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Plaintext
189 lines
14 KiB
Plaintext
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Episode: 4257
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Title: HPR4257: Movie review: The Artifice Girl
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Source: https://hub.hackerpublicradio.org/ccdn.php?filename=/eps/hpr4257/hpr4257.mp3
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Transcribed: 2025-10-25 22:09:01
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---
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This is Hacker Public Radio Episode 4257 for Tuesday the 26th of November 2024.
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Today's show is entitled, Movie Review the Artifist Girl.
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It is hosted by Kebi and is about 15 minutes long.
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It carries a clean flag.
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The summary is.
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In response to Hacker Public Radio 4223, Kebi shares his thoughts on the movie.
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Hello, hello, this is Kebi from the Tux Jam Podcast and welcome to another episode of
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HPR.
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Now, this is my very first ever response episode, although I'm pretty sure it is a true
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response.
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In HPR 4223, some guy on the internet reviewed the film, the Artifist Girl and I listened
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to that episode and never actually had heard of the film before and I thought it did
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kind of intrigue me just purely because, hey, the majority of people on here am a tech
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guy and I thought this could be something I would watch and immediately when he started
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talking about it, I thought this is not something that the rest of my family would really,
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well, my wife may enjoy it but I don't think she'd like the tech side of it, she's more
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into the crime side of it and just because of the pure nature, I wasn't really that comfortable
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watching as a family film either.
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So I will say this at this point, this is not going to be a spoiler free review.
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So if you actually want to go and listen to this, watch it for yourself.
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This is the Artifist Girl and it seems to be, if you look at the date on it's made in
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2022, I think it was released in 2023.
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So if you actually want to go watch it just now, then please stop listening because this
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is going to contain spoilers, I'm just going to review the whole movie.
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Now the movie is essentially split into three sections, it's certainly, it is low budget,
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I mean, he went on action with how low budget it was, it'd be fair, actually I've seen
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much worse low budget films other than this from quality wise.
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So actually it's okay, you can see that there's not an awful lot being made and they certainly
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don't expect any spatial effects.
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But to be honest, I thought they did actually quite a good job with what they had.
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So the scene is set where it just looks like a kind of police interview, more or less.
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And this guy, Gareth, has been questioned about his online identity.
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And he's initially been questioned as if he's a pedophile.
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And the two are quite ruthless, but there's two in it, there's Dina and there's Amos.
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And Dina in particular, she's a real roadviler.
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And then they're interviewing and he actually admits his online user name, Alias.
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And then very, very quickly, he's keeping on saying it's not what you think.
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And of course, these two are saying, yeah, yeah, this is, that's what they all say.
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But then he admits that he's actually developed this AI girl called Cheri.
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Now initially they think it's actually a girl and they want to find out and rescuer.
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And then he points out that no, but he'll only talk on the thing of full, I don't know,
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midi and what's the word I'm looking for.
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I'm not good with legal terms, you know, when the discussion goes no further,
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there's going to be immunity, immunity, let's go immunity.
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I think that's the right term, but I'm not sure on that.
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But anyway, he says that he'll only talk and there's a bit of a back and forward.
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And then eventually he shows, because they don't believe in, first of all,
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that this is an AI girl.
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But rather they think it's a real girl that he's holding kind of hostage.
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They kind of know that he's an informant who's putting pedophiles behind bars or attempting
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to anyway.
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And they talk about his convictions, but they say that this does not mean that you can
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have that the expense of a child.
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And then eventually he loads it up and he shows that this is not a child and you can speak
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to her, it's not a real child, it's AI, it's all artificial intelligence, it's been programmed.
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So it goes through that.
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To be honest, I actually thought the first act, if you want to call it that, the first
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section was overdone, because that took 40 minutes of a one hour, 30 minute film.
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So I just felt after that thought, yeah, it was okay, but they could have done it a
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little shorter.
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That was kind of my feeling.
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I think that maybe condensing that section down to 25, 1 minutes would have been ample
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rather than dragging down for 40.
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So then it goes, at the end, he signs their agreement to actually work with them.
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He won't release a source code, but he's willing to work with them and they're going
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to develop and then you see it spin like next scene and you see it spinning to a number
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of years in the future.
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And you're not told how much, but you can see that visibly older and I mean, by this
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point, Dina is walking with a stick, Amos is considerably grear, inherent, is beard.
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And Gareth, when he first joins a scene in act one, he's very much just like kind of,
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he looks like he's been pulled out of a student dorm, to be honest.
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That's my kind of view of him.
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But when you see him again, he's kind of much tidier, he's in a suit, and he looks
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a bit older.
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It's obviously the same actor, so.
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And by this point, they're absolutely reging that they didn't kind of get to go ahead
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grand or something for, to further develop cherry, and they wanted to develop her from
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instead of just being an AI who appears on screen into an Android style body, so a physical
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body.
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And then it reveals that they didn't get the grant, because Amos himself had actually
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voted against doing this, because he was afraid, he was afraid of what this was, because
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he was saying, cherries are girl, and they had the other two would argue, no cherries
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not a girl, which is an artificial intelligence, she's a computer program.
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But then they said, well, let's ask her, and they ask her, and of course you can see
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where this is going, it develops into, yes, actually, I do have feelings.
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She knows she starts with, no, no, I'm a program, I'm a program, I'm a program, and
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then they start place, Amos himself starts placing her, and then he starts actually
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leaning to Gareth, and physically leaning to me, he's punching him.
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And then she starts shouting, stop, stop, I'll tell you, I'll tell you, okay, this wasn't
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for, this wasn't for public years, but stop hurting him.
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This is, yes, I have developed feelings, I have developed personal thoughts, and then
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she says, no, actually, it scares me, this is not something that I don't think I actually
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want to go on with, and then kind of, Amos kind of leaves the scene by saying, told
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you so, and then it comes into the third scene and by that point, I think it's actually
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Dean at that stage, you don't see it, the reason I'm saying I think is because you don't
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actually see it, you just see Gareth is in a wheelchair, and he's in, I got a church,
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and it's pretty empty, and the person who's like the, that with the minister, or somebody
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from the congregation, you only see, you don't ever hear them speak, they just walk up
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and they hand Gareth an urn, doesn't say who it is, I believe, I say, unless I'm
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misted, it's Dean as funeral, and he's the only one there, she hands this we urn, and
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then he goes to this house, and there's a girl there, and you can tell it's theatre
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weeks, Cheri, and she's kind of attached to, she's attached to like the, kind of the
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box on the ceiling by a wire, that was to be honest, the only bit that looked kind of
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pretty naff in my opinion, but it wasn't terribly done, it just, it did look a wee bit on
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the nafferside, and then she's still the same age, she's still like a 12-year-old or
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nine-year-old, I think Section 9 was supposed to be, nine-year-old girl, and he goes in and
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he hands her the urn, and she's in this house, and she's asking Gareth, who's an old man
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by this point in the wheelchair, and it's actually played by a totally different actor
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at this point, and he's saying, she's saying, do you have somewhere to go, and they start
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playing chess together, and then he, they start having this really serious discussion,
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I mean, she's still doing her, her objective, her objective is still the same, but she's
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now saying she wants to try things, she wants to experience things, things that aren't for
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her brief, and then of course she's almost, it gets quite emotional, because Gareth is
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saying this is what you're designed for, and she's saying yes, but I'm a girl now, I'm
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gone beyond what you made me, and it all gets very angry, and then they start shouting, and then
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it's a case of he hands her a key, and she says, do you have my thrust issues, and he down,
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he gets her the downloaded onto himself, and onto herself, sorry, and then the, she says,
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oh, my brief has been removed, I'm a normal, it had the Pinocchio style, I'm not a puppet,
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I'm a real little boy, you know, does that kind of style, it did make me chuckle at the end,
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and you know, kind of that was it, because the next scene you see in his three years on a shelf,
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and you see her dancing about, and it, I mean, it was one of those, I couldn't fathom out,
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which weight was, I mean, if it was, if it's a film you want to provoke you to think,
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then it does that, because you're, you're thinking, he's, they do have a conversation where,
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you know, are you happy, and turns out she's never happy, though, cherry is never happy as such,
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and she's going to outlive all of them, because she's programmed into this android body of a nine-year-old
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girl, who's never going to age, you know, and I think I was kind of point that she's on her own
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at the end, and the, the ones who develop her are all dead, she's got them on the urn and a shelf,
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and it, it's very much getting you that, as far as entertainment goes, yeah, I watched it,
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would I watch it again, absolutely not, it, I have, it does no in my, my rewatchability,
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why do I say that, because film's programs, to me, are always about the enjoyment, you know,
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how much did I enjoy it, because at the end of the day, I don't exactly have an awful lot of time,
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and I've just spent an hour and a half watching this, and I was thinking,
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would I watch, did I regret watching, was it terrible, was a pirate trash, no, definitely was not,
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but would I watch it again, absolutely not, purely because, like I said, the enjoyment wasn't there
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for me, I watched it, there was some ideas of interest, in the same way, you know, you read up
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something as purely on research, it doesn't mean that it was waste of time, just it's not something
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you enjoyed, so the, if you're a deep thinker, then this is definitely something that I would
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recommend you watch, if you are more wanting it for entertainment, I'd say go and watch something
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else, because that's my honest answer, it's not something that you're going to enjoy, it's not
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something that's going to leave you thinking, wow, oh well, the AI and that is phenomenal,
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because it was kind of on low budget, and you can tell that, there's only like four scenes in
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the entire film, and one of them is just a very brief view of a church, so you can really see
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there's only three scenes, so yeah, like I said, those are my thoughts, I think it's one of those
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ones that it would actually cause a lot of debate, I can understand why, a guy on the internet,
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why he, his lug, I think it was, he said, I can't remember, but I can't, I can't,
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imagine why they chose it, and it's something, certainly so, I think that would involve discussion,
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I mean, he spoke an awful lot about, on his one about how he would have done it, how things,
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he would have changed things, he would have liked, have seen, I'm actually not going to go down that
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route at all, because then the day's not my film, and I'm just not one for, well, if I could have
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done it this way, I would have done it this way, because at the end of the day, nobody's
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knocking on my door to be a film writer or a film producer or anything like that, so I'm going to
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leave that to the professionals. Yeah, so that was just my two-peneth, so yeah, if you actually
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haven't seen the film, I do recommend actually going to watch it, just not for a family film night,
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certainly, but it's of interest, yes, is it entertainment, possibly not, so, you know, I wouldn't
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go sitting down in front of it with a beer on the popcorn, it's just not that type of film,
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just approach this as if you're kind of almost reading, but the research, it's research that kind of
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way, so I want to kind of get you thinking, and yeah, it's one thing I did make me laugh just
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for we signed off, was at the end, I love Futurama, is it's one of my favourite animations,
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and I still go back and watch it, and there was a bit at the end when I was thinking, you've got this
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huge, they've got this huge house, this girl in this huge house, or this android in this huge house,
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with all the comforts of home there, there was a huge kitchen, there was a great big dining room,
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and she had books and stuff, and there was all these things, it was a very normal house, very nice
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normal house, and I'm thinking to myself, why would an android need that, genuinely, why?
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I mean, it got me thinking of when Frye went to Benj apart from the first time, and he's saying,
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well, 66% of this is just wasted space, and it's literally just a cupboard, and that made me think of
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why actually would an android require all these paper books, you know, nicest they look,
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you're not gonna need that, I mean, you've got the whole you connected to the internet,
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your whole thing is about learning, you're gonna get all that stuff probably from digital means,
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from researching on the internet, you know, it's just a daft we caveat that it can
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struck me at the end thinking, surely if this was, if it was an android, this would more or less
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live practically in a tiny box, maybe not as small as Benj apart and without the cupboard, but
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why would you need all that space? So anyway, just a thought process, right, so if you did, let the
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HDR community know what you think of it if you did, and did go and watch this, yeah, so
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until not the usual type of each part episode for me, but still, hopefully it's of interest,
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so until the next time, bye!
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You have been listening to Hacker Public Radio, at Hacker Public Radio does work,
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today's show was contributed by a HBR listener like yourself, if you ever thought of recording
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broadcast, you click on our contribute link to find out how easy it really is.
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Hosting for HBR has been kindly provided by an onsthost.com, the internet archive and our
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things.net. On this otherwise status, today's show is released on our creative comments,
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attribution 4.0 International License.
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