419 lines
26 KiB
Plaintext
419 lines
26 KiB
Plaintext
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Episode: 818
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Title: HPR0818: Sansa Clip Plus for podcasting
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Source: https://hub.hackerpublicradio.org/ccdn.php?filename=/eps/hpr0818/hpr0818.mp3
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Transcribed: 2025-10-08 03:01:36
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---
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both parties.
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Hello and welcome again to Hacker Public Radio.
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I'm Poki and I'm pleased to be your host for today.
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Today is going to be just a quick, I hope, little episode.
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It's going to be a review of the Sansa Clip Plus as a recording device.
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This is going to be the third HPR episode that I've recorded, though it may only be the
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second one to air with the Clip Plus and with Rock Box installed, actually.
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I have to say that as a recording device, I actually kind of like it.
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As a player, I think it's really actually garbage.
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It's one of the worst MB3 players I've owned with the stock firmware on it.
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It's just not good for a whole lot of reasons and I don't really like it as an MP3
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player.
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It's only real, well, two, three, it's only real upsides as an MP3 player are it's small
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so it fits in a shirt pocket really well and really comfortably.
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It's much smaller than I thought and it's much more comfortable in a shirt pocket than
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I thought because it's super, super, super lightweight.
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I really like that about it.
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It's fairly inexpensive, that's on the plus side and it has the SD card slot which is really
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a nice benefit to it.
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I'd like to say that Rock Box is one of its benefits, the ability for you to put Rock Box
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on it is a benefit but that's not attributable to Sandisk, that's attributable to the Rock Box
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folks and the good work that they do.
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With Rock Box on it, it's a slightly better MB3 player.
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It's certainly better than most of the MB3 players that I've had but even with Rock Box
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on it, unfortunately, it just doesn't hold a candle to the Cohen I Audio 7 that I used
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to use.
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I've only stopped using that because it physically broke, it's physically broken inside.
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A switch broke, fell apart.
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I wore the thing out.
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I had that for a long time and I do kind of dirty work sometimes.
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I've had that thing full of concrete dust, I've had it full of sweat, full of rain water
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and every time I broke it, I was able to take it apart, clean it out, clean off contacts,
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scrape stuff out and it would start working again and it would work perfectly.
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The Cohen I Audio 7 was the best MB3 player I've ever had.
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I would have bought another one except you can't even get them on eBay anymore.
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I would have bought an I Audio 9 except they seemed to have gone to a, what an America
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would seem to be a proprietary connector.
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I guess it's a mandatory connector for Korea, I don't know if it's North or South Korea
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where it's made but apparently everything they sell in Korea has to have a standardized
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connector on it and it is that.
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That's very similar to, I think it's similar to a mini USB but it's slightly different
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and it may or may not be compatible.
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If it is not compatible then I have no use for the player.
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I do not want a proprietary charging cable or a proprietary connector no matter how good
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the player is.
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I'm not willing to put up with that, I will just will not tolerate it.
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It may be compatible with mini USB or micro USB.
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I don't know and I'm not laying out 120 bucks to find out.
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If anybody does know and wants to contact me and let me know, that would be fantastic.
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But for the time being, I've got this Sandisk Sansa Clip Plus and like I said it's not the
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greatest MP3 player.
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Even with Rockbox, it does have its glitches here and there.
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There are some good things that it does and there are some bad things that it does and
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you have to like with any piece of technology, especially a gadget.
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You have to learn to work around the things that don't work for you and I've mostly learned
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to work around everything that this does.
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My biggest personal gripe with it is that I cannot fully use all of its features like
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its playback features without looking at it.
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It would be really nice if I could never have to look at the thing and just use it by
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feel and I could do that with the Co and the I audio 7.
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I could do it with most every other player I've ever had.
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This one occasionally gets into a screen where you're at a menu and you didn't really
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intend to be in a menu and you're just trying to pause it to take the earbud out of your
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ear and listen to somebody talk and very often I'll have to just take the earbud out and
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drop it and get back to it and rewind.
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That's a pain in the neck.
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The other complaint with Rockbox, complaint feature request, whatever, I know other people
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have requested it so I don't need an email saying why aren't you putting in a bug request.
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I've heard that other people are requesting it.
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It does not have an audible fast forward and rewind feature.
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When you hold down fast forward or rewind and I'm going to talk about track skip, I'm just
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talking about scanning through the file.
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You can't hear anything.
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The audio goes dead so you have no clue as to how far forward or how far back you're going.
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You can take it out of your pocket, you can look at the display, you can watch the timer
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and get a good idea of that but you can't do it without looking.
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That may be because the fast forward and rewind are progressive.
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The longer you hold fast forward or rewind the faster it goes forward or backwards.
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Which is a really nice feature but whether that doesn't behave well with an audible
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indicators to how far back you've gone, how far forward you've gone or whether they
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chose that instead I would personally rather have the auditory feedback.
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Autos when you turn it off or when you pause it and it powers itself down and you turn
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it back on it will auto resume in the wrong file.
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Auto resume I love and most of the time it does it auto resumes right where it was when
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I powered it down but sometimes it will auto resume itself in the wrong file and it could
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be any random number of time steps into a file that I'd never even played before.
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I don't know how it decides to do that but that doesn't work quite right.
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And I think that's it.
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I think those are the only things about rock box that make it negative.
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Other than that it's all back down just to the basic hardware being kind of too tiny
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to feel to use without looking at it.
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And I usually can.
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I usually can use it without looking at it but every once in a while you bump something
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and don't know what you've bumped so you don't know where from you know you're starting
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point you wound up.
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Mostly that's due to the hardware not having a physical lock.
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Like a switch that you flip that locks its functions or a button that you hold down
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for so long that it disables all the buttons on it for a little bit.
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That's the cause of a lot of that but that's hardware.
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Rockbox has just the flaws that I've listed as far as I can think and everything else that
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Rockbox does is incredible.
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It's astonishing to me how many features they've packed into that firmware and it takes
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this cheap little crippled MP3 player and turns it into a real MP3 player, a respectable
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audio media device.
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It plays back MP3s, it plays back OGS, it plays back Speaks, it plays back Wave, it's just
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incredible the capability that they've added to it.
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But this review is and it's been a long preamble up to this is using the Sansa clip as a recording
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device.
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I'm recording on it now.
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I'm using Rockbox.
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The Rockbox has a whole plethora of settings that you can use while you're recording.
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The one that I'm happiest about is, well there's two that I'm happiest, it's a tie, output
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format.
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I really appreciate that you have a choice of your output format.
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It will output an MP3 wave pack, AIFF and Wav, I do not know what wave pack is, I don't
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know what AIFF is, I think that's the Apple one maybe.
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Personally I don't have any need to output to MP3 because I'm going to be editing stuff
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anyway.
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So Wave is my choice, but I really appreciate that they've given you the other choices.
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If I wasn't interested in editing, if I just wanted to clip this someplace handy, you
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know in record all I was driving, you know how I'll deviate or like Mr. Gadget's does
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with his phone in episodes, which are fantastic by the way.
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Thank you for those Mr. Gadgets, I thoroughly enjoy every single one of them.
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If you just wanted to do that, it's perfect for that and it spits out an MP3 file when
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you're done and you're done.
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You can rename the file, you can go in later with a tag editor and edit the tags if you
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need to do that, but otherwise it just spits out an MP3 one more can ask for.
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The same if you needed it in AIFF or Wav pack, those are really nice features.
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The other great feature that it has is that you can choose the bitrate or excuse me not
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the bitrate, the sample rate.
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I'm recording this at 44.1 kilohertz and it had choices all the way down to 8 kilohertz
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and all the way up to what is it, 93 or 96 kilohertz, that was really, really great.
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Another nice feature that this has and this may be overlooked is that it will output
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to your headphones, everything that's coming in through the microphone.
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But I have some ideas on that I'll come back to later.
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You can record in stereo, you can record in mono, you can record in stereo left, you
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can record in stereo right, which I imagine would output a silent track.
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If you, like say, recorded in stereo left, I believe your recording would be on the left
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channel and the right channel would be silence and by silence, I mean mechanical silence,
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there would be zero, nothing, no value, which is cool if you want to add to it later.
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If you wanted to record, you know, for instance, a guitar and then play that back later,
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you know, through some set of speakers and then sing to it, whatever, I don't know, I'm
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not a musician.
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But I could see that someone might appreciate that.
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I saw settings in there for there was stuff about clipping, there was stuff in there, just
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more stuff than I needed to get into and I may do a little bit more research and read
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the documentation and see what all those things are.
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But certainly there was more in there than I needed to output this particular show or
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the other two that I've already done or the other couple that I'm planning on doing.
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As far as downsides to recording with rockbox, there's some background noise.
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There's, for some reason, there seems to be some internal noise, some interference that's
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happening that is being recorded because I've heard it on playback.
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I'm not sure what causes it, I'm not sure how to eliminate it at the time of recording.
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I am able to use Audacity and filter it out, just using their standard noise filter, which
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is pretty easy to use.
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But I don't know how to get rid of it beforehand so that I wouldn't have to do that.
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There is a lot more noise when the display is illuminated.
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Now whether it's coming from the light itself or whether it's coming from whatever signals
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go into the display, I don't know, but it is recording it.
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You can hear it in your headphones while you're recording and you can hear it afterwards.
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What you're listening to now has been run through Audacity and has been run through the
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filter in there.
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The noise removal filter, so you're not hearing full on what it's like, but you may be able
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to detect a little something in the silence.
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Actually, in fact, just to make sure you know what it is, I'll cut a little bit of it
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in right here.
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Here's the noise that you get out of it with the display on.
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Here it is with the display, it's just switched off.
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And it kind of comes and goes like that every 10 or so seconds.
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So that's what it sounds like.
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That's what you get during your recording and during your playback if you don't edit
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that sound of.
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Actually, that's its only real main detraction.
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Other than starting it and stopping it, it's not ergonomically obvious what buttons you
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press to start and stop your recording and to exit the recording function.
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It seems like what I've done to start it was press the home key.
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And if you press the home key again, it will stop your recording briefly and the file
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and begin a new recording.
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While you've got it stopped, if you hit the power button twice quickly, it will exit the
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recorder.
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That seems to be what I've done to make it work.
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While you're in the recorder, it's pretty cool actually.
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You can move the cursor up and down through a small menu in there while it's recording.
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You can adjust the volume of the headphones while you're listening so you can turn that
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up and down and you can adjust the microphone gain.
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This particular recording is set at a gain of 3.0.
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I tried it with a gain of 1.5 and a gain of zero and they just, they're very quiet and
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I had to adjust the gain back up in Audacity.
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So this is partly a test.
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This is at gain 3.0 plus 3.0 decibels.
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Oh, the other negative, a big negative, all of the Sansa Clip Plus as a recording device
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is handling noise.
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It's got a tremendous amount of handling noise.
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It is not a microphone, you know, it's not a professional microphone.
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It's got no sound, isolation, no noise, isolation built into it.
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It's got no noise, cancellation built into it.
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So any little noise that you make, it's going to pick up any little motion that you make
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with your hand while you're holding it, it's going to pick up.
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You're going to hear it.
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What I've done to try to eliminate that handling noise is I'm wearing a baseball cap, which
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I almost never wear.
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I hate wearing baseball caps.
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I'm doing this just for you people.
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I hope you appreciate it.
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I've got it clipped to the brim of the baseball hat because the Sansa Clip is called
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so because there's a clip built into it.
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So I've got it clipped onto the center of the bill of the cap, the baseball cap and to
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the top of it so that the screen is pointing up, effectively pointing the microphone down
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towards my mouth where the sound's coming out of me.
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That seems to work pretty well.
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As long as I don't jump around or move around too much, I mean, there, if I shake my head
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a little, you're probably hearing a little something there by wiggle my eyebrows so the
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hat moves.
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You'll get that.
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Mostly it's pretty well eliminated just by doing that because you're not moving your
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hands around on it.
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But anyway, while you're using it, it's got a menu you can cycle up and down through
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and you can adjust the volume, you can adjust the gain and the file name you can highlight.
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Knowing rockbox, you probably can rename the thing.
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You can probably rename the file.
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Probably you can do it while it's recording, but I'd be willing to bet.
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You can rename the file when you're done recording or before you start recording.
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I just haven't taken the time to figure out how to do that because it's easier to do
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on a real keyboard anyway.
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When you use rockbox to record, it saves the file on the root directory of the player's
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internal memory.
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To me, that's a slight negative.
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I would prefer that it would save the file to the SD card so that I don't have to plug
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the MP3 player in, but it doesn't do that.
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It saves the root directory.
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Now it's only slightly negative because I don't actually have to plug the MP3 player
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in to get the audio off of it.
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Rockbox has the ability to handle files like a regular file manager.
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You can cut and paste the file from the internal memory to the SD card, or if you're concerned,
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you can copy and paste it and then go back and delete the original file later.
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It takes a little bit of time to copy a big file like a long recording, but who cares?
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That's better than plugging it in.
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The reason that it's better than plugging in is because if you have the MP3 player powered
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off, or if you've got Rockbox settings set so that when you plug it in, it powers Rockbox
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down.
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If you plug it in with a USB cable to a computer, or even to a wall, charger, the stock
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sends a firmware starts up, and every time that firmware starts up, from being plugged
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into a cable, and every time it starts up after being plugged into a cable, it goes through
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and it rebuilds its database.
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It takes quite a bit of time if you've got a lot of files on there.
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It can take some time to rebuild the database, so you're just waiting and waiting and waiting.
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That's a downside to the Sansa stock firmware.
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The other downside to the Sansa stock firmware, if you're running Rockbox, is that it creates
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file folders, it creates directories that I don't use, and I usually delete because they
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just get in the way and slow me down.
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It's really stupid.
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It'll create, for instance, on the microSD card, it'll create an audiobooks directory,
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and it'll create a podcast directory, and it'll create a music directory.
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Inside the music directory, it creates another podcast directory, and another audiobook
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directory.
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I don't know what the point of that is.
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I don't know why it does that.
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Those directors are there, and they can confuse you because, oh, there's my audiobooks.
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Nope, I guess it's not.
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I got to back up two folders.
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No, I know it's not a big deal, but to have to do that several times a day can really
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get annoying and frustrating.
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What I've done is I don't keep music on the SD card, and I don't keep audiobooks and podcasts
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on the internal memory, so I only ever had to put music on it once, and then from the
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internal memory, I can delete the podcast folder, the audiobook folder, the audible folder,
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I don't need that, and basically every folder, except for the music folder, and then from
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within that music folder, I can delete the unnecessary podcast folder and the unnecessary
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audiobook folder.
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On the SD card, I just delete the music folder, and I'm left with audiobooks and podcasts,
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so I got everything I need to avoid having to plug it in and deal with all that.
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I'll just turn it off after having cut and pasted the recording to the SD card.
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I'll just turn it off, take the SD card out, pop that into a computer, and do my file
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transfers and manipulation there that I like doing.
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Now I did use the stock firmware to do some recording.
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If you don't want to mess with Rockbox, and you just want to record from the clip plus
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with the stock sends a firmware, you're actually going to get a pretty good recording out
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||
|
|
of it.
|
||
|
|
It doesn't have, for whatever reason, that background noise that happens to be there when
|
||
|
|
you record with Rockbox, it's not there.
|
||
|
|
I don't know why that is.
|
||
|
|
I would be interested in finding out why, and maybe submitting a bug to Rockbox so that
|
||
|
|
background noise could be eliminated, because if it weren't for that, it would be almost
|
||
|
|
a perfect recorder, be darn near perfect, it'd be great.
|
||
|
|
The downsides to over the other upside, actually, to recording with the stock firmware, is
|
||
|
|
it still outputs a wave file.
|
||
|
|
You don't have a choice as to what kind of file it outputs to, so it's going to be wave,
|
||
|
|
and you can't choose MP3 or anything else.
|
||
|
|
But for a default choice, wave, in my opinion, is the best one.
|
||
|
|
You don't lose any audio, you don't use any resolution from it, it's the most compatible
|
||
|
|
with the most number of systems.
|
||
|
|
I understand it's a large file, but whatever, this thing's got two, four, eight gig of internal
|
||
|
|
memory, depending on how much you pay for it.
|
||
|
|
I don't think file size is too much of a concern.
|
||
|
|
If it is, buy an SD card, and move some stuff off onto the SD card, make some room it,
|
||
|
|
it shouldn't be that tough.
|
||
|
|
The other downside to the stock firmware, is it will not output audio to the headphones
|
||
|
|
while you're recording.
|
||
|
|
Now that may be fine, I'm not using it right now, I've got a clip to the rim of my ball
|
||
|
|
cap, and I'm just trusting that it's picking up what I'm doing because it's worked several
|
||
|
|
times before.
|
||
|
|
If I were doing interviews with this, I would want headphones, I would want to make sure
|
||
|
|
that I'm picking up audio, to have that positive feedback on a file that you care about, and
|
||
|
|
you're only going to have one shot or recording that you're only going to have one shot at.
|
||
|
|
That particular feature is invaluable, and for that reason alone, I would choose to use
|
||
|
|
the Rockbox firmware over the stock firmware.
|
||
|
|
That said, that's how it records with the one or with the other.
|
||
|
|
Now what I wanted to get back to would be doing interviews.
|
||
|
|
I think it would be a really great idea to build a small handle similar to a microphone
|
||
|
|
and have a piece at the top of the handle with like a flat part, a bit of flat, maybe
|
||
|
|
plastic, and wrap it with some real nice high-density foam, and maybe even insulate the flat
|
||
|
|
plastic from the handle with some high-density foam.
|
||
|
|
Something that'll really absorb some sound, but to do that and then clip the sands a clip
|
||
|
|
onto the end of it, I think the thing could be an all-in-one microphone slash recording,
|
||
|
|
slash monitoring device.
|
||
|
|
You would of course need to find some way to fasten the headphone cable to the handle in
|
||
|
|
such a way that it would isolate noise, maybe down the center of it, maybe it could come
|
||
|
|
out the back that way somehow.
|
||
|
|
You might even be able to build a cable into the handle that had a male headphone plug
|
||
|
|
on one end and a female headphone jack on the other so that when you clipped the clip
|
||
|
|
onto your little handle, you could plug that in to the clip and then plug your headphones
|
||
|
|
into the back end of that.
|
||
|
|
You could walk around a conference with this thing working as if it were a real microphone,
|
||
|
|
just recording everything.
|
||
|
|
If you had a couple of SD cards with you, and you know, just transfer the stuff off as
|
||
|
|
you started to fill it up, you could get everything.
|
||
|
|
You could do recordings all day.
|
||
|
|
It would be small enough to fit in a pocket, you know.
|
||
|
|
You wouldn't have to carry any extra gear with you.
|
||
|
|
You're already carrying your MP3 player and your headphones.
|
||
|
|
I can see that from where I'm sitting.
|
||
|
|
You know, all you'd have to do is make this little handle.
|
||
|
|
I plan on making one.
|
||
|
|
I'm not exactly certain how.
|
||
|
|
I'm going to make it what I'm going to do, but as a starter idea, I'm probably going
|
||
|
|
to take a wooden dowel, maybe like an inch and a half, inch and three quarter, two inch
|
||
|
|
wooden dowel, whatever's comfortable.
|
||
|
|
Drill out the center of it and maybe find some kind of piece of plastic.
|
||
|
|
The plastic I'm thinking of that I think would work really great.
|
||
|
|
It almost looks like it's made of recycled milk bottles, maybe, but it's like thick white
|
||
|
|
plastic and you get it a lot of times with three ring binders.
|
||
|
|
They use it as like a sheet lifter.
|
||
|
|
I've made a bunch of stuff out of that plastic.
|
||
|
|
I've used that for a lot of different things.
|
||
|
|
It's really easy to work with.
|
||
|
|
You can cut it with a utility knife.
|
||
|
|
You can cut it with like electrician scissors or a real nice thing to have or any kind
|
||
|
|
of sturdy scissors that have serrated teeth to them.
|
||
|
|
You can bend it, you can heat it and form it and mold it.
|
||
|
|
I think that stuff would be great as a starting point, but if you were to make something that
|
||
|
|
looked like the shape of like a flat square lollipop out of that plastic stuff and put
|
||
|
|
it down inside the handle, you know, like what would be the stick of the lollipop, what
|
||
|
|
would look like that.
|
||
|
|
Put it down inside that wooden dowel handle, run the headphone cable up next to it and
|
||
|
|
then, you know, wrap the whole thing with some kind of high density foam included in place.
|
||
|
|
I think you'd have a pretty well isolated and sound insulated device that you could
|
||
|
|
hang your sans a clip off of or you could use maybe that expanding foam that great stuff
|
||
|
|
I think is the market name of it.
|
||
|
|
You could put everything together in there with your little audio cable and everything and
|
||
|
|
then fill that handle with great stuff and I think you'd have a really nice recording
|
||
|
|
device.
|
||
|
|
I think you'd get some really respectable recordings out of that.
|
||
|
|
So that's what I'm going to try.
|
||
|
|
I don't know when I'm going to get around to it and I just thought I'd get the idea
|
||
|
|
out there to anyone else, you know, and hacker public radio was going any fast, hopefully,
|
||
|
|
you know, if you think it's a good idea and you want to give it a shot, there'll be time
|
||
|
|
enough to do that and you could grab some content for HPR.
|
||
|
|
I think that would be fantastic.
|
||
|
|
If I get it to work, I can take some pictures of it, of the build, post those up on Picasso
|
||
|
|
or something.
|
||
|
|
If it works, I don't know if it's going to work, it may not work.
|
||
|
|
But if it does, I think it's a really cheap way to get this thing done.
|
||
|
|
That's the real beauty of the sans a clip is its low cost and high capacity.
|
||
|
|
Dollar per gigabyte is a good return on your investment.
|
||
|
|
You know, all its other faults, you know, rock box kind of just chugs away at fixing.
|
||
|
|
That's it.
|
||
|
|
That's my idea for the, for the sans a clip is a recording device.
|
||
|
|
That's my review of the sans a clip as a recording device.
|
||
|
|
If you're looking for a low cost recorder and you don't want to plunk your money down
|
||
|
|
on like one of those micro cassette things because they're kind of useless and you still
|
||
|
|
have to transfer it or a little digital recorder because it doesn't have enough capacity and
|
||
|
|
maybe even it's got a lot of handling noise anyway.
|
||
|
|
This is not a bad way to go.
|
||
|
|
It does seem to be a pretty decent thing to do.
|
||
|
|
That's my review.
|
||
|
|
I hope you enjoyed it and have a great day.
|
||
|
|
You have been listening to Hacker Public Radio at Hacker Public Radio does our, we are
|
||
|
|
a community podcast network that releases shows every weekday Monday through Friday.
|
||
|
|
Today's show, like all our shows, was contributed by a HPR listener like yourself.
|
||
|
|
If you ever considered recording a podcast, then visit our website to find out how easy
|
||
|
|
it really is.
|
||
|
|
Hacker Public Radio was founded by the Digital Dog Pound and the Infonomicon Computer
|
||
|
|
Club.
|
||
|
|
HPR is funded by the binary revolution at binrev.com.
|
||
|
|
All binrev projects are proudly sponsored by lunar pages.
|
||
|
|
From shared hosting to custom private clouds, go to lunarpages.com for all your hosting
|
||
|
|
needs.
|
||
|
|
On list, otherwise stated, today's show is released under a creative comments, attribution,
|
||
|
|
share a like, flea dot o license.
|
||
|
|
Oh, by the way, we need some episodes.
|
||
|
|
I can say that we're running well on episodes and then put this episode out at any time
|
||
|
|
because that statement is always true.
|
||
|
|
We are always short of episodes of Hacker Public Radio.
|
||
|
|
We are always dangerously close to running out and having to run syndicated material
|
||
|
|
on a day where we're not scheduled to run syndicated material.
|
||
|
|
If you are a fan of Hacker Public Radio, please help us to keep it alive.
|
||
|
|
If you're the kind of person that steps up to a dare or challenge, then I challenge you
|
||
|
|
to record a Hacker Public Radio.
|
||
|
|
It can be on any topic.
|
||
|
|
I'm sure the other listeners would appreciate here and from you more than they hear from
|
||
|
|
me.
|
||
|
|
They probably heard enough from me already.
|