545 lines
30 KiB
Plaintext
545 lines
30 KiB
Plaintext
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Episode: 984
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Title: HPR0984: Going Linux: Introduction to Podcasting with Linux
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Source: https://hub.hackerpublicradio.org/ccdn.php?filename=/eps/hpr0984/hpr0984.mp3
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Transcribed: 2025-10-17 17:00:08
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---
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Welcome to the Going Linux Podcast on Hacker Public Radio.
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In this episode, podcasting with Linux, an introduction.
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I'm your host, Larry Bushy.
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And I'm your co-host, Tom.
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Going Linux is designed to provide you with practical, day-to-day advice on how to use
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Linux and Linux applications to get things done.
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If you are new to Linux, moving to Linux or just thinking about going Linux, then this
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podcast is for you.
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And in today's episode, we're going to talk about how to record a podcast using Linux.
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For those of you thinking about doing your own podcast, we hope you'll find this and
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allow our episodes helpful in learning about Linux and its applications and using them
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to get things done.
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This episode is about how to use the software that is available in Linux to record a podcast.
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Sure.
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And we've had a few people ask about how do we record our podcast.
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So in thinking about that, I thought we'd take this episode and the next user experience
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episode to discuss this is a topic on our podcast.
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So it's kind of a recursive thing.
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We're podcasting about how to create a podcast on our podcast.
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Wow, that's deep.
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Not deep, it is, but it's definitely recursive.
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Okay, so let's go ahead and give an overview of the software and the hardware that we use.
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I know you covered that in a listener feedback episode a couple of years ago.
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And we can also talk about some of the other options.
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Right.
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So let's in particular discuss how someone might do this for free.
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There's certainly some more expensive ways to do it than free, but let's kind of concentrate
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on the free way of doing a podcast.
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Right.
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So let's keep it simple for this one.
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And then in the advanced episode, we'll talk about an application we both know something
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about.
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Audacity.
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Right.
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Audacity in our advanced episode will discuss how to use it.
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Audacity to record and edit a podcast like ours.
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Great idea, Tom.
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Sounds like a plan.
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So let's start our introductory episode with an overview of how to record an audio podcast.
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Of course, your podcast doesn't actually have to be about Linux to use Linux for recording
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the podcast.
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Regardless of the topic of your podcast, there are definitely some advantages in using Linux
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to record it.
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Right.
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A lot of people thinking about starting a podcast might be uncertain that they'll want
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to stick with it.
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And that does happen.
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I think they call it pod burn or something.
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Using your existing computer, the Linux operating system and Linux applications, if you're
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just starting out.
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You can record a podcast for free or close to it.
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Yes, even if you are sure you want to take podcasting seriously, why pay more than you need
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to to record your podcast?
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That just seems silly.
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Exactly.
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Using Linux and Linux applications can make recording any sort of audio or even video
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podcast extremely affordable for anyone.
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Yes, we've had Dan Sawyer on our show a couple of times.
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He operates a professional audio and video production studio using Linux.
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And if I remember right, that's Dan's source of income, that and writing articles for Linux
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magazines.
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Right.
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So let's start with what do you need in the way of hardware and software to record a podcast?
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Well, first of course, you need some kind of recording device.
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Some people use a Zoom H2 or other standalone recorder and some use a Nokia N810, Internet
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tablet.
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And I know a guy over in England that uses a Zoom ZUNE, it really sounds pretty good.
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And we use a computer and software.
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Once we have the file recorded, we need a way to edit that file, somewhere to post the
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show notes and the episodes themselves and a podcast feed for subscribers using podcasting
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software.
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Right.
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And as far as editing goes, you really don't have to do that if you're really confident
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that you can say what you're going to say without mistakes.
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Just like us.
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Yeah.
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We never edit this.
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Never.
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I wish.
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And by now, if you're still listening, you likely already know what a podcast is.
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But in case you don't or in case you need a refresher, we'll provide a link in the show notes
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to our page describing how to subscribe to a podcast.
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There's a common craft video on that page entitled podcasting in plain English.
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So let's start with the hardware, Tom.
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It has been accumulated since 2005 when I began podcasting.
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I have now a computer that is made by HP, which is a fairly new computer, just a few months
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old, even though it's probably an antique by now.
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The way computer technology moves ahead.
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But it has a fairly fast processor and all the things that you need in terms of inputs
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and outputs to make it work.
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And really, for most of the recording, you're going to be doing you simply need a USB input.
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And maybe the standard audio inputs and outputs depending on what you're going to be using
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to do the recording.
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The headset I have is a set of headphones and a boom mic combined.
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I was using it for the first few episodes to record the podcast.
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Now I use something different for a microphone.
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But I still use these as headphones for monitoring and when I do the editing.
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It's a Logitech, Notebook, headset, USB and analog mic.
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So I'll include links to some of these things in the show notes just so that you can see
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what our hardware looks like.
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So that's what I use for a monitoring headset.
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The microphone is an audio-technica ATR 30.
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I've been using this since I switched over from the headset and it's worked quite well
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for me.
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I don't know if many of our listeners realize that I was doing another podcast before this.
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And this particular microphone I used for that as well.
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And we had our own hardware at work for doing this, including a mixer.
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We were using an Alicis Multimix 8, which is a mixer with 8 channels that plugs into
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the USB port on your computer.
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And I found that so useful that I went and purchased one for use here on the going Linux
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podcast.
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And we've been using it ever since on my end of the conversation for doing the recording
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and doing the mixing and running it through a mixer actually took some of the noise out
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that was inherent in the old IBM ThinkPad that I was using before my HP computer.
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And that's for anyone doing a podcast.
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If you do find that your computer introduces a lot of noise when you're trying to do recording,
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it's probably your audio card or maybe even the audio jack.
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And by using a digital input like a USB input, whether you have a USB microphone or whether
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you run it through a USB mixer like I'm doing, that will virtually eliminate that noise,
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that background noise that you get that's inherent in some audio cards.
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The mixer isn't absolutely necessary, right?
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No, it's not necessary.
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You can use a headset mic like the one we first started out with here.
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You can use a USB mic that plugs directly into your USB port.
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And the advantage of using a mixer is that you can take multiple inputs and record them
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on your computer through a single USB input.
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You can also change the level of the different inputs.
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So if you have one input that's a little bit softer than another, you can boost it by changing
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the volume level on the mixer itself.
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And it just gives you additional flexibility that you don't have if you have a single input.
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And of course, the final thing that we use here on going Linux to produce our podcast
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is a telephone.
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And I have one of those.
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Right.
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Right.
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Me too.
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Well, that starts your list of hardware, Tom.
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And I know you're going to go on for like 20 minutes here just talking about your hardware,
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right?
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Yeah.
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OK, you got as far as antics go, you got nothing on me.
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I cobbled this thing together in 2002.
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I don't even remember what's in it anymore.
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It's got an 800 megahertz Duron processor.
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Wow.
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Yes, sir.
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Yes, sir.
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And it does have the latest high tech duct tape holding it together.
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That's a prerequisite, isn't it?
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I got that going for me.
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The headset is a Sony PlayStation headset and it's got a USB connector on it.
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So that's good.
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I get to bypass my audio card.
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And it's the kind that just has an earpiece on one ear and a boom.
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OK.
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And I need that because my other ear has the the bud and the microphone for the telephone
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in it.
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So I'm listening to you in one ear and it's a it's stereo.
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Yes.
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Yeah.
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And I've got a cell phone in my shirt pocket and that's my whole setup.
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Well, and that kind of shows you the fact that you really don't need a lot of modern hardware
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to sound good on a podcast.
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You're using a fairly old computer, a simple PlayStation headset.
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And I know we've played around with various headsets to try to get the sound a little bit
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better and one of the headsets you tried was the boom mic was moving around and crackling
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a lot, creating a lot of pops and clicks that I had to edit out.
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And unfortunately, if a pop happens while you're talking, you just can't edit that out.
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So some of them came through in the recording.
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So you have to watch for that kind of thing.
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So you want to do a little trial and error recording before you actually publish something.
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That was actually this headset, but I replaced the vinyl cushion with a fabric one that came
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with it and that seemed to help a lot.
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The thing is, if my head, if my face moved at all, the vinyl would rub on plastic and make
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that popping sound.
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So I could have either done what I did and replaced the material on the cushion or had
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major Botox injections to kind of face for more.
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Well alternatively, you could have gone down to the local hospital and asked if you could
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borrow one of those big halo contraptions they used for brain surgery.
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Yeah, it screwed into my skull.
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Yeah, I would have held your head very solidly.
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Probably not the average podcaster's hardware they would want to use, but it's an option.
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Yeah, something to keep in mind.
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All right, so let's get into software.
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Now starting off on my side, I'm using Ubuntu 8.10 to do the bulk of the work.
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And for the recording, I'm using Audacity, the current version that's installed on my
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computer is 1.3.5, which may be the standard version that's available in the Ubuntu repositories.
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I'm also using the Medi Ubuntu repository.
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So it may be that that version of Audacity is one level up from what comes out of the
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box with Ubuntu.
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I'm not sure I haven't checked.
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And the lame encoder version 3.98 is what's installed on my computer.
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And that encoder, if you install the Ubuntu restricted extras, that's one of the things
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that it installs, and what that allows you to do is to convert your audio recording
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into MP3s.
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Now there are other ways to convert your files into MP3s, but I do it from Audacity
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after we do the recording in the editing.
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I export the recording in three different files.
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One is a wave file, and I export it in a wave format, primarily because that's a...
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Lossless.
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...format that is not lossy, in other words, you don't lose any of the quality.
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And I use that as a backup in case I have to recreate the other two files.
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And the other two files I export directly from Audacity as well.
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One is the AUG format, which is the open source and free audio format.
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And the last way, of course, is MP3.
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The MP3 and the AUG, I then post to the site where we store our files, and those are
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the two files that you actually download into your pod catcher, or you play directly
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from the website, depending on how you listen to our podcast.
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Right, right.
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And as far as software, I'm using Zubone 2, 8.10, and the same Audacity as you, 1.3.5.
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And I don't remember what made MP3 work, but I guess that was lame also.
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Yeah.
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Audacity is what Audacity uses by default.
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And if you have it installed on your computer, or the first time you start up Audacity, it
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goes and finds it and automatically sets that up.
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In the past, in the former versions of Linux that we've used, and even in Windows, when
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I was using that for the other podcast to do recording, you had to download the layman
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coder separately, which technically you're doing under Linux as well.
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And then you had to tell Audacity where you put it.
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Oh, I remember that.
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And then it would use it.
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Yeah.
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So today, Audacity goes and finds it on your hard drive and recognizes where it is.
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So if you've installed the restricted extras under Ubuntu, or if you've simply just downloaded
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the layman coder separately, or gotten that encoder some other way, the first time you
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open Audacity, if lame is there, it recognizes it, finds it, and uses that as your MP3
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export.
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Okay.
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And I remember when I first started listening to Linux podcast, it drove me nuts when
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they used words like lame, and then didn't explain them.
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So lame stands for, it doesn't mean it's lame.
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Stands for lame, eat, and MP3 encoder.
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Right.
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So now let's talk about the logistics of recording a podcast.
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In considerations, if you're planning on using the free telephone, voiceover internet
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phone service to do your recordings, you'll find that when you're doing the recording,
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depending on what you're using, it's going to be difficult to get channel separation.
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In other words, to separate the caller from the person you've called, and that can become
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difficult when you're doing some editing, because both people will be on the same channel.
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In other words, you'll be talking over one another, and you won't be able to silence
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one person if they are making some sort of noises with their microphone while the other
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person is talking.
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It'll be very difficult to do the editing.
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And that was a problem with some of the early recording software that allowed you to
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record from Skype.
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The day's Skype call recorder, which Tom, you brought to our attention as a software
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pick a couple of episodes ago, is very good at separating the channels.
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So it's no longer that much of a problem.
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The real issue you'll come up with with Skype is the call quality, and that varies a lot
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from call to call.
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And it depends on how good your phones are, as well as the connection you've got, your
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internet service, if you've got a slow service, if you're working on dial-up, for example,
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your calls might not have the same quality as if you're connecting using cable.
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So there's a lot of variability if you're planning on using Skype rather than regular
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telephone lines to do your recording.
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Yeah, you can tell right away if somebody's using Skype to do a podcast, if there's more
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than one person.
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You get dropouts and echoes, transmission delays, and as you said, inconsistent quality.
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And usually there are long pauses because it's just the nature of Skype that when you get
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done talking, the next person doesn't start talking for a second or so, or two or three
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or five seconds.
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And you can hear that if you don't edit it out.
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Right, and when we're doing our recording, we don't seem to have that as a real problem.
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We're doing what in the podcast world is called a double-ender.
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That's where the two participants or more participants talk over the phone and each record
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their own end of the conversation on their own recording device or computer.
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Right, so when we get done recording today, I will save this as a high-quality org file.
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And then I will transfer it over to Larry, send it to Larry via Skype file transfers.
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Right, and that's when I take the file and begin the editing process.
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And speaking of editing, there's some software you will need to use for editing and finishing
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the podcast.
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Some of the software that I use in that process is some software for adding ID3 tags to the
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final result, the org file and the MP3 file.
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And that software is called Easy Tag.
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It's available in the repositories of Ubuntu, and I imagine it's available from most Linux
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distributions as well.
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The current version that's available in Ubuntu is 2.1.4, and it's gone through progressive
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upgrades since I began podcasting back in 2005, and it hasn't changed all that much except
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that it does a really good job of adding ID3 tags.
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What I used to do when I first started recording the Windows podcast was to take the final
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MP3 file, open it in iTunes, use the iTunes software to add the ID3 tags, then re-save
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the file, open it in Winamp, add some additional ID3 tags because iTunes added ID3 tags that
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were compatible with iTunes, but weren't compatible with any other software.
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So I had to open it in Winamp and add the generally compatible ID3 tags.
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And if I just did it in Winamp, of course, it wasn't compatible with iTunes, so I had
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to go through that double process.
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It's just that much easier when you're using something like Easy Tag because it works with
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everything.
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Well, now, Audacity puts in ID3 tags?
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Yes, it does.
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And that works just fine for everything except there are a couple of situations that I found
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with some of the Linux pod-catching software like Amerock that it looks in a little different
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place to find the ID3 tags.
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In fact, what appears on your player in Amerock sometimes isn't an ID3 tag at all.
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It may pick it up from the feed and display that in Amerock, or it may pick it up from
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the file in a slightly different location than it does in other places.
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So I use Easy Tag just to make sure that I've got everything that is needed by whatever
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software that I've been able to find to play these things.
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|
|
And so far, I haven't had anybody who hasn't said that they can't find the information
|
||
|
|
about the podcast on their podcast player.
|
||
|
|
And just to define ID3 tags, that's a text that goes in with the audio so that when you
|
||
|
|
look at your media player, you'll see that text on there right now.
|
||
|
|
It probably says something like Larry and Tom.
|
||
|
|
Episode 59, that sort of stuff.
|
||
|
|
Exactly.
|
||
|
|
And it's also referred to, if you're doing some research on the internet, it's referred
|
||
|
|
to as meta data, M-E-T-A data.
|
||
|
|
So it's not the actual audio file itself.
|
||
|
|
It's data that gets appended or added to the file and so it's called meta data.
|
||
|
|
The other piece of software I use, not in the editing, but sort of as the finishing touch,
|
||
|
|
is I use some software to edit our RSS feed.
|
||
|
|
And an RSS feed is a little text file that is in XML format that we post to our website.
|
||
|
|
And that tells your podcatcher where to find the file, how to download it, gives it some
|
||
|
|
information about the version, some background, you'll see in our show notes, the timestamps.
|
||
|
|
And those timestamps are also included in the RSS feed so that in your podcaching software,
|
||
|
|
depending on which podcaching software you use, you'll see the timestamps there as
|
||
|
|
well.
|
||
|
|
Those aren't metadata that's included as part of the ID3 tags.
|
||
|
|
Those are actually picked up from the RSS feed or the XML feed itself.
|
||
|
|
And that's really the key to making this a podcast.
|
||
|
|
Anybody could take a file, an audio file, post it to the internet and say, go download
|
||
|
|
it from my website.
|
||
|
|
That's not a podcast.
|
||
|
|
But then your podcatcher wouldn't know where to look for it.
|
||
|
|
Right.
|
||
|
|
That is just putting your audio on the internet and letting people download it.
|
||
|
|
The thing that makes it a podcast is this magical little text file, the RSS feed that
|
||
|
|
allows a podcatcher, and that could be iTunes or Amorock or RhythmBox or G-Podder or anything
|
||
|
|
else to go out there, find the file and update it with the latest version or the latest
|
||
|
|
episode as soon as it's available.
|
||
|
|
Right.
|
||
|
|
All of this RSS things scare you.
|
||
|
|
RSS stands for real simple syndication.
|
||
|
|
Right.
|
||
|
|
So it's real simple.
|
||
|
|
Yeah.
|
||
|
|
And I don't think I'd mentioned what I used to do the editing.
|
||
|
|
The software I used today is a simple text editor, G-Edit.
|
||
|
|
I become comfortable in editing in XML format so I can do it without making mistakes.
|
||
|
|
And it's very repetitive actually from episode to episode.
|
||
|
|
I simply go in and copy the previous episode which in the XML file is identified as item.
|
||
|
|
So there's a little tag that begins with an angle bracket that says item and then it
|
||
|
|
ends with a tag that says slash or back slash, I think it is item and everything in between
|
||
|
|
is the episode.
|
||
|
|
And that text I edit using a text editor, G-Edit, under GNOME.
|
||
|
|
And I used to use a special XML editor when I was using KDE.
|
||
|
|
Of course KDE applications can be used in any desktop environment including GNOME.
|
||
|
|
And that application is KXML editor.
|
||
|
|
And the last version I was using is 1.1.4.
|
||
|
|
That particular software I find is a little confusing.
|
||
|
|
It is designed for doing XML databases I think, or database indexes or whatever they're called.
|
||
|
|
And it's got a lot of features and functions in there that aren't designed specifically
|
||
|
|
for editing RSS.
|
||
|
|
Of course there are RSS editing software out there that's specially designed for podcasters.
|
||
|
|
But most of it is for the Mac or for Windows.
|
||
|
|
And all of it that I've been able to find so far is either not free or is a little bit
|
||
|
|
buggy.
|
||
|
|
So it's just as easy for me to go in and use a text editor.
|
||
|
|
The key thing to remember in looking at your RSS feed and editing your RSS feed that a
|
||
|
|
number of podcasters get wrong is that everything has to be in reverse chronological order.
|
||
|
|
In other words, your first episode should be at the bottom of the file and you should
|
||
|
|
add new episodes to the top.
|
||
|
|
So you'll have a header section, you'll have your most recent episode, and then you get
|
||
|
|
to the episode before that, the episode before that, and at the very bottom is your very
|
||
|
|
first episode.
|
||
|
|
Putting it in the other order works in some podcasters.
|
||
|
|
In other podcasters, they expect the most recent episode to be at the top of the RSS feed.
|
||
|
|
And if you're putting the most recent one at the bottom, just adding the latest episode
|
||
|
|
to the bottom of your file, some people won't get it.
|
||
|
|
Exactly.
|
||
|
|
Those podcasters don't find it.
|
||
|
|
They say, okay, let's go down.
|
||
|
|
Let's look at the top episode and oh, it's episode number one.
|
||
|
|
I guess they haven't done anything since episode one and it moves on.
|
||
|
|
So that's really the trick to editing your RSS feed, regardless of which software you
|
||
|
|
use to do the editing.
|
||
|
|
And all of that sounded way more complicated than it really is.
|
||
|
|
Yes, it's just editing.
|
||
|
|
This is not something to be afraid of.
|
||
|
|
No, not at all.
|
||
|
|
It's just a text file that you put online.
|
||
|
|
Yeah, the easiest way to figure out how to do an RSS feed is to copy one from somebody
|
||
|
|
else.
|
||
|
|
So you can go to RSS feed in your browser and see what it looks like.
|
||
|
|
You can take it from the browser to a text editor and you can see it very easily.
|
||
|
|
And in G edit, you can go in and choose the format and indicate that this is an XML file.
|
||
|
|
And it'll do text highlighting for you that makes it easier to see what's going on.
|
||
|
|
Got to love get it.
|
||
|
|
Yes, absolutely.
|
||
|
|
So the bottom line is there's a specific format for a podcast feed.
|
||
|
|
In additional requirements, if you want your podcast listed in iTunes.
|
||
|
|
One will include some links and resources you might want to use to ensure that your feed
|
||
|
|
is correct.
|
||
|
|
The RSS 2.0 specification will have a link to that and will have a link to iTunes information.
|
||
|
|
Yes.
|
||
|
|
And you may be wondering why we're mentioning iTunes since iTunes is Apple and Windows
|
||
|
|
only.
|
||
|
|
It doesn't run in Linux, whether you are creating a podcast that's about Linux or not.
|
||
|
|
In order to maximize the number of people exposed to your podcast, you do want to get it
|
||
|
|
listed in iTunes.
|
||
|
|
And unless you have an iTunes compatible feed, you're not going to be able to post it on
|
||
|
|
iTunes and you'll be cutting out in our estimation with our Linux podcast at least two-thirds
|
||
|
|
of your audience.
|
||
|
|
I think at least two-thirds of our audience subscribes to us on iTunes.
|
||
|
|
Yeah.
|
||
|
|
And we want people to listen to us that are thinking about moving to Linux.
|
||
|
|
So if you haven't yet, you're probably in iTunes.
|
||
|
|
So whether you are recording a podcast about Linux or open source or whether you're recording
|
||
|
|
a podcast about something else and just using Linux to do that recording to keep the
|
||
|
|
cost down, then you want to have your podcast listed in iTunes for sure.
|
||
|
|
For sure.
|
||
|
|
One last thing to consider is how you want to distribute your podcast.
|
||
|
|
Now that you've got an audio file, you need to consider whether or not you want others
|
||
|
|
to be able to copy and distribute your work to other people.
|
||
|
|
At least in the US, you can't just post your files to the internet and expect that everyone
|
||
|
|
will be able to share your files with others.
|
||
|
|
Right.
|
||
|
|
If you want people to be able to share your content with others, you have to make sure
|
||
|
|
that you give them permission to do it.
|
||
|
|
US Law actually prohibits them from doing it if you don't state otherwise.
|
||
|
|
As soon as you make your work available, it's deemed to be copyrighted.
|
||
|
|
That means that, for example, if someone wants to burn your audio files to a CD and give
|
||
|
|
it to a friend, they must get your permission to do so in advance.
|
||
|
|
And you don't need that.
|
||
|
|
You want people to be able to share.
|
||
|
|
Right.
|
||
|
|
To avoid this, you can use a Creative Commons license.
|
||
|
|
It will put a link to that in the show notes.
|
||
|
|
And basically what it is, it's a limited copyright that gives permission for some things to
|
||
|
|
your users.
|
||
|
|
Yes.
|
||
|
|
And Creative Commons gives you a number of different versions of a Creative Commons license
|
||
|
|
that gives you a lot of flexibility as to how much control you want to give to others
|
||
|
|
over redistributing your Creative Works, audio, video or otherwise.
|
||
|
|
It can range anywhere from, I'm going to give you the ability to distribute this to other
|
||
|
|
people as long as you give me credit and you don't do it to make money.
|
||
|
|
You can give them permission to give your stuff away and make money if you want.
|
||
|
|
Or you can say, not only will we give you permission to distribute it, you can use our
|
||
|
|
work to create your own work.
|
||
|
|
So if you wanted to include portions of our podcast, for example, into another podcast,
|
||
|
|
you could clip it out and include it in your podcast without asking our permission because
|
||
|
|
our Creative Commons license allows you to do that.
|
||
|
|
So a lot of flexibility there.
|
||
|
|
Yeah.
|
||
|
|
We've pretty much got about the loosest possible Creative Commons license.
|
||
|
|
And intentionally so.
|
||
|
|
I still don't want to hear myself in a hip hop son.
|
||
|
|
I still think that would be kind of interesting.
|
||
|
|
And if you're wondering about some of those legal considerations for podcasters, we will
|
||
|
|
put a link in the show notes.
|
||
|
|
Right.
|
||
|
|
And that's a resource provided by the Creative Commons folks as well at Creative Commons.org.
|
||
|
|
So now Tom, what about a website?
|
||
|
|
Wow.
|
||
|
|
Some sites like LibSyn or Liberated Syndication Network.
|
||
|
|
And that's LibSynLibSyn.com, offer sites for hosting podcasts and offer a number of
|
||
|
|
valuable services.
|
||
|
|
And although such sites can be a big help to make podcasting easy, they're not free.
|
||
|
|
Some blog sites are free and they're a popular way for posting episodes and adding the podcast
|
||
|
|
file and creating an RSS feed for the blog.
|
||
|
|
And coupled with a service like Google's feed burner, that's at feedburner.com, you also
|
||
|
|
have a podcast feed to give your audience.
|
||
|
|
What we use for the going Linux website and for file storage is as follows.
|
||
|
|
We use site 5 for our web hosting and they're at www.site5.com, SITE, the number 5.com and
|
||
|
|
we'll have a link in our show notes to that if you're interested in getting some web hosting.
|
||
|
|
And the software that we use for editing the contents of the website or creating the
|
||
|
|
contents of the website is Composer 0.7.10.
|
||
|
|
That is web editing software that gives you a nice blend of flexibility between the capability
|
||
|
|
of editing HTML directly, if you know how to do that, or using a whizzy wig, what you
|
||
|
|
see is what you get editor.
|
||
|
|
So you can just type into the web page and change fonts and change spacing, add bullets,
|
||
|
|
add numbers, change colors, move things around very easily.
|
||
|
|
Composer is that it is a fork of what used to be NVU, which is NVU.
|
||
|
|
We used to use that to edit our website until it stopped being developed and was taken
|
||
|
|
over from Composer.
|
||
|
|
Originally, all of this software was part of the Mozilla suite of web browser and Composer
|
||
|
|
was the name that they used for their web creation tool that was part of that suite.
|
||
|
|
And although that is still available, the standalone Composer software, which is spelled
|
||
|
|
K-O-M-P-O-Z-E-R or Z-E-R for our non-US listeners, is the child of that.
|
||
|
|
And it has much more capability than even today's Composer within the Mozilla suite has.
|
||
|
|
And finally, to store our audio files, we store them at the Internet Archive.
|
||
|
|
We don't post them to our website because we use an inexpensive website hosting package.
|
||
|
|
And I don't want to have a lot of costs related to people downloading the episodes directly
|
||
|
|
from our website because the downloads under some packages cost a significant amount
|
||
|
|
of money.
|
||
|
|
And if your podcast becomes very popular, all of a sudden, it could cost you an awful lot
|
||
|
|
of money.
|
||
|
|
So by posting them to the Internet Archive, which is at archive.org, they allow us to post
|
||
|
|
any of our audio files there for free.
|
||
|
|
You can download them from there for free.
|
||
|
|
Of course, when you download them from our website, if you look at the link you're downloading,
|
||
|
|
you'll see that it points at the Internet Archive.
|
||
|
|
And when you subscribe to our podcast from your pod catcher, you may not notice.
|
||
|
|
But the files actually come from the Internet Archive as well.
|
||
|
|
Another advantage we get from using that is they count the number of downloads.
|
||
|
|
And we can tell which episode is most popular directly from the number of downloads.
|
||
|
|
And I don't know whether this is a disadvantage or just something that we give up in terms
|
||
|
|
of rights.
|
||
|
|
And that is when we post to the Internet Archive, they become listed within the Internet Archive
|
||
|
|
itself, which was originally designed as a storage for the whole Internet.
|
||
|
|
Exactly.
|
||
|
|
It is a library of audio, video, written, and other creative works that are available from
|
||
|
|
there for free.
|
||
|
|
And it's also the place where they store the Wayback machine, which is indeed a history
|
||
|
|
of the Internet through links.
|
||
|
|
You can go back to 2005 and look at the way the Going Linux website looked in 2005, if
|
||
|
|
you want, and browse around and make fun.
|
||
|
|
Yes, exactly.
|
||
|
|
And you can go and look and see what products IBM was selling or HP was selling back.
|
||
|
|
And you can even look at websites from companies that are now defunct, that you can't find
|
||
|
|
on the Internet.
|
||
|
|
Sure.
|
||
|
|
Interesting stuff.
|
||
|
|
Yeah, when Microsoft is gone, we'll still be able to go back and look at it.
|
||
|
|
Yes, exactly.
|
||
|
|
So we've spent a good deal of time, Tom, talking about how we record our podcast.
|
||
|
|
We've talked about the hardware.
|
||
|
|
We've talked about the software.
|
||
|
|
And in our next episode, we'll talk about how you actually use the main software that
|
||
|
|
we use for doing the recording, and that is Audacity.
|
||
|
|
So until then, please email us with your comments, questions, and suggestions.
|
||
|
|
That email address is GoingLinux at gmail.com.
|
||
|
|
Until next time, thanks for listening.
|
||
|
|
Talk to you later.
|
||
|
|
You have been listening to Hacker Public Radio where Hacker Public Radio does our.
|
||
|
|
We are a community podcast network that releases shows every weekday Monday through Friday.
|
||
|
|
Today's show, like all our shows, was contributed by an HBR listener like yourself.
|
||
|
|
If you ever consider recording a podcast, then visit our website to find out how easy
|
||
|
|
it really is.
|
||
|
|
Hacker Public Radio was founded by the digital dog pound and new Phenomenal and Computer
|
||
|
|
Club.
|
||
|
|
We are as funded by the binary revolution at binref.com.
|
||
|
|
All binref projects are crowd-responsive by linear pages.
|
||
|
|
From shared hosting to custom private clouds, go to lunarpages.com for all your hosting
|
||
|
|
needs.
|
||
|
|
Unless otherwise stasis, today's show is released on the creative comments, attribution, share
|
||
|
|
a line, free those own license.
|