1544 lines
81 KiB
Plaintext
1544 lines
81 KiB
Plaintext
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Episode: 1131
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Title: HPR1131: HPR Community News November 2012
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Source: https://hub.hackerpublicradio.org/ccdn.php?filename=/eps/hpr1131/hpr1131.mp3
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Transcribed: 2025-10-17 19:36:28
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---
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.
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Hello ladies and gentlemen my name is Ken Fallon and you're listening to today's
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episode of Hacker Public Radio which is a community news episode and for those of you who are tuning in for the first time
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we like to do a quick round table on what's been going on in the HPR community for the last month
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and this month we're joined by Bobo Vex how you doing? I'm fine thank you tell
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everyone we'll skip over Carnomimo and how are you 5150 or you around? Yeah I'm right here Ken I can't
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complain. Oh I'm sure you could if you put your mind to it. Then we have is it K-wisher or
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Nightwisher or what's your handle? K-wisher. He's muted. He's just listening in. We got Nido how you doing Nido?
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Good evening nice to meet you all. And we've got Poki to one and only. Hello no I'm not the one
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and only Nido's got another pounding Poki and a whole other IRC and a whole other language even.
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So unfortunately we have no new hosts to introduce this month so if we all just
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think about what that means that every single person who listens to the show has done a
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episode which of course is not true because there's about five thousand five hundred
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people out there who listen and haven't contributed to the show so please get off your
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proverbial and send us in a show. Yes I agree please send us a show we need them and
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we like you. Cool so first of all I want to start off by apologizing to CT for
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putting issues in the Thursday cube which was a bit odd and strange and as such they
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didn't get scheduled very fast at all but he was very understanding about that and
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asked me not to apologize to him so I think we should all now send the heartfelt apology
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individually to CT for missing up his episode. I want Poki to sing the apology.
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I'm so sorry that you were Thursday the end.
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Yeah this month a lot of people probably not a lot of stuff going on in the main
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mailing list but there was definitely a lot going on in the development mailing list
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this month so I want to thank everybody who's been contributing over there and
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has definitely made my life a lot easier and also made me think a little bit about
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the way things are going to go and stuff. Alrighty so let's as we do go through the
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shows and review and before we start I just want to say to the listener there that
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is the kind of person who skips the rest of the show once we start the review
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don't skip the rest of this one please if you want to fast forward through the show
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reviews if that's you that's understandable but we need to talk about the New Year's
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Eve show coming up right after that so please listen in for that.
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Do you want to do that first or not? No I think it's probably better if we thank the
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hosts personally I mean they've already done their part. Yeah super we had on 11 12 we
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had Linux in the shell done split episode and yeah I personally enjoy this
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episode I've used this command quite a lot and there were a few options in there
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that I just had to rewind three or four times don't why would anyone ever
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want to do that split them put them randomly into three different yeah I just
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didn't make any sense to me but I'm sure somebody is a use case for. I like that
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Dan gave a lot of examples of why you might want to do some of the the
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more obscure stuff and I don't know if you noticed Ken but Clat 2 just hopped
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in the room so Clat 2. Hello how's it going? It's going grand we just started
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we're talking about dance I was gonna say yeah I've used split in the past in real
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life as well although not to randomize the split team that I've done but I have
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definitely chopped up things with split it's a great command great episode. Yeah it's
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a I've used it quite a bit as well for it's a little more useful than you would
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think it would be you can use it for network packages as well send them stuff out if
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you want exactly that number of bytes going out take a big file and just dump it
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across and that in that amount of bytes. And why would you? Pardon me? I said
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I didn't mean to walk on Clat 2 there I asked why would you want that why would
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you want to specify the number of or the size of the packets going out over
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the network. You want to unbarred some web service with a lot of a lot of bytes.
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Oh right on. So then we had 51's 50 term duck and shell screen and
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quake and I have to thank you first of all thanks 50 and 50 but I want to thank
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you Poki for your comment which which explain what that term duck and was all
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about. I was glad I got the joke I thought it was hilarious I was like what is
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what in the world is he talking about and then when I listened to the show that
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afterwards I got the joke I didn't get it at first but yeah that's great.
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Yeah sometimes my humor can be obvious. Yeah but you just come across this
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straight edge sort of guy that said and then all of a sudden I was going duh of
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course that's what it was. I still use it like that every day on the other
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system. Seriously? Yeah well not so much the app shell that hit for some
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reason that has not earned out to be as useful as I'd hoped a lot of times
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you because you just fired up and and and type in install package name and
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too much time comes back to me so what I don't understand I don't know that
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package name and I go I go into regular terminal and type in
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due to aptitude update you know bring everything up to date pseudo aptitude
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safe raid and and and then pseudo aptitude install whatever and it and
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install but aptitude install finds the package name just as I typed it so I
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don't know I think I think maybe and the search function hasn't worked as
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well as I would like either so that part I don't use that much but definitely
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I use the screen I use screen inside a gwake so I just have a
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hit hit fn I move mind f10 to get a terminal and then one of those
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terminals is always open into my server and of course I'm running screen on the
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server as well just as I decide so you know I gotta be I gotta be careful how
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how deep when I'm when I'm screens how deep I go with the command so I get the
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right thing changed to shame you couldn't use something like sport you should try
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slackware well nice okay then we had to do money enough podcast episode seven
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a geek's journey to nature and he's over in the lounge I wonder if someone could
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go out and get him and bring him in here I'll do it no I want to say for
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do that with that one oh I guess he's here good job did you want 50 that was
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prompt back and now as we did that folks as we were saying to 5150
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go out and get dude man he appeared in the channel instantaneously and here
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was dude here was fish you on 50 complaining about this crappy internet
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connection hey dude man are you around can you tell us more about your cat your
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cows you was going to put some calls on the fire earlier so it's probably going
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to back soon cool cool okay well we'll move on anyway but I love this episode
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though oh I did too yeah it was really good at first I thought we'll get in the
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after farming weekly wondering where on earth it was going but it was
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absolutely fascinating to listen to what he had had in his life and though
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the changes that he had made and you know to get to where he was now it was
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really good I feel like a bit of a voyeur though he tricked us all though yeah
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with that was sneaky wasn't it yeah we've got a true need to find out how
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ends it started so slow and I was like oh boy what is this but I always give a
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show you know a fair shake and before it got to the point where I would you
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know fast forward or whatever it really got interesting real quick I did I
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did he lost it at the tracing the chickens and the pigs down the lane for
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the next door neighbor but when he says that I've done I've done that you
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know where you go can you find animals running around and you go oh thank
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God then that hour is okay now we can put them in with that attitude of
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smugness back into the they're not our animals yeah walk into my life yeah
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yeah but they're always yours now but if they yours that's the problem I've
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actually been on to YouTube and watch some of the videos of him using the size
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and man I mean he's got a very really good technique I I've used a side as well
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I bet you don't do this quickly does yeah but unlike him I came from this
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entire thing from the other side I was born and raised in a farm and my
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entire goal in life is to get all farm as quickly as possible and it's just
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funny to see a guy you know from this city guy going back to the farm it's
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funny to see it the other way yeah I have to say this this is one of those
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shows makes you really want to go out and get the rest of the episodes yeah I
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did that all right I've subscribed to his to a show obviously yeah I agree I
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definitely wanted to sort them find out more about you know what else had
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happened okay let's let's move on and hopefully we'll have dude man back on
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shortly we had a episode 1115 talk to you can be news deep geek and
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deep geek is poking can you can you give us an update on what's going on with
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you keep there not really I he asked for some volunteers he asked if anybody
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wanted to help read some stories and help out with the show a bit and I
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really like talking to me news and I didn't want to see it go away so I've
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volunteered to read some stories for him and that's really that's all that's
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really happened I just I've read a few stories and I send him off to him he's
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still he's still in charge of it and doing all the editing and picking the
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stories and such I just asked him for a you know a script basically so I'm
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I'm frankly I'm not doing any of the work just reading a script so it's not you
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know I I don't know okay yeah it's it's good that you've taken over that it was
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nice to hear another voice on this is on 11 30 wait so as you listen to this it
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was yesterday's episode so probably quite a lot of people even here on this
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this call here haven't heard her the episode and by the way if you're if you want to
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join into the community news you don't have to have listened to all the shows you
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just come along and you don't want to talk about a show just you know mute yourself
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for that so then we had a nor the boring episode 11 16 skip this one yeah let's
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skip that one nobody wants to hear about this did that one just go on and on
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forever the guy would not shut up who you know which one was this this is not
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the bad deal with Richard star no there my RMS wasn't problem no he wasn't
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was Poke hasn't prepared himself at all I have to say I mean that's a joke
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obviously but I have to say that what Poke did and I don't know how many people
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in here saw but on the mailing list I think it was in the mailing list or the
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IRC she was manless he emailed everyone said hey I'm gonna go okay I'm gonna
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interview RMS pitch me some questions and I mean I think that turned out really
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well he's from the listener standpoint did you think that was a good idea Poke did
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that work for you seemed like it did I yeah actually it really worked great my
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only regret was that I didn't even think of it at the time I should have written
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down whose questions they were so I could have given credit at the time because
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it seems like I you know they came up with these great questions and I didn't
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yeah I don't think it matters does matter though one thing that I did like about
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the show was that there was there was plenty of time for him to go on about
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everything and I know door to door geek actually commented on this initial but
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and I know it was by accident on your side but it was really nice to hear him
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having the time not being badgered or not being hit with a stick but being also
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hit with you know nice good hard questions that he could give a good answer to
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I will say that I did not expect I mean I I know Poke I love Poke I didn't
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expect this episode to be as good as it was because I mean I just felt up
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until this interview I felt that RMS had been interviewed you know like I'd
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heard everything RMS possibly could say I've been to his talk two talks of his
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in real life I've heard a dozen talks online I just figured it had all been
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talked about already but that was not the case I found this to be a very good
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very good interview with someone who really we've all heard before and thought
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we knew everything about already I agree when I was listening to this episode
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having listened and seen to some of Richard Storm was online he can be very
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domineering and there was almost a danger that actually you know he could have
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completely made the interview a Poke sort of feel he wasn't up to the job he
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didn't do that at all so Poke you you know really did well as the interview
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were on this as well well thank you I went into it with the mindset I wasn't
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going to make it a adversarial interview I wanted I really wanted to hear
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what he had to say and I planned on giving him plenty of time to say
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everything that he had to say but there was a technical glitch on his end
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where if we both keyed up at the same time his speakers fed directly back into
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his microphone and it seemed like it was even you know electrically before it got
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to the speakers it came right back at me and it was unbearable to listen to
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and he was using like it not you know like the push to talk when you hit it and
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it stays in the mic stays open he was using that so I literally had to wait for
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him to turn his mic back off so a couple of times there was a little bit of a
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pause a little bit of silence that you wouldn't have noticed because I added it
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out where he would start talking again where normally I would have come in with
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another question or something and that was that was the accident that Ken had
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referred to but it really worked in you know in our favor this time
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I think that generally sorry go ahead and hit the one you realize Poke we're
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expected an interview like this at least three four top year from now on
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yeah I I tried to well what was classy what were you going to say oh I was
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just going to come usually or I think it's my belief that a good interview is
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one where the interviewer doesn't really talk that much yeah I agree no I
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had planned on doing a couple more and I was trying to get with with one guy to
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do one who was completely off the radar that that picks up Richard Stolman but
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I thought it would have been fun but we're just having a hard time getting
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together okay well well done Poke curiosity
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it's you know what I as much as I want to do a good job in any show that I
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put out the what really makes me feel good is if if I and it happened
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to this time it seemed to anyway as if I put out a show and you know a
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week or so later you know a bunch more shows come in that is really
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fantastic and there are certain hosts when they post shows that that seems to
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happen and you know it's happened to me like twice now and it's really a good
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feeling when that happens fantastic okay so the following day we had the
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way back machine the sdf.org and this is and my bill and the guys
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did you do any of you have an sdf account yeah I do I've been a member
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since well for years it was I think that might have been my first
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experience on a real live pure Unix box if I'm not mistaken.
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I do now I didn't before yeah I set one up a few weeks ago but it was
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it was after pod yeah it was hot brewers and we're kind of
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kind of state of inebriation so I'm hoping like back into it once I had
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side go play with it I was through Navigum and in my bill and we already
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had a JPW on about the sdf would have been say five
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hundred shows ago so so yeah we have covered this before but it's always
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good to be reminded of it I did sign up for this and I paid the
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subscription but I still haven't gotten through the acknowledgement
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process or whatever that needs to happen.
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Yeah I'm in trade that you can use it or port town link so I've got
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such a slow connection at home it does it do me no good to run
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anything through my home network might give me something I could
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think I could use in an insecure location away from home.
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That's exactly what I used to use it for 51 for me.
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I was really intrigued by you can host photos on there and like
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link to them you know I was really intrigued by that and a couple
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other things but that's a good one.
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Oh I can use that I'm out of space on my free server.
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I'm more interested in using it get to websites that
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would be well it doesn't really is really appropriate but as a
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bastion host for getting into my own network I give IP address
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restrictions to certain IP addresses and then from there connect
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from their back home so that you block you know you're able to access
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home via ssa but you must you can only come from a certain range
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of IP addresses so that you don't get all these people trying to
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crack your network all the time.
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That's a good idea never thought of that.
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That is really awesome.
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You don't do that?
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No.
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Never thought of it.
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Never thought of it myself.
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No.
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I do restrict access to some people to other people to my
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servers when they need to upload stuff there but for myself I
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restrict myself to using ssh certificate rather than a
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password and that's usually sufficient security.
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Yeah but if you check your logs I still see
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if I put anything up on 22 port 22 I see loads of people
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trying to connect in.
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That's the best I do is just change the external port.
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Change the external port but also like just completely block ssh
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from accepting anything from any connection other than my
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local network and a few three or four different holes that are
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around the internet.
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Yes see I do something that's completely different and I could
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probably come into conflict with it.
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I use fail to ban which if there's three failed log in attempts
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it blocks that address and maybe block the whole domain I'm
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sure.
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No you could still use that because I mean you're still going to
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do that and then you get in if you don't get in on that machine
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you can switch to your other other machine or wherever and try
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from there.
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But that would limit quite the would limit the ability to log
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into your whole network.
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Yeah exactly if there were three if someone tried to get into
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it and they were using sdf and that were my only external gateway
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you know in then they could you know that would in effect restrict
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me from getting in remotely.
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Yeah but if you're doing this blocking you need to make
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her to have three or so.
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Okay yeah it's good thinking.
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Okay so other people can connect from the same IP address as
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the sdf host.
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Am I not correct?
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Well you block say if you don't have anybody who has access
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has an sdf account could get in obviously but if it's your
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vps machine out on the internet and you're the only person who has
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access to that machine then yes that IP address range can
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can access in but you've gone from millions of IP addresses
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down to a few hundred of possible people.
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They're true but if you combine that with fill to ban then you
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run the ability of getting a denial of service attack and
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people trying to get access to those IP addresses and
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|
|
try to run false passwords so you cannot block in
|
||
|
|
yourself anymore.
|
||
|
|
Yeah but that's fair enough but only one of the machines will be
|
||
|
|
this machine and the other one will be my vps how would somebody
|
||
|
|
get onto my vps on the first place.
|
||
|
|
Well they could pretty much legitimately look like traffic
|
||
|
|
from your vps from a note within that same network.
|
||
|
|
Yeah but need a they would need to know.
|
||
|
|
I agree.
|
||
|
|
Yeah and if they're doing that they can just attack.
|
||
|
|
If they do now something you need to worry about unless you
|
||
|
|
have somebody who really really hates you.
|
||
|
|
Yeah if it's that targeted and they know that much about you
|
||
|
|
and about networking and they're getting it anyway.
|
||
|
|
All they have to do is self target kin felon.
|
||
|
|
All they have to do is look at kin felon that are you've got
|
||
|
|
my full home in the postal address they're just slapping
|
||
|
|
Google earth come up to the door sometimes you know I work
|
||
|
|
and walk on it.
|
||
|
|
Glad to remember that sometime when you're not at work.
|
||
|
|
Yeah and if I get robbed you know where I'm going to be sending
|
||
|
|
the police.
|
||
|
|
Glad to when you're not at work when you are at home.
|
||
|
|
Okay.
|
||
|
|
If you come to my house when I'm home I'm open in a beer for you.
|
||
|
|
Is there anywhere in Europe?
|
||
|
|
No.
|
||
|
|
That's a long way to make it difficult.
|
||
|
|
Pretty far.
|
||
|
|
But you're welcome to come here.
|
||
|
|
Hello thank you very much.
|
||
|
|
I've just got back so if I missed the beginning.
|
||
|
|
No we're just rumbling on about how good your episode was on
|
||
|
|
on episode 1114.
|
||
|
|
I'm immediately friends with people when they say so nice.
|
||
|
|
Thanks.
|
||
|
|
Well I liked it too then.
|
||
|
|
Yeah well I've got an everyone plan for tomorrow which is on
|
||
|
|
programming and I did one a few weeks ago on hacking as well
|
||
|
|
with an interest in twist to it.
|
||
|
|
Very very cool.
|
||
|
|
How many episodes are you up to?
|
||
|
|
I'm unlucky 13 but I'm going to remedy that tomorrow.
|
||
|
|
Nice.
|
||
|
|
And we're also joined by Hart V61 if you want to say hello again.
|
||
|
|
Just don't.
|
||
|
|
He wanted to and couldn't.
|
||
|
|
Yeah the joy is a push to talk.
|
||
|
|
Okay where are we?
|
||
|
|
Spread the...
|
||
|
|
Oh yeah my first brush...
|
||
|
|
My first brush with loss.
|
||
|
|
Doom which I think a lot of people.
|
||
|
|
This was one of the how I got into Linuxy type of things and
|
||
|
|
this was a new vector that I hadn't come across before actually.
|
||
|
|
It's an interesting way to see how people get to the philosophy
|
||
|
|
through different means other than just trying to hack the
|
||
|
|
computer they have together and whatever the default way is to
|
||
|
|
get to this point.
|
||
|
|
Yeah and I guess it's a perfectly legitimate way when I was
|
||
|
|
into today.
|
||
|
|
Doom obviously was an open source game so of course people would
|
||
|
|
use that that would introduce people to Linux.
|
||
|
|
I know we used last year we had quite a lot of the how I got into Linux
|
||
|
|
stories and yeah I'd love to hear some more stories from other people so
|
||
|
|
please if you're teaching on the edge think about some of the same
|
||
|
|
one of those shows I always find them interesting.
|
||
|
|
Don't know about the resty.
|
||
|
|
Hey if you want more Ken one fellow has got an interesting
|
||
|
|
approach to that he he listens in to other shows on mumble and
|
||
|
|
then Anne which is people when they're done and gets them to
|
||
|
|
tell them to tell us how they found Linux.
|
||
|
|
Obviously a genius.
|
||
|
|
Yeah it's brilliant.
|
||
|
|
Anne Bush is the right word as well.
|
||
|
|
Yes yes no pressure obviously no pressure on anyone to do that.
|
||
|
|
No pressure talk now.
|
||
|
|
Then the interview the pain is over you've done your first
|
||
|
|
episode and it's everything's just better from then on it.
|
||
|
|
Anyways 1119 was spreading the word was CT and
|
||
|
|
inspirational stories from on the road and this one actually was by
|
||
|
|
just so annoying that I had left this in the queue for ages and
|
||
|
|
you have to remember people when you send them the shows I have a
|
||
|
|
policy of not listening to them so I don't know.
|
||
|
|
I don't I won't know unless you tell me in the show notes about
|
||
|
|
whether it's syndicated Thursday or main queue or whatever so
|
||
|
|
feel free to actually edit and put some notes for me in the in
|
||
|
|
the show notes please.
|
||
|
|
So again apology CT for that.
|
||
|
|
Was this the guy that did it whilst he was driving?
|
||
|
|
The episode whilst he was driving?
|
||
|
|
Yes.
|
||
|
|
It always amazes me how he can like talk constantly and concentrate
|
||
|
|
on what he's doing.
|
||
|
|
He's from Sweden so they have long roads up there.
|
||
|
|
What with no other traffic?
|
||
|
|
I'll be effort in the effort and all the other users.
|
||
|
|
Very important if anyone's going to Sweden and they tell you it's
|
||
|
|
only five kilometres up the road.
|
||
|
|
Kilometer their kilometer is a hundred kilometres yes.
|
||
|
|
So just so you know that.
|
||
|
|
I've seen this has happened a couple times where a show got into the
|
||
|
|
wrong queue.
|
||
|
|
So if you if people are going to send in shows you know don't be afraid
|
||
|
|
to write one complete sentence just specifically stating this is
|
||
|
|
for the normal queue or you know this is for the the syndicated
|
||
|
|
Thursday queue because sometimes there seems to there seems to be
|
||
|
|
you know a little bit of confusion if if somebody interprets an email
|
||
|
|
wrong so if you could put something in there that's very clear
|
||
|
|
like that that could help you know not have this happened to your show.
|
||
|
|
And also don't be afraid to send in where is my show especially
|
||
|
|
given a week normally after you uploaded especially if there's
|
||
|
|
enough shows in the queue and you not a new host give it a week
|
||
|
|
because I have life as well and I usually process the shows on
|
||
|
|
an evening when my wife is working so so if it hasn't sort of gone
|
||
|
|
into the queue by the by the Saturday feel free to give me a
|
||
|
|
ping and if you haven't heard your if your show has suddenly
|
||
|
|
disappeared after two weeks or so definitely give send us an
|
||
|
|
email. Yeah I think that two times that I've seen it happen
|
||
|
|
that I remember it happening were people who would send in a show
|
||
|
|
and they would say something like I do a media project over
|
||
|
|
here and I decided to put this together for HPR and it kind of
|
||
|
|
sounded like it was meant to be a syndicated show but you know
|
||
|
|
it a sentence saying this is not something that we've even
|
||
|
|
just say this is not a syndicated show it hasn't aired yet you
|
||
|
|
know and I will know for sure. Yeah perfect perfect and I
|
||
|
|
actually that is more or less the occasions which it occurs
|
||
|
|
and that's sort of an episode 1120 was an interview I did
|
||
|
|
with Jerome and I I'm not going to butcher his name anymore
|
||
|
|
than I already have about the Razor Qt project and I think
|
||
|
|
in this month there were two examples of an interview
|
||
|
|
doing well and an interview done very badly by the
|
||
|
|
interviewer and I think I got the short story all this month.
|
||
|
|
No I disagree I like it. Yeah it was a really easy
|
||
|
|
interview but I was for myself been very negative about
|
||
|
|
the whole KDE desktop because I happened to be on my
|
||
|
|
wise machine doing the recording at the time and it kept
|
||
|
|
popping up every five seconds where do you want to update? No
|
||
|
|
do you want to update? No and it was getting extremely frustrating
|
||
|
|
and I was getting a lot of feedback also tonight because
|
||
|
|
my SQL database running for no reason I have no idea why
|
||
|
|
and so I was being very negative but in fairness to your
|
||
|
|
own he was very very very respectful of the KDE
|
||
|
|
community which of course I should be as well because
|
||
|
|
they do a great great project. Well I was very interested in this
|
||
|
|
content as this machine I'm working on now I've got the
|
||
|
|
original version the release of Razor Qt and that
|
||
|
|
that reminds me I need to go back and see if I can
|
||
|
|
update it or put it this new version on there were just a couple
|
||
|
|
things because it's a very very young desktop that I kind of
|
||
|
|
kind of needed it and weren't there. I use
|
||
|
|
an external monitor so I have multiple monitors and one
|
||
|
|
thing it's got in KDE that they didn't is if you know
|
||
|
|
a window gets moved off the monitors where it's not on
|
||
|
|
either not on either one I can right back and and
|
||
|
|
and say move and and grab it and drag it back
|
||
|
|
to some place I could see it and that's the one thing
|
||
|
|
the original Razor didn't have that's probably the only
|
||
|
|
reason I'm not running it. I think that's that's fixed now.
|
||
|
|
Didn't we have a show last month or the month before
|
||
|
|
from the guys who who did the database that
|
||
|
|
that replaces mySQL. Yeah Miranda DBS.
|
||
|
|
Maria Maria Maria. Sorry Maria. Now can you just
|
||
|
|
drop that in and uninstall the the mySQL. Yeah, but
|
||
|
|
the point is why should a desktop be running mySQL at all
|
||
|
|
especially when I'm not using any of the the it's
|
||
|
|
there to do this this does not know. Yeah, but I'm not
|
||
|
|
even using KDE either and I'm not using a pin manager.
|
||
|
|
Sorry, I'm not using K mail I'm not using a pin manager.
|
||
|
|
I'm not using I've gone through the list of all the
|
||
|
|
things that I'm not using on my KDE desktop and the
|
||
|
|
anaconda thing still or not anaconda but that's a new
|
||
|
|
that's the one. Yeah, it continues to run. I've
|
||
|
|
done. I've followed the book reports. I I have this
|
||
|
|
problem too and it still is it still is running and
|
||
|
|
remove it can't stop it and it's it's it happens to be
|
||
|
|
on my wife's machine and I just I'm going to switch it
|
||
|
|
over some time. Why can't you remove it? What's what's
|
||
|
|
depending on it? If you remove mySQL the whole KDE
|
||
|
|
desktop disappears it's all it's all compound it's all
|
||
|
|
compiled in which is why on my laptop I switched to
|
||
|
|
Razer Qt and I've got that KDE look and feel that I like
|
||
|
|
and I've got the configurability that I like as well.
|
||
|
|
In fact more configurability than I actually would like
|
||
|
|
because you have to do a lot more on the files than
|
||
|
|
you normally would but it's it's a lightning fast
|
||
|
|
desktop and really really slick. Nice.
|
||
|
|
And I ask is it really also the ISQL server package
|
||
|
|
which it depends on or is it really only the mySQL client
|
||
|
|
part? No, the database the server. Okay.
|
||
|
|
So I I I understand what KDE has been trying
|
||
|
|
to do. It's been an interesting project but to be honest
|
||
|
|
it goes against the Unix philosophy of doing each
|
||
|
|
task doing a small job and doing it well. So in Razer Qt
|
||
|
|
you have to fight. No, I I've been very silent right now
|
||
|
|
because everything KDE is saying I basically agree with.
|
||
|
|
Yeah, I don't want to get into this right now. I can't
|
||
|
|
comment too much on it but yeah this this neck
|
||
|
|
is just like I don't know in my mind it's a little bit
|
||
|
|
of a travesty might drive me away from KDE eventually.
|
||
|
|
And they don't want to run but hey why not.
|
||
|
|
I I see people complaining about the longstanding
|
||
|
|
KDE users and longstanding KDE supporters and in fairness
|
||
|
|
I in an old tattoo stuck with them.
|
||
|
|
KDE through the you know the whole for move
|
||
|
|
but they're the philosophy is is completely just
|
||
|
|
it's just yeah it's well if you're looking for
|
||
|
|
something that respects that like you said the Unix
|
||
|
|
philosophy the modularity thing that I I don't think people
|
||
|
|
I don't think it's an argument that KDE is where you should be looking.
|
||
|
|
So I'm really happy to see that Razer Qt could be
|
||
|
|
the place that you know I end up in later on.
|
||
|
|
I'm I'm going to probably because of your your interview
|
||
|
|
I'll probably be trying Razer Qt on my triple EPC
|
||
|
|
which I haven't really been running KDE on anyway.
|
||
|
|
I've been doing fluxbox so maybe this is time to kind of
|
||
|
|
look for another cute based solution because I love Qt.
|
||
|
|
I just I don't know if I can handle the the monolith
|
||
|
|
that is KDE on all of my devices.
|
||
|
|
And it's still running Razer I can still have
|
||
|
|
access to Kate and various different things without
|
||
|
|
without any hassle on you but enough about that.
|
||
|
|
We had the following 1121
|
||
|
|
KDE continues his networking series on Samba how to
|
||
|
|
and I'm very glad KDE that you brought back this series.
|
||
|
|
Yeah you know long long running series I guess just
|
||
|
|
as I learn new stuff but the Samba thing I figured
|
||
|
|
was a good basic basic how to on on something that's kind
|
||
|
|
of important in the Linux world file sharing.
|
||
|
|
Yeah absolutely and it's it's on all platforms
|
||
|
|
and even I think even if you're a Unix
|
||
|
|
if you've got a complete Linux house at home
|
||
|
|
and because Samba is aware that to the send sender
|
||
|
|
and receiver are Unix it will cut out a lot of the
|
||
|
|
it'll short cut a lot of the protocols and go
|
||
|
|
to a very fast Linux solution.
|
||
|
|
Yeah and I really want to compliment you Cloud 2
|
||
|
|
on your explanation was a lot more straightforward
|
||
|
|
and simple than than many of them that I've seen and heard.
|
||
|
|
That's probably because I don't know as much.
|
||
|
|
But yeah cool glad to example.
|
||
|
|
I will second that because I have tried to understand
|
||
|
|
Samba before it's always been something I wanted to do
|
||
|
|
and I wanted to get into but any description of it
|
||
|
|
I've read online is I can't understand it at all
|
||
|
|
and I understood the show real well and I'm gonna
|
||
|
|
I'm gonna put this one up there next to
|
||
|
|
the source trunk episode this month of
|
||
|
|
what was the server he went over the simple DLNA
|
||
|
|
or something like that.
|
||
|
|
These two things look like they could really work together
|
||
|
|
to in my house.
|
||
|
|
Yes but don't really know for me I haven't
|
||
|
|
since the source trunk episode yet so
|
||
|
|
give me a minute.
|
||
|
|
Cloud 2 there is one thing that you should probably know
|
||
|
|
is that you can tie in Samba password database
|
||
|
|
into the Unix database.
|
||
|
|
So that when the change of password on one
|
||
|
|
it's also much transferred to the other.
|
||
|
|
Oh I didn't know that.
|
||
|
|
I'll have to look into that.
|
||
|
|
Thank you.
|
||
|
|
That sounds like a show can.
|
||
|
|
It would be if I had managed to do it more than once.
|
||
|
|
Well if I figured out that it'll be in it then
|
||
|
|
sorry go ahead and need it.
|
||
|
|
If I'm not mistaken the password database
|
||
|
|
as used by Samba is constructed in the same way
|
||
|
|
as at C++ shadow.
|
||
|
|
So I think if you just point it to that file you are done.
|
||
|
|
Cool.
|
||
|
|
I'll look into it because I think you're I'm pretty sure you're right.
|
||
|
|
I'm pretty sure it's the same syntax.
|
||
|
|
I'm not sure.
|
||
|
|
Yeah I wouldn't guarantee that because when I looked at it
|
||
|
|
it was you needed to load a palm module,
|
||
|
|
palm Samba or something.
|
||
|
|
Oh okay interesting.
|
||
|
|
Well I'll look into it.
|
||
|
|
Warning to whoever is doing this is do a little bit more research.
|
||
|
|
Sorry I just raised the flag that it might be possible.
|
||
|
|
But yeah I'm in my prime.
|
||
|
|
I'm saying you should do that and then use the password
|
||
|
|
manager from the Samba to change your own password and stuff
|
||
|
|
like that.
|
||
|
|
I'm thinking that it's I'm just thinking it's the same format
|
||
|
|
and you could be a do it that way but in that case you should
|
||
|
|
really shouldn't do the password changes from the Samba site
|
||
|
|
if you want to do that then using a palm module is indeed
|
||
|
|
a way better approach.
|
||
|
|
My problem file sharing has always been I can not
|
||
|
|
getting it that up but exchanging the shared keys.
|
||
|
|
Some reason I can never get that to work right.
|
||
|
|
So I can't I can't set up a file share in my NCS tab.
|
||
|
|
I always have to just do it in a terminal manually once I'm logged in.
|
||
|
|
For what type of share?
|
||
|
|
Well I usually use the chase SSHFS but if I'm dragging
|
||
|
|
and dropping files I take the easy way out and use jiggle low.
|
||
|
|
Okay you need for the first part you need to do SSH-copy-id
|
||
|
|
and then the IP address using them as IP address and that will
|
||
|
|
copy your ID files over for your pre-shared key.
|
||
|
|
Okay and after that over the second.
|
||
|
|
I've come across some distros that don't ship SSH-copy-id.
|
||
|
|
Okay well up to do it and install it.
|
||
|
|
And for the second one can you please do an episode on jiggle low?
|
||
|
|
Well I've been meaning to do one on SSHFS and jiggle low.
|
||
|
|
I've been trying to figure out my shared keys problem so it would be complete.
|
||
|
|
If you want I can give you a hand offline and that one.
|
||
|
|
Okay well I have to do that sometime.
|
||
|
|
Super duper.
|
||
|
|
Yeah my problem with file sharing has always been that I don't have anyone to share files with.
|
||
|
|
Oh so sad.
|
||
|
|
Isn't it?
|
||
|
|
You can probably share it with Richard Stoneman.
|
||
|
|
Maybe.
|
||
|
|
What kind of files do you want to share?
|
||
|
|
Oh I actually don't.
|
||
|
|
I would just like to back up some stuff that I keep losing.
|
||
|
|
If you want Poki, let's talk offline.
|
||
|
|
Not those files can.
|
||
|
|
I can't share those.
|
||
|
|
So long as the encrypted I don't care.
|
||
|
|
That's breaking international was there.
|
||
|
|
There you go.
|
||
|
|
Over here everything's legal.
|
||
|
|
I need to.
|
||
|
|
Well not everything sadly.
|
||
|
|
Okay 1122 was Linux and the shell with the Ellen command.
|
||
|
|
And again I thought at the beginning of this there is nothing down can tell me about this
|
||
|
|
command that I don't already know.
|
||
|
|
And yet again he proves me wrong.
|
||
|
|
This one was awesome.
|
||
|
|
I listen to this twice.
|
||
|
|
I feel kind of angry at Dan because technically speaking like if you think about it he's
|
||
|
|
always does is like read the man page really really carefully all of them were carefully
|
||
|
|
than any of us have.
|
||
|
|
And then he explains it all and it seems like he's telling us this brand new information
|
||
|
|
and it is brand new information.
|
||
|
|
But I feel like it's he's cheating or something.
|
||
|
|
But man I love this information.
|
||
|
|
You just meant because he thought of it first.
|
||
|
|
Exactly.
|
||
|
|
I've read a lot of man pages without fully understanding what what they were telling me.
|
||
|
|
Yeah I don't know how he.
|
||
|
|
The day on that he does.
|
||
|
|
Yeah I don't know how he parses all that information.
|
||
|
|
Absolutely.
|
||
|
|
Couldn't agree more.
|
||
|
|
It is.
|
||
|
|
This is exactly.
|
||
|
|
Well I liked in this when he got towards the end he says well here here's option to argument
|
||
|
|
to do this.
|
||
|
|
You're never ever in your room to use this.
|
||
|
|
No one needs to do this.
|
||
|
|
Yeah this is how you would do it.
|
||
|
|
Yeah it's classic.
|
||
|
|
So let's move on and do a segue move bike computers.
|
||
|
|
Now tell me this American fault on the line.
|
||
|
|
Is that phrase a segue a well known thing in the States before the segue bike things
|
||
|
|
that just stand on happened or was that a just a regular term that was in use?
|
||
|
|
Anyway.
|
||
|
|
In music it was pretty well known.
|
||
|
|
So in that community I think everyone knows it.
|
||
|
|
I don't know about like outside world of me.
|
||
|
|
Well I think it'd be fairly prominent broadcasting.
|
||
|
|
Yeah.
|
||
|
|
I don't remember anything that far back that was doers drugs back then.
|
||
|
|
Okay but there was move bike computer.
|
||
|
|
Sorry go ahead.
|
||
|
|
Dude man was asking what the segue bike thing you're talking about.
|
||
|
|
It was not really a bike.
|
||
|
|
Dude man it's the thing with the two wheels next to each other and it auto balances
|
||
|
|
itself with gyros and stuff and people use it to replace walking.
|
||
|
|
Yeah because that's what we Americans need to do.
|
||
|
|
We can't we can't be bothered to walk.
|
||
|
|
We don't need that kind of exercise.
|
||
|
|
You can say that again.
|
||
|
|
Yeah but you see that the people who are on them tend to be.
|
||
|
|
That's airports and stuff.
|
||
|
|
And they tend to have a lot of firearms so you tend to go.
|
||
|
|
Your first instinct is go oh look at the stupid person on the segue
|
||
|
|
and then your next instinct is to look away.
|
||
|
|
Can we can she pursue?
|
||
|
|
I can't say I can't look at them ever since I saw Ricky Dervace on one.
|
||
|
|
Am I the only one here who doesn't know who Ricky Dervace is?
|
||
|
|
Yes.
|
||
|
|
I have no idea.
|
||
|
|
I know somebody who has a segue and she actually uses it for practical.
|
||
|
|
Purpose and I can't really bag on her too bad for using it.
|
||
|
|
Because she uses it to ride about two and a half miles to work and not drive a car.
|
||
|
|
And she does ride a bicycle sometimes but she uses this thing too.
|
||
|
|
About a year ago I saw one that it was a prototype.
|
||
|
|
It was a single wheeled unicycle deal.
|
||
|
|
It folded up about the size of a briefcase.
|
||
|
|
And if you hit the button, the wheel would drop out of the bottom of the briefcase
|
||
|
|
and then both sides would fold down and you would stand on that and go.
|
||
|
|
And for those of you who are not up Ricky Dervace is the guy who did the English version of the office.
|
||
|
|
And who did the Emmys, not the Emmys, the office of the other one.
|
||
|
|
That is since the Emmys with the Oscars.
|
||
|
|
Not the Oscars, the other ones, the international press one.
|
||
|
|
Academy Awards.
|
||
|
|
No, they're the Oscars.
|
||
|
|
I thought he did do the Academy Awards and made everybody mad this last year.
|
||
|
|
Yeah, he did. He was really offensive and was really rude about Brad Pitt and Andrean really wasn't he?
|
||
|
|
Yes, but it wasn't the Academy Awards.
|
||
|
|
It was the other one that is in the Academy Awards.
|
||
|
|
The podcast Awards.
|
||
|
|
No, Brad, you're making this.
|
||
|
|
Don't we continue to the episode?
|
||
|
|
No, we are not moving forward until we know what the other...
|
||
|
|
It's as bad as Golden Globe in the Rose Bowl screen actors build.
|
||
|
|
Those are the only ones that Wikipedia knows about.
|
||
|
|
Yeah, it's a screen actor's guild one.
|
||
|
|
No, no, it's not.
|
||
|
|
If they Golden Globes or something, he has the Golden Globes.
|
||
|
|
That's not quite the Oscars, but anyway, he made a handbag of himself on this war.
|
||
|
|
He'd never come back and then he was back the next year doing this as well.
|
||
|
|
But moving on, yes, about the episode move by computer.
|
||
|
|
It was about GPS tracking, hills and hikes and stuff.
|
||
|
|
And I actually use another app called Open GSM Tracker, does anyone use that one?
|
||
|
|
I use it on an almost daily basis.
|
||
|
|
Do you know?
|
||
|
|
Yeah, I'm constantly tracking.
|
||
|
|
Well, I shouldn't say every day.
|
||
|
|
I use it at least once a week, sometimes two or three times a week.
|
||
|
|
I stopped using it on a daily basis because my tracks were beginning to be redundant
|
||
|
|
and useless.
|
||
|
|
But every time I go in the woods, I turn it on.
|
||
|
|
I use it for navigation and I get home.
|
||
|
|
I upload the tracks and I edit the open street map.
|
||
|
|
I'm a big advocate of that.
|
||
|
|
You're in the man.
|
||
|
|
You are at the man.
|
||
|
|
The following day we had 1124, which was pub brewers episode 35.
|
||
|
|
And this was with Becky's favorite host.
|
||
|
|
Yeah, voice like chocolate by a brown.
|
||
|
|
And the following day we had Toki Timi News 1125.
|
||
|
|
And then we had another one with CT, the Drupal Camp of Adam Evertson.
|
||
|
|
Before you get too far, I just want to say that pod brewers episode was real, real good.
|
||
|
|
And I'm going to have to burn that to a CD for a friend of mine who brews his own beer.
|
||
|
|
Because I think that's worth a six pack.
|
||
|
|
I want the big red recipe.
|
||
|
|
There is a whole website box.
|
||
|
|
I mean, there's more than just one episode.
|
||
|
|
No, right on.
|
||
|
|
But I'm going to use that episode to turn the guy on to it.
|
||
|
|
I particularly love it.
|
||
|
|
I particularly love it.
|
||
|
|
You go ahead 51.
|
||
|
|
I did this one one to say.
|
||
|
|
Next month we'll be talking about a new series that a buyer has started and contributing to
|
||
|
|
HPR called Shandard Grom where he interviews sign and authors talks about
|
||
|
|
sci-fi on the web, etc.
|
||
|
|
Very cool.
|
||
|
|
Okay.
|
||
|
|
That's good to know.
|
||
|
|
What I was going to say was I particularly like the rundown of the various different terms
|
||
|
|
involved in brewing, at least home brewing.
|
||
|
|
And I think there's a lot of jargon actually that's when you get into any particular area
|
||
|
|
you need to pick up to even know where to start.
|
||
|
|
Nido, thanks for coming on, man.
|
||
|
|
We're sorry to hear that you're not feeling good, dude.
|
||
|
|
Okay.
|
||
|
|
See you, Nido.
|
||
|
|
Sorry that you can stay on, dude.
|
||
|
|
Yeah, sorry.
|
||
|
|
He just posted in the text message that he's not feeling well.
|
||
|
|
He's going to sign off.
|
||
|
|
But it was good to have you.
|
||
|
|
Okay.
|
||
|
|
The following day we had, did I just skip one?
|
||
|
|
Yeah.
|
||
|
|
Well, the Drupal camp.
|
||
|
|
Yes.
|
||
|
|
Drupal camp.
|
||
|
|
Anyone use Drupal?
|
||
|
|
A little bit.
|
||
|
|
It was a, yeah, I thought it was an interesting episode.
|
||
|
|
Yeah.
|
||
|
|
Don't really use Drupal myself, so there you go.
|
||
|
|
The following day we had a AFP Fulture, and another woman in Class 2 series.
|
||
|
|
To be honest, I have no interest in this.
|
||
|
|
Never.
|
||
|
|
Believe it.
|
||
|
|
I have no interest in this, but it was important to get it out there.
|
||
|
|
I just had to disclose the stuff that I knew about this thing.
|
||
|
|
It's horrible, though.
|
||
|
|
Quite, I have to admit, I almost skipped it.
|
||
|
|
You should have.
|
||
|
|
You could have at least slept.
|
||
|
|
And I mostly slept through it.
|
||
|
|
But I, I, I got to admit, the guilty pleasure.
|
||
|
|
I listened to it just to feel smug.
|
||
|
|
Nice.
|
||
|
|
I, I can read that.
|
||
|
|
I actually listened to it long enough so that if I ever I do come across an AFP Fulture,
|
||
|
|
I at least know something about it.
|
||
|
|
I have enough information to Google about what it is that I need to do.
|
||
|
|
Yeah.
|
||
|
|
Good.
|
||
|
|
It reminded me of my own troubles with, uh, with AFP this year.
|
||
|
|
I think, uh, all in the, when the first version of OS X 10.1 came out,
|
||
|
|
suddenly at the school, none of the, uh, Macintoshes would talk to the, uh,
|
||
|
|
the server, the Windows server anymore.
|
||
|
|
And, well, I guess we couldn't, they, they go on, it's good and open of on.
|
||
|
|
I, I found out that, uh, even though it was an update,
|
||
|
|
the app, Apple blamed it on, uh, windows, no, no longer supporting their file for the
|
||
|
|
format.
|
||
|
|
Must've been when we put in the newspaper.
|
||
|
|
Yeah.
|
||
|
|
It's been too, too long ago.
|
||
|
|
But I mean that they just got, they got in a tiff of each other.
|
||
|
|
And suddenly the way I had a back setting, uh, getting the Mac's access to Windows server
|
||
|
|
no longer work.
|
||
|
|
And when, when I did get, when I did get them working again, you could no longer just open
|
||
|
|
the file, come within, in line and, and open the, open the file and, uh, that,
|
||
|
|
that lived on the shared folder on the server, edit it and then close the file.
|
||
|
|
It would, it would always, uh, you could edit it, but it, it wouldn't, it wouldn't
|
||
|
|
save when you, when you closed it.
|
||
|
|
Isn't that great?
|
||
|
|
Third point.
|
||
|
|
Isn't that great?
|
||
|
|
Fifty one, fifty, how you can just completely yank the rug out from under someone's feet
|
||
|
|
and convince everyone else in the room that that person forgot how to walk.
|
||
|
|
Right?
|
||
|
|
And the, the trouble is the third party in this.
|
||
|
|
This, you know, you know, it just blew me away.
|
||
|
|
They would even say this to me.
|
||
|
|
I go to Adobe and Adobe says, no, no, no, we, uh, you, you can't open a file on a, on a shared
|
||
|
|
volume, uh, with our software.
|
||
|
|
If you, if you want to edit a file, you have to copy it to the local computer, open it
|
||
|
|
there and, and manipulate it and then say, then a program and then save it back to, uh,
|
||
|
|
to the server.
|
||
|
|
And of course that would be fine for a user like me and you, but, uh, these were, these were
|
||
|
|
high school kids.
|
||
|
|
They didn't know from, oh, opening a file on the server.
|
||
|
|
They didn't, they didn't even realize the files were not, not there locally.
|
||
|
|
Well, they kind of did, but explaining to them, no, you got, you got to get this file.
|
||
|
|
And I, I think that, I think when they, until they quit trying to use the max years later,
|
||
|
|
they were just doing everything on the local machine.
|
||
|
|
Okay.
|
||
|
|
That is amazing.
|
||
|
|
Anyway, we'll, uh, we'll move off the AFP file share with the hope that we will never,
|
||
|
|
ever have to come across it again.
|
||
|
|
It's, it's astonishing how incredibly long these descriptions of Apple just working are.
|
||
|
|
Okay.
|
||
|
|
I challenge anyone to, uh, the following episode was compilers part four, which was a
|
||
|
|
seekplug episode and way over my head.
|
||
|
|
Oh, it's so far over my head.
|
||
|
|
I picked up one or two of the things she was, I didn't understand the majority of it.
|
||
|
|
And I think that's okay because I'm not writing compilers.
|
||
|
|
But I picked up one or two of the math things she was talking about.
|
||
|
|
And I felt so smart for a minute.
|
||
|
|
Yeah.
|
||
|
|
Yeah, I did, I did guess, you know, some of the words it was like as if, um,
|
||
|
|
somebody was, you were learning a language, you go to a foreign country and you've
|
||
|
|
done a little bit of their, you know, first time ever been in France, for instance,
|
||
|
|
picking up a few words and you kind of have an idea of what she's talking about,
|
||
|
|
but I'm, I know from talking to other people about this episode,
|
||
|
|
I got a lot of feedback on this episode and, you know, people are saying,
|
||
|
|
you know, they're really fantastic about really explaining it very well.
|
||
|
|
So I guess if you're in the zone there, um, she knows what she's doing.
|
||
|
|
I, I will say about Sigflop that, you know, if there were an award for the
|
||
|
|
HPR host who can pack the most amount of content in the least amount of time,
|
||
|
|
that's her.
|
||
|
|
The her shows are so dense with, you know, pure information.
|
||
|
|
And for those of you following along there, she has, um, JPEGs in the
|
||
|
|
episode, uh, so she has very good show notes unlike some other people who have contributed
|
||
|
|
to shows this month.
|
||
|
|
Hmm.
|
||
|
|
I wonder who you're talking about.
|
||
|
|
Would you want a picture of Richard Stalman?
|
||
|
|
No, no, no Richard Stalman's one was fine.
|
||
|
|
Anyway, um, the next day we had a show by a paranoid cell.
|
||
|
|
How I got into Linux, a spontaneous episode that, um, he voluntarily did
|
||
|
|
without any black coaxing, whatever, or encouragement to my part.
|
||
|
|
You did an amazing job of editing out all of the background noise of the horse
|
||
|
|
whip.
|
||
|
|
Thank you.
|
||
|
|
Thank you.
|
||
|
|
Thank you.
|
||
|
|
But seriously, it's that easy.
|
||
|
|
Just go on to mobile, press the record button and then, you know, email in your,
|
||
|
|
your, uh, ported episode.
|
||
|
|
And then for the last show of the month, we had, uh, DeepGeek.
|
||
|
|
It's talking to me news featuring the voice of Northern than Poké.
|
||
|
|
Well, that was it for the shows for this month.
|
||
|
|
And I got to shake a fist at DeepGeek because I swear there was at least three stories
|
||
|
|
that he had me read for this one that he only chose for the tongue twisters.
|
||
|
|
And I was listening to it going, he is just saying of those, you know, German words.
|
||
|
|
And he has, he has the, uh, he has the pronunciation perfect and it just flows
|
||
|
|
straight through.
|
||
|
|
And, you know, there, anybody who will say that, you know, Americans are not able to,
|
||
|
|
you know, speak foreign language is properly or non-seat the words or whatever,
|
||
|
|
it's, you know, it goes out the window, you know, you, you, you have to know
|
||
|
|
their stereotype blown out of the water.
|
||
|
|
Well done, Poké.
|
||
|
|
No, no, not true at all.
|
||
|
|
No, I don't think it was evolved.
|
||
|
|
We've all played in the lies.
|
||
|
|
Yeah, each one of those, each sentence was probably five to six takes.
|
||
|
|
And I, I kind of, I can cheat a little with German because back in high school,
|
||
|
|
we had a couple of German exchange students living with us.
|
||
|
|
So I got some of the pronunciation down, some of the sounds that are, you know,
|
||
|
|
not in the English language at all.
|
||
|
|
And so when I, when I read German words, I can kind of hear those.
|
||
|
|
But I, I think I mispronounced, you know, a couple of the reporters names and stuff
|
||
|
|
easily.
|
||
|
|
I just, I faked that completely.
|
||
|
|
Now you did read it great, you did great job.
|
||
|
|
It's Steve Geek looking for other people to contribute or to read stories.
|
||
|
|
Yeah, female voice especially would be fantastic.
|
||
|
|
What, female English?
|
||
|
|
Yeah.
|
||
|
|
Well, you get to have everything.
|
||
|
|
Bobo, they're also looking, Bobo Vex.
|
||
|
|
They're also looking on the DistroWatch podcast always for narrators.
|
||
|
|
Really?
|
||
|
|
Yes, really.
|
||
|
|
See, I'm quite, I'm quite happy.
|
||
|
|
I can talk about other people's share.
|
||
|
|
It's just me and I can't talk about.
|
||
|
|
Yeah, reading stuff off is easy.
|
||
|
|
Dude, man.
|
||
|
|
Yeah, I was going to say as a helping Bruce for the last few months during the DistroWatch
|
||
|
|
that I am sure Bruce and I will be very happy to share our alternate week cycle with,
|
||
|
|
however, many other people want to help and contribute.
|
||
|
|
So, you know, contact me or Bruce.
|
||
|
|
Absolutely no problem if you want to read stuff out.
|
||
|
|
We can pick the most difficult parts out if you want to help us with this one little part
|
||
|
|
or by all means take a whole episode and just read it out.
|
||
|
|
I mean, a lot of people don't actually realise that the shows are actually just read out,
|
||
|
|
you know, from the online content.
|
||
|
|
I certainly didn't in the beginning.
|
||
|
|
So, we don't want to let too much of the magic out, but anyone can do it basically.
|
||
|
|
See, that's something that I would be really interested in doing because I do like the English language
|
||
|
|
and I do like reading.
|
||
|
|
And that way I can feel that I'm probably contributing something back.
|
||
|
|
So, where would I contact you if I wanted to speak about that?
|
||
|
|
I hear you on Hacker Public Radio is a great place.
|
||
|
|
No, I'm serious, there's one coming up on Monday and it's my turn.
|
||
|
|
And if you would like to help me and Kay Krischer on it,
|
||
|
|
or even do it yourself, I'd be very happy to upload it.
|
||
|
|
Although I very much enjoy doing it.
|
||
|
|
It's great to carry on doing it and to do it have more time to do even other projects as well.
|
||
|
|
So, I can speak to you after this and give you my contact details.
|
||
|
|
Yeah, I can speak after this.
|
||
|
|
And remember, Bobobix, that Mr. Chuckless Boy, himself,
|
||
|
|
is also a contributor to that project.
|
||
|
|
Ha, ha, ha, ha.
|
||
|
|
Shush, my husband's listening.
|
||
|
|
It's okay.
|
||
|
|
See, that books, HPR, making friends and influencing people, you can get in on this.
|
||
|
|
Okay, we'll quickly just nip through some of the stuff that's been going on on the mailing list
|
||
|
|
before we get on to HPR.
|
||
|
|
Oh, yep, what?
|
||
|
|
Why?
|
||
|
|
He's unmuted.
|
||
|
|
Ha, ha, ha.
|
||
|
|
I was going, oh, you're lying.
|
||
|
|
So, I've got your numbers.
|
||
|
|
But you don't have the price of the flight to get over as far as this.
|
||
|
|
Ha, ha, ha.
|
||
|
|
And speaking of which.
|
||
|
|
Shush, cyber attacks can cyber attacks.
|
||
|
|
Hey, Becky, let me clue you in on a little secret here.
|
||
|
|
Um, we nerds don't know a lot of girls, even though we really like girls.
|
||
|
|
So, you could pretty much do anything you want in this community.
|
||
|
|
Just say it.
|
||
|
|
Oh, don't give me carte blanche.
|
||
|
|
No, seriously.
|
||
|
|
I mean, I married my geek.
|
||
|
|
I'm not giving you a carte blanche.
|
||
|
|
I'm telling you it's there.
|
||
|
|
It exists.
|
||
|
|
Um, just so you know, Becky's not a girl.
|
||
|
|
She's a lady.
|
||
|
|
Right on.
|
||
|
|
She's a lady.
|
||
|
|
Whoa, whoa, whoa, whoa.
|
||
|
|
She's a lady.
|
||
|
|
Okay.
|
||
|
|
Why did I have to sing the Thursday apology?
|
||
|
|
Can you, you're a better singer already?
|
||
|
|
I, I have a long standing.
|
||
|
|
Yeah.
|
||
|
|
I don't know.
|
||
|
|
I'm a singer already.
|
||
|
|
I'm a singer actually.
|
||
|
|
He can dance as well.
|
||
|
|
Oh, no.
|
||
|
|
No, dance.
|
||
|
|
Not so much.
|
||
|
|
You did.
|
||
|
|
That was brilliant.
|
||
|
|
No.
|
||
|
|
How many, how many dollar bills did he collect?
|
||
|
|
Moving on.
|
||
|
|
The development mailing list has been pretty active this month with, um, the audio submissions
|
||
|
|
page epic canus, not to be mixed up with anus, has been working on the audio submission
|
||
|
|
page.
|
||
|
|
And we've been kind of going back and forth as well on that, uh, about what we want
|
||
|
|
on there.
|
||
|
|
And Bobo Bex, we would appreciate your input, um, shortly as to how simple we can make
|
||
|
|
it.
|
||
|
|
We've gone to the extreme where it's gotten too complex and we're pulling it back.
|
||
|
|
But also we had, uh, there's a, I had a long discussion last month on mumble as well,
|
||
|
|
which we recorded with Dave Morris about what the whole eventual system is going to be.
|
||
|
|
And I think talking through that with Dave has, uh, clarified it somewhat in my mind.
|
||
|
|
And I'm actually interested to listen to the show to see if my opinion of what I said
|
||
|
|
at the time has changed or not.
|
||
|
|
Awesome.
|
||
|
|
So that was it.
|
||
|
|
That was the oldest submissions page.
|
||
|
|
There was some questions about the download figures and what they are, um, when the Q started
|
||
|
|
going a bit low, I was also working on the transcoding, um, uh, tool which, um, co-cruncher
|
||
|
|
started off.
|
||
|
|
And I've done quite a lot of work on that.
|
||
|
|
So that's, uh, based on help from, uh, plateau, based on help from Dalmoshko, based
|
||
|
|
on help from Nido, who's just left and also Cobra, uh, Cobra 32, isn't this?
|
||
|
|
Two.
|
||
|
|
Cobra, two.
|
||
|
|
Yep.
|
||
|
|
Uh, who've all been, you got an in cobra beat, you got in and being cobra early.
|
||
|
|
Well, they've given me, uh, all of those people have given me lots of, uh, advice on what
|
||
|
|
the best way forward is.
|
||
|
|
So what we're doing and Boba Bex, she can close your ears for this because this is development
|
||
|
|
section.
|
||
|
|
Uh, we're, we're transcoding from whatever we get into a well-known format.
|
||
|
|
And from there, um, we can transcode down to the other, um, to the other formats, um,
|
||
|
|
quite easily.
|
||
|
|
And as a result of doing that, um, I was looking at, where is the, where is the metadata
|
||
|
|
going to come from?
|
||
|
|
And, uh, I think Epicanos and myself were thinking, well, we put it in the upload form,
|
||
|
|
but now we're actually thinking, well, if we, if we steal it from the, uh, uploaded
|
||
|
|
media file as opposed to the uploaded form, that way, if somebody knows how to fill it
|
||
|
|
in, they'll fill it in, and if somebody doesn't know how to fill it in, well, we'll have
|
||
|
|
enough basic stuff in the upload form to be able to do it.
|
||
|
|
We also, as a result of working on that, I've found, um, uh, a way to identify if the intro
|
||
|
|
and outro have been put in, uh, by using a sucks as a way to, you know, that waveform thing,
|
||
|
|
the spectrograph and get in audacity, uh, in, in audacity, it's a waveform, but from sucks,
|
||
|
|
you can actually get a JPEG out showing, you know, the waveform, and it comes very obvious
|
||
|
|
when looking at one of the, one of them, whether the intro or outro is it, and the reason,
|
||
|
|
uh, go ahead.
|
||
|
|
That is brilliant.
|
||
|
|
That is astonishingly brilliant.
|
||
|
|
Well, it's, it's kind of handy because, um, with the intro and outro, people like to
|
||
|
|
post some people not pointing my finger at you virtually, Poki, like to mess around with,
|
||
|
|
like to mess around with the intro and outro, and not put it seven seconds from the front
|
||
|
|
and seven seconds from the back.
|
||
|
|
So you end up putting two intros in or two outro in because you've, you've listened to
|
||
|
|
it for a second and there's been text or you've listened to it for a second and there's
|
||
|
|
been, sorry, speech.
|
||
|
|
So, uh, with that, what, uh, so I've written this, I could not throw away that storm in
|
||
|
|
life.
|
||
|
|
Absolutely not.
|
||
|
|
Absolutely not.
|
||
|
|
I was classic because I got Tissleweb, uh, from the crewman's podcast asking me, um,
|
||
|
|
so you're releasing it in MP3, storm on, doesn't like MP3 and then I go listen to the first
|
||
|
|
a few seconds of the podcast.
|
||
|
|
Yeah, he had me rolling on the floor with that.
|
||
|
|
That was, I don't know if he meant it to be funny or not, but it was.
|
||
|
|
Yeah, it's classic.
|
||
|
|
He is, he, you know, people don't realize this, he's a funny guy, but you just, when
|
||
|
|
you're not beating him with a stick, he can be a funny guy.
|
||
|
|
It's, yeah, I had, uh, I had seen him in, in the Netherlands as well and he also had
|
||
|
|
plenty of time, uh, in the after session, you know, there was no rush and he just a funny
|
||
|
|
relaxed guy.
|
||
|
|
Okay.
|
||
|
|
So they, anyway, what I was going to say was that with the transcording thing, what I'm
|
||
|
|
going to do is have, um, quite a lot of, of, of, take trying to simplify the, uh, um,
|
||
|
|
the upload form.
|
||
|
|
So it's more like just, it feels more like sending an email into HPR.
|
||
|
|
So the subject line is the title and, you know, a little summary and, uh, and just whatever
|
||
|
|
your show notes is going to be and send in the upload.
|
||
|
|
And then if people want to send in a more detailed thing, they'll send in a flat file
|
||
|
|
with all the fields in covenants and then we'll take it from there.
|
||
|
|
And that way, um, when we do the initial check for new files coming into the whichever location
|
||
|
|
they're going to be coming in, then the pre-processing will, you know, virus check, do check to make
|
||
|
|
sure that's an audio file, do the media info, check to see what audio tracks there are and
|
||
|
|
then it'll compile a really compressed, uh, small socks version of the entire show, send
|
||
|
|
that to us and then send a segment probably halfway through podcast just to get the audio
|
||
|
|
quality in and we'll also send, uh, a JPEG image of the spectrograph so that you can, you
|
||
|
|
know, the mailing list that will be, um, you know, checking this, the human check in this
|
||
|
|
whole thing, at least we'll be able to look at the, uh, at the JPEG and go, okay, they
|
||
|
|
can throw an outro in there, um, I can have a quick listen to the audio sample, you
|
||
|
|
know, a five-second sample of the audio is the audio, okay, and then just a quick scan
|
||
|
|
through the speaks file that you, you know, a small speaks file just to see that the content
|
||
|
|
is in spam outside of the five seconds that somebody would know because they've onto
|
||
|
|
the website and found out what it is.
|
||
|
|
Um, some other stuff, um, there was a discussion about bedding music, um, which, uh, I think
|
||
|
|
you, dude, man, also use quite a bit.
|
||
|
|
Yeah, I've got this kind of, uh, soothing, bird cow, by the, by the soothing, uh, soothing
|
||
|
|
cows.
|
||
|
|
I hate cows.
|
||
|
|
Back to it.
|
||
|
|
I, I, I want to like to find a way to put it as a back-and-track for all the podcast,
|
||
|
|
I listen to, you know, very good, very good, but, uh, yes, the, the, if you want
|
||
|
|
to use the back-and-track.
|
||
|
|
That's fine.
|
||
|
|
If you don't, that's fine too.
|
||
|
|
Just remember.
|
||
|
|
But some of us appreciate that when you don't.
|
||
|
|
Yes.
|
||
|
|
Some of us who speed up our podcast and have listened in mono, definitely appreciate it.
|
||
|
|
Um, yes, a big thanks to all the people who sent in, um, shows for this month were, uh,
|
||
|
|
where we've got, I think, four free slots before the end of the year.
|
||
|
|
So, um, congratulations, Hacker Public Radio lives for another year.
|
||
|
|
And the Doom's Day show is being recorded on the 31st.
|
||
|
|
Exactly.
|
||
|
|
And let's segue into that.
|
||
|
|
Segway, shall we?
|
||
|
|
Okay.
|
||
|
|
Take it away.
|
||
|
|
Um, okay.
|
||
|
|
So, last year, if anyone, you know, is new enough not to know this, uh, last year we
|
||
|
|
did a 12-hour New Year's Eve show.
|
||
|
|
We, we streamed it live and we recorded, uh, 13 hours of a 12-hour show, 13 and a half,
|
||
|
|
I think.
|
||
|
|
Um, and then we put it out as separate episodes on HPR and the important part was that members
|
||
|
|
of the Hacker Public Radio community listeners, whether they had done a show or not, um, especially
|
||
|
|
if you haven't done a show, um, people called in.
|
||
|
|
They, um, they got online, they got on mumble, got in the same room with us and they participated
|
||
|
|
in the show and it was fantastic.
|
||
|
|
It's one of my, it's probably the highlight of the past year, but it's one of the highlights
|
||
|
|
of my life to be part of something that was so, um, significant, uh, to, you know, such
|
||
|
|
a large community of people and a community that I care about.
|
||
|
|
I typically, uh, trend away from large communities, but, you know, Hacker Public Radio is different
|
||
|
|
and it's very cool.
|
||
|
|
So we wanted to do it again this year and Ken was so confused in saying that it was 24
|
||
|
|
hours, that it finally stuck.
|
||
|
|
So we're going to do 24 hours this year instead of 12 hours.
|
||
|
|
No, it won't.
|
||
|
|
It'll be 24 hours.
|
||
|
|
Yeah.
|
||
|
|
Okay.
|
||
|
|
Well, clever manipulation you did there.
|
||
|
|
So he wants to do 24 hours and the reason for such a long show is that that's a 24-hour
|
||
|
|
window within which anyone can call in and we've removed all of your excuses at the same
|
||
|
|
time, which is kind of convenient for us.
|
||
|
|
So you have no excuse not to call in.
|
||
|
|
Oh, I was at my own laws.
|
||
|
|
I was at blah, blah, blah.
|
||
|
|
Now you got plenty of time.
|
||
|
|
It's a 24-hour show and, and you're our friend and we want to hear from you.
|
||
|
|
You know, you're a Hacker Public Radio listener.
|
||
|
|
You're, you're one of us, you know, come participate, come be part of Hacker Public Radio.
|
||
|
|
I think what was really good about last year was that it turned out to be, um, more than
|
||
|
|
just Hacker Public Radio as a host thing was the Hacker Public Radio community invited
|
||
|
|
on other podcasters that they also listened to.
|
||
|
|
So in my role as, I don't know, as, as a HPR host, I just happen to be a member of, you
|
||
|
|
know, other communities and you invite them in as well and I really want the HPR community
|
||
|
|
to go out and get other podcasters that you listen to to come in and join in and say,
|
||
|
|
hello to their listeners because, you know, it's not about one show having an event that
|
||
|
|
this is our event because, you know, we couldn't have done it last year without a very fantastic
|
||
|
|
help from the Linux Basics community, from the, um, open source, open source positions podcasters that,
|
||
|
|
yeah, we used their server and their streaming, um, that was, that was, uh, a pipe man music
|
||
|
|
who, who had set that up, pipe man.
|
||
|
|
And I think, uh, K5 talks and, and their podcasters were in as well.
|
||
|
|
So let's, what I want people to do, listen to this, if you've met it this far an hour
|
||
|
|
and 18 in, is to contact, uh, I would, to contact other podcasters that you listen to and
|
||
|
|
say, look, this thing is going on Hacker Public Radio as a community podcast.
|
||
|
|
It's not, uh, them, we're just kind of pushing it as a service to other podcasters.
|
||
|
|
So if other people want to come in, we're going on the Linux Basics server anyway.
|
||
|
|
So, um, if they have case and set up that they have, they might be able to, uh, help us
|
||
|
|
and plug their infrastructure into the mumble server, take a feed off that and start streaming
|
||
|
|
to their audience for however long that they wish to do that as well.
|
||
|
|
So we need help that way.
|
||
|
|
And if you really want to help them out, um, and, and you can get their attention and
|
||
|
|
they want to do this, help them set up mumble so that, uh, they got, you know, good audio
|
||
|
|
quality and, um, you know, can, can, uh, you know, speak to their audience and to HPRs.
|
||
|
|
Um, we do need volunteers on the day.
|
||
|
|
Uh, we need people to come on, do shows, have a little bit of segments when the downtime.
|
||
|
|
We need, yep, and hosts, we need hosts because I, I can be here from, from noon to midnight,
|
||
|
|
uh, Eastern, U.S. time, but that's, you know, that's about all I can do.
|
||
|
|
It took me, it took me three days to edit it last year after that, uh, and that was just
|
||
|
|
cutting, cutting up.
|
||
|
|
So if anybody even wants to take over some of that, that's fine, but I can commit to that
|
||
|
|
much of it.
|
||
|
|
We need people to fill in the other 12 hours.
|
||
|
|
They, from the point of view of editing, what will be happening is it will break on the
|
||
|
|
hour. Each hour will be divided up.
|
||
|
|
It'll be chunky, run through the script, truncated silence, and it will be uploaded
|
||
|
|
to the show, uh, to the ready to rock in sequence.
|
||
|
|
So there will be little or no editing.
|
||
|
|
I will do the, uh, the chopping if I can get the audio files from people.
|
||
|
|
So you'd rather, you'd rather break it at the hour than try to break it at
|
||
|
|
conversational breaks.
|
||
|
|
They, whatever, that's, let's worry about that.
|
||
|
|
But I want the, okay, to take regular stops.
|
||
|
|
And, um, because I was starting this thing off over an hour side.
|
||
|
|
So, uh, we would take regular stops every now and again, take, maybe I don't know, 10,
|
||
|
|
10 minutes past the hour or something, take a five minute break, uh, where we play
|
||
|
|
some music or something.
|
||
|
|
And then, uh, stop and restart the, uh, the wild file, make sure they're working
|
||
|
|
up low of them to this, to the FTP server.
|
||
|
|
And then, uh, you know, go on again.
|
||
|
|
Ken was just wants to guarantee getting 24 shows out of this.
|
||
|
|
Yarp, you know me so well, you know me so well.
|
||
|
|
And, you know, we may not want to, we'll have to put them at fair, really close.
|
||
|
|
Yeah, but we're going to run in the same trouble we had if we try to do them 24 shows
|
||
|
|
all back to back.
|
||
|
|
It'll be a month and a half before, uh, anybody else out.
|
||
|
|
That was only a week last year.
|
||
|
|
So, I mean, it's doable.
|
||
|
|
We can do it.
|
||
|
|
We can definitely do it within the first two, uh, the, reserve the first two
|
||
|
|
weeks for it.
|
||
|
|
And then whatever length of audio we have recorded, it will not go outside of the
|
||
|
|
first two weeks of January.
|
||
|
|
Yeah.
|
||
|
|
And I want to make this explicitly clear.
|
||
|
|
If you can hear this, you are invited.
|
||
|
|
And this is a party.
|
||
|
|
This is, this is, you know, come have fun.
|
||
|
|
We're not, we're not doing this to, uh, it's not stuffy at all.
|
||
|
|
We had a lot of fun with this last year.
|
||
|
|
And that's the intention is to have fun and to get a couple of shows out of it.
|
||
|
|
But, um, it's, it's, you know, mostly to, to have fun to stir up sightment
|
||
|
|
in Hacker Public Radio.
|
||
|
|
And, you know, that's what it, that's what it's there for.
|
||
|
|
Yeah.
|
||
|
|
Can I just throw a, oh, I can't count on the screen being safe for work.
|
||
|
|
No, no, it won't be.
|
||
|
|
No, I'll becky's on.
|
||
|
|
I was just going to say actually that, um, last year's show was actually my first
|
||
|
|
introduction to Hacker Public Radio and taking part.
|
||
|
|
I'd met Ken in real life, the August before.
|
||
|
|
Orc camp and, you know, what's it realized?
|
||
|
|
Um, who he was and what he did.
|
||
|
|
And so we came along and joined in.
|
||
|
|
And, you know, since then, we've been a part of the Hacker Public Radio community.
|
||
|
|
And, you know, loving it, you don't, you don't have to email.
|
||
|
|
You don't have to be a geek.
|
||
|
|
You can be female.
|
||
|
|
You can be, I mean, even our daughter sometimes, you know, she knows what we're doing.
|
||
|
|
And I'm sure she would love to join in.
|
||
|
|
It's just her nerves, but anyone can.
|
||
|
|
But you're right.
|
||
|
|
It isn't, it's definitely not suitable for work.
|
||
|
|
She posts stuff on Twitter, like she posts, like the stuff she posts on Twitter.
|
||
|
|
And she's afraid to come on to HPR.
|
||
|
|
Are you serious?
|
||
|
|
Did you see the toilet roll post?
|
||
|
|
Yes, I did.
|
||
|
|
You should have seen the post that Philip was going to do back over the top is correct.
|
||
|
|
End of discussion.
|
||
|
|
I, um, I'm using her Twitter feed as a, is, is the glimpse into the future of what I can expect in,
|
||
|
|
um, in five to six years.
|
||
|
|
Having a teenage daughter is a joy sometimes.
|
||
|
|
So we're going to start this.
|
||
|
|
Can if I get this right, we're going to start this at, um, you, what,
|
||
|
|
12, oh, one, uh, on the date line, right?
|
||
|
|
Whatever that time is.
|
||
|
|
Yeah, it'll be, I will start before that.
|
||
|
|
So whenever the first zone hits, that's when we start on whenever the last zone hits,
|
||
|
|
that's when we stop or that's when we hand over to 51 50 and, uh,
|
||
|
|
and, uh, if they haven't died of alcohol poisoning, but, well,
|
||
|
|
somebody's going to have helped me because I don't understand, uh, his logic,
|
||
|
|
but Cobra 2 says he can't be there because his wife, I don't understand that logic.
|
||
|
|
She listens at work, he's getting a lot of trouble.
|
||
|
|
I would never.
|
||
|
|
Yes, but, uh, I think we need to focus on.
|
||
|
|
It's the Hacker Public Radio party, um, where you as a, a, bring all the other communities
|
||
|
|
that there are out there and, um, let's get open doors, email all your favorite
|
||
|
|
hosts and the favorite chills and, uh, it's a good chance for them to come on,
|
||
|
|
shoot the breeze, have a chat, um, and we need to get the open source musician guys back on.
|
||
|
|
Yeah, don't, don't, I was going to say, don't worry about me,
|
||
|
|
but you guys need to realize you may well kill Thistle Web.
|
||
|
|
Now I was, he's not already killed himself before.
|
||
|
|
Yeah, the, um, the open source musician guys, I just haven't seen them in a while.
|
||
|
|
And I, I, you know, when we were talking about choosing a server online, you know,
|
||
|
|
I suggested that, or I seconded Ken suggested that we go with the, um, the Linux basic server,
|
||
|
|
just because it's, it's been up and solid with lots and lots of users on it many times.
|
||
|
|
And I just, I hadn't even seen the open source musicians guys.
|
||
|
|
I don't, they don't take it as a, a slight, it was nothing personal or anything like that.
|
||
|
|
Okay, but actually, regardless what we can do is try and get some daisy chaining going,
|
||
|
|
um, we need to get people with IcedCast servers.
|
||
|
|
If you've got a server, know how to set up IcedCast.
|
||
|
|
We need people with how to's.
|
||
|
|
Uh, K, wish you there has set up, um, uh, is suggesting that they're going to give help to users,
|
||
|
|
users come on with audio quality issues, you can go into, uh, another room called, uh,
|
||
|
|
HPR, mobile help or something, which we'll set up.
|
||
|
|
Um, I think Poki closer to the day you were getting volunteers
|
||
|
|
from people we definitely need to get done from the Linuxing tech show off.
|
||
|
|
Um, I want to get, um, I'm sorry, I mean, on board with given us help,
|
||
|
|
how they pipe in audio and that sort of thing, because I want to be able to,
|
||
|
|
you know, um, if we're going to be doing 24 hours, I will need to go to the facilities
|
||
|
|
from time to time, have dinner from time to time.
|
||
|
|
And, uh, you know, if people want to have a think about maybe each hour,
|
||
|
|
we put on a few creative common songs or something and just have a discussion about the artist
|
||
|
|
and that sort of thing. Yeah, that's hard to stuff.
|
||
|
|
That doesn't have to be hard, Ken piping in other music, um,
|
||
|
|
but it does take a little bit of extra hardware.
|
||
|
|
So the, the only way that I know to do it, um, you know, is, is to have your computer set up
|
||
|
|
that you're using for mumble, you know, just the way you're doing it anyway,
|
||
|
|
but then have a second computer and instead of plugging a microphone into it,
|
||
|
|
plug an MP3 player into the mic input jack, the analog jack with, you know,
|
||
|
|
just like a double-ended, uh, what, three and a half millimeter chord.
|
||
|
|
And then you can use that second computer to, you know, pipe the audio from your MP3 player in,
|
||
|
|
you know, it's a hack, I know it's crude, but it does work.
|
||
|
|
Oh, no, that's cool.
|
||
|
|
I know a lot of people that use say their Android device just bites in mumble.
|
||
|
|
They can play that way, uh, red dwarf in doing that for sound effects on, on, uh, pod brewers.
|
||
|
|
I mean, at least figure out how to do, to do that.
|
||
|
|
We don't have to, uh, have a separate player.
|
||
|
|
And I think it had a separate computer.
|
||
|
|
Wouldn't be that hard to, uh, use jack redirect.
|
||
|
|
And I even asked, uh, the guy's over at the open source.
|
||
|
|
He wasn't, uh, pipe man.
|
||
|
|
It was, uh, the other guy had helped me out, but, uh, uh, they suggested.
|
||
|
|
Yeah.
|
||
|
|
Uh, they, he suggested we, we try, uh, if you wanted to do it all on one device,
|
||
|
|
because I kind of wanted to do the stealth thing, you know, not alert everybody.
|
||
|
|
Hey, I'm, I'm going to play a clip.
|
||
|
|
But, uh, and that, the reason for that's really gone past without me getting it done.
|
||
|
|
But he suggested, he said there's a way to do it with, uh, tie hydrogen in the jack.
|
||
|
|
And hydrogen is a drum machine, uh, program.
|
||
|
|
And I assume I haven't played with it yet.
|
||
|
|
I assume that you could, you could replace the drum rifts by just, you know, tracks that you want to play
|
||
|
|
and, and use that for, uh, the soundboard.
|
||
|
|
Yeah. So there's at least three ways to do it.
|
||
|
|
But just, you know, please test it before the day of, you know, if you want to do something.
|
||
|
|
Yeah.
|
||
|
|
Yeah.
|
||
|
|
Uh, uh, and, and when we were talking about open source music, uh, guys out the people are,
|
||
|
|
not just guys, girls, everybody out there who's a musician.
|
||
|
|
Uh, if you want something played as bumper music, uh, on the 24 hour show or interlude,
|
||
|
|
interlude music, uh, submit the meta link to, uh, adman at haveradio.org.
|
||
|
|
Thank you very much, 51.
|
||
|
|
Perfect idea.
|
||
|
|
Yeah, great idea.
|
||
|
|
And now I, I want to say that I, I, you know, if you want to do that, it's great.
|
||
|
|
I can't promise to play music all the time.
|
||
|
|
I had a lot of music planned for last year.
|
||
|
|
And we wound up, you know, it was, it was difficult to squeeze in that one live song
|
||
|
|
that, um, pipe man did because the conversation was so good.
|
||
|
|
It would have been, you know, a sin to interrupt it and, and, and, you know,
|
||
|
|
play something that wasn't live.
|
||
|
|
So, um, 24 hour sounds like a long time, but if people continue to call in,
|
||
|
|
then it's, it's like, you get a pretty much a refresh on all conversation every hour or so.
|
||
|
|
It just, it, it adds, goes smoother, I think, than we realized last year.
|
||
|
|
Oh, yeah.
|
||
|
|
It was astonishing how smooth it went just because people were calling it and refreshing like that.
|
||
|
|
You're absolutely right.
|
||
|
|
Doesn't matter.
|
||
|
|
We can still take these shows regardless and, uh, and, sorry, take the songs and stuff them into
|
||
|
|
a queue of, um, during the summer when things are, but, yeah, all right.
|
||
|
|
And we can edit the music in later too if we don't get a chance to be honest.
|
||
|
|
Exactly.
|
||
|
|
Um, good point.
|
||
|
|
We won't be editing them then.
|
||
|
|
We'll probably make another show, you know, suggest a music for the, uh, new year episode.
|
||
|
|
Dude Man has, um, also given a said that he does for his own podcast, um, with Alsa player and
|
||
|
|
Jack.
|
||
|
|
So, um, what I want is, uh, rather than also discussing it here as such, if people could email
|
||
|
|
me your setups or your tutorials on admin at hackerpublicradio.org,
|
||
|
|
and I'll put them on to a separate page on to the hacker public radio website, which
|
||
|
|
will probably be hijack, which will probably be the main, be the main page for the, for the entire
|
||
|
|
episode, um, so that we can do that.
|
||
|
|
Poki, I do like your idea of the hardware thing because I, more reliable, I think,
|
||
|
|
and I have a few spare players.
|
||
|
|
I also would like your, uh, it's, it's nice because it's not broken by an app yet update or
|
||
|
|
some such thing.
|
||
|
|
Yeah, exactly.
|
||
|
|
And there's a, there's a wire in there if it doesn't work and, uh, you can move something
|
||
|
|
else in.
|
||
|
|
Um, I also liked your idea of the FM Chan's mission, everything and I got one and it broke.
|
||
|
|
Oh, yeah, they're not, I don't know about in Europe, but the ones they sell in the states
|
||
|
|
are terrible.
|
||
|
|
They don't work well at all.
|
||
|
|
And there's one particular one that, um, is well understood, well enough understood
|
||
|
|
that you can hack it to get it to broadcast further and that just by luck happened to
|
||
|
|
be the one that, that somebody gave me and I was able to, to do that.
|
||
|
|
So if you're in the States, don't count on that working unless you can, unless you know
|
||
|
|
you can broadcast, you know, further than that.
|
||
|
|
Well, I, I only use it for relatively small amount of time and, um, uh, then the thing
|
||
|
|
just burnt out, it just played, you know, it's a real bummer.
|
||
|
|
It has just very depressing and sad.
|
||
|
|
Dude, man, that very nice, but can you email it to me?
|
||
|
|
Tutorial and documentation.
|
||
|
|
I even had it in mind this year, I, I, I, uh, I almost was able to get a wireless microphone,
|
||
|
|
like, you know, one that you'd use at a podium or, or given a speech or something like that
|
||
|
|
with a whole big receiver, I, I was gonna do that, you know, too, but I, I couldn't get
|
||
|
|
my hands on that.
|
||
|
|
Uh, bummer.
|
||
|
|
Yeah, my only, uh, I normally use a big lung, uh, extension cord, it's just the handiest
|
||
|
|
thing for me.
|
||
|
|
Yeah, well, you probably can't transmit through your brick wall house anyway.
|
||
|
|
So, yeah, true enough.
|
||
|
|
However, my house is not that big as I am, I'm but a poor person.
|
||
|
|
You're telling that we're kids.
|
||
|
|
Yeah, that's true.
|
||
|
|
Okay, yes, nice way to ask who's going to do the streaming, yes, very good question.
|
||
|
|
So there will be a limited number of people in the chat usually on what I plan, what I
|
||
|
|
think plan plans about what I will be doing is there will be a PC, yes, K, we sure everybody's
|
||
|
|
going to be streaming.
|
||
|
|
So what we will do is one or two people in one or two accounts in the mumble room will
|
||
|
|
stream to a central ice cast and from there people can murder the stream.
|
||
|
|
How does that sound?
|
||
|
|
I have no clue.
|
||
|
|
I'm just sounding professional.
|
||
|
|
Yeah, I think I think we have one or two very strong ice cast servers that have a lot
|
||
|
|
of bandwidth behind them.
|
||
|
|
Um, and I think we were going to, we utilized them last year, uh, and I think we were
|
||
|
|
planning on using those again.
|
||
|
|
So those servers will either, you know, take, um, take the stream right off the mumble
|
||
|
|
chat if they can or else, you know, somebody who's got the streaming figured out will pipe
|
||
|
|
the mumble chat into those streaming servers.
|
||
|
|
And if you want to stream, if you want to help out, um, you can tap off of those.
|
||
|
|
So, you know, it increases the delay, but it spreads out the bandwidth load so that we're
|
||
|
|
not hammering the server that we're using for mumble.
|
||
|
|
Uh, we're only asking it to do one or two streams instead of, you know, chewing up that
|
||
|
|
bandwidth that we're going to need for, for all our guests and everybody.
|
||
|
|
Just a quick question.
|
||
|
|
Have you spoken to door to door because I knew, you know, at the new radio.net, they have
|
||
|
|
unlimited bandwidth, um, I'm sure he would definitely set up a connection and just leave
|
||
|
|
it running all the time, you know, yes, that's something that, uh, we definitely need to
|
||
|
|
do.
|
||
|
|
A very wise man, uh, volunteer, the mumble server in the first place.
|
||
|
|
So a very wise man once said unlimited bandwidth just means you agree not to know what your
|
||
|
|
limitations are.
|
||
|
|
Yeah, but I think, yeah, go ahead, go ahead.
|
||
|
|
I think it's in this case.
|
||
|
|
It's not so applicable.
|
||
|
|
I think that, uh, it was pretty solid.
|
||
|
|
No, no, I, I, that why I wasn't saying that I just meant that, you know, if it can be spread
|
||
|
|
around, it doesn't hurt.
|
||
|
|
Sure, sure, sure.
|
||
|
|
Definitely.
|
||
|
|
What I'd like to do though is get this set up at least a week beforehand.
|
||
|
|
So we have here in this, uh, in this room, uh, is a permanent connection.
|
||
|
|
So anything going through this permanent connection will go through the mirror connection,
|
||
|
|
um, the mirror network so that we would have that up well and well in advance.
|
||
|
|
Yeah, we had last year we, we didn't have a chance to set it up beforehand.
|
||
|
|
Uh, we never could line that up.
|
||
|
|
So it was set up the day of and we were in here in the, the mumble chat and it was
|
||
|
|
about 20 people in here, you know, nobody was saying anything because they didn't want
|
||
|
|
it.
|
||
|
|
They wanted a way till it started, but, you know, it was kind of like an awkward, it felt
|
||
|
|
like standing in an elevator that wouldn't move and it was like completely packed and it
|
||
|
|
took a little while to get everything up and running.
|
||
|
|
Yeah, I think the plan is, um, get the, get the thing running and then we can do a pre-show
|
||
|
|
of, you know, truncate, so I truncate silence and then you put that out as a pre-show afterwards
|
||
|
|
that we'll start at 12 and then go from there.
|
||
|
|
Yeah, but I definitely don't want to be like on, on the day, um, messing with mumble servers
|
||
|
|
and streaming servers and all the rest of us, but just have the thing go.
|
||
|
|
Oh, and we need to record, uh, some sort of promo thing to send out to the podcasters.
|
||
|
|
You want to do that now?
|
||
|
|
Yes.
|
||
|
|
All right.
|
||
|
|
No, yeah.
|
||
|
|
No.
|
||
|
|
Yeah.
|
||
|
|
Uh, really?
|
||
|
|
Yeah.
|
||
|
|
Uh, what are we saying?
|
||
|
|
Just like, uh, join us on, you know, the software, you be free hacker.
|
||
|
|
And no, it's a party.
|
||
|
|
It's the HPR New Year's party.
|
||
|
|
Everyone come and join.
|
||
|
|
Hack a public video, New Year's party, everyone come and join.
|
||
|
|
Well, it's not, try not to, it's the Hack a public radio part.
|
||
|
|
It's the, we shouldn't becky do it.
|
||
|
|
I'm not saying it.
|
||
|
|
Go.
|
||
|
|
Hi, everyone.
|
||
|
|
What are you doing on New Year's Eve?
|
||
|
|
I know.
|
||
|
|
You're fed up of Turkey, you're fed up of alcohol come and join, uh, the mumble server
|
||
|
|
to join in with the New Year's Eve party and hack a public radio.
|
||
|
|
I'm very alcohol.
|
||
|
|
Yeah.
|
||
|
|
We're going to have alcohol.
|
||
|
|
It might be well sick of it by then.
|
||
|
|
They may indeed.
|
||
|
|
Okay.
|
||
|
|
With that, I'm calling on the whole.
|
||
|
|
Thank you very much, everybody, for, um, tuning in and we will probably be sending
|
||
|
|
a hang on a minute.
|
||
|
|
What?
|
||
|
|
What do the people need to record as well?
|
||
|
|
We got a Jew.
|
||
|
|
You did it.
|
||
|
|
That's it.
|
||
|
|
It's not just me.
|
||
|
|
That was it.
|
||
|
|
You said you don't have alcohol and Poke and I said we were.
|
||
|
|
You fuck us.
|
||
|
|
That's in there too.
|
||
|
|
Okay.
|
||
|
|
Does anybody else want to record a show?
|
||
|
|
Can we end the HBR show and then do the bumpers afterwards, please?
|
||
|
|
Yeah.
|
||
|
|
Okay.
|
||
|
|
Everybody say goodbye, starting with Boba Vex.
|
||
|
|
Goodbye.
|
||
|
|
Good night.
|
||
|
|
And thank you for listening.
|
||
|
|
You're awesome.
|
||
|
|
You're phenomenal.
|
||
|
|
Oh, bye.
|
||
|
|
Dude, man.
|
||
|
|
Thank you.
|
||
|
|
Goodbye, everybody.
|
||
|
|
5150.
|
||
|
|
Did you hit the party, everyone?
|
||
|
|
Okay, wish it.
|
||
|
|
Come on.
|
||
|
|
Say goodbye.
|
||
|
|
And that's goodbye for who?
|
||
|
|
And goodbye from Nido.
|
||
|
|
And it's goodbye from Nutla too.
|
||
|
|
Bye, everybody.
|
||
|
|
And Poke.
|
||
|
|
Hi.
|
||
|
|
Hi.
|
||
|
|
Hi.
|
||
|
|
Good night, guys.
|
||
|
|
Thanks for letting me be part of it again.
|
||
|
|
Howdy folks.
|
||
|
|
This is 5150 for Hacker Public Radio.
|
||
|
|
Remember how much fun we had last New Year's during the 13-hour live podcast and party?
|
||
|
|
We're going to have twice as much fun this year celebrating the full 24 hours of New Year's
|
||
|
|
Eve with guests from your favorite podcast and hosts from around the world.
|
||
|
|
You're invited to join in on Mumble when you can and listen on the live stream when
|
||
|
|
you can't.
|
||
|
|
The details will be posted on www.HackerPublicRadio.org.
|
||
|
|
Want to do something different this coming New Year's Eve?
|
||
|
|
Want to make some new friends, share some laughs and give something back to the community?
|
||
|
|
Then please come along and join in with the Hacker Public Radio New Year's Eve show, a 24-hour
|
||
|
|
Oggcast marathon.
|
||
|
|
We're running for the full 24 hours starting from Monday, December 31st at 1200 UTC.
|
||
|
|
I'll be there and I really want to spend my New Year's Eve getting to know you too.
|
||
|
|
The participation details are available at www.HackerPublicRadio.org.
|
||
|
|
Hi everyone this is Klaatu you may or may not know me from Hacker Public Radio and it
|
||
|
|
turns out we're throwing a party on New Year's Eve and everyone's invited whether you've
|
||
|
|
listened to Hacker Public Radio or not but if you've contributed or not you should stop
|
||
|
|
in on the mumble server mumble.openspeak.cc.
|
||
|
|
Hort 647 477 you can use any username you want drop in, say hi, eavesdrop, whatever you
|
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want to do it'll be a lot of fun and it's going for 24 hours that's right UTC minus 12 the
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whole UTC day will be broadcasting all day all night and we want you to join us.
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Hey everybody this is Bokey from Hacker Public Radio we're putting on another party like
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the New Year's Eve party we had last year.
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If you have a computer and you can get mumble working on it we want you to join us on New
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Year's Eve.
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When is the party going to be?
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It's going to be all day it's a 24 hour party so you have plenty of time to call and
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participate.
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If you're a podcaster, if you're a podcaster listener come and join us because this is our
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thing this is our party we're getting together and we're doing it live we're going to stream
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it live and we're going to re-broadcast the recording later and information is all available
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at www.HackerPublicRadio.org please come along and join us on New Year's Eve.
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You have been listening to Hacker Public Radio at HackerPublicRadio.org.
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We are a community podcast network that releases shows every weekday and Monday through
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Friday.
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Today's show, like all our shows, was contributed by a HBR listener like yourself.
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If you ever considered recording a podcast then visit our website to find out how easy
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it really is.
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Hacker Public Radio was founded by the Digital.Pound and the Infonomicum Computer Club.
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HBR is funded by the Binary Revolution at binref.com or binref projects are proudly sponsored
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by Lina Pages.
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From shared hosting to custom private clouds, go to LinaPages.com for all your hosting
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needs.
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Unless otherwise stasis, today's show is released under a creative commons, attribution, share
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it, lead us our own lives.
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