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842 lines
76 KiB
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Episode: 2456
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Title: HPR2456: HPR Community News for December 2017
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Source: https://hub.hackerpublicradio.org/ccdn.php?filename=/eps/hpr2456/hpr2456.mp3
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Transcribed: 2025-10-19 03:31:25
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---
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This is HBR episode 2456 entitled HBR Community News for December 2017, and is part of the series, HBR Community News.
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It is posted by HBR volunteers, and is about 87 minutes long, and carries an explicit flag.
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The summary is, HBR volunteers talk about shows released, and comment posted in December 2017.
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This episode of HBR is brought to you by archive.org.
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Support universal access to all knowledge by heading over to archive.org forward slash donate.
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Hi everybody, my name is Ken Fallon, and you're listening to another episode of Hacker Public Radio.
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Today, it's HBR Community News for December 2017, and joining me as ever is Dave. How are you Dave?
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Hi Ken, I'm fine yourself.
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I am surviving here, very well, thank you very much.
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So, HBR is an internet pod radio show, a podcast that releases shows every weekday, Monday through Friday.
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And for the time being, HBR from other podcasts is that we are a crowdsourced from the community,
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fellow listeners like you. There's no restriction on how long the shows can be,
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or on the topics that they cover, so long as they're not spam, and are of interest to hackers.
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Every so often, we better do that, Dave, just to remind new people what we are, and to remind old people
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that it's time to send in a show.
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In hint? Exactly. This year has been full, Dave. It's all full up, and we're ready into the new year.
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And as we've had no host this month, no new host this month, I thought it would be a good opportunity
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for us to go through the list of people who have taken their time to contribute in the last year.
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And starting alphabetically, let's list them in groups of four, Dave.
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Almost as if we haven't rehearsed this before.
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Yeah, yeah, we rehearsed the preparation, but we didn't rehearse the doing.
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So, as there's many a slip going to happen, I'm sure, but anyway, do you want to go first?
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Or shall I? I'll start, if you like. So, we have, in the first four, we have, and it's alphabetically
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sorted. So, the first one begins with an at sign, at Ainabina. We have Ahuka, Andrew Conway,
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and Bee Yeezy. Then we have Beezer, Bill, NFMZ1 Miller, Bitbox, and BJB. Bob, John Mann, Brian,
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another Brian in Ohio, and Christopher M. Hobbs. Then we have Placke, Claudio Miranda, Clinton Roy,
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and Cobra II. Next is Curtis Hattkins, who goes by C. Prompt with an up arrow at the end,
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and some guy called Dave Morris, Dave Yates, and David Whitman.
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We have a deep, deep, geek door, the, the, the, the, Omi, troops, and Epicanos.
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And we have Eric, Duhammer, 5150, Frank Bell, and FTH.
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We have Geddes, Hannah of Tara of Sol, the HPR volunteers, and the HPR audiobook club teams.
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We have, excuse me, we have Aronix Sodium, Jezra, John Culp, Jay Rulo, JWP,
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we're doing him Ken Fallon, Clatoon, and Nox.
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Lane Deer, Lost in Bronx, Mirror Shades, name always throws me, sorry, Mirror Shades,
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Matt King, USA, Murry, Mongol, Misdrex, and Enmei Bill. Only half the time, operator,
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Kuvmo, and Reg A. Shane Shannon, Sigflub, Space Man, and Steve Seder, Swift 110, 110, I think,
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the Taj Sara, the Alien Brothers Podcast, ABP, and the Dude.
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The Love Bug, Tony News, aka TonyH1212, Various Hosts, and Venom, and last two, Windigo, and Zook.
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And those are the people who made HPR possible this year. Thank you to each and everyone of those
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people for helping out, because without them, there would not have been the 260 shows that
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met up this year's podcast. Thank you to each and every one of you.
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Absolutely, I applaud everybody here who contributes it.
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It's awesome, it's not. Again, another year, we've gone through another year.
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How can this thing, yes, why doesn't it sink and dissipate, and it keeps going in,
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it's a wonderful thing. I really love it. Because people sent in shows, Dave,
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that is the only reason it keeps going. People sent in shows, very, very simple.
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There will always be some sucker here who will do the background stuff, but so long as we have
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people sent in in shows, we'll be grand. Anyway, this show goes through the shows that were put on
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last month, and there was a fine selection, a fine selection of shows starting with server basics
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102 by Clatu. Is that a US thing? The 101 class 101 is the very first class, and you start with
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the year 1 and then 0 and the first class? I do know, I have no idea. The 102 thing has occurred
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lots of times, but I've never actually bothered to go and find out why. Why is it starting at 100?
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Why is it going, yeah, what happened to the other ones? If there was only a professor out there
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who worked in the, in fact, a director, perhaps, in a university institution that could answer
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this burning question for us. Yes, yes, that's too much to ask for. I don't know who in
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Earth were calling, but please, please pop up and tell us. Anyway, Clatu was talking about
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SSH, changing SSH, port using SSH keys, etc, etc, etc, and 0XF10E said,
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yum, what provides? Hi, Clatu. What's more bothersome about sudo yum, what provides,
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asterix bin, SEM, N-A-G-E, or SE manage, then searching for all the SE Linux packages and
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installing them to maybe get the right tools installed? That's a feature a really like about yum.
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So no need to jump through hoops like installing apt file and updating its necessary database.
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I must say I was quite impressed with yum and no, do you? Yeah, well, yes. I don't know if
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apt has the same thing. I used to be an RPM user way back in the midst of time. So yeah, the what
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provides stuff was back in the RPM command as well, wasn't it? I'm not sure if apt does the same.
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There's a DPG, DPG minus L and stuff where you can poke around with the guts of the database bit.
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Yeah, more complex. Yeah, I think probably the later versions of apt have improved enough.
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Maybe aptitude does it? I don't know. There's so many layers on apt.
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Now, they're pretty leopards apt itself, so it includes apt search, so you don't have to go apt
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dash, guess apt cache search. So it's all wrapped up in the one program called apt now.
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Okay, let's go. Okay, following day here to be our volunteers to talk about community use. We
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mustn't have said anything mind-boggling because nobody commented. We didn't say enough for people
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to disagree with or ask you exactly. Just trying to avoid these things. We're going to have to come up with some
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sort of a fictitious sort of thing for people to get ruffled about. The next day we had
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interviews zero played through part three and there were four comments on this. This is the
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tattoo, lobat, entage, played through the RPG session. And the first comment was from
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me where I say no, what the bananas? Not again with the let's stop here. This is HPR where there are no
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limits to how long a show can be. Want to read the next one? I'm just wondering if I maybe need
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to have a have a have a break of some sort at the end of it. But yeah, this guy Ken Valentine says
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ignore him. Keep sending in loads of shows. And Juryla says, is there a link to the free guide you
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mentioned? I was listening to the show when you talked about the free guide. I was expecting a link
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to the North's where would I find it? It sounds useful. Clature replies free guide J. Rulo, I'm not sure
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which free guide you were talking we were talking about, but there are two that come to mind.
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Voucher for a free copy of Pathfinder rules, which I was offering as a special HPR promotion,
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as of this writing I've given them all out so the giveaway is over. It's all is not lost however.
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Number two is Pathfinder is published under the open gaming license so the rules are online for free.
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The official reference document for Pathfinder is here and he gives a link. There's another one which
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has a different interface and integrates more third party stuff here and he gives another link.
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And I had to scroll down there which meant I had to take my finger off the
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anyway. You don't want to know this. Note anyone reading this, if anyone reading this comment is
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brand new to RBG though, I do highly recommend a beginner set for either D&D or Pathfinder because
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the beginner sets make character creation really easy and they use a reduced set of rules and
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just generally help you ease in. You should be able to find a beginner box at your local game store
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or an online bookseller. It's worth it, I promise. Nice. Trust you, yeah, very cool.
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So the next day we had GNU OC more about loops from Dave the Man Marces-Sus-Sus-Sus.
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Yes and there were two comments one of which was mine. Shall I read it on then? One comment.
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OC part eight. Is it strange that people pick up, is it strange for people pick up in a tutorial?
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Tutorial. For instance, I'd never run a program using echo nnpipe.forward slash program.ac.
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It's a very handy little construction. I even popped the divisor program into my bin and
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named it is prime just so I can ask echo one nine one three pipe is prime and get the answer.
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It's awful. It's awful. The little obstacle details that catch attention. Thanks.
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So I said thanks Rowan, I'm glad you found something interesting in the episode.
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This is really a unique thing. The echo command writes to STD out by default.
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Which is standard out for those of you. Standard out? Yes.
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We're not going down to a clinic. Yes. But it all reads and and all reads from
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No, no, no, no, ST. Standard in OK, OK. Unless you tell it otherwise. So joining the two like that
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in a pipeline is it's called to choose a useful result very simply. So thank you for all the time.
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It's so when I worked on VMS, we had VMS as our main system and we had a few Unix boxes.
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It's so frustrating to go to the command line on VMS where you did not have that sort of
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pocket. You had to save stuff in a file and then pick it up from the file and so on.
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They added it later because most have been nagged so much. But it's they're about the same age
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VMS and Unix, but they never thought to do that sort of thing. And it's wonderful. Anyway.
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The following day was Lost in Bronx with internal logic of stories. Talk about stories and story
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consistency. Two of the examples you give was start tracks, warp drive and start jump concept.
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I wasn't thrilled with this episode. Yes, yes. And he's really the guy to talk about this sort of
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stuff. And yeah, it's it's obvious when he says, says what he said, but it's, you know, it's
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not necessarily a thing you would think about too much. Unless you were considering the structure
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of stories that you wanted to write something yourself, I guess. Yeah, now I've been struggling
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with a few ideas for a science fiction story. One of them I threw out because Lost in Bronx
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went and did his own show that was older times better than mine. Thank you very much.
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But when you start thinking about it and you go and this internal consistency, I was thinking,
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right, I want to write a story where they were very little changes. Like everything has to be
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plausible. Everything has to be, you know, it has to be actual physics. So how do you how do you deal
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with that? And I was thinking, okay, genetically splicing in that thing from the toads where you
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can freeze people. So making long term space travel, actually a thing. But then how would that work
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in your story? And then I was thinking, okay, well, if everybody goes to sleep for a hundred years
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and then you exchange, you come awake for a day and then you go to sleep again for a hundred years
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and then you wake for a day, then you have yesterday's messages coming in from ships that are going
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different distances and stuff. So you could maybe do long term travel there. But then I just
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get a headache and more and more awake instead of trying. The old purpose was to try and get me to
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sleep. But I was thinking, God, how do you actually write out these stories? That would actually be
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a good show just to get more of this type of thing. Long story short, love the show. Wish Lost
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in Bronx could do more about that. Yeah, yeah, it's fascinating having an insight into these
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sort of concepts. And as I said, he's somebody who's thought a lot about this. And you have to of
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course maintain consistency in every story that you do or every series. Yeah, yeah, yeah, yeah.
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Even though you might want to embellish what you've thought of earlier when you come up with a
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better idea, you've got to be quite careful about doing that or how you do it or not doing it to
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all. Exactly, exactly. Okay, the following day, how to save bad beans or the French pass. And it was
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by Cobra too. And I use a French pass all the time. And he makes a perfect cup of coffee.
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And that was the day as well that we had the memorial sent in by Claudio M for Lord D who had
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passed away a year before. It's hard to think it was just a year. It doesn't seem like like a whole
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year has gone by. No, very very poignant. But the episode itself was quite good. I'll use a coffee
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beans or I use a French press all the time. Well, I was listening to this. And I certainly,
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I use French press a lot. I've got a, a letter one, which is metal and is, you know, sort of,
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keeps, keeps coffee hot after. And I'm not sure I agree that free grand coffee is inherently poor,
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which is what I thought he was saying. However, in the, since I listened to that, I was thinking
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more about it. I've got my son's bow grinder here because he's away at the moment. And I thought,
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oh, I've not bothered to, to open it or use it or anything. So I thought I'll give it a shot.
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And having made coffee with free grand stuff and then did that and Cobra too is completely
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right. It proved his point wonderfully, I thought. So the next day we had server basics 103 and
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firewalls filled. Did we not have a, a comment or two on that one? Oh, we did too, natural fact,
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sorry about that. Clatu says coffee, of course, it would be Clatu. Coffee, I have to admit,
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most coffee I come across in New Zealand is so amazingly good that there's a part of me that
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risks the really bad coffee of my youth. Dripping coffee that's been sitting on the burner for two
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hours are the percolated coffee that's steeped in itself for 45 minutes. The bad petrol station
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coffee that you have to dump all kinds of flavor into it to manage to drink it. The plunger
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makes a big difference though. For the record, I do not use a plastic plunger. I found a nice
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metal one and it's super durable and really good. Go off and make some good coffee.
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Cobra too replies, coffee, I enjoy that cup. I myself am steeping some coffees. I write this on a
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tiny screen, me a feet away from a real keyboard. I've found over the years that once you move to a
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French press, it's really hard to go back to a drip coffee maker. I never had the stomach for
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diner coffee. And in all fairness, I never appreciate your coffee until leaving the deep south of
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the great white, not for the great white north. Mostly due to everything being bad coffee.
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Everything being bad coffee in the seltzer in the north. South, I would imagine, he meant.
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They're talking about the sort of thing where you put coffee in a filter and let water drip through
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it and catch the bottle. And keep it hot on a plate forever. Because we had one of those at work.
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And people would leave the coffee in there for an hour or two. By God, it was incredibly awful
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at the time. It stood for a while. And then you don't really know the bottom thing and you just put
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in more at the top. That's the key there. And it's baked on the bottom of the bar. And you just
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throw more water in the back, squeeze out more. I can taste it now. Okay, server basics will not
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go through. It's almost like we've been here before. Firewalls and failed to ban.
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X1101 says, tattoo, I'm moving my comments to the comment thread so people can see respond as well.
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Thank you for your continued effort in demystifying the mystic arts. I feel like this set will
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be a good resource for onboarding people interested in going from I use Linux to I manage Linux servers.
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Yeah, cool. It is quite right. Yes, the only thing about fail to ban is that it's a good idea.
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And I think he also mentioned that it takes a half an hour or so to pick up on the fact that you're
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being bombarded by which time half an hour has gone past. Yeah, yeah. We ran it at my work for a
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little while, but I think we we moved on to more expensive and sophisticated things to do that type
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of stuff. But ideal for the home enthusiast. Yeah, yeah, yeah. If you're running just your own
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smelt over there, that's a great solution. So the sound of Woodbrook Quaker Study Center in the
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spring. This will be in our SoundSkips series day if we ever had one. We should make one.
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Oh, and we also have that request to make one for
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a hooker meta suggestion as well. Yeah, yeah, yeah. Oh, to do to do to do.
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STL Sean says, peaceful. I have the habit of studying in the backroom of my house with the only
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home of a fan and some music in the background. I enjoy putting this on loop while I was trying to
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judge to a very book and learning very dry book and learning Linux. That reminds me I should do an
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episode on more mature adults seeking their first degree. Maybe I don't know. I've never done anything
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like recording audio recording, but I have never attended a college before last year either. Yeah,
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that translates as a all-me-assure one. I'm looking forward to it. Yes, yes, yes, yes. Shall I
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make the account now? It does sound like something that would be very, very interesting to listen to
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though. I have to say it's so it's good to know how people deal with learning things because
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anything is wonderful as you get older too. And you know, that would be fascinating. I'm sure
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there'd be many of us that would be most interested in hearing his journey. Absolutely. Tony
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Hughes replies to Sean saying, thanks for the comment. I'm glad you found it helpful in your studying.
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Linux books can be quite dry and daunting with all the unfamiliar language when you're first
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starting, but worth persevering with. You don't need any special skills to record a show,
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just the digital audio recorder or PC, phone tablet, etc. And the ability to send that audio
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file to HBR via the net. All the rest can be taken care of by the wonderful team of volunteers
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who do such a great job with little recognition. As Ken and Dave often say, you know, what was a show
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lol. Thank you Tony, thank you. Actually, you can also physically put it on the USB stick and
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mail it to me if you want. And I would like to thank Kibnu, who sent me a postcard. Oh nice,
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all the way from my, I know, absolutely awesome. And I'll be sending him back a postcard
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as well from beautiful, wherever it is that I am. All you hackers out there, see if you can send me
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a postcard. Ah, yes, there's a challenge. Not a really very difficult challenge to be told,
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but yeah. Anyway, the following day we had PD menu. I have been using this tool for over a year
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now and I really like it. I love this, Dave. And I was looking for this. I used to do loads of these
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in, in bash. I had a Ken's multi-purpose super disk, which is right up there that you put into a
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dust computer, put a dust menu up, and then you follow the things and technicians could basically
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blow machines away at the weekend, load them from the network, pixie boot and all the rest before
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there was stuff like that. So yeah, awesome. Yeah, yeah, yeah, yeah. It's, it's on school, but good stuff,
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I do believe. I'm sure many people would find it, find it useful. Because I was thinking,
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right, on the Raspberry Pi display, you know, one of those three line jobs and have that menu come up
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and the potentiometer with a clicky thing and you can scroll down, click, scroll down, click,
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right there you've got the, the, the, the, the basis for a audio, you know, a player or something
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or an internet radio station or something. Oh, I like that. I like that. Yeah. I think. Yeah.
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And that's the thing about, that's the thing about working or you know, when you get interested
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in Linux, you know, all these programs that are like from 20 years ago and people, oh, no, we've
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moved on. Everybody's got a 4G graphic card with a, you know, Flaming Timotron on us. And then
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all of a sudden, you know, you've got these small little screens and small PCs and you can dust off
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one of these programs. And suddenly you've got an interface that's kind of cool. Yeah, yeah. I just
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bought a very, very tiny screen to go with the Raspberry Pi. It's about the size of a pie zero.
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And I don't know. I've not powered it up yet. Not soldered the headers on it yet, but it's,
|
||
|
|
it's on these persistent white ones. So it'd be great for that. Yeah. Yeah. Yeah. Yeah. Yeah.
|
||
|
|
You've given me a good idea in that. It's definitely going to get done. That's a show, Dave.
|
||
|
|
I've ever heard of. Well, as you said, you need to give this a try. Grit yours always. I have a few,
|
||
|
|
for me, definitely, I have a few command line access and programs I've written using Yad that would
|
||
|
|
be great to group together into a menu. I'll check out PD menu for this. Thanks. Yeah. Excellent. Thank
|
||
|
|
you. Be easy. I should have answered in the comments, actually. But I completely forgot. But
|
||
|
|
yeah, well, good luck. I hope you've, hope you do get to use it and enjoy it. Then we had
|
||
|
|
interviews zero playthrough part four. And the following day after that, we had information
|
||
|
|
on the ground backward capitalism to which Frank says and you can do this. It's too quick for me,
|
||
|
|
Ken. I'm too slow. If you didn't say anything from saying silence, would it get this out?
|
||
|
|
Nobody would know the difference. No, I know, I know, I know. Let yourself down. I just don't
|
||
|
|
care. But anyway, yes, Frank says, well done. They're fascinating and timely discussion.
|
||
|
|
So yes, it was an interesting, interesting discussion. It was nice. I'm liking, I'm liking
|
||
|
|
discussions like this. You know, the whole point of HBO originally when they were
|
||
|
|
discussing it back in Radio Freak America days was exactly this around table discussing
|
||
|
|
political, you know, political topics. So true to our roots, this is what this is. I've been
|
||
|
|
thinking about the universal social income as a concept recently. They've been trying it out
|
||
|
|
here in the Netherlands as well. I'm interested to see how that would pan out and how human nature
|
||
|
|
would probably turn it into something different than people think. Is that a sort of guaranteed
|
||
|
|
income? Yeah, exactly. Regardless of who you are, your status, no means test. Everybody gets a
|
||
|
|
flattery income, you know, sufficient to put a roof over your head and food on the table.
|
||
|
|
So regardless of who you are, so then there's no applying for this benefit or that benefit or
|
||
|
|
the next benefit or whatever. And there's no danger that if you do go into work for additional
|
||
|
|
money, that your benefits will be taken away from you. So that you actually end up, you know,
|
||
|
|
bringing in less than you would have if you were claiming all the benefits. So the
|
||
|
|
state enhanced. Yeah, it is. I mean, it actually costs savings from governmental control because
|
||
|
|
there's less, there's less bureaucracy involved in it. And they also see that people tend to work
|
||
|
|
10% less, which is basically half a day a week less, but people still do go into work. But it
|
||
|
|
pays, you know, people, if you're artistic or whatever, that you can, you know, just take the time
|
||
|
|
off and you're not going to starve. You know, you're not going to have a great life on that,
|
||
|
|
on that sort of income, but you can continue to do whatever it is that you want to do.
|
||
|
|
Well, be an interesting one. You've got a springboard to move on to to better things as well,
|
||
|
|
haven't you? No, I'm indeed springboarders. Yeah. Wow. I never thought I'd see that happen.
|
||
|
|
You read Corey Doctrose down and out in the Magic Kingdom. No, no, I have not. He's sort of putting
|
||
|
|
forward the view that the future will consist of something like that, where the thing that people
|
||
|
|
work for is not money, but it's sort of queued us. Yes, woofies is called. But yeah, but that seems
|
||
|
|
to be a start of that road in some respect. I would hope so. However, looking back at the history,
|
||
|
|
which we should always do, you know, and surf them and all the rest. One, I'm not as happy
|
||
|
|
at predicting how well it could turn out. No, no, no, no. I need better minds in mind to understand
|
||
|
|
how it will ramify the future, but it's amazing. It's amazing thought. I think I've got a
|
||
|
|
move actually. I'm in the wrong country. Well, actually, I think it's been running in Finland for a while,
|
||
|
|
so there are pilots around the around the low, but the minute to see, but we'll see, see what happens.
|
||
|
|
Anyway, get server and get hooks. This one is very interesting to me, especially Dave,
|
||
|
|
because of our current approach to publishing shows. Yes, yes, yes. I better tell people what it
|
||
|
|
was about. When you check in stuff into a branch, you'll engage or a particular thing, you can have
|
||
|
|
that that act triggered something else happening, and that might be sending an email or running
|
||
|
|
such a test tools or something else. So simple act of checking something in can start a chain
|
||
|
|
reaction. And that could in fact be how we do quite a lot of things, Dave, how we could we could
|
||
|
|
actually drive a lot of the workflow on HPR by something as simple as that.
|
||
|
|
True, true, true. Yes, a sort of trigger based mechanism. Yes, it sounds good. Yeah, I knew about
|
||
|
|
this, but I've never really delved into it. I did one of those things several years ago that
|
||
|
|
somebody was mentioning earlier on this evening, but reading dry books and I were sat down trying
|
||
|
|
to read the the Git manual. Oh, somebody please do a few series and get pleased. It's so hard
|
||
|
|
to read. I cannot, my mind just cannot get it, but I have four commands that are run one after
|
||
|
|
the other, and that seems to work. But I have no idea what about branching and about whatever.
|
||
|
|
And Katu talks about it, but it's still not coming through. Anyway, the following day. Now
|
||
|
|
the full picture is hard to have to get. Yeah, a great show. I wanted to say that. I'd found it
|
||
|
|
very, very interesting indeed and motivated to dig deep in that. Okay, and Kevin O'Brien has
|
||
|
|
just emailed me now to say we still have the same or uploading, which is not good. Okay.
|
||
|
|
It is not good. Hi Kevin. Hi. Speak of the hacker and they will appear. Yes, I didn't think
|
||
|
|
about that. I didn't think that issue would be fixed by changing the permissions because I had
|
||
|
|
already uploaded before, but I'll have a look and see what it is. Is it related to the file size
|
||
|
|
or is it related to something else? Yeah, I didn't think the file size was unusual. I mean,
|
||
|
|
I upload flak, you know, I don't know what it is. I really don't. Anya, but I'll I have all day
|
||
|
|
tomorrow on the on the new year show to to play with it. Happy new year. You too. You gonna stick
|
||
|
|
around? Yeah. Okay, you know where the links are. I'll post them into the chat. Hold on one second.
|
||
|
|
There you go. And we're talking about HPR2447, server basics 104, open VPN. And I asked
|
||
|
|
Latu, does he have any show notes to go along with that? Because as it happens, I've
|
||
|
|
Guy on work has asked me about setting that up and that would be cool to have. Yes, yes.
|
||
|
|
Can I read Clive2's comment? He says these show notes. I do intend to write some notes on this topic.
|
||
|
|
I have no useful links. This episode exists because I can't find a how-to online that's any good.
|
||
|
|
They all presume the reader is familiar with how a certificate infrastructure works.
|
||
|
|
Well, they assume the reader knows all about the network, all about network routing and so forth.
|
||
|
|
So for now, the audio versions show notes are embedded in the org file.
|
||
|
|
Eventually, I'll write something up. Ideally, I'll write down the entire server series.
|
||
|
|
So that would be good. Is that the all the versions of the show notes are embedded in the org file?
|
||
|
|
Does that mean go listen to the show and write the show notes yourself?
|
||
|
|
It did feel like it feels a little bit like that. Tiny bit of circumlocution to say,
|
||
|
|
just listen. Fair enough, fair enough.
|
||
|
|
So following day 2448, useful bash functions, part three, this time it's personal.
|
||
|
|
And STL Sean says, fascinating. I worked with DOS. By the way, this is your show where you were
|
||
|
|
going, read value, check value, read and check value. Some interesting and there are, as always,
|
||
|
|
with all your shows to be told, Dave, you have excellent show notes with excellent examples to work
|
||
|
|
through. Thank you. So some of these are what actually use. Well, that was the goal, really.
|
||
|
|
These are things I've wrote for written for myself. And I just thought, well, share them and talk
|
||
|
|
about them. And maybe somebody will get some benefit from them, hopefully they will.
|
||
|
|
That set space minus X is quite useful, actually. Yes, you get cascade of
|
||
|
|
stuff when you do it, but it's really powerful and useful stuff. You know, you can also run that
|
||
|
|
on the command line, going bash space dash X and then the name where you're scripted,
|
||
|
|
and that are on the same as all. Yes, yes, there's all sorts of different ways of
|
||
|
|
setting those options. In fact, there's loads and loads of them and hesitating whether I want to dig deep
|
||
|
|
into them. Might do one day when I've run out of show ideas. Yes, exactly when that happy
|
||
|
|
day to rise. STL Sean says I've been working, I've worked with Dawson Windows for 25 years now.
|
||
|
|
The only unix experience was with a phone system and hotel system, which I administration through
|
||
|
|
a step by step procedure. I am now starting to learn a bit more command line Linux as I have
|
||
|
|
started playing with Raspberry Pi computer and switched a couple of laptops to X Ubuntu and
|
||
|
|
Mint XIV CE. As you probably guessed, a lot of the show went over my head, but it's fascinating
|
||
|
|
to hear the possibilities for automation that are available if you could, if I could learn more
|
||
|
|
bash commands. This series has been very helpful to me in developing a desire to learn more
|
||
|
|
and find things I could try to automate. Thank you very much for your hard work, Sean.
|
||
|
|
And I said thanks, Sean. I'm glad you found it interesting and hope this series proves to be
|
||
|
|
useful to you. I plan to do more shows on bash functions and bash features in general in the future.
|
||
|
|
Do you want to read some Kevin or do you want to play along or are you just sitting in for the
|
||
|
|
I'll do the next one? Mike Ray says bash shows. Keep it coming, Dave. I do a lot of bash
|
||
|
|
program mostly because I work on the assumption that if I need to type the same complex command line
|
||
|
|
more than twice, it should be a script to cut down on typing, try and remember stuff and to cut
|
||
|
|
out errors. I don't enjoy bash programming very much mostly because I hate not being able to do
|
||
|
|
use a normal language constructs like results equal function, open bracket arguments, close
|
||
|
|
closed brackets. So the more tips and ideas from somebody else who faces the same question,
|
||
|
|
the better. So I said thanks, Mike. Glad these are turning out to be useful. I've always been
|
||
|
|
fascinated by what I guess can be called command languages. I've worked with the George operating
|
||
|
|
system. I had a fairly basic one, VMS, which had DCL digital command language, which grew to be
|
||
|
|
fairly sophisticated during my time using it. However, in comparison, I find bash to be considerably
|
||
|
|
more sophisticated, still not a true language of features like those you describe, but nevertheless
|
||
|
|
worth working with, I think. It's this that motivates me to describe what can be done with bash,
|
||
|
|
and I'm using myself trying to do things that stretch my imagination a bit smiley face.
|
||
|
|
And I replied bash underscore rematch. How about some shows about the various built-in variables?
|
||
|
|
I have made use of bash underscore rematch dollar sign excluded because I assume it'll break
|
||
|
|
something, but I assumed that there are more that I have missed. My reply was a great suggestion.
|
||
|
|
On my list of future bash topics, I have regular expressions quite near the top. That episode
|
||
|
|
would include bash rematch, of course. I've mentioned one or two of the other bash variables in
|
||
|
|
passing such as funk name, FUNC name, but there are many more. Thanks for the feedback. By the way,
|
||
|
|
with our new command system, we strip HTML, but take measures to try and show all other
|
||
|
|
ASCII characters passed through unhindered. So dollar signs, and I included a dollar just to prove it,
|
||
|
|
shouldn't be a problem. Yes, it's actually, I know it was a pin in the buttocks to do, but I'm
|
||
|
|
quite happy with the way the bash are with the command system as it's turned out.
|
||
|
|
Yes, we sweat blood a little bit yet now together, but it seems to be pretty robust,
|
||
|
|
he says, touching wood. Looking good. Indeed. And I should actually put at the bottom of the
|
||
|
|
command section just before it says leave a comment, a repeat of the first previous and next button bar,
|
||
|
|
what do you think? That would be nice, because it would be easier to navigate once you'd scroll
|
||
|
|
through the comments. Yeah, exactly. Sure. Yeah. Org mode mobile solution. My search for taking
|
||
|
|
org org mode on the road, Brian and Ohio, a very, very nice little show pie top pocket chip,
|
||
|
|
never, never considered that. Raspberry pie tablet and an Android phone, and eventually settles on
|
||
|
|
an Android phone, I think. Yes, yes, he's an impressive guy. He goes to considerable length to
|
||
|
|
get where he wants to be. Yeah, he's documented it well too. Excellent show.
|
||
|
|
And I went and installed hackers keyboard as I was listening to that show. And it is much better.
|
||
|
|
Oh my god, you should not be using anything else on an Android phone. Then hackers keyboard,
|
||
|
|
it is brilliant, brilliant, brilliant. I think my son told me that. I don't think I've got it
|
||
|
|
on this particular phone, but yeah, yeah, I did try to use it for a while. It's going to be the
|
||
|
|
first thing I install on any phone. It's just so much better. Turn into landscape and you've got
|
||
|
|
tab and obaro and it's awesome. And even in portrait, it's reasonable. Yeah, yeah, good.
|
||
|
|
Well, we certainly learned a lot from Brian in Ohio's show here. I was tempted to get one of those
|
||
|
|
pocket chips, but yeah, bit expensive, but still. And then the pie top, all there seems,
|
||
|
|
yeah, tempted, tempted, you know. Yeah, yeah, I wanted to get one of those docking things that
|
||
|
|
look like a laptop, but you can actually put a Raspberry Pi, doggar Raspberry Pi into it,
|
||
|
|
putting some other portable device in it. I can't remember. They're so expensive on ebay now.
|
||
|
|
Yeah, yeah, 100 plus plus fans now because people want them. So yeah, exactly. And then,
|
||
|
|
so 104 and Viper 4 Android magics by operator. Yes, this was to improve audio by methods that
|
||
|
|
didn't fully understand. I didn't quite get this. So yeah, it's interesting, but it required
|
||
|
|
all sorts of route. And yeah, to be honest, I think my ears are gone so bad that I couldn't
|
||
|
|
couldn't be bothered with this. Yeah, I'm sure this is one of the, that only applies to me now,
|
||
|
|
but I'm sure there's somebody out there going, yes, thank you very much. But it was down to
|
||
|
|
that under windows, it played fine, but under Android, it was crippled. Was that the deal with this?
|
||
|
|
Because I followed one of the links into this, and there was a chap had a video about it,
|
||
|
|
and went through doing all the coding that they did to get this actually work.
|
||
|
|
I didn't dig that deeply. I did follow the links, but I didn't get that deep with it. So,
|
||
|
|
I'm not sure. Server Basics 105 was open VPN client. Also without show notes,
|
||
|
|
tattoo, the show notes were in the way file. Thanks very much for that. So,
|
||
|
|
some damn board, I'll write down the show notes for that. But I actually need to do this as well,
|
||
|
|
so yeah, and the reason I need to do it is because my, because of a bug, which I might do a show on,
|
||
|
|
but we will carry on possibly. So, the following day, we had a hydraulic heavy scale project,
|
||
|
|
episode 2452, a hydraulic Jack mod DIY travel trailer balance, never have thought of this as a
|
||
|
|
show that we would have, but I'm exceedingly glad that we did get it.
|
||
|
|
Yes, I was telling. Yes, it was most interesting, I thought. Go on, Kevin.
|
||
|
|
Well, my wife and I are looking in a few years to retire, and we were thinking of getting some kind
|
||
|
|
of a recreational vehicle trailer, what had you. As I dig into it, a lot of revolves around
|
||
|
|
understanding the weight,ribution, and things that David was talking about. It was very useful
|
||
|
|
for me. So, there were two comments on that episode. The first was from me, retriever dog training.
|
||
|
|
He met a comment in the show that the reason that they were doing this was that they were retriever
|
||
|
|
dog training, but quote, nobody on HPR would be interested in the show on retriever dog training,
|
||
|
|
to which I replied, seriously, I don't think anyone will be interested in retriever dog training.
|
||
|
|
I guess we'll not be doing a show about that. Seriously, words fail me. Also, happy birthday.
|
||
|
|
Estelle Sean said, with love dog training, the show on retriever training, that would be so
|
||
|
|
interesting. I think diversity is needed a bit. I mean, people are submitting great and wonderful
|
||
|
|
tech gaming and discussion shows, but some rather off the wall stuff would be wonderful,
|
||
|
|
dog wall, but yeah, off the wall. And he's absolutely great. I think that would be
|
||
|
|
wonderful to hear other insights into what people are doing. Has the popularity of
|
||
|
|
persons swimming down the river in France not inspired you to do the show? Come on, guys.
|
||
|
|
Seriously. Yeah, yeah. We need somewhere where it's easy to find a list of all the
|
||
|
|
weird and wonderful topics you had on HPR in the past. Is that the soundscape on? Yeah, I guess.
|
||
|
|
Yeah. I do remember that one. Oh, yeah, yeah. It clipped, he put a sands of clip into his
|
||
|
|
woolly hat and he was swimming wearing a wetsuit or something swimming down the river, wasn't it?
|
||
|
|
Yeah, absolutely. But we also, with the car hydraulic thing and all the show's junk
|
||
|
|
culpers done in this car, we could be doing a motor, you know, a vehicle thing. And did you
|
||
|
|
know that our own polkae is a autumn mechanic? So I expect a lot of shows from them, possibly
|
||
|
|
a year late, but yeah, well, I think it would be brilliant. Brilliant subject to have more of.
|
||
|
|
It's interesting to it's all about problem solving and stuff, isn't it? Absolutely. I was fascinated
|
||
|
|
by this one because I didn't realize how accessible a bottle jack would be. I thought it would
|
||
|
|
just be one sort of welded shut unit, not a thing that could be dismantled. And did you look at
|
||
|
|
the YouTube? Of course I did. It wasn't that interesting. Yeah, so I'd like to know how the LU tap
|
||
|
|
the thread in the bit that you've drilled into the the sort of cylinder area. I'd like to see
|
||
|
|
self-stunned screw in a screw. And then there's, have you ever seen a self-tap device at all?
|
||
|
|
Well, apart from self-tapping screws, no. Well, if you think of like it's a bolt, yeah. And on the
|
||
|
|
north-south east and west pole, you cut water out so that there's a little pieces. So there's
|
||
|
|
four pieces that have still got thread on it and four pieces that they're going to be made up.
|
||
|
|
I know what you mean. And then you you have a like a socket that you put over the top and you screw
|
||
|
|
that in. So there are various different sizes. So you you drill a hole maybe six millimeter or
|
||
|
|
something just to imperial as applied. So your six millimeter on the first one that you go in is
|
||
|
|
almost six millimeters, but it's just the bare hint of a thread. So you screw that in and it has
|
||
|
|
the bare hint of a thread going in. And that's enough to put in the next one, which has more
|
||
|
|
cutting tooth on the blade. And as you as you put that in, that cuts into the metal. And you
|
||
|
|
go increasingly from more aggressive ones to from smaller ones to more aggressive ones. And you need
|
||
|
|
to make sure to lubricate it as well with you can get you know aerosol cans of lubrication spray
|
||
|
|
or there's lubrication grease. And you've got to be careful of the swath that comes off as you cut
|
||
|
|
as well. Absolutely. And the worst part the most difficult part is keeping it straight for that
|
||
|
|
initial. Oh yeah. Yeah. Yeah. Because I've used a tap. We would talk how you use taps and
|
||
|
|
dies at school, but they were the sort of long tape at style, which I couldn't imagine how you could
|
||
|
|
use something like that in with very little clearance. So yeah. Yeah. Now I think you can even rent
|
||
|
|
tap sets from you know the big DIY short stores, at least you can't hear I think. Yeah.
|
||
|
|
Cool. So yes mechanical engineering back in the day, being a mechanical engineer myself.
|
||
|
|
I left the trade because I still want to maintain the number of digits I have on my hand.
|
||
|
|
There's many a line of words. It's very important to know your your limits and boundaries.
|
||
|
|
It's one thing to reboot a server accidentally. It's another thing to leave your digits
|
||
|
|
some behind you. Yes. Having cut the end of my finger nearly two years ago, three years ago,
|
||
|
|
kind of a sweet potato. Yeah. Any line of work could could potentially threaten them. And
|
||
|
|
little pinkies. The following day, various ways of deleting an on deleting on the command line
|
||
|
|
using GNU Readline. I didn't. GNU Readline seems to me like a very odd it's like a program,
|
||
|
|
but it's actually just the thing built into bash. Well, it's a it's a library that you can build
|
||
|
|
into all sorts of stuff. But it is definitely built into bash. I think I said in that the talk,
|
||
|
|
it's in if you're sitting there chatting to my SQL, then the thing you're talking through is
|
||
|
|
is a readline. So there's history, there's all of the case sequences work, etc.
|
||
|
|
So the alien brother podcast season one episode 02, strictly hacking Casper and Ruthher
|
||
|
|
discussed the Uber hacks and the Intel me known and unknown vulnerabilities.
|
||
|
|
And there was one comment on this from a trucker rich delivery and content.
|
||
|
|
The two of you come across as arrogant and I feel you tried to hijack the HBOR audience.
|
||
|
|
I'm not quote your listener, quote, I'm a regular HBOR listener and it's pretty apparent that
|
||
|
|
neither of you have listened for any length of time. If you had, then you would have heard
|
||
|
|
a hundred times or more. You would understand what is meant by open source and free software for
|
||
|
|
this community. And you would have realized that most hosts are just f asterix asterix smart
|
||
|
|
or smarter than you claim to be. That being said, I'd appreciate some of the topics that you have
|
||
|
|
touched upon. You could do a whole show on the valley a astrocade instead of just a brief
|
||
|
|
diversion. And the Hawaii background and info could be another show. Thanks. Anyway, thanks for
|
||
|
|
contributing. Okay. Yeah. Yeah. Yeah. Sam. Well, I think I need to close Metallica here. You know,
|
||
|
|
who's the first time here? Yeah. And everybody goes boo. And he always goes well. They're here.
|
||
|
|
Something in the podcast that indicated that they had no idea who clad too well. Yeah. Well,
|
||
|
|
makes me think, okay, you don't listen to hacker. Well, not in the last month. I need because
|
||
|
|
tattoos been carrying the show for the last two months here. Yeah. But they weren't sure where
|
||
|
|
the clad too was a man or a woman. Okay. Yeah. But there is no requirement that the people who host
|
||
|
|
on the network listen to the network guys. Yeah. It's there is no requirement on that whatsoever.
|
||
|
|
And I wouldn't have phrased my comment the way trucker rich, but I was thinking of posting stuff
|
||
|
|
being said, Hey, you know, if you want to get to know clad too, just listen to Acro Public Radio
|
||
|
|
and you will. Yep. To be to give them to give them their due though, they did. I assume they recorded
|
||
|
|
this in chunks or something because they did come back later on and say that they checked him out
|
||
|
|
and had listened to or at least looked at his new world order website and stuff. So, you know,
|
||
|
|
they seem to be learning on the job. Yes, but you have to also remember that these guys could
|
||
|
|
very well be pulling your leg here that they have been listening to for the last 12 years and then
|
||
|
|
these personas that are doing the show, it would not, I wouldn't bother past either of them to be
|
||
|
|
to be pulling our legs guys. So, and the fact is they're here now. They're doing very interesting
|
||
|
|
shows and yeah, I enjoyed it. Yeah, I enjoyed it. Yeah, I enjoyed it too. It was long. I thought,
|
||
|
|
oh, no, I can't listen to all this, but I did and I enjoyed it. So, yeah, thanks guys.
|
||
|
|
The following day, we had interview zero, RPG part five, the finale to which I replied,
|
||
|
|
guys, you're wasting shows, you could have split this into
|
||
|
|
you. You can't please everyone. Yes, yes, the way it follows on from the previous comment about,
|
||
|
|
are you stopped too early? It was very good. Well done. Glad to says he forgot a link and
|
||
|
|
handed in the link through the comments. I just replied to him today because I thought he deserved
|
||
|
|
something if he didn't notice that. Put the link into the show with an editor's note
|
||
|
|
and did point out that he could send it in through Admin at Packup Audio. Yeah, we can do that
|
||
|
|
as all of you. Yeah, whichever, whichever. But it's, it's, it's, if he was thinking in the comments
|
||
|
|
would be, would get to people. I was just pointing out that on archive.org, we're not propagating
|
||
|
|
the comments. Yeah, that's why I did say that. Yeah, yeah. So that's, that's going to be an interesting
|
||
|
|
challenge. Yeah, and there's more because I'm now looking at when I search for Hacker Public Radio
|
||
|
|
on Bing and other search engines, archive.org is coming up first, but Hacker Public Radio is not
|
||
|
|
coming up first. There are other sites like Media Cloud or something that are taking the feed and
|
||
|
|
just publishing it. So I think a lot of people might be missing the sources, but yeah, fine. I mean,
|
||
|
|
it's the license allows that. I'm not, I'm not complaining about it, but I'm also saying like,
|
||
|
|
we're not getting, you might get the footfall on the, on the comments, which we may need to address
|
||
|
|
in the fullness of time. Indeed, indeed. Yeah, more, more to think about. And that day was it? Yes,
|
||
|
|
that was it. That was it for the year in actual fact. Quite a, quite a year. It was a good year.
|
||
|
|
We had your series on healthcare. What's, thank you for that. That was awesome. I just uploaded
|
||
|
|
one more in that suit. Well, try to whether we've made it as another question entirely. Well,
|
||
|
|
I have the links in the show notes to all of them. So I'll deal with that tomorrow, but I'm going to,
|
||
|
|
yeah, I'm going to do some investigation. Oh, yeah, let's go through the, um, you know,
|
||
|
|
the open issues. We've had a few open issues over the last month. Josh met, met a very valid point
|
||
|
|
that we should be using the GitLab more. Um, so instead of, uh, communicating Dave and I quite often
|
||
|
|
communicated on issues, just an email to ourselves or copy Josh in them, but, uh, tracking is on the
|
||
|
|
GitLab is actually proving quite, uh, useful, I think, for everything. Yes. Yeah, I agree, I agree.
|
||
|
|
I'm happy to use that as a vehicle. And it means you actually have things that are marked as open
|
||
|
|
and closed and stuff. So things and less likely to get forgotten. And also people can follow along.
|
||
|
|
So for example, uh, Kevin's one, I've opened a GitLab issue 35. You don't want a permission to
|
||
|
|
access upload form and Josh commented on that. So I'm going to do some more testing with the
|
||
|
|
uploading. So see, what is it about this show that is, um, yeah, but Josh was able to upload it.
|
||
|
|
It seems very strange. I'm trying to find some uniqueness in that, but, um, yeah,
|
||
|
|
then we have some sort of random interference type factor going on there. It seems like,
|
||
|
|
yeah, I don't know, because we've had that before with it seemed to be linked to the file size.
|
||
|
|
And then so, but with this show, I've uploaded a show without problems before, uh, you're smaller
|
||
|
|
and larger. And then I uploaded this and this thing go through. So I thought, okay, maybe it's
|
||
|
|
something to do with the file, but the change in permission on the upload form, that doesn't make
|
||
|
|
a lot of sense because we, I haven't changed it because I can see that in Git. And it's the same
|
||
|
|
amount of five patch. And it's always had that permissions and now it's not working, but it could be
|
||
|
|
permissions, perhaps to the upload folder. So I'm going to, uh, I'm going to take the two PHP files
|
||
|
|
and it basically just put in lots of comments and see exactly where it's breaking. But the problem is,
|
||
|
|
it's not consistently breaking for me. So, well, I can tell you that I'm not doing anything different
|
||
|
|
from what I was doing earlier in a year. Yeah, I didn't doubt it. So, yeah, I don't, I have no,
|
||
|
|
yeah, no, no, it's, it's just an interesting one. And it's another thing that we need to fix.
|
||
|
|
But, you know, again, if people are having problems uploading contact, I can
|
||
|
|
admin at hyperpublicradio.org and we will not see you, uh, see, we will get some of the way
|
||
|
|
you can always, uh, I know I have a copy of the, uh, the files from, uh, Kevin and I have the show
|
||
|
|
notes. So I can always just put them into the database and post them myself. So it's not a big deal,
|
||
|
|
but it is a big deal because I want to make sure that we do get shows uploaded. So, yeah, exactly,
|
||
|
|
don't let that stop you from continuing to record. No, no, I can always just, you know, record a show
|
||
|
|
working on them. Cool. Um, so other open issues, we have the internet archive media files are
|
||
|
|
missing their media tags, um, which we have now identified a workaround and that workaround is Dave.
|
||
|
|
Well, the situation is that we upload the, the WAV file to, um, the internet archive and we've
|
||
|
|
been doing this ever since we started doing this process and what happens once it gets there is
|
||
|
|
that the, their software turns it into what they call derived files. So it creates org and MP3
|
||
|
|
and flak and so forth. But in doing so, it does not propagate the tags. I wrote to them and said,
|
||
|
|
your thing's not propagating the tags and they said, no, we know that's, that's the way to see the
|
||
|
|
way they've designed it. Yes, they just said, no, it doesn't. So or something to that effect,
|
||
|
|
I put the put it into the log on the issue. So what we're going to do is we're going to create
|
||
|
|
all the necessary files ourselves, which means we're creating versions specifically for archive.org
|
||
|
|
because they've got the, the acknowledgement of archive.org in the audio and we're going to post
|
||
|
|
those ourselves. We did a little test to prove that that would work and it did. So that will mean
|
||
|
|
that they will all have the tags. So I've got the software ready to do it. So we just need to get
|
||
|
|
our workflow to, yeah. And I modified it. I've modified the workflow. So that it also produces,
|
||
|
|
yeah, the MP3 org and speaks and I'm also throwing all puts into the mix as well. So we can have
|
||
|
|
an opus file. Cool. Cool. Then there is the issue of perhaps going back through some or all
|
||
|
|
the stuff uploaded and doing the same with them. Yeah. And also was discussing with you,
|
||
|
|
should we also put up the original files also the unedited file in whatever format that happens
|
||
|
|
to be. Yeah. Yeah. Don't see why not. Because then that would actually be very handy for us because
|
||
|
|
if we go to another platform, we can just take down the original file and we will have it there
|
||
|
|
for ever in a day and it will be by definition the best version of the file that we had because
|
||
|
|
that's the one we derived everything from. Yes. Yes. Yes. Well, absolutely. If they allow us,
|
||
|
|
we should do it. We should do that if we're allowed to. I don't know that we would be stopped,
|
||
|
|
but maybe they have limits that they don't make public. I don't know, but we shall find them
|
||
|
|
like everything else. Push the boundaries. And I would just like to say here and now that it is
|
||
|
|
absolutely awesome to click on a link to the internet archive page and see how nicely
|
||
|
|
everything is laid out, Dave, largely to you, everything is consistent, everything looks great,
|
||
|
|
embedded images, links to full show notes, it's brilliant what you managed to do over there.
|
||
|
|
You really deserve a pat on the back for that brilliant work. Thank you very much. Thank you very
|
||
|
|
much. It's been something I've wanted to get working ever since I started doing this project,
|
||
|
|
but it's only within the past few months that I've actually managed to get the software to do
|
||
|
|
because it involves horrible things like reading through the notes to find it if they're
|
||
|
|
referred to any other notes and then finding them and uploading them and stuff like that. So
|
||
|
|
yeah exactly. It's good. And we will be needing to go through the workflow more, Dave,
|
||
|
|
because of this, but also because if we're going to move to a flat file structure on the website.
|
||
|
|
Okay, here is another thing in order to reduce the bandwidth we've moved to archive.org, but we also
|
||
|
|
want to reduce the over-emphasis on PHP and mySQL because every call to the page involves
|
||
|
|
hitting the database. So there's really no need for that and we can get benefit a lot from
|
||
|
|
caching. So we can't really do a lot of front-end caching now as a result of every page while we
|
||
|
|
could, but it would be just simpler to have a database in the background that we populate and
|
||
|
|
whenever something changes, it would trigger a change of a static page on the website. It makes
|
||
|
|
everything a lot easier and those pages could be cached into git or sent out via rsync so that
|
||
|
|
a lot of the community members could have their own entire copy of the HPR website so that if the
|
||
|
|
project ever goes away or whatever we have all the media and all the databases and everything that
|
||
|
|
we need just a simple git pull away from us. And in order to do that, I'm thinking you've been
|
||
|
|
working on the pull-scress database and then we have that as the main one and then when you check
|
||
|
|
that in, that triggers blah, blah, blah, blah, which updates the main database on the HPR website
|
||
|
|
and then we move to a lot of static files. So long story even longer is a request to people out there
|
||
|
|
if they have, if people have recommendations for systems that do this and I know we've had
|
||
|
|
chosen past of different Python based and Ruby based ways of doing this type of thing, I would love
|
||
|
|
to hear a show about it and not just a fanboy girl version of it but here's my actual experiences,
|
||
|
|
here's the things you need to look out for, it's expensive, it's cheap, it's processingly expensive,
|
||
|
|
it's complicated, it's too simple, it's that sort of stuff just to give us an idea of what direction
|
||
|
|
we should go. Obviously before we pick a direction this will be discussed on the mailing list but
|
||
|
|
just know how if people have thoughts about this to record some shows and send them in and talk to us
|
||
|
|
about that. Yeah, I was thinking this sounds like it could be a show, the start of series.
|
||
|
|
Absolutely, everything can be a series. So I will start reencoding the shows going back
|
||
|
|
to episode one actually Dave, how are you doing day older shows that you don't have the source files
|
||
|
|
for? Well, we agreed when we started to move into that territory that the process would grab
|
||
|
|
the MP3 and would send that to archive.org and then let it derive from that. I think we agreed
|
||
|
|
that that was the best we could do given that we only had the MP3, not the original. Exactly,
|
||
|
|
that's all we had, yeah. Yeah, so that's what it's doing at the moment. That's going to be more
|
||
|
|
of an issue though obviously we could derive the other ones ourselves with the tags if we wish.
|
||
|
|
Yeah, I'm going to all new shows come and through. We'll have the shows, we'll have the derived
|
||
|
|
content. So I'll probably start with the ones that have been posted in the last 10 days,
|
||
|
|
our last 10, 20 days that are in the queue active now and get those transported and sent to you.
|
||
|
|
So you'll need to push them in and then I'll just start by pulling down the files.
|
||
|
|
Any web files that there are there and then if there's not a web file on archive.org,
|
||
|
|
I'll just take the MP3 file from the HBR site and chug through each of them.
|
||
|
|
Yes, yes. Well, one thought was that since I have this workflow for doing the
|
||
|
|
the internet archive stuff, really, it's possible that one could pull the MP3 and then do the
|
||
|
|
transcoding of everything as part of that workflow. So let me just talk about how, because that
|
||
|
|
would be something that you or I could run as we were uploading stuff, older stuff to the archive.
|
||
|
|
So I'll get that. And there's also, no, it's going to say we've been through more or less all
|
||
|
|
of the any other business stuff, but there was the hosting and donations issue that we were going
|
||
|
|
to talk about. Yeah, but you haven't finished. Had you finished? No, because I was thinking,
|
||
|
|
something I've been thinking about as well as increasing the distribution. So there's hello
|
||
|
|
stiller. Yep. Yeah, there's a there are other platforms that we could send to like soundcloud,
|
||
|
|
allows you to put so many days so we could post up to there and then the ones would drop off.
|
||
|
|
And we could also one thing that I've been wanting to do has been post videos to YouTube and
|
||
|
|
Facebook and I think Twitter we're doing videos now as well, you know, those other places because
|
||
|
|
there's a large audience over there that would be would be into that. So when I was rewriting
|
||
|
|
the workflow, I was looking at some options for how would you make our essentially boring audio
|
||
|
|
into an interesting show that would have a visual element towards it. And one of the options
|
||
|
|
that I had was we would start with a flash banner that Richard Queerin did for us, you know,
|
||
|
|
the HPR logo with a splash of color. And then we would have a, you know, the text-to-speech
|
||
|
|
intro thing would do would also be just translated onto a burnt in slide, you know, the show and what
|
||
|
|
it's about in the summary. The icon of the picture of the host that's doing it that sort of thing.
|
||
|
|
And then some stuff about HPR, the intro. And then for the show itself, I was thinking of just a
|
||
|
|
static HPR logo with an oscilloscope and in the oscilloscope was the frequency distribution
|
||
|
|
of the person talking in the show. And then leave space at the bottom for the turn annotations on
|
||
|
|
so that Google can do its text-to-speech thing. And then we get the transcripts of the show,
|
||
|
|
which, you know, we could get people to go back and help out with. The other option I was thinking
|
||
|
|
of was, so that actually works quite well, that's fine, but it's quite a lot of encoding involved
|
||
|
|
in it, but okay, fine. The other option was I have a frame buffer thing where I can take a print
|
||
|
|
off of the website and then scroll down the web, scroll down the website during the show
|
||
|
|
at the same speed of the show. So I'm not sure about that either, but you are contextually aware
|
||
|
|
of the content, aren't you? In the show notes. But then I was thinking after spending hours
|
||
|
|
actually doing that and having FFM peg pan from the top right down to the bottom, then it struck me,
|
||
|
|
well, YouTube has the YouTube and Facebook both have the facility to put it in the show notes.
|
||
|
|
So what's the point in having the show notes burnt into the images even? Yes, yes, yes.
|
||
|
|
Okay, okay. Well, obviously, no, you know more about this than I do.
|
||
|
|
Well, actually, if anyone has any ideas about ways to do this, to, you know, if you've got
|
||
|
|
an audio file, what should we put as playing on the video file? Is it just enough to have the
|
||
|
|
HDR logo there? Or should we try and put the show notes up in some form or another? That's
|
||
|
|
essentially it. And on YouTube, which I'm most familiar, do know of their logo on the image,
|
||
|
|
but YouTube let you post a show notes under. Yeah, exactly. So while it's cool and all to have
|
||
|
|
an oscilloscope with the frequency distribution, is it just a waste of time when, you know, a one
|
||
|
|
image video will be just a lot easier. Anyway, if people have comments, that would be awesome.
|
||
|
|
Let me see. Are we finished with the open issues? GitLab not sending email? I don't know if that's
|
||
|
|
still sorted. I don't believe there are any, any problems. I'm certainly getting an email from
|
||
|
|
GitLab every time there's an issue change. When you create an account, though, or you get an email,
|
||
|
|
I tried that. It didn't seem to work. I thought it was a universal issue of GitLab not sending
|
||
|
|
mail, but maybe there are still some corner issues there. And I'm safely redirecting episodes
|
||
|
|
to archive.org. We had an issue reported by Hammer on. And about iTunes not working.
|
||
|
|
Now I've checked. I've contacted him or her again. And I asked a colleague to check in iTunes
|
||
|
|
on the Mac. And that place find it redirects. And it plays the archive.org thing. And I checked
|
||
|
|
in a virtual Windows virtual image. And iTunes also worked as well redirected without issue.
|
||
|
|
So I'm trying to see in both cases, this was new additions to the feed. So I'm just trying to
|
||
|
|
get confirmation from him as to or her what, what sort of OS or version of iTunes or what feed,
|
||
|
|
maybe they're using an older feed or something. So just trying to get more information, basically.
|
||
|
|
All right. If anybody listening has iTunes or has an old PC with iTunes on it and that has
|
||
|
|
subscribed, can you turn it back on and see if there's any issues with feed? Would appreciate that.
|
||
|
|
That'd be cool. And then the last one was how best to make donations to HPR. So the
|
||
|
|
suggestions was PayPal address, Patreon, a hidden product link, which he put up donations plug-in.
|
||
|
|
And this for Josh, who's given us a fairly extensive amount of bandwidth and stuff.
|
||
|
|
So the last one I asked him to do was Libra Pay as well, which is since the Patreon thing has
|
||
|
|
become a quite interesting option. It's all Libra software and works on the it's I've actually gone
|
||
|
|
through. I've emailed the guys to see if there's anybody available for an interview, but they
|
||
|
|
haven't got back to me, but that's kind of obvious at this time of year. So Patreon, they realize
|
||
|
|
they made a huge mistake and have reversed course. Yes, but as Tattoo says in the press release,
|
||
|
|
they only put a pause in it. They didn't reverse course. They just didn't go forward. There's no
|
||
|
|
there's no guarantee that they will. Whereas with this Libra Pay thing, at least this all the
|
||
|
|
software is open. And if they go away, well, we can take this offer and continue.
|
||
|
|
But now, yeah, I wanted to mention it because I was one of a number of people that went and
|
||
|
|
canceled all of my Patreoners did that. Yeah, as did I. And I have put them back because my
|
||
|
|
understanding is that many of the creators on support, that's how they get there. So I assumed
|
||
|
|
to Libra Pay, the creator would have to go and set up. Yeah, as well. So what I've done is
|
||
|
|
I've canceled and I think I'll do, as you said, reopen again, but I'm going to, I've also asked
|
||
|
|
the content people that I support asked them to set up an account in Libra Pay. I mean,
|
||
|
|
you set up an account and you can have your money there and you can just check it out and you
|
||
|
|
get hit with fees. How often you, how often it takes out. So no harm to have the backup.
|
||
|
|
No, no. But if Josh sets that up, I may go over to you. I did make a one off donation
|
||
|
|
few days back. Happy to, which Libra. He, he allows a, he set up a secure as an analyst host.com
|
||
|
|
forward, such cart, the PHP question mark, GID equals 17. And that brings up a page where you can
|
||
|
|
donate $10 one time or $10 on a monthly basis, $20 one time, $20 monthly.
|
||
|
|
Or $5 one time or $5 monthly. So yeah, we need to do that as well. It'll be just handy to
|
||
|
|
support his hosting calls of HPR and you're supporting the other Ben Red projects as well.
|
||
|
|
Excellent idea. Yeah. And then there's there are other fees associated with HPR as well. So
|
||
|
|
like domain registration and paying for the mobile server and stuff. So we'd like to thank
|
||
|
|
the person who allows us to do that. That's stankpaysforthe.com. My wife graciously allows me to pay
|
||
|
|
for the other ones and the mobile server. So there you go. I'm looking at her here now.
|
||
|
|
Well, as you should. So switch to E.A module taglib no longer support. So I think we're
|
||
|
|
up to date on the issues, anything else that we had in any other business.
|
||
|
|
There was the issue of we're now using archive.org to a much larger extent since we're redirecting
|
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|
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all our audio that way or our feeds that way. So and they're currently having a funding drive
|
||
|
|
where if you if you contribute, they have a generous supporter as they put it who will
|
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|
|
match donations three to one. So if you give them $5, it becomes 20. So cool. Yeah, I'll do that now.
|
||
|
|
If anybody would be I put it in the put the links in the any other business part of the show notes
|
||
|
|
for this show. Cool. So great. And I'll mention that tomorrow on the HPR 24 hour 26 hour show,
|
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|
|
the extravaganza that is my excuse to be out in the backroom,
|
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|
|
pottering around the whole day. Oops, my wife's here and has just seen this. I love you too, dear.
|
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|
|
Okay, I'll also be doing family time. Yes, yes, dear. I'll be asking Kevin. I just did an archive
|
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|
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donation while we were online here. Excellent. Yes. Yes, good. Wonderful.
|
||
|
|
Good. So the only other way do you want to go to now then can we should do the comments that we
|
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|
|
missed? Oh, we should have done the comments first, Dave. Well, we don't have to stick the same order.
|
||
|
|
So I thought you were being you know, if you're being inventive and and and spotted this.
|
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|
|
Spontaneous. Yeah. Well, so we go to one discovered Dave's show from last year.
|
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|
|
Yes, yes indeed. That's right. Actually, yes, last, last November.
|
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|
|
Yes. So I'll start, shall I? Yep. Show two and six three, which is me doing one of the York
|
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|
|
series Ron Stralecki, who we've heard from as well elsewhere said about that episode.
|
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|
|
I'd love the episode and the series. I think that in your hello world example that demonstrates
|
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|
|
the FS built in variable. That's the field separator. The character you should not be a comma,
|
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|
|
but rather something distinct like a pipe or some other character that does not have a different
|
||
|
|
context in language. I understand that typically FS will be switched to a comma if anything.
|
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|
|
But as the print statement uses a comma for different function, it can be confusing.
|
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|
|
And he gives the instance of the example I used and how to do it might be a good idea to alter it.
|
||
|
|
So I might as well do my comment. Yeah, sorry. Now I was launched. So I said thanks for the comment.
|
||
|
|
And when I wrote this example, it never occurred to me that completely confusing.
|
||
|
|
Now you pointed out, yes, it is. I think I was keen to show that the minus F on the
|
||
|
|
command line is the variable F as in the script. I mean, just shown an example of
|
||
|
|
minus F with quotes around it, just continued a comma with quotes around it, just continue to use it.
|
||
|
|
I was also keen to make it clear that the comma in the print statement is where
|
||
|
|
or puts the contents of OFS, put field separator. So I guess I lost sight of the example
|
||
|
|
in my enthusiasm, smiley face. I will consider modifying these notes in the light of your suggestion.
|
||
|
|
So do you want to do his reply? Yep. He says, I think if you put that as your suggestion and notes
|
||
|
|
that inside a print statement, or interprets a comma as OFS, then that will be perfect.
|
||
|
|
When learning any language, context variation is a consistent bugaboo. Wait, why does a semicolon
|
||
|
|
mean one thing here and something entirely, something else entirely there? So doing it deliberately
|
||
|
|
and then pointing it out is definitely beneficial and point out the internal workings of the
|
||
|
|
language. Yeah, got a very good point. Yeah, yeah, it's good. That's very constructive feedback.
|
||
|
|
Haven't changed it yet, but I will, and we'll do that when I get a second. Yeah, but do you
|
||
|
|
reference it in the show though? Because then if you make reference to it in the show and the
|
||
|
|
show notes don't reflect us, then that could be a problem. I'll need to check that, but
|
||
|
|
I could always put it in as an addendum to say this might be confusing. So this is what it means
|
||
|
|
just to enlarge on it a little bit. I put something on that. Yep. Do you want to do the next one?
|
||
|
|
So this was up 284. It's going to work part 5 by BZ. And we had ZZ or ZZ, perhaps,
|
||
|
|
saying, please do something about your sound quality. It's just painful to listen to
|
||
|
|
constant pops, clicks, squeaks, and booms, etc. And I replied with a lecture. Hi ZZ, I had a
|
||
|
|
listen to this show again and the context came through loud and clear. Sure, there are some
|
||
|
|
artifacts in this show, but if you listen to other shows from BZ, you'll see that is not
|
||
|
|
typical for his setup. We all have a bad audio day, but I would prefer to get the audio
|
||
|
|
for to get shows that are imperfect over not getting perfect shows. Our golden rule is
|
||
|
|
any audio is better than no audio. Thanks for listening. Thanks for taking the time to comment,
|
||
|
|
but we are always interested in hearing from our listeners. Perhaps you should do a show and tell
|
||
|
|
us about your tech history and any other story like as long as it is of interest to hackers.
|
||
|
|
So the old guy I did have a listen to the show on, but we have a golden rule here, as you know.
|
||
|
|
Yes, he'd had a problem using a particular microphone in the end,
|
||
|
|
realized it was quite so bad when it came through. As you say, so the next one was a comment on
|
||
|
|
another of the shows I was involved with, 2297 more magnitude in favourites, which I did with
|
||
|
|
Andrew Conway McNallow and RTSN added a comment, good stuff. Just wanted to say thanks for this.
|
||
|
|
I really enjoyed the episode and some of the music. I find it kind of hard to find new music,
|
||
|
|
so this is pretty great. So I pointed Andrew to this and he was pretty tough, so we got a comment
|
||
|
|
so it's such a several months after the event. Yeah, but it's that's the thing about HPR and
|
||
|
|
we touched last year, but it is so different doing this HPR compared to what I do in my
|
||
|
|
age of that everything is, you know, modern and it's going to be fast and we need to turn through
|
||
|
|
stuff. Here you need to be prepared for your stuff being available 12 years after the fact.
|
||
|
|
You know, it's we're still getting comments, you know, from 12 years ago and you go,
|
||
|
|
yeah, cool, turn off. It's the old archive problem. It's a slow,
|
||
|
|
that's just what we are. A slow net, but yeah, I'm very pleased that it still exists.
|
||
|
|
Yes, it's cool. And all comments, all comments cheer up your day. It's always great to get feedback.
|
||
|
|
And my bill says it's live. Well, it's been a long time, but I thought I'd just pop in here to
|
||
|
|
give you a little closure. The motherboard sat in the shelf here for months and I realized it
|
||
|
|
probably would I would never probably use it. This is the one where he took a motherboard and he
|
||
|
|
got from his friend, he fixed all the caps and then was missing something and then left it and
|
||
|
|
then I was ended the show and we never found out. And at the time, at the time, Moses,
|
||
|
|
John Colp says he wanted to know what would happen, I think.
|
||
|
|
Anyway, carrying on, so I brought the motherboard and CPU over to the lug and give it to a
|
||
|
|
body rusty one. Today, I got this message from him. It's a lot. Excellent. And John Colp says,
|
||
|
|
do you want to read that one? Yes, so the last bit of that was there you go, the cat repair
|
||
|
|
work. John can stop staying up nights wondering and John Colp replied in some year, who thanks Bill,
|
||
|
|
I still have trouble sleeping, but at least it's not because of that motherboard smiley face.
|
||
|
|
Nice. And on the last episode I commented to my bill, I'm all set, as in I got a I got the PCB
|
||
|
|
for doing his thingy. And unfortunately, there are three surface mounted components on it.
|
||
|
|
And my gosh, are they small? But that said, since I posted this, I found a video of somebody
|
||
|
|
doing a big cloud type build on one of these. And the only thing that I needed was some really
|
||
|
|
thin solder, which I managed to find. So tomorrow, I am planning on doing this.
|
||
|
|
Oh, good luck. Good luck. Live on the 24 hour show, which you will have heard by
|
||
|
|
videos. It'll be YouTube. That'll be wonderful. I also have a surface mount component device
|
||
|
|
sitting here that I've been slightly reluctant to to set the soldering on to.
|
||
|
|
We can do it together, Dave. I'll nip over your end. This is small. Yeah, this board, I think,
|
||
|
|
cost me around my wife, thankfully, is listening to some music. She just taken over her headphones.
|
||
|
|
To do this, I decided that I get a new soldering iron because the soldering iron I had was
|
||
|
|
crap. So that was 25 euros. And then I was thinking, I can't even see some of these things. So I bought
|
||
|
|
three different magnifying glasses. I got them from my birthday. So this is turning out to be the
|
||
|
|
most expensive component tester ever. I'm still connected. You'll use them more. You'll use them more.
|
||
|
|
Yeah. Well, that soldering iron is such a joy to use. Oh my god. Which one have you got?
|
||
|
|
You know, the one that we got commented, yeah. Oh, very good. Yeah. It's beautiful. It's
|
||
|
|
an expensive one. And it's also fast. Yeah. You just put on the solder. It touches it and it
|
||
|
|
boom, instantaneously. Oh, really, the last soldering iron I had was absolutely terrible. This
|
||
|
|
temperature control one, it's only around 25 dollars. If you're buying a soldering iron at all,
|
||
|
|
get one of these. It's absolutely cool. And I got loads of nibs and stuff as well. So
|
||
|
|
we'll be trying out some of them tomorrow as I try and solder this thing.
|
||
|
|
Cool. Well, I said it was going to do tomorrow many, many times. But okay, moving on.
|
||
|
|
So amateur round table number three, various holes comment by Ken Fallon. This is the visualisation
|
||
|
|
of waves. The freeclubs have a thingy to show you how what waves look like. And that's really
|
||
|
|
cool for I was struggling in that episode to visualise what a wave looked like and how it went
|
||
|
|
through. And they have some very good animations. So when I collect these, I'm putting them as
|
||
|
|
addendments to that show note to that show so that there will be a collection of this information
|
||
|
|
over time. Very good. I have to say, I haven't checked that one yet, but I certainly will do. It
|
||
|
|
looks like it could be good. So the next comment was to 2417 Transmetre Crusoe, which was JWP's
|
||
|
|
show. And it was from Busy Busy, he said a different time. You brought back a lot of old memories
|
||
|
|
when you mentioned Transmetre. I thought it was a unique potential game changer in the CPU
|
||
|
|
market, but it no push to be what? It didn't achieve what was expected to break into the
|
||
|
|
monolithic market forces at the time. Burma says, thanks for sharing your find, the story,
|
||
|
|
and that it still works, smiley face. I think a lot of it is down to timing, sometimes innovative
|
||
|
|
things that come through, like the N900 for example. It's just not the time for it, and it takes
|
||
|
|
a while. And then the AMD processor comes along and essentially does, well, it doesn't do the same,
|
||
|
|
but it is a lower power. It's tapping into the same sort of need or purpose selling point,
|
||
|
|
I guess. And then it goes off. Yeah, it's a shame. It's a shame that there's many, many very
|
||
|
|
interesting things that have gone by the wayside for no good reason other than the winders in the
|
||
|
|
wrong direction, I guess. Yeah, the next one. There's a lot of comments this month, Dave.
|
||
|
|
New comment system, I'm guessing. Well, now we're encouraging people to do comments as before,
|
||
|
|
we're always like the comments here. Nets books, keeping an old friend alive by Bizarre,
|
||
|
|
and this is by Gumnos, netbooks and lightweight OSs. I've got a couple of netbooks and I've found
|
||
|
|
that the B and BSD is particularly open BSD, but also for BSD and net BSD run quite nicely on them.
|
||
|
|
I also run Debian stable on one, and it's pretty uneventful experience.
|
||
|
|
Cool. Which is what you want?
|
||
|
|
Well, I don't know. So the next one was on the Kickstarter post-mortem by Clare 2, 2 4, 2, 2. Busy,
|
||
|
|
busy again, Kickstarter revisited, he says. I noticed that you mentioned that you're not a salesman,
|
||
|
|
and described a person who was a great creating hype about a product which may go against your
|
||
|
|
personality, but I would say that to get best results from other people's stories about any kickstarter
|
||
|
|
like service is to have a prototype ready to go. It shows that you have something besides an idea
|
||
|
|
and some direction, which is why you need the money to bring it into production. I don't like selling
|
||
|
|
either, but if you believe in the game idea, had a prototype, rules, card layouts, etc,
|
||
|
|
then the idea will sell itself. People will see value in the what you are trying to achieve,
|
||
|
|
thus you're not selling anything, but creating something people want to bring to fruition,
|
||
|
|
because it intrigues them as much as you. I just wanted to bring another perspective.
|
||
|
|
Ideas sell themselves because people see value in it. Good point.
|
||
|
|
Yeah, good point. That one has been quite an interesting, the feedback.
|
||
|
|
Yeah, yeah, yeah. It's quite an art to get a kickstarter to work, and if you don't fully
|
||
|
|
appreciate that art, then I guess you could easily fail. But yeah, I do sympathise with Clat 2's
|
||
|
|
stance on this. I don't think I would really know how to play it and be reluctant to do the salesman
|
||
|
|
type thing personally, but interesting. That's the last comment, by the way, from the previous
|
||
|
|
month shows earlier, earlier shows. So, what are these other two information underground control
|
||
|
|
thing? They have them. They're from last month. Yeah, yeah. If you look at the
|
||
|
|
what we've already done. People have already done them, yes. People are going to be so amazed that
|
||
|
|
we talk about this every week, every month. It's a thing. It's traditional. Do something
|
||
|
|
every time the role becomes a tradition. Because we're using a text form, whereas on the website,
|
||
|
|
I coloured them in green as with a note saying, don't read this in the text version. I didn't do that.
|
||
|
|
Anyway, it was fun. It was an interesting interlude. Okay, I think we're done here, Fox.
|
||
|
|
I need to, I need to up the number of people on the mumble server and change the links on the
|
||
|
|
website before I go. Okay. All right. Junent, tomorrow for another exciting episode of Hacker.
|
||
|
|
Public. Right way. Join us now. You'll be free. Hackers. You'll be free. Thanks, Kevin.
|
||
|
|
All righty. See you tomorrow. Bye. See you later.
|
||
|
|
You've been listening to Hacker Public Radio at HackerPublicRadio.org. We are a community podcast
|
||
|
|
network that releases shows every weekday, Monday through Friday. Today's show, like all our shows,
|
||
|
|
was contributed by an HPR listener like yourself. If you ever thought of recording a podcast,
|
||
|
|
then click on our contributing to find out how easy it really is. Hacker Public Radio was found
|
||
|
|
by the digital dog pound and the Infonomicon Computer Club and it's part of the binary revolution
|
||
|
|
at binrev.com. If you have comments on today's show, please email the host directly, leave a comment
|
||
|
|
on the website or record a follow-up episode yourself. Unless otherwise stated, today's show is released
|
||
|
|
under Creative Commons, Attribution, ShareLive, 3.0 license.
|