453 lines
17 KiB
Plaintext
453 lines
17 KiB
Plaintext
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Episode: 4256
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Title: HPR4256: Birds of a Feather Talk at OLF 2024
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Source: https://hub.hackerpublicradio.org/ccdn.php?filename=/eps/hpr4256/hpr4256.mp3
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Transcribed: 2025-10-25 22:07:49
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---
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This is Hacker Public Radio Episode 4256 from Monday the 25th of November 2024.
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Today's show is entitled, Birds of a Feather Talk at O-LF 2024.
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It is the 20th show of Facerre and is about 17 minutes long.
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It carries an explicit flag.
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The summary is, Lyle and Fispeak some nonsense to make other people make shows.
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So, uh, hi, welcome.
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We're, uh, here to talk about Hacker Public Radio and encourage you all to start listening
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and start contributing, because we need shows.
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We always need shows.
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So, what is Hacker Public Radio?
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It is a podcast powered by an international community producing shows every weekday, Monday
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through Friday.
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Every episode is recorded by a member of the community, uh, sharing their passion and expertise
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on a truly staggering number of topics.
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Who are we?
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Lyle, I'm an IT professional with, uh, 15 plus years of experience, doing all kinds
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of stuff, different verticals, different size companies, all kinds of stuff.
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Yeah, and so I'm Taj.
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I work in the education sector in higher ed, um, but I'm in a past life.
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I was an audio engineer, so we decided a recovering audio professional was the way to state
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that.
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Uh, we've been contributing to HPR and other community podcasts for over 10 years, but
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we're also just folks.
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We want to see the community grow and help out.
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So, how do you get involved?
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First of all, you can start listening to Hacker Public Radio.
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It's usually pretty cool.
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And the best part is, if you come up to an episode you don't like, there's a great button
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on your pod catcher.
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It's called Next.
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Yeah.
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You can join the community discussions on Matrix and on the mailing list.
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Can we decide to have a master on what we forgot to put on here?
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There is a master.
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There is the master on.
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We forgot to put it on.
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No, I know we didn't.
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Um, but really record a show.
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Yo, kind of show.
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Special if you know what that means.
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If you know, if you don't.
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All right.
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We've now set aside time for objections and excuses.
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So, Mark, what do you have?
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Excuse, please.
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Am I even good enough to have been past the center of this point?
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So, no, and there's still such thing.
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There are shows that are five minutes long, there are shows.
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I mean, and then there's a New Year's Eve show.
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The New Year's Eve show, which is four or five hours.
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But, cutting to four or five hour chunks, it's a 24 hour show
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that they cut up and release after the New Year.
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So, and I mean, there have been something that have been,
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I think, as short as like 40 seconds.
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Yeah.
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So, however long it takes you to say what you want to say.
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So, a common, common reasons people say that they can't do a show
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is they think they don't have anything interesting to say.
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They're wrong.
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They don't have something interesting to say.
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Mark, put your head out.
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You just did a whole presentation on interesting things to say.
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Who really thinks that they don't have something interesting
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that you talk about for five minutes,
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that nobody else would want to hear about?
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Good.
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Oh, good, I don't have to argue with you.
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That's the best place.
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Just me.
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Right.
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We came prepared for that outcome.
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So, the next one is, you think your audio quality is bad.
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We're here to help, but also it's fine.
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Yeah, so the meme with HPR is that I'm the guy that cares
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about everybody's audio quality.
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So, if it's something that you're really worried about,
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there's actually a series of episodes
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that I did about how to fix your bad audio quality
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and just basic audio engineering principles.
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One of the things that a lot of people are like,
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well, what do I record on?
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What device do I use?
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You can use a phone.
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We were talking about one of our friends.
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He has one of the Sans Eclipse, the old MP3 players.
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He literally clips it on the brim of his hat
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and records a podcast.
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And it doesn't sound terrible.
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No, I mean, he does zero post-processing
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because that would be work and he doesn't do that.
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I'm just hoping he listens to that, so that's a big frame.
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But...
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Are you recording one right now because it would be great?
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Yes, this is the meta of this whole thing
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is that we are making an episode right now.
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This is being recorded and when we get to the second half
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of this, we are actually going to edit and upload it.
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So, you can see right here.
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Specifically, because I'm going to tell you, it's easy.
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But then we're going to show you that it's maybe not so hard.
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So, uploading a show is hard.
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Yeah, we're here to help.
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We're going to show you how.
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You have other questions?
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You know who to ask?
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Well, it's us.
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That's what we're here for.
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Yeah, and you'll get contact information for us
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at the end of this.
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I think right there, actually.
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Hey!
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There we go.
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So, any questions besides the ones that we run up
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that people want to ask real quick?
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Content moderation?
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Ah, this is a no, right?
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Yeah, this is a wonderful thing.
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There is intentionally no content moderation.
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Now, that has led to...
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I think they've pulled maybe one or two shows
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in the history of Ever because something was said that was...
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Because it is international, we have to be...
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Very considerate of all the laws,
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and somebody said something that would be considered illegal
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and a certain jurisdiction, so that episode had to be pulled.
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I think they pulled one or maybe failed to post something
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because of copyright, and the janitor's stance is...
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I know you think it's fair use.
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Fair use is an active defense.
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My name's the one on the domain registrar.
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I'm not doing it.
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That's not me.
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That's the janitor's position.
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So, and just for people who don't know,
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the way that HPR works is sort of the admins
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we don't call them admins, we call them janitors,
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just because it's fun.
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And so, they're the people who make sure
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that the shows go up, and because of some of the laws
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and certain jurisdictions, if they have heard a thing
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and then publish it, they're held legally liable,
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but if they publish it without hearing it, they're not.
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So, that's one of the reasons
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there's not any content moderation.
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There have been some issues when people post things
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that are sort of not cool to a lot of people,
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and then we're basically a self-policing community.
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There have been some people that are no longer part
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of our community because they were sort of ostracized
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for their opinions that they were sharing.
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But also, the janitors are called janitors
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because they're not in charge.
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They do not set policy.
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They implement policy decided on by the community.
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They are very, very clear about that.
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They do not make decisions, except for a few things
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that would impact them personally.
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They implement the decisions of the community.
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That's why they've chosen the name janitors,
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not administrators.
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And all of the policy is decided by the community
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on the mailing list.
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So, anything that changes in policy is put up
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and then people make comments on it.
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And if somebody says no, then there's a discussion
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about it, and that's happened, where we kind of modify things
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back and forth until we get something
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that everybody agrees on.
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And I was going to say something else,
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and I've already forgotten what I was going to say.
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But that's, oh, there's multiple levels.
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So, like the janitors are kind of at the top
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and anytime something that is, I don't want to say,
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something where they want to know
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if they made the right call.
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There's another level called auditors.
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So, like I'm an auditor.
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So, if Ken, who we made the joke about,
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you owe Ken a show, Ken is one of the janitors.
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If he needs to have an interaction with somebody
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that is about policy, that email goes to all the auditors
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and the person that is going to.
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And then I think there's been a couple times
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where it's been sent before it's been sent.
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So, everybody has to approve it before it goes out.
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So, that's sort of how we police our own people.
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Yeah.
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So, listener figures, any idea?
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Kind of.
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We know it's in the thousands, like per day.
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I've heard much higher numbers.
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It's always a game of like, I know that like my device
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is like downloaded three times a day, right?
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So, how many, especially because it's hackers,
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how many people are doing that on the regular?
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Like, how inflated is the number we don't really know?
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But then it's also potentially deflated
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because it's syndicated on other services
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kind of with or without people's permission.
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Yeah.
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Everything has to be by essay.
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I was gonna say, that is the thing we did forget is
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that unless you specify otherwise everything is,
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I believe by essay, there's creative comments,
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attribution share alike.
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By essay four now.
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Yeah, we've made the change to four.
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Occasionally, I've heard people specifically
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designate their episodes as less restrictive,
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never more restrictive.
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Yeah.
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And that, again, that's a legal thing.
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But I know there have been places where
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HBR has been aired on the actual radio
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because it's something that can be put on the radio
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as long as that person vets that it, you know,
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here it would be the FCC or wherever it is
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that it meets those qualifications.
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But anybody can do whatever they want with it.
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The other thing I remember reading on the site,
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as I was preparing for this, that I think is worth mentioning,
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because of the way that a lot of the larger feed,
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RSS feed infrastructure is set up.
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HBR is tagged as explicit on the feeds.
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And then I believe you can specify whether or not
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it's explicit in the tag for your show.
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But that is more of a community tag where
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the headers will tell listeners whether it's explicit
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or not per show.
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But in the feeds, it is marked as explicit
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because there's no moderation,
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because people will choose to represent themselves
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however they see fit.
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And sometimes we've had the conversation
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that what is explicit in one place
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is maybe not explicit in another,
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or like certain words might be really taboo to say
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in America that are fine somewhere else, right?
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And so a lot of times it defaults to explicit
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and then you can say it's not explicit.
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But I think pretty much everybody
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makes their stuff explicit at this point, just to be safe.
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I would say not because the content is always explicit
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but simply because it is safer to leave it on by default.
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Yeah.
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Other questions, comments, concerns?
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What is an essay?
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Creative Commons attributions share a like,
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which I believe means it is you have to attribute
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where you receive the audio, work from,
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and distribute it under the same license.
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So if I made an episode about, I don't know, camels,
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just for a random, and trust me, there have been episodes
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that is not the most random.
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We always talk about the things that, you know,
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people think hacker and public radio,
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they think it's all like very technical stuff.
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It's really not.
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Probably this is the example that everybody kind of goes
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back to in the HBR community,
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is that we have one of our members, Clotu,
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who did a whole series on urban camping,
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like how to camp in your office
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or how to camp in your car and stuff.
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And it was fascinating and everybody loved it.
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We had another episode where one of the contributors
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was like literally inside of his well,
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trying to like fix something in the well
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while talking about like beers.
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And he published it and everybody was like,
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okay, I guess it's of interest to hackers
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because that's kind of the, as long as it gets
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by that very low threshold, then you can publish it.
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So that's sort of, and where it is.
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As a member of the community for me,
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the of interest to hackers is, are you excited about it?
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Somebody's probably going to be interested
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in hearing about it, even if they're only interested
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in hearing about it because you're excited about it.
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I was gonna pull up and see like what the topics
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for this week work is that would be an interesting.
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Dead air, we're not allowed to have a talk while
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truncate silence is the thing.
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Oh, yes, it is.
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So somebody did a show about playing Civilization 4,
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which has been a whole series where he's gone
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through every Civilization game telling you
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like everything about it, which is hilarious.
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How to stream audio streams on the command line,
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which I think was CVLC was what he was using.
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Somebody interviewing somebody from Aug Camp
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that just happened, somebody installing Geeks,
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which that's of interest to hackers.
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And then somebody just talking about podcasts and TV shows
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that they listen to, which is kind of one
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of the common things that people do.
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When you first start, kind of the suggestions
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are like an introduction episode, like,
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hey, this is me, this is how I got into whatever.
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You'll probably find out through listening to it
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that it's very heavily like Linux open source based.
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There are people who aren't that come on
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and do Windows stuff, but most of us are kind
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of more into the open source world.
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So a lot of people do their like first episode is,
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hey, this is me, this is how I got into Linux
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or this is how I started playing with computers.
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How I got into Linux, what's in my bag?
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What's in my bag?
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Podcast recommendations.
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Those are a lot of the, get to know you type episodes
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that a lot of new contributors do.
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Yeah, people do like random movie reviews
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that's happened before.
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We used to do a thing where we, and us too specifically
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with some other people, would do an audio book club
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where we would find a freely available, like,
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Creative Commons audio book, and we would all listen to it
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and just get together and have a session club.
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And there were times where we could get the author
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to come on with us, which was, that was cool.
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I was trying to remember how many times that happened
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at least twice.
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At least twice, yeah.
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Does that two count lost in Bronx?
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Oh, three.
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Nevermind.
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I was gonna say, I don't remember that's two
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and lost in Bronx or two counting lost in Bronx.
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Yeah.
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He's the guy that doesn't like work, by the way.
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Yeah.
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That's a dig.
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Shocking.
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Shocking.
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I'm sure in six months, when he listens to this,
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get a record, get a record and score in spots.
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Anything else?
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Yeah.
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I'm late, so I missed your presentation.
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Okay, we'll start over.
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Go back to slide one.
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This is online.
|
||
|
|
This is an actual radio with radio signal.
|
||
|
|
Correct.
|
||
|
|
Yeah.
|
||
|
|
The hacker public radio is a community podcast
|
||
|
|
published Monday through Friday with episodes
|
||
|
|
from the community members.
|
||
|
|
I was like, are you gonna do the whole opening
|
||
|
|
should be out?
|
||
|
|
Like, do you know it by heart?
|
||
|
|
Cause it sounds like you do.
|
||
|
|
Yes, I do, no, I'm not.
|
||
|
|
Okay.
|
||
|
|
I'm sorry.
|
||
|
|
You have an RSS?
|
||
|
|
Oh yeah, yeah, yeah.
|
||
|
|
It's spoilers.
|
||
|
|
If it doesn't have an RSS feed, it's not a podcast.
|
||
|
|
Why?
|
||
|
|
I will die on that hill.
|
||
|
|
I will, too.
|
||
|
|
We don't need to talk about that.
|
||
|
|
You don't see an Android, listen to podcasts and go ads.
|
||
|
|
It's great.
|
||
|
|
Yeah.
|
||
|
|
There are no ads on this ever.
|
||
|
|
I've got to say, you can always listen to HVR,
|
||
|
|
but no ads.
|
||
|
|
There are no ads.
|
||
|
|
Although sometimes when somebody's talking about a thing,
|
||
|
|
it basically isn't ad, cause we're like,
|
||
|
|
this is so cool.
|
||
|
|
You've got to do this.
|
||
|
|
The bigging for shows could probably technically
|
||
|
|
be something of an ad.
|
||
|
|
Yeah.
|
||
|
|
It's not for your labor, which are for shows.
|
||
|
|
And that's one of the things with it,
|
||
|
|
is because it is volunteer driven,
|
||
|
|
and it is five days a week, trying to get people
|
||
|
|
to contribute enough to keep it going.
|
||
|
|
I think I forget exactly how long it's been going on
|
||
|
|
in this form, it's mutated from different shows
|
||
|
|
to this one, but I want to say,
|
||
|
|
it's like at least 15 years, if not more,
|
||
|
|
that it's...
|
||
|
|
Some guys, the people were the techie, the seeded it.
|
||
|
|
Right, and then Ben Rev was before that, so, yeah.
|
||
|
|
I mean, having a community that can pull that off,
|
||
|
|
but then we always run into, like,
|
||
|
|
during the summer, or usually during the holidays,
|
||
|
|
everybody's busy, and so there's like this thing
|
||
|
|
where we're all getting on the mic,
|
||
|
|
we're like, please, please, please, please,
|
||
|
|
please, please, please, please, please, please, please,
|
||
|
|
and then, you know, we scratch together
|
||
|
|
enough to make it happen.
|
||
|
|
But that's sort of why trying to do some outreach
|
||
|
|
and try to get people involved, at least to listen to it,
|
||
|
|
and then maybe decide, hey, I wouldn't mind doing one of these.
|
||
|
|
Yep.
|
||
|
|
Because what we see a lot of, and we are always trying
|
||
|
|
to help out with, is we have five, six people
|
||
|
|
in the community who make a massive number of shows,
|
||
|
|
and what we don't want is to be, you know,
|
||
|
|
five days a week with five hosts,
|
||
|
|
a show by each one of them every week, and burn them out,
|
||
|
|
and then, there's no way...
|
||
|
|
No more yelling at anyone.
|
||
|
|
The decision has been made for years now.
|
||
|
|
If the queue is empty, and the reserve queue is empty,
|
||
|
|
and there's a day goes by without a show,
|
||
|
|
that's the end of HB.
|
||
|
|
We're rolling up the sidewalks.
|
||
|
|
So, so far, we managed to avoid that.
|
||
|
|
But, we've gotten very close.
|
||
|
|
So close, like, everybody's like,
|
||
|
|
I've got to make an episode, like, in the next 20 minutes,
|
||
|
|
or, this is not gonna fall apart.
|
||
|
|
You got 40.
|
||
|
|
Oh, what was it?
|
||
|
|
You got, no, no, right now, you've got 40.
|
||
|
|
Oh, yeah, we're good.
|
||
|
|
We're good.
|
||
|
|
We'll get it up there.
|
||
|
|
Going once, going twice.
|
||
|
|
All right, let's edit a show.
|
||
|
|
Let's do it.
|
||
|
|
If anybody wants to see this,
|
||
|
|
we'll put it back up later,
|
||
|
|
but Taj is going to switch over to his setup.
|
||
|
|
And...
|
||
|
|
You have been listening to Hacker Public Radio
|
||
|
|
at HackerPublicRadio.org.
|
||
|
|
Today's show was contributed by a HBR listener like yourself.
|
||
|
|
If you ever thought of recording a podcast,
|
||
|
|
then click on our contribute link
|
||
|
|
to find out how easy it really is.
|
||
|
|
Hosting for HBR has been kindly provided by
|
||
|
|
an honesthost.com,
|
||
|
|
the internet archive, and our syncs.net.
|
||
|
|
On this address status, today's show is released
|
||
|
|
under Creative Commons Attribution 4.0 International License.
|