1993 lines
106 KiB
Plaintext
1993 lines
106 KiB
Plaintext
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Episode: 891
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Title: HPR0891: 2011-2012 Hacker Public Radio New Year's Eve Part 1/8
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Source: https://hub.hackerpublicradio.org/ccdn.php?filename=/eps/hpr0891/hpr0891.mp3
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Transcribed: 2025-10-08 04:18:03
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---
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🎵
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🎵
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Hello and welcome to the 12-hour live show, HPR, hosted by Poke.
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Thanks, Clad, too.
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I just started saying that and realized I wasn't using my push-talk, so I just said all
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that without keying out.
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We're off to a great start.
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Welcome everyone to the last day of 2011, the last HPR recording of 2011, and hopefully
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a long day of people talking about how much they enjoyed HPR over the year, where we've
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got a full crew in here.
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It looks like we've got 51-50, you want to say hello?
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How are you, Poke?
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Thanks for joining us.
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We've got...
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Frank is here.
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Frank, I don't know if we've met before.
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How are you doing, Frank?
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Pretty good.
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I hope you can hear.
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Frank?
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Yep, we've got you.
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You've got a little bit of an echo, but you're definitely here.
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We've got Kevin W. Good morning, everyone.
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And we have Pythman Music, Dan Worth, who's server-we're on.
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Thank you very much for all your help in setting this up, Dan.
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Hello, hello, hello.
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And we have Dan Washgo, who has got two machines on here.
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He's on here to talk, and he's also got his asterisk machine hooked up, and we'll be
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giving out that connection information at some point, so that if people can't connect
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through mumble, we actually have a dial in line for you to use.
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Hey, Dan.
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Good day, Poke.
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And we have Jay Newsteader for right now.
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How you doing, Jay?
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He may be away from his mic right now.
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Glad to.
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How's it going, man?
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Thank you for coming on to help him out.
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Hi, everybody.
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Hey, Poke.
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My pleasure to be here.
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And back from Ohio, we have Pegwall.
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I'm not in Ohio, but OK.
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That's what we said.
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You're back from Ohio.
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It's fantastic.
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We fell in that hole and sunk in there for a while.
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So, man, this is great.
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We've got all kinds of people listening.
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We've got all kinds of people on the stream.
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And these are all people who are fans of Echo Public Radio, and that's just, it's the coolest
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thing.
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It's really the coolest thing.
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Glad to.
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Where do we start, man?
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Beats the heck out of me.
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Didn't you have some show ideas or something about, like, what we were supposed to talk
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about?
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Not really.
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I was just, it would be more of a roundtable thing where people would, uh, would bring the
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topics that they had, but I can certainly start us off in talking about how this kind
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of came together and, and the problems that had to be overcome on the way there.
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But, uh, I had, um, I had my machine, which I, I wasn't planning on using, but I was
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testing out.
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OK.
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I, the hard drive was too full to do any of the recording, but I installed Jack just
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to try that out.
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And the thing completely failed on me.
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And that was earlier this week, and I had no time to get any work and everything I tried
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failed on me.
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So I pulled out a spare machine that I had in the basement, and I installed Linux Mint
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on there thinking that would be quick to get up and running.
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And I've got to say all the praise and all the, the, the good I've heard about Linux
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Mint, the new one, um, none of it came through on my end.
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It just, it failed left, right and center.
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And I, uh, I wound up using a, uh, a salads install in this machine is what's running now,
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which is, uh, it's, it's slackware for lazy people.
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So slackware and salads to the rescue.
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Interesting.
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Well, so what, what was involved in setting the whole thing up anyway?
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I mean, what did you have to do?
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Basically, just get mumble installed, get my sound working and, um, you know, make sure
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everything was stable, but I don't know what was going on with Mint, but my sound card kept,
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like sound would fail if I went to adjust a volume.
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My sound would just completely fail and it'd be gone and it wouldn't come back until I
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rebooted.
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Um, I've been using Audacity for a few years now and I don't think I've had an Audacity
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crash in like three years.
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And on that Mint install, it crashed the time I opened it about five or, or eight minutes
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into a session, it would crash and I, I really don't know what the problem was, but I put
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slackware on there and it, you know, it's perfect now.
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So that was, uh, that was my end of it and then, um, and, uh, I know that we had some,
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a little bit of trouble, uh, with the, with the streams getting up in the server, but
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that was more, more a timing thing where it was hard to get everybody together to test
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everything out all at once.
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So, uh, you know, we had some trouble at some point with the, uh, the kelp, but everybody
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had to be on the same version of kelp.
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And that wasn't working because not all distors have the same version of kelp available
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and people would have to either go compile or find it from other source.
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So we've dialed everything back down to, um, to the speaks codec for this, which is, uh,
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you know, it's going to be tough for anybody using an Android because that doesn't have
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the speaks codec.
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We won't hear them anymore.
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They certainly won't hear us, but, um, but that's what we're using now and we got just
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a million people, uh, in the, in the chat room right now, which is awesome.
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Dan Walsh goes, you have the an asterisk machine set up with a meat meat conference bridge
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on it.
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How, how did you get that work?
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It's just a pluge, Pokey.
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It's just taking two sound cards.
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They had to be different cards because I could not use the same, um, USB sound card.
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Um, so I had to use two different cards and I just, uh, took the line out, line in from
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one plugged it into the line out of the other and vice versa.
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Like I said, it's very clergy, but it seems to work.
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So what services have you got run on that machine right now, um, um, mumble, of course,
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and lymphone and they just, lymphones connected into the conference on the asterisk server and
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mumble is connected into where it's supposed to be.
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Okay.
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Sweet.
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So at some point, um, maybe when, when Ken Fallon becomes available again to update the
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website, we can probably drop that phone number or the SIP connection into, uh, into the
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hacker public radio page and people calling on that, right?
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Yeah.
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No problem.
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Send them the information.
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So it's all up to him.
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That is awesome.
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That is awesome.
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Who else is a, uh, a sound hack going on right now that was, it was not, you know, the
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easiest thing to get in here who else, who else dealt with issues?
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I mean, I'm the one who's got the, the, the set up to stream it and all.
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Yeah, you've got the most complicated set up of all pipe, man.
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Can, can you, uh, can you explain to us how you got that even to work?
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Um, it's actually not as complicated as you think.
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Um, we just have a, uh, I have a web server that's running ice cast and the, and the
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murmur server.
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Then on my end, um, once you get Jack running, you can, there is a patch for mumble to
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get it to work with Jack.
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And so basically I just fire up mumble and it pops up in my Jack connections.
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And then I use, uh, uh, ice cast client called Dark Ice, which also supports Jack.
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And then I have a config file that I run and it's basically all scripted and it just
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pops up and connects.
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There's not as complicated as you think it was getting Jack running seems to, to be a
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stumbling point for a lot of people.
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But once you have that done, getting everything else to work is, is just, you know, I have
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a patch bay and I just, I'm able to plug the output of the mumble into Dark Ice so
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that this, the mumble is streamed.
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And then the output of that into my system speakers so I can hear it.
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And then I have, uh, I have a multi channel card.
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I can do 10 audio inputs and 10 audio outputs on the same card.
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And so I have two inputs.
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One is my guitar, proud directly through a direct box into my mixer and then the other
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one is, uh, my audio technique at 3035 condenser mic and then that, then those are routed
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both and then both dark ice.
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So on the stream, all my stuff is direct to dark ice, it doesn't go through mumble.
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Well, given that, given that this is hacker public radio, maybe someone could actually
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educate me on how streaming even works.
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I mean, I know that I guess ice cast or whatever, well, actually, I don't even know.
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So how does streaming work?
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Does anyone know?
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You mean technically?
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Yeah.
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Like, what's the workflow like?
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So you've got ice cast running as a service on a, on your server and, and that's outputting
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the sound that we're sending to it and then people can connect to that service essentially.
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And here, the sound, is that all there is to it?
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Well, is it, yeah, this, this, you connect to the server with a, with some sort of ice casting
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client.
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And that's how I feed audio to the, to the ice cast server.
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Okay.
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All right.
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So dark ice, which is a client that supports, it's a command line and use a config file.
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Okay.
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There's no GUI for it, but it also supports so, oh, so does it just show up like as an input
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or an output rather in the jack when you open up like Q jack control, it would just be
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one of the, one of the things, oh, cool.
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Okay.
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So dark ice and then whatever, it has a random number of designs to it is a writable client
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and then I just connected to it.
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Very cool.
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Okay.
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So once you get, once you're able to do it once, repeating it is pretty simple.
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The problem is I seem to have a hard time explaining to get there, you know, but really
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when I want to stream and do a live show, there's a ton of set up.
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I just wrote a bash script that starts everything and then I'm good to go.
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Yeah.
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You were saying before that the getting jack setup might be the stumbling block and that's
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probably where I was stumbling to because I would open the jack GUI and I would see the
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patch bay and it's just a list of, you know, inputs and outputs down to different sides
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of the screen and you highlight too and you click connect and it draws a line between
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the two of them and it seemed to know what it was doing.
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It seemed to even connect them automatically, but as I could not get sound running at all
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and it was very weird because my sound card seems to be perfectly happy, outputting any
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sound that goes into my microphone, but nothing in my system was expecting, was acknowledging
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any of that sound, you know.
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So in the, in QJack control, there's a setup and this is where it's where you basically
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set in all the settings.
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Were you able to get, you were able to get jack the server running?
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Yeah, see that, like I said, that's probably the stumbling point.
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I have really no idea.
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So I think that could have been where the problem was and then on the main screen, there's
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like a start and stop button when you start that actually starts the jack server, the
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daemon.
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Yeah, that's what I thought and I would hit that and I would see the timer running, but
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I don't know.
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Maybe it just, I don't know, it didn't, it didn't like me that time.
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I'll have to try it another time and the other thing is in your settings, you want to make
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sure that you're duplex, you're set to duplex and that you're using the proper interface
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on your, on your computer.
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Some of the Intel give like four or five devices, you know, so you want to make sure you're
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set up using the proper device.
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That's what kills me every time.
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I never know.
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It takes me so long to figure out which, which of those, yeah, like four or five versions
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of the same sound card I'm really supposed to be using.
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Oh gosh, yeah, I have a sound blaster card that whenever I switch machines out or something,
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that card comes with me because no matter what that sound card works and my mic works
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on it.
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But, you know, when I open up any sound configuration, I have five or six, you know, Intel sound inputs
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for the internal card and like eight or ten or twelve on the sound blaster card and it's,
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and then, you know, Alza has five or six listed as default, which I think are just the same
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as what's on the sound blaster card and it's just, it's so weird, it's so, there's not
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an easy way to test it.
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I think if you could test it easier, then the rest would be easy.
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Yeah, I think, I think getting the device in the settings is one thing that people trip
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over just because the way Linux registers audio devices is a bit strange and Intel registers
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like a bunch of different audio devices.
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Usually, if you're not running Jack, you can figure out which ones head into your headphones
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with using the command line A play and you can, you can send, say, a wave file directly
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to that sound card and you should hear audio.
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That'll usually tell you which, you know, it's usually HW, colon zero or something like that.
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That's a great tip.
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I did not know that.
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Yeah, if you do A play dash L, it's either L or capital L. I can't remember which one.
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It should list all the sound cards.
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Yeah, that's not bad.
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Actually, I'm thinking from the dumb user standpoint, my solution would be to ask some
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kernel hacker, you know, to like alias sound cards with known values.
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So like if I plug in my sound blaster or whatever version card, the kernel would say, oh, you
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know, it would replace whatever it's calling it with, oh, the green plug or the red plug.
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That's, you know, if we had a list of that going on, people could, you know, update that
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list with known values, that would make it real easy.
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Yeah, if you could like edit what you see in like K mix or whatever gooey mixer you've
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got on your system, that would be really nice if you could edit the, I mean, even, I mean,
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it would be great if the distribution could figure that out, but it might not be possible
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because there are so many possible values for each, but at least if you could sit down
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one afternoon and say, okay, I'm going to figure all this stuff out and then go through
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and figure out which weird name of your sound device is which plug in the back of your
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tower or whatever, then you could double click on it, rename it to whatever human makes
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sense, kind of value.
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That'd be, that'd be fantastic.
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I'm pretty sure you can, Alias, ports.
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Oh, okay.
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You can actually enter a card, also, well, Alias, a vendor name, but like, I can actually
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call the device by card, mine's called an M1010LT because it's an M audio belt, a 1010
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light audio card.
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How'd you do that?
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I didn't do it.
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Alias also does it.
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I'm sorry.
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I think what you meant was how did you cause Alias the card to give you a more human readable
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name?
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I didn't.
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It does it itself.
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I would like some way for the user to be able to do that so that like Poke says, if I'm
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looking at the back of my tower and I've got an orange plug and a green plug and a black
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plug and a blue plug, I could say, okay, I figured out that this is HW colon zero, so that's
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the, you know, I'll call that the black plug and that way I know what that is.
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I just, I think that'd be really, really nice.
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Oh, yeah, that's not really how sound card works though.
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Oh, I mean, one of those devices is all your physical ports, all in one.
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The other ones will be like a digital mixer that some, some audio cards include.
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Other what, some of those other devices aren't, aren't, most of them are just junk.
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They're, they're stuff you're not going to use.
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Okay.
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Well, you just need to figure out as which one is the one and once you've got that, you
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just keep you, you know, but anyways, yeah, that's, that's like I said, every time I
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finish computers, I, I take this sound card out and I put it in the next computer that
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I'm using because no matter what, if I plug this mic into this sound card, every computer
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I've used it on, it works just fine and I get, you know, like if I open Audacity and look
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at the sound wave, I get my, my zero line is right in the center as opposed to like way
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low or way high, which other cards and other mics have done on me.
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So it's, you know, this is what I got.
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It's also why generally when we're dealing with any kind of recording or audio, I never
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recommend using the, the built in sound card.
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It's usually difficult to use and there's a lot of better, better options out there.
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And some of them aren't even that crazy expensive like, um, I'm trying to remember the name
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of it.
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Baringer makes one a USB device that's called, I believe the you, let me look.
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|
|
We're trying about one of those like breakout boxes.
|
||
|
|
Basically, you plug it into your USB port and it's got a bunch of inputs and outputs.
|
||
|
|
Yeah, even something simpler like the Baringer UCA 202, which is just basically has RCA ports
|
||
|
|
on it.
|
||
|
|
You have two in two out and it's USB plug and those show up like as a U202.
|
||
|
|
And they're not, it's not crazy expensive.
|
||
|
|
I mean, it's under $40.
|
||
|
|
If you hunt it around, I bet you could pick one up probably around 30 asm for 24.
|
||
|
|
So then you have an RCA plug.
|
||
|
|
The problem is getting that to a mic.
|
||
|
|
So usually you end up going with a mixer and there's a, there's a pretty inexpensive mixer
|
||
|
|
that's Baringer makes.
|
||
|
|
It's the Baringer Xenix 802, I think.
|
||
|
|
It seems to me as, as I, you know, go through life that audio seems to be the only problem
|
||
|
|
that I know of that can be solved by just throwing a ton of money at it.
|
||
|
|
It's really annoying.
|
||
|
|
Yeah.
|
||
|
|
I mean, of all the problems that people try to solve by throwing money at them, it seems
|
||
|
|
to work just fine for audio.
|
||
|
|
To be fair though, this little mixer's a 38 bucks on Amazon.
|
||
|
|
So I mean, it's, you be looking right around the $50 mark and you can plug a real mic into
|
||
|
|
your computer and have really good Linux performance.
|
||
|
|
Yeah, yeah, that's not bad.
|
||
|
|
It's all, I mean, it isn't out, it isn't an outrageous proposition to solve, but it's
|
||
|
|
not.
|
||
|
|
It also doesn't, I mean, to be fair, it doesn't necessarily, I mean, if you don't want
|
||
|
|
to spend the money, you can sit there and spend the time and kind of, you know, figure
|
||
|
|
out your internal sound card and just jot down on a piece of paper if you have to, which
|
||
|
|
we would interface the one that you really want to use is called and, you know, you can
|
||
|
|
kind of figure it out, but it does get easier if you just, yeah, throw a little bit of money
|
||
|
|
at it.
|
||
|
|
Yeah.
|
||
|
|
Usually, now, I don't want, I'm trying to avoid the preachy, like, what constitutes good
|
||
|
|
audio quality and not because I know content is key and podcasting, you know, as long
|
||
|
|
as it sounds reasonable, it's okay, but when you're using an internal sound card and you're
|
||
|
|
plugging in a mic into that, it's not, the mic you end up using is called a permanently
|
||
|
|
charge back electric mic, and it's because those like, that's what's like in a headset
|
||
|
|
or, you know, back in the day, you had the little microphones just sit on your desk and
|
||
|
|
stuff like that.
|
||
|
|
Those are about as poor quality of microphone as, as as possible, you know, I agree that
|
||
|
|
content is king and that, you know, the sound quality issue once you get it solved becomes,
|
||
|
|
you know, a background problem.
|
||
|
|
And I'm going to use that as a segue to try to say hello and introduce some of the people
|
||
|
|
in the room here that, at least I am not as familiar with.
|
||
|
|
So, is there anybody here on the call right now that, that is not or has not contributed
|
||
|
|
to show that HPR yet, is anybody here like that?
|
||
|
|
I haven't.
|
||
|
|
Yeah, I was planning on doing a how I found Linux episode here while I was off work over
|
||
|
|
the holidays.
|
||
|
|
Very cool.
|
||
|
|
And this is Kevin talking for people who can't see Kevin, you're an HPR listener then
|
||
|
|
I take it.
|
||
|
|
Correct.
|
||
|
|
I subscribe to the feed and listen to all the shows.
|
||
|
|
So now, how long have you been listening to any idea?
|
||
|
|
Oh, I would say I would clear back to when it was, what was the original name of the website
|
||
|
|
and the show?
|
||
|
|
Oh, today with a techie.
|
||
|
|
Now, what was the original bin rev, yeah, when it was still bin rev, I was probably when
|
||
|
|
I started and I remember switching over to Hacker when I switched to Hacker to the Hacker
|
||
|
|
public radio.
|
||
|
|
Yeah, bin rev radio was a great show.
|
||
|
|
I loved that.
|
||
|
|
That was one of the first ones that I listened to, well, I mean, first podcast.
|
||
|
|
Yeah, it was, it was a really great show.
|
||
|
|
I'm still hoping that that stankdog got some of the emails and some of the publicity that
|
||
|
|
we sent out and we'll call in.
|
||
|
|
I'm holding on to that, I hope that he'll call in at some point today.
|
||
|
|
Yeah, it was, it's funny too because I heard about bin rev and about bin rev radio and
|
||
|
|
I subscribed to the podcast and the first one that came down the feed like the day after
|
||
|
|
I subscribed was their final show.
|
||
|
|
Yeah, you know what?
|
||
|
|
I think it's almost the same thing for me because you're talking about that seven hour thing
|
||
|
|
that he did.
|
||
|
|
Yeah, yeah.
|
||
|
|
Really?
|
||
|
|
Yeah.
|
||
|
|
You know, but one of the funny thing is that was like one of the, that was, yeah, that
|
||
|
|
was, I think where I started listening to bin rev radio.
|
||
|
|
But it literally, it remains one of those episodes that just kind of, of all times, you
|
||
|
|
know, just really made a huge impression on me.
|
||
|
|
Yeah, it was, it was a big deal.
|
||
|
|
Uh, I mean, Kevin, did you remember that like the feeling that that kind of gave you
|
||
|
|
and when HPR started up to like that first time that HPR music happened, like I was so pumped
|
||
|
|
for that.
|
||
|
|
Like here is something important was the feeling that that came across me and that stuck
|
||
|
|
with me.
|
||
|
|
Personally.
|
||
|
|
I don't, I don't recall how I felt.
|
||
|
|
I mean, that I just, I like that, I like the intro music and I, when I hear that come
|
||
|
|
through my, uh, player when I'm listening to the podcast and others, you know, all, you
|
||
|
|
know, 95% chance it's going to be a good show.
|
||
|
|
So yeah, definitely pegable.
|
||
|
|
I was gonna say personally, I'm sorry for interrupting everybody, but, um, when I first heard
|
||
|
|
it, like I got that big sense of community, you know, like when you first start getting
|
||
|
|
involved in the Linux community, you get feeling that, you know, I'm a part of something
|
||
|
|
that was all we heard.
|
||
|
|
Like when you first start getting involved in the Linux, Linux community and you just
|
||
|
|
get that feeling of I'm involved.
|
||
|
|
Yeah, definitely.
|
||
|
|
It's very exciting, very appealing, I think that's a big draw, at least for me, I mean,
|
||
|
|
the feeling that, yeah, it's, it's something's going on.
|
||
|
|
People are interested in this more than just a passing interest.
|
||
|
|
One of the things that I help, but that I think helps to give it that feeling is that there's
|
||
|
|
such a low barrier to entry, um, in, in listening and subscribing and also in hosting a show,
|
||
|
|
but that doesn't seem to turn away the real pros when the guys come out with the real
|
||
|
|
technical shows, they, they, they don't seem to mind that that barrier to entry so low.
|
||
|
|
And a lot of times you get that where people will kind of snub their nose at the room full
|
||
|
|
of noobs.
|
||
|
|
It doesn't happen at HPR, I really enjoy that about it.
|
||
|
|
Well, it's because I think, well, first of all, I think the geek community is very much
|
||
|
|
like that anyway, largely.
|
||
|
|
I mean, like the most, most of the geeks that I've met are very sort of real, you know,
|
||
|
|
they don't care who you are, how much you know, as long as you're just kind of yourself.
|
||
|
|
And I think Hacker Public Radio inherits that a lot because everyone's got something interesting
|
||
|
|
to say, even if they don't know that much about a certain topic, they, they've probably
|
||
|
|
got some interesting angle that we can all learn from.
|
||
|
|
I have to say the, the ability to do like, just call in shows and have it ended up being
|
||
|
|
posted.
|
||
|
|
You can't really get lower of a barrier entry.
|
||
|
|
And what's the name of the guy gadget, yeah, Mr. Gadgets, Mr. Gadgets, those have been
|
||
|
|
some of my favorite episodes of all time.
|
||
|
|
I mean, honestly, yeah, I could just listen to, I could just listen to him ramble on about
|
||
|
|
anything, you know, I, you know, I have so many podcasts in my podcast catcher now that
|
||
|
|
I have to be pretty selective and Mr. Gadgets shows end up at the top of the list every
|
||
|
|
time.
|
||
|
|
They're one of the first ones I get for just because I always walk away with a smile and
|
||
|
|
feeling better about stuff.
|
||
|
|
So you can't get lower of a barrier entry to just make a phone call, talk about some stuff,
|
||
|
|
call it good, you know, definitely.
|
||
|
|
And Mr. Gadgets isn't here right now, but I think Frank, who's here now is Frank Bell.
|
||
|
|
And his shows, Frank, if that's you have, your shows have the same feeling to me as those,
|
||
|
|
those Mr. Gadgets shows are your show, I think you posted one and had the same feeling to
|
||
|
|
me.
|
||
|
|
It was really every bit as enjoyable as that.
|
||
|
|
Well, thank you very much.
|
||
|
|
I, it's not just I think that there's low barrier of entry.
|
||
|
|
I think that the hacker public radio community is really welcoming, it's positive.
|
||
|
|
It wants for a comment, at least I've felt that.
|
||
|
|
By the way, I can hear most people, but I can't seem to hear Clotu when his little lips
|
||
|
|
go red.
|
||
|
|
So I'm, you know, hesitant to pop in because I might walk on somebody.
|
||
|
|
Well, that's fair enough.
|
||
|
|
In the configuration, if your settings, your compression is set down to speaks, you
|
||
|
|
should be able to hear.
|
||
|
|
My guess is that your compression is up into where it says that it's the Celt codec being
|
||
|
|
used.
|
||
|
|
We've had some Celt codec incompatibility problems, but yeah, as to what you said, it's
|
||
|
|
absolutely the feeling that I get out of HPR is that people try to be welcoming most
|
||
|
|
of the feedback that we see, like show comments, are very positive, very welcoming things,
|
||
|
|
trying to encourage people to post another show.
|
||
|
|
And something that Clotu said earlier was about people who don't think that they have
|
||
|
|
anything to say.
|
||
|
|
And it's so funny because people will say that to me in an email or in an IRC that they
|
||
|
|
don't think they have anything to say.
|
||
|
|
And when they actually finally post their show, there's some of the most popular shows
|
||
|
|
that we have because it's a perspective that no one has approached before.
|
||
|
|
So it's new to everybody and it's exciting.
|
||
|
|
And I would like people to know, don't let that hold you back from throwing a show up
|
||
|
|
there.
|
||
|
|
And give your audio another try, Frank.
|
||
|
|
Oh, okay.
|
||
|
|
And I have checked my codec several times.
|
||
|
|
It definitely says speaks.
|
||
|
|
And I'm hearing most people, it's only one or two that I'm not picking up.
|
||
|
|
The syndrome you're talking about, about people thinking they don't have anything to say,
|
||
|
|
is one that I've run into a lot.
|
||
|
|
People tend to kind of put down their own experiences.
|
||
|
|
They can be creative, but if you ask them, they will say, me, I'm not creative.
|
||
|
|
I just did what I had to do.
|
||
|
|
I think that's a natural human impulse.
|
||
|
|
Me, I've got plenty of ego.
|
||
|
|
I just was just having trouble picking subject matter.
|
||
|
|
Yeah.
|
||
|
|
And that seems to be at the heart of the hacker ethos and why hacker public radio works is
|
||
|
|
that people do just get stuff done.
|
||
|
|
And many times they're doing stuff in a way that no one's thought of yet or that no one
|
||
|
|
realizes they need.
|
||
|
|
So when they talk about that, it really strikes home with a lot of people that seems to be
|
||
|
|
a big part of it.
|
||
|
|
I think it's funny.
|
||
|
|
Lots of times when I, when I've talked, you cut out there like, you're weird to say
|
||
|
|
lots of times when you've talked.
|
||
|
|
When I've talked about why I started doing the open source musician podcast, the reason
|
||
|
|
is that nobody else was, you know, it wasn't necessarily that I felt like I was the right
|
||
|
|
guy or the guy who knew enough, because when I first started, I knew next to nothing, you
|
||
|
|
know, I just started using Linux.
|
||
|
|
So it was just that I really wanted to show like that and nobody else was putting it out.
|
||
|
|
And I think HPR is a great outlet for people who don't want to go through the trouble
|
||
|
|
of setting up their own feed and that kind of stuff and maybe don't have a weekly show
|
||
|
|
where the stuff, but have something to say or something to talk about.
|
||
|
|
And I really love the How I Found Linux podcast because, you know, now I've been doing this
|
||
|
|
six years or so.
|
||
|
|
It's the same problem at work.
|
||
|
|
I'm going through a batch of training people at work and there's seven or 10 or 15 steps
|
||
|
|
in everything that I do that I don't think about anymore.
|
||
|
|
And that those are the things that get the new guys tripped up.
|
||
|
|
And so hearing the How I Found Linux and even if the Hacker Public Radio is just people
|
||
|
|
saying, Hey, I have a problem with this and I can't seem to get it solved as anybody
|
||
|
|
else want to do a Hacker Public Radio on how to do it.
|
||
|
|
And these are the problems I'm having, you know, I like those too.
|
||
|
|
Oh, yeah.
|
||
|
|
For sure.
|
||
|
|
When people call in and talk about that stuff, it's, it's, it's everybody is interesting
|
||
|
|
when somebody says they don't have a solution is when they say that they do.
|
||
|
|
But even then, even if you don't think it's enough to make a show out of, go ahead and
|
||
|
|
email the show request to hpr at hackerpublicradio.org.
|
||
|
|
And we'll stick it on our list of show request and, and if you want to do a show and can't
|
||
|
|
find a topic, not sure what to do and on check that list, it's on the, the contribute
|
||
|
|
page.
|
||
|
|
And there's always, there's always actually a really big part.
|
||
|
|
Can you start that over again?
|
||
|
|
Yeah, sorry.
|
||
|
|
You would cut out.
|
||
|
|
I think you're finished.
|
||
|
|
I was going to say, I think that it's a big part of like the whole open source free
|
||
|
|
software process is communication, you know, telling people, look, I figured this out
|
||
|
|
or look, I don't know how to do this.
|
||
|
|
And I don't think that there is a way to do it yet.
|
||
|
|
So let's, let's sit down and figure out how to do it or make it better or whatever.
|
||
|
|
I mean, that's such an integral part of how opens or software even works that having
|
||
|
|
a forum where people can go and publicly announce, okay, I don't know how to do this.
|
||
|
|
Or hey, look, I found out a really cool way to do this thing.
|
||
|
|
It's really actually significant.
|
||
|
|
I think it's contributing to the greater, you know, this is the greater open source project
|
||
|
|
I think.
|
||
|
|
Yeah, I think you're totally right about that.
|
||
|
|
Is there anyone else in the room who hasn't done a show yet?
|
||
|
|
And this is their first time on HBR?
|
||
|
|
Okay, I guess everybody on there's either done a show or isn't right at their mic.
|
||
|
|
They're right now.
|
||
|
|
Right now.
|
||
|
|
No, Craig, and we can't hear you.
|
||
|
|
Sorry about that.
|
||
|
|
Craig on's calling in from the future.
|
||
|
|
It's actually 2012 at his house already.
|
||
|
|
So we're waiting to hear from him.
|
||
|
|
He's going to tell us what the winning lot of numbers are I'm hoping and whether 2012
|
||
|
|
actually is the year of the Linux desktop, but it looks like audio through time travels
|
||
|
|
just as tough as Jack.
|
||
|
|
Craig on, can you pop into the OSMP mumble room and try and sort out your audio with
|
||
|
|
there's a couple of guys in there right now who can help you?
|
||
|
|
Okay, so they just dropped off.
|
||
|
|
Now, I'm seeing a couple other names in here.
|
||
|
|
Colonomial.
|
||
|
|
Where do I know your name from?
|
||
|
|
Are you on?
|
||
|
|
No?
|
||
|
|
Okay.
|
||
|
|
Well, who wants anything to say?
|
||
|
|
Actually, I will throw my hat into the ring here.
|
||
|
|
Let's see.
|
||
|
|
Well, first off, this is Bruce and second of all, I've been threatening to do a show for
|
||
|
|
a little while now.
|
||
|
|
In fact, I wanted to be one of the first to submit actually a video and it would be sort
|
||
|
|
of a combination of cooking while explaining my desktop adventures.
|
||
|
|
That sounds really interesting.
|
||
|
|
I want to ask you more about it, but I don't want to make you spoil it.
|
||
|
|
But yeah, I mean, so this is Bruce Patterson, Bruce, you do the DistroWatch Weekly podcast
|
||
|
|
every week and that's amazing that you put a show all like that every week.
|
||
|
|
How do you find the motivations to nail a show every week like that?
|
||
|
|
Well, actually, I'm just the mouthpiece for a lot of Slum and Jesse do actually the
|
||
|
|
grunt work for all of it.
|
||
|
|
And I get to sit back and take all the credit for their hard work.
|
||
|
|
But seriously, I think that one of the things that I was listening to when Russ Winner
|
||
|
|
was running the show and one of the funny parts about is that I've always wanted to do
|
||
|
|
something for the community in general and because I'm not a coder and I'm a guy who uses
|
||
|
|
the links, but really is just getting his feet really wet now with it.
|
||
|
|
This was a way for me to sort of gently ease into it.
|
||
|
|
And the short of it is that I've had a lot of fun doing it.
|
||
|
|
I've met a ton of really nice people doing it as well.
|
||
|
|
And it's funny because this was one of the things that I remember a while back listening
|
||
|
|
on to the tilts that are talking about, Bruce, how this sort of new generation of folks.
|
||
|
|
Hey, Bruce, you're cutting in and out.
|
||
|
|
We heard you say that you remember listening a while back, I thought you said tilts when
|
||
|
|
I'm not sure.
|
||
|
|
Yeah, I was listening to tilts and the short of it is that there's a new crowd out now.
|
||
|
|
And it's not the RTFM crowd anymore.
|
||
|
|
I think everybody that I've run into has been very helpful.
|
||
|
|
And I've enjoyed my stay from every group that I've actually had a pleasure sitting in
|
||
|
|
on.
|
||
|
|
And I will agree with that 100%.
|
||
|
|
Every group in Linux that I've been part of or gone to visit or had anything to do with,
|
||
|
|
I've never met an RTFM guy.
|
||
|
|
And you hear about how horrible Linux was to get into because of that.
|
||
|
|
But I've never met anyone at a log, not at a conference, not an HPR, not in any chatroom.
|
||
|
|
It's just, I totally agree with you, Bruce, it's been fantastic.
|
||
|
|
One of the side notes that I'd also like to mention too is that one of the great things
|
||
|
|
about Hacker Public Radio is the series.
|
||
|
|
And I wanted to try and thank Dan when he was on here earlier, but he put a six part series
|
||
|
|
on the boot process.
|
||
|
|
And it's really important for a lot of folks who are just getting into it as well, who
|
||
|
|
really want to know the harder side of things.
|
||
|
|
And this is one of the ways to get into it.
|
||
|
|
And also because he's also around somewhere, Clat 2 as well, a lot of his podcasts from
|
||
|
|
the GNU World Order, you know, those have been really helpful.
|
||
|
|
So I mean, you guys that are in here today just keep doing these things because you've
|
||
|
|
got a lot of listeners out there.
|
||
|
|
Yeah, I want to say, I'll agree with you.
|
||
|
|
And both of those guys seem to have carried forward, I guess I'll say the spirit of what
|
||
|
|
Chess Griffin was trying to do when he had Linux reality on and they see who just really
|
||
|
|
carried that tradition on and it's great to have it at Hacker Public Radio.
|
||
|
|
And my last point is that the open source musicians guys put out another podcast too, because
|
||
|
|
I was actually just getting into it when you guys went on, I think it's...
|
||
|
|
Yeah, it wasn't intentional, I just...
|
||
|
|
I went on overtime at work and was working like 67 hours a week, so I did that for about
|
||
|
|
almost 11 weeks, so not intentional.
|
||
|
|
We'll be back.
|
||
|
|
Well, it'd be nice to talk equipment every once in a while too, because I've noticed
|
||
|
|
there are a lot of musicians involved with Linux as well.
|
||
|
|
Yeah, I'd like to see more, I could never have enough.
|
||
|
|
Yeah, for sure.
|
||
|
|
I really love my Linux podcast, I like them all.
|
||
|
|
And HPR is just, it's a great one to get your feet wet too, as a listener and as a contributor.
|
||
|
|
Well, and in theory, Hacker Public Radio isn't even just a Linux podcast, which I think
|
||
|
|
makes it nice actually.
|
||
|
|
It's just one of...
|
||
|
|
It can be very general sometimes just about computer history or, I don't know, some of
|
||
|
|
the other topics like hacking weamodes and things like that, it's kind of neat that way.
|
||
|
|
Whoopie, now I hear Clad 2.
|
||
|
|
I want to go back to where we were earlier about the range of topics.
|
||
|
|
I have found that I listen to almost every Hacker Public Radio podcast I get.
|
||
|
|
The one or two I don't, to be ones, we get into the details of Birmingham, which is
|
||
|
|
way over my head, like Bruce, I'm a user, not a coder.
|
||
|
|
And occasionally one that just starts to ramble.
|
||
|
|
But all in all, there are probably only three that I've not listened to at least most
|
||
|
|
of them over the two, two and a half years that I've been catching HPR podcast.
|
||
|
|
Yeah, same here.
|
||
|
|
For HPR, like, I'm like, Pipeman music, I have so many podcasts in my feet at this point.
|
||
|
|
And there's almost not enough time in the day to listen to them all, but HPR generally
|
||
|
|
speaking gets pushed right up to the top of the list, almost always.
|
||
|
|
Yeah, I think I've skipped maybe three episodes in the entire, we're almost at 900 episodes.
|
||
|
|
Now I think I've skipped three, maybe halfway through.
|
||
|
|
And it wasn't even the content, it was, I couldn't hear the audio, I couldn't make out
|
||
|
|
what the person was saying.
|
||
|
|
And it's probably just my crappy headphones that I had at the time.
|
||
|
|
I should probably go back and look to see if I can hear that any better.
|
||
|
|
Yeah, I agree.
|
||
|
|
It's one I never skipped.
|
||
|
|
They're all great.
|
||
|
|
I think one of the other things I could throw in there, too, is that HPR could certainly
|
||
|
|
be a gateway drug, if you will, into the Lynx world, because first of all, it puts on
|
||
|
|
a really awesome face for Linux in general, because it shows how diverse the crowd is.
|
||
|
|
And again, it's not strictly just Linux either.
|
||
|
|
I mean, there's a wider range of topics to go from.
|
||
|
|
I think it's also sort of similar to the desktop fight that keeps be appearing every year.
|
||
|
|
The short of it is that maybe if we started introducing new folks into free software and
|
||
|
|
then use it as sort of a means to an end, I think that that's how you would ultimately
|
||
|
|
garner more of a user group.
|
||
|
|
Yeah, and to those ends, as far as developing a user group, and we're really working on
|
||
|
|
this right now at HPR, and I keep forgetting to ask people this, but one of the biggest
|
||
|
|
things you can do to help out hacker public radio is after listening to a show, to a good
|
||
|
|
show that you like, go ahead and post a comment on it so that the person who did it knows
|
||
|
|
it to be in her, knows that they're appreciated, because if you just are throwing out a podcast
|
||
|
|
into silence, it's hard to find the motivation to do another one.
|
||
|
|
Yeah, feedback is a huge part of the whole thing.
|
||
|
|
I just want to let you guys know, I'm going to go upstairs and go get some neat, so I'll
|
||
|
|
be back in a little bit, let me know if there's any issues.
|
||
|
|
No worries.
|
||
|
|
I got your phone number.
|
||
|
|
Thank you very much for your help.
|
||
|
|
Yeah, back in a bit.
|
||
|
|
So that leads me to asking to you, Poppy, what about some of the future projects that you
|
||
|
|
guys have online?
|
||
|
|
I mean, what would you ultimately like to see this grow into?
|
||
|
|
Boy, that's a big question, and I hate to say, it almost feels like a cop out just
|
||
|
|
to say, I want to see it grow into a community.
|
||
|
|
I want to see it be a place where people go to hang out with one another to share their
|
||
|
|
positive feelings about Linux, about podcasts, and about connecting with people online.
|
||
|
|
Yeah, I have to say that that's almost a question not so much for Poppy as it is for
|
||
|
|
like everyone in this room right now, you know, like where do we all want to see HPR
|
||
|
|
go?
|
||
|
|
Maybe maybe one of these kinds of group calls would be a good idea once a month, who knows?
|
||
|
|
Yeah, and everybody listening to, I mean, yeah, yeah, I really, I don't want to minimize
|
||
|
|
the fact that there are people listening to us right now who aren't in this room, and
|
||
|
|
they are hacker public radio every bit as much as everyone in this room is.
|
||
|
|
Well, and again, to sort of reiterate the question that I had asked you last night, what
|
||
|
|
about the possibility of, at some point, streaming these shows around the clock, like we
|
||
|
|
were talking about feeding them all into Rivendell and letting them run, because like
|
||
|
|
you said, you've got 900, about 900 episodes now, and I could see this being sustained,
|
||
|
|
and as you add more to it, it's always going to be playing.
|
||
|
|
It's a great idea.
|
||
|
|
I wouldn't, I wouldn't knock it at all.
|
||
|
|
Well, that's what hacker media is, isn't it?
|
||
|
|
I mean, not to interrupt you, but I mean, that's, that already exists, or it did exist
|
||
|
|
at one point.
|
||
|
|
I haven't looked at that lately.
|
||
|
|
See, yeah, I was unaware of that, I think maybe it's just the fact that we're not always
|
||
|
|
on the same page, and that's kind of where the community part comes in, because we don't
|
||
|
|
seem to have one place to congregate when it's not, you know, when we're not listening
|
||
|
|
to a podcast.
|
||
|
|
We all listen to the same podcast every day, but not everybody's on the mailing list, and
|
||
|
|
not everybody's post in comments, and not everybody's going over to look at hacker media.
|
||
|
|
So I think maybe that might be like the key to what all is to get one central meeting
|
||
|
|
place.
|
||
|
|
Yeah, which ostensibly, I think, a hacker public radio front end that is word pression,
|
||
|
|
or droople, or whatever, I guess we're doing the word press thing, I think that'll help
|
||
|
|
a little bit.
|
||
|
|
I think it's going to help a lot, I think it's going to, it's going to make a big difference.
|
||
|
|
When that goes live, I think we're going to see some, some changes to the way that, that,
|
||
|
|
you know, people treat it.
|
||
|
|
Oh, let me take a step back.
|
||
|
|
So Clot 2, you mentioned hacker media.
|
||
|
|
So is there a way that there's something that streams 24 hours on this?
|
||
|
|
You know, it might not be through hacker media, I think it is, I haven't been there in
|
||
|
|
a while, but there was a, yeah, there was a binary radio revolution, sponsored site that
|
||
|
|
literally, yes, it just, it's streamed basically, I think mostly bin rev content all the time.
|
||
|
|
It was just around the clock, I think it was hacker media.
|
||
|
|
I mean, let me go to that site really quick.
|
||
|
|
It's definitely dominated by hacker public radio though, including the intriguing handbook
|
||
|
|
for the criminally insane, so you can't blame us for that.
|
||
|
|
That was damn.
|
||
|
|
No, I think that's sweet, actually.
|
||
|
|
In fact, my wife poses the question the other day, the difference between a shiv and
|
||
|
|
a shank, it's, it's interesting that we found the answer.
|
||
|
|
Yeah, I think the difference is a shiv is one that you, is one that you make yourself.
|
||
|
|
Exactly.
|
||
|
|
Well, the shiv is the knife, the shank is the one you make into a knife.
|
||
|
|
Yes.
|
||
|
|
So there are experts, but a bunch of technically talking about knives and then the shank
|
||
|
|
is the part that's in the handle.
|
||
|
|
That's that, that love is such a fun show to do because it's, it's just like this.
|
||
|
|
It's people getting together and you're not just talking into a mic, you know, by yourself.
|
||
|
|
Yeah, that was a really fun one.
|
||
|
|
I really enjoyed the book club that I've done, which hasn't posted yet, but that, I have
|
||
|
|
to say, that was, I was a little bit, I didn't know how to go about it.
|
||
|
|
I'm not really an audiobook listener usually, so I don't know, it felt like there was a
|
||
|
|
little bit of, I guess, a barrier to entry, but that was definitely a fun show to do.
|
||
|
|
I encourage people who haven't done one of those yet to, to consider that.
|
||
|
|
Oh, yeah, and anybody's welcome to join us in the book club.
|
||
|
|
You can get in touch with us, you know, on the mailing list,
|
||
|
|
hpr at hackapublicradio.org, or you can get us in IRC, we're usually in all cast
|
||
|
|
planet. One of us is usually hanging out there or do your own book club.
|
||
|
|
If you don't want to, you know, if you don't want to do the same book we're doing,
|
||
|
|
or you want to do one of your own, anything like that is fine.
|
||
|
|
I mean, Clat 2, you did a movie review with a bunch of guys once and, you know,
|
||
|
|
because of it, I saw one of my very favorite movies ever and I never even heard of it until you guys did that.
|
||
|
|
Which one was it that was T.A. checks 1138?
|
||
|
|
Yeah, yeah, yeah.
|
||
|
|
Yeah, the movie's fantastic.
|
||
|
|
I love every, I mean, that was great.
|
||
|
|
I never would have known anything about it if you guys hadn't mentioned it.
|
||
|
|
Yeah, Bruce, I guess it's not hacked.
|
||
|
|
I mean, hacker media is an aggregation, obviously, of a bunch of feeds,
|
||
|
|
but I'm not, I'm not seeing the streaming thing that used to be here,
|
||
|
|
unless I'm just not thinking of the right.
|
||
|
|
I kept, I keep thinking maybe hacker voice, but I go there and there's nothing there.
|
||
|
|
So I'm not sure, but it was, it was a streaming online,
|
||
|
|
you know, it was online streaming that just kept streaming stuff over and over again from different sources.
|
||
|
|
It was really, really pretty neat.
|
||
|
|
Oh, and so I didn't decide.
|
||
|
|
I think if anything, that's another void yet for hacker public to step in.
|
||
|
|
Yeah, I think you're right.
|
||
|
|
I used to tune into it like if I'd run out of podcasts to listen to during my day,
|
||
|
|
I would go to that site and just kind of listen in on it.
|
||
|
|
And there'd be, there were often some security podcasts on there
|
||
|
|
that I, that I didn't really have as part of my feed, but I kind of knew of them.
|
||
|
|
So I'd, I'd catch a few episodes through that, through that.
|
||
|
|
It's kind of cool, although one of the things that I definitely want to start doing,
|
||
|
|
you know, and you can see the blog that I usually post up on Linux basics.
|
||
|
|
I think what I'd like to do is just throw out an occasional for the, you know,
|
||
|
|
HPR episode that really hits home for me.
|
||
|
|
I definitely would like to start pushing those things to the forefront as well,
|
||
|
|
because I actually heard episode 83 this morning, the interview with Dan Lynch.
|
||
|
|
Dan's always a good, good interview and the, the talk that he had with Ken Fallon,
|
||
|
|
who was one of the more enjoyable ones that I've liked.
|
||
|
|
Yeah, definitely. It's definitely, there's a, there's a Dan Lynch isn't for you.
|
||
|
|
It's, it's always great to interview, you know, cool people who are just willing to be,
|
||
|
|
you know, friendly and stuff, and that's what's so cool about HPR.
|
||
|
|
There's so many people there, maybe we can use this to broaden the topic a little bit.
|
||
|
|
What's, what's been everybody's favorite shows this year, really memorable shows?
|
||
|
|
Can anybody think of, think of, you know, shows that really stick out to you?
|
||
|
|
This is my attempt at trying to get some of the people to talk who haven't been spoken up yet.
|
||
|
|
Sounds like it didn't necessarily work, OK?
|
||
|
|
No, it might not.
|
||
|
|
Frankie, sound like you're trying to say something there.
|
||
|
|
I think you got stuck in a time vortex.
|
||
|
|
Yeah, yeah, OK, we kind of, kind of lost Frank there.
|
||
|
|
I'll say that some of my favorite episodes of this past year have been the brother mouse episodes.
|
||
|
|
Those things come out of left field and like from nowhere and you're like, wait,
|
||
|
|
have chickens in your backyard and he makes it so interesting.
|
||
|
|
The chickens one, the, the Coleman lantern one, those things.
|
||
|
|
Oh, yeah, yeah, yeah, yeah, those were really good.
|
||
|
|
I've forgotten about those until you just mentioned it.
|
||
|
|
Yeah, those were great.
|
||
|
|
They were kind of almost like survivalism, right?
|
||
|
|
Yeah, exactly.
|
||
|
|
Yeah, yeah.
|
||
|
|
In fact, I didn't even know what the survivalist movement was until he said that.
|
||
|
|
And I started looking into some of it, you know, just for everyday stuff.
|
||
|
|
I saw a really good presentation at a bar camp once by these small group of people.
|
||
|
|
And they were all, I mean, yeah, they looked the part.
|
||
|
|
They were definitely like into survivalism.
|
||
|
|
And it was, it was really eye-opening and just really appealing.
|
||
|
|
And one of those moments where it was like, okay, so the hacker public or the hacker culture
|
||
|
|
rather is also about this.
|
||
|
|
I can get into this and it was really neat.
|
||
|
|
Just being prepared for anything at any time is really, really a cool topic.
|
||
|
|
So I really liked the, yeah, the brother mouse episodes on more or less the same kind of stuff.
|
||
|
|
Yeah, I think the hacker culture to me because I'm not a coder, you know,
|
||
|
|
and I know that's where the word kind of started.
|
||
|
|
But to me, the hacker culture isn't necessarily, I mean, it is about coding for sure.
|
||
|
|
But I think it's also about solving problems for yourself or with friends,
|
||
|
|
you know, perhaps in a way that isn't you.
|
||
|
|
You got to, you got to figure out how to do some, you know, kind of in the non-commercial way.
|
||
|
|
And just figuring out how to get those problems solved.
|
||
|
|
I think that's really what's at the core of hacking, you know, hacking computers, hacking life,
|
||
|
|
whatever it is.
|
||
|
|
And I think that's why, you know, we have so many that are so appealing to people.
|
||
|
|
Some of the old sort of like computer memory episodes where they kind of talk about
|
||
|
|
the older computers that they kind of started out on and stuff.
|
||
|
|
I don't want to say those are like eye-opening or anything.
|
||
|
|
But I think they're really important bits of history.
|
||
|
|
And I usually like hearing that sort of thing because, I mean, even though I grew up on computers,
|
||
|
|
I had a pretty limited set of computers that I was, that I would, that I was around.
|
||
|
|
And I was kind of oblivious to what was going on outside of that little world that I was
|
||
|
|
sheltered in using those kinds of computers.
|
||
|
|
It's really neat to hear about the other kinds of computers that I didn't really know existed.
|
||
|
|
A flavor of like what what computer culture was like, you know, back at that time or whatever.
|
||
|
|
Yeah, they would go so far as to say that they're eye-opening.
|
||
|
|
They, some of the things that are said on some of those, you know,
|
||
|
|
the Mr. Gadget shows and the Frank Bells shows and show.
|
||
|
|
And the one that was about the desktop transparency.
|
||
|
|
I mean, those blew me away.
|
||
|
|
I wouldn't say they were eye-opening.
|
||
|
|
Yeah, it's weird. I go to those really hesitantly.
|
||
|
|
You know, I'm like, I'm not another historical computer episode.
|
||
|
|
And then I start listening.
|
||
|
|
And I'm like, wow, this is so cool.
|
||
|
|
And I, it's really hard for my mind to fathom what computing must have been like before Linux.
|
||
|
|
You know, it's like, what did you do before you had all this act for the operating systems and stuff?
|
||
|
|
I'm not that I've already always had it.
|
||
|
|
But I guess once I accepted that I was a geek, I kind of accepted that, okay,
|
||
|
|
the Unix Linux thing was what I was interested in.
|
||
|
|
So my, in my mind, it's always been there for me.
|
||
|
|
Yeah, I'll agree with that.
|
||
|
|
I mean, I, you know, I look back on, you know, my days of running like Windows.
|
||
|
|
And just it was a habit.
|
||
|
|
It was habitual.
|
||
|
|
Every six months, I would reinstall.
|
||
|
|
And it would take two or three days to get it done because of all the updates and everything.
|
||
|
|
And then my computer ran okay again.
|
||
|
|
And that was like, that was acceptable to me at some point.
|
||
|
|
You know, to the point where I would offer to help people do that.
|
||
|
|
And it's just, I look back on that.
|
||
|
|
And I'm like, wow, was, was I crazy?
|
||
|
|
What was wrong there?
|
||
|
|
I made the mistake back in probably like 2003, 2004 of asking a guy if he knew anything about Linux,
|
||
|
|
because I had heard the word a couple of times.
|
||
|
|
And he was not a Linux user.
|
||
|
|
And that was my mistake because he told me it was just some difficult thing that you didn't
|
||
|
|
have a desktop and you had to build it all yourself.
|
||
|
|
And it may have been minimally true at the time.
|
||
|
|
But it was, it was certainly not correct information.
|
||
|
|
And I held off for a long time.
|
||
|
|
And I didn't try Linux till like 2007 when I started hearing it mentioned on a lot of
|
||
|
|
podcasts that weren't even Linux specific.
|
||
|
|
And yet, and as soon as I, you know, popped in that first live CD the first time
|
||
|
|
and, you know, resized the partition without destroying it, I was blown away.
|
||
|
|
I was sold.
|
||
|
|
Yeah, that's funny.
|
||
|
|
I kind of had the opposite experience.
|
||
|
|
I remember being in a computer store with my dad back when computer stores existed.
|
||
|
|
And we'd seen three boxes.
|
||
|
|
I think it was Red Hat, Sioux and Yellow Dog.
|
||
|
|
And I asked him what that stuff was.
|
||
|
|
And it was over in the Windows sections.
|
||
|
|
You know, we always went to the other, the other little room,
|
||
|
|
tucked away in the corner with all that fruit flavored computer equipment.
|
||
|
|
So I kind of associated with Windows.
|
||
|
|
So that was negative.
|
||
|
|
But he told me it was like something about Unix.
|
||
|
|
And Unix was the original computing operating system.
|
||
|
|
And it's the real deal.
|
||
|
|
Like it's really serious.
|
||
|
|
You know, he gave it like this reverence.
|
||
|
|
And I just thought, wow,
|
||
|
|
someday I'll work my way up to that.
|
||
|
|
And so I always kind of regarded everything.
|
||
|
|
Anything Unix and Linux, I would always think that, you know,
|
||
|
|
it was something to achieve.
|
||
|
|
I'm going to see if I can help popy with this sound.
|
||
|
|
I'll be back.
|
||
|
|
Absolutely.
|
||
|
|
And as far as helping people with sound,
|
||
|
|
I think there's a bunch of people who have been checking their sound
|
||
|
|
out in the OSNP mumble room, which is our test room.
|
||
|
|
And seem to have stuff working.
|
||
|
|
And Ken Fallon tells me there's some people who want to say hello.
|
||
|
|
Is there anybody on who wanted to say something?
|
||
|
|
Who hasn't?
|
||
|
|
And not just a minute.
|
||
|
|
Carnominal and I think popy,
|
||
|
|
Carnominal joined and there's done to get some other people.
|
||
|
|
So I hope to be back in a while.
|
||
|
|
And my kids want to say hello as long before they go to bed.
|
||
|
|
Oh, fantastic.
|
||
|
|
The Fallon family.
|
||
|
|
Excellent.
|
||
|
|
Send them in.
|
||
|
|
Well, they're actually HPR contributors themselves
|
||
|
|
because they help me post the show every morning.
|
||
|
|
That is not cool that it can be a family thing.
|
||
|
|
You know, that we don't have to worry about.
|
||
|
|
You know, we don't have to worry about it.
|
||
|
|
It did not be an appropriate for kids.
|
||
|
|
I mean, I occasionally have to share it,
|
||
|
|
but it's, it's, it's, I usually know that going in.
|
||
|
|
Oh, the thing is here this week,
|
||
|
|
Coach, I mean, so anything you,
|
||
|
|
any bad language in English is kind of
|
||
|
|
not as, not as serious.
|
||
|
|
So what are their names, Ken?
|
||
|
|
We have Shnade.
|
||
|
|
She's the oldest.
|
||
|
|
And then we have Padrik.
|
||
|
|
Good name there.
|
||
|
|
And then we have Roji.
|
||
|
|
Okay, can they hear us now?
|
||
|
|
They're actually having their supper.
|
||
|
|
So it'll be five minutes or so before they're available.
|
||
|
|
But you actually hold on a second.
|
||
|
|
I'll see if they're around.
|
||
|
|
Ken doesn't like to be hanged so much,
|
||
|
|
but Ken is, Ken is the guy who revived Hacker Public Radio.
|
||
|
|
When it started, let's stop this, please.
|
||
|
|
Okay, I have got a gentleman here
|
||
|
|
who wants to actually be interviewed.
|
||
|
|
Hello, how are you?
|
||
|
|
Hello.
|
||
|
|
And what's your name?
|
||
|
|
Um, Padrik.
|
||
|
|
And do you know what HPR is?
|
||
|
|
Yeah.
|
||
|
|
What's HPR?
|
||
|
|
A radio program?
|
||
|
|
It's difficult to think of the words in English,
|
||
|
|
isn't that squiggles?
|
||
|
|
Yeah.
|
||
|
|
And where do you see HPR written then?
|
||
|
|
On the battery?
|
||
|
|
That's on our bicycle.
|
||
|
|
And there's a picture of that on the website, isn't there?
|
||
|
|
Do you help me in the morning post the shows sometimes?
|
||
|
|
Yeah.
|
||
|
|
And do you like it?
|
||
|
|
Yeah.
|
||
|
|
Okay, and who else do we have?
|
||
|
|
Okay, say goodbye.
|
||
|
|
Goodbye.
|
||
|
|
Or do you want to say happy New Year to people?
|
||
|
|
Happy New Year.
|
||
|
|
Can I ask Padrik a question?
|
||
|
|
Just for no more seconds.
|
||
|
|
Can you say that again?
|
||
|
|
Um, Polkie, can you say that again?
|
||
|
|
Yes, may I ask a question?
|
||
|
|
Padrik, do you know that there's people all over the world
|
||
|
|
who are happy to hear you right now?
|
||
|
|
What did you say?
|
||
|
|
Come to the closer here.
|
||
|
|
I was wondering, do you know that all over the world right now,
|
||
|
|
there are people listening to you and happy to hear you?
|
||
|
|
No.
|
||
|
|
I'm in America.
|
||
|
|
You know where America is?
|
||
|
|
Yeah.
|
||
|
|
It's a far away.
|
||
|
|
Yeah.
|
||
|
|
Yeah.
|
||
|
|
Did you know a lot of the dinosaurs come from America?
|
||
|
|
What?
|
||
|
|
Yeah.
|
||
|
|
Cool.
|
||
|
|
Okay, who else wants to be one?
|
||
|
|
Hello, what's your name?
|
||
|
|
Chennai.
|
||
|
|
What HPR is?
|
||
|
|
Yes.
|
||
|
|
What's HPR?
|
||
|
|
I think I'm 10.
|
||
|
|
You type in things.
|
||
|
|
What do you type in the morning?
|
||
|
|
HPR.
|
||
|
|
And then the number.
|
||
|
|
What's the number?
|
||
|
|
It's a different number.
|
||
|
|
And you have to look at the number that's on the page
|
||
|
|
and then you have to add one to it.
|
||
|
|
And then you have to type that number in.
|
||
|
|
Isn't that right?
|
||
|
|
Yes.
|
||
|
|
And how old are you?
|
||
|
|
Seven.
|
||
|
|
And you're learning to read and write now, right?
|
||
|
|
Yes.
|
||
|
|
Yes.
|
||
|
|
And you speak Dutch mostly, don't you?
|
||
|
|
Yes.
|
||
|
|
Yes.
|
||
|
|
Where have you learned your English, then?
|
||
|
|
Well,
|
||
|
|
Daddy.
|
||
|
|
Say, wish everybody happy new year.
|
||
|
|
I wish you have a happy new year.
|
||
|
|
Hi, Chennai.
|
||
|
|
Happy new year.
|
||
|
|
Happy new year from America
|
||
|
|
and from all over the world right now.
|
||
|
|
Thank you.
|
||
|
|
Okay, and now the smallest one who is a bit hyper,
|
||
|
|
but also a little bit shy.
|
||
|
|
Hello, what's your name?
|
||
|
|
She doesn't want to say anything.
|
||
|
|
And hello, who are you?
|
||
|
|
I'm Manon and the mother.
|
||
|
|
Yes, and she's also the voice of the current outro.
|
||
|
|
Okay, Roosh, say bye-bye.
|
||
|
|
Happy new year.
|
||
|
|
That was Roosh, Chenan Manon.
|
||
|
|
Okay, thank you very much.
|
||
|
|
Sorry for the interruption.
|
||
|
|
Carry on and continue enjoying the show.
|
||
|
|
Awesome, Ken.
|
||
|
|
That was great.
|
||
|
|
Thank you.
|
||
|
|
I think it's kind of funny.
|
||
|
|
They have, you know, the amount of access
|
||
|
|
to technology they have been on a radio show,
|
||
|
|
broadcasting live to thousands of people.
|
||
|
|
It's actually quite amazing what you can do
|
||
|
|
with free and open source software and the community.
|
||
|
|
This has been amazing to see the amount of people
|
||
|
|
who have stepped up to the place
|
||
|
|
and started helping this last week.
|
||
|
|
It's just absolutely, totally awesome mind-blowing experience.
|
||
|
|
I've had a grin from ear to ear for the last week,
|
||
|
|
watching people volunteer, servers,
|
||
|
|
and volunteer mumble things,
|
||
|
|
and volunteer to be on,
|
||
|
|
and posting it on Facebook and all the rest.
|
||
|
|
It's fantastic.
|
||
|
|
Well done to everybody.
|
||
|
|
Yeah, thank you, everyone who's offered to help.
|
||
|
|
Everyone has helped.
|
||
|
|
Everyone who's listening.
|
||
|
|
I can apologize for not knowing
|
||
|
|
what to do with all the help that's been offered this week.
|
||
|
|
That might, I think, that was a little frustrating
|
||
|
|
for some people who were offering to help
|
||
|
|
and didn't know what to do,
|
||
|
|
and I didn't know where to place you.
|
||
|
|
But everyone is, you know, is doing their part,
|
||
|
|
and it's just fantastic.
|
||
|
|
Claudio Im just popped.
|
||
|
|
He was about to say something.
|
||
|
|
Hey, everybody, happy new year?
|
||
|
|
Or happy new year.
|
||
|
|
If you're on that side of the world,
|
||
|
|
then we're still waiting over here on my end.
|
||
|
|
Claudio contributed a couple shows a while back
|
||
|
|
on selecting a processor.
|
||
|
|
So he's one of our more technical guys,
|
||
|
|
and those are really cool shows too.
|
||
|
|
How's your 2011, Ben Claudio?
|
||
|
|
Well, it's been rather interesting,
|
||
|
|
as I've had more fun on roller coasters, really.
|
||
|
|
But this has felt quite like one.
|
||
|
|
So, yeah, overall, I'd have to say it's been a pretty good one.
|
||
|
|
It's ups and downs, but overall,
|
||
|
|
it's all good.
|
||
|
|
So, you know, as far as 2012,
|
||
|
|
challenge accepted, that's all I have to say.
|
||
|
|
Yeah, nice, nice.
|
||
|
|
I'm grasping for a topic here,
|
||
|
|
who's got something to talk about.
|
||
|
|
Can you hear me now?
|
||
|
|
Crayon, hey, from the future.
|
||
|
|
Yes, I finally got the time warp worked out,
|
||
|
|
so I'm calling in from the future.
|
||
|
|
Yeah, it's 2012 here.
|
||
|
|
So, yeah, it's funny.
|
||
|
|
Everything, I thought it would look bigger,
|
||
|
|
but everything looks pretty much the same.
|
||
|
|
Oh, that's because it's in Australia.
|
||
|
|
We don't know that.
|
||
|
|
Yeah, that could be the case.
|
||
|
|
Yeah, it's 5.5m here,
|
||
|
|
so I'm getting tired, but yeah.
|
||
|
|
Yeah, you sound like you're receiving all, mate.
|
||
|
|
Yeah, it's been a rough, you know,
|
||
|
|
pretty busy sort of end of year for me
|
||
|
|
with Christmas and everything,
|
||
|
|
and as I suppose it is for everyone,
|
||
|
|
but yeah, I'm coming down.
|
||
|
|
I've got a week of camping to relax starting tomorrow,
|
||
|
|
so that I'll have plenty of time
|
||
|
|
then to recoup and, yeah,
|
||
|
|
listen, catch up to HPR episodes and things.
|
||
|
|
So we can all look forward to hangovers tomorrow
|
||
|
|
is what we're trying to tell us.
|
||
|
|
Yeah, that's what the forecast is at this point, yeah.
|
||
|
|
I did want to say just a few things
|
||
|
|
about going backwards just from everything
|
||
|
|
that you're speaking about before.
|
||
|
|
With the, you know, the whole hacker thing,
|
||
|
|
you know, I think it's quite interesting
|
||
|
|
the website for this call in show links
|
||
|
|
to the definition of hackers on Wikipedia,
|
||
|
|
which I think is, yeah, exactly right,
|
||
|
|
in that it refers to the fact that you're building,
|
||
|
|
rebuilding, modifying and creating.
|
||
|
|
They refer to hardware and software,
|
||
|
|
but yeah, I think HPR is brilliant
|
||
|
|
in that it is literally hacking everything.
|
||
|
|
You know, you're hacking life.
|
||
|
|
And I think it's basically just,
|
||
|
|
you know, making it work for you is what you're doing.
|
||
|
|
You're taking something and you're making it work for you.
|
||
|
|
And I think that's really really quite awesome.
|
||
|
|
And for me, one of my favorites that I remember
|
||
|
|
was by KE5, which was episode 665,
|
||
|
|
which was hacking the craps table.
|
||
|
|
And that was really quite fascinating.
|
||
|
|
I thought, you know, just...
|
||
|
|
And that's a perfect example, I think.
|
||
|
|
I like those HPR episodes.
|
||
|
|
I'm fairly computer, you know,
|
||
|
|
I'm fairly technical when it comes to computers,
|
||
|
|
but I get to kick out of the episodes
|
||
|
|
they're actually on other topics,
|
||
|
|
you know, such as that.
|
||
|
|
I thought that was brilliant.
|
||
|
|
I had to listen to that episode about five times.
|
||
|
|
And after the fourth time,
|
||
|
|
and not being able to follow at all,
|
||
|
|
I printed out a picture of a craps table.
|
||
|
|
So I could set it down on the table in front of me
|
||
|
|
and looked at it while he was talking about it.
|
||
|
|
And it finally made sense that fifth time.
|
||
|
|
But yeah, that show was really fun.
|
||
|
|
I must have skipped that one.
|
||
|
|
I don't even remember it.
|
||
|
|
I think the image was in the ID3 tags, actually.
|
||
|
|
Regardless, I also printed out a lot of Wikipedia.
|
||
|
|
Well, there's some of the episodes that I did like a lot.
|
||
|
|
We're from...
|
||
|
|
from Barryman, the ones where I'm talking about his Linux setup
|
||
|
|
for his music.
|
||
|
|
Those were phenomenal.
|
||
|
|
I have to say, I enjoyed every minute of those.
|
||
|
|
And just the plus of tone of his voice,
|
||
|
|
him being a jazz musician and everything,
|
||
|
|
is just you want to hear more.
|
||
|
|
It's like, you know, you hear a storyteller
|
||
|
|
tell you this whole story about whatever.
|
||
|
|
And it just captivates you.
|
||
|
|
It's just captivated me the whole time.
|
||
|
|
Every episode was like that.
|
||
|
|
And it was great to listen to.
|
||
|
|
And definitely a lot of great tips
|
||
|
|
considering what he had set up.
|
||
|
|
So...
|
||
|
|
Oh my God, yeah.
|
||
|
|
He didn't actually even have to say anything.
|
||
|
|
That dude could read the phone book
|
||
|
|
and it would be captivating his voice
|
||
|
|
and his sound all over me.
|
||
|
|
Yeah, absolutely.
|
||
|
|
Well, end of sax playing.
|
||
|
|
Yeah, I mean, yeah.
|
||
|
|
I mean, on top of all of all that.
|
||
|
|
Yes, his sax playing and the info that he had
|
||
|
|
was just amazing, that guy.
|
||
|
|
Yeah, his...
|
||
|
|
It was funny.
|
||
|
|
I was talking on IRC about this a bit ago.
|
||
|
|
Those episodes kind of reminded me of a jazz program
|
||
|
|
that they had on the station that used to be on here
|
||
|
|
where they played classical during the morning
|
||
|
|
and jazz all night from midnight to five.
|
||
|
|
And the tone of his voice was similar
|
||
|
|
to the DJ's voice for the jazz segment.
|
||
|
|
And it reminded me so much of that.
|
||
|
|
I just could not stop listening.
|
||
|
|
I mean, his voice just captivated...
|
||
|
|
Again, like you said, he could read...
|
||
|
|
He could read the alphabet for all.
|
||
|
|
It would just be so captivating.
|
||
|
|
He just...
|
||
|
|
He just had you sitting there just kind of enjoying it.
|
||
|
|
And yeah, his music, the music that he used,
|
||
|
|
which I obviously was his, which was awesome.
|
||
|
|
But I really like that sort of thing.
|
||
|
|
Actually, just like, here's my personal setup.
|
||
|
|
Here's what I do on it.
|
||
|
|
Here's how I do it.
|
||
|
|
Because even if you're not doing that same thing right now,
|
||
|
|
number one, it's interesting to hear
|
||
|
|
how people are doing what they're doing.
|
||
|
|
And it also kind of gets your brain
|
||
|
|
starting to work a little bit.
|
||
|
|
And you're like, I could do that.
|
||
|
|
I could set something up like that.
|
||
|
|
I could make music or whatever.
|
||
|
|
I like that sort of thing.
|
||
|
|
I could learn E-Mex.
|
||
|
|
I was about to say, I think Plato's series on urban camping
|
||
|
|
was fascinating to very eye-opening,
|
||
|
|
not something that I personally do.
|
||
|
|
I don't think it takes quite a brave individual
|
||
|
|
to do something like that.
|
||
|
|
I think to be able to have the courage to do that.
|
||
|
|
But yeah, I found it fascinating nonetheless.
|
||
|
|
And I loved every episode.
|
||
|
|
I have to agree.
|
||
|
|
Club two, those episodes were, well,
|
||
|
|
I mean, I'd never find myself doing anything like that.
|
||
|
|
But it definitely captured my interest.
|
||
|
|
And I was hanging on every episode
|
||
|
|
and looking forward to the next one.
|
||
|
|
What's funny is that it came up in conversation.
|
||
|
|
We were talking about, it came up in conversation
|
||
|
|
with my girlfriend.
|
||
|
|
And we were talking about hackers and stuff like that.
|
||
|
|
Why people want to, you know, malicious hackers.
|
||
|
|
Why people want to do stuff?
|
||
|
|
And I tried to explain to her that, you know,
|
||
|
|
that hacker doesn't necessarily mean a bad thing.
|
||
|
|
It can mean someone that takes something,
|
||
|
|
or it does mean that someone that takes something
|
||
|
|
and makes it do what it intentionally
|
||
|
|
was not designed to do.
|
||
|
|
So in talking about that,
|
||
|
|
the episode about the urban camping series that you did,
|
||
|
|
it came up.
|
||
|
|
And I said, well, you're pretty much hacking life right there
|
||
|
|
because you're taking, you know,
|
||
|
|
you're taking pretty much living spaces and stuff like that
|
||
|
|
where people would normally think as being living space
|
||
|
|
and just kind of living life in a way that, you know,
|
||
|
|
normally people don't normally think to live life as.
|
||
|
|
So you're kind of hacking life in that sense.
|
||
|
|
So, you know, I explained to her,
|
||
|
|
she kind of looked at me with a funny face,
|
||
|
|
but I told her, no, don't worry, it's not anything I'm going to do.
|
||
|
|
But I just started really interesting.
|
||
|
|
And it was a great, I had to say,
|
||
|
|
those were the, that was one of the most memorable ones
|
||
|
|
of HPR.
|
||
|
|
Well, to be fair, I don't think they were this year,
|
||
|
|
though, I think they were actually last year.
|
||
|
|
So I don't know if they're fair game for, for this.
|
||
|
|
Oh, forget everything we just said then.
|
||
|
|
Yeah, I will do.
|
||
|
|
It does not necessarily because we got a lot more feedback
|
||
|
|
on those this year and they were a perfect example
|
||
|
|
of how you can get people thinking outside of the box,
|
||
|
|
exactly, you know, coming in from left field,
|
||
|
|
never having been baseball.
|
||
|
|
I have no idea what that means,
|
||
|
|
but it's kind of personifies exactly
|
||
|
|
what we kind of need out here in the HPR show.
|
||
|
|
And just to point out, despite the fact it was
|
||
|
|
on last year, it's still one of the most downloaded shows.
|
||
|
|
Yeah, they're definitely the ones that I get a lot of
|
||
|
|
the most comments on.
|
||
|
|
I think people seem to really, really like that series.
|
||
|
|
And of course, that was one of those series
|
||
|
|
that I was really nervous about.
|
||
|
|
I thought people are going to hate this.
|
||
|
|
They're going to be upset.
|
||
|
|
It's going to be controversial.
|
||
|
|
Turns out everyone loved it.
|
||
|
|
What can you do?
|
||
|
|
You try to be controversial and you fail.
|
||
|
|
Every time.
|
||
|
|
Every time I try so hard.
|
||
|
|
I think I'm just in the wrong group for that.
|
||
|
|
I think the whole, you know,
|
||
|
|
revolutionary new idea thing.
|
||
|
|
I don't think that's working out for me
|
||
|
|
among this group.
|
||
|
|
I think everyone kind of likes that sort of thing here.
|
||
|
|
I need to go to like the housewife
|
||
|
|
podcast section and put out some weird ideas there.
|
||
|
|
Yeah, man, it's called preaching to the choir.
|
||
|
|
Yeah, I'm really good at that.
|
||
|
|
And he was too.
|
||
|
|
Yeah, definitely.
|
||
|
|
One of the things that was so important about those shows
|
||
|
|
and about so many of the ones that are kind of,
|
||
|
|
you know, people think they're going to be off
|
||
|
|
the deep end like that is in shows like that.
|
||
|
|
We get to know the hosts.
|
||
|
|
And that's like the best part about it
|
||
|
|
is getting to know the people.
|
||
|
|
You know, like after those shows,
|
||
|
|
I felt like I knew you.
|
||
|
|
And then I was like talking to you and, you know,
|
||
|
|
NIRC, like I knew you don't know this guy.
|
||
|
|
Yeah, exactly.
|
||
|
|
It's kind of, it's a one way thing when you put out an episode
|
||
|
|
like that.
|
||
|
|
People kind of get people kind of get to know you
|
||
|
|
and it's it's weird, isn't it?
|
||
|
|
That's actually a really good point.
|
||
|
|
Maybe that is an element of of podcasting in general
|
||
|
|
that that is actually maybe under undersold
|
||
|
|
is that like if you podcast regularly
|
||
|
|
and you kind of talk about this stuff you're interested in,
|
||
|
|
people start to kind of like they feel like you're,
|
||
|
|
you know, your buddies with that person.
|
||
|
|
You know, I don't, I haven't met everyone
|
||
|
|
in this channel by any means,
|
||
|
|
but a lot of them who, you know,
|
||
|
|
I mean, Hokey and Ken Fallon
|
||
|
|
and Pythman music and crayon.
|
||
|
|
I mean, people who I've kind of heard
|
||
|
|
and Claudio, sorry, but I've met Claudio actually.
|
||
|
|
People I've heard a lot, you know, you kind of do.
|
||
|
|
You feel like, oh yeah, they're a good guy.
|
||
|
|
I kind of know what they're interested in,
|
||
|
|
stuff like that.
|
||
|
|
And you get this camaraderie ship that,
|
||
|
|
that I don't know.
|
||
|
|
It's not real, but it is real.
|
||
|
|
Oh, that's why I suggest going to the fest
|
||
|
|
so you can put some physical person behind this
|
||
|
|
and you don't feel as embarrassed going,
|
||
|
|
yeah, all my friends online, okay,
|
||
|
|
when I say my friends online,
|
||
|
|
you mean all the people that you've never actually met in real life?
|
||
|
|
Yeah, yeah, yeah.
|
||
|
|
Like your online Canadian girlfriend.
|
||
|
|
She's real.
|
||
|
|
Papa.
|
||
|
|
What are you?
|
||
|
|
He's a man.
|
||
|
|
Yeah.
|
||
|
|
And these are really, really.
|
||
|
|
I think, I think we have a, a young guest on unintentionally.
|
||
|
|
Hey, lost him, Ross.
|
||
|
|
Blankton.
|
||
|
|
And little Brockton.
|
||
|
|
Yeah, little Brockton.
|
||
|
|
And little Brock, how are you guys doing?
|
||
|
|
Hey, okay, you guys are, I'm sorry.
|
||
|
|
I was looking for the channel to the room to just test your audio.
|
||
|
|
The cooking show, you're looking for the cooking show.
|
||
|
|
Yeah, yeah.
|
||
|
|
If you move out to the, I'm still waiting on that.
|
||
|
|
If you move out to the root server, I'll go up with you, okay?
|
||
|
|
But how do I sell?
|
||
|
|
Because you guys are a little choppy coming in.
|
||
|
|
You sound a bit broken up, a little bit static-y.
|
||
|
|
Yeah.
|
||
|
|
Okay, I'm going to, I'm going to jump out and mess with this.
|
||
|
|
I probably won't be on for a while.
|
||
|
|
Sounds good.
|
||
|
|
We look forward to it.
|
||
|
|
Okay.
|
||
|
|
So yeah, I mean, you know, kind of like I'll, I'll plot like the big guns here with examples
|
||
|
|
as far as what we were talking about.
|
||
|
|
Goes is like, who in this room would feel awkward walking up to like a Dan Lynch?
|
||
|
|
And like, don't you feel like you know him?
|
||
|
|
I mean, I've never spoken to him in real life, but I can approach him.
|
||
|
|
I can email him.
|
||
|
|
And I know that's the point that you make all the time clad to where you can email
|
||
|
|
something.
|
||
|
|
It feels more comfortable listening to what they put out or view and what they put out, you know?
|
||
|
|
I think that's, it's hugely important.
|
||
|
|
And something that I think I must have maybe first experienced
|
||
|
|
to a greater extent among the software programmers.
|
||
|
|
I like get festivals realizing that I'm meeting people who are, you know,
|
||
|
|
making the programs that I'm using, which was kind of cool.
|
||
|
|
And it kind of started to break out into like the art stuff that I,
|
||
|
|
that I listen to or that I watch.
|
||
|
|
And it started to become like, you know, if I'm listening to someone's music,
|
||
|
|
I want to be able to email them and say, hey, I like it or, or whatever,
|
||
|
|
or contribute money to them and know that that money is actually going to go to them
|
||
|
|
and not to some label.
|
||
|
|
It kind of, it's something that kind of started with software for me, I think,
|
||
|
|
and started really kind of getting its way deeper into other areas of my life.
|
||
|
|
Yeah, I can totally relate to that.
|
||
|
|
I mean, like back in high school, you know, I would go see local bands and stuff
|
||
|
|
and listen to their music.
|
||
|
|
And I knew a lot of the guys.
|
||
|
|
I knew them personally.
|
||
|
|
I worked with one guy who was a bassist for a local band.
|
||
|
|
And even knowing them personally, they just didn't seem very approachable.
|
||
|
|
But then when I started getting into Linux and getting into software and stuff,
|
||
|
|
I had just like an eye-opening experience where I was using MEMO
|
||
|
|
on an A10 that I picked up.
|
||
|
|
And I wanted a game on there that wasn't available on it.
|
||
|
|
But people said, hey, it's just Linux.
|
||
|
|
Everything should work as long as it's ported.
|
||
|
|
So I put out a bounty on the MEMO board.
|
||
|
|
I said, I want this game to work on my N810.
|
||
|
|
I want to be able to take it with me and play this game whenever I want it.
|
||
|
|
And somebody picked up the bounty and started working on the game.
|
||
|
|
And the guy emailed the developer of the game.
|
||
|
|
And the developer emailed me to ask what I was looking for to be done.
|
||
|
|
I mean, like, wow, that's approachable.
|
||
|
|
Yeah, yeah, that's what I'm talking about.
|
||
|
|
That's really cool.
|
||
|
|
And significant.
|
||
|
|
It is significant, yes.
|
||
|
|
And it does bleed over to the things like music.
|
||
|
|
We're now, I only really want to listen to music.
|
||
|
|
If I can talk to the person and tell them that I like their music
|
||
|
|
and tell them I like what's going.
|
||
|
|
And art, you know, like pictures and stuff.
|
||
|
|
And you name it.
|
||
|
|
It's great to be able to talk to them like that.
|
||
|
|
I kind of have this idea that, like, content,
|
||
|
|
speaking of, like, you know, artistic content.
|
||
|
|
That is so prevalent at this point.
|
||
|
|
Like, everyone can make stuff now.
|
||
|
|
Everyone's got a computer.
|
||
|
|
They can draw pictures.
|
||
|
|
They can make music.
|
||
|
|
They can make videos.
|
||
|
|
There's distribution channels for it.
|
||
|
|
They can post it online up to, you know,
|
||
|
|
at least a billion people could potentially see their art.
|
||
|
|
So I mean, there's no, there's no lack of content.
|
||
|
|
People can, we can all get stuff if we want it.
|
||
|
|
You know, it's, it's there.
|
||
|
|
So the, the real, the thing that matters now
|
||
|
|
isn't the content.
|
||
|
|
Like, it's not so rare that someone is making a musical album
|
||
|
|
that I have to go scramble to get it.
|
||
|
|
The thing now is the person behind that content.
|
||
|
|
You know, the, the people, the person making the content
|
||
|
|
and, and distributing it.
|
||
|
|
And they're the thing that, that is unique.
|
||
|
|
You know, it's, it's no longer what they're making.
|
||
|
|
It's who they are.
|
||
|
|
And I think that is true both in art and software.
|
||
|
|
Because if you think of, like, software
|
||
|
|
that's being distributed to people,
|
||
|
|
we all have all the software we need
|
||
|
|
between the free and the proprietary offerings.
|
||
|
|
We've got what we need.
|
||
|
|
It's not a big deal.
|
||
|
|
But we want to make sure that if there's a problem
|
||
|
|
or if we really like something,
|
||
|
|
or if we want to feature or whatever
|
||
|
|
that we can then go in and say,
|
||
|
|
hey, you, the person who's maintaining this software
|
||
|
|
or art or whatever, can you, can you fix this for me?
|
||
|
|
Or have you tried this or have you considered doing it this way?
|
||
|
|
And that's, that's kind of key.
|
||
|
|
And I think that's what's really hurting
|
||
|
|
a lot of industries.
|
||
|
|
Whether, again, it's software, record label,
|
||
|
|
movie distributors, whatever,
|
||
|
|
they're not understanding that they're no longer
|
||
|
|
selling the content.
|
||
|
|
They're selling the whole package.
|
||
|
|
The, the, the artist, the, the artwork,
|
||
|
|
or the software and the programmer.
|
||
|
|
It's a package deal now.
|
||
|
|
The accounts are down.
|
||
|
|
Can we come outside please?
|
||
|
|
Yep, I'll step.
|
||
|
|
Streams are down.
|
||
|
|
So no one's hearing us anyway, I guess.
|
||
|
|
Just, um, sing a bit of a tune or something,
|
||
|
|
clatoon.
|
||
|
|
Till it comes down.
|
||
|
|
Yes, sure.
|
||
|
|
Actually, Cookie does have that ability.
|
||
|
|
What's that, Kevin?
|
||
|
|
Hey, guys, I just, sorry, I've been silent,
|
||
|
|
but I've been putting together a quick graphical how-to
|
||
|
|
for a mumble client.
|
||
|
|
So, um, is there somebody I can send this to
|
||
|
|
or they can post it on the website, maybe,
|
||
|
|
so people could just download it
|
||
|
|
and walk through the instructions?
|
||
|
|
I think that'll be in foul in with the ability
|
||
|
|
to post it to the actual hacker public radio.
|
||
|
|
Site, although I'd be happy to host it
|
||
|
|
on the Canoe World Order site myself as well.
|
||
|
|
If you want to email it to clatoon at member.fsf.org,
|
||
|
|
I could, I could post it somewhere
|
||
|
|
until Ken gets around.
|
||
|
|
Can you, uh, type in your email address
|
||
|
|
on the IRC channel, please?
|
||
|
|
Oh, yeah, sure.
|
||
|
|
Okay, I'm here.
|
||
|
|
Let me see what happened.
|
||
|
|
You're, you're Kay Wischer in IRC, right, Kevin?
|
||
|
|
Correct.
|
||
|
|
Yeah, Dark Ice died.
|
||
|
|
Let me connect it back up.
|
||
|
|
Yeah, what are you doing?
|
||
|
|
Play the game with me.
|
||
|
|
Yeah, you're in a rush.
|
||
|
|
He's not playing the game.
|
||
|
|
Oh, man, I gotta feel so guilty.
|
||
|
|
You should.
|
||
|
|
I do.
|
||
|
|
I am hurrying up, calm down.
|
||
|
|
Hurry up.
|
||
|
|
No pressure, no pressure now.
|
||
|
|
Hurry up, hurry up.
|
||
|
|
Is Mr. Squiggle Australian?
|
||
|
|
I don't remember.
|
||
|
|
All right, it should, it should be back up now.
|
||
|
|
I think Mr. Squiggle, he might be.
|
||
|
|
Yeah, we should be back up now.
|
||
|
|
See, hearing that makes me want to bring my kids over here and make a ruckus.
|
||
|
|
Yeah, I was playing main caller with her.
|
||
|
|
Wow, I thought that was kind of an advanced game,
|
||
|
|
no?
|
||
|
|
I don't know.
|
||
|
|
I guess it depends on how good you are games.
|
||
|
|
Yeah, I guess.
|
||
|
|
Yeah.
|
||
|
|
Yeah, it sounds like Tiltz is back up for sure.
|
||
|
|
And, yeah, Tiltz is back up.
|
||
|
|
Yeah.
|
||
|
|
Yeah, that's a nice fight, man.
|
||
|
|
Tripped up.
|
||
|
|
That's okay.
|
||
|
|
It's all I'm here.
|
||
|
|
I'm gonna go finish the game for you to agree with me.
|
||
|
|
Good idea.
|
||
|
|
We don't want that on our conscience.
|
||
|
|
Okay, where are we?
|
||
|
|
I was saying that content providers should come along with content,
|
||
|
|
but we can move on from that as well.
|
||
|
|
Oh, yeah, you okay.
|
||
|
|
We can move on, but I do, I do want to say one more thing about that.
|
||
|
|
Just the other side of the coin that you were saying,
|
||
|
|
if you come up with some content,
|
||
|
|
you want to be able to contact the person about it
|
||
|
|
and give them the thumbs up or the thumbs down
|
||
|
|
or report troubles or whatever.
|
||
|
|
But the other side of that coin is the person themselves.
|
||
|
|
I mean, in this, it seems to me like in this day and age,
|
||
|
|
everything is so impersonal.
|
||
|
|
And like I just got their ear buds in.
|
||
|
|
There's no personal connection like it online
|
||
|
|
and start talking to people.
|
||
|
|
And then it's just like these are the real people in my life.
|
||
|
|
These are saying, hey, what are you working on?
|
||
|
|
What are you doing?
|
||
|
|
You know, and I want to see it that way.
|
||
|
|
Yeah, it's an exact, um, isn't it strange?
|
||
|
|
It's like the whole thing's been turned upside down, I think.
|
||
|
|
You know, I don't know my neighbors.
|
||
|
|
But yeah, I can, as you know, you guys were saying,
|
||
|
|
you can email a person whose music you listen to
|
||
|
|
and get a real reply from them.
|
||
|
|
You know, you can speak directly to the people
|
||
|
|
who are producing your entertainment and, and, you know,
|
||
|
|
you could, you could contact Jonathan Colton, probably,
|
||
|
|
you know, and not that I've tried, but you probably could.
|
||
|
|
And, you know, it's amazing that there's,
|
||
|
|
that we've got so much more intimate relationships with,
|
||
|
|
you know, in the past, the people who would be
|
||
|
|
considered, I suppose, celebrities or whatever.
|
||
|
|
Yet, it seems that, as you say, less, less,
|
||
|
|
you know, less personal interaction in every day life.
|
||
|
|
That's how I feel anyway.
|
||
|
|
So a really good point.
|
||
|
|
I think it's almost like, because we've got a,
|
||
|
|
I guess, a smaller world now or whatever the term is,
|
||
|
|
we can be a little bit more choosy as to who we decide to get to know.
|
||
|
|
And that's kind of one, it's been one of my problems,
|
||
|
|
additionally, is that a lot of the people geographically close to me
|
||
|
|
weren't necessarily people with any similar interests to me whatsoever.
|
||
|
|
And so finding those people online is a lot easier.
|
||
|
|
And it's a lot easier for me, at least,
|
||
|
|
more talkative and more outgoing and stuff with people that I know,
|
||
|
|
at least, will be able to respond to me with something that I'm interested in,
|
||
|
|
you know, science fiction or computers or something.
|
||
|
|
But, you know, I don't have to just settle for, I don't know,
|
||
|
|
thinking about the front lawn and how well it's trimmed now.
|
||
|
|
You know, I can talk about anything, but any one I want.
|
||
|
|
Yeah, totally. And I noticed, you know, throughout this,
|
||
|
|
through this holiday season on Thanksgiving, in particular,
|
||
|
|
the people that I know are discovering the same thing,
|
||
|
|
because, you know, I spent the night at my sister's house
|
||
|
|
and of the whole family, like, I'm the computer nerd.
|
||
|
|
And when we woke up, uh, in the morning,
|
||
|
|
and we're having breakfast the day after Thanksgiving,
|
||
|
|
I was the one who, you know, grabbed a cup of coffee
|
||
|
|
and sat down to talk with everybody and socialize with everybody.
|
||
|
|
And they were all on their, you know, their iPhones and iPads and nooks and Android.
|
||
|
|
Like, it really was, like, the world was turned upside down on me.
|
||
|
|
It was very, very odd.
|
||
|
|
And I should have probably just, you know, popped online and
|
||
|
|
chatted on IRC or something, or recorded a show and annoyed everybody.
|
||
|
|
Yeah, it was really funny. I got an email from somebody.
|
||
|
|
I don't even remember what it was, but the opening line was,
|
||
|
|
if you are reading this, then you have already begun to hide from your family members.
|
||
|
|
That is kind of funny.
|
||
|
|
It was, like, uncomfortably true.
|
||
|
|
It was like, yeah, well, I guess I am kind of.
|
||
|
|
Yeah, and I think that's the part that is kind of upside down on me was,
|
||
|
|
in the past, I would have been the guy hiding from my family members.
|
||
|
|
You know, I mean, 15, 20 years ago,
|
||
|
|
I would have been the one playing Nintendo.
|
||
|
|
You know, we're looking for a video game or a movie to watch or something
|
||
|
|
while everybody's out in the kitchen socializing.
|
||
|
|
And it was the complete opposite.
|
||
|
|
Here I am, you know, looking to talk with everybody
|
||
|
|
and they're, you know, playing Angry Birds or Facebook, you know, whatever.
|
||
|
|
It's actually been kind of nice because to some degree,
|
||
|
|
now that everyone has some kind of electronic gadget in their hand,
|
||
|
|
even if they're, I mean, I don't care who they are,
|
||
|
|
if they've, if they swore that they would never get a computer,
|
||
|
|
they've got something very close to like a computer in their hand at some point.
|
||
|
|
And so it becomes something that you can talk to them about.
|
||
|
|
You know, it's like, oh, what version of whatever are you running on there?
|
||
|
|
You know, it's just like a good icebreaker for a geek at least,
|
||
|
|
because sometimes I have a hard time figuring out what to talk to people
|
||
|
|
about that first and it's always nice to have kind of that, that inroad.
|
||
|
|
Has anybody else in the room? Has anybody else been able to do that?
|
||
|
|
You use, you know, everybody's, like, your family,
|
||
|
|
your friends or devices as a way to open the conversation?
|
||
|
|
Generally, if I'm like...
|
||
|
|
I did just, just the other day with the brother of my friend's daughter's husband,
|
||
|
|
if that's complicated enough.
|
||
|
|
And we had ended up having a nice conversation about his camera,
|
||
|
|
which resulted in me recommending the Gimp to him,
|
||
|
|
because he didn't have any software yet.
|
||
|
|
So maybe I've recruited someone.
|
||
|
|
Very cool. That's actually really cool.
|
||
|
|
Pegel?
|
||
|
|
Generally, if I'm at someplace say like Ohio Linux Fest or Southeast Linux Fest,
|
||
|
|
I'll see someone, you know, using it with a laptop and I'll just walk over and say,
|
||
|
|
hey, what are you running on there?
|
||
|
|
What's your desktop environment of choice or, you know, whatever?
|
||
|
|
Yeah, right.
|
||
|
|
Yes, it definitely works at a, um,
|
||
|
|
it definitely works at a Linux Fest,
|
||
|
|
the class who's making fun of me in the IRC.
|
||
|
|
I'm not.
|
||
|
|
You're not supposed to be looking over there.
|
||
|
|
You kids behave.
|
||
|
|
At the supermarket, I tried asking the,
|
||
|
|
the, you know, woman scanning my items.
|
||
|
|
If she used VIM or EMAX, but she just sort of looked and puzzled at me.
|
||
|
|
Really, I asked that and it always gets me the girl.
|
||
|
|
That's, I think, the greatest ice break ever.
|
||
|
|
It's, um, no, it's a good point, though, with the, um,
|
||
|
|
uh, I'm not sure who said it.
|
||
|
|
I think it was Frank who said about the Gimp.
|
||
|
|
Um, I did a photo course recently and they were saying how, um,
|
||
|
|
you know, in order to, to touch up your photos that, you know,
|
||
|
|
you need to get Photoshop and that whilst it's, you know, fairly expensive,
|
||
|
|
you have to, you know, you have to get it and all this sort of thing.
|
||
|
|
And I just sort of said, do I have you heard of the Gimp at all?
|
||
|
|
And she said, oh, no, I haven't.
|
||
|
|
And it was sort of an open, casual class.
|
||
|
|
So, you know, there was probably only about 10 of us in the room.
|
||
|
|
And I just sort of said, um, to them all, you know,
|
||
|
|
hey, if you want to check it out, get the Gimp,
|
||
|
|
try it out, you know, to at least save you the money of getting Photoshop
|
||
|
|
or whatever.
|
||
|
|
And it'll most likely be good enough for what you want to do.
|
||
|
|
If you're just going to be cropping and re-sizing and whatever,
|
||
|
|
I mean, I, yeah, I use the Gimp for everything and works for me.
|
||
|
|
But it's funny how you can end up sort of pushing open source and,
|
||
|
|
and that sort of stuff without, um, even trying sometimes.
|
||
|
|
So, hey, go ahead Frank, sorry.
|
||
|
|
I'm going to say it's funny, given how much we're surrounded by computers these days,
|
||
|
|
how frightened people are.
|
||
|
|
My son is in the 82nd Airborne Military Intelligence.
|
||
|
|
They give him a $26,000 laptop and push him out of the air.
|
||
|
|
And I was talking to him once about Linux a few years ago.
|
||
|
|
And he said something, something, something he said,
|
||
|
|
but I'm not going to mess with the operating system.
|
||
|
|
As peak folks just, they make it so much harder in their heads than it really is.
|
||
|
|
I have got to agree with you 100 percent, Frank.
|
||
|
|
That is, um, that is, I have found exactly the same thing.
|
||
|
|
It's really bizarre to me too.
|
||
|
|
Yeah, and at the same time, I have been able to set people up with Linux.
|
||
|
|
Well, one guy, I said one guy with Linux computer,
|
||
|
|
and he's perfectly happy with it because he doesn't have to mess with it,
|
||
|
|
where he's very familiar with Windows machines.
|
||
|
|
And he's not, I wouldn't say he's very familiar with the problems.
|
||
|
|
He knows what annoys them about him, but he has no idea what to do about it.
|
||
|
|
And then, you know, I sit him down in front of a Linux machine,
|
||
|
|
and the guy's just thrilled with it.
|
||
|
|
I guess it's a case for a lot of people,
|
||
|
|
if it is broke, don't fix it and stay with Windows.
|
||
|
|
Yeah, it's just, I'm not sure if that's a computer thing,
|
||
|
|
or if that's kind of a lifestyle thing, where people run into the same problems every day
|
||
|
|
to the degree that they can look right through them and ignore those problems.
|
||
|
|
And I think it's more of a lifestyle thing because you see people do things that don't make sense
|
||
|
|
after you've thought about them.
|
||
|
|
I could be wrong.
|
||
|
|
I keep blaming sort of like culture for this, though,
|
||
|
|
because it just feels like we're not taught to do that.
|
||
|
|
We are so, or at least it feels to me like the prevailing idea is
|
||
|
|
that you should not, you shouldn't try to make things better,
|
||
|
|
or write, or work differently.
|
||
|
|
You should just do what you're told and be happy with it,
|
||
|
|
even if it means banging your head against the wall repeatedly.
|
||
|
|
And, you know, it's just like that, this weird mentality,
|
||
|
|
and people carry it over like you say,
|
||
|
|
Pokey, in life, as well as computers.
|
||
|
|
I think I'm not hacked.
|
||
|
|
Yeah, I think, I think, Clotu, I'm not sure we may have discussed this on a kernel panic episode,
|
||
|
|
but yeah, I think I agreed with you at the time,
|
||
|
|
what you've just said then, but, yeah, and also just that they,
|
||
|
|
they're reluctant to change anything or to try anything,
|
||
|
|
because I think, you know, human beings are generally
|
||
|
|
a lot happier to just adapt to what they're dealing with,
|
||
|
|
to solve, to overcome the problem, as opposed to changing the thing they're using,
|
||
|
|
to make it work right, or whatever.
|
||
|
|
So, you know, if they have, you know, if a person has a door that
|
||
|
|
jimms or sticks or whatever, they'll work out a way to get around it and use that door
|
||
|
|
without, as opposed to just fixing the door, you know.
|
||
|
|
Yeah, they'll tell you just to pump it.
|
||
|
|
Yeah, exactly, and that's it, because humans are, we are, by nature, extremely adaptable
|
||
|
|
and, and, and really good at, you know, changing the way we do something in order to,
|
||
|
|
to get the result. And I think a lot of the time, you know, a user would be happier to have to,
|
||
|
|
you know, in windows have to reboot once a week or whatever,
|
||
|
|
than to try something new where that's no longer necessary, you know, to effectively solve their
|
||
|
|
problem. And you see that all the time, there was an XKCD cartoon that made fun of it,
|
||
|
|
and you see it all the time where, you know, that where users have solved a problem that they
|
||
|
|
need to overcome. And when you look at the way they've solved it, it involves, you know,
|
||
|
|
using seven different programs and opening and exporting a file, and then changing a file,
|
||
|
|
and then doing this and doing that. And it takes them an hour and a half to do some operation
|
||
|
|
that could be quickly and easily solved with, you know, some other more elegant solution,
|
||
|
|
rather than looking for a solution. They just find a way that works, and then they work around it
|
||
|
|
yet to the degree where when a real solution to something comes up, it's even hard to get your
|
||
|
|
head around. Like, you know, back in my Windows days, when I would rip a bunch of CDs or something,
|
||
|
|
and then have to re-eng them, I'd have to click on every single track and like paste in the album name
|
||
|
|
and just do it again and again and again and again. And many different file types, we're just
|
||
|
|
entering the same data a hundred times, and it could take you an hour to get something like that
|
||
|
|
done. And when the concept of batch processing was introduced to me, I couldn't even wrap my head
|
||
|
|
around it. Like, how, you know, how is my computer going to know what I wanted to change and where?
|
||
|
|
And it's just, yeah, it's very foreign until you've, you know, until you can wrap your head around
|
||
|
|
stuff like that. And I think the same is true of hacking in real life where people are afraid to
|
||
|
|
make something worse. And I don't know, to me, if something's broken, how can I get worse?
|
||
|
|
Just fix it or just try it. Go ahead. Oh, yeah, no, I was just going to say, I think, yeah, I think it's,
|
||
|
|
the two things that it actually got what I was going to say. It's all right.
|
||
|
|
Okay, I was going to say, I think it might be in part, there might be some logic to that because
|
||
|
|
it's kind of like they've invested so much getting to the point that they are. You know,
|
||
|
|
it's like, well, gee, I spent, seems like I spent my entire life learning this stupid computer thing
|
||
|
|
that I hate so much. And yeah, it doesn't work, but man, I know how it, you know, I know what
|
||
|
|
doesn't work. I know what does work. I can just be happy in this sort of weird corner, even though
|
||
|
|
it's not the greatest place to be, but whatever. And I just don't want to start over. And a lot of
|
||
|
|
times going over to Linux or something or even anything just seems like you're losing all that
|
||
|
|
investment. It feels like you're stepping so far back. Yeah, so they feel like they're throwing away
|
||
|
|
the all that effort that they went to finally work out how to get around the problem in the first
|
||
|
|
place here. But I remember what I was going to say now regarding the batch processing and that
|
||
|
|
sort of thing. It's something that you can, I don't think you ever, you know, you've got to be
|
||
|
|
constantly vigilant and ensure that you're constantly thinking about your actions and what you're
|
||
|
|
wanting to do because yeah, it's gotten to the point I find now where anytime I've I repeat
|
||
|
|
anything more than once I sort of have to stop and go, all right, now hang on, I've done that,
|
||
|
|
you know, I needed to do that again. Should I, you know, in some way automate this or, you know,
|
||
|
|
is it likely I'm going to need to do it again? And you have to be constantly sort of checking
|
||
|
|
yourself to make sure that you're not being less efficient than you can be in some way, you know,
|
||
|
|
because there's, otherwise you just sort of tend to fall back into those old habits and you
|
||
|
|
find yourself here repeating something manually when you could just automate it or whatever.
|
||
|
|
Yeah, for sure. And Clatio, I think that scenario you were talking about, isn't that called like
|
||
|
|
the lost cost fallacy or the sunk cost fallacy where you kind of trick yourself into believing that
|
||
|
|
if you invest in something that isn't working and you bail on it, you give up on it and then
|
||
|
|
try something that does work that it feels like you've thrown away all the investment in the
|
||
|
|
initial thing even though it hasn't returned anyway. I hadn't heard that put into, yeah, I haven't,
|
||
|
|
no, I didn't know there was a phrase for that, I love it though. And I find that I think that's really,
|
||
|
|
I mean, again, it doesn't, it's not just about software, it's, it's real life stuff too,
|
||
|
|
you know, in on film sets a lot of times they'll go through the same kind of thing, an actor or
|
||
|
|
something won't be working or a certain camera angle just isn't working and they feel gee we,
|
||
|
|
we've already got everything set up this far, it just seems like we should force it, you know,
|
||
|
|
and so they keep going with it. And then in the end, in the editing room, the shot doesn't even
|
||
|
|
make it into the project because it didn't work. And so if they bailed instead of trying to keep
|
||
|
|
their, yeah, perceived investment, then it would have been so much better. But instead they,
|
||
|
|
they just kept doing what they were doing and it turned out pretty much to not be what they wanted.
|
||
|
|
They should have just bailed out. Yeah, another example of that is, I've heard it explained
|
||
|
|
as like the stock market, you buy a stock at $10 and it sinks to nine and it sinks to eight and it
|
||
|
|
sinks to seven and every time it drops down, you know, a lot of people have this, this thought
|
||
|
|
process that says, well, I can't let it go until it's worth what I paid for it. Whereas if they
|
||
|
|
just took their money out, cut their losses and put it into something that was growing,
|
||
|
|
it would have been positive at that same point in their investment, you know, in money,
|
||
|
|
actually, you know, but what we're talking about is energy and effort. It would have paid back
|
||
|
|
much sooner. Do we have to insert like a legal claim here that we're not stock market experts
|
||
|
|
and that we're not giving stock advice, something like that? Nor are any of us lawyers to the best
|
||
|
|
knowledge. Yeah. There is a TED talk that I saw pretty recently talking about almost exactly what
|
||
|
|
you guys are talking about. We're going to talk about an experiment they did about, I forget,
|
||
|
|
it's about putting your own money in and return on investment. I don't remember. I don't
|
||
|
|
remember the point he was making exactly, but there's a good TED talk on that. It's an interesting
|
||
|
|
topic and I haven't really thought about it as much as I think we're thinking about it right
|
||
|
|
now, so it's actually really interesting to me because so far in my probably admittedly limited
|
||
|
|
experience, it really does seem to be true that if there's a, if it's occurring to you that something
|
||
|
|
isn't working in your project or your life or whatever, it's probably more often than not,
|
||
|
|
it's true that you, you should be changing that thing rather than trying to force it into being
|
||
|
|
something else because that's just, it's not going to work out that way. Right, order to try to
|
||
|
|
work around it. I mean, in, of course, we're assuming that you've got the time to get something
|
||
|
|
like that done, you know, whereas, you know, if it's a timely thing and you know how to do the
|
||
|
|
work around, sure have at it, but if there's a better way to do it, you should, you should attack that.
|
||
|
|
I, um, I can smell a really good HPR episode coming from Clack 2 once he's had a good
|
||
|
|
think about this. It might be a topic I return to possibly. It's like the old stuff about how
|
||
|
|
it's amazing when something's broken, people try to fix it by doing the same thing harder.
|
||
|
|
That's exactly what it sounds like. Yeah, it's like, it's that, that old definition of insanity,
|
||
|
|
you know, like, try something like we're over and over, expecting different results.
|
||
|
|
I find myself getting into those loops sometime where I'm trying the same thing again and again,
|
||
|
|
and it doesn't work and it's so frustrating, it's crazy. And then you realize all the sudden,
|
||
|
|
I've been doing the same thing for the past X amount of time and it's, it's stupid, you know,
|
||
|
|
and it's just, you know, how do you not make that change soon or try something else? It's,
|
||
|
|
it's really weird. One way I've been able to kind of get out of those loops, Pokey, is to trust,
|
||
|
|
to at least in a specific situation, is to trust the command line. Like, because I can't tell you how
|
||
|
|
many times I've been doing something with FFVINPEG or even just something, something with where
|
||
|
|
I have my path wrong or something stupid like that. And I'll be thinking, why isn't this tabbed
|
||
|
|
completion working or, or why is this FFVINPEG movie keep looking really bad when I'm transcoding it?
|
||
|
|
And, and I'll do it like three times and then I'll stop and think the command line isn't lying to me.
|
||
|
|
Like, something is wrong with the way I am doing it. And so then I'll, I'll, I'll go back and
|
||
|
|
investigate why it's not working the way I think that it should be working. And there, there is a
|
||
|
|
certain beauty to computer consistency that you can kind of fall back on, I think.
|
||
|
|
Oh my gosh, if anybody is in a time zone where it's after 5 p.m. it is New Year's Eve. So please
|
||
|
|
raise a glass to the command line. Exactly. Hey, I was meaning to talk to Clot 2 about EMAX.
|
||
|
|
You've been doing some hacker public radios on the EMAX. So I have been. And about,
|
||
|
|
oh, maybe about three months ago, I got into using org mode.
|
||
|
|
Yeah, yeah, I've been using that a lot lately myself.
|
||
|
|
I am extremely addicted to org mode now. Yeah, me too.
|
||
|
|
It has changed my life at work. Like, really has made my, my life 10 times easier.
|
||
|
|
And here's, here's an example of beating your head against the wall and I'm going to request it.
|
||
|
|
Can someone try one more time for my sake to explain org mode?
|
||
|
|
It is, it's basically just a set of add-ons for EMAX that allow you to automate creating notes
|
||
|
|
and organizing things. Like, it's just, it just really helps you quickly make to do lists and
|
||
|
|
lists and nested lists and track time and that kind of stuff. Okay, okay. So there's just a bunch
|
||
|
|
of key commands basically that automate making notes. In the end, the org mode file is just a text file,
|
||
|
|
but it handles nesting things really well. Like, when I do notes, I could really quickly
|
||
|
|
start nesting things under different to-dos and you can add dev lines to objects to different lines,
|
||
|
|
you know, and then you can clock in on that and clock back out and keep track of the time on it.
|
||
|
|
So I do all my time tracking with it and stuff. I mean, you can mark things done and not done
|
||
|
|
and that kind of stuff. Yeah, it's very dynamic. It's very dynamic. It feels like when you're
|
||
|
|
in org mode, it feels like you're using, I don't know, like a talent or a do list kind of application.
|
||
|
|
I mean, it's not just text. You can hit the tab key and it'll collapse bullet points or you can
|
||
|
|
hit the space bar and put an x by the the thing that's done. All these kinds of different things
|
||
|
|
that are really, it's very interactive. So is, is org mode useful for the person who
|
||
|
|
is organized already and just needs a tool for that? Or is this a tool that can reach out to a
|
||
|
|
person who's classically disorganized and help them get their stuff together? Well, let me give you
|
||
|
|
kind of a reason why I use it. Not, you know, I can't say what it's going to work for other people
|
||
|
|
or not, but I can give you why I thought it really was so revolutionary for me. At my day job,
|
||
|
|
I do design, I design commercial system or mostly hospitals, pipe systems, HVAC and stuff like that.
|
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And I deal with a lot of information day in and day out. It's a lot of, and it's all in different
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locations. I have emails that engineers and people who sent me. I've got different construction
|
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documents that I have to deal with. I have submittals that show us what actually equipment
|
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we're installing and how it gets installed. And it all gets really convoluted really quickly where
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job isn't about 30 different locations. And then you add to that, some conversations end up
|
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being verbal over the phone and stuff like that. And the problem is like, let's say I decide to
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install a valve. And I do it because one of the engineers said we're going to be using this valve.
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And then later they say, who told you to do that? I need to be able to keep track of the conversation
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so that I'm covering my own butt basically. So what makes it easy for me is that I can make to do
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lists on what I'm working on if I'm drawing a mech room or whatever and all the stuff I need to do
|
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to get that done. And then I can track time so that when they ask me how long it's going to take me
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to do something, I can go back and look at something similar and say, well, this last job it took me
|
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this long to do it. But then also when somebody talks to me about something, I can make another line
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and I can timestamp where and I talk to them and add a tag that says verbal or nonverbal. And I can
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put their name in there and then I can search for their name and like pull up conversations. So when
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somebody says, you know, yeah, you remember we were talking about this, you know, I don't remember
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what they ended up saying. Do you remember? And I can pull up my notes real quick by just doing
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a query inside org mode and go right to it and say, yeah, I was on this date and this guy said this
|
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to me, here's, and then I can nest under at emails and what was said in the emails and what date they
|
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came in and stuff. And it really just helps me deal with day looses of information. Is that help?
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Yeah, it helps a lot actually. I'm mulling it over.
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I don't know if people who are very unorganized will go into org mode and just find a sudden
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imposition of organization. I think you have to have some some ability to kind of organize your
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your thoughts and tasks and things like that anyway. And and if that's what you're looking for,
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but you just want something that's that's dynamic and yet simple and ultimately portable because
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like pipeman music said, it is just a plain text file that once it gets into org mode, it becomes
|
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beautifully dynamic, then then you'll you'll find it helpful. But if you're the type of person
|
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who can't even make a logical outline of something or a bullet list that really sort of relates
|
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to it. So, okay, then you might want to just kind of work on those those I say basic skills.
|
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I mean, I guess they're not basic skills, but you know, those kind of organizations.
|
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They're pretty basic skills. I'm not offended by a word like that. That's fine. Okay.
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Yeah, what I like is that you can really arbitrary like for me, the notes move a lot. Like
|
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things don't I'll get to a point where I'm making notes and they no longer make sense to be
|
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organized in the way that I have them. But org mode lets you change the nesting of things really
|
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quickly. You can shift things up and down and in and out and you know, there's times when
|
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|
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I need to break one one area that I'm working on into two sections and track that differently.
|
||
|
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And I can really move stuff around really quickly. So it ends up for me being like once you kind
|
||
|
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of get down the workflow, I don't know that I necessarily like approach things every the same
|
||
|
|
every time. But it lets me just kind of pour things out of my head. And I can kind of keep moving
|
||
|
|
that around and moving it around until it gets more and more useful. You know, I'll nest and add
|
||
|
|
another heading and add some dates and make some bullet points. So the other two things I've
|
||
|
|
been using it for is one. Another one is I've been keeping notes on when I listen to podcasts
|
||
|
|
and people mention things that I want to look up. I've been making an org mode to do list that has
|
||
|
|
different kind of sections and stuff and I keep track of things I want to look up. And then I can add
|
||
|
|
it's funny though, because I've got org mode open right now doing that very thing for this
|
||
|
|
episode. So just that's that's funny. So yeah, I've been doing that. And that way when I get home
|
||
|
|
and I'm back in front of the computer and I have some time to cruise Wikipedia or whatever and look
|
||
|
|
up some things, I have that kind of and then I can mark them done that I already looked them up and
|
||
|
|
I can put like this wasn't that important or wasn't as cool as I thought it was or oh my god,
|
||
|
|
I need to look into this, you know, and then I can add it to a task list and say, you know, to do,
|
||
|
|
I got to do this, you know, so I've got that going. And then the other thing is it work. I mentioned
|
||
|
|
earlier on the conversation that we hired some new guys and what org mode lets me do is type notes
|
||
|
|
out for them and export them as HTML and then I saved that on our network drive and they can pull
|
||
|
|
up that HTML document and use that as notes for how to do different things in AutoCAD. So I make
|
||
|
|
these kind of like step by step things that are underheadings and the export in org mode automatically
|
||
|
|
gives you a index at the top that you with links to places in the document already filled out
|
||
|
|
of different headlines and nest things and you can do lists numbered lists and bolded lists and
|
||
|
|
you can also add in image files. So I'll do like screen captures and then in org mode I just do
|
||
|
|
bracket bracket file colon the path to the file bracket bracket when I export those automatically
|
||
|
|
be formatted and into the HTML dock and then they just have to hit F5 and refresh that dock and
|
||
|
|
all the notes I can keep up to date for them. So it's really helped out a lot at work in just helping
|
||
|
|
you know some of the stuff we do is kind of like if you mess up one step you kind of
|
||
|
|
board it but this I don't want to explain it 15 times before they get down all the steps you know
|
||
|
|
so writing it down means that when they mess up they can go back to the beginning and look again
|
||
|
|
and there's screenshots and I I take little screen captures of icons they need to click on and I
|
||
|
|
throw those in there you know this sounds more and more like hittily wiki the more you explain it
|
||
|
|
I've never used that yeah I I think uh was it you Pogi who were telling me about that in the first
|
||
|
|
place it you're right it is really close it's very similar yeah it's yeah it was me it was telling
|
||
|
|
you about it's it sounds like Bikki with a black background depends on what you have your
|
||
|
|
background set too right right of course no but yes no and the other thing you said there
|
||
|
|
uh Dan that was really you know stuck out to me was the fact that at your work you can run Linux
|
||
|
|
and you can export an html file and give it to a co-worker because I have worked in places where
|
||
|
|
keeping a notebook on my desk was frowned upon because I was misusing company time so
|
||
|
|
wow uh to be fair to correct that I don't use Linux at work I'm not allowed to
|
||
|
|
I remember I already maxed on windows yeah that's it that's the beauty of this stuff though because
|
||
|
|
I mean emax will run on any platform and org mode is just a plugin for for emax so it works
|
||
|
|
but I also back up all my notes with Dropbox so that I can have those at home too if something
|
||
|
|
happened it worked you know I have a backup of all my work notes this so another word
|
||
|
|
in class who said to describe it was portable meaning like the hyphenated portable you can
|
||
|
|
port it to different systems but is it literally portable as in does it run on you know uh I
|
||
|
|
guess Android is what we're left with now but it's around tablet yeah there's a portable org
|
||
|
|
mode app that actually syncs with Dropbox too but you can also sync it with a web dev server and
|
||
|
|
I forget there's some there's another option in there literally I've the yeah one of the
|
||
|
|
cool things that I might have mentioned this before on another show but one of the cool moments
|
||
|
|
for me was someone sent my old bus sent me an outline of a chapter and he just pasted it into an
|
||
|
|
email I copied it out of that email the body of the email pasted it into emax and then started up
|
||
|
|
org mode and suddenly it becomes like this beautifully you know again dynamic kind of outline where
|
||
|
|
I could collapse bullet points and see what subsections we needed to write and stuff like this
|
||
|
|
and I was like wow that is portable I mean it's plain text so you can send it through any computerized
|
||
|
|
device it doesn't matter but once you put it into the application that knows how to look at it
|
||
|
|
then it becomes this new and cool interactive thing and if you don't have that application for
|
||
|
|
some reason then you can still look at it because it's plain text yeah and one of the other crazy
|
||
|
|
cool features is the ability to embed spreadsheet right in your notes I use that a lot too
|
||
|
|
I don't use that but I read about it yeah yeah you can you can do like when I'm doing
|
||
|
|
spoolsheets they like to keep track of how many I'm getting per hour so I make up a little spreadsheet
|
||
|
|
then every day I add a date and how many I got done for that day and then you can you can have it
|
||
|
|
do calculations and figure out like what I was how many spoolsheets I was creating per hour so I
|
||
|
|
like that and you know other keeping track of other information that really looks good in a tab
|
||
|
|
table you know there's every job has like floors and I need to keep track of what the elevation is
|
||
|
|
from the top of each floor to the next one so that I I can keep spatially kind of where I'm at
|
||
|
|
so I make a nice table that has all that and like I make a table for insulation thicknesses on pipe
|
||
|
|
so that I know when I'm running this system it's two inches of insulation so I use that table a lot
|
||
|
|
I like that a lot and when you export to html it makes a nice html table of it you should use
|
||
|
|
Unix at work because it has pipes built in tee he thank you clever I don't know about that
|
||
|
|
well I hadn't the thought of it before yeah I wish more guys who knew about pipes
|
||
|
|
were as good at it as you are because I work in rooms with steam pipes running through all the
|
||
|
|
freaking time and they're not correct yeah steam is my specialty that's actually what I specialize in
|
||
|
|
you have been listening to Hacker Public Radio at Hacker Public Radio does our
|
||
|
|
we are a community podcast network that releases shows every weekday Monday through Friday
|
||
|
|
today's show like all our shows was contributed by a hpr listener like yourself if you ever
|
||
|
|
considered recording a podcast then visit our website to find out how easy it really is
|
||
|
|
Hacker Public Radio was founded by the Digital Dog Pound and the Infonomicon Computer Club
|
||
|
|
HBR is funded by the binary revolution at binref.com all binref projects are proud to sponsor
|
||
|
|
by lunar pages from shared hosting to custom private clouds go to lunarpages.com for all your
|
||
|
|
hosting needs. Unless otherwise stated today's show is released under a creative comments
|
||
|
|
attribution share a live free dot o license
|
||
|
|
can I think if we just start with what we've got for now they're both confirmed to be working I
|
||
|
|
think and then when you come back from doing your family stuff a lot will work on it a little more
|
||
|
|
in like the IRC perfect I'll do that can mean
|
||
|
|
that's not your live music is it yeah that's my impressive cool thank you thank you keep going
|
||
|
|
I don't know I was just trying to keep the stream with noise in it
|
||
|
|
okay
|
||
|
|
appreciative thank you
|
||
|
|
She broke down and left me in
|
||
|
|
Let me know just where I've been
|
||
|
|
And now I'm one time, and now I'm two times
|
||
|
|
Never going back again
|
||
|
|
Dan Washgo, can you send yours up with wish to talk? Please keep hearing you breathe in
|
||
|
|
Can everybody hear me? Got you, get you down Kevin, thank you
|
||
|
|
She don't know what it means to win Come around and see me again
|
||
|
|
And now I'm one time, and now I'm two times
|
||
|
|
Never going back again
|
||
|
|
Hi guys, just one second
|
||
|
|
I have one stream up there that I can guarantee to work
|
||
|
|
If you're saying Corba 2 works, that's fine, I'll put the other one up as well
|
||
|
|
I think that's smart, obviously some people are managing to get to them
|
||
|
|
So I think we should have them posted, people can try different ones
|
||
|
|
And then I need to go because my daughter is coming in
|
||
|
|
Yeah, we know you can, I think we're probably ready to start
|
||
|
|
And people will stream in and stream out through the day
|
||
|
|
You have been listening to HackerPublic Radio at HackerPublicRadio.org
|
||
|
|
We are a community podcast network that releases shows every weekday Monday through Friday
|
||
|
|
Today's show, like all our shows, was contributed by a HBR listener by yourself
|
||
|
|
If you ever consider recording a podcast, then visit our website to find out how easy it really is
|
||
|
|
HackerPublic Radio was founded by the Digital.Pound and near Phenomenal Computer Club
|
||
|
|
HBR is funded by the Binary Revolution at binref.com
|
||
|
|
All binref projects are proudly sponsored by Lina Pages
|
||
|
|
From shared hosting to custom private clouds, go to LinaPages.com for all your hosting needs
|
||
|
|
Unless otherwise stasis, today's show is released under a creative commons,
|
||
|
|
Attribution, share a like, free those own license
|