691 lines
58 KiB
Plaintext
691 lines
58 KiB
Plaintext
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Episode: 3916
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Title: HPR3916: HPR Community News for July 2023
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Source: https://hub.hackerpublicradio.org/ccdn.php?filename=/eps/hpr3916/hpr3916.mp3
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Transcribed: 2025-10-25 17:22:11
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---
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This is Hacker Public Radio Episode 3916 from Monday the 7th of August 2023.
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Today's show is entitled HPR Community News for July 2023.
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It is part of the series HPR Community News.
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It is hosted by Dave and Ken, and is about 76 minutes long.
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It carries an explicit flag.
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The summary is, HPR volunteers talk about shows released and comments posted in July 2023.
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Hi everybody, my name is Ken Fallon and you are listening to another episode of Hacker
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Public Radio.
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This is HPR Community News for July 2023.
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And joining me today is, hello, it's Dave Morris from a golden wet Edinburgh.
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Yes.
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And it's Ken Fallon from a golden wet Netherlands Holland, I guess, a golden wet, the Netherlands.
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Yeah, it doesn't flow off the tongue.
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Anywho.
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This is HPR.
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HPR is a community podcast that was started 17 years ago, 10 months and 18 days ago, where
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the shows produced by listeners like you and that can be on any topic that are of interest
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tackers.
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If you listen to HPR, then please consider contributing one short year.
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If you record a show now, it could be released within 12 days.
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Good day.
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Good.
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Oh yes.
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Oh yes.
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So, Dave, and this is the Community News Show.
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Do you want to tell people what Community News Show is then?
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Well, it's this show that we do every month and we talk about what's happened the previous
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month on HPR and we go through all of the shows, not to not a great length, otherwise
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you'd be here for hours, but we review them and we read out any comments, make the
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odd comment on the show and that type of thing and we talk about a few other things, mailing
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lists and other stuff and we have any other business at the end, but that's really the
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main thing.
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There's a chance for everybody who contributes the show to have somebody at least talking
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about it and in many cases they get comments which we read out for them.
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So, yeah, it's got to fly, Dave, why are we picked as the tools and two to do this?
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Oh, dear, the old straw gamer, oh no, that wasn't though, we volunteered and we became
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janitors as we call ourselves, so we're the guys with the mobs and the buckets and stuff
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and cleaning up and whatever.
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So, yeah.
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And the janitor is a term there to basically describe, we continue to implement policy
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but policy is tasted by the community.
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So there's a whole spiel about that on the about page if you want to read it up, but the
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most important thing we do, Dave, is usually go to you and it's to introduce the new
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horse.
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Yes, and I really have something to say this time, we have two new hosts, Hopper, MCS and
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Rato who people will have heard before could he join us on these shows on a few occasions
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but he's produced a show as well, so we'll be talking about those later.
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Fantastic.
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Okay, let's mosey over to last one's show which was 3891 was the first one and that was
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community news for the previous one and there were in fact two delightful comments about
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that show and the first one was by Norris just about solo cast update and he is the author
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of set command.
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I read all thanks for mentioning solo cast, I've met a few updates since hp 3496.
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The biggest change is that you can now install solo cast from python package index on the
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URL.
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So the cast now works with markdowns groups as requested by Ken aka me and Kevin O'Brien
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and also commented on that show where we were talking about his shows on his RV journey
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around America, United States and he said my truck, the short answer is we bought the truck
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and the RV as a package from a close friend, we are very glad to have a truck that we don't
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need to worry about when towing.
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Yep, it's a nice big big truck.
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Okay, the following day we had emax package curation part one, let's go through every
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single package installed in my emax configuration by dnt, I saw what he did there and the first
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comment was by flat two saying I love this topic, this is such a great idea for a show.
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My dot emax file is an unholy mess of config options stolen from common with colleagues
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over the years, maybe recording an episode of my own about a clarification would help me clean
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it up.
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That would be a eye or you a show.
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Yes, I think so.
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And dnt commented, do it, he says yes, it turns out that by completing the sentence let's
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go through every single package installed in a dot dot dot you can get a bunch of shows
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looking forward to your review of your emax.
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And the next day I propose it was we had game card design resources, how to design a card
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for tabletop gaming by flat two himself and the concept was a poker deck is great for
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starting developing game mechanics, but you can go forward with that, so it's pretty
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cool.
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Yeah, yeah, I, no, I think I would want to do myself as I always say these things don't
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know why I have to tell you this, but my daughter is well into this type of stuff and I did
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sort of vaguely mention it to her, I have to have to ask her if that's the thing she's
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going to get into as she's a dnd player and stuff, indeed, so there you are.
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I follow her on a mustard on, she hasn't posted a lot of all, or I've been automatically
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unsubscribe, which could also happen, but I like her style and will be very interested
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to see her cat-esque type stuff appearing on dnd's case.
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She likes to draw sort of cartoony pictures and stuff, so imagine the cards she produces
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would be fun.
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Yeah, good.
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Okay, next day page 42, ugly week news shows epoch and hour of news in commentary of
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software development and overall floss space by hopper mcs, so this is where our new host
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and there was one comment which I'll read by Kevin O'Brien, I love this show, I'm looking
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forward to more from this series, I would humbly suggest that aiming for a one hour show
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might be a bit much, I think a half hour will be better, but maybe that's just me.
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Yeah, good point, good point.
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Yeah, do what you feel is good, I think, but do what you can do is probably the way of
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looking at it, but yeah, but it's good, I enjoyed the show, it was a nice introductory
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show and looking forward to more.
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Very much so, okay, and let's move on to the next show, and that is what's in my backpack,
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I can never pronounce stash, yes stash, walks through the contents of his work backpack.
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This is, this was an interesting one, actually the Moab thing, I think I remember on you
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random, I'm having huge discussions about that tactical tips that you can extend your laptop
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and stuff.
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It's good.
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Yeah, yeah, I remember the people talking about these types of things you can add also
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sorts of extras on top of the basic bag through what I take to be a sort of velcro-ish
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type attachment to making this and it sounds really, really good, yeah, amazing what
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people carry in bags, it's always interesting to have an insight into these things, I think.
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Yeah, I checked as all the time I did one of these shows, I think, and what they have
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in there now was completely different just as time moves along, I guess.
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Mm-hmm, oh yeah, yeah, yeah, circumstances and your priorities and stuff change, I guess.
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Right, I'll let you introduce the next show, actually, you've been to Scottsman and all,
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I don't want to make sure that you're a Celtic Roots.
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Celtic Roots, I mean, never existed, I'm afraid, I just happened to have lived here for 40
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years, but yeah, it's probably, probably steeped into me in some, some forward, anyway,
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this is Andrew, Andrew Conway Mnallu, who is talking about the bros of Glenelg, which he loves
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because it's a palindrome, which doesn't immediately spring to, until you look at it, it's got
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GL at the beginning and LG at the end and stuff, and then ENE in the middle.
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So, oh, and the paladrome being something that you can say back to, front to back, back to,
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front. Yeah, okay, yeah, yeah, yeah, sometimes it's sentences or other contrived sentences and stuff,
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but yeah, palindrome name, yeah, I've been that sort of general area, but never been to Glenelg,
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itself, and the bros of these stone-built structures, quite large, presumably,
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could house people or animals or something, nobody actually knows what they were used for,
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it was first, Andrew was saying my little bit of research there after, so yeah, it's,
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it looks amazing, and he was actually there, and he was recording stuff from within,
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while approaching and within the bros, so yeah, an excellent show, I thought.
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Never knew these existed, didn't it, and led me down a very long,
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very long trail investigating his and trying to figure out what they would before, and I just
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think they were a bit like a small fort where you capture animals for the night, and then that's
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seems to be on trade routes, so it was kind of likely to, to be that.
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But they're pretty ancient from where I don't remember how old they are, but they go back a
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fairly long way, so yeah, yeah, it's fascinating, and that general area is amazing, all the,
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the west coast of Scotland, with all the sea locks and everything is a brilliant place.
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The only downside is the midges, or midges, as I like to say, which are boating insects very,
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very tiny that come out in the evenings, and also on damn days, and they are hell, they just keep
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bite, bite, bite all the time, yeah. You told me there were related mosquitoes, at one point,
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I think, so I'm not sure, I don't, I think they're, they're made the same,
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open, and the arachones, yeah, same genus, but I'm not sure, because they're very, very tiny,
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but yeah, maybe they have similar, my parts and that type of thing, but yeah, there used to be a
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form of torture that you, you tied criminals up outside in the, on an evening when the midges
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were out, and they would be bitten to, to the point of distraction, yeah, pretty nasty.
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You served them in Ireland, the last as well. Yeah, I found the best thing to do was just stay out
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one evening, and beginning of the summer, and just get absolutely molded by them. I don't know
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whether it is just, and then you just burn them bothered by them, and the rest of the year.
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Yeah, not that you're immune, or anything, it's just right fine, I've had the worst of it, so.
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Okay, yes, you get hardened to it. Yeah, we, I've had holidays over there and was told,
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if it's hot in your, in your accommodation, do not open the windows at night, because it will,
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your place will fill up with midges, it will be after this, they're attracted by the CO2.
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So yeah, and you see people walking around, people are camping and stuff, and everybody has a,
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has a midge proof helmet thing on, you know, a cord, a cord thing over the head, so yeah, it's
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anyway, enough for Patrick Chatton. Do you like my turn? Yeah, do this one, do this one.
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Yep, D&T says Ruins, thanks for sharing this, I did not know about it, I've long hoped to visit
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Skara Bray some day, so here's another potential stop for me, I would enjoy hearing more of this.
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Exactly, it's on my list to go to Scotland, but things, conspire against me Dave, I'm afraid.
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I mean, following day, audiobook club 2022, Madder at Avondong Hill by PG Hollywood,
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I like, I like the audiobook club being back, it's great, this one had Targex,
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one, zero one, and Pookie. Yep, yep, it's really good to hear them back again, I don't know when
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these were recorded for a very long time ago, I think. A while ago, yeah, we'll get to that in a while,
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but it's still, it's still very, very welcome to, to hear them back again, so yeah, and a great
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format too, I do look into it. I love it, I love it. Yeah, following day, we had the oh no news,
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where some guy on the internet talks about internet scams, this is just
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wreaking with good advice, and very approachable as all that, you could give this to somebody that
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you know, just, it's good stuff, good stuff. Yeah, yeah, it's really well done, and if you,
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if you want to come back and catch up on things that you missed or review things you missed,
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then the notes will carry you forward magnificently there, excellent, excellent notes,
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and for their explanations done underneath, we approve, we approve of these sure notes.
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And Paul Kirk had a repair crop video for free using on truck, great, great little tip, great
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little episode, basically long and short of the odds, he had a, you know, a dashcam footage of an
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accident, nobody was hurt, so, and there are a lot of services out there charging money,
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and he was able to track down the actual source code, showing exactly where he gets it,
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and you can drop a few shekels to the author if you want, so great tip, and something that I,
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one of these where I deal with video often enough, and people come to me when they're desperate
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that I'm bookmarked this one for use as a later date. Yeah, yeah, never had to meet,
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but I didn't know there were such things available, you know, but for free, so it's whatever.
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So yeah, as you say, a good bookmark to keep a future reference.
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Okay, next day preparing podcasts for listening, Shobaya Huka, about how he prepares his
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podcast files in audacity, and the first comment is from three comments, first comment is from
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hipster, a limiter and g-patter, thanks for this episode, I had never thought of speeding up
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podcasts before, I have the ups of problem when listening, I am always missing things,
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or wanting to pause to take notes, I will try speeding up some of my podcasts using change
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tempo, I think it will make me more focused on listening. I use RSS reader to deal with my podcasts,
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I had considered g-patter in the past, I think it will give it a try again after your description
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of the workflow. I also use audacity to mod podcasts, I'm doing it in a slightly different
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reasons, I like to cut out commercials and segments I don't like, I am not sure if limiter
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is a standard of audacity, effect, or a ladspa or Nyquist plugin, but it is a great substitute for
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amplify normalize, when you set a soft limiter it acts like a slight fast ringing volume control,
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fast writing volume control, to increase the power massively without clipping like amplify does.
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A typical starting point for setting the limiter would be something like type soft,
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limit input gain mono left, tree dv limit to minus one, hold milliseconds one,
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I separate my automated steps and do limiting manually for good results,
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I like to get maximum volume because I listen to a lot of podcasts in the car with the window open,
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but even while using in a macro, I think you could find a generic settings that are preferable
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to amplify normalize. We had a comment number two from Eugene, who says no need for podcast
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pre-processing, hi hooking, I listen to podcasts on a Sansa clip plus, synced from g-patter two,
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it's an excellent little player, speaking of the pre-processing there's no need to do that if you
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install the open source rockbox firmware on the player, it gives a link, it works great,
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it has a lot of features, there's a control to increase and decrease pitch and speed while playing,
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you need to enable the time stretch option to change them and it gives a link to that,
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and it took me years before I really figured out it was possible to separate the two, also great for
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podcasts are auto-resume from the previously proposed place, and ability to make the left
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right button skip end seconds instead of the next, previous one next track, have a good day,
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and Kevin replies saying, Sansa clip plus, I used Sansa clip plus with rockbox for a long time,
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but now it is unavailable, the way I do it now I can use any mp3 player, and that's a fair point,
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yeah absolutely, absolutely, I hadn't fully appreciated that, yeah, all of the pretty much all
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of the rockbox capable devices are now no longer being created, so no longer being made,
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so yeah, and I didn't really think, but I actually did do what I didn't and claw through the
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edsies and stuff, not edtie, the auction sites and stuff, you'll not find them, and now they're
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astronomically expensive, because people would realise that they're very rare.
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I sent over my last few to Paul Kiet, so that people could get access to them,
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yeah, anyway, next day we had time management by operator, another one of these
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sexlet chills, I go over a how I manage time, because I'm a goal fish,
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who's doing the comments of URI?
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I think it's my turn, isn't it? Yeah, I lose track so you leave with this, I really need to
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as I read it, yeah, hold on, I have a cough, so I keep stopping. Anyway,
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Rito says, A calendar on Android, hi operator, I mean the same boat about forgetting appointments,
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A calendar is what I use for years, and I like to say it's the best calendar. I mentioned to you,
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just one function, to copy an entry is as simple as it gets, so you keep your history, I think
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I'm sorry, instead of moving an entry, it's also, it also offers to create several entries
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instead of a series, and it gives links to this, a link to this, a website for more information
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and he gives a link to that, not synced with Google, I created a calendar that is as private as
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it gets, so I have to make backups, backup your calendar with, and he uses, he talks of a iCal
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import export cal dev, which is a thing that you can get from the Google Play Store, and
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mentions the website, which I assume is the iCal backup thing, to support the developer, I had to
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get the pro version, now it runs automated backups, very useful app for me, my two cents to your show,
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and that's Rito, good tip right there. Mr. Young, the artist formerly known as Beasy, has introduced
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a new series on FFM Bake, yes, brilliant, this is a tool I use all the time, all the time,
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it's used everywhere, audio, video, everything, it's such a fantastic tool, and I'm really
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glad he's put in the show together, and if it's anything like your collaborations in the past,
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it will be excellent. I'm sure you will, yes, yes, yes, yeah, I'm looking forward to this one,
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it sounds great, I've used FFM Bake, not as much as you, you obviously do know, or Mr. Young does,
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but yeah, it's a brilliant thing, and very complex, but incredibly powerful, is what I've taken
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away from it, so looking forward to hearing more about it. Yeah, I think the majority of my
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experience with it is finding several different polls on Stack Overflow about how to do the thing
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I'm looking for, and then combine them fingers crossed until it does the thing that I'm looking for,
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would be nice to actually know what's going on the background and the best approach to take,
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so looking forward to this. Anyway, D&T says, FFM Bake, I'm looking forward to more of this, I haven't
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used FFM Bake much anymore, but it was essential to me when, to me in my video photographer,
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a video editor days, it's one of those applications that's hard to imagine being without an amazing
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that we have it, thanks. So the following day, we had, why I don't love System D yet,
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hosted by Dick Geek and narrated by Klatu, for people who are new to HPR, we do have a service,
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basically service, we have people who have said they will volunteer to read your show,
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if you feel uncomfortable doing that or unable to do that, don't think that you're in ability to
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speak English to a standard that you think people can listen to, listen to me, for example,
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then you can always submit a show to us, we will narrate it and post it on your behalf.
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D&T, so, yes, it's my turn, it's a D&T says System D, I think this was an excellent perspective
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on System D, something that's good for servers and for the overall enterprise Linux world,
|
||
|
|
it's not necessarily good for my laptop and it turns out that's okay, great stuff.
|
||
|
|
Yes, so the following day, we had how to make friends, this topic has been actively researched
|
||
|
|
and not for production use by Klatu. No, this was an interesting one, don't you think Dave?
|
||
|
|
Yeah, absolutely, yes, yes, yes, it certainly made me think, I think somebody others have said
|
||
|
|
the same thing, so it's very, so we read the comments and come back to the top, yeah, let's do that.
|
||
|
|
You do D&T's then I'll do the longer one for me, so D&T says Friends, thanks for this,
|
||
|
|
I listened to it on the way home from work and continued to think about it well into the evening,
|
||
|
|
that's pretty much what I did. Yeah, I did, yeah, and I'm still thinking about
|
||
|
|
business as Friendship, high Klatu, great show and a very, very thought-provoking,
|
||
|
|
you've missed one type of Friendship that applies to me and I dare say in many others,
|
||
|
|
I grew up and went to school in London and became a group of seven quotes mates, we never used
|
||
|
|
the term Friends in case we were deemed solved, crazy, I know, over the years we have all moved
|
||
|
|
away from each other and in one case to the other side of the world, so we often only meet once,
|
||
|
|
one another once, twice a year, sometimes not even that, and we don't even converse by phone or
|
||
|
|
message much in between. Despite that, we all know we can totally rely on one another, should the
|
||
|
|
need arise, and when we do meet in intervening months or years, do meet the intervening months or
|
||
|
|
years simply have no relevance. Apart from my immediate family, of course, these friends are
|
||
|
|
closer to me than anybody else, but the need to have constant contact doesn't exist, it's the
|
||
|
|
polar opposite of people who are constantly on Facebook communicating with friends, they've never met
|
||
|
|
and really know nothing about with any certainty. That describes me and the lads,
|
||
|
|
so I grew up in lads I went to college and when I was over in Ireland recently we went to the
|
||
|
|
pub, one of the guys we hadn't met in years because he'd met with the lads while I wasn't there
|
||
|
|
and likewise, so it was, yeah, it was like, okay, that's where we are now, okay, it's awesome.
|
||
|
|
Yeah, it's got so many facets this, isn't it? I think different people approach the subject in
|
||
|
|
different ways and it's also sort of related to societies, I think. I mean, even in British societies
|
||
|
|
there are different sort of background rules as to how you have friends or behaviour
|
||
|
|
friends or keep friends just in my limited experience or the way I interpret what I've seen anyway
|
||
|
|
is that that's the case. So yeah, it's really fascinating. I was actually
|
||
|
|
talking about putting something together as a response. I don't know if I've got anything
|
||
|
|
interesting to say, but it's, you know, how you do you sort of think, oh that is, my approach is
|
||
|
|
different, my viewpoint is different, but is it different enough to work? Yeah, it does. I would
|
||
|
|
like to hear all the people's shows on this because this really hit a point with me, particularly
|
||
|
|
when we come to one of the audiobook shows, later on, and we hear 51-50 again, who I consider to
|
||
|
|
be a friend, never have met, the other side of the planet, and you, of course, have met a few times,
|
||
|
|
I will consider you a friend, yet does that fall in, well, first start, as Tattoo is describing
|
||
|
|
as a memory realised, I may consider some of my friends online to be friends, but they might
|
||
|
|
consider me just co-workers or colleagues on this project, so it's kind of... Yeah, yeah,
|
||
|
|
that's part of it, isn't it? It's part of it. I... Yeah, this is freedom when you were young,
|
||
|
|
would you be my friend? Yes. Yeah, absolutely, it just happens spontaneously because you both
|
||
|
|
shed the same pencil or something, you know. Yeah, and it's very odd, it's very strange. I realise I
|
||
|
|
haven't kept many friends from school days, any really now, you know, they gradually
|
||
|
|
disappeared over time, you know, but I don't know, unlike Beezer, who stuck with his friends from
|
||
|
|
education times very differently, but anyway, yeah, it would be interesting to hear other people's
|
||
|
|
viewpoints, and I might contribute something, if I can think of something, well, well constructed and
|
||
|
|
pulled through enough. Yeah, okay, we'll move on. Next, presenting Fred. Well, what happened
|
||
|
|
on the screen? Fred Black, which was Falky's song, I think, would be correct. Yeah, I know.
|
||
|
|
He's correct. I had to do a double take there, and yeah, he set up his, my son, and he's
|
||
|
|
called Fred Black, and he's just sort of stopped as if, you know, people would have a chop in,
|
||
|
|
take a breath as to, how does that work? Anyway, no, fascinating, a really interesting chat between
|
||
|
|
the two of them, I've got very, very entertaining. And it makes me, they put a link into a podcast,
|
||
|
|
which sounds very much like something I'd like to hear, but it's done in
|
||
|
|
Norse Swedish and Danish, all mixed through. I just, I would love that, but I can't speak any of the
|
||
|
|
although that's it. Since I've learned Dutch, and having a few beers obviously helps,
|
||
|
|
you know, as you're listening to some of the Nordic languages, there's a lot of words in there
|
||
|
|
that you go, okay, I can, if you had a weird accent, you know, that word probably means the same thing.
|
||
|
|
Yeah, yeah, yeah. I did visit Norway once and hang out with some Norwegian people,
|
||
|
|
and they were very good at speaking to me in English, you know, on and off, but they would have
|
||
|
|
conversations amongst themselves that I wasn't included in, which, you know, absolutely fine.
|
||
|
|
But then they turned to me and said, oh, sorry, did you, did you understand what we were saying?
|
||
|
|
And the answer was sort of, were you talking about your new car?
|
||
|
|
Yeah, yes, yes, you got it right, yeah, yeah, yeah, so you pick up enough little threads to get
|
||
|
|
the general shape of a conversation, not the details, obviously, but to, but yeah, I found that too.
|
||
|
|
It was so, but I wouldn't like to try speaking anymore.
|
||
|
|
No, no, as somebody said, I can't remember, why do you, your English is perfect? Why do you always
|
||
|
|
have an interpreter when you're, when you're doing stuff? Because even if you're 99% wrong,
|
||
|
|
correct, if you miss the word not in the sentence, I can have serious implications.
|
||
|
|
Yeah, very true, very true. Okay, another of the unknown news ones, this is some guy in the
|
||
|
|
internet, threat of convenience. Oh, this is, this is classic, just for it's, I don't know if he
|
||
|
|
works in information security, but he nails a lot of these topics that, if he's able to communicate
|
||
|
|
a lot of topics that I know that the security teams struggle with is. Yeah, yes, that's good,
|
||
|
|
good point, actually, it does come across with somebody with professional understanding of this
|
||
|
|
sort of stuff or a lot of deep thinking on the subject it feels like to. So yeah, it's, it's a
|
||
|
|
really, really helpful thing to be on the receiving end of. I seriously think he should have a
|
||
|
|
start of business and just take these, the previous show and this show, like do a one day course
|
||
|
|
for businesses on making information security accessible. Go into businesses, put on a slide,
|
||
|
|
talk about these, give examples, you know, and then two or three of these, you know, morning session,
|
||
|
|
this is the after the coffee session, and then two more sessions, and then that will be a business
|
||
|
|
really desperately, desperately desperately needed. Because people who are into security tends to be
|
||
|
|
impassioned, and there is a thing in security, it's a very, how will I say, braggie sort of
|
||
|
|
war story type thing, there seems to be a lot of, oh, I've defeated the system, great, now it's
|
||
|
|
left up to people to put it back together again. So, yeah, I don't know if I'm making, but if you
|
||
|
|
listen to a lot of the security podcasts that tend to be very bullish and cocky and, yeah.
|
||
|
|
Yeah, masculine, that's the word, macho, about security, et cetera. I see it from
|
||
|
|
just sort of my local environment, which is that my daughter's trained as a scientist,
|
||
|
|
but doesn't want to be a scientist going on. However, what she really wanted to do was be a science
|
||
|
|
communicator. So, she went on an MSc on science communication, so she's learnt skills in the ways
|
||
|
|
tell people explain things about science to people, which she finds to be immensely rewarding,
|
||
|
|
as opposed to being in a lab or whatever. So, this is one another case of communication skills
|
||
|
|
with a lot of knowledge behind it, but not pumping out the knowledge in an elite sort of way,
|
||
|
|
but getting it in an understood way to people who need to understand it.
|
||
|
|
Yeah, cool, that's what she should be doing. Somebody pay him lots of money to do that.
|
||
|
|
I do agree, yes.
|
||
|
|
Okay, Rito, my introduction show about me and computers. There's pretty crap,
|
||
|
|
that's so really, you know, we've done a white baller.
|
||
|
|
Only because he's already been arms-wise, so I don't know if he could take a dip.
|
||
|
|
It's cool that you saw the cast to do it.
|
||
|
|
Yeah, yeah, I was impressed with that. I think going to look, I
|
||
|
|
doesn't quite fit in with the way I do things, because I've built so much infrastructure,
|
||
|
|
but if I was starting a French, that would be an interesting way to go.
|
||
|
|
Not that bad, but yeah.
|
||
|
|
No, it's a good show. I enjoyed it very much. I didn't realize he's got a long,
|
||
|
|
a long experience in the ways of IT and stuff, just judging from some of the stories he was saying,
|
||
|
|
some of the anecdotes and so forth. So, yeah, I'd like to hear more about his experiences.
|
||
|
|
I see Commodore 64 there, got into it through, got into HPR through
|
||
|
|
the Libro 5 series, which is excellent.
|
||
|
|
Fantastic. Commodore 64, that was the first computer I used, actually.
|
||
|
|
Cool. Yeah, yeah, yeah, good to hear.
|
||
|
|
Excellent show. I'm only messing with him. Please do more shows, they're excellent.
|
||
|
|
Basically, any of the topics you've discussed in there about the Amigos, Commodore's,
|
||
|
|
Go Firewalls, yeah, a little bit. Okay, EMAX Package Curation Part Deer. This was another one
|
||
|
|
by D&T and this was the EMAX tools. It was kind of weird that, I don't know, the whole EMAX
|
||
|
|
thing is kind of weird to me, that I know I put in an editor into an editor to pause.
|
||
|
|
Yeah, yeah, yeah, no, it's something I've done in the past.
|
||
|
|
I managed a VMS system, open VMS, it came to be called. They had an amazing thing in there,
|
||
|
|
which was called the Language Sensitive Editor, which essentially was a programming language
|
||
|
|
for writing editors and they had several editors available to you,
|
||
|
|
one that would twiddle all the security bits and pieces that you could do as a sort of
|
||
|
|
configuration part through an editor. And the Language Sensitive Editor itself was a thing where
|
||
|
|
you typed the start of it. It's a long time ago, so all of this has happened more since then,
|
||
|
|
but you started typing an expression in a language and it would fill in the rest for you,
|
||
|
|
so template in a boilerplate thing. So that was in 1980s, early 90s type of timescale. I wrote
|
||
|
|
a lot of stuff in that, I don't know what it was called now, but the underline language.
|
||
|
|
So then NeoVim, EMAX come in the same sort of area as far as I'm concerned. So EMAX has
|
||
|
|
gone a long, long, long way further than anything I've had in the experience of.
|
||
|
|
So it is, do you want to do the VIME announcement just as a boilerplate now?
|
||
|
|
Oh, yes, mentioning editors. Yes, I just came across the fact before we started the show that
|
||
|
|
the creator of VIME, Bram Moulinar from the Netherlands, died on August 3rd, he was 62,
|
||
|
|
so he's been actively developing VIME right up until, you know, he's passed away.
|
||
|
|
So an amazing guy and very, very sad that he's gone so young.
|
||
|
|
He was ill, apparently, had an illness that progressed rapidly in the past few weeks,
|
||
|
|
according to the note put up by his family, which I saw references to. There were references on
|
||
|
|
mastered on that I spotted. Yeah, yeah, that's the sad news. It's really sad, it's really sad.
|
||
|
|
He'd be greatly missed the huge loss to the editing community, I think.
|
||
|
|
Okay, should have maybe left that for last, because now I'm struggling to make a bridge into
|
||
|
|
the next ticket. Anyway, okay, well, let's move on. 39 or 9, permission tickets, collective
|
||
|
|
delusion about the effective conclusions by one of spoons. This is about lots of things,
|
||
|
|
a bit like Tatooza episode, it had me thinking about it, and I know that D&T, who comments,
|
||
|
|
great show, keep in mind, thanks for this, well done. Plenty of listening, plenty for the listener
|
||
|
|
to think about, looking forward to more, and D&T does a response show, and the show itself is
|
||
|
|
about money, social credit, as a proxy, etc. So apropos, I was talking to my mother about this,
|
||
|
|
and I've actually recorded a response show, which was going false, but now I can't, because
|
||
|
|
I need to respond to D&T as well, so I'll do that. Yeah, whatcha think?
|
||
|
|
Very interesting, it's one of these things that you don't quite understand what it is I'm listening to,
|
||
|
|
and gradually it sort of soaks in, that there was a lot there, it was very dense,
|
||
|
|
concentrated thought had gone into this and was being communicated. So yeah, it's a huge lot to
|
||
|
|
think about. So yeah, this is one to, you know, big, correcting fire, glass whisky perhaps,
|
||
|
|
or beverage of your choice, to sit down and put this one on the wireless, and then turn off the
|
||
|
|
wireless and sit there and think preferably with a grandfather clock in the back on,
|
||
|
|
it's a bit easy, there's a one of spoons. Oh no, actually I think, when I heard this show,
|
||
|
|
I turned off my MP2 player, or not MP2 player, because it's a phone and you know,
|
||
|
|
listen and know, but I was on the bus going into work, and I just was sitting there thinking about
|
||
|
|
that the whole wheel, you know, for three quarters of an hour of commute, just pungering. That was
|
||
|
|
that's interesting. Also a tattoo show, and that, that's actually nice. It's nice to have, you know,
|
||
|
|
mental stimulation that makes you actually think as opposed to click here for five,
|
||
|
|
amazing facts, blah, blah, blah. Oh absolutely, absolutely. There's a sort of philosophical dimension
|
||
|
|
to this, to my mind, you know, the sort of thing that words are spoken, and then you go,
|
||
|
|
all right, okay, and then you suddenly stop and think, hang on. So if that is right, then that means
|
||
|
|
such and such, and you go off into your own, you know, spiral. Sorry to interrupt. No, I finished
|
||
|
|
and then you're thinking, yeah, but my experience is this, does that change my experience of that?
|
||
|
|
How does that fit in? Yeah, I don't know, that's interesting, but that must be why. So, very good,
|
||
|
|
I would like to do a response show to that. Yes, it's another case of where, for the discussion
|
||
|
|
on the topic would be fantastic. Yeah, yeah, even, even a sort of round table, if anybody's keen
|
||
|
|
enough to do that type of thing. Yeah, for me, I can think fast enough, like, I mean,
|
||
|
|
for 45 minutes to even ponder a response, then D&D shall hit the future feed, actually, you want
|
||
|
|
to hear it until next month, and then I was thinking, all right, do I know I need to go back to the
|
||
|
|
draw board and think about it again. So HBR is ideal for that, long, long shows, and we will,
|
||
|
|
we will add the references to previous shows so that you can follow the thread.
|
||
|
|
Okay, last show, I think, for the months, is that correct, 28?
|
||
|
|
Could be. No, there's one on the 31st. Okay, playing Civilization 2 was a hookah show about
|
||
|
|
playing Civilization, and this is part two of that, as opposed to Civilization 2. No, it is Civilization
|
||
|
|
2, and this is about playing it, and there was one comment. You read that?
|
||
|
|
Yep. D&T says game mechanics. This was interesting. I like your discussion of game mechanics.
|
||
|
|
This is why these games are so engrossing when you get into them. I'm sure that's true, yes, yes.
|
||
|
|
It's, yeah, yeah, hookah does sort of gets deeply into these things, like, get that impression
|
||
|
|
anyway, that he says he's also a deep thinker, so it's good to hear his thoughts about stuff.
|
||
|
|
Yeah, I've never had that thing with games where I was always worried about getting into them,
|
||
|
|
and I get so stressed, and the time countdown thing, you know, the time countdown factor and
|
||
|
|
find myself wasting so much time in them, that I avoid games that don't relax me, that make me stressed.
|
||
|
|
That's just me, maybe. Oh, nice. I know, I know, the next show, yeah, go on.
|
||
|
|
I know why he was bringing me. Mr. Look at me, Dave Morris, with his overview of AC command.
|
||
|
|
I probably script like tools I can search by file type. Never heard of it, Dave.
|
||
|
|
Oh, there you go. It's, yeah, I'm not so stalled by the fault, are there?
|
||
|
|
No, no, no, no. It's something I think I was watching one of those YouTube things,
|
||
|
|
where people say, here's some commands you'll really enjoy, or you should be using all the
|
||
|
|
time, or something like that. I wrote it down a bit of paper along with the other ones, and then
|
||
|
|
we're just going to throw it away, and oh, let's maybe check a few of these, and that came up,
|
||
|
|
and I thought, oh, this is really nice. I enjoyed using this. So, yeah.
|
||
|
|
The stuff you mentioned in it, I do now with more convoluted find command and grip command.
|
||
|
|
So, this is marked down as something that I would be interested in. However, I will note, Dave,
|
||
|
|
that you're searching by file extensions, and you had the religious war at one stage,
|
||
|
|
wasn't file extensions undue? No, it's not that so much. It's the fact that you write a program,
|
||
|
|
okay, make soup, be called put.pl, or pd, or xyz on the end, for some idiotic thing,
|
||
|
|
to be able to come along and say, oh, look, there's a program, and I have to run it with this,
|
||
|
|
inside the actual file, it says run this with pull, run this with Python, run this with
|
||
|
|
all go what the hell else, you know. Why do you have to put that extension when you're making a
|
||
|
|
program? I want my programs to names to be indicative of what they're for, not to have garbage on
|
||
|
|
the end that tell the operating system stuff about it. Yeah, but that idiot that comes along as
|
||
|
|
me, I'm looking for the pull program, I wrote 20 days ago, and it's a middle of all the
|
||
|
|
bash programs. And what you need is that, because it will look in, it will look in the file, and say,
|
||
|
|
hello, it's a burl thing, that is, even though this guy's in put.pl on the end, it's burl, I can tell.
|
||
|
|
Okay. Yeah, I'm not sure your level gets me with that. No, it's just just a personal
|
||
|
|
foible, because back in the day, I've worked on operating systems where you did not need to put
|
||
|
|
don't actually, on the end of things, and stuff in order to execute. We have that now on Linux,
|
||
|
|
and it's fine, you can just point this a little wrong, but I find it super useful to be able to
|
||
|
|
search based on your look for all the pl files, just with the extension. I'm fully aware that
|
||
|
|
it might be a bash file, that's just name.pl boss, you know, it does help.
|
||
|
|
There's quite a lot of the operating system that commands which are bash, which then
|
||
|
|
launch something else, which I usually use the file command to ask, what the hell is this?
|
||
|
|
Yeah, I'd like to go and look at how it works or something. But yeah, the operating system I've
|
||
|
|
worked on over the years, the mainframe ones, tended not to do that because, but that's because
|
||
|
|
they were very different from Unix and derivatives, where all files are pretty much the same,
|
||
|
|
just the contents are different, but the files themselves had different structures, and they were
|
||
|
|
marked with all manner of govins in the file headers that said, I am a database or I am an
|
||
|
|
executable file or whatever, and the operating system used that, not some nice to tag things stuck
|
||
|
|
on the end. It's basically because I hate Windows, that's what we saw about. Yeah.
|
||
|
|
Okay, so that is all the shows. So we go over the comments, skipping over the green one, because we're
|
||
|
|
not totally supposed to talk about them, and the first comment was on the show Mike Ray, which was
|
||
|
|
an emergency show from ages ago, about the power of condensed steam. DNC says clap. I don't know if
|
||
|
|
that's an instruction or not. We heard enough to do, we're pushed to talk on.
|
||
|
|
Anyway, the comment says, this is a fun and new one to me. I reproduced this experiment twice,
|
||
|
|
a very opportune time for this show to reach the main feed. Only a few days after a famous
|
||
|
|
implosion of a different kind, if you are reading this in the distant future, see Oceangate.
|
||
|
|
Thanks for this ride. Yes, it's a sharp intake of breath.
|
||
|
|
I do see where he's coming from though. So the next one is from Rito on your show on
|
||
|
|
about Kong. I had one Ken Fallon. Hi, Ken. He says, could it be that you mixed up KDF3
|
||
|
|
gets a link with KDIRSTAT while we were talking in emergency news for June show.
|
||
|
|
QDIRSTAT is based on the same code from the original KD3 KDIRSTAT.
|
||
|
|
QDIRSTAT, I say that. Yeah, from the original KDIRSTAT of 2006, it's an 80% rewrite using a lot
|
||
|
|
of newer QT technologies. There's a lot of cleaning up at all codebase that's long been overdue.
|
||
|
|
If so, QDIRSTAT is also interesting. It comes with nice features like package manager support,
|
||
|
|
show what software packages system file belongs to. Package view, packages view showing disk usage
|
||
|
|
of installed software packages and their individual files. Unpackaged files view,
|
||
|
|
showing what files in system directories do not belong to any installed software package.
|
||
|
|
And it's just an app install away. However, you help me anyway because while in KDE's Dolphins
|
||
|
|
KDF3 integration can only compare two files in the same folder, I can use it in the terminal
|
||
|
|
with past files like, and the system puts KDF3 space home rate to abc.txt slash space slash media
|
||
|
|
slash usb slash abc.txt. So yeah, yes, absolutely. Just a comment on this comment on the comment.
|
||
|
|
I used to use KDIRSTAT with Conqueror a lot. It was really good. It draws lovely pictures of
|
||
|
|
your files you've got and you can go and drill down into them and stuff. And identifying the
|
||
|
|
huge ISO that was taken up all the status in your disk. Exactly, yes, yes. So many times I've done that.
|
||
|
|
And yeah, so I really must go and look at QDIRSTAT which I haven't done yet.
|
||
|
|
And I replied, QDIRSTAT is nice but I meant KDF3. I did download QDIRSTAT after that and it was,
|
||
|
|
it's an excellent tool and I need to remind myself not to use KDIRSTAT but to use QDIRSTAT instead.
|
||
|
|
And I also point out the Android app on the FDIRSTAT store called disk usage, all one word,
|
||
|
|
disk usage, all one word. And that one has, does the same thing but for Android.
|
||
|
|
Okay, I'll carry on with my comment. Nice tip of QDIRSTAT but I meant KDF3. So KDF3 pat tooled,
|
||
|
|
pat new and perhaps I need to show about this. Oh, hold on, I see what you did there.
|
||
|
|
Yes, he's already been on the community news so he knows all about getting people to do shows.
|
||
|
|
But that one actually, if you open KDF3, you have the option of comparing it directly but you'll also
|
||
|
|
underneath that there's another button for comparing files so you can compare files also using the GUI.
|
||
|
|
Cool, cool. I've got, I use meld personally but just because I've linked into Git as the
|
||
|
|
Diff tool when I'm looking at Git differences, just because it's prettier I suppose I don't know
|
||
|
|
really. KDF3 is fine though. And the link to the mail list is out there to Diff.
|
||
|
|
So it is, I thought I'd fix that. Oh, obviously. Yeah, I thought I'd fix, I really did think I'd
|
||
|
|
fix that. That's very odd. I must have done it in my sleep or something. I will fix that.
|
||
|
|
Yeah, that's irritating. There's only one thing there anyway, if you were to look it,
|
||
|
|
it's just me telling everybody to come to the show if they wanted to. I think also on the
|
||
|
|
down on the bottom is also wrong. Yeah, down on the bottom, the footer has also got
|
||
|
|
mail list link issues. Okay, okay. Well, we know, yeah, we've yet to get around to some of those,
|
||
|
|
I think, but yeah, make a note, make a note and we'll get to it all on one second.
|
||
|
|
All right, issue 150 done tracking that. Actually, there was something else on the mailing list
|
||
|
|
in July. There were several things on the mailing list. Yeah, nothing. It was just mainly about the
|
||
|
|
change of mail man and things, I think. Yeah, they mostly notifications of people being
|
||
|
|
subscribed and the fact that HPR is moving and stuff. A few test messages and things. So it's
|
||
|
|
probably maybe before I send it before we finish and send these notes out, I should maybe point out
|
||
|
|
the difference in the addresses, the mailing list addresses. Please do, yeah. I've also got the
|
||
|
|
list here for, so the HPR mailing list list. I know, as HGTBS called them for such lists,
|
||
|
|
lists.hpr. And you can get the archives there.
|
||
|
|
Yeah, I will make a note to add it to the show notes. There was one thing, Mark Rice, who is
|
||
|
|
Archersuch, who mentioned that he thought it was a good idea to have a contact in case of
|
||
|
|
emergency, a host willing to participate. But I don't think he got much in the way of response to
|
||
|
|
that. Am I right? Well, I'm not sure if, no, he hasn't. Let's just talk about that first.
|
||
|
|
This is as a result of the fact that Ron has, Ron has basically disappeared from the project. And I
|
||
|
|
don't know, you know, I don't know what the motivations are. I'm inclined to think that it's something
|
||
|
|
that's happened to him. I imagine he would have just gotten in contact with us. We tried text in
|
||
|
|
him. We tried sending a letter to him. But we haven't got any information. So if anyone lives
|
||
|
|
in around Baltimore area in the US, if you could give me, drop me a line. And maybe you might
|
||
|
|
be able to check up locally to see if he's doing okay. If he, you know, got annoyed at me being
|
||
|
|
a nutty, that's also fine. Gun noise or whatever, or just doesn't want nothing more to do with
|
||
|
|
the project that's also fine. It's just like to know that he's doing okay. And basically that. So
|
||
|
|
if you're in Baltimore area, can you give a touch? That's thing number one. And I think Yardship 72,
|
||
|
|
you know, there is a, there is a feeling that goes back to tattoo show there of our friends.
|
||
|
|
When, when are you just off the internet? I'm when have you moved on, you know, Guns Silent Key.
|
||
|
|
Show coming up about that shortly. So yeah, it's one to think about. So if you have thoughts on that,
|
||
|
|
my personal feeling is we don't have the bandwidth on the HPR, like the jammers just don't
|
||
|
|
have bandwidth on the HPR to do that for people. Also, when, so the idea would be, okay,
|
||
|
|
something happens to me. I got, I'm not available for a period of time. Dave has my contact
|
||
|
|
information and he can ring my phone, my mobile, or he has my address on the house phone and he can
|
||
|
|
contact me very to see what's going on and, you know, is everything okay. And that's sort of thing.
|
||
|
|
You know, we would do that and make the online community aware that you have, have basically
|
||
|
|
cast off this mortal coil or gone to the, the grape yand etc, etc. But as I say, there's a lot of
|
||
|
|
implications in this. Yeah, as to, yeah, it's a discussion. If people have thoughts, please respond
|
||
|
|
to the email thread, that will be great. You were thought instead.
|
||
|
|
Yeah, it's, it's, it is an issue, I mean, but I certainly have a notebook, which is in a,
|
||
|
|
a known place in this house where my kids can go and find all the relevant details,
|
||
|
|
sort of they need to, but yeah, to, to, to be passing that on to some central thing,
|
||
|
|
which is sort of essentially what's being proposed here, takes you into a different sort of realm,
|
||
|
|
partly because you, you need to have a mechanism or machinery to handle it all and to,
|
||
|
|
you know, keep it secure and, and disseminate it to whoever needs it. And that's sort of stuff.
|
||
|
|
It's a, it's a whole complication that needs a lot of thinking about, I think.
|
||
|
|
Yeah, and it comes down to trust again, which is another issue related to both one of spoon
|
||
|
|
shows and, and tattoo shows. You know, maybe it's not necessary to give it to, to everybody,
|
||
|
|
you just give it to three of your internet friends. And, you know, they then can kind of be trusted
|
||
|
|
to know if you disappear, that, okay, I've sent my contact information to you three, and then,
|
||
|
|
you know, you, you know, like the telephone, telephone three for parents back in the day,
|
||
|
|
do you remember that? Yes, yes, that's a good point, I should have forgotten that.
|
||
|
|
Yeah, maybe that's enough. Yeah, yeah. So you, you have two people in common, but yeah, you do,
|
||
|
|
and the tree expands. Anyway, what thoughts about that would be, would be welcome.
|
||
|
|
I do want to mention there, he's beyond mailing list address change. So we moved the mail list
|
||
|
|
to a new email address. Ron was busy doing that, but we had to take it over, and I just basically
|
||
|
|
outsourced it to mailman.net, who do a mail list, who I've already
|
||
|
|
having doing a mail list for the neighborhood, and I've used them for three years without any problem,
|
||
|
|
they, they keep everything up to date, and I don't need to worry about it.
|
||
|
|
It's at a separate subdomain, and we consciously put it on the dot com icon public radio dot com versus
|
||
|
|
dot org. So if the idea being that if anything happens, the dot org domain, at least we can still
|
||
|
|
communicate via the dot com domain, and if anything happens to dot com domain, then we have the
|
||
|
|
information to contact you via the dot org domain. So that's kind of the idea there. It's also on
|
||
|
|
its own subdomain. So lists dot hacker public radio dot org. So if you're just sending in a new
|
||
|
|
mail list to the HPR, it's no longer HPR at hacker public radio dot org. It's HPR at lists dot hacker
|
||
|
|
public radio dot com. I'll say that again, it's HPR at lists dot hacker public radio dot com. That is all.
|
||
|
|
Okay, we have two other things to mention in the any other business part of the notes.
|
||
|
|
There's the OLF conference was also right September 8 and 9, called for presentations.
|
||
|
|
So if you're going to OLF, called for presentations is open. Okay, and that's it. Thank you,
|
||
|
|
OLB. I just put in an article about the static site and how things are moving forward with it.
|
||
|
|
It was mentioned in the last community news and we moved everything to new server and the new
|
||
|
|
and the static site written by Byron is being used to generate the non-interactive part of the
|
||
|
|
website. And we've there've been issues with it. There've been bugs and that type of thing. We
|
||
|
|
solved a lot of them by sort of work around, but we've also been working on fixing them in the
|
||
|
|
static site software to get it all working. And I wouldn't say that we've we've got them all yet,
|
||
|
|
but we're we're making reasonable progress on fixing them. So they'll gradually get better as
|
||
|
|
time goes on. And it's a let us know. Yeah, go on, sorry, Ken. And vast majority of issues are either
|
||
|
|
I didn't explain properly what we wanted or you know, it was just it I wouldn't put it down to
|
||
|
|
Roans, according its interpretation of the way things were done are and things changed
|
||
|
|
that a lot of the some of the changes were that we didn't have things in the database available
|
||
|
|
and now they are, etc, etc. So it was in what what he was attempting to emulate was a very complex
|
||
|
|
system that it evolved over over years, I guess, isn't it? And and maybe wasn't fully explained
|
||
|
|
and and also we were caught on a way as with we're getting it all together by the the need to move
|
||
|
|
off to a different server. So you know, the original timescale was by the end of this year to have
|
||
|
|
it moved across, but we had to get it done by June mid June, I think, wasn't it? And so, you know,
|
||
|
|
it's not surprising that there were loose ends there. But in fairness to Roan and the cold,
|
||
|
|
the vast majority of stuff was just when we had edge cases like when you zoomed to the laser show,
|
||
|
|
it went to the latest one and it didn't publish beyond today, which was fine, but we needed
|
||
|
|
those extra ones for the for the queue is for the day today 90% 95% of the daily operation of the
|
||
|
|
website, it worked absolutely fine. So credit where credit is to you. Absolutely, yeah, yes, and
|
||
|
|
Roan, what I said in this thing here, this software is excellent and we certainly appreciate
|
||
|
|
the quality of what was done. And plus also, after you get your head around it, I think he was going
|
||
|
|
to document stuff a bit later on as you do, you get it working and then you document it. So we're
|
||
|
|
lacking documentation a bit. So it's been an exercise of working at how it all works, but it's
|
||
|
|
some it's actually really nicely put to it. It's very, very, very cleverly built. So
|
||
|
|
adding stuff to it and maintaining what's there and so forth is it's pretty straightforward thing
|
||
|
|
to do. Once you've got your head around where which bit does what? It's it's a one
|
||
|
|
pearl script running the whole Shebang from a configuration file and the configuration file
|
||
|
|
nominates lots and lots of templates using a pearl template toolkit stuff and the templates
|
||
|
|
it do a lot of the the donkey work of putting it together web pages or running queries and in
|
||
|
|
some cases generating XML in order to make the final product. So once you you know which one to
|
||
|
|
go to to to change that comma to semicolon or whatever is you having to do, then it's pretty easy
|
||
|
|
to to to fix. And also that templating system is fairly generic now on other languages. It's the
|
||
|
|
same templating system that's used in Python. So if you think oh I heard pearl been mentioned
|
||
|
|
over there. The pearl script all that's doing is with the templates it generates the files.
|
||
|
|
So the templates are more in an abstract high level language that is fairly easy to follow.
|
||
|
|
Actually it's kind of HTML and then you see here there's a loop in this section and then you
|
||
|
|
see that they're calling something over here. It's all fairly followable. Yep, yep. Well you can
|
||
|
|
embed pearl in the templates but Ron hasn't done that and I think quite quite that was a decision
|
||
|
|
he made from the from the get go and which which I fully applaud because you know it's nice for
|
||
|
|
pearl hackers to go and plug around with that level of stuff in the template but not for anybody
|
||
|
|
else. And the whole idea of having templates is that you can pass them to people who don't have
|
||
|
|
nest the full skill set. I think they originally came out of a scenario where where the developers
|
||
|
|
come were putting together stuff to run a website but the then you had another team who is
|
||
|
|
really HTML experts who didn't want to get into the programming aspect of it given that HTML
|
||
|
|
is not really programming in the normal sense. And so they could they could go to the template,
|
||
|
|
tweak the HTML, do CSS, whatever's and stuff without ever needing to get near to the programming
|
||
|
|
area. So and that's been implemented well I think in this in this particular case and it's
|
||
|
|
proving to be good to work with. Now it's fantastic it's I really like it it's clean and it's a
|
||
|
|
nice way of producing sites and it's kind of logical as well. And so any of the weirdness and
|
||
|
|
associated with our as a result of our concept of now and tomorrow and yesterday and linking stuff
|
||
|
|
both. I really think you could take this and I was thinking of taking this and using it
|
||
|
|
to update my blog going from work just back to this. This is quite simple. Yeah yeah yeah absolutely
|
||
|
|
absolutely. You know it's a very nice implementation. Okay so the other subtle changes the reserve
|
||
|
|
queue that you you wanted to have an item in about your own way to talk about this.
|
||
|
|
Shall I do it because you've been moving. Yeah sure. And I also asked you to put it in so we had
|
||
|
|
the situation the other day where there was a free slot and we hadn't it filled and then when
|
||
|
|
we filled it it went to the IA internet archive where we indeed asked again or something and
|
||
|
|
it ended up that the show got released but you could you can get into the queue when it was on
|
||
|
|
the website and the reason for that is we put it on the website and we don't make it available until
|
||
|
|
the metadata the media files are available which kind of makes sense. So everything was working
|
||
|
|
as normal but everything was working correctly but the abnormality was that it was later in the day
|
||
|
|
before it got published. Was that fair to say? Yeah yeah it was we missed the sort of midnight
|
||
|
|
deadline that we normally try and make by a few hours. So we have said that we're going to be using
|
||
|
|
the reserve queue more and you saw that this in the last week there were four shows that were
|
||
|
|
taken from the reserve queue and thankfully people are putting shows back into the reserve queue
|
||
|
|
so you have the option on upload whether you can schedule it if you want to schedule it that's great
|
||
|
|
you can also throw them into the reserve queue and we will free up those slots and we will be filling
|
||
|
|
those slots five to seven days into the future because we want to make sure that the internet
|
||
|
|
archive have enough time to process all the media files. That's right that's it. Yes we hadn't
|
||
|
|
quite worked out what the delay was likely to be between us getting the show already at the HBR
|
||
|
|
end and it being available on the internet archive and it can be very very quick within sort of
|
||
|
|
10 minutes or something but it can also be delayed for a day or more so you need to have
|
||
|
|
to be prepared for it being one of those bad days that's the reason.
|
||
|
|
Just about the issue so all the source code for HBR is now available on the HBR
|
||
|
|
repo which is repo.anonasource.net and if you log in there you get access to or you can get access
|
||
|
|
to the HBR website. I think the code is actually available now without having an account.
|
||
|
|
I wasn't logged in the other day and I was able to see it so that's good you in order to do
|
||
|
|
anything you need an account and that's very enough. So there are things that are still not in
|
||
|
|
the repo and that is static files but as we go through the website we will be adding those into
|
||
|
|
correct places and we will be deleting all the repuls and stuff so that everything is reflected.
|
||
|
|
So we currently have 10 open issues onto the old source code website and those relate to feature
|
||
|
|
requests that we wanted to implement and that have us yet not been implemented. We've got 13
|
||
|
|
issues on the stuff like updating the null values allowing episodes to have multiple hosts
|
||
|
|
and allowing series to have multiple series. Uploading shows to youtube adding links to
|
||
|
|
hookershaws doing pgp keys for host emails. Do we want an atom feed and improving
|
||
|
|
download of greptire images so that's what's there related to the HBR generation itself.
|
||
|
|
We've got 23 issues open which I won't go through because they're there and they're
|
||
|
|
13 related to the HBR hub website which is you know the general HBR website.
|
||
|
|
Not really sure the best way of posting bugs actually was anyway post a bug and we'll get to it.
|
||
|
|
That's all I have to say, Dave. Yes, yes. I was distracted there looking at the website.
|
||
|
|
Yeah, sometimes we did a show where we run and I did a show where we go through and open an issue
|
||
|
|
and close up but well there's so much that we're doing now that what Dave and I are going to be
|
||
|
|
doing is we will do some stuff fix what we see as we're going along and then just post a
|
||
|
|
ifix and and then it's documented so it's not you know this push is fixing five different issues
|
||
|
|
or addressing at least five different issues maybe not fixing them all but that's the way it's
|
||
|
|
going on. But it is good actually it's it's great to be able to go score blah blah blah and
|
||
|
|
file an issue and then it's in one place. Yeah yeah we've missed this for years really and we
|
||
|
|
we didn't have a have a mechanism and when we did have a mechanism we didn't really know
|
||
|
|
the best way to use it I guess it's fair to say so I certainly didn't anyway but well a lot of
|
||
|
|
the issues with the oil coat we couldn't have done on the other one till we moved to this new site
|
||
|
|
so now we can address them and some of them think like the atom feeds do we really need it it's like
|
||
|
|
yeah we could do it but it's just something else to manage what's the point yeah most people
|
||
|
|
use RSS anywhere else so yeah yeah no that's fine I think it's it I'm seeing it as being a
|
||
|
|
a manageable thing even though we're we're just the two of us looking after it we're we're making
|
||
|
|
headway so and I think it's helped a lot by the fact we've got obviously we've got this excellent
|
||
|
|
code to work with but we've also got a get repo to to work properly yeah several several get
|
||
|
|
repose to be honest but yeah so yeah it seems things look pretty good okay I don't know
|
||
|
|
of anything else I'm gonna go and hopefully the weather I'll be improved that we can do something
|
||
|
|
with the shed we will see yep stop round the outside no nothing else okay tune in tomorrow for
|
||
|
|
another exciting episode of hacker public radio you have been listening to hacker public radio
|
||
|
|
at hacker public radio does work today's show was contributed by a hbr listener like yourself
|
||
|
|
if you ever thought of recording podcast and click on our contribute link to find out how easy it
|
||
|
|
means hosting for hbr has been kindly provided by an honest host.com the internet archive and
|
||
|
|
rsync.net on the Sadois status today's show is released under creative comments attribution 4.0
|
||
|
|
international license
|