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230 lines
14 KiB
Plaintext
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Episode: 4280
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Title: HPR4280: Isaac Asimov: The Foundation
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Source: https://hub.hackerpublicradio.org/ccdn.php?filename=/eps/hpr4280/hpr4280.mp3
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Transcribed: 2025-10-25 22:26:20
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---
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This is Hacker Public Radio Episode 4,280 for Friday the 27th of December 2024.
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Today's show is entitled, Isaac Asimov, The Foundation.
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It is part of the series' science fiction and fantasy.
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It is hosted by Avokad and is about 18 minutes long.
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It carries a clean flag.
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The summary is, a look at Isaac Asimov and the writing of the foundation series.
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Hello, this is Ahuka, welcoming you to Hacker Public Radio in another exciting episode
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in our series on science fiction and fantasy.
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And what I want to take a look at today is one of the golden age authors who has become
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very famous, felt by the name of Isaac Asimov.
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And specifically, what I want to look at in this is his foundation series.
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But first, a little background.
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When you look back at the golden age, there are three pre-eminent authors.
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And they were referred to, even then, as the big three.
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And continue to be referred to as the big three.
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And they are Arthur C. Clarke, Isaac Asimov, and Robert A. Heinlein.
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I will want to discuss each of them.
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But in this article, you know, I'm going to start off with Asimov.
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Isaac Asimov, born 1920, died 1992.
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He was born in Russia, but he and his parents immigrated to the United States when he was
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three and settled in Brooklyn, New York.
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He was a precocious child who taught himself to read at the age of five.
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His parents owed a succession of candy stores that also sold newspapers and magazines, including
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the pulp magazines that got him hooked on science fiction.
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He attended Columbia University where he got his BA in 1939 and his MA in 1941 in chemistry.
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He then joined Robert A. Heinlein and L. Sprague de Camp, working at the Philadelphia Navy
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Yard during World War II.
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After the war, he got his PhD in chemistry, again at Columbia, and then became an assistant
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professor of biochemistry at Boston University.
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Now, Asimov got involved with a fan group called the Futurians in 1938.
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It's the same group that Frederick Poll was a member of, so you can learn a lot about
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it from Frederick Poll's book the way the future was, and you can get Asimov's take again
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in his autobiography book in memory at Green.
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So that was 1938, and that same year he took advantage of his location in Brooklyn,
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part of New York, to take the subway downtown.
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Under the offices of astounding science fiction, now that was later renamed to analog, but
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that was like 1951, I believe.
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So he got to the office and dropped off a story with the editor, John W. Campbell, who
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we have talked about last time.
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He got it back with a detailed rejection letter, and that started a practice of weekly meetings
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with Campbell.
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By the end of the month, he had a second story written, and which Campbell also rejected,
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and as Asimov said, in the nicest possible letter you could imagine, and encouraged him
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to keep writing.
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His third story, called Marooned Off Vesta, was sold to amazing stories.
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Now, amazing stories was the magazine founded by Hugo Gransbach, and we've talked about
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that.
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Then a few stories later, he sold one to Campbell, a story called Trends, and that appeared
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in the July 1939 issue of astounding.
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Now if you get a chance to look that up, maybe you can find it in a library somewhere,
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microfilm, or what have you, people call that July 1939 issue the start of the Golden Age,
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because of all of the great writers that were in there.
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But we're talking about Asimov now.
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He continued to meet regularly with Campbell, and in 1941 his story Nightfall was published.
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Now this story was voted the best science fiction story of all time by the science fiction
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writers of America in 1968.
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Not bad.
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Then one day he was due for a meeting with Campbell, but he did not have a story idea to pitch.
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He had, however, been reading Edward Gibbons, the history of the decline in fall of the Roman
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Empire, and that provided a spark.
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What would happen if a galactic empire went into a decline in fall?
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And thus was born the foundation.
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Now at this point Asimov really was just a writer of short fiction.
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So this began as a series of short stories that were, of course, published by Campbell in
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astounding.
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They were enthusiastically received by science fiction fans.
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And then starting in 1951, Nome Press started to collect them in book form.
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And that ended up being three volumes that became known as the Foundation Trilogy, and
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Asimov wrote a little additional material to help tie stuff together.
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Now, the premise, as Asimov explained it, is that a mathematician named Harry Saldon
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had developed a science called psychohistory.
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Asimov always explained this as being analogous to the kinetic theory of gases.
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In other words, if you're looking at a single gas molecule, you cannot possibly predict
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how it will move.
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But with a sufficiently large collection of gas molecules, you can apply statistical rules
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that tell you how the entire collection of molecules will behave.
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Saldon's psychohistory would similarly enable someone trained in this science to make predictions
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of how a society will behave if certain conditions were met.
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The two axioms Saldon required were the population whose behavior was modeled should be sufficiently
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large to represent the entire society.
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And two, the population should remain in ignorance of the results of application of psychohistorical
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analyses because if it is aware, the group changes its behavior.
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Now, Saldon met the first criterion because he was modeling the entire Galactic Empire
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of one quintillion people.
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As for the second, he created a secret group called the Second Foundation to manage his plan.
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Now, Saldon used psychohistory to first forecast that the fall of the Galactic Empire would
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usher in a dark age lasting 30,000 years.
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This is similar to what is presumed to have happened in Europe with the fall of the Western
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Roman Empire.
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I would have to say historians are starting to disagree with this characterization that
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the so-called dark ages weren't as dark as people say.
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But anyway, Saldon's plan that he created would cut this period of dark age from 30,000
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years down to 1,000 years.
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Now he had to get the support of the Emperor to put his plan into action.
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So he sold it as a plan to create a massive encyclopedia called Encyclopedia Galactica
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that would collect all human knowledge and preserve it.
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The Emperor bought this explanation and gave Saldon a useless world with no natural resources.
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On the outskirts of the galaxy.
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And this became the home of the foundation.
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Initially called the Encyclopedia Foundation.
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A group of scholars were collected and moved there to start work.
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But this was all a ruse.
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He really intended the foundation to be the nucleus of the next Galactic Empire.
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And a world with no natural resources was part of his plan.
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Now I remember how back in the 1960s Japan was preeminent in the miniaturization of technology
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and consumer products.
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And one of the reasons for this is that Japan is lacking in almost all natural resources.
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And of course this was also one of the main factors leading the World War II in Asia.
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So the stories in foundation looked at how the foundation would be pushed in certain
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directions that would lead to this eventual empire.
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But of course an invisible hand guiding destiny only gets you so far.
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To keep up interest in the stories there has to be conflict.
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In foundation and empire, the second volume, the first conflict is with the old empire
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in the person of a general named Bel Rios, who starts thinking something odd is going
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on with the foundation.
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Now this name is a clue to Asimov's reading of history.
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There was a Byzantine general named Belisarius, who was doing well reconquering the western
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parts of the old Roman Empire.
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Until the Byzantine Empire, Byzantine Emperor got concerned about such a successful general
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and recalled him.
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Because you know a successful general could decide, hey maybe I should be emperor.
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So you never wanted that to happen.
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Now in this book, that's exactly the way it played out.
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Bel Rios is eventually recalled by the emperor, and it turns out Seldin had predicted the
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whole thing.
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Then something Seldin did not predict happens in the form of the Mule, a mutant who has
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the capability of affecting people's emotions and thinking.
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He creates his own empire at the expense of the foundation which he absorbed.
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Now in the third volume of the trilogy, called second foundation, the Mule is defeated
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by the second foundation, the hitherto secret organization that Seldin had set up to monitor
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his plans.
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But this means that the second of Seldin's axioms is now violated.
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So in the last story, the foundation, now aware and feeling like they are the puppets,
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goes in search of the second foundation to perhaps destroy it or at least destroy its
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power over them.
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They are ultimately thwarted by the second foundation which means that the Seldin plan
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can be put back on track.
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Now Seldin was wise enough to foresee that no plan set up could run for a thousand years
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without needing course corrections.
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So he had set up the second foundation as a group of psychohistorians specifically to
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monitor and course correct.
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Now Asimov temporarily stopped writing fiction as a result of the Sputnik satellite, which
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you may recall was launched in 1957 and created a bit of a panic in the United States because
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oh my god, the Ruskys are ahead of us.
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Asimov's response was that he could do more useful work by writing about science and
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being an educator and he did that extensively.
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He wrote a lot, okay.
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We're talking about someone who I believe was up around 500 books that he had written and
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gotten published.
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On one point I think I had 200 of them and so I was as much a fan of his science writing
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as I was of his science fiction.
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But in 1982 he returned to the foundation universe with a novel called Foundations Edge.
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This picks up a bit later when the Seldin plan seems to be back on track but this suggests
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to some of the foundation that maybe the second foundation was not wiped out in his back
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pulling strings.
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So a man named Golan Trevis is sent out to look for it.
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He thinks it may be connected to a mythical planet named Earth that appears in no database
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but somehow appears in myths and legends.
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Meanwhile on the second foundation they find evidence of a group of advanced mentalics
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who may be more powerful than the second foundation.
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This turns out to be a planet called Gaia where every organism is part of a common mind
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and they have been manipulating all the other players.
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But they need Golan Trevis to make a decision for them as to who should guide the galaxy.
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He decides in favor of Gaia.
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Even in the next novel, Foundation and Earth, which was published in 1986, Trevis wants
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to find out why he decided in favor of Gaia and goes and search again of the mythical Earth.
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He has adventures along the way, eventually meeting up with an intelligent robot who
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was behind both Harry Seldin and Gaia.
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In the end Trevis decides the reason he picked Gaia was that it would be the best protection
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against a potential alien race from a different galaxy, something our galaxy had never experienced.
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At this point, Asimov could not see any path forward, he seemed to have written himself
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into a corner.
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So he went back to the early days of Harry Seldin in a novel called Prelude to Foundation,
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published in 1988.
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Now this tells the story of how Harry Seldin first came to the imperial capital of Trantor
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and how he developed psychohistory.
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It turns out Trantor was a pretty good place to research since it had so many different
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groups and cultures.
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And in this book, Seldin meets and is pushed by the same robot.
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We saw at the end of the previous book.
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It is interesting to see Seldin as a young man instead of the aged sage of foundation.
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Finally, forward the foundation, 1993, was published posthumously.
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And it covered the period between Prelude to Foundation and Foundation.
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So it looks at how Seldin was developing, finished developing his psychohistory, putting
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together his organization and making his plans, you know, now that he had an idea of
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how psychohistory would work.
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Then after Asimov's death, his widow Janet and the Asimov estate authorized three science
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fiction authors, sometimes referred to as the Killer B's because their names all begin
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with the letter B.
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But to a trilogy that is roughly contemporaneous with forward the foundation, they were Gregory
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Benford, who wrote Foundation's Fear in 1997, Greg Bair, who wrote Foundation and Chaos
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in 1998, and David Brinn with Foundation's Triumph in 1999.
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Now other media.
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One has been done as an audio series by the BBC.
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This consisted of eight hour long episodes with minor changes to the written stories.
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And you can get the audio files there at archive.org, there is a link in the show notes.
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Then in 2021, Apple TV released a television series that is pretty good.
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The casting did make major changes from what Asimov wrote, since nearly every character
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that Asimov wrote was a man.
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And it is hard to believe that many millennia into the future that would be the case.
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But it has received good reviews.
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Asimov's daughter Robin is one of the executive producers, so it can be considered reasonably
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authorized.
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Now right now it's not available on DVD, but when it is, I do plan to get it.
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And finally, we talk about a pretty interesting award.
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In 1966, the Foundation series was given a Hugo Award as the best series of all time.
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And it beat out such notable series as the Barsoom series by Edgar Rice Burrows.
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The Future History series by Robert A. Heinlein, The Lensman series by Edward E. Doc Smith,
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and The Lord of the Rings by J.R. Tolkien.
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And you know, it's entirely possible that I will talk about all of them before I am
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done, because there's some really good stuff in there, too.
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But for now, this is Ahuka for Hacker Public Radio signing off and is always encouraging
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you to support FreeSoftware.
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Bye-bye!
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You have been listening to Hacker Public Radio at Hacker Public Radio.
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Today's show was contributed by a HBR listener like yourself.
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If you ever thought of recording podcasts, click on our contribute link to find out how
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easy it really is.
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The hosting for HBR has been kindly provided by an honesthost.com, the internet archive
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and our syncs.net.
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On the Sadois status, today's show is released under Creative Commons, Attribution 4.0 International
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License.
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