for a small ride also. That part took me out of the story a little bit.
|
||
|
|
Jimmy, throughout the story. I think that was Mary. Mary? Okay, thank you. Yeah, throughout the story,
|
||
|
|
Jimmy would figure out what he wanted and then just go get it. He seemed to have unlimited funds
|
||
|
|
to get what he needed. And the fact that when this woman said, I'm not interested, but you should
|
||
|
|
see so-and-so who's never done it before, but I talked to her son and he was like, oh, great idea.
|
||
|
|
I that kind of took me out of it. I think for me that was that was one of maybe two or three
|
||
|
|
like unbelievable situations. Yeah, I think you're right. There was a couple that came up,
|
||
|
|
couple of convenient elements to the plot, but I think if you were casually listening to it and
|
||
|
|
not necessarily playing close attention for the purposes of a review, you'd probably miss it in
|
||
|
|
the characterization possibly. I always thought that Jimmy had those kind of resources and that was
|
||
|
|
reasonable because he was effectively running the business and had to make quota and if he made
|
||
|
|
quota, it'd get the bonuses. But like you say, if for someone who's running that kind of business
|
||
|
|
and fraying that kind of resource, would he really have immediately trusted without any kind of
|
||
|
|
questioning whatsoever? Yeah, and right, he did, that's the one, oh shoot, I'm stuttering here.
|
||
|
|
Yes, he did have or seem to have unlimited financial resources and that was believable because
|
||
|
|
he was running a planet, a business that was effectively half a planet. So I could kind of believe
|
||
|
|
that at least he had the funds to do it and then all they were really trying to meet was the quota
|
||
|
|
and they stated that several times. They were just trying to meet the mass allotment or the
|
||
|
|
mass quota of fish. But you know, I kept finding it hard to believe that there's only these two
|
||
|
|
operations going on on the planet. There's fishing and there's raising sheep and cattle and there's
|
||
|
|
nothing else. As if this planet has no other resources that are of any value to anybody.
|
||
|
|
And I know they said mineral resources are slammed and blah blah blah. But still, I mean,
|
||
|
|
there didn't seem to be more than 20, 30,000 people on the whole planet. I mean that kept throwing
|
||
|
|
me off too. Like this whole place was a small community. And I think you just hit the nail on the
|
||
|
|
head, Pokey, because that's exactly how I started to think of it. I really lost the concept of it
|
||
|
|
being a planet altogether. It felt like a community that lived on a shoreline with an expensive
|
||
|
|
sea to fish. But you know, it felt more like a kind of county or partial state rather than a
|
||
|
|
rather than a planet. Yeah. And listening to Nathan Lowell's other books, which are set in
|
||
|
|
this same universe, there's lots and lots of planets. But this makes it seem like the planets themselves
|
||
|
|
are a virtually unlimited resource that you can spread your people that thin and then set up
|
||
|
|
interstellar travel to support the few people rather than just concentrating them. And you could
|
||
|
|
help from planet to planet and completely wear one out a lot easier and more financially effectively
|
||
|
|
than what they're doing here. That kind of was weird. Yeah, I mean, I don't have the background in
|
||
|
|
his other books, but I mean, from the iterations that were the strong element of the book, I mean,
|
||
|
|
I ended up just feeling that he was talking about a community that was on a planet that was
|
||
|
|
interacting with other areas of the planet, whereas in reality, if you've got a bit more in depth
|
||
|
|
stories than clearly, yeah, that starts to feel a bit strange when you've got. So effectively,
|
||
|
|
so little happening on a planet, I mean, perhaps I'm starting to get a bit too technical,
|
||
|
|
but you'd need a certain amount of mineral resource on the planet to be able to sustain the fish.
|
||
|
|
I'd have thought, but you know, maybe that's just going one step too far.
|
||
|
|
Yeah, and yeah, really, it's just, there's got to be more than fishing and farming on this whole
|
||
|
|
planet to, I mean, so many industries exist. You know, you can't, you can't just set up a place,
|
||
|
|
I don't think, anyway, and not have any of those other industry industries even exist that nobody's
|
||
|
|
entrepreneurial enough and creative enough that you know, they get interested in something.
|
||
|
|
It just, I don't know, it's just kind of weird. Every time I thought of that, it took me out of
|
||
|
|
the story, so I had to try and not think of that. It sounds like I almost had the benefit in not
|
||
|
|
having the background of the other books, because I found it a lot easier to transition the storyline
|
||
|
|
into that kind of small community where it made a lot more sense. Yeah, perhaps.
|
||
|
|
Yeah, that could be true. And the other thing that kind of threw me for a loop was the fact that
|
||
|
|
here's this entire fishing community planet, and they never thought to fish for anything else with
|
||
|
|
these detrollers, like, like we don't want to see growth. And they said they'd been there for
|
||
|
|
100 years. You want to see growth in your industry, you at least try one other kind of fish.
|
||
|
|
Yeah, I mean, coming back to what you were saying about those occasional bits of kind of
|
||
|
|
unbelievable plot. I mean, if they've been doing the same thing for a hundred years and they've
|
||
|
|
got all these other fish around, why is there all of a sudden this entrepreneurial explosion,
|
||
|
|
if you like, in terms of trying to meet this quota. Well, I understand that, you know,
|
||
|
|
it's by putting the quota up that they're challenging what they do. But yeah, it was a bit of a leap.
|
||
|
|
Yeah, and Ken says, his main criticism of the book, boy, this fosters, makes you slur a bunch.
|
||
|
|
I don't feel funny, but I'm slur in my speech. All right, the main criticism of the book
|
||
|
|
and his work in general is the faith and corporations to look after the needs of its employees.
|
||
|
|
I can find no example in human history where this holds true, where workers didn't try and unite.
|
||
|
|
At best, places where workers retreated well, there was no resentment at lack of land rights or
|
||
|
|
self-determination. I find it unbelievable that a planet of several million people would not seek
|
||
|
|
some form of independence or rights for its citizens. This extends to the son of the shaman.
|
||
|
|
What if the shaman has ten sons? What about the daughters? Where is the right to self-determination?
|
||
|
|
Are all the planets inhabitants doomed to a life of toil on the sea purely to an accident of birth?
|
||
|
|
Why are the teenage children not going to second level education, let alone third?
|
||
|
|
All that aside, it's a good yarn and I look forward to more works from him.
|
||
|
|
Ken, good points, Ken. Yeah, it's interesting. I think they are good points, but I think that again,
|
||
|
|
I think that may have overcomplicated the story somewhat, and I think it benefits from the simplicity,
|
||
|
|
the story, simplicity almost reflects the community's simplicity to a degree.
|
||
|
|
Yes, the simplicity is in the plus column for this book. The fact that it helps it to be an easy
|
||
|
|
listening book for sure, but he's right about secondary education, and that thought did cross my
|
||
|
|
mind while I was listening to it, that it didn't seem like there was any school at all.
|
||
|
|
Really, you learned to fish and you went fishing, there wasn't really much for education.
|
||
|
|
Yes, it's never mentioned. I suppose whilst we were
|
||
|
|
rounding up the criticism, I did find the kind of the time segments that we used,
|
||
|
|
stances and things like that, I think. I found that quite confusing. I didn't quite see the need
|
||
|
|
for changing what would have effectively been the same unit of time, although
|
||
|
|
be it different, perhaps, in actual length on a different planet.
|
||
|
|
Yeah, he never goes into any explanation of that in this or in any of his books.
|
||
|
|
He talks about stands and ticks, which I just took to mean hours and minutes,
|
||
|
|
which threw me off for a long while too, because I would have thought a tick would be a second,
|
||
|
|
but he seems to use them as minutes and stands. He seems to use as standardized hours or standard
|
||
|
|
hours, I think. Yeah, I mean, I really had to pick that up as it went through the first couple of
|
||
|
|
times. It's like, okay, I think he means this, and then when the second, I mean, the ticks came
|
||
|
|
up after a while, and then you're like, okay, so what's the day, what's the hour, what's the minute?
|
||
|
|
Which threw me a bit, and that was probably the one time where I was listening to the story,
|
||
|
|
where I was actually feeling like I was having to think a bit more than perhaps I should have done.
|
||
|
|
Yeah, and the other, in his other books, he does this a lot of where he just talks about things,
|
||
|
|
and you're kind of expected to just pick up on it, and it's a reasonable expectation
|
||
|
|
for a person who's paying attention to the book. His other books, the Trader's Tales,
|
||
|
|
is a six book long series, and I think I was listening to it the third time
|
||
|
|
before I realized that when he talked about the sand, he was talking about a sanitation unit.
|
||
|
|
I knew it was a bathroom, I knew it was a shower, but I couldn't figure out what sand meant.
|
||
|
|
Yeah, I suppose that might answer the longevity of the series, and I think, although it feels
|
||
|
|
like we've been a bit critical for the last 10 minutes or so, Pokey, but I think the fact that
|
||
|
|
you've lighted on listening to it for the third time really shows that the books themselves
|
||
|
|
are pretty good, and there's a lot going for them. Yeah, you're absolutely right. It sounds
|
||
|
|
like, for me, it probably sounds like I'm nitpicking the book and being overly critical of it,
|
||
|
|
of a book that I really, really liked, which is weird. It's just that the things I liked about it,
|
||
|
|
were also subtle. The book is so subtle, and Nathan Lold has such a good job with subtlety
|
||
|
|
that it's hard to say, oh, I'd love to this part where that happened, or I'd love to that part
|
||
|
|
where that happened. It's all just very subtle. I just really enjoyed the thing as a whole.
|
||
|
|
It's hard to break down the good things because they're all one big good thing.
|
||
|
|
Yeah, absolutely, and to link the two together, I think my biggest criticism of the book is
|
||
|
|
actually that it's a bit short. I could have happily listened to that story go on for another
|
||
|
|
good few chapters and episodes. It was really, really good. Yeah, it was. And
|
||
|
|
geez, what else? Now, I feel like I need to say something positive. I run through my brain real
|
||
|
|
quick. My brain, which is swimming in this awful fosters. Yeah, you've disabled yourself a bit with
|
||
|
|
the fosters there. I'm just thinking that I mean, I don't know his background too much. Nathan's
|
||
|
|
background, that is. But he really seemed to marry up the different aspects of the book. There was
|
||
|
|
enough understanding of business. There was enough understanding of fishing, particularly, which
|
||
|
|
a lot of the book depended on. But when he started to get into modeling and I can't remember the
|
||
|
|
guy's name, the young kid. Frank. Yeah, that came in and he'd written the game based on this model.
|
||
|
|
They then used the game to help model the fishing and linking up the benefit. You can almost see
|
||
|
|
a technological background in the fact that he managed to connect gaming to real life and
|
||
|
|
actually demonstrate that gaming can be a positive influence in terms of understanding what's really
|
||
|
|
going on and those kind of things really pulling together. It was a bit awkward at times, but he
|
||
|
|
seemed to make it work. Okay, you just reminded me of something that I really, really liked about this
|
||
|
|
book. A specific thing is that the game model where he was, I think his name was Frank, the kid,
|
||
|
|
was trying to explain it to Jimmy and it said how he got a little shy. It said, oh, I never published
|
||
|
|
the game. Like, just kind of never said it. Never came right out and said it, but hinting towards the
|
||
|
|
fact that this kid infringed copyright and knew that he infringed copyright was a little afraid
|
||
|
|
of getting in trouble for it. And I just, I got that feeling from it. I could, I could see the kid
|
||
|
|
kind of respond in that way and, and you know, hunching his shoulders and hiding a little. I really
|
||
|
|
did like that. That's exactly how I write it and coming from a book that's obviously creative
|
||
|
|
commons. Yeah, I really hit home. Yes, exactly. His audience, I think every person in his audience
|
||
|
|
will, well, I shouldn't say that. I think a large portion of his audience probably took it that
|
||
|
|
way, whether or not he meant it that way, just because a large portion of people reading a creative
|
||
|
|
commons books are going to be aware of copyright issues. So, so yeah, I really enjoyed that,
|
||
|
|
that I got a good chuckle at it. Although thinking about Ken's point, where did he learn how to
|
||
|
|
write the game and manipulate the model? That's why you're doing a good job of channeling Ken there.
|
||
|
|
I also liked the the banter between Otto and his mother Rachel. I think we determined her name
|
||
|
|
as I did like that a lot that the way they, they, you know, joked back and forth. I do that a lot
|
||
|
|
with, with, you know, my mom and my wife and my daughter and the people I like.
|
||
|
|
Yeah, that really started coming through towards the end of the book to that relationship and
|
||
|
|
bond between the whole family just kind of grew much, much stronger. Amazing what a, a bit of family
|
||
|
|
turmoil will do for you and I don't know quite how much of a spoiler it will be to go into that,
|
||
|
|
but I think it's safe to say that the father goes through some pretty rough times there or after he
|
||
|
|
goes out fishing and gets caught up in a fairly serious incident. Well, we're in the spoiler
|
||
|
|
section so it's fair. You can, you can say, you know, you got bit by that boxfish and, you know,
|
||
|
|
came very close to death and there's, oh, sorry. No, that's okay. It's interesting because there's
|
||
|
|
so many good parts of this book and then occasionally you just pick up a criticism as you're thinking
|
||
|
|
about it, but the fact that the guy recovers almost completely untouched is perhaps another one
|
||
|
|
of those elements, but then, you know, I suppose it's kind of good that he dances and it's just kind of
|
||
|
|
lucky that's how it films, I guess. Well, that was one of the two, two I can think of major
|
||
|
|
events where the mysticism, you know, it seemed like you were supposed to believe that the mysticism,
|
||
|
|
the shamanism had a real world effect on the people. You're supposed to believe that the
|
||
|
|
polar bear, polar bear, welky gave him the strength that he needed. And the other part, of course,
|
||
|
|
was Richard holding the barge still. Yeah, definitely, definitely. Which is,
|
||
|
|
it kind of comes out of nowhere, though, because you kind of get the feeling through the most of the
|
||
|
|
book, the shamanism is really more of a kind of, you know, it's respected and recognized throughout
|
||
|
|
the planet, but it tends to sit in the background. And for those two elements, it's like really
|
||
|
|
plum central in view. And it's a bit of a surprise almost at those points. Yes, it's a little jar
|
||
|
|
and Richard standing there on the deck of the barge using the force to hold it still.
|
||
|
|
Where, to contrast, one place where I thought the shamanism was used really, really well, was
|
||
|
|
when Otto, well, I don't remember who, I think it was Otto who saw the birds fly in south to,
|
||
|
|
you know, they were seasonal birds and they would fly south to find their food in the winter.
|
||
|
|
And then he gave the bird, welky to Jimmy. Like, I thought that was great. That, to me,
|
||
|
|
was, you know, what that shamanism kind of could have meant, you know.
|
||
|
|
Yeah. And then Jimmy, not knowing what it was, but then going back to, to the ports and looking
|
||
|
|
at the boats and then being told by someone else who was working on the boats, I mean, that that
|
||
|
|
really worked really, really well and that kind of realization. Well, I thought that the link was
|
||
|
|
there because they said nothing was south but water and these birds fly south to fish. So I'm,
|
||
|
|
you know, the way I read that was that Jimmy found where these birds go during the winter
|
||
|
|
and where they go to catch their fish. Yeah, absolutely, although now you mentioned it,
|
||
|
|
if they've been there for a hundred years and it took them that long to figure that out. But,
|
||
|
|
yeah, sorry, I know the cynical perhaps first. Yeah, no, I feel really guilty about criticizing
|
||
|
|
the book because I enjoyed it so much. You know what? I agree with you. I feel guilty about
|
||
|
|
criticizing it too, not just because I liked the book and not just because of like all of Nathan
|
||
|
|
Lowell's books, but I think I really like Nathan Lowell. I really think I like him as a person.
|
||
|
|
Yeah, he's, I mean, he sounds like the guy that you could quite happily have a conversation
|
||
|
|
we then get to know and just really enjoy listening to. Yeah, absolutely. I mean, and I've heard,
|
||
|
|
I've heard him, well, I heard one interview that he did with the Linux like tech show years and
|
||
|
|
years ago, which is actually how I found audio books. I was just listening to, you know, audio
|
||
|
|
on CD from the library at the time. And he just seems like such a nice guy. He's just a really
|
||
|
|
cool person to be around and just talk to. I mean, I don't think he's the guy. I, you know,
|
||
|
|
maybe expect to go go-carding with, but going for a hike and walking through the woods and just,
|
||
|
|
you know, checking stuff out or sitting around a campfire for sure. He's definitely invited to that.
|
||
|
|
And Nathan, anytime you want to come by my campfire, you're a new hamster. Give me a buzz. You're
|
||
|
|
invited. Well, there you are, Pokey. I think you're doing a good job of passing on the
|
||
|
|
baton there because I picked up audio books from listening to the HBIR audio book club.
|
||
|
|
And, you know, I completely agree. I'd quite happily spend some time talking to Nathan.
|
||
|
|
And I might have to go and hunt down a couple of those podcasts if they're still online
|
||
|
|
or in an archive to Google or something like that. Yeah, right. And oh, Tilt says everything.
|
||
|
|
Yeah. And now I feel kind of guilty because I, I, um, the last audio book club we did,
|
||
|
|
I invited Cristiana Ellis to come on with us and talk about her book with us. And while I got
|
||
|
|
some very positive feedback about that publicly, a couple of people said to me behind the scenes
|
||
|
|
that they didn't come on the show with us and they wanted to. But they didn't want to come on
|
||
|
|
and criticize the book with the author right there. So I thought it seemed to me that, you know,
|
||
|
|
okay, maybe, maybe we shouldn't have the author on them if people are afraid to criticize the book.
|
||
|
|
So I didn't invite Nathan for that reason and that reason alone. That was the only reason.
|
||
|
|
But now I'm thinking that it might have been a mistake because well, it's only two of us here
|
||
|
|
anyway. So that's not what kept people away this time, I guess. I don't know.
|
||
|
|
Yeah, it's an interesting point. I suppose there's pros and cons in both directions. It would have
|
||
|
|
been kind of nice to have Nathan here to just get into a discussion with him. But, um, I mean,
|
||
|
|
I listened to the the KC podcast as well. And I thought it did benefit from having her there,
|
||
|
|
and particularly in terms of, I mean, I won't get into a review of doing a book previously.
|
||
|
|
But I had a few difficulties with the book in terms of listening to it. It wasn't really my kind of
|
||
|
|
book. It wasn't anything to do with the way KC written it particularly. But having her there,
|
||
|
|
having listened to the book kind of helped me understand where she was coming from a bit more
|
||
|
|
and actually helped me appreciate the work that she's done that little bit extra.
|
||
|
|
But having said that, I listen back to some of the episode today and it started to feel a bit
|
||
|
|
more like a conversation with her than a book review to be fair. So I don't know. I think it can
|
||
|
|
work either way, Pokey. Perhaps you need to do two shows for each book. That might be the key to it.
|
||
|
|
Ken would love that. It's not even a bad suggestion, just an interview.
|
||
|
|
Yeah, maybe, maybe. I don't know whether you want to do it before or after the show,
|
||
|
|
that you know, the actual review show, it depends on whether you want to pick out some points
|
||
|
|
that people have made and use it for questions in the interview, perhaps. I'm not sure whether you
|
||
|
|
want to provide them the episode to listen to or not. I guess that depends on the maybe review.
|
||
|
|
I would definitely want to talk to the author after the show because I kind of use other
|
||
|
|
people's comments. When I do interviews, I usually ask if I'm doing an interview, I usually
|
||
|
|
put something out and say, hey, I'm going to interview this person. Does anybody have any good
|
||
|
|
questions? Because I can't come up with all that on my own. Well, that's fair enough. That's
|
||
|
|
what communities for. Yeah, absolutely. It's funny, too, because people always tell me they're
|
||
|
|
impressed with the Richard Stallman interview that I did, but mostly that was everybody else's
|
||
|
|
questions. I can't take any credit for that. That's the way I would feel about Nathan Wall as well.
|
||
|
|
I need everybody else's comments. That's fair enough, Pokey, but you were there and you put the
|
||
|
|
questions to it. You were there interacting with Richard Stallman. I've sat in one of his lectures
|
||
|
|
before, and that's not always the easiest job to do. I'd love to go see one of his lectures. I
|
||
|
|
keep meaning to try and make it down to Leaver Planet because he usually speaks at that,
|
||
|
|
but anyway, sorry, didn't mean to sidetrack us. Where were we? We were feeling guilty about
|
||
|
|
criticizing a book that we like so much. I think that was it. It would be nice to speak to Nathan
|
||
|
|
just to try and understand a couple of aspects a bit more and where he was coming from perhaps
|
||
|
|
and understand why he did or didn't go in certain directions. Yeah, that's a fair point.
|
||
|
|
When I say that I don't like it as much of his other books, keep in mind, dear listener, that
|
||
|
|
I hold his books in such high regard. Not liking it as much as his other books. His other books
|
||
|
|
are stellar. They're far and above most books that you could purchase or find for free or
|
||
|
|
get at your library any other way. Their good quality time spent with art. It's good art.
|
||
|
|
Just because I happen to like his other art better than this art, I don't mean to come across
|
||
|
|
and say that I didn't like it. Yeah, I think I ought to support that, Pokey. I think it's quite clear
|
||
|
|
that having listened to the shaman tales, but one that I'll definitely be picking up his other books
|
||
|
|
to catch up with you in terms of what's going on in this universe because I really enjoyed
|
||
|
|
to enjoy the book and want to go and pick out his other work to get that more complete film.
|
||
|
|
Oh, yeah. Yeah, I can't wait for more of his stuff to come out. I have, I'm embarrassed to say,
|
||
|
|
I only have one of his books in paperback on the shelf. I've been meaning to pick up a few more,
|
||
|
|
and I'll probably never open any of them just to support him and what he's doing. So I feel guilty
|
||
|
|
that there's only the one. Yeah, he's definitely, I don't know what we call him, a writer or a broadcast
|
||
|
|
that's definitely worth supporting. Yeah, I'd say both. His writing is fantastic. I enjoy it
|
||
|
|
tremendously, but even the books that he hasn't written that he's just, he's read them aloud for me
|
||
|
|
are tremendously, he's just just tremendously good job with it. They're fantastic books.
|
||
|
|
And if we get nothing else to say, that reminds me, that makes me think of the one I would like to
|
||
|
|
recommend. Go for it. Okay, fantastic. So for our next audiobook club, I'd like to change gears
|
||
|
|
a little bit, and I don't know if we've done a fantasy book yet. I don't think we have,
|
||
|
|
but there's a book on, again, this is on potty of books, I'm sorry, everybody, it's always,
|
||
|
|
it's been potty of books every time, and I keep meaning to find a good one on LibraVox or some other
|
||
|
|
place. But on pottyobooks.com, there's a book called The Crown Conspiracy, written by Michael J. Sullivan,
|
||
|
|
and it's read by Nathan Lowell. So here's a slightly different take on Nathan Lowell, where
|
||
|
|
you hear him read it, it's in his voice or his interpretation of someone else's voice, rather.
|
||
|
|
It's a book I really enjoyed multiple times. It's one that I've listened to with my 13-year-old
|
||
|
|
daughter, so it's more or less family-friendly, maybe PG, I don't think it's quite G, but it's
|
||
|
|
certainly there wasn't any points where I had to turn the sound down real quick and was blushing
|
||
|
|
about it. But I thought it was a great book, and then be fun to review.
|
||
|
|
Yeah, well, I can definitely listen to more of Nathan Lowell, so I'll be sticking that into my
|
||
|
|
podcast catch up. Excellent, excellent, thank you so much Colin, and thank you for joining me
|
||
|
|
tonight, joining the book club. We're always looking for new members, and you're a fantastic one,
|
||
|
|
I hope you'll come back. Well, I'm really glad to be here, and thanks for being so welcoming,
|
||
|
|
Pokey, I have to say it was a bit daunting knowing that I'd be the only other person on the podcast
|
||
|
|
rather than having a group of us, but I've really enjoyed it, it's been great fun, I've really
|
||
|
|
liked listening to the two books that you've reviewed last, and I look forward to going for the
|
||
|
|
next one and joining you on the review. Yeah, and in some respects you carried the show because
|
||
|
|
you brought the good beer. Wait, I think you were just I'm lucky, you're no better next time.
|
||
|
|
Well, I knew better getting into it, I kind of knew it was not a good choice for a beer, but
|
||
|
|
I thought it'd be a fun choice for the show. Definitely, your reaction to trying the first
|
||
|
|
as was one of my highlights anyway. Thanks man, I didn't expect it to go to my head quite as bad as
|
||
|
|
it is. I don't I think I'm maybe two thirds done with it, and it has definitely been interrupting
|
||
|
|
my speech patterns. Well, at least you've got an excuse, I on the other hand do not.
|
||
|
|
Oh, you did fantastic. Yeah, and for everybody else out there listening, if this sounded like fun to
|
||
|
|
listen to, it's probably even more fun to do, so please come join us next time. We're going to
|
||
|
|
we're going to do the next book club on month, sorry, Tuesday, May 13th.
|
||
|
|
7 p.m. Eastern time unless that time isn't working for people, but we'll just remember it's patch
|
||
|
|
Tuesday of, if we've been doing every month or every other month, we'll try may. We'll try to make
|
||
|
|
in the next one for May. It's a month, a little less than a month from now. We pushed this one
|
||
|
|
back a week. It's not patch Tuesday, but I'm rambling. Any closing thoughts, Colin?
|
||
|
|
I don't think so. I think we've said everything about the book. Obviously, I hope that we get a few
|
||
|
|
more people on next time, and if Ken's listening with any luck, I'll put together and elevate myself
|
||
|
|
to doing my own shows rather than just hanging along pokies. Right on, please do. Yeah, and everybody
|
||
|
|
right now we are really low on shows on HPR. We really could use your contribution right now.
|
||
|
|
If you've got an idea for a show, please record it. Get it out there for us. If you haven't got an
|
||
|
|
idea, have a look at our contribution page. There's plenty of requested topics you might know
|
||
|
|
something about. We don't need you to be an expert. We just need you to be enthusiastic and let
|
||
|
|
us know what you think. And the instructions and tutorials on the HPR website are really clear.
|
||
|
|
Just so people know, I've set out number first time pretty much tonight using those instructions,
|
||
|
|
and with a little bit of help from Poké, I think it's worked pretty well. I had no real problems,
|
||
|
|
and if I can also give a quick shout out to the old planet cast. I'll catch plenty.
|
||
|
|
That's it. Thanks, Poké. That just goes to show how new I am. Went in there this afternoon just to make
|
||
|
|
sure I had the right details for your show and the most helpful bunch that I could have asked for.
|
||
|
|
Oh God, I love our cast planet. I haven't been able to log in there. I used to be able to do so
|
||
|
|
from work, you know, an awful lot, but I just haven't. My work situations changed a bit, and I miss
|
||
|
|
going in there so much. I miss those guys. I love those guys and ladies in there so much.
|
||
|
|
But yes, please contribute to Hackapublic Radio and think of joining us next month,
|
||
|
|
and thank you so much for listening, and have a great day. Goodbye, everyone.
|
||
|
|
You have been listening to Hackapublic Radio, or Hackapublic Radio does our.
|
||
|
|
We are a community podcast network that releases shows every weekday and Monday through Friday.
|
||
|
|
Today's show, like all our shows, was contributed by a HPR listener like yourself.
|
||
|
|
If you ever consider recording a podcast, then visit our website to find out how easy it really is.
|
||
|
|
Hackapublic Radio was founded by the digital dog pound and the infonomicum computer club.
|
||
|
|
HPR is funded by the binary revolution at binref.com. All binref projects are proudly sponsored by
|
||
|
|
linear pages. From shared hosting to custom private clouds, go to lunar pages.com for all your hosting
|
||
|
|
needs. Unless otherwise stasis, today's show is released under a creative comments,
|
||
|
|
attribution, share a line, free dose of license.
|
||
|
|
You're on the community news last, weren't you, Pokey?
|
||
|
|
Yes, it was. Yeah, from we were at the northeast Linux fest we called in from there and
|
||
|
|
people were coming by. That was it. I remember now. You guys mentioned about a show
|
||
|
|
where you teach someone new to record a show and do that as a kind of mentor, mentee thing.
|
||
|
|
Yeah, we were talking about doing that. Did we get anyone prepared to be the newbie in that
|
||
|
|
show? No, you volunteered? Yeah, I'm thinking about it. Given that all I've managed to do so far
|
||
|
|
is get mumble running and I've been looking at it for a while but never really got around to it.
|
||
|
|
So be a way of putting a show together, I guess. Yeah, right on, we could do that sometime.
|