3154 lines
115 KiB
Plaintext
3154 lines
115 KiB
Plaintext
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Episode: 3844
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Title: HPR3844: 2022-2023 New Years Show Episode 6
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Source: https://hub.hackerpublicradio.org/ccdn.php?filename=/eps/hpr3844/hpr3844.mp3
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Transcribed: 2025-10-25 06:37:48
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---
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This is Hacker Public Radio Episode 3844 for Thursday the 27th of April 2023.
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Today's show is entitled, 2022-2023 New Years Show Episode 6.
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It is part of the series HP Our New Year Show.
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It is hosted by HP Our Volunteers and is about 121 minutes long.
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It carries an explicit flag.
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The summary is 2022-2023 New Years Show where people come together and chat.
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Can I do something personal real quick?
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Depends on how personal.
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Someone tried saying hello to me as if I'm somebody and I talked over them because I was too afraid to lose my own dream of thoughts.
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So I just would like to say hello to you guys.
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I said, the famous cookie is there, yeah?
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Infamous? Maybe? I think the only thing I'm famous for is being infamous. I'm a screw up.
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But thank you. Hello, Seb, how are you?
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Yeah. Don't worry about me from...
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It's not a year we were on this.
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I remember you from your sub-sub-sub as your screen name.
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Oh, yeah.
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You're cutting it out of this.
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Is he doing that as I shot him?
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Yeah, here as well.
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So the beer topic was going to say is which country has the best beer?
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Belgium.
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America right now.
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With Americans even can make some Belgians. It's unbelievable.
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America and Belgium because of husband and stuff, yeah?
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Well, the U.S.
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The U.S. is doing with beer, what Japan did with everything else.
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They see how people do it.
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They try it out that way without pre-judging it and saying it's wrong.
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And they put their twist on it.
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And they combine what they've learned.
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And, you know, Japan did it with cars and electronics and wagyu beef, you know, whatever.
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They watched Tom Selleck, Mr. Baseball for that speech.
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But America has done the same with beer and has done really well with it.
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I did have to laugh. I was a few years ago now.
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And there was a contingent from the U.S.A. obviously because it's a huge conference.
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And a few of them, it was their first time here.
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No, it was their first time in Belgium.
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And they were like, let's go have some drinks. So we did.
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We're going to have some beers.
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And of course, what they didn't realize was two problems.
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One, the lowest percentage of alcohol you're going to get in a Belgium beer usually in a pub is about 9%.
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Which is a lot higher than 4% to 6%.
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You know, that we're used to getting, even in the UK, we could usually top out about five for an average.
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But then also, of course.
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Well, the Maritime I had of belts.
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Americans don't have the fines.
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We have 16 ounces. They're smaller. So you're right.
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It's a bigger beer and it's got much alcohol in it.
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So we had a very, very, very bunch of Americans.
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The fact that, you know, Poké's right.
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This is one of the greatest places to get different types and really well made and really flavorful beers.
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Me, it's basically anything you want.
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Most of your average Americans are still drinking piss water.
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Good. Let them, it keeps the price down on the really, really good stuff for the rest of us.
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Right. I mean, you've got all this great stuff here.
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And if you walk into a bar in middle America and you're a white guy and you order anything other than a Budweiser,
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you're probably going to start a fight.
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You're supposed to start off.
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It's not even Budweiser anymore.
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By the way, it's pronounced Pusvasa.
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The guys that I drink with drink, one guy drinks raspberry, natty lights, another guy drinks tea's,
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another guy.
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But you wouldn't believe with that flavor.
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At least it's flavor.
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The what?
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The more flavor than your average Budweiser.
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I don't know, mate.
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I know.
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The light is disgusting.
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No matter what flavor you freaking put in it.
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At the point, at least it's not a generic Bud light.
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Yeah, but Bud light is better than the gagging that I did on that.
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A natty light.
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Yes, okay.
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I don't know.
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The raspberry natty light.
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I never had a regular natty light.
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The raspberry natty light made me gag.
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I almost chucked it.
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So they're all nasty.
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It's interesting you were saying, Poki.
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Poki was saying about the Japanese taking things and excelling.
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I can attest that that was not the case with beer.
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And it's not because their beer is bad.
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Their beer is absolutely great.
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They do some amazing craft beers.
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But they do insist on putting about 20 centimeters of head on a glass,
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which is just fundamentally wrong.
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I don't want there to be more head than beer.
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Not if you ask for a Tim Cook.
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So are you familiar with Tim Cook?
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I don't tend to ask Tim Cook.
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Mr. Apple.
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Tim Apple.
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No.
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The other Tim Cook.
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You wouldn't ask.
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Because he was a patriot, dammit.
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No.
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Tim Cook is the brewer of Sam Adams.
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And his first commercials back in the...
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It could have been late 80s, early 90s, mid 90s.
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I don't know.
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It was too young to drink at the time.
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But I heard them all.
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I wanted to drink.
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I was going to...
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I wanted to say...
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I will say something after that.
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So...
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Hey, Karim.
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Different than drinking age.
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Well, yeah, yeah.
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I was going to...
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Well, yeah.
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You got me.
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Okay, okay.
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That's...
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That's not clear.
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It's like...
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Okay.
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Yeah, yeah.
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I know.
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Somebody said that the pint's smaller in America, didn't realize that as well, but okay.
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I don't know why.
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I was like...
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It's like...
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It's like...
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It's like...
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It's like...
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In America, you're not supposed to drink until 21, but yet you can drive a cart 15, yeah.
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And a...
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I will...
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Car can kill people, yeah.
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You're the driver or other people on the road.
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The drink...
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And also...
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The drinking age...
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Hey.
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In the U.S.
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It's 21.
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But I swear, the drinking age in Iowa was...
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was 14. Yeah, the age in the UK is 18 but we all started drinking around about 14.
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Exactly. Oh yeah, and the most important one.
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Come on, it's about driving.
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But from Bristol, we know what it's like in the West Country.
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You're raised on cider, it's in your veins.
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But no. You cross over from Submerset and you've got nothing to do but like,
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where's the car? Mine are just as good as you do through the field.
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Drink your cider.
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I know. Yeah. Oh, mine aren't that bad. Exactly.
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I think it's Iowa because it's all farm country out there.
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And the whole thing is, is I swear, the state sport is drinking and driving.
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Lots of states say, yeah, hey, Steph, you are causing a lot of feedback.
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Anytime you're keyed up and anyone else is keyed up, there's huge amounts of echo.
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The might be, yeah, I think it depends how it sets up.
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Maybe one or two things either you're not using a headset or you're holding a stiff stick mic.
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No, it not might be. It definitely is. Anytime you're keyed up and anybody else
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keys up, it echoes back at everybody. It's definitely a thing.
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It's definitely happening. I can't tell you what's causing it.
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But it's, it's very clear. It's like software clear.
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Not headphones next to your mic.
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It's maybe something in software, but it could be.
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If you're not wearing headphones, that'll do it too.
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But you guys could speak here.
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Isn't a good mic if that's it.
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Attack your two quiet. No one could hear anything.
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You just said, I couldn't.
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Could you repeat that with a little more gain?
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What the f*** are that whites to be on this?
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Yeah, I do have one drawer speaking.
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I don't want to hear what they're just saying.
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It's usually nonsense.
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What the heck?
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Oh, that was a good burn.
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George, I was interested, even if the guys who actually know you want.
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Yeah, George, the British contingent, we're, uh, we're having a poke at you.
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But, you know, you couldn't shout over us.
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Why? Why? You love me.
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That's what's cause he's easy.
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Just because it's just because it's the name, just because his name is the love bug.
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Doesn't mean he loves you.
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Well, I know you hate me.
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Hey, you can get hate with that.
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Well, he didn't have nothing to love bug.
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Yes, good evening, everyone.
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Only say he's got work in.
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Yeah, that he's a really, really old crappy version of mumbled for it to work.
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I tried the snap version and the flat pack version of the most recent ones.
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Certificate.
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And no other than that would work.
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I assume certificate issues.
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No, no, certificate was fine.
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I know he's the same certificate.
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I've, I've, I use a safe certificate.
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But it was more the fact that the push to talk, um, global shortcuts.
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Whenever I click the ad button to say, this is the shortcut I want to use for push to talk,
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it just didn't do anything.
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So I had that problem as well.
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I'm, I'm, I had that problem as well on the version from, um, the arch repository.
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I had to get the Git version from arch.
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So I think they've broken some.
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Yeah, it looks like him.
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Am I coming in?
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That's fine.
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I'm going to get a second.
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You're just, it's probably user error.
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You sound beautiful love bug.
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Oh, bless you.
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No, I mean, he's got an actual podcasting setup.
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Yeah, you sound really like your levels are not blowing anybody out.
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I could hear almost made out what you said.
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Even when people were walking on you.
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And when you're the only one talking, you have scourges like, geez,
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what, what are you using?
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That is a huge shut up guys.
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Well, Mike, you got, uh, I'm using a Samsung, uh, Q2U,
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which is, I think it's the equivalent of the audio technical 2100.
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It is.
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Um, it's a, it's a really, really nice microphone.
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Incredibly cheap.
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Probably works out.
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Well, a current exchange rates about 67 cents, um,
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but I think back in the day when we actually had a working currency,
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it was, it would have been about 60, maybe 70 dollars.
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I think this is one of the ones that, um, Leo,
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that was formerly on Mintcast was recommending.
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And it's actually on sale right now.
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Samsung, you two, one, Q2U.
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Thank you.
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Damn son.
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Oh,
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Samsung.
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Yes, it's a XLR and USB.
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So I'm using it through XLR for a mixer,
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but the USB, um,
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option for it works really well as well.
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Really? Does it sound just as good?
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Minus the mixer or just almost as good?
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Minus the mixer?
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Well, I've never used it through USB personally,
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but my wife does when she does her work from home.
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Usually we use the same microphones for our show,
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uh, both going through USB for the mixer for the podcast,
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but when she's doing her own work,
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she just takes the USB cable from the back of the microphone into her laptop
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and it, it just works.
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It sounds brilliant.
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Oh, this is, um, for Americans,
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this is $99.99 at Walmart.
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$55.59 on Amazon.
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Yeah, $55.99 on Amazon.
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I don't know exactly who you guys,
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but I bought the ETR 2100s about eight years ago.
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I bought three of them for about $30.
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So they have gone up in price like crazy.
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But is that just for the microphone,
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or is that, is that the podcasting set,
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which is like your desk stand?
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No, that's, well, that was the basic set.
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Right, word of advice.
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Forget the headphones.
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The headphones are beyond awful.
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By your own.
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Yeah. Okay.
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So, um, George,
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Tak Geospart,
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when you spoke up and said that, um,
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the 33 bucks, you know,
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saving 20 bucks, 22 bucks.
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I would brag about that.
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Um, if I were in your seat too,
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but for my seat,
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I just heard what your sounds like,
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compared to the love bugs.
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It's worth the extra 20 bucks.
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Actually, I'm not using that mic.
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Oh, nice safe.
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Oh, good save.
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Thank you.
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I really didn't,
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oh, I didn't want to walk away feeling like I was mean.
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Thank you.
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No, this is an ex-clovand
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or some weird off-name brand drop mic.
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So I'm sure I've got a medication called that.
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Yeah, I know it's weird.
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It looks like it does look a medicating.
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It looks like it's a pretty mic,
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but it's, yeah, it's generic.
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Did the ex-clovand give you those weird dreams to love bug?
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Every single night.
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Then I think I recognize you even from outside of the podcasting.
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I think I remember you.
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Speaking of the processor,
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you know that whole $99.99.
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You know where that comes from?
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Why we do the 99 cents thing.
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It's a psychological thing, isn't it?
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99 dollars is less than 100.
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Yeah, but it's got what's the keys?
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Sparfer if knows the key.
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Yeah, why?
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It's that's partially correct.
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So that's only one side of it.
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The actual reason is that when people make sales
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and they would be,
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they would skip putting it through the register
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because it was just easier to not.
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But of course, if they have to give change,
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they have to open the register and record the sale.
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So to force them to do that.
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At the end of the day if the registers are.
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Exactly.
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Because they had to reach in to get the change.
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And that's why they put it to 99 cents
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because that was the closest they could get to the dollar
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while also forcing their employees to open the register.
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Interesting.
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See, I prefer having round number things to pay.
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You know, of course.
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Yeah, no, absolutely.
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I mean, some of our local supermarkets
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have started now selling things for, you know,
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50 pounds from $14.99.
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Well, you'd be surprised, actually.
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The amount of places it still only take cash.
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Oh, I live in Germany.
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And yeah, I live in Germany.
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And they just, they don't do card here.
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It's just cash.
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I good for you guys.
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I just started doing, um,
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carrying a little bit of cash again.
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And it isn't even all that much.
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And I almost never use it.
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But it's empowering.
|
||
|
|
It really,
|
||
|
|
well, yeah, an emergency stash in your pocket
|
||
|
|
is always a good thing.
|
||
|
|
But yeah, I haven't actively carried cash
|
||
|
|
other than like having a 20 on me for a decade now.
|
||
|
|
So you want to get to the point where you have a difference.
|
||
|
|
It makes to you.
|
||
|
|
Yeah, get a cash clip.
|
||
|
|
Get a cash clip and bring that out
|
||
|
|
when you come to pay for something.
|
||
|
|
And you feel like a king,
|
||
|
|
even though that's only, you know, 200 euros in there.
|
||
|
|
That's a good way to draw attention
|
||
|
|
in a lot of the places that I've lived.
|
||
|
|
You know, that's a good way to get dumped out
|
||
|
|
in the parking lot.
|
||
|
|
I mean, yeah, but in, I mean, in Berlin,
|
||
|
|
that's not really a, not really a concern.
|
||
|
|
But that's 20 years in El Paso.
|
||
|
|
I'm very sorry.
|
||
|
|
I will bring cash with me for both them for,
|
||
|
|
but, but, but saying that even at both them,
|
||
|
|
more,
|
||
|
|
while two of the stands may even take cards,
|
||
|
|
this t-shirt stand for the event t-shirt
|
||
|
|
and maybe something else.
|
||
|
|
You see, you say that.
|
||
|
|
But when I was at a free-node live,
|
||
|
|
I went to try and buy,
|
||
|
|
I told you about the EMAX manual that I have.
|
||
|
|
I tried to buy that from the free software foundation stall
|
||
|
|
and they were trying desperately to use free software
|
||
|
|
to power the card readers and it just didn't work.
|
||
|
|
And I was just there like,
|
||
|
|
I can go and get cash out there like,
|
||
|
|
no, no, no, no, we'll get this working.
|
||
|
|
It took an hour and a half.
|
||
|
|
Oh, you know, you've been a free-node live,
|
||
|
|
but obviously that was in Bristol.
|
||
|
|
So, yes, that makes that perfect sense.
|
||
|
|
You know, you mentioned free software.
|
||
|
|
You know what that reminds me of?
|
||
|
|
What's that?
|
||
|
|
Free software.
|
||
|
|
You know what I mean,
|
||
|
|
free software, free money,
|
||
|
|
free software, yeah.
|
||
|
|
No, no, free is in freedom.
|
||
|
|
I was going to make a recommendation.
|
||
|
|
Sorry, what's free?
|
||
|
|
I don't understand free data.
|
||
|
|
Free is in freedom.
|
||
|
|
Free is in freedom, I have no idea.
|
||
|
|
This is the time in the place,
|
||
|
|
but at least let me get my recommendation out first.
|
||
|
|
And then we can make this the time in the place
|
||
|
|
for free versus free conversation.
|
||
|
|
Yeah, please.
|
||
|
|
Anyway, just in case anyone who hears this
|
||
|
|
doesn't listen to dev random,
|
||
|
|
and I'm sure no one who listens to this does,
|
||
|
|
I found an awesome, awesome, awesome app
|
||
|
|
in the Eftroids store for Android
|
||
|
|
called Flavor Decks.
|
||
|
|
And it's built so that you can catalog
|
||
|
|
and take pictures and do star ratings.
|
||
|
|
And it's all personal.
|
||
|
|
If you don't have to share it with anybody
|
||
|
|
or take theirs, I would like for there to be a way to be,
|
||
|
|
but I don't know if there is.
|
||
|
|
Maybe there is.
|
||
|
|
I don't know.
|
||
|
|
Anyway, and it's pre-built for whiskey
|
||
|
|
and wine and beer and something else,
|
||
|
|
but I've been able to make it work for pipe tobacco.
|
||
|
|
I just added it as a category.
|
||
|
|
And it's really, really nice.
|
||
|
|
I did it on you random as our Eftroids spotlight,
|
||
|
|
which we don't always do,
|
||
|
|
it's just everyone's in a while.
|
||
|
|
We'll find something in spotlight it.
|
||
|
|
And this made the cut.
|
||
|
|
This is an awesome, awesome little app.
|
||
|
|
What's the name of that again?
|
||
|
|
Flavor Decks.
|
||
|
|
We have a story for those from the west country of England.
|
||
|
|
And again, and perhaps, although it may have been,
|
||
|
|
also, it may have originally come from Scotland.
|
||
|
|
Yes, of course.
|
||
|
|
Now that I think of it,
|
||
|
|
it's a counter to your money clip argument.
|
||
|
|
A counter to the argument for the money clip
|
||
|
|
or the argument against the money clip.
|
||
|
|
It was the counter to the argument for the money clip.
|
||
|
|
An American went to Scotland with a Velcro wallet
|
||
|
|
and one of the Scottish people said,
|
||
|
|
saw them opening it and hearing the traditional Velcro screech.
|
||
|
|
I, yes, that's a good Scotch pocket.
|
||
|
|
It screams when you open it.
|
||
|
|
Ha, ha, ha, ha.
|
||
|
|
Yeah.
|
||
|
|
Is that calling Scotch cheap or did I miss the joke?
|
||
|
|
Yeah, Scotch is cheap.
|
||
|
|
And glad my touch down co-hosts on here this evening.
|
||
|
|
Not necessarily cheap.
|
||
|
|
They just take the spend money.
|
||
|
|
Uh, okay.
|
||
|
|
That's Scotch.
|
||
|
|
I do really love it.
|
||
|
|
I, I, no, it's not the same thing.
|
||
|
|
Okay, we, we, we have a, we have a common stereotype
|
||
|
|
that the Scotts are, are tight-fisted.
|
||
|
|
It's not true from what I've experienced with Scottish people,
|
||
|
|
but it's a funny little, you know,
|
||
|
|
it's a funny stereotype.
|
||
|
|
It's like a stereotype that, you know,
|
||
|
|
people from the west country always being drunk,
|
||
|
|
except that one's true.
|
||
|
|
So the couple, the couple of differences
|
||
|
|
that I see immediately, not to be a mycog,
|
||
|
|
but you can be generous and be happy to spend money
|
||
|
|
on friends and family and still be cheap
|
||
|
|
on a day-to-day basis.
|
||
|
|
And you can also be thrifty or frugal
|
||
|
|
and always go for like the best bang
|
||
|
|
for your buck choice after doing some research.
|
||
|
|
You're thinking thought too hard about this.
|
||
|
|
That just cheap.
|
||
|
|
I think too hard about everything.
|
||
|
|
I can't turn it off.
|
||
|
|
I'm sorry, fellas.
|
||
|
|
I didn't mean to bring it down.
|
||
|
|
There it is.
|
||
|
|
There's another story about Americans
|
||
|
|
who have a certain fear of debt.
|
||
|
|
This guy said that his father or grandfather
|
||
|
|
borrowed $10 from a farmer.
|
||
|
|
And he said,
|
||
|
|
the farmer never asked for his $10 back.
|
||
|
|
As long as he paid him a dollar a week.
|
||
|
|
Good deal.
|
||
|
|
If you're the farmer or the other guy,
|
||
|
|
really, if you're satisfied with that.
|
||
|
|
I don't understand the point of the story, though.
|
||
|
|
He acknowledged the obligation,
|
||
|
|
but he never had to pay the principal back.
|
||
|
|
Just the interest.
|
||
|
|
Yeah.
|
||
|
|
No, I got that,
|
||
|
|
but how did that relate to being afraid of debt?
|
||
|
|
It's basically America.
|
||
|
|
Yeah, it's like the total amount you'll end up paying
|
||
|
|
is like $52.
|
||
|
|
Other clothes just paying the $10.
|
||
|
|
Oh, I had $25,000 in student loans.
|
||
|
|
And that's low.
|
||
|
|
$25,000 in student loans is low.
|
||
|
|
I've been paying on it for 10 years.
|
||
|
|
And I meant like $15,000.
|
||
|
|
And that's only because, you know,
|
||
|
|
we weren't required to pay for a long time
|
||
|
|
and I kept paying.
|
||
|
|
So what you meant was that Americans are afraid
|
||
|
|
to acknowledge the existence of the concept of debt
|
||
|
|
before signing on to more of it than they can afford?
|
||
|
|
Well, it's not a matter of signing on to more of it
|
||
|
|
than you can afford.
|
||
|
|
They saw you the American dream.
|
||
|
|
The only way to get ahead is to go to college,
|
||
|
|
blah, blah, blah, get a better paying job, et cetera, et cetera.
|
||
|
|
Now granted, most of that is garbage.
|
||
|
|
But what they don't tell you and what they do with 18-year-old kids
|
||
|
|
that don't know any better with their finances
|
||
|
|
is they do two things to put you in debt.
|
||
|
|
One, they convince you to go to college
|
||
|
|
that you can't afford to pay for.
|
||
|
|
And in order to do that, you have to take out loans.
|
||
|
|
And two, you're 18 years old, you need to be able to eat
|
||
|
|
and dress so they get you on a credit card.
|
||
|
|
And then, hey, look, zero APR for the first six months.
|
||
|
|
And then afterwards, 24%.
|
||
|
|
And they don't tell you how that works until you're paying it
|
||
|
|
and you keep paying and you keep paying.
|
||
|
|
And the amount that you owe keeps staying the same.
|
||
|
|
The first part you're 100% correct about,
|
||
|
|
the second part can happen at any age, not just 18.
|
||
|
|
And I think four has been keyed up.
|
||
|
|
But I think it's predatory when it happens to an 18-year-old
|
||
|
|
that has never handled their own finances before.
|
||
|
|
Yes, the things you listed are the bait
|
||
|
|
and the credit is the trap.
|
||
|
|
So I was just going to say, in the UK,
|
||
|
|
we have the world's stupidest sort of student loan system.
|
||
|
|
So we never used to have student loans.
|
||
|
|
We had an equal to student grant.
|
||
|
|
And it was basically paid for by taxes.
|
||
|
|
And then all of a sudden, under the Blair government,
|
||
|
|
I want to say, the labor government,
|
||
|
|
they introduced this idea of student loans.
|
||
|
|
But so student loans can actually get extremely expensive
|
||
|
|
in the UK, like America, yes, you're saying $25,000.
|
||
|
|
My debt is currently 47,000 pounds.
|
||
|
|
Did he just call for everything?
|
||
|
|
Do you want to just leave?
|
||
|
|
The reason mine is only $25,000 is because
|
||
|
|
our only came out to $25,000 is because I'm a veteran
|
||
|
|
and I'm a disabled veteran.
|
||
|
|
And I was getting money from the government to go to school.
|
||
|
|
It just wasn't enough to actually go to school and live.
|
||
|
|
But I've got a friend who she went to,
|
||
|
|
once I call Cornell, and hers is less than mine.
|
||
|
|
I'm just saying, it's not this sort of hard and fast thing
|
||
|
|
of like Americans always pay more.
|
||
|
|
In fact, mine ends up being pretty expensive.
|
||
|
|
But that is the joke, you see.
|
||
|
|
Here's the joke.
|
||
|
|
We pay interest on that every month.
|
||
|
|
And you can, if you want to, start paying it down.
|
||
|
|
But after 30 years, they'll forget the debt anyway.
|
||
|
|
Explain that to me.
|
||
|
|
Right, because they want 30 years of payments from you.
|
||
|
|
You can actually stop paying, and they won't be able
|
||
|
|
to find you most of the time.
|
||
|
|
Oh, here they'll find you.
|
||
|
|
Sorry, get you a move.
|
||
|
|
Well, all of what he said, but I want to add in.
|
||
|
|
You're also university, was it $9,000 to go to university,
|
||
|
|
yeah?
|
||
|
|
And I think stop them, get free, don't make.
|
||
|
|
They do, if you're Scottish.
|
||
|
|
Yeah, if you're Scottish, yeah.
|
||
|
|
And if you're Scottish, and you go to a Scottish university,
|
||
|
|
or if you're Welsh, and you go to a Welsh university,
|
||
|
|
you get it for free.
|
||
|
|
If you're English, and you go to any university in the UK,
|
||
|
|
you have to pay 9 grand a year, because nobody likes you.
|
||
|
|
Well, except for one university, the one that I went to,
|
||
|
|
the University of Hard Knocks, that's free.
|
||
|
|
Oh, nice.
|
||
|
|
Well, there's a cost.
|
||
|
|
It's just not monetary.
|
||
|
|
That's the not worth it.
|
||
|
|
Actually, what you're interested in with US student loans
|
||
|
|
is the bankers put them ahead of any other debt or payment
|
||
|
|
system.
|
||
|
|
You're on disability, they'll suck up your student loan.
|
||
|
|
They'll suck up your disability pay
|
||
|
|
to pay off your student loans, yes.
|
||
|
|
So good.
|
||
|
|
Yeah.
|
||
|
|
And you can't support anything.
|
||
|
|
Yeah, you can't get rid of the student loans
|
||
|
|
by declaring bankruptcy.
|
||
|
|
You can't get rid of the student loans by dying.
|
||
|
|
It just, they will take it from your estate,
|
||
|
|
and then anything left over goes to your family.
|
||
|
|
They still owe it to the bank.
|
||
|
|
But I didn't.
|
||
|
|
Yeah, I paid them off early too,
|
||
|
|
because I got it down to a point.
|
||
|
|
Mind you, I'm in my 50s now.
|
||
|
|
So I paid them off in my 40s, which is rare.
|
||
|
|
But I got to a point where I looked at it,
|
||
|
|
and it was a certain amount.
|
||
|
|
I'm like, I can afford that, and I just paid it all off.
|
||
|
|
They were probably.
|
||
|
|
Yeah, get rid of that interest.
|
||
|
|
I may be at a point in my 40s where I earn enough money
|
||
|
|
to pay off my student loans.
|
||
|
|
But on principle, I will not pay off my student loans.
|
||
|
|
I will wait for it to run out.
|
||
|
|
I will stop paying it.
|
||
|
|
The reason for that is that they changed the terms
|
||
|
|
of the agreement after I signed it.
|
||
|
|
So I don't see why I should have to pay them anything.
|
||
|
|
Unfortunately, I'm not one of those people that can.
|
||
|
|
I just feel like, you know, the government
|
||
|
|
changed the terms of the agreement.
|
||
|
|
They changed the terms of the sort of,
|
||
|
|
they changed the terms of how student loans worked
|
||
|
|
after I'd already signed off the student loans.
|
||
|
|
So that invalidates the agreement I signed.
|
||
|
|
So theoretically, I've not signed any agreement.
|
||
|
|
Did you hear what they did?
|
||
|
|
In terms of the deal, we do not change them anymore.
|
||
|
|
Did you hear what they did to teachers here?
|
||
|
|
Essentially, what happened was teachers
|
||
|
|
require X amount of education, college education, of course,
|
||
|
|
right?
|
||
|
|
Well, the US government offered to pay for said education
|
||
|
|
if these teachers worked X amount of years
|
||
|
|
for community schools, essentially.
|
||
|
|
And but you had to pay for it first.
|
||
|
|
So you had to get the loans and pay for everything first.
|
||
|
|
And then once these teachers went out
|
||
|
|
and actually, you know, got the jobs
|
||
|
|
that they were supposed to get in order
|
||
|
|
to get this all paid for, they were like,
|
||
|
|
no, we ran out of money.
|
||
|
|
We're not paying anything.
|
||
|
|
Enjoy your loans, pay them back yourself.
|
||
|
|
Classic, classic.
|
||
|
|
If I could just take the opportunity to quickly jump in,
|
||
|
|
I'm going to take my leave.
|
||
|
|
It's nothing to do with Joe Resenton having shown up.
|
||
|
|
Joe Ross, but the last time he and I,
|
||
|
|
but the last time he and I run an event similar to this one,
|
||
|
|
we ended up talking about monetizing podcasting
|
||
|
|
until four in the morning and I did up with a hangover.
|
||
|
|
So you're leaving me now then.
|
||
|
|
No, genuinely, it's not to do with you, Joe.
|
||
|
|
I would happily speak with you for, you know,
|
||
|
|
the next 12 hours about absolutely nothing at all.
|
||
|
|
But unfortunately, I'm falling asleep
|
||
|
|
and my beer is just about to end.
|
||
|
|
Well, it may be enough to show the love of glitters
|
||
|
|
so you maybe can turn up later.
|
||
|
|
Yeah, well, you'll still be on the go to the mid-day.
|
||
|
|
You're still on the go to the mid-day.
|
||
|
|
I think I think I asked your numbers on me
|
||
|
|
cast a while ago, Joe Res.
|
||
|
|
You should come back, hang out.
|
||
|
|
Have a great year.
|
||
|
|
It's been a long, long time since I was on that show, my friend.
|
||
|
|
Yeah, you should come back.
|
||
|
|
We've missed you.
|
||
|
|
I know, but I don't really use the next minute anymore
|
||
|
|
or advise anyone else uses it.
|
||
|
|
So it would feel somewhat hypocritical
|
||
|
|
to come back on that show, I'm afraid.
|
||
|
|
I'll come back on a roadside, I don't like it anymore.
|
||
|
|
Neither the windows now.
|
||
|
|
Okay, that's crossing a line.
|
||
|
|
Well, I just realized, Joe, I'm falling asleep.
|
||
|
|
You have a...
|
||
|
|
We have a distro neutral podcast that he could join.
|
||
|
|
Yeah, we don't have good enough sound quality for Joe Res.
|
||
|
|
On the Linux look, yes.
|
||
|
|
Well, it doesn't matter about distro agnostic,
|
||
|
|
I have an operating system agnostic approach.
|
||
|
|
If you use windows, good for you.
|
||
|
|
If you use macOS, good for you.
|
||
|
|
If you use WSL, good for you.
|
||
|
|
I'm not going to necessarily use those things,
|
||
|
|
but if you want to use it and you're happy
|
||
|
|
and you get your job done, then I'm not going to judge you.
|
||
|
|
That's not a very nice thing to do, is it?
|
||
|
|
To judge people's choices.
|
||
|
|
Not publicly.
|
||
|
|
Oh, of course, when you can sign it,
|
||
|
|
it'll silently judge.
|
||
|
|
I'm a freaking hippie.
|
||
|
|
Well, we are extremely distro agnostic
|
||
|
|
on Mintcast, believe it or not.
|
||
|
|
Yes, a lot of it is mint focused,
|
||
|
|
but we're talking about anything that's going on
|
||
|
|
in Linux in general.
|
||
|
|
Otherwise, we'd run out of things
|
||
|
|
to talk about real quick.
|
||
|
|
Well, yeah, it's a podcast by the Linux Mint community
|
||
|
|
for all users of Linux.
|
||
|
|
Yeah.
|
||
|
|
It's one of those situations as we're like,
|
||
|
|
I follow you on MasterDon and Twitter,
|
||
|
|
and yeah, I've never actually encountered you
|
||
|
|
in a room like this.
|
||
|
|
So, hi.
|
||
|
|
I think you and I have talked before, haven't we, Joe?
|
||
|
|
I would imagine so, yeah.
|
||
|
|
On here.
|
||
|
|
Yeah, almost everything.
|
||
|
|
Yeah, it's almost every year I pop in for a little bit
|
||
|
|
because my wife goes to bed
|
||
|
|
and I'm just kind of drunk and bored.
|
||
|
|
So, yeah, I'm kind of drunk and not bored.
|
||
|
|
There's my audio back, can anyone hear me this time?
|
||
|
|
Yeah, we can hear you.
|
||
|
|
Yeah.
|
||
|
|
I'm great if you got, what microphone is it guys?
|
||
|
|
Sounds amazing.
|
||
|
|
I'd have to look it up on Amazon.
|
||
|
|
It's a little Sony stereo lapel mic.
|
||
|
|
It was probably between $7 and $17.
|
||
|
|
Wow.
|
||
|
|
Sounds absolutely great.
|
||
|
|
Yeah, it doesn't, like, it's a clip mic.
|
||
|
|
It's a little thing you'd clip to your lapel.
|
||
|
|
So, you've got to clip it someplace stable
|
||
|
|
and that's hard for me to do.
|
||
|
|
So, it always, often you'll hear bumping against my shirt
|
||
|
|
like that or sliding around or something.
|
||
|
|
Yeah, that sounds terrible.
|
||
|
|
But when it's in the right position,
|
||
|
|
that sounds absolutely great to me.
|
||
|
|
Yeah, if you could clip it to a mic stand,
|
||
|
|
you'd have a podcast set up.
|
||
|
|
I mean, it's just a two and a half millimeter plug.
|
||
|
|
It's just, you know, you need a two and a half
|
||
|
|
for the mic and a two and a half of your headphones
|
||
|
|
as opposed to a four ring, three and a half
|
||
|
|
that has both or an adapter.
|
||
|
|
It's just electrical.
|
||
|
|
Interesting.
|
||
|
|
Yeah, well, sounds good as it is now.
|
||
|
|
So, keep doing what you're doing, it's my interest.
|
||
|
|
Oh, thank you, sir.
|
||
|
|
Speaking of monetizing podcasts,
|
||
|
|
who here has looked into Castapod?
|
||
|
|
Not me, but it sounds interesting.
|
||
|
|
Please tell me more.
|
||
|
|
Okay, so Castapod is a federated service.
|
||
|
|
I know about them because I'm fun,
|
||
|
|
well maintainer and they do podcasting like we do.
|
||
|
|
But they do a lot of additional things,
|
||
|
|
like they've got a lot of additional features
|
||
|
|
and stuff like that, such as monetizing podcasts.
|
||
|
|
So, it's Fediverse software,
|
||
|
|
but it can do stuff like premium episodes
|
||
|
|
and that sort of thing.
|
||
|
|
How does it monetize and what kind of monetizing
|
||
|
|
are you talking about?
|
||
|
|
Well, it allows for things like I say,
|
||
|
|
like premium episodes.
|
||
|
|
So, I imagine they integrate with payment providers
|
||
|
|
in a standard way and then produce,
|
||
|
|
sort of, subscribe a specific RSS feeds
|
||
|
|
in a similar way to something like a sub-stack.
|
||
|
|
I don't actually know the technical details,
|
||
|
|
but I'm guessing that's how they work.
|
||
|
|
They all try and stuff like.
|
||
|
|
Yeah, so, Patron is what I use for that.
|
||
|
|
Yeah, because Patron and I upload Advert 3 RSS feeds,
|
||
|
|
Advert 3 episodes, too, and RSS feed that people can.
|
||
|
|
Yeah.
|
||
|
|
Patron takes care of all of the back end of that
|
||
|
|
and when people stop paying,
|
||
|
|
the RSS feed stops working and stuff
|
||
|
|
and I don't have to do anything.
|
||
|
|
Is that what you're talking about?
|
||
|
|
I'd be more of the financial handling
|
||
|
|
or the content side of it.
|
||
|
|
It's the content, specifically.
|
||
|
|
They don't handle all payments.
|
||
|
|
They integrate with payment providers.
|
||
|
|
This is one thing you'll notice
|
||
|
|
about all of us Fediverse developers.
|
||
|
|
We do not want to touch payments with a barge poll.
|
||
|
|
That stuff is far too complicated
|
||
|
|
and needs to be centralized.
|
||
|
|
It cannot be done in a federated way.
|
||
|
|
The best we can do in another project.
|
||
|
|
Well, I've not heard of Boosts, my friend.
|
||
|
|
I've not heard of the Lightning Network and Boosts
|
||
|
|
and Bitcoin and Crypto.
|
||
|
|
That's definitely the answer to this.
|
||
|
|
And not Total Bullshit, Pyramid's Game, Ponzi's Game,
|
||
|
|
or whatever, it's definitely the future.
|
||
|
|
Joel, Joel, I say, is that can you live on that
|
||
|
|
or is it just a way to get started?
|
||
|
|
That was sarcasm, and I do not recommend any of that at all.
|
||
|
|
And I agree that payment systems have to be centralized
|
||
|
|
and regulated.
|
||
|
|
Otherwise, bad things happen long-term.
|
||
|
|
Well, thank you for clearing that up.
|
||
|
|
OK, that sounded sincere.
|
||
|
|
The best that we can do, I British people,
|
||
|
|
is hard to tell sometimes.
|
||
|
|
We sound sarcastic all the time.
|
||
|
|
That's why the best of me is my favorite who
|
||
|
|
we're don't apologize for that.
|
||
|
|
I just missed it.
|
||
|
|
I'm not, I'm eight and a half out of 10 tonight, maybe.
|
||
|
|
I'm drinking.
|
||
|
|
But the best that we can do is, so I work on another project
|
||
|
|
called Retribute.
|
||
|
|
And the idea is that it uses your Fediverse information
|
||
|
|
such as you can log in with Mastodon or P.H.U.
|
||
|
|
or Funquale.
|
||
|
|
And basically, you can get a weighted list of who you've
|
||
|
|
interacted with.
|
||
|
|
So in the case of Funquale, it's what artists have you
|
||
|
|
listened to most.
|
||
|
|
In the case of Mastodon, who have you interacted with most,
|
||
|
|
P.H.U., who have you watched most.
|
||
|
|
And then it basically aggregates those into a list
|
||
|
|
and gives you links to their payment providers
|
||
|
|
that they have put in their profile or in their associated
|
||
|
|
links.
|
||
|
|
And the idea is we'd like to build on that
|
||
|
|
to be more of a tool that can use, put in place budgeting
|
||
|
|
and stuff like that.
|
||
|
|
Just to make that kind of user-driven donation model
|
||
|
|
more readily available in the parent in the Fediverse.
|
||
|
|
But what Castapod do is more traditional.
|
||
|
|
They do sort of, like I say, they have like Patreon,
|
||
|
|
like Substat, they have this paid RSS feed
|
||
|
|
for specifically paid content paid episodes.
|
||
|
|
And they also, I believe, do they have the ability
|
||
|
|
to add things like region-specific advertising,
|
||
|
|
I believe is the thing they can do.
|
||
|
|
Oh, have you heard that personally?
|
||
|
|
I get a lot of it, because I live in Germany,
|
||
|
|
so my podcasts that are in English get disrupted
|
||
|
|
by Germans talking about.
|
||
|
|
And that's close-up, Vickyus.
|
||
|
|
And I'm just like, when's the first time you notice that?
|
||
|
|
Oh, it's been there for ages.
|
||
|
|
I've noticed it.
|
||
|
|
I think I probably started noticing it around 2017, 2018,
|
||
|
|
something other.
|
||
|
|
OK, because I was thinking, I only
|
||
|
|
heard it maybe a year, year and a half ago.
|
||
|
|
That's impressive.
|
||
|
|
It's becoming really big.
|
||
|
|
Dude, I'm sorry.
|
||
|
|
I hate it, but that is impressive tech
|
||
|
|
that your pod catcher obviously has to report an address.
|
||
|
|
But the server can go, OK, that address,
|
||
|
|
we insert these ads at these locations, these timestamps,
|
||
|
|
and recompile on the fly, in less than the time
|
||
|
|
that it takes to download our finished podcast.
|
||
|
|
More than likely, what they do is,
|
||
|
|
and I've not looked into the tech, but my imagination
|
||
|
|
is that they have a central server,
|
||
|
|
and basically they get a report back of a location
|
||
|
|
from the pod catcher, and they fish out whatever ad
|
||
|
|
makes sense there.
|
||
|
|
So it's the same link.
|
||
|
|
I, I feed.
|
||
|
|
No, I don't think so.
|
||
|
|
It's actually way, way more sinister than that.
|
||
|
|
If you're dealing with a Spotify's one that they bought,
|
||
|
|
it's way, way more sinister.
|
||
|
|
What was the one they bought?
|
||
|
|
Can I get a joke from it?
|
||
|
|
Joe?
|
||
|
|
Yeah, go on.
|
||
|
|
All right, don't forget what you're going to say
|
||
|
|
because I'm going to say whatever he's a,
|
||
|
|
whatever Joe's about to say, is correct.
|
||
|
|
And here's why I know what he's about to say is correct,
|
||
|
|
is why I know it's not just pre-compiled for the region,
|
||
|
|
it's just because I've used it while traveling.
|
||
|
|
And you can get, there are,
|
||
|
|
there are Venn diagram overlap areas
|
||
|
|
on the physical map of the United States,
|
||
|
|
where those ads will change in the same episode.
|
||
|
|
It's, it, well, not once it's been downloaded,
|
||
|
|
but from the same server, from the same podcast,
|
||
|
|
and it doesn't take but a hundred miles or so
|
||
|
|
to do it.
|
||
|
|
It's, I think, I think it is based on,
|
||
|
|
at least here in the States,
|
||
|
|
the, the three letter code for the nearest airport,
|
||
|
|
because that's the way weather is done.
|
||
|
|
It's, it's not by zip code,
|
||
|
|
it's not as granular as town,
|
||
|
|
but it may be by weather region.
|
||
|
|
No, it's, it's way more sinister than that, I'm afraid.
|
||
|
|
It's, it's not on you.
|
||
|
|
It's based on, I mean, in theory, let's, let's face it,
|
||
|
|
this, this tech is relatively new,
|
||
|
|
and it's part of the whole ad tech,
|
||
|
|
spying whatever you want to call it, tracking.
|
||
|
|
And we can, and it's neatly fit into a slot in the database.
|
||
|
|
Well, yeah, but so the, the deal with it is,
|
||
|
|
what you're talking about is dynamically inserted ads, right?
|
||
|
|
And so the technology of that's relatively straightforward.
|
||
|
|
You've got quite a beefy server, server,
|
||
|
|
your podcast client requests a download,
|
||
|
|
they make a decision on what ads are going to get stitched in,
|
||
|
|
they get stitched in in less than a second,
|
||
|
|
into the audio file, and then it gets downloaded to your,
|
||
|
|
or streamed to your device,
|
||
|
|
and then you have the ads they have decided.
|
||
|
|
That is, I mean, we're all technical,
|
||
|
|
we understand how you could do that,
|
||
|
|
if you had a beefy enough server,
|
||
|
|
but how they make the decision, that's the sinister part.
|
||
|
|
So they, I mean, it's much like how this decision is made
|
||
|
|
when you're browsing without ad block enabled on web pages.
|
||
|
|
They are targeted at you, you know,
|
||
|
|
you, you Google searched for, I don't know.
|
||
|
|
What did I search for recently?
|
||
|
|
Bluetooth speakers, and then I just get bombarded
|
||
|
|
with loads of different Bluetooth speaker ads everywhere I go.
|
||
|
|
And so the theory is that they are.
|
||
|
|
Which is a punchline.
|
||
|
|
Sorry, can I, you go ahead.
|
||
|
|
Right, I listened to this.
|
||
|
|
I think I was like, what are they talking about?
|
||
|
|
Although I think I get this now.
|
||
|
|
Well, I might be able to take your long,
|
||
|
|
many way, internet radio, okay?
|
||
|
|
I just want to say a metal station from Germany,
|
||
|
|
or France, or whatever.
|
||
|
|
But actually Netherlands begin with,
|
||
|
|
and what I notice suddenly,
|
||
|
|
is I was getting my kind of local advert.
|
||
|
|
Like, I was thinking like, yeah,
|
||
|
|
why am I getting a local advert for everywhere in Bristol?
|
||
|
|
Yeah, that's exactly what I'm talking about.
|
||
|
|
Yeah, and it's part of its location.
|
||
|
|
Obviously.
|
||
|
|
Well, so Joe, go ahead, myself back.
|
||
|
|
Quick punchline, and then get back, please.
|
||
|
|
It doesn't work because after you buy the Bluetooth speaker,
|
||
|
|
you get those same ads for the next three months,
|
||
|
|
so they really don't know shit.
|
||
|
|
All they can do is watch.
|
||
|
|
That's the upside to this.
|
||
|
|
That's the bright side.
|
||
|
|
Well, that's one way of looking at it.
|
||
|
|
Another way of looking at it is I have a return period,
|
||
|
|
and I may say an advert for a Bluetooth speaker
|
||
|
|
that's better than the one that I bought,
|
||
|
|
and I may return this one to Amazon.
|
||
|
|
So you can add back to India to be burnt,
|
||
|
|
and then I will buy a better one
|
||
|
|
for a cheaper price, potentially.
|
||
|
|
But anyway, as I was saying,
|
||
|
|
it's kind of based on...
|
||
|
|
Oh, music.
|
||
|
|
Have you ever had your IP address
|
||
|
|
on the internet radio station?
|
||
|
|
And you can tell you're actually in Britain.
|
||
|
|
So in that case, here's the advert for you.
|
||
|
|
Well, we hear you, Zav, live that vibe.
|
||
|
|
We're just not letting you interrupt the conversation
|
||
|
|
to say that we hear you.
|
||
|
|
Yes, Mosque, we hear you.
|
||
|
|
Ah, well, now I hear me.
|
||
|
|
I had the headphone plug in at a wrong port.
|
||
|
|
That's what the repeater bot's for.
|
||
|
|
Have you tried the repeater bot?
|
||
|
|
I have no idea.
|
||
|
|
Dude, it's the audio test room.
|
||
|
|
If you go in there, you'll get a personalized repeater bot
|
||
|
|
and you can sound check before popping into a room.
|
||
|
|
Well, I'm good.
|
||
|
|
Yes, you are.
|
||
|
|
I hope so.
|
||
|
|
Anyway, the too long didn't read is that
|
||
|
|
it's somewhat based on location.
|
||
|
|
They try and make it based on your own profile
|
||
|
|
that they build around you,
|
||
|
|
and they are constantly improving that profile on everyone.
|
||
|
|
And it is sinister, and I don't like it.
|
||
|
|
My weather.
|
||
|
|
What is sinister in the way that all add tech
|
||
|
|
and tracking is sinister?
|
||
|
|
Because you see, I believe I firmly believe in advertising
|
||
|
|
as a way to monetize anything on the internet
|
||
|
|
because that's how it's always been done
|
||
|
|
and how I believe it will always be done.
|
||
|
|
I don't think that people want to pay for things.
|
||
|
|
I think people want things for free.
|
||
|
|
And so the bottom line is you need to have ads,
|
||
|
|
but I don't believe that those ads need to be targeted
|
||
|
|
at individuals.
|
||
|
|
I think they need to be targeted to the content.
|
||
|
|
So if you if you have a great blog post
|
||
|
|
about Bluetooth speakers,
|
||
|
|
then you should have a ton of ads next to it
|
||
|
|
about Bluetooth speakers.
|
||
|
|
And if you if you have a podcast about Linux and open source,
|
||
|
|
then you should have adverts that are relevant
|
||
|
|
to the kind of person who would listen to that.
|
||
|
|
So, may I answer the same question, Seb?
|
||
|
|
Yeah.
|
||
|
|
It's soon I'm going to be listening about AFK.
|
||
|
|
It's sinister in that it feeds you an echo chamber
|
||
|
|
and they don't tell you that that's what they're doing
|
||
|
|
and people really like echo chambers
|
||
|
|
so they don't bother to check that that's what's being done.
|
||
|
|
Can I just interject here?
|
||
|
|
This is my day job.
|
||
|
|
Hi, I work for a company called Adjust.
|
||
|
|
We are a mobile head tech company.
|
||
|
|
So I get to see all this stuff happening on the back
|
||
|
|
and I am absolutely on board with Joe.
|
||
|
|
I don't agree with what we do either.
|
||
|
|
Yeah, I'm totally against it.
|
||
|
|
It's just a job that got me into a country
|
||
|
|
that I wanted to live in.
|
||
|
|
But I will just say on this front,
|
||
|
|
sinister is perhaps the wrong way to look at it
|
||
|
|
if only because the algorithms, quote unquote,
|
||
|
|
that are making these decisions are entirely done
|
||
|
|
have no knowledge of what you are,
|
||
|
|
who you are, don't want to know.
|
||
|
|
So when we say personal data is being collected about you,
|
||
|
|
the thing that's being collected at least on the mobile,
|
||
|
|
I mean, web is worse, web is a lot worse.
|
||
|
|
Don't let me, you know, don't let me get me wrong.
|
||
|
|
The web cookie tracking, that stuff is really bad.
|
||
|
|
But for mobile tech, basically your device
|
||
|
|
has a GDPR compliant advertising ID on it.
|
||
|
|
It is a string of numbers, it's a UID,
|
||
|
|
basically a string of numbers and text.
|
||
|
|
It could be reset at any time and at that point,
|
||
|
|
any data collected on you is worthless, frankly,
|
||
|
|
because it no longer reports back anything associated with you.
|
||
|
|
It may be advertising you.
|
||
|
|
Wait, wait, wait, wait.
|
||
|
|
Yeah.
|
||
|
|
Go ahead, seven, and I'm next.
|
||
|
|
I was talking, well, I said I was listening to someone
|
||
|
|
and I was talking about internet radio,
|
||
|
|
which has seems to be the same fake and damnly
|
||
|
|
that we were talking about.
|
||
|
|
But if I'm just into internet radio
|
||
|
|
and I picked the foreign country,
|
||
|
|
I don't want to hear that stupid local advert.
|
||
|
|
I really don't.
|
||
|
|
And in fact, I'd rather hear the bare advert
|
||
|
|
like you would on the radio station,
|
||
|
|
like the Swedish one, I was getting the local adverts.
|
||
|
|
But yeah, it's done by IP address advertising
|
||
|
|
and things like that.
|
||
|
|
And then they came up cookies and other things
|
||
|
|
as well and into that.
|
||
|
|
And Google's following us as well.
|
||
|
|
Well, yes, but who in,
|
||
|
|
so if you want to listen to a podcast
|
||
|
|
that sprouts from Indonesia,
|
||
|
|
who in Indonesia gives a shit if you hear their ad?
|
||
|
|
So those aren't the ones that want to pay for you to hear.
|
||
|
|
Oh, yeah.
|
||
|
|
The lumber store up the street from you, however,
|
||
|
|
has discovered that people are listening to podcasts
|
||
|
|
and you'll hear an ad for the lumber store
|
||
|
|
up the street from you because they want you to get their ad.
|
||
|
|
And I've got to say, well done in the execution.
|
||
|
|
I don't love the implementation
|
||
|
|
or being subject to it,
|
||
|
|
but well done in its implementation.
|
||
|
|
Now I forgot my question, so continue.
|
||
|
|
Well, that's forcing you to hear some local adverts
|
||
|
|
when you don't want to.
|
||
|
|
In fact, if I want local adverts,
|
||
|
|
I'll turn the normal radio on there, BBC, whatever, you know.
|
||
|
|
But that's inside the point that we don't even have on ads.
|
||
|
|
It's you either get ads and you pay for the content.
|
||
|
|
That's neither here nor there.
|
||
|
|
I'm just saying, if you have to have ads,
|
||
|
|
it's better for the guy paying for the ad
|
||
|
|
that he hits someone local.
|
||
|
|
And frankly, it's probably better for me
|
||
|
|
if the guy pay into someone local
|
||
|
|
because at least then I got a chance
|
||
|
|
of keeping a small business in business.
|
||
|
|
Oh, I guess just use a VPN or whatever.
|
||
|
|
I'm tend to from other country.
|
||
|
|
And then I guess it doesn't mean that other.
|
||
|
|
Well, the research that has been done,
|
||
|
|
and there is a lot of research around this,
|
||
|
|
is that actually people find targeted ad
|
||
|
|
much less annoying than general ads.
|
||
|
|
Because targeted ads actually have a chance
|
||
|
|
of meaning something to them.
|
||
|
|
And what Joe was suggesting,
|
||
|
|
which was the targeted content ad ads
|
||
|
|
would probably fit this as well.
|
||
|
|
But general ads that do not have anything to do with you
|
||
|
|
have no basis in your prior search history
|
||
|
|
or in the case of mobile ad tech in your prior installs
|
||
|
|
are actually considered much more annoying by most users
|
||
|
|
than ads that actually means something to them.
|
||
|
|
This is why when Apple introduced iOS 14,
|
||
|
|
they introduced this thing called the SK ad network
|
||
|
|
and with it the sort of corollary privacy tools, quote, unquote,
|
||
|
|
which allows people to block access to what's called the ADID,
|
||
|
|
which is that string of numbers I was talking about.
|
||
|
|
I'm going to ask you a quick question since this is your job.
|
||
|
|
And I will forget this question if I don't ask now.
|
||
|
|
Who's more valuable to you, the average user,
|
||
|
|
or people, I don't want to say like us, but frankly like us,
|
||
|
|
who recognize that this is going on.
|
||
|
|
Everybody knows it's going on.
|
||
|
|
The most valuable people are not everybody.
|
||
|
|
Some people use Facebook and shit.
|
||
|
|
Well, yeah, but here's the thing.
|
||
|
|
So there are a few things.
|
||
|
|
There are classifications.
|
||
|
|
And if you've ever done any research into gaming apps,
|
||
|
|
you know this.
|
||
|
|
There are classifications people that go all the way
|
||
|
|
from basically not payers to what they call whales.
|
||
|
|
There are a very small number of users
|
||
|
|
who are responsible for the vast majority of purchases.
|
||
|
|
The average user does not purchase things
|
||
|
|
based on advertisements.
|
||
|
|
It just doesn't happen.
|
||
|
|
That's not what advertisers know this.
|
||
|
|
They're casting a very wide net.
|
||
|
|
They know that there are basically going to be in every,
|
||
|
|
I don't know, 10,000 people they get.
|
||
|
|
There's actually only going to be maybe 15 who actually buy,
|
||
|
|
but they buy a lot.
|
||
|
|
They're people with a lot of disposable income.
|
||
|
|
But back to the point that was going on about with podcasts,
|
||
|
|
the most valuable thing when it comes to advertising
|
||
|
|
and targeted advertising is not you.
|
||
|
|
It is not knowing about your previous actions.
|
||
|
|
It's not knowing about your previous behavior.
|
||
|
|
It is your location.
|
||
|
|
Where are you currently?
|
||
|
|
Because that is what links this up to different businesses
|
||
|
|
that might have a chance at selling you something right now.
|
||
|
|
So when you have apps that are asking for location access,
|
||
|
|
one of the big reasons for this is it's super important
|
||
|
|
that they know where you are right now
|
||
|
|
so that they can start recommending things to you
|
||
|
|
that's in the local area that you might go and buy.
|
||
|
|
Because that's how companies like mine get asked
|
||
|
|
to put ads in front of people who are nearby.
|
||
|
|
That's the most important sort of thing in advertising.
|
||
|
|
So again, why is it useless to tell?
|
||
|
|
Well, because going back to your point,
|
||
|
|
you said if somebody in Indonesia has an ad,
|
||
|
|
why would they want me in the UK to hear that ad?
|
||
|
|
They don't.
|
||
|
|
It doesn't do anything for them.
|
||
|
|
It doesn't help them in any way.
|
||
|
|
Unless they have online service,
|
||
|
|
sorry, when they're here.
|
||
|
|
Unless they have some sort of service that is online
|
||
|
|
and can be purchased from anywhere.
|
||
|
|
Say a cloud provider.
|
||
|
|
For example, are these two things?
|
||
|
|
Always just didn't send that radio.
|
||
|
|
And well, I can't really see his point.
|
||
|
|
But I mean, if it's incident radio, there's a chance
|
||
|
|
I've got a link to Sweden.
|
||
|
|
I'm going to want just the Swedish radio statement.
|
||
|
|
In fact, I might even go to Sweden.
|
||
|
|
Then I might be gay.
|
||
|
|
It wasn't that I probably wouldn't be gay
|
||
|
|
or that for whatever.
|
||
|
|
That's for local advertising.
|
||
|
|
It's a bit like we can see his point.
|
||
|
|
You've got more chance at selling something
|
||
|
|
if it's local, but it's a bit annoying
|
||
|
|
when you listen to something that's otherwise
|
||
|
|
and have a duck and you go, I don't know.
|
||
|
|
Advertisers don't care about what's annoying.
|
||
|
|
If they did, they wouldn't advertise.
|
||
|
|
Yeah, they care about ROI return on investment.
|
||
|
|
Yeah, they care about ROI.
|
||
|
|
And is to your point where it says that they, you know,
|
||
|
|
maybe I'll go to Sweden one day, doesn't matter.
|
||
|
|
That's one day.
|
||
|
|
That's not today.
|
||
|
|
That's not right now.
|
||
|
|
I want your money now.
|
||
|
|
That's advertising.
|
||
|
|
Is there a way for the internet seller
|
||
|
|
to target locations just like local sellers do?
|
||
|
|
And is there a way for them to determine
|
||
|
|
which locations are better and worse for them?
|
||
|
|
Are you into that yet?
|
||
|
|
Sure, I mean, there is good research to indicate
|
||
|
|
when, you know, for example,
|
||
|
|
going to Joe's point about cloud resellers
|
||
|
|
and stuff like that.
|
||
|
|
Whereas it's most useful to hear about that.
|
||
|
|
Well, in cities, London, New York, places like that,
|
||
|
|
where people are working for businesses,
|
||
|
|
where they're most likely to actually be working
|
||
|
|
in an industry.
|
||
|
|
So for example, you're going to get bombarded
|
||
|
|
with that kind of thing in Silicon Valley,
|
||
|
|
but maybe less so in rural Yorkshire.
|
||
|
|
But those are no point.
|
||
|
|
So those are services, yes?
|
||
|
|
Sure, yeah.
|
||
|
|
Those are like cloud services, AWS, for example.
|
||
|
|
How about, and I'm not arguing with you,
|
||
|
|
I'm sorry, this is really fascinating.
|
||
|
|
It's just spurring questions out of me.
|
||
|
|
What about material goods?
|
||
|
|
If I want to sell, I just bought a new little CNC machine
|
||
|
|
and I think I'm doing good with it and it,
|
||
|
|
and I want to be able to sell CNC goods to motorcyclists.
|
||
|
|
Sorry, that was predictable, Taj.
|
||
|
|
No, I think, I think, I feel, no paper,
|
||
|
|
you can't advertise like this on the local
|
||
|
|
or that radio station like podcast, whatever,
|
||
|
|
because you're not a company,
|
||
|
|
I think would be answered to that if you're just a person
|
||
|
|
with that helps with,
|
||
|
|
that's what you kind of get.
|
||
|
|
I mean, I'm talking specifically,
|
||
|
|
I don't know about radio advertising,
|
||
|
|
that's beyond my purfew, I just know about mobile advertising
|
||
|
|
and to the point that was, yes, that is my question.
|
||
|
|
It is a radio advertising target that people know.
|
||
|
|
No, no, no, I'm, step it up from where I think,
|
||
|
|
step it up, say I want to, I want to,
|
||
|
|
I want to turn this from a hobby into a business
|
||
|
|
or I want to turn this from a business
|
||
|
|
into a slightly larger business.
|
||
|
|
Can I still, I'm asking specifically to sport,
|
||
|
|
can I still find, and I sell on the internet,
|
||
|
|
I'm not just a local guy, I want to,
|
||
|
|
I want to step it up from, I do good locally,
|
||
|
|
I want to step it up, my internet sales,
|
||
|
|
can, can, have you dabbled it,
|
||
|
|
I want to ask specifically about your platform
|
||
|
|
that you work for, I'm trying to frame it outside of that,
|
||
|
|
but can I, do you understand,
|
||
|
|
as a guy who would explain it to me,
|
||
|
|
how a person in that scenario would target a podcast,
|
||
|
|
listener, physically on the globe?
|
||
|
|
So to kind of outline what my business does,
|
||
|
|
we're in the, we're in the sort of business of,
|
||
|
|
what's called, what's it called?
|
||
|
|
It's a mobile measure, so,
|
||
|
|
what we do, I'm a technical writer,
|
||
|
|
I don't get into the actual programming in Integrity,
|
||
|
|
but basically what we do is we attribute,
|
||
|
|
things like app installs to the advertisers
|
||
|
|
that that succeeded in getting to install it.
|
||
|
|
So the stuff we're talking about specifically is apps,
|
||
|
|
but theoretically from what you're talking about,
|
||
|
|
there are lots of different factors here.
|
||
|
|
Advertises do collect large bases of information about,
|
||
|
|
yes, you and your behavior as an individual,
|
||
|
|
but also, like I say, the generalized information
|
||
|
|
about an area you live in.
|
||
|
|
To take your example about motorcycle equipment,
|
||
|
|
if you happen to be in an area such as,
|
||
|
|
you are, let's say you're in Wisconsin, okay?
|
||
|
|
You're in Milwaukee, Wisconsin, and...
|
||
|
|
Oh, it's the home of Harley-Davidson,
|
||
|
|
it's also, let's say for example,
|
||
|
|
it is currently the Harley-Davidson Festival.
|
||
|
|
There is a very good chance that,
|
||
|
|
because you're in that location at that time,
|
||
|
|
even if you yourself do not have a history
|
||
|
|
of doing anything with motorcycles,
|
||
|
|
you are suddenly surrounded by a bunch of people
|
||
|
|
who are involved with motorcycles
|
||
|
|
and are very, we are talking thousands here.
|
||
|
|
So there's a big concentration there
|
||
|
|
and they're basically gonna catch a cast all net.
|
||
|
|
So say geographically, I want to basically target
|
||
|
|
this area for however long.
|
||
|
|
Now, you as a business, the way that this would work for you,
|
||
|
|
is you being...
|
||
|
|
It's as powerful as it is geographically.
|
||
|
|
Yeah, there's loads of different factors.
|
||
|
|
This stuff is really complicated,
|
||
|
|
but the way it would work for you as a business owner now,
|
||
|
|
is you would go to an advertiser and say,
|
||
|
|
I am going to give you basically this much money,
|
||
|
|
and I want you to put my ads in front of people,
|
||
|
|
and the return on investment I want from that is this much
|
||
|
|
in sales and to the advertiser's job
|
||
|
|
to then use their body of knowledge
|
||
|
|
to put that ad in front of as many people as possible.
|
||
|
|
My software, for example, the software I work on,
|
||
|
|
if this were an app, for example,
|
||
|
|
you have an app and you want to advertise it,
|
||
|
|
the software that I work on would basically determine
|
||
|
|
who gets paid for the install.
|
||
|
|
So when a user clicks an ad and gets taken to the app store
|
||
|
|
to install that app,
|
||
|
|
an advertiser needs to be paid.
|
||
|
|
Now, you might have got three advertisers advertising the app
|
||
|
|
in the same way.
|
||
|
|
You need to know which one of them got that done.
|
||
|
|
And so basically advertisers are always vying
|
||
|
|
to be the one who got the install or to got the sale
|
||
|
|
or whatever it was.
|
||
|
|
So they will use their vast knowledge of human behavior,
|
||
|
|
existing human behavior,
|
||
|
|
existing user behavior, but also, yes, geography
|
||
|
|
and patterns of behavior in a certain area
|
||
|
|
to target that ad where they're going to get the best ROI.
|
||
|
|
So yeah, it's one of those things.
|
||
|
|
It's very, I mean, it's sinister as a word for it.
|
||
|
|
Again, sinister implies, I think,
|
||
|
|
a motivated person behind this who is doing all of this.
|
||
|
|
But in reality, it's a bunch of dumb systems
|
||
|
|
that know nothing being strapped together.
|
||
|
|
And it's actually, like I say,
|
||
|
|
peek into one of these systems.
|
||
|
|
They don't know who you are.
|
||
|
|
They don't care.
|
||
|
|
They just know this UUID that's associated with your device,
|
||
|
|
not with you.
|
||
|
|
So this is interesting.
|
||
|
|
So it's interrupt.
|
||
|
|
So it's interrupt, man.
|
||
|
|
But I would love to talk to you about this properly
|
||
|
|
when I'm not terribly drunk and on a shitty mobile connection
|
||
|
|
in the wind.
|
||
|
|
So just like, at me somewhere or some email or something,
|
||
|
|
because I really want to talk to you in depth about this
|
||
|
|
if you have time to an inclination to do so.
|
||
|
|
But I really would love to talk to you more about this.
|
||
|
|
Bad news is, outside of tonight, he's 120 pounds an hour.
|
||
|
|
It's true.
|
||
|
|
Well, I do have those little dollars, you know.
|
||
|
|
I mean, like I say, I'm a technical writer.
|
||
|
|
So my job is really very perfunctory.
|
||
|
|
My job is basically to look at APIs
|
||
|
|
and tell you how they work.
|
||
|
|
But we did.
|
||
|
|
Yeah, you've tried this to explain technology.
|
||
|
|
Your job is basically the same as mine.
|
||
|
|
But I told her and you write, it's very similar.
|
||
|
|
Yeah, it's just that I don't write about the sort of,
|
||
|
|
you know, I have a very limited purview of what I write about.
|
||
|
|
But we did do about three weeks of onboarding
|
||
|
|
where we got this all explained to us.
|
||
|
|
And this industry is constantly evolving
|
||
|
|
and my company is one of the ones at the forefront of it.
|
||
|
|
So, you know, they are very...
|
||
|
|
Hence why I want to talk to you about how you do.
|
||
|
|
To me, that's why I want to talk to you.
|
||
|
|
To be totally fair, Sporov, I've asked you
|
||
|
|
pretty much only marketing questions
|
||
|
|
and you're a technical writer.
|
||
|
|
And there's not a lot of overlap there.
|
||
|
|
But really, you've done a hero's job of it.
|
||
|
|
Yeah, I mean, we work with marketers specifically.
|
||
|
|
And they are the ones who come to us to ask us
|
||
|
|
to implement new features to, you know,
|
||
|
|
handle these new upcoming features
|
||
|
|
that they really want to get in with.
|
||
|
|
But the best people to talk to about this stuff
|
||
|
|
would be the actual advertising agencies.
|
||
|
|
You know, it would be people like...
|
||
|
|
I tell you that, well, our parent company is...
|
||
|
|
Our parent company is one called, I think,
|
||
|
|
is Apple Oven or something.
|
||
|
|
And they are one of the market leaders
|
||
|
|
in the actual tech behind advertising.
|
||
|
|
Like, they're really...
|
||
|
|
Like, they're really big on this stuff.
|
||
|
|
And it is worth looking into these different ad agencies
|
||
|
|
and seeing how they do what they do.
|
||
|
|
Because they go to explaining,
|
||
|
|
at least in a sort of obfuscated way,
|
||
|
|
how they get your ads in front of people.
|
||
|
|
And it's fascinating.
|
||
|
|
So it really is a fascinating subject.
|
||
|
|
Like I say, I personally,
|
||
|
|
if I were given the choice of working in mobile ad tech,
|
||
|
|
it wouldn't have been my choice.
|
||
|
|
But where I work is a very good company
|
||
|
|
in terms of being employed there.
|
||
|
|
They're very nice.
|
||
|
|
They're very...
|
||
|
|
They were willing to take me on as a writer
|
||
|
|
when I had no previous experience with it.
|
||
|
|
So can't complain about it.
|
||
|
|
Do you have to go to the office or can you do a remote?
|
||
|
|
I am fully remote.
|
||
|
|
I do go into the office sometimes,
|
||
|
|
but now I live 45 minutes away,
|
||
|
|
so I don't bother most of the time.
|
||
|
|
Can I rotate the gym to see a different facet?
|
||
|
|
I don't want to actually transition.
|
||
|
|
Sorry, I'm talking like a podcaster.
|
||
|
|
What kinds of advertising,
|
||
|
|
because we haven't discussed direct payment of a podcast,
|
||
|
|
what other kinds of advertising are all of us willing
|
||
|
|
to put up with?
|
||
|
|
If it's not this directed advertising
|
||
|
|
that comes at you based on where you're standing
|
||
|
|
when you download the podcast,
|
||
|
|
what else are you...
|
||
|
|
Like just as an example, the live read,
|
||
|
|
or that's the only example I can think of.
|
||
|
|
I shouldn't have said or.
|
||
|
|
One good example of this, actually, for me,
|
||
|
|
is there's a really good podcast called Maintainable,
|
||
|
|
and Maintainable is produced by a company,
|
||
|
|
and the only advertising they do is for themselves.
|
||
|
|
So basically, they use it as a vehicle to advertise themselves,
|
||
|
|
and I will never use their services,
|
||
|
|
they work as a specifically Ruby on Rails consultancy firm,
|
||
|
|
which is not a software product I use,
|
||
|
|
or something I would definitely need,
|
||
|
|
but I appreciate the advertising firm
|
||
|
|
for Ruby on Rails consultancy.
|
||
|
|
Well, sure, yeah.
|
||
|
|
Well, another example of that is thinking Elexia,
|
||
|
|
which is a very, very specific podcast about Elexia,
|
||
|
|
the programming language, which is,
|
||
|
|
I can't remember what it's derived from,
|
||
|
|
I'm sure someone will tell me right now,
|
||
|
|
and that's sponsored by some big company
|
||
|
|
in the Elexia world anyway,
|
||
|
|
and that's their whole thing is to just advertise themselves,
|
||
|
|
and they pay an editor and all the rest of it
|
||
|
|
to produce a professional sounding podcast.
|
||
|
|
That's one route to go down,
|
||
|
|
and it's something I've explored as well,
|
||
|
|
and I've had meetings with people and got close
|
||
|
|
and done pilots and whatnot,
|
||
|
|
and well, for a while,
|
||
|
|
kind of did that for a living for 18 months in a way.
|
||
|
|
So can I ask other than Joe and Spore,
|
||
|
|
if the other people in the room who were listening,
|
||
|
|
would you listen to a podcast like that
|
||
|
|
that just puts on, basically it sounds like propaganda
|
||
|
|
to me, it sounds like self-hosted,
|
||
|
|
self-circling propaganda to anybody else in the room,
|
||
|
|
what do you think?
|
||
|
|
Well, I know that we have upwards of a thousand people
|
||
|
|
listening to distrahopper who digest,
|
||
|
|
so I really don't see how we couldn't have a niche podcast
|
||
|
|
for the people that wanted to listen to their niche podcast.
|
||
|
|
Yeah, but I'm not asking about niche podcast.
|
||
|
|
I'm asking like your bread and butter stuff,
|
||
|
|
or even if it is your niche podcast,
|
||
|
|
the guy making it says,
|
||
|
|
hey, I can't afford to do this anymore
|
||
|
|
if I don't start getting some money coming in.
|
||
|
|
What are you willing to put up with
|
||
|
|
what would you prefer to have presented to you
|
||
|
|
as his or her monetization plan?
|
||
|
|
My first preference is donations.
|
||
|
|
If we do go to ads, we want it to be ads that we support
|
||
|
|
that we use, not something that just happens
|
||
|
|
to be on the topic.
|
||
|
|
But everyone knows that I'm regret.
|
||
|
|
Yeah, I'm really on the fringe of this.
|
||
|
|
I've taken heat for promoting my podcast as being ad free.
|
||
|
|
Indeed, we've clashed about it,
|
||
|
|
and I've talked to you pretty much everywhere I can think of
|
||
|
|
because of it, because you have publicly said,
|
||
|
|
you've probably talked about advertising
|
||
|
|
as being like a really negative thing.
|
||
|
|
And you're entitled to your opinion.
|
||
|
|
I'm not talking about talking about you from my,
|
||
|
|
I am not very advertising as a negative thing.
|
||
|
|
I'm preferring to most of my listeners
|
||
|
|
seeing it as a negative thing
|
||
|
|
and me not needing advertising money.
|
||
|
|
So it's a promotional thing.
|
||
|
|
If you want to reach people that don't want to hear
|
||
|
|
advertising in a podcast, you have to promote
|
||
|
|
that you don't have advertising in your podcast.
|
||
|
|
I guess so, but you know,
|
||
|
|
if you just want to do something as a hobby,
|
||
|
|
then good luck.
|
||
|
|
But you know, I do this for a living, man.
|
||
|
|
So I'm not putting you down for what you do,
|
||
|
|
and I don't think you should be putting down
|
||
|
|
me down for what I do.
|
||
|
|
Yeah, for Joe, Taj and I,
|
||
|
|
and Lyle, who's not here at the moment,
|
||
|
|
we do a podcast together.
|
||
|
|
We don't take ads.
|
||
|
|
We never want to take ads.
|
||
|
|
If it gets to the point where that if we need
|
||
|
|
to take advertisements or to collect money,
|
||
|
|
we kind of decide it as a group
|
||
|
|
that we don't want to continue the podcast at that point.
|
||
|
|
So I mean, thank God for free software.
|
||
|
|
Podcasting is monetarily cheap enough
|
||
|
|
that we've been able to continue doing this.
|
||
|
|
And by we being able to continue doing this,
|
||
|
|
I mean, Taj and Lyle do it in a lanyard attack along.
|
||
|
|
Hi, Taj, have a new year.
|
||
|
|
Happy new year.
|
||
|
|
Yeah, totally.
|
||
|
|
Like if you just want to do it as a hobby,
|
||
|
|
then yeah, thanks to free and open source software
|
||
|
|
and various other services,
|
||
|
|
you can do it pretty much completely for free at this point
|
||
|
|
and not even need any donations.
|
||
|
|
Maybe like a domain if you want to splash out
|
||
|
|
10 bucks a year or 20 bucks for one of those fancy domains.
|
||
|
|
And otherwise, yeah, it can be completely free.
|
||
|
|
But that's just not what I went into this thinking.
|
||
|
|
I went into this thinking that I want to make podcasts
|
||
|
|
about Linux and open source not shit
|
||
|
|
like they were when I came into this nearly 10 years ago.
|
||
|
|
And I want to try and raise the quality
|
||
|
|
and I want to make people actually do good shows
|
||
|
|
and the only way I can do that is by doing that myself.
|
||
|
|
And so I spent a long time getting good
|
||
|
|
at making shows about Linux
|
||
|
|
and the only way I can do that is by getting paid to do it
|
||
|
|
because I'm not just going to do it totally for free.
|
||
|
|
And so I made it my job and now it is my job.
|
||
|
|
And when some people come along and say,
|
||
|
|
oh, well, when people come into my social channels
|
||
|
|
like my telegram group and start advertising
|
||
|
|
their podcast as being, we've got no adverts.
|
||
|
|
So we're better or we're great because we've got no adverts.
|
||
|
|
Like, I'm just wondering what I'm saying.
|
||
|
|
I'm not ever saying we're better
|
||
|
|
because we have no adverts.
|
||
|
|
I'm just saying we have no adverts.
|
||
|
|
You have an attitude about this that I don't have
|
||
|
|
and I don't understand why you're upset with me
|
||
|
|
for promoting my product the way it is.
|
||
|
|
This debate sounds way older than the,
|
||
|
|
however many of us sit down tonight.
|
||
|
|
It is way older and I very nearly left
|
||
|
|
when I realized he was here.
|
||
|
|
And then he started talking about it in the chat
|
||
|
|
and riled me up a little bit.
|
||
|
|
And I'm really trying not to get angry and leave
|
||
|
|
by I think I might have to because I just,
|
||
|
|
we don't agree on this.
|
||
|
|
Well, you don't have to leave
|
||
|
|
because you're doing a pretty disagree with somebody.
|
||
|
|
That's what's wrong with the world today.
|
||
|
|
Just learn to communicate with people.
|
||
|
|
This is a miscommunicated people.
|
||
|
|
Like it's literally my job.
|
||
|
|
It's not about communicating with people.
|
||
|
|
Sometimes you just have to accept
|
||
|
|
that some people can't be communicated with man
|
||
|
|
and you have to just block him.
|
||
|
|
And once you get to a certain,
|
||
|
|
I don't want to chat.
|
||
|
|
I'm saying there's at least 10, 12 other people
|
||
|
|
in the room right now
|
||
|
|
and you're saying interesting things
|
||
|
|
that we're interested in?
|
||
|
|
And so is Za-Valya, saying interesting things.
|
||
|
|
So I don't know, I guess I'm just asking you
|
||
|
|
for my own
|
||
|
|
the effection.
|
||
|
|
Just stick around,
|
||
|
|
and just we're having a conversation.
|
||
|
|
Tell it now,
|
||
|
|
because I've got questions for you,
|
||
|
|
you've said stuff that's prompted questions in my head
|
||
|
|
having nothing to do with Zalvia.
|
||
|
|
Can we put it in a real moment?
|
||
|
|
What does that have a lot?
|
||
|
|
I have no problem with Joe. Joe has a problem with me.
|
||
|
|
I don't understand it.
|
||
|
|
I'm trying to understand it.
|
||
|
|
Can you put aside for a moment
|
||
|
|
that he's talking all together?
|
||
|
|
Yeah.
|
||
|
|
Just if he shuts up and just stops talking,
|
||
|
|
then we can put it aside, no problem.
|
||
|
|
And I'll keep talking to the rest of you.
|
||
|
|
No problem, yeah.
|
||
|
|
But if he's going to keep button-in
|
||
|
|
and I'm going to leave, it's as simple as that.
|
||
|
|
I have no time for the fellow.
|
||
|
|
Sorry to bring drama.
|
||
|
|
It is an open room, but you're open to join
|
||
|
|
and you're open to leave.
|
||
|
|
And if you keep talking, I'm going to leave.
|
||
|
|
It's as simple as that.
|
||
|
|
You're also open to chase somebody out of the room
|
||
|
|
if you want to be obnoxious.
|
||
|
|
I did that to somebody one time
|
||
|
|
and I still haven't been given myself
|
||
|
|
and he probably hasn't forgiven me for it.
|
||
|
|
I don't want to be obnoxious.
|
||
|
|
Yes, yes.
|
||
|
|
I'm just being heard as being obnoxious.
|
||
|
|
I'm not.
|
||
|
|
Only by him.
|
||
|
|
Only just chill out when he's talking to someone
|
||
|
|
and leave that for another day.
|
||
|
|
That's all I'm asking.
|
||
|
|
OK, I can leave it.
|
||
|
|
Sorry, I was away well listening to it a bit.
|
||
|
|
And I see there's a heat-stug doing
|
||
|
|
some sort of hair, but can I be the...
|
||
|
|
Well, I'm one of the peace speaker.
|
||
|
|
But I want to ask a question to Joe actually
|
||
|
|
going with what he's saying just now about podcasting
|
||
|
|
and how he decided that he was going to do something
|
||
|
|
a bit different.
|
||
|
|
10 years ago, they weren't pretty good or whatever.
|
||
|
|
So it sounds like Joe is getting some
|
||
|
|
making some money doing podcasting.
|
||
|
|
It's what I do for a living, yes.
|
||
|
|
Yeah, yeah, yeah.
|
||
|
|
And I think I've talked to you briefly before
|
||
|
|
and there you want to podcast people.
|
||
|
|
But it might have been an old camp,
|
||
|
|
but I'm not sure you'd be able to do anything with it.
|
||
|
|
My question is, what's the generally
|
||
|
|
growing up on here anyway?
|
||
|
|
It on HCR at some stage.
|
||
|
|
And this might actually be a good time,
|
||
|
|
if I can word this right.
|
||
|
|
Basically, is open source a pastime a hobby?
|
||
|
|
Or is it a job?
|
||
|
|
And what I mean is like, so I know
|
||
|
|
that a lot of open store stuff is voluntary.
|
||
|
|
It's hobbyist.
|
||
|
|
It's done for fun.
|
||
|
|
But then some things are done as a pastime.
|
||
|
|
And then the question can be, are you professional or not?
|
||
|
|
So in your case, are you a professional podcaster?
|
||
|
|
Would you say now?
|
||
|
|
If you see my question,
|
||
|
|
why I'm trying to ask, I don't know if it makes sense.
|
||
|
|
I think I understand.
|
||
|
|
Because you're going to take it out, as well.
|
||
|
|
So it's just a hobby.
|
||
|
|
Yes, yes.
|
||
|
|
Right, OK, so to be clear,
|
||
|
|
my only source of income is making podcasts.
|
||
|
|
Yeah, they are almost all about limits.
|
||
|
|
Hold on, hold on.
|
||
|
|
Seb, you really can't key up when anybody else is keyed up.
|
||
|
|
It instantly causes.
|
||
|
|
Oh, yeah, I've got the thingy having my feedback.
|
||
|
|
Yeah, it makes Joe and anybody else unintelligible.
|
||
|
|
Sorry, Joe, go ahead.
|
||
|
|
No, the alcohol makes me unintelligible.
|
||
|
|
No, it makes you looser in the lips.
|
||
|
|
I love it.
|
||
|
|
It's wiggling my hips.
|
||
|
|
It makes me almost say a word that gets me fired
|
||
|
|
from certain jobs.
|
||
|
|
So I need to, anyway.
|
||
|
|
So, right, yes.
|
||
|
|
What I do to be clear to everyone who doesn't know who I am.
|
||
|
|
What I do for a living is make podcasts about Linux.
|
||
|
|
So basically, the joke is I talk to my friends about Linux
|
||
|
|
for a living.
|
||
|
|
So basically, what everyone has been doing here tonight
|
||
|
|
and for the last, like 50 something hours, I think, or whatever
|
||
|
|
long this has been going in.
|
||
|
|
Anyway, that's the joke is that's what I do for a living.
|
||
|
|
But in reality, what I do is I craft those that are entertaining
|
||
|
|
and amusing and informative and thought-provoking
|
||
|
|
and not too long, not too short and whatever.
|
||
|
|
And I also have to sell a bunch of ads
|
||
|
|
and I have to deal with the finances of that.
|
||
|
|
And I have to be a terrible, terrible,
|
||
|
|
cis admin in a sense as well.
|
||
|
|
So yeah, that's what I do for a living is make shows
|
||
|
|
about Linux.
|
||
|
|
And the question about this idea of open source being
|
||
|
|
a hobbyist endeavor versus a professional endeavor,
|
||
|
|
there are two types of people who contribute to open source.
|
||
|
|
There are people who do it in their spare time
|
||
|
|
and there are people who do it for a living.
|
||
|
|
And that Vendoragram is not two separate circles.
|
||
|
|
There are often people who contribute to open source projects
|
||
|
|
for a company like Red Hat, let's say,
|
||
|
|
or Canonical or Suza, whoever I understand this week.
|
||
|
|
Yeah, I've been around a while.
|
||
|
|
It's not even circles, dude.
|
||
|
|
They overlap in weird non-uclidean ways.
|
||
|
|
Well, yeah, I was simplifying, I was simplifying,
|
||
|
|
obviously.
|
||
|
|
But I knew what I'm saying is this,
|
||
|
|
that to be an open source person
|
||
|
|
does not necessarily mean that you are paid all the time
|
||
|
|
or a volunteer all the time.
|
||
|
|
There's overlap, but there is a myth
|
||
|
|
that open source software is all volunteers.
|
||
|
|
And the reality of that is so far from that.
|
||
|
|
Most people who work on open source software
|
||
|
|
get paid to do so.
|
||
|
|
And you could argue that, well, most open source software
|
||
|
|
only has one person who develops it and maintains it
|
||
|
|
on some GitHub or GitLab or whatever repository.
|
||
|
|
But I'm talking about the open source software
|
||
|
|
that millions of people actually use.
|
||
|
|
Which are running their way.
|
||
|
|
Even if it is just that one person,
|
||
|
|
that one person still has to sustain themselves
|
||
|
|
day-to-day week, week, year-to-year.
|
||
|
|
Yeah, and so the best way to do that
|
||
|
|
is to get a company to pay, well,
|
||
|
|
to get your thing popular enough that a company
|
||
|
|
will pay you to work on it, because they are depending
|
||
|
|
on it and they realize that it's not a good idea
|
||
|
|
to depend on something that someone's doing
|
||
|
|
in their evenings and weekends.
|
||
|
|
But that's like a whole other debate.
|
||
|
|
But what does it mean?
|
||
|
|
It means that that's the best way of doing it
|
||
|
|
or that that's the only way, because best I can see that
|
||
|
|
is being like an incendiary word in the rest
|
||
|
|
of a completely agreeable sense.
|
||
|
|
It's a complicated issue.
|
||
|
|
The funding of open source is not something we can tackle
|
||
|
|
in 50 hours, 500 hours of discussion on mumble.
|
||
|
|
We can't even involve the project.
|
||
|
|
We can't even involve the project alcohol.
|
||
|
|
No, we can't agree.
|
||
|
|
We can have 100 new year HPR things
|
||
|
|
and still not come up with a solution
|
||
|
|
to the problem of funding or software.
|
||
|
|
But all I'm saying is this, my business model
|
||
|
|
is pretty straightforward, right?
|
||
|
|
I make great shows that a bunch of people listen to
|
||
|
|
and then I sell as many ads as I can
|
||
|
|
that are based on the content
|
||
|
|
and offer people the opportunity to listen to those shows
|
||
|
|
without any adverts if they're willing to pay
|
||
|
|
a certain number of dollars per month.
|
||
|
|
It's a relatively straightforward business model.
|
||
|
|
It doesn't involve any tracking as such.
|
||
|
|
It just involves tracking of how many people are downloading.
|
||
|
|
How many thousand people listen to that episode?
|
||
|
|
That's all I'm really interested in.
|
||
|
|
And to some extent, what country are you in?
|
||
|
|
But that's as granular as it gets.
|
||
|
|
And what's the demographics?
|
||
|
|
Well, I don't need tracking software to tell me
|
||
|
|
that it's 20 to 50 year old white men
|
||
|
|
who listen to my shows.
|
||
|
|
I just have to go to any event that I organize
|
||
|
|
and that fucking tells me who's listening to my shows.
|
||
|
|
Yeah, so, okay, in that case, my question is,
|
||
|
|
you would say you are, well, two questions here.
|
||
|
|
One is you would say you are professional podcasts.
|
||
|
|
Yes, that's what we do.
|
||
|
|
So that makes you not to the hobbyist.
|
||
|
|
That's the first question, yes.
|
||
|
|
Well, I make a living out of it,
|
||
|
|
whether that makes me professional or not
|
||
|
|
is a matter of humor, but yes,
|
||
|
|
I am a professional podcaster right now at this time
|
||
|
|
on the 1st of January 2023
|
||
|
|
that is currently my profession is making podcasts, yes.
|
||
|
|
Yes, exactly, yes.
|
||
|
|
That's what I take that as an answer.
|
||
|
|
And also the whole thing, that's the debate.
|
||
|
|
And that's what I kind of want to talk about
|
||
|
|
like this public speaking and speech
|
||
|
|
I'm thinking of doing in a market.
|
||
|
|
Public speaking group for seven minutes,
|
||
|
|
but some people, you know, the steam people,
|
||
|
|
sorry, I can't do any of my open source.
|
||
|
|
They just basically up so much of their free time
|
||
|
|
as a hobbyist, that's their big number,
|
||
|
|
that's what they do in their spare time,
|
||
|
|
not even getting paid for it.
|
||
|
|
And what people, I think what people overlook
|
||
|
|
is that people think, hey, you're not doing anything
|
||
|
|
that good in life unless you get in paid,
|
||
|
|
but that's like hang on a minute.
|
||
|
|
There's loads of open source contributions
|
||
|
|
that are absolutely amazing that people
|
||
|
|
doing from programming to contesting,
|
||
|
|
to translation, to documentation, to quality shorts.
|
||
|
|
And they're not getting paid,
|
||
|
|
but they think some really amazing things,
|
||
|
|
some great projects under the community now,
|
||
|
|
as an example, not just that,
|
||
|
|
but and I think that's the point I want to try and make
|
||
|
|
somewhere that people can do some really amazing things.
|
||
|
|
And open source is one way to do it,
|
||
|
|
that allows you to do whatever you want pretty much.
|
||
|
|
And you don't have to be paid, but saying that,
|
||
|
|
that are people getting paid as well doing things,
|
||
|
|
it's a bit of both.
|
||
|
|
I just like to put in here,
|
||
|
|
because I'm an open source maintainer in my spare time.
|
||
|
|
The software is the smallest part
|
||
|
|
of many open source projects.
|
||
|
|
And actually, the writing of the software
|
||
|
|
often is what you spend the least amount of time doing.
|
||
|
|
And you say, you can do what you want with it.
|
||
|
|
It's not really true.
|
||
|
|
At the moment, you start getting users.
|
||
|
|
They start to dictate how, not dictating like a,
|
||
|
|
dictatorship sort of way,
|
||
|
|
but they start to influence very heavily
|
||
|
|
how you build the software going forward.
|
||
|
|
And that can lead to you having to put a lot of time
|
||
|
|
into things you never really wanted to,
|
||
|
|
that you have no interest in,
|
||
|
|
you have to put a lot of time into research
|
||
|
|
and understanding and conversation.
|
||
|
|
So in that way, it's kind of similar to what Joe was saying,
|
||
|
|
where it's like a podcast is not just recording yourself
|
||
|
|
talking, there's a lot of behind the scene stuff.
|
||
|
|
And that's actually where the money tends to go.
|
||
|
|
So we've had, we've been very lucky in the past
|
||
|
|
who have had some funding.
|
||
|
|
And the vast majority of it seems to go on just
|
||
|
|
keeping the project managed.
|
||
|
|
Very little of it actually goes on the code that gets written.
|
||
|
|
It's the stuff around the code.
|
||
|
|
It's the talking to people.
|
||
|
|
It's the research.
|
||
|
|
It's the planning.
|
||
|
|
It's the sort of continued sort of conversations with people.
|
||
|
|
That's where it gets really expensive and challenging
|
||
|
|
in open source.
|
||
|
|
Yeah, I mean, I think marketing depends on the project,
|
||
|
|
obviously, again, but I do think marketing is an area
|
||
|
|
that a lot of projects will have proper struggle with,
|
||
|
|
or they will be harder to do.
|
||
|
|
But marketing is important or you're not going to get the users
|
||
|
|
and then who's going to be using this stuff anyway.
|
||
|
|
Yeah, marketing is an interesting, an interesting conundrum
|
||
|
|
for open source projects.
|
||
|
|
And particularly, I mean, we've had a particular problem recently,
|
||
|
|
of course, this whole Twitter debacle went on.
|
||
|
|
And people came over from Twitter to master on.
|
||
|
|
They're mastered on occupies a similar space to us.
|
||
|
|
We're both a Federer's projects.
|
||
|
|
And so we were really sort of excited
|
||
|
|
that people wouldn't come over to funquale, check it out.
|
||
|
|
But of course, because the software was kind of in a state
|
||
|
|
at the moment of in-betweenness, their first impression of it
|
||
|
|
was, I don't understand.
|
||
|
|
It's confusing, it's ugly, and all this stuff.
|
||
|
|
And so we actually ended up getting bad press
|
||
|
|
from people coming over in light of what happened at Twitter.
|
||
|
|
And that's a really challenging to do,
|
||
|
|
because we can't show them the results of all the work
|
||
|
|
that we've done until it's finished.
|
||
|
|
And that I think has actually a fate
|
||
|
|
a lot of open source projects sort of hit
|
||
|
|
is that they get attention at the wrong time.
|
||
|
|
And that can be just as bad as not getting attention at all.
|
||
|
|
Maybe I don't know if Master Don was ready to take on
|
||
|
|
loads of people like the servers, but suddenly
|
||
|
|
there's a massive influx as well, where one's going.
|
||
|
|
Anything that tech people would have done, Master Don, Master Don.
|
||
|
|
Well, yeah, and look at what's happening with Matrix.
|
||
|
|
I don't know if you've read the blog post about the, you know,
|
||
|
|
financial diastrates that they're in right now,
|
||
|
|
because, you know, they didn't, well, I don't know.
|
||
|
|
I'm not going to pass judgment on it.
|
||
|
|
They are a victim of their own success, let's say.
|
||
|
|
And also of the issue where companies
|
||
|
|
will use staff and not pay for it,
|
||
|
|
not contribute to it in any way, because it's free
|
||
|
|
and open source, so therefore it's free as in there.
|
||
|
|
Yeah, and I think that Matrix also suffered
|
||
|
|
from this problem of a lot of places use matrix
|
||
|
|
and use specifically element as it is.
|
||
|
|
Others, such as the German government,
|
||
|
|
have made their own clients and things like that.
|
||
|
|
But what they haven't done then is made things
|
||
|
|
that are useful to the project as a whole.
|
||
|
|
So while of course they are upstreaming,
|
||
|
|
they're not upstreaming anything of use,
|
||
|
|
because it's all just very specific stuff
|
||
|
|
that only the German government would want.
|
||
|
|
And that's part of the problem as well,
|
||
|
|
because that creates, it sounds, oh, like, you know,
|
||
|
|
it sounds helpful, the German government's picking it up,
|
||
|
|
they're going to, they're going to contribute code.
|
||
|
|
And of course they contribute,
|
||
|
|
but they contribute some useless stuff sometimes,
|
||
|
|
and that actually creates a lot more administrative overhead
|
||
|
|
for the upstream developers to sift through all of that,
|
||
|
|
and make sure they're not including stuff
|
||
|
|
that wouldn't be useful elsewhere.
|
||
|
|
So it's a real, I mean, if the German government
|
||
|
|
aren't paying for Matrix, that's appalling.
|
||
|
|
Right?
|
||
|
|
It wouldn't surprise me.
|
||
|
|
I've heard the Matrix, but then I've found it,
|
||
|
|
but what I was going to say is,
|
||
|
|
or it could be like, hey, picked or using minutes,
|
||
|
|
make movies great, although it turns out
|
||
|
|
they've got doing commercial program, I think.
|
||
|
|
That's another point.
|
||
|
|
What I was going to say is, well, it's obviously
|
||
|
|
with the software license, is if a company goes
|
||
|
|
and goes, hey, look, it's GPL code,
|
||
|
|
we'll just put that on a TV software,
|
||
|
|
or something, and that's found out about them.
|
||
|
|
Well, there's things like the software freedom controversy,
|
||
|
|
sorry, and the FSF, obviously, and the FSE as well.
|
||
|
|
And in the UK, there's an open UK that,
|
||
|
|
one of those organisations, they'll go to court over it,
|
||
|
|
potentially, like you've broken into GPL,
|
||
|
|
no, you need to put them at least your code.
|
||
|
|
You need to do stuff, you know what I mean, I'm sure.
|
||
|
|
Yeah, it's a real shame, because on a sort of personal
|
||
|
|
ethics level, I really like the idea of much more
|
||
|
|
permissive licenses, such as the MIT license
|
||
|
|
and the 2.0s BSD license, like those to me
|
||
|
|
are much cleaner licenses than the GPL.
|
||
|
|
But unfortunately, because of the problem
|
||
|
|
that Joe's highlighted, if you use those licenses,
|
||
|
|
you run the risk of people taking your work
|
||
|
|
and just not contributing back.
|
||
|
|
Sometimes you get lucky, in the example I would give there
|
||
|
|
is Netflix heavily uses FreeBSD for their caching,
|
||
|
|
and they are massive contributors back to the FreeBSD project,
|
||
|
|
which is wonderful.
|
||
|
|
And in their case, it makes financial sense,
|
||
|
|
because, you know, they upstream it,
|
||
|
|
and it's up to the FreeBSD maintainers
|
||
|
|
to maintain it from there.
|
||
|
|
But it's a positive, net positive.
|
||
|
|
They do a lot of improvements.
|
||
|
|
But the vast majority of things, if you do make them
|
||
|
|
with a permissive license, companies
|
||
|
|
will take advantage of that.
|
||
|
|
And that's why viral licensing, such as GPL, exists.
|
||
|
|
And it's a real question you have to ask yourself,
|
||
|
|
when you're starting a software project is,
|
||
|
|
do I want to make this under the license
|
||
|
|
that I think is my personal favor, which in my case is MIT,
|
||
|
|
or do I need to protect myself from future fevery?
|
||
|
|
And these kinds of decisions are difficult,
|
||
|
|
and they have long-lasting ramifications
|
||
|
|
for how your software goes.
|
||
|
|
So there's no easy answer to any of this.
|
||
|
|
I actually had a question, though, for Joe.
|
||
|
|
When you said you sell ads, I've not actually,
|
||
|
|
I don't listen to many podcasts, I've not come across it.
|
||
|
|
But is the format of that that you read ads
|
||
|
|
as part of the show?
|
||
|
|
Yes, so it's baked in host-read mid-rolls
|
||
|
|
in your jargon.
|
||
|
|
Yeah, so I sell ideally a bunch of ads,
|
||
|
|
but sometimes I've just single ones to companies.
|
||
|
|
And then, yeah, we agree, a 60-second script,
|
||
|
|
and then I do my advert, okay, this episode is sponsored.
|
||
|
|
I, this company, go to thiscompanies URL.com slash blah blah blah.
|
||
|
|
They're great, and you should check them out, and blah blah.
|
||
|
|
So that's this company.com slash LNL, or whatever.
|
||
|
|
So yeah, that's how I do it.
|
||
|
|
Yeah, I do direct sales.
|
||
|
|
I have things in the works with agencies,
|
||
|
|
but I've found that to be an immensely frustrating experience
|
||
|
|
here, though, but we'll see.
|
||
|
|
That's kind of why I want to talk to you about this properly,
|
||
|
|
like privately, and when I'm sorry.
|
||
|
|
Yeah, I mean, I don't know how much I'll be,
|
||
|
|
but I'm happy to tell you what I know.
|
||
|
|
But I was just going to ask them for,
|
||
|
|
and I'm guessing the way that this is worked out,
|
||
|
|
and the way that it's, you know,
|
||
|
|
the sort of pain that comes out of this is worked out.
|
||
|
|
It's based on the number of people who head to the link
|
||
|
|
you specify, and that's how the payouts happen.
|
||
|
|
Well, I don't want to go too far into my corporate secrets,
|
||
|
|
as it were, but now it's based on the number of people
|
||
|
|
who regularly download, and what you get there is a CPM,
|
||
|
|
cost per million or cost per thousand.
|
||
|
|
So, I don't know, what's the simple thing?
|
||
|
|
10,000 people listening.
|
||
|
|
So your multiplier is 10.
|
||
|
|
So say you're going to charge them a million dollars
|
||
|
|
per thousand people who listen.
|
||
|
|
It is orders of magnitude less than that, obviously.
|
||
|
|
But let's say it's five dollars per thousand people
|
||
|
|
who listen, and you have 10,000 people listening,
|
||
|
|
on average, so therefore you charge them five times 10
|
||
|
|
is 50 dollars per advert.
|
||
|
|
Obviously those figures are not the real ones,
|
||
|
|
but so that's the sort of traditional baked in way,
|
||
|
|
my understanding of dynamically inserted ads is that
|
||
|
|
it's more a case of you agree a CPM,
|
||
|
|
and so say it's five dollars per thousand people,
|
||
|
|
and they say, right, well, our budget is
|
||
|
|
of what, five thousand dollars,
|
||
|
|
so therefore we will pay for a thousand impressions.
|
||
|
|
So it's more like the old school banner ads and text ads,
|
||
|
|
so they will dynamically insert into the first thousand
|
||
|
|
downloads their ad, and that can either be
|
||
|
|
programmatic, as they call it, which is read by
|
||
|
|
just some voice actor person in a studio somewhere,
|
||
|
|
or it can be host read,
|
||
|
|
when you get more money for the host read ones.
|
||
|
|
And so you just say in their platform,
|
||
|
|
you upload your MP3, and you say, right,
|
||
|
|
at 10 minutes and 45 seconds, here's the ad break.
|
||
|
|
And so they then dynamically insert a thousand of those
|
||
|
|
that people have paid, the first thousand people
|
||
|
|
that download that episode, they dynamically insert
|
||
|
|
the advert for this mattress company or whatever,
|
||
|
|
and then once a thousand done, that's it, and you get paid.
|
||
|
|
So it's sort of quite a different way of doing it,
|
||
|
|
to how I have traditionally done it,
|
||
|
|
which is we have X number of people downloading,
|
||
|
|
X number of thousands of people,
|
||
|
|
and so that multiplier, we will multiply by the CPM number,
|
||
|
|
which we will agree, which obviously depends
|
||
|
|
on the company you're dealing with,
|
||
|
|
and negotiation skills, et cetera.
|
||
|
|
And I've heard of CPM's lowest five dollars,
|
||
|
|
or as much as $150, and somewhere in between liars,
|
||
|
|
is most of the deals that I have done.
|
||
|
|
Let's just say.
|
||
|
|
Okay, now that's interesting.
|
||
|
|
I ask mostly because the project I work on,
|
||
|
|
we have rudimentary podcasting tools.
|
||
|
|
And as I mentioned cast apart, they are a direct,
|
||
|
|
I wouldn't say they're a competitor to us,
|
||
|
|
we're not competing really,
|
||
|
|
but they have done a lot of work around monetization,
|
||
|
|
and we are rather more hesitant to get
|
||
|
|
into the monetization side of things,
|
||
|
|
specifically around advertising.
|
||
|
|
We really don't want to have, like you say,
|
||
|
|
dynamic advertising be something that we offer.
|
||
|
|
However, something like host red advertising,
|
||
|
|
I'm trying to just, I didn't really understand
|
||
|
|
how it worked before this,
|
||
|
|
but it would explain why people find things
|
||
|
|
such as the viewership numbers,
|
||
|
|
or the listenership numbers, so important.
|
||
|
|
And it's just something for me to bear in mind
|
||
|
|
when we come to revisit podcasting as a feature set
|
||
|
|
that having better analytics is a super important way
|
||
|
|
of getting people, giving people more avenues
|
||
|
|
for payment than just the one that we prefer,
|
||
|
|
which is direct endorsement or direct donation.
|
||
|
|
Because, let me just say this,
|
||
|
|
let me just say this,
|
||
|
|
unless you have like a million plus downloads a year,
|
||
|
|
well, I don't know,
|
||
|
|
let's just say hundreds of thousands,
|
||
|
|
millions of downloads per year,
|
||
|
|
advertisers not interested these days,
|
||
|
|
generally speaking, is my understanding of the market right now.
|
||
|
|
Yeah, yeah.
|
||
|
|
And let me also say this,
|
||
|
|
that even in a situation where you've got an audience
|
||
|
|
that fully understands that the donation model
|
||
|
|
or pay what you can as elementary do,
|
||
|
|
they phrase that as pay what you can,
|
||
|
|
rather than pay what you want.
|
||
|
|
But anyway, basically the donation model,
|
||
|
|
you are never gonna crack more than a few percent of people
|
||
|
|
who are willing to pay for shit on the internet,
|
||
|
|
is my understanding and look,
|
||
|
|
if you find me someone who is cracked more than a few percent
|
||
|
|
and I want to go for beers with them
|
||
|
|
and pick their names on how the fuck they did that.
|
||
|
|
Yeah, and I totally agree.
|
||
|
|
And it's something that we've, like I say,
|
||
|
|
we've struggled with it, we've been looking into it
|
||
|
|
and we are mostly donation funded projects.
|
||
|
|
But there's a big difference between a project
|
||
|
|
and an individually created podcast
|
||
|
|
I think.
|
||
|
|
But that's why we like this idea of having,
|
||
|
|
let's say that if you give a value proposition to users
|
||
|
|
for using this platform,
|
||
|
|
I talked about Retributes and you say,
|
||
|
|
okay, let's say you gave five euros a month
|
||
|
|
and you just had that allocated and it spread
|
||
|
|
between your most listened podcasts randomly,
|
||
|
|
whichever ones you most listen to
|
||
|
|
or whatever ones you most interact with
|
||
|
|
or whatever it may be, or random, who knows.
|
||
|
|
I wonder if that's, and you know,
|
||
|
|
spread that across multiple users who might be willing to do it.
|
||
|
|
I wonder if that would start to sort of yield results
|
||
|
|
because at the moment we're seeing the problem
|
||
|
|
that I mentioned about Wales,
|
||
|
|
where you have a lot,
|
||
|
|
most people will not pay anything
|
||
|
|
and a few will pay thousands, you know.
|
||
|
|
Well, let me stop you right,
|
||
|
|
because what you're talking about exists, right?
|
||
|
|
What you're talking about exists
|
||
|
|
is podcasting 2.0.
|
||
|
|
And there are a whole bunch of new podcasts.
|
||
|
|
I think it's like new podcasting.com.
|
||
|
|
Yeah, those people do that
|
||
|
|
and certain other ones are stable.
|
||
|
|
It works, so you're correct.
|
||
|
|
I'm glad you found a piece of it that works for you too.
|
||
|
|
That's, that's,
|
||
|
|
effing awesome self-sensory, you're sorry.
|
||
|
|
Are we allowed to say fuck here?
|
||
|
|
Well, we are, but then Apple says you can't put
|
||
|
|
like a kid smiley face on it,
|
||
|
|
which I never thought should have been on it in the first place.
|
||
|
|
So fuck Apple then.
|
||
|
|
Just on the other hand, you know,
|
||
|
|
you might, something I say might be so,
|
||
|
|
effing brilliant, you want to play it for your kids.
|
||
|
|
So I watch out for that on my part.
|
||
|
|
Fair enough.
|
||
|
|
But anyway, so the,
|
||
|
|
the dream of podcasting 2.0 is genius.
|
||
|
|
It's exactly what you were just talking about.
|
||
|
|
It's the idea that everybody contributes a tiny bit,
|
||
|
|
you know, they decide right.
|
||
|
|
My budget for the month for the year is $5.10.
|
||
|
|
Hold on, $1,000, $1,000, whatever.
|
||
|
|
Hold on.
|
||
|
|
That's a very small part of podcasting 2.0.
|
||
|
|
The financial part of it is what everyone focuses on.
|
||
|
|
So it looks huge because it's under a lot of magnifying glasses.
|
||
|
|
It's just a wedge of the pie though.
|
||
|
|
That's literally what we've been talking about for the last time.
|
||
|
|
It's, it's monetizing things generally.
|
||
|
|
So yes,
|
||
|
|
but you said podcasting 2.0.
|
||
|
|
So I would hate for anyone who hasn't heard of podcasting 2.0
|
||
|
|
to think that everything we've talked about for the last hour
|
||
|
|
encapsulates podcasting 2.0.
|
||
|
|
Podcasting 2.0.
|
||
|
|
All right.
|
||
|
|
Well, let me cut to the chase then.
|
||
|
|
All right.
|
||
|
|
Let me cut to the chase then.
|
||
|
|
And the cut into the chase is 2 podcasting that podcasting 2.0
|
||
|
|
is tainted by crypto bullshit.
|
||
|
|
And so therefore I want nothing to do there because crypto
|
||
|
|
is Ponzi scheme bullshit.
|
||
|
|
I mean, if you want to agree, if you want to disagree with me,
|
||
|
|
I mean, we can.
|
||
|
|
Yes, I would disagree on this.
|
||
|
|
Can I have 10 seconds to disagree?
|
||
|
|
I mean, you can, but I'll probably take my headphones off.
|
||
|
|
No, no, I know I want to discuss it with you.
|
||
|
|
I would like to rebut a piece of what you just said,
|
||
|
|
not the entire thing in a reasonable way.
|
||
|
|
And if you think I'm being unreasonable,
|
||
|
|
I would appreciate that feedback as well.
|
||
|
|
Right.
|
||
|
|
Well, let me just say this crypto bullshit or not bullshit.
|
||
|
|
Are you saying that?
|
||
|
|
Are you asking that?
|
||
|
|
That's the question.
|
||
|
|
It's like a why slash and crypto is bullshit.
|
||
|
|
Why slash and underscore?
|
||
|
|
That wasn't my question.
|
||
|
|
Do I have to answer your question before you'll answer mine?
|
||
|
|
No.
|
||
|
|
Feel free to answer to ask me any question you'd like.
|
||
|
|
Okay.
|
||
|
|
And I will answer yours next.
|
||
|
|
If you still are interested in what I care,
|
||
|
|
you can cut that part out of podcasting 2.0.
|
||
|
|
You don't have to use that at all.
|
||
|
|
Right.
|
||
|
|
That wasn't that was a statement.
|
||
|
|
Are you aware that you can cut that out of podcasting 2.0?
|
||
|
|
And it's still a marvelous landscape without that included.
|
||
|
|
That was my question now.
|
||
|
|
Right.
|
||
|
|
So, right.
|
||
|
|
So my answer to that question is,
|
||
|
|
of course, I'm aware that the monetization aspect of podcasting 2.0
|
||
|
|
is one of the aspects of it.
|
||
|
|
And chat is new tags.
|
||
|
|
And it loads of other cool stuff.
|
||
|
|
Right.
|
||
|
|
Totally.
|
||
|
|
I'm totally aware of that.
|
||
|
|
So you think the rest of it?
|
||
|
|
No, let me see.
|
||
|
|
How does that get from you?
|
||
|
|
No, you can't.
|
||
|
|
You know, you don't put words in my mouth.
|
||
|
|
Right.
|
||
|
|
It's not cool because the rest of it was cool.
|
||
|
|
No, I said that there are aspects of it, which are cool.
|
||
|
|
Okay, not the rest of it.
|
||
|
|
Okay, but I'm sorry.
|
||
|
|
Correct.
|
||
|
|
Right.
|
||
|
|
I should not.
|
||
|
|
Thank you.
|
||
|
|
Right.
|
||
|
|
Just imagine this.
|
||
|
|
Right.
|
||
|
|
Just imagine the most delicious food that you can imagine.
|
||
|
|
Maybe that's a chocolate cake.
|
||
|
|
Maybe that's a delicious English breakfast fry up.
|
||
|
|
Maybe it's the most delicious Chinese pasta.
|
||
|
|
Right.
|
||
|
|
But just imagine you've cooked,
|
||
|
|
just whoever's listening right now,
|
||
|
|
just imagine you've cooked the perfect meal
|
||
|
|
or someone else has cooked it for you.
|
||
|
|
Maybe they're friends of yours.
|
||
|
|
Maybe you've paid whatever.
|
||
|
|
You are sitting down to the most delicious meal in the world.
|
||
|
|
Right.
|
||
|
|
It's better than anything else you've eaten.
|
||
|
|
Right.
|
||
|
|
However, on the same table,
|
||
|
|
there is a big plate of steaming shit.
|
||
|
|
And that is crypto.
|
||
|
|
And that has tainted the entire meal.
|
||
|
|
And crypto has tainted the entire podcasting 2.0.
|
||
|
|
And so that's it.
|
||
|
|
You can't just eat,
|
||
|
|
even if you take that plate of steaming shit out of the room,
|
||
|
|
it still stinks and you are not hungry anymore.
|
||
|
|
Joe wants delicious food.
|
||
|
|
Joe may I say out of love.
|
||
|
|
I'm saying this to you.
|
||
|
|
If the table's big enough and full enough,
|
||
|
|
it doesn't matter what somebody far enough away is doing.
|
||
|
|
It's, you know what I mean?
|
||
|
|
It hurts to shut people out.
|
||
|
|
I have no pain in shutting crypto bros out
|
||
|
|
because that shit is fucking bullshit,
|
||
|
|
scam, pyramid scheme,
|
||
|
|
Ponzi scheme shit that has no room
|
||
|
|
in anything that I'm willing to touch.
|
||
|
|
It's fucking bullshit and I can get fucked.
|
||
|
|
Yes, first time you said it.
|
||
|
|
Would you like to hear my answer since you asked me?
|
||
|
|
I agreed I would answer.
|
||
|
|
All right.
|
||
|
|
Let's hear it.
|
||
|
|
If you still care,
|
||
|
|
if you actually care,
|
||
|
|
if you're just challenging me,
|
||
|
|
don't then,
|
||
|
|
but if you care what I think about crypto,
|
||
|
|
then I will answer.
|
||
|
|
Yeah, I'd love to hear it.
|
||
|
|
What are you, what are you hardlin', my friend?
|
||
|
|
What are you hardlin'?
|
||
|
|
What am I hardlin'?
|
||
|
|
Hardlin, hurtlin', I miss that word.
|
||
|
|
Hardlin'.
|
||
|
|
It's crypto speaks for holding.
|
||
|
|
How much crypto do you have?
|
||
|
|
Oh, zero.
|
||
|
|
I don't care about crypto in the least.
|
||
|
|
That's funny,
|
||
|
|
so therefore less than I have,
|
||
|
|
because I've got 0.00 something of a Bitcoin
|
||
|
|
and like $700 coin.
|
||
|
|
No, I can give you a little negative.
|
||
|
|
It's, and I try to avoid it.
|
||
|
|
There is a little bit of negative crypto I like.
|
||
|
|
That's not true.
|
||
|
|
My IRC bros were telling me,
|
||
|
|
buy crypto, this buy Bitcoin,
|
||
|
|
this thing is so cool.
|
||
|
|
It's 11 cents,
|
||
|
|
and it's going to be worth something someday.
|
||
|
|
Even if it's worth a buck,
|
||
|
|
you're a friggin'
|
||
|
|
$100,000 air.
|
||
|
|
Buy it, buy it, buy it, buy it.
|
||
|
|
And I didn't buy any.
|
||
|
|
And that's my one regret regarding cryptocurrencies.
|
||
|
|
The rest, I don't give a shit.
|
||
|
|
That's my honest answer.
|
||
|
|
And I respectfully am giving you an answer
|
||
|
|
because I said I would if you answered my question
|
||
|
|
and you did.
|
||
|
|
And thank you, Joe.
|
||
|
|
I appreciate it.
|
||
|
|
I still have another question for the chat,
|
||
|
|
but it's an entire subject change.
|
||
|
|
Well, that's one of the reasons I stopped
|
||
|
|
listening to the Jupyter shows
|
||
|
|
because they seem to be so tight
|
||
|
|
into the crypto aspects
|
||
|
|
that it just really turns me on.
|
||
|
|
It's like their show doesn't exist without crypto.
|
||
|
|
And I used to love listening to those guys.
|
||
|
|
Yeah, I think I'm personally in agreement with Joe here.
|
||
|
|
Like we, as a project,
|
||
|
|
have fought so hard against crypto.
|
||
|
|
And we have put out public statements basically saying,
|
||
|
|
any suggestion of crypto,
|
||
|
|
you have to fork the project to do that.
|
||
|
|
We're not integrated with that.
|
||
|
|
But I need to go and do some reading up on podcasting 2.0
|
||
|
|
because I really don't understand the sort of spec of it.
|
||
|
|
And I wonder how many of the features you could lift
|
||
|
|
from podcast 2.0?
|
||
|
|
Because you can't lift all of them
|
||
|
|
because it looks like some of this is about sort of creating a registry.
|
||
|
|
But you could certainly lift some of the technical aspects
|
||
|
|
such as the chapter marking and stuff like that.
|
||
|
|
So you don't need to lift it.
|
||
|
|
You don't need to lift it.
|
||
|
|
That shit exists already outside of focusing 2.0.
|
||
|
|
The whole thing is just intimately tied in with crypto bullshit.
|
||
|
|
And it can just get fucked.
|
||
|
|
Yeah, hold on, Joe.
|
||
|
|
That's super interesting before he's read it.
|
||
|
|
Soporif, when you're done reading this,
|
||
|
|
you said you're going to check up on it.
|
||
|
|
Will you please come on our podcast on your random
|
||
|
|
and help us with it?
|
||
|
|
Taj has read into it and he loved it,
|
||
|
|
except for the money part.
|
||
|
|
And he couldn't stand listening to it.
|
||
|
|
Oh, Taj is here.
|
||
|
|
Taj, I don't mean to speak for you.
|
||
|
|
I'm sorry.
|
||
|
|
Yeah, I'm looking at this, you know,
|
||
|
|
from the perspective of we need to go back
|
||
|
|
into look at podcasting again.
|
||
|
|
I just want I want to go in and understand.
|
||
|
|
Because we have rude, like I said,
|
||
|
|
rudimentary podcast support.
|
||
|
|
We don't have things like chapter markers and that kind of thing.
|
||
|
|
Chapter markers are awesome.
|
||
|
|
Album art is awesome.
|
||
|
|
Chapter art is unfrigen, believable.
|
||
|
|
So your first thing is different in Taj's.
|
||
|
|
But that's why it's interesting to me.
|
||
|
|
And that's why I'd love if you come on our podcast.
|
||
|
|
Now I will shut up and let you say we don't wish.
|
||
|
|
I was just going to say like for me,
|
||
|
|
I would agree the biggest contention
|
||
|
|
and we read through cast-apods,
|
||
|
|
list of features and, you know,
|
||
|
|
we've suggested cast-apods people who want some of those more,
|
||
|
|
you know, advanced features,
|
||
|
|
but we've really put off by the crypto stuff.
|
||
|
|
And that's why we don't really recommend recommended too much
|
||
|
|
anymore.
|
||
|
|
It's still a step in the right direction in some ways.
|
||
|
|
If you're moving away from like Spotify,
|
||
|
|
it's your other option for publishing.
|
||
|
|
And you say, actually, I'll go with cast-apod.
|
||
|
|
In my opinion, that's a good move.
|
||
|
|
But I agree, I'm in agreement with,
|
||
|
|
with a thing about cryptocurrency.
|
||
|
|
But that value for value thing that I'm looking at,
|
||
|
|
that's something that you could do,
|
||
|
|
like I say, with a traditional
|
||
|
|
payment system backing thing.
|
||
|
|
Where you basically just have this.
|
||
|
|
But no one's interested.
|
||
|
|
No one's interested.
|
||
|
|
That's the problem.
|
||
|
|
No one should do it in theory.
|
||
|
|
You could do it.
|
||
|
|
No one wants to pay for shit.
|
||
|
|
That's free on the internet.
|
||
|
|
Except for people who get wrong.
|
||
|
|
You're wrong.
|
||
|
|
Okay.
|
||
|
|
No, we do exist.
|
||
|
|
We're not interested.
|
||
|
|
We're not interested.
|
||
|
|
And he's not looking for a statistic majority.
|
||
|
|
He's looking for enough to get by.
|
||
|
|
Or maybe not even him somebody.
|
||
|
|
They're looking for a server cost.
|
||
|
|
Because they can't afford a server.
|
||
|
|
And maybe I'm the only guy that pays and it supports it.
|
||
|
|
Or maybe I just throw into the bucket
|
||
|
|
so that the guy who's given it to me doesn't have to give me ads
|
||
|
|
or whatever other reason.
|
||
|
|
It's not where this was going.
|
||
|
|
Right, right.
|
||
|
|
We do exist.
|
||
|
|
My point is we do exist.
|
||
|
|
No, no, no, right.
|
||
|
|
Yes.
|
||
|
|
If I pay for the thing,
|
||
|
|
you mean literally pay for the
|
||
|
|
infrastructure costs of, you know,
|
||
|
|
a $5 VPS and maybe a $20
|
||
|
|
lifts an account or whatever it is.
|
||
|
|
Yes.
|
||
|
|
At my day job, I build the internet.
|
||
|
|
Yes.
|
||
|
|
I do that too.
|
||
|
|
On my personal time.
|
||
|
|
And this is what he's talking about.
|
||
|
|
Can you let him finish?
|
||
|
|
No, because what I'm getting at here is right.
|
||
|
|
No, you can't.
|
||
|
|
No, no, because the problem is that we don't,
|
||
|
|
we have not established what paying for something means.
|
||
|
|
Right.
|
||
|
|
You can pay for the practical infrastructure aspects of things.
|
||
|
|
And the time that we have with the words
|
||
|
|
allotted to us with the amount of people we have.
|
||
|
|
That's way too big a topic.
|
||
|
|
Come on.
|
||
|
|
I think that I think that I get what it's being said here.
|
||
|
|
Basically, when you're, when I'm,
|
||
|
|
what I'm talking about is essentially donations in kind.
|
||
|
|
Essentially, you know, give,
|
||
|
|
put money into a pot and have that be distributed.
|
||
|
|
But that doesn't give you a certain thing.
|
||
|
|
You're not actually purchasing something.
|
||
|
|
Whereas if you subscribe to a podcast on safe,
|
||
|
|
sub stack or, you know, Patreon,
|
||
|
|
you do get something.
|
||
|
|
You get an advert free thing or maybe you get some premium
|
||
|
|
episodes that you don't get elsewhere.
|
||
|
|
So I do get that.
|
||
|
|
And yeah, that's, that's certainly something that, you know,
|
||
|
|
I don't think we have a solution to our solution is more about.
|
||
|
|
For those people who are sort of, you know,
|
||
|
|
there's sort of people who help pay for a master
|
||
|
|
on server that they use,
|
||
|
|
those generous people who might be willing to, you know,
|
||
|
|
basically distribute some money between the content
|
||
|
|
that they listen to that be that music or podcast.
|
||
|
|
But I great.
|
||
|
|
That wouldn't be enough to make a living off of.
|
||
|
|
And that's why I was asking you, actually, Joe, about the,
|
||
|
|
how do, like, the, how do your ad reads work?
|
||
|
|
Because, you know, we need to think about other ways
|
||
|
|
that we can help with that kind of thing.
|
||
|
|
How do you work with it?
|
||
|
|
We're very much for ad reads,
|
||
|
|
because I wasn't sure how the, how the sort of payouts
|
||
|
|
for ad reads work, how the, you know,
|
||
|
|
how the actual setup works.
|
||
|
|
But.
|
||
|
|
No, I guess.
|
||
|
|
You put the little and I missed what you said.
|
||
|
|
Thank you.
|
||
|
|
Yeah, sorry.
|
||
|
|
But we're a platform for hobbyists at the end of the day,
|
||
|
|
when it comes to podcasts, we're much more about music,
|
||
|
|
and there's a different challenge to selling music,
|
||
|
|
and there is to, to making money off of podcasts,
|
||
|
|
because again, music, you get a deliverable,
|
||
|
|
whereas with, you know,
|
||
|
|
and we have to think about that,
|
||
|
|
because we don't really want to put paywalls in front of music either.
|
||
|
|
But, you know,
|
||
|
|
there's a,
|
||
|
|
there's a,
|
||
|
|
no, no, no,
|
||
|
|
when we interject the point real quick,
|
||
|
|
with music,
|
||
|
|
it is so deliverable.
|
||
|
|
I have anticipation on my way to the internet to go by music.
|
||
|
|
It's, it's really deliverable.
|
||
|
|
Hang on.
|
||
|
|
So you tell me that music is difficult, right?
|
||
|
|
So let's say,
|
||
|
|
ACDC pins out a new album.
|
||
|
|
It, right?
|
||
|
|
So in a way that,
|
||
|
|
it's deliverable in a way that podcasting hasn't figured out yet.
|
||
|
|
Podcasting is absolutely that deliverable.
|
||
|
|
We just haven't figured it out yet.
|
||
|
|
No.
|
||
|
|
I think the difference is,
|
||
|
|
and it's historical.
|
||
|
|
I think the difference is largely historical.
|
||
|
|
Like you say,
|
||
|
|
you have anticipation of buying the new album from ACDC,
|
||
|
|
and that's great.
|
||
|
|
Whereas podcasts have historically always been essentially free access
|
||
|
|
through easily accessible software using a standard RSS feed.
|
||
|
|
And so people being, you know,
|
||
|
|
they're like,
|
||
|
|
I can get podcasts for free.
|
||
|
|
And then suddenly,
|
||
|
|
the idea that they might have to pay for them,
|
||
|
|
they find that difficult.
|
||
|
|
Whereas music,
|
||
|
|
they've always paid for it.
|
||
|
|
That's baked in.
|
||
|
|
It's called growing up.
|
||
|
|
Well, let, let, let me get a little bit political here, right?
|
||
|
|
Podcasts are free at the point of service.
|
||
|
|
That doesn't mean they're free,
|
||
|
|
because someone's got to pay for it.
|
||
|
|
And, uh,
|
||
|
|
this sounds something that we,
|
||
|
|
yeah.
|
||
|
|
Joe, Joe,
|
||
|
|
it sounds a lot better than I said it.
|
||
|
|
Joe, you're preaching to the choir.
|
||
|
|
We all understand you don't need to,
|
||
|
|
to say it as if we disagree with you.
|
||
|
|
We get that.
|
||
|
|
We're, we're on the same,
|
||
|
|
we're all on the same page at this point,
|
||
|
|
and it sounds aggressive.
|
||
|
|
To me,
|
||
|
|
maybe I'm just hearing it wrong.
|
||
|
|
And if so,
|
||
|
|
well, it just, it seems to me that you've,
|
||
|
|
you've got a bunch of people who are happy to make podcasts
|
||
|
|
as a hobby, right?
|
||
|
|
Which is totally cool, like great.
|
||
|
|
And, you know, they want to make a few bucks out of it
|
||
|
|
to sort of kind of cover their expenses
|
||
|
|
and maybe even cover their time.
|
||
|
|
But, you know,
|
||
|
|
if you're spending, you know,
|
||
|
|
say two hours every couple of weeks
|
||
|
|
to get together with some friends record it
|
||
|
|
and, you know,
|
||
|
|
like maybe do a little bit in audacity
|
||
|
|
and then export it,
|
||
|
|
upload it somewhere and publish it.
|
||
|
|
And, you know, that's,
|
||
|
|
you know, you may be making a couple of hundred bucks a month
|
||
|
|
or, you know,
|
||
|
|
you're bringing in a couple of hundred bucks a month.
|
||
|
|
That's covering your hosting costs
|
||
|
|
and it's paying everyone a beer money,
|
||
|
|
whatever.
|
||
|
|
That's cool, right?
|
||
|
|
But that's just not what I'm trying to do here.
|
||
|
|
I'm trying to do this as a living.
|
||
|
|
And it's, it's just a different situation.
|
||
|
|
And it's, it's very hard
|
||
|
|
in the Linux love and source world
|
||
|
|
to make people understand that.
|
||
|
|
And you can't,
|
||
|
|
and this applies to
|
||
|
|
Ubisoft's projects as well.
|
||
|
|
It's got certain projects
|
||
|
|
that haven't been updated for years and years and years.
|
||
|
|
Right?
|
||
|
|
Because, Joe,
|
||
|
|
okay.
|
||
|
|
You sound really guilty,
|
||
|
|
but what you're saying doesn't sound worthy of guilt.
|
||
|
|
There's no guilt.
|
||
|
|
No, it's perfectly reasonable.
|
||
|
|
I mean, you've been reasonable.
|
||
|
|
It is reasonable.
|
||
|
|
You want to keep.
|
||
|
|
And, yes, I, yes.
|
||
|
|
Actually, open source.
|
||
|
|
Yes, I wasn't trying to say something to me.
|
||
|
|
Now, I'm trying to say that like you sound, it's,
|
||
|
|
oh, it's guilt.
|
||
|
|
Yes.
|
||
|
|
I don't believe in guilt.
|
||
|
|
Defensive.
|
||
|
|
Maybe defensive is the way.
|
||
|
|
Yeah.
|
||
|
|
Okay.
|
||
|
|
No, defensive.
|
||
|
|
I don't understand.
|
||
|
|
But then the difference there is that I would,
|
||
|
|
you're among, I mean,
|
||
|
|
I know you don't get along with,
|
||
|
|
is that,
|
||
|
|
you have to go back to the pronunciation.
|
||
|
|
I know you'll get along with them.
|
||
|
|
It's pronounced.
|
||
|
|
It's pronounced.
|
||
|
|
It's pronounced.
|
||
|
|
Okay.
|
||
|
|
Okay.
|
||
|
|
I, I understand you don't get along with them.
|
||
|
|
He still sounds like your friend.
|
||
|
|
There's a difference of opinion.
|
||
|
|
That's about it.
|
||
|
|
I don't have a problem with your model, Joe.
|
||
|
|
I know you need to make money.
|
||
|
|
I don't have a problem with that.
|
||
|
|
I just don't think that because I advertise one of my podcasts
|
||
|
|
as being no ads, no BS,
|
||
|
|
it doesn't mean I'm calling your product bad.
|
||
|
|
It just means I'm calling my product what it is.
|
||
|
|
Okay.
|
||
|
|
So no, no ads is in one circle,
|
||
|
|
and no BS is in another.
|
||
|
|
And Joe, you don't fall within the Zen overlap.
|
||
|
|
He never, he never meant to intend that you did.
|
||
|
|
If anybody listening to this thinks that no ads and no BS
|
||
|
|
is not an attack on people who have ads in their shows,
|
||
|
|
then good luck.
|
||
|
|
Good luck with critical thinking and the rest of it.
|
||
|
|
Come to my house.
|
||
|
|
No, listen, listen to me.
|
||
|
|
Come to my house, my fucking house, my Telegram Group
|
||
|
|
and advertise your podcast as having no ads and no BS
|
||
|
|
gets you banned from my Telegram Group.
|
||
|
|
So I said it in the wrong place.
|
||
|
|
No, no, no. He said it in the wrong place
|
||
|
|
and then we have a private conversation about it
|
||
|
|
and then he doubled down on it and he can get fucked.
|
||
|
|
Okay, okay.
|
||
|
|
And all of you can get fucked because I'm just done with this.
|
||
|
|
He don't tell me to get fucked.
|
||
|
|
I'm trying to understand you and I...
|
||
|
|
All right.
|
||
|
|
That's my arrest for the night.
|
||
|
|
Dude, you said it in the wrong place.
|
||
|
|
You shouldn't have doubled down.
|
||
|
|
I did the same thing myself.
|
||
|
|
He was asking people to advertise their podcasts on his show.
|
||
|
|
My podcast, I was not saying anything about his podcast
|
||
|
|
being bad or wrong in any way.
|
||
|
|
I was just saying my podcast has no ads, no BS.
|
||
|
|
It's a less than 10 minute podcast of the week's Linux
|
||
|
|
and open source news.
|
||
|
|
I don't have time to give long explanation.
|
||
|
|
I took that first one.
|
||
|
|
I was very angry and also happened to be in a deads on there.
|
||
|
|
Sorry.
|
||
|
|
Fucking 3G sucks.
|
||
|
|
It's not even 4G here.
|
||
|
|
Sorry.
|
||
|
|
I may be breaking up.
|
||
|
|
Sorry.
|
||
|
|
I didn't really say that.
|
||
|
|
I just...
|
||
|
|
That was shitty timing.
|
||
|
|
Sorry about that.
|
||
|
|
At the first time.
|
||
|
|
The end of the interview.
|
||
|
|
Thanks, dude.
|
||
|
|
Hey.
|
||
|
|
Okay, okay.
|
||
|
|
May I for just a moment?
|
||
|
|
I'm wicked drunk.
|
||
|
|
I need to say I love you guys.
|
||
|
|
I love this conversation.
|
||
|
|
I understand.
|
||
|
|
Damn it.
|
||
|
|
What does it move, spell it?
|
||
|
|
Moss.
|
||
|
|
Moss, M-O-S-S.
|
||
|
|
Yes.
|
||
|
|
Okay, Moss.
|
||
|
|
You made a great point.
|
||
|
|
You did it in the wrong place.
|
||
|
|
He let you know it was not in the wrong place.
|
||
|
|
And instead of saying sorry, you know,
|
||
|
|
next time I'll try to do it better, you're doubled down.
|
||
|
|
I've done the same thing.
|
||
|
|
I don't...
|
||
|
|
I didn't like it.
|
||
|
|
You're doubled down.
|
||
|
|
I feel like he just went on slamming me.
|
||
|
|
It doesn't matter what you think about what you think.
|
||
|
|
It doesn't matter what you think about what you think.
|
||
|
|
Let's just leave it at that and move on from there.
|
||
|
|
Yeah, he thinks you doubled down.
|
||
|
|
Whether or not you meant to.
|
||
|
|
He's not questioning your intention.
|
||
|
|
You doubled down in the wrong place.
|
||
|
|
And he was just saying it was not the right place to do it.
|
||
|
|
If we can agree that it was the wrong place.
|
||
|
|
I totally agree with the point that you made.
|
||
|
|
It's what we've all been talking about all night.
|
||
|
|
He's even saying the same damn thing.
|
||
|
|
It was just the wrong...
|
||
|
|
It was the wrong way to say it in the wrong place.
|
||
|
|
Thank you.
|
||
|
|
Exactly.
|
||
|
|
Yes.
|
||
|
|
Thank you for summing it up.
|
||
|
|
Brilliant.
|
||
|
|
Who?
|
||
|
|
Me?
|
||
|
|
Yes, you.
|
||
|
|
I just summed up your summary.
|
||
|
|
No, that's all.
|
||
|
|
The both of you summed it up between you.
|
||
|
|
Brilliantly, yes.
|
||
|
|
It was the wrong thing to say in the wrong place.
|
||
|
|
And in a different venue could have been much better handled.
|
||
|
|
And like this is definitely not the right venue for that.
|
||
|
|
For this whole thing, either.
|
||
|
|
So I'm in the right frame of mind for this.
|
||
|
|
No, no.
|
||
|
|
I'm sorry for bringing it up as well.
|
||
|
|
Cool.
|
||
|
|
See, now I think we're in the right frame of mind.
|
||
|
|
Maybe Joe and I hit it off.
|
||
|
|
We're in the right frame of mind for team building and for love.
|
||
|
|
And for sharing love for one another.
|
||
|
|
Bridge building, excuse me.
|
||
|
|
That's, we're in the right frame of mind.
|
||
|
|
I am.
|
||
|
|
Joe, what about you?
|
||
|
|
Sure.
|
||
|
|
Other Joe.
|
||
|
|
Yeah.
|
||
|
|
All right.
|
||
|
|
Well, you are a brilliant talking diplomat.
|
||
|
|
It's all I could say.
|
||
|
|
Here here, Joe.
|
||
|
|
Here's a joke.
|
||
|
|
Are you open to working?
|
||
|
|
Are you open to working for the British government?
|
||
|
|
We need some.
|
||
|
|
We really, really do.
|
||
|
|
Can you please like talk to Europe and fix that whole situation?
|
||
|
|
Because we need a good diplomat like you.
|
||
|
|
With which whole situation?
|
||
|
|
All of them.
|
||
|
|
Please.
|
||
|
|
Yes.
|
||
|
|
Nothing specific.
|
||
|
|
No.
|
||
|
|
Is it the cabbage situation?
|
||
|
|
I thought that was already handled.
|
||
|
|
That's the one.
|
||
|
|
It's a lettuce.
|
||
|
|
And yeah, it's a big.
|
||
|
|
Oh, the lettuce.
|
||
|
|
Oh, my favorite one was the flitching episode in Holland.
|
||
|
|
So you all want to know what I just finished up?
|
||
|
|
As long as it changes the subject.
|
||
|
|
AK-74 short barrel will pistol technically in a 556.
|
||
|
|
Cool.
|
||
|
|
Those are ridiculous.
|
||
|
|
Which 556?
|
||
|
|
Well, let's take the same ammo as what the M16 M4?
|
||
|
|
Yes.
|
||
|
|
Yes.
|
||
|
|
That's what 556 is.
|
||
|
|
223 is.
|
||
|
|
556 is a federal NATO round.
|
||
|
|
And 556 will not go into a 223.
|
||
|
|
But 223 will fall into a 556 just fine.
|
||
|
|
Cool.
|
||
|
|
But it's still a ridiculous weapon.
|
||
|
|
And I wouldn't have made the same.
|
||
|
|
It's a pistol using a rifle round.
|
||
|
|
Yeah.
|
||
|
|
Correct.
|
||
|
|
And a rifle.
|
||
|
|
Well, it's short barrel, though.
|
||
|
|
That's the only advantage short barrel.
|
||
|
|
Which makes it just twice as hard to control.
|
||
|
|
It negates all the advantages.
|
||
|
|
Oh, you're saying the M16 is better than the M4?
|
||
|
|
Because it's got a longer barrel?
|
||
|
|
No.
|
||
|
|
No, I'm saying a rifle round without a shoulder stock
|
||
|
|
is very difficult to control.
|
||
|
|
Ah, OK.
|
||
|
|
I mean, I can hold a 1-inch group at 50 yards.
|
||
|
|
Oh, like...
|
||
|
|
So there's some on the top of a cylinder block wall?
|
||
|
|
Because that's the only place where you would want to use that weapon.
|
||
|
|
Or are you standing still?
|
||
|
|
Hold it, stand it up and fire it.
|
||
|
|
Sorry, that's right.
|
||
|
|
But just...
|
||
|
|
This is standing up and holding it.
|
||
|
|
Sorry, I'm trying to break in here with just the worst mobile connection ever.
|
||
|
|
So sorry, I think I'm going to have to drop out
|
||
|
|
because it's just dropping out all the time and packing it last and everything.
|
||
|
|
I've just got the worst.
|
||
|
|
I think everyone's just on their phones because this new year's eve or whatever,
|
||
|
|
even though I'm in London.
|
||
|
|
No.
|
||
|
|
Yeah, it was great short barrel.
|
||
|
|
We can do that for a base.
|
||
|
|
OK, well, it's kind of dropping in our...
|
||
|
|
I'll keep listening for a bit, but...
|
||
|
|
Yeah, it was great short barrel and...
|
||
|
|
Yeah, it's pretty true.
|
||
|
|
I guess next year.
|
||
|
|
Joe, one last thing.
|
||
|
|
If you...
|
||
|
|
If we don't speak again, I still have my question for you that I posted in the chat.
|
||
|
|
It doesn't have to be here, but I got a question for you.
|
||
|
|
Sorry, I'm not like...
|
||
|
|
It's...
|
||
|
|
This mobile client plumble of asteroid isn't great for that sort of thing.
|
||
|
|
What...
|
||
|
|
What was the question, uh, briefly?
|
||
|
|
You just answered it, actually.
|
||
|
|
Ah, was it what client I'm using?
|
||
|
|
Yes, thank you.
|
||
|
|
Yeah, plumble, sorry.
|
||
|
|
Yeah, it's...
|
||
|
|
The client is great, but just my connection is terrible tonight.
|
||
|
|
Usually it's great out here, but...
|
||
|
|
The number of cars and everything.
|
||
|
|
It's...
|
||
|
|
It's not the client, it's my connection.
|
||
|
|
I know.
|
||
|
|
I've had problems all night.
|
||
|
|
It's just a very busy night for London, so...
|
||
|
|
What are you...
|
||
|
|
What are you using for...
|
||
|
|
Yeah.
|
||
|
|
We are...
|
||
|
|
We are...
|
||
|
|
We are...
|
||
|
|
Someone needs to do a new year announcement.
|
||
|
|
Why don't we all do it?
|
||
|
|
Three...
|
||
|
|
Two...
|
||
|
|
One...
|
||
|
|
Happy New Year!
|
||
|
|
Happy New Year!
|
||
|
|
Happy New Year!
|
||
|
|
I have the time zones up.
|
||
|
|
Nobody?
|
||
|
|
It's still in the middle of the Atlantic.
|
||
|
|
It's still in the middle of the Atlantic.
|
||
|
|
I know, somewhere in the middle of the Atlantic.
|
||
|
|
Next hour will be at Atlantic Time, which is New Brunswick and...
|
||
|
|
And Newfoundland.
|
||
|
|
And the hour after that is Eastern Time, US.
|
||
|
|
That's actually the...
|
||
|
|
Anyway, somewhere is...
|
||
|
|
Yeah, it doesn't take my beep as ill of now, actually.
|
||
|
|
And then I think it's Newfoundland in half an hour, isn't it?
|
||
|
|
Yeah, but that's at least an hour from now.
|
||
|
|
No, no, the Newfoundland.
|
||
|
|
Yeah, nofoundland in half an hour.
|
||
|
|
Huh, what time zone.
|
||
|
|
Yeah...
|
||
|
|
Oh!
|
||
|
|
They're so cool and weird.
|
||
|
|
And then New Farm.
|
||
|
|
And then, New Huntswick and Nova Scotia
|
||
|
|
are in one hour.
|
||
|
|
Well, I completely flood her announcingielenlescore
|
||
|
|
because...
|
||
|
|
For some reason, I thought there was...
|
||
|
|
FROM LOWERS.
|
||
|
|
Yeah, I thought there was a later on this.
|
||
|
|
Oh, I thought you just...
|
||
|
|
I'm just wondering.
|
||
|
|
nope, I mean, the same till now, I am this rally
|
||
|
|
and still, 2200 here.
|
||
|
|
I mean, I thought you just...
|
||
|
|
...missed her now because you were too sober.
|
||
|
|
I mean, I'm dead sober because like I've just been working on a weapon and I don't do that drunk.
|
||
|
|
Oh yeah, that makes sense.
|
||
|
|
Actually, that's not just that's best policy, that is the best practice.
|
||
|
|
It's going to be real hard to improve on that one, folks.
|
||
|
|
Improved on, yeah.
|
||
|
|
But once again, mention Iowa, where the state sport is drinking and driving,
|
||
|
|
but you know, the hobby on the side of that is taking your rifle with you and hunting from out the window.
|
||
|
|
Wow, both of those things suck.
|
||
|
|
You know what's awesome up in this neck of the woods, what we do is get drunk in the front yard,
|
||
|
|
and when red necks go flying by, like doing jumps on your street, you go woo, woo, woo, woo,
|
||
|
|
and the 12 year old race is a Miller light, etchah.
|
||
|
|
Yeah, but it seems logical.
|
||
|
|
You know what's fun here is the local cops getting drunk and smashing up their cars.
|
||
|
|
Oh, they're El Camino, those cops got El Camino's.
|
||
|
|
Why would you smash up an El Camino?
|
||
|
|
They'll have El Camino's here.
|
||
|
|
Yes, and pirate, yes, and they're driving on and fucking Ford, uh, shit, explorers.
|
||
|
|
Anyways, that we were about to pistol you made.
|
||
|
|
Oh, well, it's, uh, shoulders receiver, uh, WPP polling parts, uh, what is it now?
|
||
|
|
What is a shoulders receiver?
|
||
|
|
What is this receiver better than a stamp steel one that collationic of
|
||
|
|
shadow on his work?
|
||
|
|
Oh, it's, it is a stamped steel one.
|
||
|
|
It's just, uh, you know, it's just, it's just has a nice made in USA on it,
|
||
|
|
so it's easier to deal with regulations.
|
||
|
|
Did the main USA get stamped into the receiver when the receiver was stamped,
|
||
|
|
or is it like laser cut?
|
||
|
|
Well, uh, the, it is my understanding that the basic stamping was done in Poland
|
||
|
|
as a flat, and then it was shaped here, and then this dude named,
|
||
|
|
there's place called shoulders.
|
||
|
|
Like, they're, they're places in general and making USA.
|
||
|
|
Anyway, well, it's like, you know, anything else, like if you do the final
|
||
|
|
finishing steps in the USA, the net counts as made in the USA.
|
||
|
|
You put, so that about half the city buses in America are made in Canada,
|
||
|
|
they just do the finishing work in Buffalo.
|
||
|
|
Yeah, it's like, you do bolt the, no, you bolt the rolls on in Buffalo,
|
||
|
|
and you get to stamp made in USA on it.
|
||
|
|
No, that doesn't work for someone named pirate.
|
||
|
|
You said you bought it because it says it's the laser at made in USA on it.
|
||
|
|
I asked you what the advantage of it was over the one that
|
||
|
|
Kalashnikov shed out on his birthday.
|
||
|
|
No, it's basically a clone.
|
||
|
|
And because he shed out on his birthday, someone should go edit Wikipedia,
|
||
|
|
and then it will become true as long as they reference us.
|
||
|
|
I thought everything in Wikipedia was true.
|
||
|
|
That's what I just said.
|
||
|
|
So Louis, Louis, you got to learn to agree with people better.
|
||
|
|
Boss.
|
||
|
|
Boss, how have you managed to get his name wrong?
|
||
|
|
Every single time because he spelled it phonetically,
|
||
|
|
and it was not an M or an O or an O or an S.
|
||
|
|
It's the same thing as Moss.
|
||
|
|
It's just in Sanskrit.
|
||
|
|
So honestly, you didn't know how to pronounce it myself.
|
||
|
|
All right.
|
||
|
|
Full handle is Zivalananda, which means Moss Bliss.
|
||
|
|
I'm changing my answer.
|
||
|
|
I manage to get it wrong every time because I'm an idiot.
|
||
|
|
Final answer.
|
||
|
|
Well, you sound like you want to relate to it.
|
||
|
|
I try to be nice idiot.
|
||
|
|
Do I know what what means?
|
||
|
|
Sport.
|
||
|
|
No, but I'd like to.
|
||
|
|
It means absolutely nothing.
|
||
|
|
I made it up.
|
||
|
|
You know what Joe means?
|
||
|
|
Coffee.
|
||
|
|
No.
|
||
|
|
Coffee, yeah.
|
||
|
|
Well, it also means a GI, a American soldier.
|
||
|
|
Well, I've been that too.
|
||
|
|
But no, it actually means.
|
||
|
|
He has Zivalananda.
|
||
|
|
Zivalananda.
|
||
|
|
I, you got walk-to-and-show.
|
||
|
|
Can you say anything else?
|
||
|
|
I'm sorry.
|
||
|
|
It, Joe, means gift from God.
|
||
|
|
Oh, yeah.
|
||
|
|
Right on.
|
||
|
|
My son's name is Jacob.
|
||
|
|
Yeah.
|
||
|
|
My name is, my first name is actually Kiron,
|
||
|
|
which is an Irish name, meaning the little dark one.
|
||
|
|
But I'm 181 centimeters tall and blonde,
|
||
|
|
so I don't know what's happening there.
|
||
|
|
Well, careful that it eats your heart.
|
||
|
|
Just don't look, you know.
|
||
|
|
So you put one eye open.
|
||
|
|
That's okay.
|
||
|
|
I've got my daughter, Tala, here.
|
||
|
|
And her name means little wolf.
|
||
|
|
What is that in real inches?
|
||
|
|
It's six foot one inch.
|
||
|
|
Oh, not bad.
|
||
|
|
Means what?
|
||
|
|
Fucking talking wolf.
|
||
|
|
Okay.
|
||
|
|
I got it wrong.
|
||
|
|
Oh, two socks.
|
||
|
|
Like from the answers to wolves.
|
||
|
|
Oh, hold on.
|
||
|
|
You can talk to Tala for a second.
|
||
|
|
I'm going to lift some heavy things.
|
||
|
|
Hold on.
|
||
|
|
Joe does a lot of weight lifting.
|
||
|
|
Oh.
|
||
|
|
Hey, Tala.
|
||
|
|
Joe said that you're shorter because he named you Tala.
|
||
|
|
And he's sorry.
|
||
|
|
He's a liar.
|
||
|
|
He wouldn't turn sorry for that.
|
||
|
|
Hi, Tala.
|
||
|
|
It's Moss.
|
||
|
|
You know me from the other podcast.
|
||
|
|
Hi, Moss.
|
||
|
|
It's a pleasure to hear you.
|
||
|
|
Thank you.
|
||
|
|
Good to hear you too.
|
||
|
|
You're the cleverest kid I've talked to all day.
|
||
|
|
Thank you.
|
||
|
|
I'll be it.
|
||
|
|
I'm an adult now, so I'm big.
|
||
|
|
Well, for your age, I meant for you.
|
||
|
|
I talked to a eight-year-old who was just brilliant all.
|
||
|
|
So for your age, then.
|
||
|
|
Thank you, sir.
|
||
|
|
So what kind of lies has my father been telling you?
|
||
|
|
I've got three stuff out here.
|
||
|
|
Oh, oh, oh, oh, oh, oh, we're not going to give.
|
||
|
|
We're not going to give that up on, Joe.
|
||
|
|
He said software shouldn't be free with a capital F.
|
||
|
|
He said only with a lowercase F.
|
||
|
|
Repeat that.
|
||
|
|
He said that software should.
|
||
|
|
All right.
|
||
|
|
He said that software should only be free with a lowercase F,
|
||
|
|
but never with a capital F.
|
||
|
|
Yeah, he said,
|
||
|
|
he makes stuff even less than Windows.
|
||
|
|
You make even less than when you understand it.
|
||
|
|
He spelled Windows without a Z.
|
||
|
|
That was the lie he told.
|
||
|
|
What a horrible person.
|
||
|
|
Well, no, wait.
|
||
|
|
No, we have to give him.
|
||
|
|
Hey, your father, you've got to forgive him.
|
||
|
|
No, he's on the path.
|
||
|
|
I don't know.
|
||
|
|
He's on the path.
|
||
|
|
We're working with him.
|
||
|
|
Even if you don't forgive him now,
|
||
|
|
just at least wait till we're done with him.
|
||
|
|
Well, right now he's just on the weight bench,
|
||
|
|
which is not quite the path to redemption.
|
||
|
|
I don't know.
|
||
|
|
He's pretty enough to get away with it.
|
||
|
|
You don't want to be on the weight bench if Moss is your spotter.
|
||
|
|
He is not.
|
||
|
|
We'll say physically reliable for that situation.
|
||
|
|
I'm too old for that.
|
||
|
|
They're slandering you.
|
||
|
|
No, I'm too old for it too.
|
||
|
|
You don't want me to be there neither.
|
||
|
|
No, I'm blessed.
|
||
|
|
This guy's a sweetheart.
|
||
|
|
It's only slander if it's a lie.
|
||
|
|
Have I heard your voice before?
|
||
|
|
My dear.
|
||
|
|
Uh, probably.
|
||
|
|
I tend to try and interrupt his peacetime,
|
||
|
|
which is mostly when he talks to you.
|
||
|
|
Would you, would you be the not tall person?
|
||
|
|
Yes, I am the rather short person with the tall name.
|
||
|
|
Yes, that's what she's named.
|
||
|
|
Talia, so she got short.
|
||
|
|
Okay, then he owes you an apology.
|
||
|
|
How about that?
|
||
|
|
I will, we'll just call you shorty.
|
||
|
|
I have been, I have been delighted by hearing.
|
||
|
|
I believe Joe or somebody cut out a recording of your voice
|
||
|
|
and gave it to me some years ago.
|
||
|
|
Unfortunately, it's not on the system.
|
||
|
|
Oh, you're talking about my sister.
|
||
|
|
The one where it's the I am short.
|
||
|
|
It's hard to keep crack of all the beauties in your family, you know.
|
||
|
|
Oh, you're going to make me plush.
|
||
|
|
That was the idea.
|
||
|
|
Did he give you a spoiler?
|
||
|
|
I did.
|
||
|
|
Did he give you a spoiler?
|
||
|
|
I'm both I rhyme names.
|
||
|
|
I am a preemptively.
|
||
|
|
I'm on the East Coast, so I think we're at a safe distance
|
||
|
|
for platonic relationship.
|
||
|
|
I feel like that works.
|
||
|
|
I think my dad might, you know, get a little angry
|
||
|
|
of any other way.
|
||
|
|
He's like, as long as there are two states away.
|
||
|
|
Yo, net minor, East Coast is all on the same
|
||
|
|
tectonic plate, so those platonic
|
||
|
|
relationships are still really, really like
|
||
|
|
self-recruinating when dads are looking at it.
|
||
|
|
But Joe's in Texas, that doesn't count.
|
||
|
|
Yeah, sorry.
|
||
|
|
Texas is like a cryptid.
|
||
|
|
We're stuck here.
|
||
|
|
No, so that's cool.
|
||
|
|
So there's at least a couple of times
|
||
|
|
in the divide of behaviorism.
|
||
|
|
So the thing to do is to move up to Seattle and join the
|
||
|
|
gay, greater Pacific Northwest molecule.
|
||
|
|
But no, but Seattle.
|
||
|
|
No, it's so pretty.
|
||
|
|
I'm not planning.
|
||
|
|
And glue me in Seattle all the time.
|
||
|
|
If the weather was nice, I'd get it.
|
||
|
|
But seriously, that's the hill you want to die on.
|
||
|
|
I mean, especially the people who were
|
||
|
|
that keep talking about how nice it is
|
||
|
|
that I'm going, it's right next to Seattle.
|
||
|
|
It can't be that nice.
|
||
|
|
Well, but it is sometimes I've seen pictures.
|
||
|
|
Well, yeah, that's the half a year.
|
||
|
|
It's gorgeous.
|
||
|
|
Vancouver, at least, is sane.
|
||
|
|
Seattle is questionable.
|
||
|
|
Well, instead of, instead of bashing on places,
|
||
|
|
who's got any more funny name stuff?
|
||
|
|
Well, we have called my sister a fair few funny names.
|
||
|
|
I like to share them.
|
||
|
|
One of them was pooped Prince of Contents.
|
||
|
|
So, hey, that was mine.
|
||
|
|
She stole that.
|
||
|
|
I guarantee you I'm older than her.
|
||
|
|
Don't try her.
|
||
|
|
She'll time travel and fight you for it.
|
||
|
|
I know.
|
||
|
|
If you want to active time travel scalability
|
||
|
|
in the offers, winning position.
|
||
|
|
You always.
|
||
|
|
If you want to always have to let the villain think they're winning.
|
||
|
|
If you want a funny name, I went to school with a guy
|
||
|
|
called Adam Schittler.
|
||
|
|
No, I'm not joking.
|
||
|
|
At least it wasn't Adolf.
|
||
|
|
Oh, I thought it was about it.
|
||
|
|
I'm sure.
|
||
|
|
I'm sure his dad was sat there with the baby.
|
||
|
|
No, I'm just going, please.
|
||
|
|
And his mom was like, no, please.
|
||
|
|
No, it's fine.
|
||
|
|
Adam then.
|
||
|
|
No, wait a minute.
|
||
|
|
What about at on the altar?
|
||
|
|
Like, hey, baby, I know we have a proud long Schittler
|
||
|
|
history up hold here.
|
||
|
|
But can we at least hyphenate like pineapple hyphen
|
||
|
|
Schittler can be something.
|
||
|
|
Adam pineapple Schittler.
|
||
|
|
OK, the first of your name Schittler
|
||
|
|
shall and just like you wanted this.
|
||
|
|
I want the enterprise level.
|
||
|
|
I don't want the O'Connell box one of those.
|
||
|
|
I want the enterprise.
|
||
|
|
I thought the enterprise was in dry dock to me threads.
|
||
|
|
No, sorry.
|
||
|
|
I'm talking to my dad.
|
||
|
|
I couldn't hear you for a second.
|
||
|
|
We're sorry you're talking to your dad too,
|
||
|
|
but we understand.
|
||
|
|
You have been listening to Hacker Public Radio
|
||
|
|
at Hacker Public Radio does work.
|
||
|
|
Today's show was contributed by a HBR listener like yourself.
|
||
|
|
If you ever thought of recording podcasts,
|
||
|
|
you click on our contribute link to find out how easy it really is.
|
||
|
|
Hosting for HBR has been kindly provided by
|
||
|
|
an honesthost.com, the internet archive, and our sync.net.
|
||
|
|
On the Sadois status, today's show is released
|
||
|
|
under Creative Commons, Attribution 4.0 International License.
|