427 lines
38 KiB
Plaintext
427 lines
38 KiB
Plaintext
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Episode: 2437
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Title: HPR2437: Interface Zero Play-through Part 3
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Source: https://hub.hackerpublicradio.org/ccdn.php?filename=/eps/hpr2437/hpr2437.mp3
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Transcribed: 2025-10-19 03:04:37
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---
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This is HBR episode 2437 entitled Interface Nero Playthrough Part 3 and in part on the series,
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tabletop gaming, it is hosted by Klaatu and in about 42 minutes long and carrying an
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exquisite flag. The summary is Klaatu, Loma and and played in Interface Nero RPG.
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This episode of HBR is brought to you by AnanasThost.com.
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Get 15% discount on all shared hosting with the offer code HBR15. That's HBR15.
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Better web hosting that's honest and fair at AnanasThost.com.
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Hey everyone, welcome to HackerPublicRadio. My name is Klaatu and this is Interface Nero Playthrough
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Episode 3. Today I have with me low bath. Hey everybody.
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And Taj. Let's get everybody. Before we get started, I wanted to mention to everyone that yes,
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I've got another digital starter kit for role playing games available. All you have to do is
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email me. If you're the first one to email me upon hearing this episode, you will get a voucher
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to go to piezo.com and download among other things the beginner box, the digital beginner box.
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So it doesn't take up any room on your shelf, but it has a bunch of great content including
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the hero's handbook, which essentially just ignores probably 80% of the Dungeons and Dragons
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Pathfinder universe and just calls it down into something that's that's approachable for a beginner.
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So if you've never built a character for an RPG before and you've wanted to do that,
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then you can you can follow this step-by-step instruction in the first chapter of the hero's handbook
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and it tells you exactly how to create a character. I mean, it labels the character sheet for you
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with big yellow numbers, like big numbers in a yellow circle and it says, you roll this mini die,
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take the number from from that and put it into this blank. You know what I mean? It tells you exactly
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what you need to do. It leaves you without any question on the process of building your character.
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More importantly, it tells you why things work a certain way. So rather than just kind of
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looking at pre-generated characters or having your friend tell you, oh, put this number there,
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this tells you exactly why you're getting certain numbers into your character sheet based on
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the choices that you've made and the choices they actually limit as well. So rather than having to
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look at 99 different races and 150 different classes, you have three races. You can be a human,
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a door for an elf. You have four classes. You can be a rogue, a cleric, a fighter, or a wizard.
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And so with that limited choice, it becomes a lot easier, I think, for a newcomer to get started.
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So I highly recommend this book and it's not just me saying that the layout of the book is good.
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It is. It's great. It's got nice big colorful boxes with little icons to help you visually,
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just kind of like, oh, okay, this is when I'm rolling a D6. Okay, I got that. There's a picture
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right there. It tells you. But it also, it's also something that I've used to introduce people to
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this. Just actually last night, I was with two friends and one of them had never played an RPG
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before and was really curious. The other had played an RPG before, but it never built a character.
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So I took them through the character creation process by showing them the hero's handbook and we
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built characters and then we ran through an old school dungeons and dragons adventure called Cave
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of Shadows. Not a terribly great adventure, but that's the great thing about RPG. You can make
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pretty standard kind of like, oh, look, it's a crawl through a cave into something completely
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different and unique because it just, it always changes. So we had a great time and it was all,
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it was all based on this very limited sort of scope of the beginner box from, from Piso and the
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pathfinder world. So I'm recommending it strongly because I really truly believe it's a great,
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a great little book. You can get it for free and it's open game license. What's not to like?
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Shoot me an email. I'll give you this thing and it comes with a lot of other stuff too. Like the
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Game Master's Guide for it within the beginner box anyway and then the whole pathfinder rule book
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and I think a couple of other things like some digital comics or something, but yeah, it's worth
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an email if you're into this sort of stuff. Okay, so now let's, let's get started with the story.
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Where are we today? Let's see. You guys had gotten in and out of Peter's apartment and you are now
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on your way back with a data dump back to your hideout in the Cromwell District. So the Cromwell
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District is a little bit rough but not too rough. It's a safe place. Your fixer has, has hooked
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you up with a little bit of a safe house. It's tricked out with all the technology that you would need
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for investigating all the different things that you've investigated in order to make the extra
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cash that you guys or extra crypto dollars that you guys are after. It is well disguised from
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the outside. It appears for all intents and purposes as I completely broken down a building,
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but once you get inside, the first hallway that you go into is similarly demolished, but the door
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at the end of the hall, you open that step into a smaller room, close the door behind you, open the
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next door in the privacy of this small area and sure enough it is a well guarded and high-tech
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workspace that you can do whatever you need to do. So although the exterior is quite run down,
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the interior is quite well kidded out and not in disrepair at all. It's got a bunch of money thrown
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into it. What would you like to do first? I think I'm going to call in my contact record stone,
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the local cop, and see if we can get some more information about the penthouse that we were in
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and Peter himself. Good idea. Tosh, is there a sit? Is there anything that you need to do before
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we go into that? Not that I can think of. As far as the data dump, until his contact gets here,
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I'll go in the corner and meditate and maybe kind of work on my interfaces between my cybernetics,
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just to kind of tune everything up in case we get hands on again. LeBath, are you just going to call
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him on the... you're not going to call him physically in, right? How do you guys communicate,
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do you think? That's a good question. I think probably would actually give him a phone call.
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Just chat him up a little bit. So he answers and he probably knows that it's you because he's
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probably got access to that kind of information or else you guys have a private number.
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Yeah, we have a, I guess, what the game calls a minor relationship. So we have worked together
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before he knows me and trust me a little bit. Cool. I will then... let's see, how does this
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contact thing work? I forgot to check that out before we started here. Yeah, so the way that it'll
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work is depending on what you're asking him to do. I will roll for him to see, and there's a
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different threshold depending on your relationship. So if you've got a minor relationship, it'll be
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harder to get something totally illegal done, but normal information probably won't be a problem.
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Yeah, just, let's see, look for any record for Peter and any records of him recently that have
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come up specifically. And then I'd also like to know more about the penthouse we were at,
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like who actually owns it if it's his and who maybe put those guards there. I don't know if he'd
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have any information on the guards themselves, but yeah, just about Peter and then the apartment.
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He answers and he says... Chai Wei, long time no talk. What can I do for you?
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Hey, record. I've been... I'm on a case and I'm looking for some information. I need to know
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who a property is registered to, and I'll drop the address. And then I need some information about
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the... about Peter, and I can't remember Peter's last name off the top of my head, but...
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I don't believe you guys ever asked about Peter's last name to be honest.
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Oh, how do we not know his last name? Right, and then any information about the occupant who is
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there, I think his name was Peter, and hopefully he can find out more information based on that.
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Okay, so he... why don't you make me a diplomacy check? Okay, I got a 12, and my diplomacy skill is...
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11, so 23. Okay, so that's super good. Fert for what you're asking. So...
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Yeah, with the DC, yeah, hopefully that'll be good enough. It's not super, you know,
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I'm not asking anything, life threatening or job threatening, so...
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This is probably information that he's not supposed to give out to the public, but then again,
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I mean, who's going to know? It's not that big of a deal, so... Yeah, he looks...
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type some stuff into his computer, does a little bit of research while you're with him on the phone,
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and he says... Yeah, building 2019 in the Zhijin district. It's registered to somebody named Peter
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Nazari, that who you thought it would be. Yeah, that sounds about right. It looks like Peter has
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been renting that property for about four years. He still is. What else you're looking for?
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Let's see, I was wondering if there was any... if you had access to any more like recent
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information on him. Let's see, how would he know that? Maybe any associated vehicles that he has
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or any sort of ID checkpoints that he's been through lately. He does a little bit more searching
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and he says... Doesn't look like there's a vehicle registered to him, but frankly, each
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way for people like him, he probably doesn't need a vehicle. He's probably got people to drive him
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around, so that's really not unusual. I don't really see him on our grid, so to speak. He doesn't seem
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to be very active. I don't see much activity. Could be that he just goes from home to work.
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I see he works at Global Omnium Digital, and I know that that place is pretty self-sustaining.
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He might have everything he needs taken care of for him right there.
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All right, let's see. I guess I will ask him then if he knows we didn't get any ID from those
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guys from the guys at the penthouse, did we? I don't think so. No, so I wouldn't know what to ask him
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there. I guess? Yeah, I don't have anything else to ask him right now, I guess. Don't hesitate
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to call if you need anything else. You've been good to us, so I have no problem helping you out.
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Sounds good, and let me know if you need any help with anything, too. Stay safe out there.
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Okay, so... All right, well, I'll get off the phone and say that was kind of a bust,
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but let's take a look at this data. You pop the data into one of your
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sandboxes to one of the sort of virtualized environments, and when you put it in to the
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virtualized machine, you can look at all the data, and it's got a couple of different
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things in it. So there's a stash of what probably are emails because of the file format.
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They're probably a series of emails. There's a stash of photographs and documents,
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and then there's yet another stash of emails. What would you like to look at first?
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Let's go through the photos and videos. Yeah, try to pick out a couple of the most recent ones
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and see what's on there. Okay, so they all date back about a year. There's nothing really more
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recent than a year, but the photographs are of a man, and he's consistent throughout all the
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photos. So you're probably thinking that might be Peter, might not be, but he does seem to be a
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subject in all the photographs. They're a variety of photographs, so they're taken some are
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like selfie-style, some are what you would, you know, from long distance, almost like maybe he
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wasn't aware that the picture was being taken inevitably. There are women with him. The girl with
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him most often is an Asian girl lady, I should say, and they seem to be pretty friendly. That's
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mostly what it is, is photos of him and some woman, and typically it's this particular woman,
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this one Asian woman. Can I do a search or and see if I can figure it find out who the lady is?
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You know, run some facial recognition or something like that. Yeah, give me, give me a look
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of what kind of research role that would be, hang on me, me look around a little bit.
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Otherwise, I could try to call that back in and see if Rickard has would be able to do that for
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me too. Yeah, let's actually, let's do that, because there's not a whole lot about like research
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in this hacking system, so yeah. All right, sounds good. I will crop one of the pictures of her
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out like a, you know, nice, yeah, driver's license style, sort of like this is her face, yeah.
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Yep, and then send it off to Rickard and be like, hey, do you know, can you give me an idea on
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who this is? It's related to Peter, so just see if there's any information on her in your systems.
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Yeah, and he comes back and almost not instantly, but within, you know, that one sitting, he says,
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Oh, that's Tina Tommatsu. She's a bio-roid, basic pleasure model. She's been in and out of our
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system for one thing or another, but she has some powerful sponsors so we can never keep her
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in for anything. So she's living pretty well. Any information on where she's working recently or
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where she may be staying? Sure. It's 134 Marina Street in the Dolphare district.
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All right, it might be good to check out later if we don't have anything else. All right,
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we'll go back to the video. He said there was some videos as well. Anything in particular
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in there or it's just more footage of Peter and who you now know is Tina and it's just, it ranges
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from just a day out having fun to sexy videos of them doing sexy things.
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Okay. All right, and I guess within those videos you would hear him refer to her as Tina,
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and she would be referring to him as Peter. So the identities you would feel are confirmed.
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Okay, that sounds good. Let's check out one of the email troves and the first one, I guess.
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Yeah, the first email stash is a bunch of stuff between Tina and Peter and they're just,
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they don't really, they don't say too much. It's just about meeting times and meeting places.
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Any common, any common meeting place for the two of them? She usually comes to his place,
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but he's been over at a place in, yeah. All right, so he does know where she lives, too.
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Right, so that would be a good place to check out. And the second email troves.
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So the second one, second email stash is, it appears to be from Elizabeth Ravadun who had hired
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you in the beginning. And she's talking with someone named Yazid, Yazid Faruna, and it appears
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that he is employed at Global Omnium Digital as well. So he's one of her employees and it's an
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email thread about her instructing him to go get Peter's emails from the internal system,
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because Yazid works in IT. So the first email reads, Yazid from, from Elizabeth to Yazid.
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The first one reads, Yazid, I would like for you to commence the operation you and I discussed
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in our meeting last Wednesday. As I told you in the meeting, this needs to be handled with the
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utmost care. I trust you understand what I mean. And please know that I have an outside consultant
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monitoring your work to ensure you've left the system tidy. Please report to me as soon as you
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see results. The next email from Yazid to Elizabeth says, Ms. Ravadun, I understand and will start
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work on this immediately. Systems will remain unaffected and I'll bring you whatever I find without
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delay. Thank you for choosing me for this important work. I won't let you down. The next email is
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from Elizabeth to Yazid. The files you dropped off to me are marvelously helpful. This is exactly
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the information I needed. You've earned a bonus for this work, but I don't feel comfortable giving
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you a reward of this nature here in my office. Will you meet me in the corporate apartments of
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Gen Grove Pharmaceuticals in one week at nine o'clock p.m.? When was that date from the email?
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Assuming it's in the past. That email is dated six days ago, meaning that they're going to meet
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tomorrow night at nine p.m. at the Gen Grove Pharmaceuticals apartments. Okay. Do we have the address for
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that too and what district is that in? You do have the address for that. It is in the it's in the
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Gen Grove district. All right. So that'll be tomorrow night that we would be able to catch them.
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Yep. All right. I guess I'll come out of the space and get back with Sid and let him know I found
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a couple leads. Cool. About Tina looks like Peter and Tina have been together for a while. So maybe
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he's hanging out with her. I think we should go check out that place. Definitely. It seems like a
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place to at least start. Yazeed one is going to be a little bit more of a stealth mission. So I
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think I might be a little better at that. I guess I don't know. It's really up to you if you'd
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like to split up and divide and conquer. The Yazeed and Elizabeth, there's going to be at least
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we know two people. Possibly more she I'm sure is going to have some sort of security with her
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being kind of high level in corporate. If Peter's hanging out, it might just be him and Tina.
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So that might be something we take into account before we make a decision. Which one would you
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rather do? I'm pretty sure you have a better stealth than me. So that does seem like the better call
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for you to go to the Elizabeth meeting. And I'll just go see if we can find Peter. If we do,
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how do we want to handle that? Do we want to kind of bring him back to us or just kind of
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tail him and find out what's going on? That's a good question. I don't know. I think we should
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probably let him know we're looking for him. And maybe you guys can just hang out there or take him
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see if he would want to come back to the hideout so we can figure out what's going on.
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That's cool. I kind of feel it out as I get there and see what I think is going to work the best
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and then go from there. Okay. Cool. So Sid to Tina and Chaiway to Gengrove. Is that the correct?
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Yep. That sounds right. Okay. Let's start with, let's start with I guess the way that the time
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would fall would be you'd probably go to Tina first because the other meeting isn't until a little
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bit later. So Sid, the Dolphare district is a fairly high-rint little district.
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Maybe a really, really well-known and popular and well-to-do bio-roid
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pleasure model would be able to afford it, but you know that probably she's being,
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you know her rent is probably being paid by one of her clients. And it's a very nice district.
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It's got a man-made lake behind all of the houses which people tend to use for recreation.
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And it's daylight 24-7 there. They never turn off the artificial lights. So it's daylight and
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there are always artificial birds chirping. It's it's supposed to be the brightest and happiest
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place on the planet. So it's, it's, yeah, it's, it's, it's a happy, it's a neo-Disney. That's exactly
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what I was about to say. Yeah, exactly. Yeah, yeah. It's, um, it is exactly that. So you, you,
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how are you, what's your, what's your plan of approach? It is a gated community. So you will have
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to go through the, the front gate and sign in and everything, but, um, work, work. That's certainly
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the obvious way. And what's your, any ideas on how you want to approach this? Well, would I have
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problems going through the main gate? Is it, is it fairly, uh, exclusive or is it something that
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I could just walk through and not really raise any eyebrows? There is a security robot there.
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But, um, it's like the gate is open. So you looking at it, you get the impression that it's
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probably just a sign-in sort of situation where you, where you have to identify that you are going
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in, but it doesn't, you wouldn't guess from, from looking at it that it's going to cause problems.
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Okay, let's try the easy way. Um, I'll, I'll go up and, uh, sign in. Uh, I think I will try to use
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a fake name, uh, just to maybe not be too conspicuous as who I am. Do you have fake ID on you or
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anything? I don't. Okay, still want to sign in? Yeah, let's do it. I might have to bluff my
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way out of it. We'll see. Okay, you approach the gate and, uh, there is a security robot there.
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So he says, you know, sort of, he lights up once you approach and turns to you and says,
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I need to find myself. So I feed him, uh, I need to come up with a fake name really quick.
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I tell him that my name is Mark Schwalb. Mark Schwalb. And he, he does some kind of internal
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chat and he, he doesn't find a Mark Schwalb in the, the history of, of visitors. So he says,
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Mark Schwalb, please position yourself for a photograph. Okay, I give him the biggest
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chewsiest grin I can. And he takes your picture and he logs it away. Enjoy your stay out Dolphare.
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Thank you, kind of robots, sir. Cool. So you, you walk through the gates. You know from the
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information that Chai Wei, uh, provided you the address of Tina's house. So after a little bit
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of wandering around, you, you come across her, her home and it's, it is like everything else in,
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in Dolphare, it's, it's manicured and neat and, and absolutely fake. It's got astroturf in the
|
||
|
|
front so that it's always green and never overgrown and there's flowers and there's a white
|
||
|
|
picket fence. I mean, it's the whole nine yards and, uh, the door is, uh, not open, but the, the gate
|
||
|
|
is opened. The door is, is in front of you. You said there's a lake around the back that, um,
|
||
|
|
kind of goes all around all these houses. Most of the houses are, are the ideas that everyone gets
|
||
|
|
a lake front property. So, so all the houses are kind of a long one side of the street. Uh, and yeah,
|
||
|
|
their backyards all in, in, in, in lake. Okay, instead of going straight to the front door,
|
||
|
|
I think I'm going to try to go in the gate and if I can circle around back towards the lake,
|
||
|
|
just to see if I can get any kind of view inside the house from the back, um, before kind of
|
||
|
|
taking any action to go in. Okay, cool. So you, you, uh, step through the front gate and then go
|
||
|
|
around the side of the house, um, and, and yeah, the, the windows at least along this side are all,
|
||
|
|
the, the blinds are drawn, um, the curtains are drawn, whatever. So you can't really see in
|
||
|
|
through that way. But once you circle around out behind the house, uh, the, the rear doors
|
||
|
|
are sliding glass doors that go out onto a little, uh, a deck. So they're, and, and they're,
|
||
|
|
they're not the blinds are not drawn there. So, um, you see a person, I mean, I'm assuming you're
|
||
|
|
being somewhat stealthy. Yeah, I'm trying to be as stealthy as I can while not acting weird to where
|
||
|
|
I, I kind of look out of the place. I mean, I'm obviously out of place. But if somebody was walking
|
||
|
|
along the lake, they wouldn't think that I didn't belong there. Do you have any stealth at all?
|
||
|
|
Yes, I do. Why don't you give me a stealth roll just to see what you do? 15. 15. Okay.
|
||
|
|
Um, so you, um, yeah, you kind of casually glance towards the, uh, the sliding glass doors and you
|
||
|
|
see a woman sitting at a, at the kitchen counter, which is just sort of perpendicular to the sliding
|
||
|
|
glass doors and she's smoking a cigarette and drinking some drink from what you see she appears
|
||
|
|
to be alone. And it is the woman in the photographs, which I'm assuming, um,
|
||
|
|
Chaiway would have showed you. Okay, so I at least know she's in the building. Um, I guess
|
||
|
|
let's go back around the front and let's knock on the door. So you just try to go the easy
|
||
|
|
direct route. Cool. Okay. You knock on the door and, uh, there's a little bit of a delay, not much.
|
||
|
|
And she, she comes to the door and what is, so you're wearing your cyber monk outfit again,
|
||
|
|
right? That's what you wear. Yeah, I'm not very, uh, into other clothes, so pretty much just
|
||
|
|
looking like a cyber monk at this point. Yeah, so she looks at you and the confusion, uh,
|
||
|
|
on her face is, is, so she hesitates a little bit and then she, and she kind of relaxes and
|
||
|
|
leans in the doorway, takes a drag off of her cigarette and says, well, you're not with security.
|
||
|
|
So who are you with? I tell her I'm an independent contractor and, uh, I'm really not looking for her
|
||
|
|
and she's not in any kind of trouble. But we're trying to find, uh, let me see, I wrote down the name,
|
||
|
|
uh, Peter Nazar. Um, as she knows, we know that she has been with him in the past. We have some
|
||
|
|
intelligence on that. We're just trying to find him, um, mostly a protection reason at this point.
|
||
|
|
We want to make sure that he's safe and he's secure and, uh, that you're the only contact we know
|
||
|
|
that has had any interaction with him. So we thought we would approach you first.
|
||
|
|
She takes another drag off the cigarette and says, so you're working for Elizabeth.
|
||
|
|
That's not information that I'm privy to. I'm, I'm working for a second party.
|
||
|
|
Oh, I wasn't, I wasn't asking. She says, come on in and she steps away from the door and she,
|
||
|
|
she sort of leads you inside. Okay, I follow her.
|
||
|
|
She sort of motions towards her, her little bar and says, help yourself to drink if you want.
|
||
|
|
I, uh, I say thank you, but because of my tenants, I actually don't consume alcohol. So I'll,
|
||
|
|
I'll find the way I am. Thank you. She sort of raises my brow and sort of laughs a little bit and
|
||
|
|
says, okay, suit yourself. She says, um, yeah, I know, I know Peter Nazari.
|
||
|
|
When was the, uh, last time you had seen him?
|
||
|
|
Why do you need to know? Like I said before, we're trying to, we're trying to find him
|
||
|
|
in order to offer some protection to him. We think that there may be some sort of
|
||
|
|
threat against his life at this point. Why do you think he needs your protection?
|
||
|
|
I don't think I'm being paid to do a job. And so I'm just here to do that job.
|
||
|
|
Well, if you're being paid by Elizabeth, you're not being paid to protect Peter.
|
||
|
|
Like I said, I just get a check. I'm not sure who I'm working for. I'm just giving the
|
||
|
|
mission and talk to do it. All right. Let's see. Now, do you have a bluff
|
||
|
|
rating at all? Do you have anything in bluffing or, or even just a flat out charisma?
|
||
|
|
No, I've gotten either. This is gonna be awesome. Yeah, I feel like she's seeing through that.
|
||
|
|
Let me, let me look at your character. She really quick. Yeah, usually that would be like a sense
|
||
|
|
motive versus bluff check. Yeah. Okay. You literally do. I see. I'm looking at your character.
|
||
|
|
She, now you literally do have zero in bluff. Okay.
|
||
|
|
This promise is not by strong. Yeah. Okay. Let me, let me, let me see what she's up to. Hold on.
|
||
|
|
Well, go ahead and give me a charisma role. No joke 20. Oh, wow. Okay. So your charismatic
|
||
|
|
today. Natural 20. Yeah, must have been a natural 20 because there's no modifier.
|
||
|
|
Yeah, natural 20. Nice. Okay. Okay. So she, she stood as you and sort of
|
||
|
|
looks at you and sees that you are after all a month. You won't even touch, drink.
|
||
|
|
Um, seems unlikely that you'd be lying to her. So she says, um, take a seat. She,
|
||
|
|
she goes and sits down in the lounge and in a, uh, at a sofa and lounge.
|
||
|
|
Okay. I go and, uh, make myself comfortable riding across from there.
|
||
|
|
And she gets right back up and goes to the sliding glass doors, which were, uh, the
|
||
|
|
blinds were open. So she, she closes the curtain there and she looks around the house,
|
||
|
|
you know, in the immediate area to see if there's any other open windows or anything like that.
|
||
|
|
And she seems, she seems fairly confident now. So she, she, she comes back and she sits down again
|
||
|
|
really close to you. Um, possibly slightly uncomfortably close for you. I'm not sure what your
|
||
|
|
personal space about boundaries are, but she, she's, it's really close to you. And she kind of
|
||
|
|
leans in and she says, you may not know this, but you're working for someone called Elizabeth
|
||
|
|
Ravadun. And she's on the hunt for Peter Nazari. Peter and I used to be very close.
|
||
|
|
He disappeared about a year ago. I haven't seen him in over a year, but I think I might know
|
||
|
|
where he went. Well, that information would definitely be helpful and make completing my job
|
||
|
|
at this point. She says, I understand that, but I'm afraid that if you complete your job,
|
||
|
|
Elizabeth is going to get to Peter and I don't want that to happen.
|
||
|
|
Do you have any idea why Elizabeth is hunting him down?
|
||
|
|
Because Elizabeth thinks that he's trying to take over her job. In fact, she thinks he's trying
|
||
|
|
to overthrow the entire corporation. Do you know if he is trying that or is that just something
|
||
|
|
she believes? She sits back and sort of thinks on that for a little while.
|
||
|
|
And now we'll cut over to Lowbath, who has made his way to the Jingrove district.
|
||
|
|
And the Jingrove district is a little bit, it's certainly nowhere near Xi Jinping in terms of
|
||
|
|
high rent and quality and sort of corporate-y. But it's clearly, Jingrove is an old pharmaceutical
|
||
|
|
company. They came up right around all the... They made a lot of money when the death happened.
|
||
|
|
They were doing anti-radiation stuff. So they're an old company, but they're not necessarily a
|
||
|
|
hugely popular company. They're just one of those things that have just always been there. So
|
||
|
|
they're well-off, but they're not a super sexy company. They're just a pharmaceuticals company
|
||
|
|
that made a name on actually helping people. And now mostly specialize in recreational
|
||
|
|
drugs for the corporate people, which is pretty standard now. It's just sort of what happens.
|
||
|
|
Gotta have those uppers to keep everybody happy. Exactly. And nobody ever got fired for hiring Jingrove.
|
||
|
|
So Jingrove is there. It's big. It's monolithic. It's boring. And the Jingrove apartment complex
|
||
|
|
is an older apartment complex. And you kind of get this if you ask around for directions or whatever.
|
||
|
|
It's... Or you can see it with your own eyes when you get close to it. It's actually quite run down.
|
||
|
|
And it's pretty clear that nobody's actually in the Jingrove apartments anymore. And that probably
|
||
|
|
whoever used to be there has been moved into something closer to the company, which is kind of
|
||
|
|
in fashion now, to house your workers inside of your compound. So in other words, it's pretty run
|
||
|
|
down. But from the outside, it seems to be pretty much... There aren't any security people roaming
|
||
|
|
around or anything like that. It's a run down apartment building. All right. Is there many people
|
||
|
|
around? Am I going to have much trouble hiding out around the building? No. It's nearly abandoned.
|
||
|
|
And you get the sense that this is an area that people have more or less forgotten about.
|
||
|
|
All right. Well, I'm going to hide around the side or around the... Yeah, I guess it may be
|
||
|
|
across the way so that I can watch anybody coming in or out of the building. And then see if I can
|
||
|
|
get on the locals on the network inside the building. There is no network inside the building
|
||
|
|
or if there is, if there is, you're not detecting it. But given its state, you wouldn't be super
|
||
|
|
surprised if there just wasn't one there. But I get the impression that you got here pretty early,
|
||
|
|
right? Yeah. So yeah, as you sit behind a abandoned vehicle, you do see an individual dressed
|
||
|
|
fairly conservatively, typical employee kind of dress, like not a suit or anything, but professional
|
||
|
|
looking. He approaches the building, kind of looks around, kind of puzzled. He doesn't appear to
|
||
|
|
know where he's meant to go. And then he just kind of makes his way inside through the front door.
|
||
|
|
All right. Let's see. I guess I will follow him in. So let's do a stealth.
|
||
|
|
Stealthroll try to follow him upstairs without him noticing.
|
||
|
|
And I gotta see. I gotta roll the three so I got a 12 stealth.
|
||
|
|
Okay, well, he's not really looking for people to be following him yet. So you get inside easily.
|
||
|
|
And you're able to kind of catch sight of him turning in through one of the the back doors or
|
||
|
|
the doors at the end of a hall on the right. So you can go to that door peek through. And then
|
||
|
|
you see him making his way sort of towards the back of the building. So he just keeps going towards
|
||
|
|
the back of the building until he arrives at probably what used to be maybe a garage or maybe
|
||
|
|
a storage room or something like that. It's kind of super gutted out at this point. But it's just
|
||
|
|
this big open space. And he goes into that. And then he just kind of sits down on a ledge and waits.
|
||
|
|
All right. Was there any information in the emails? So he was just getting the emails from Peter
|
||
|
|
for Elizabeth. Yeah, he was. Yeah, was there anything else there? Or did that seem like it was
|
||
|
|
that was it just the just the email infiltration? Let's let me look. Hold on. No, there was nothing
|
||
|
|
else there. There was one email that I that I hadn't read yet. But it was it's just him Yazid
|
||
|
|
replying. Yes, I can be there tomorrow evening at 9, 2,100. I look forward to seeing you. Should I
|
||
|
|
break anything? But she didn't respond to that. All right. Um, let's see. Do I want to try to
|
||
|
|
be an agent for Elizabeth for this? I don't even know. I don't have anything to pay him. So
|
||
|
|
no, I don't think so. All right. Is there a good place? Another doorway like by the front
|
||
|
|
that I can hide and wait for somebody else to show up? So to see if anyone else comes through
|
||
|
|
the front door, you mean? Yeah. Um, I mean, you could go actually is there any other doors to the room
|
||
|
|
that he's in that I can see? Well, there's there's not exactly a door, but the the far the far
|
||
|
|
right corner from where you're standing, the entrance that from from there it's sort of diagonal
|
||
|
|
across the room. The the wall is pretty much crumbled out. So there is an entrance, although it's
|
||
|
|
not yeah, it's not a door, but but it's certainly an opening in the room. Um,
|
||
|
|
yeah, I guess I'd like to yeah, just find a good place to sit and wait for somebody else to show up.
|
||
|
|
So, um, if I think I could get back around to that towards that opening or otherwise
|
||
|
|
somewhere along the hallway entrance here to the main room, uh, just so I can be close by to hear
|
||
|
|
anything that happens too. Make another stealth role just to see how how how you can yeah,
|
||
|
|
where you get to. All right, I got a seven so that's a 16 stealth. Okay, nice. So yeah, you feel
|
||
|
|
like you could probably circle around the perimeter of this open area and get back towards that
|
||
|
|
sort of crumbly wall if that's what you're looking to do or I mean, it would be trivial to just go
|
||
|
|
back out the main hall and just watch the front door for for anyone to come in. Yeah, kind of like
|
||
|
|
the heading spot by the crumbled wall. So I will I think I'll take a position there.
|
||
|
|
Okay, so you take you kind of position yourself so that you can see the crumbled wall and and
|
||
|
|
you're you position yourself I'm assuming so that you can still be hidden. So you you you hide
|
||
|
|
another you know a pile of sort of a desk and a and a filing cabinet and just old office equipment
|
||
|
|
that someone had you know dumped there and never got carted away. So you you hide out in this just
|
||
|
|
rubble and you wait for about 15 minutes and then from from a dark corner across from where you are
|
||
|
|
steps out a guy quite well dressed. He has a briefcase and he he steps into the room and he appears
|
||
|
|
to look directly at the pile of rubble that you are hiding behind and then he kind of moves
|
||
|
|
inside through the crumbled wall and and and he looks at the guy on the ledge and he says
|
||
|
|
Yazeed Faruna and the guy on the ledge just stands up and he says
|
||
|
|
yes I was here waiting for a misravadoon are you with her and the guy says
|
||
|
|
yes yes I have your I have the payment that you were expecting
|
||
|
|
and Yazeed says oh okay I thought misravadoon was going to deliver something we had talked about
|
||
|
|
something that she wanted to give me personally and he says the guy says I'm sorry she wasn't
|
||
|
|
able to make it but I have something for you and he draws a a pistol and fires at Yazeed
|
||
|
|
and kills him with one shot blows his head right off and Yazeed falls through the ground
|
||
|
|
then he turns toward your pile of rubble and he just sort of stands there so he probably knows
|
||
|
|
that I'm here I'm gonna stand up okay and and and let myself be known and ask him who he is
|
||
|
|
he says he says I would prefer to know who you were first I tell him I am also working for
|
||
|
|
Elizabeth and I was wondering what Yazeed had to do with all this he says
|
||
|
|
Yazeed was an employee of misravadans she needed him she needed him dealt with due to some
|
||
|
|
disciplinary action it's really none of your concern I tell him that we've been that I've been
|
||
|
|
in vets excuse me I've been investigating Peter and I think his involvement is my concern
|
||
|
|
the guy studies you and he says how did you know to come here um let's see what do I tell him in this case
|
||
|
|
I think I'm gonna try to bluff and tell him that Elizabeth told me I should come and check
|
||
|
|
should come and check this out okay yeah give me a give me a roll a bluff roll because you have
|
||
|
|
bluff right yeah um four so that'll be a seventeen bluff nice okay um he cool so he says
|
||
|
|
I tell her that Elizabeth I say that Elizabeth should told me I should come and make sure
|
||
|
|
this goes down he but I need to know more information he smiles and he says I should have known
|
||
|
|
Miss Rava Dune wouldn't even trust me it's just like her what do you need to know I'll start asking
|
||
|
|
him how long he's worked with worked for Elizabeth and what he and what he knows about Peter
|
||
|
|
he says I've worked for Elizabeth and he starts putting his his pistol away now because he
|
||
|
|
seems to have relaxed a whole lot um he's just yeah he's under the impression that you are
|
||
|
|
you're the yeah you're the reinforcement um so he says I've worked for Miss Rava Dune for
|
||
|
|
two two three years now and I don't know who Peter is but I was told to show up here
|
||
|
|
and to dispose of Yazeed so that's what I've done as you can see you can tell her that the job
|
||
|
|
is sufficiently taken care of unless you want to examine the body yourself um I'll ask him what's
|
||
|
|
in the briefcase just because I'm curious or was that where the pistol came no no the pistol came
|
||
|
|
from his coat so um yeah the briefcase is has not been uh opened at all yet so he's he says um
|
||
|
|
this was just just backup data um it's stuff that Yazeed gave to Elizabeth I brought it here to
|
||
|
|
dispose of it next to his body um all right I would tell him I'd like to take a look at it
|
||
|
|
uh see if it has anything to do with my investigation and uh tell him I will uh arrange the body
|
||
|
|
after he's gone he says okay yeah sure I mean he hands you the briefcase and says you be sure
|
||
|
|
to tell Miss Rava Dune that you you did this part right I killed Yazeed but you're doing the data
|
||
|
|
stuff uh yes I will uh I will let her know that you did your job well very well and he uh he
|
||
|
|
takes his leave of you um giving you the briefcase all right and I think that's where we'll stop
|
||
|
|
for tonight Sid will get you back talking to Tina and then check back in with Chai Wei and what
|
||
|
|
remains of Yazeed in the next episode you've been listening to Hecker Public Radio at Hecker
|
||
|
|
Public Radio dot org we are a community podcast network that releases shows every weekday
|
||
|
|
Monday through Friday today's show like all our shows was contributed by an HBR listener like
|
||
|
|
yourself if you ever thought of recording a podcast then click on our contributing to find out
|
||
|
|
how easy it really is Hecker Public Radio was founded by the digital dog pound and the infonomicum
|
||
|
|
computer club and is part of the binary revolution at binrev.com if you have comments on today's show
|
||
|
|
please email the host directly leave a comment on the website or record a follow-up episode yourself
|
||
|
|
unless otherwise stated today's show is released under Creative Commons
|
||
|
|
Attribution Share Light 3.0 License
|