632 lines
57 KiB
Plaintext
632 lines
57 KiB
Plaintext
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Episode: 880
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Title: HPR0880: Handbook for the Criminally Insane
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Source: https://hub.hackerpublicradio.org/ccdn.php?filename=/eps/hpr0880/hpr0880.mp3
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Transcribed: 2025-10-08 04:02:47
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---
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I'll see you in my next video.
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Hello and welcome to another exciting episode of the Hacker Public Radio audiobook club.
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Today I am joined by Brom, Integral, and Resno, and I am Poke if you didn't know that.
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So this time we reviewed the audiobook by the name of the handbook for the criminally
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insane and unlike our other two audiobooks that we've done so far, this one came up
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with some mixed reviews. Some of us didn't like it and some of us liked it.
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So who liked it? Who wants to start? I actually liked it. I thought it was pretty interesting
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some of the stuff. Parts of it were kind of questionable. I thought, okay, so I liked it.
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I'll stop there. Integral, I knew you had a thought you wanted to share. I absolutely hated this
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audiobook. I had a really hard time actually finishing it. Brom, how did you do with it?
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Well, you know, I didn't actually think it was that bad. I kind of struggled through some parts,
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but I just kind of put it on the background when I was doing work and paid attention. Yeah, I didn't
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enjoy this one either, and I listened to it twice. Oh, you poor soul. I think my biggest issue was
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Brian Holtz, the author. He didn't vary his voice, and so a lot of times it was hard for me to
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figure out what person's actually speaking. You know, is it Monica or is it the other girl or,
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you know, who's actually speaking here? Monica and Betty, yeah, I got those two mixed up a lot.
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Pretty much everybody else I was okay with, though, in her other redhead friend there.
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I actually didn't have any problem distinguishing the voices. I just felt that they weren't
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distinguished enough, as opposed to say, like, shadow magic, or you could definitely tell who was
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speaking. I will give him that. I thought the recording quality was really good. I had no
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complaints about that. Someone mentioned to me that they heard his, um, his, like, his breathing
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in the background, but, you know, his intake of breath, and I didn't notice that. You had to
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really listen forward if you wanted to find that kind of stuff. I will say that the audio quality
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was good. It had some parts where it kind of graded on me a little bit, but mostly that just
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came from him being monotone. I'd say the recording was exceptional, especially compared to a lot
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of the, a lot of the books you get on, on patio books and on LibraVox. I mean, even compared to
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shadow magic, the recording on that's not the greatest, because it, it kind of levels all over
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the place. From one episode, it's really soft, and then the next one, it's really loud, and then
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Luminous is blowing your ears out. Yeah, this was pretty consistent.
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Yep, that's true. It was. I agree with you guys on that.
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So this is by far my first patio book. So I'm really coming into this with sort of like
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blind eyes and to the whole scene. Um, so yeah. It gets better, I promise.
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Well, see, it wasn't bad for me. So, you know, you all, like, kind of like really,
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really attacked this book. And, you know, I thought it was, I thought it had some of its flaws,
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but I, I really liked the, the general story. I kind of liked some of the, uh, things it went on.
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Some of the storyline I got, um, I couldn't, I guess I didn't understand the progression of the
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story sometimes. It felt kind of confused and all over the place. Um, and I, one other thing,
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that sound effect when he was, I guess the scene, a change of scene, or I really didn't know what
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the sound was for because it, it wasn't consistent across the, the chapters in the book.
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Is it like a flatter or something? Yeah, he definitely used that for a scene change.
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But sometimes he didn't, you know, sometimes it would just be, uh, like, I thought, at first,
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I thought it was like a page change, like changing the page. But it sometimes, it was a scene change,
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other times it wasn't. And I listened to see if it was consistent. And to me, it wasn't consistent.
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Maybe, maybe you all think something different.
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What I thought was going on is in a lot of cases, he kind of just let it happen.
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And then sometimes he did use the sound effect and other times he used the sound effect to do a,
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a time lapse, but keep inside the same area. And I think whenever it came to like, you know,
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a time lapse or something like that, you kind of need to say, hey, four hours later.
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I'm not even sure that I really noticed it, but I could see what you're saying. And had I,
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had I paid quotes or attention, I probably would have noticed it. But that's something that lost
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and Bronx has talked about and Klaatu has talked about where if you're going to put sound effects
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into a recording, you really have to be consistent with them. Because I found myself getting lost
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in what was the meaning of that sound effect because it wasn't consistent. You know, if you're
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watching a movie, they can frame the movie and you can see the progression. But in an audio
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setting, you know, that sound to me means one thing. And if all of a sudden, like my cell phone,
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if I hear a ding and I set that for text messages, I know that's a text message. I don't
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expect a ding for when I'm getting a phone call. So for me, that really like kind of took me
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off a notch because I didn't expect that sound to be multiple things. You could consider it part
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of the story, though. It's supposed to be a little bit disjointed. He's juggling a lot of threads
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in the air. He's got a lot of different things going on. So if you're a little bit confused,
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the whole nature of the story is that it's a little bit chaotic. You could argue that it's a
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stylistic thing. The thing is, I don't think he pulls it off well enough to do it. That's what I was
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going to say to join on to that is that the book is too disjointed. It's got too much going on at
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any one time. And maybe reading it, it'd be a little different, but hearing it spoken from him
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just doesn't work as well. That's my biggest complaint about the book as well. My second biggest
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complaint is that not a lot of things in it made sense. He got a lot of stuff like factually wrong
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along the way. But the fact that there were so many threads that had nothing to do with one
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another, they just kind of interacted just because of the characters in it, but they didn't have
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anything to do with each other. That kind of frustrated me a little. It kind of reminded me of lost,
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you know, the TV series where things would appear and then disappear and you'd wonder what the heck
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happened with that. And then I guess that sort of progression of just a random series of events
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that culminated into nothing. Not only that, but then also just like lost to be like, hey random
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rules change. They present something as this is what's happening, this is how this works,
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and then all of a sudden it doesn't work like that anymore. That really throws you off,
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especially when there's no explanation as to why. I don't need specifics, but I'll have to wait
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till after the beverage thing. The one thing that really bothered me was that several extraneous
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characters, like the first character he introduces, he doesn't play any part in the story, he's just kind
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of there. They bring them up in the middle and it's like, oh, at the end, we'll do this cute little
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wrap up where nothing changes. Well, he did use them to introduce the axe murderer and he is the
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same zombie who led the girl out later. But yeah, I don't know. I've said enough good things about
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this. I'm ready to drink. You know, it's an amazing audiobook review, you know, 12 minutes in
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an already drinking. What are you drinking? Well, in honor of the book, Malward.
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Okay, please explain this to the people who don't understand it. Well, give me a second here.
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Somebody else going and I'll read from the bottom. Okay, so I have a pumpkin ale. I don't know
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for drinking beer, but I have a pumpkin ale. How do you like it? What's it like?
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So I'm not a beer like snooty person. I usually try to drink like a lot of craft brews. I like it.
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It's, it has an interesting taste. It's actually like, I have a, what's dogfish head brewery.
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I have one of their pumpkin brews as well. Well, one thing that got me was, so I got like a
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four pack. It was like seven or eight dollars for a four pack of beer from the dogfish head brewery.
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I thought that was pretty good. I'm always afraid to buy a four pack of beer when it's the same price
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as a six pack. Yeah, but but people had told me they're like, oh, you got to try it. And I'm like,
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it's so expensive. They're like, hey, it's worth it. It's so good. It's so awesome. So, uh, yeah,
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that's why I bought it. I would do that if someone said it was that good. Then I would definitely
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do it. It's, uh, can you taste pumpkin in it? You know, I really can't taste as much pumpkin as I
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thought I would taste. Um, it doesn't have like a pumpkin-y taste. It's, uh, something slightly
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different, but it doesn't taste like pumpkin at me. Like if I open up a pumpkin, it doesn't taste
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like that. It's not as pumpkin-y as I expected, I guess. Huh, that's cool. I, I've had pumpkin coffees
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and the more pumpkin-y those are, the more I seem to like them, even though I typically don't like
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flavored coffee, but I haven't had a pumpkin beer yet. I think I'd like to try it.
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A pumpkin coffee? Wow, that's interesting. Yeah, pumpkin coffee's awesome.
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Well, I guess that leaves me and Mr. Mute. So, uh, I'm drinking, well, the only stuff in the house,
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I've got, Sanbuka. So, I think I'm going to go with the black today. Oh, Sanbuka's delicious. How do you
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like that? Um, it's a little sweet actually. It's kind of more of a dessert liquor for me, but, um,
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since it's the only thing in the house, uh, I like strong liquors flavor. Hopefully it'll get me
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wasted enough that I won't actually remember how bad this book is. I'm a real fan of Sanbuka. I
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like it. Blacker white is fine. I don't really notice the difference between the two, but in coffee,
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I love it. An ice coffee. All right, let me read this from the label here. Most first-time drinkers
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of gypsum malware project our liquor. It's strong, sharp taste is not for everyone. Our liquor is
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rugged and unruelenting, even brutal to the palate. During almost 60 years of American distribution,
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we found only one in 49 men will drink gypsum malware. During the lifetime of our founder,
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Carl Gypsum was apt to say, my malware is produced for that unique group of drinkers who
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disdain light, flavor, or neutral spirits. Those are pretty bold statements there. Yeah, pretty much.
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Was it a flicker group or a, it was flicker group, right? Yeah, there's a flicker group for it,
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and they have the malware at face. It's people who try a malware for the first time,
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and they take a picture of them, and they put their face up there, and it's hilarious.
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Everyone should check out the malware face flicker group. It's amazing.
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So in short, malware does not taste good. Is that correct?
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I would compare malware, or actually, let me, let me rephrase this. I used to compare malware
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to being in a car wreck, and having pretty much your entire family slain, and then a tire being
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stuck inside your mouth, and that's the entire feeling of malware. However, now I would probably
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compare it more to being in that same car wreck, and this audiobook being stuck on the radio instead.
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That's rough, dude. How do you spell it? Because all I'm getting is malware. Am I not hearing the
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pronunciation correctly? M-A-L-O-R-T.
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I've got a seasonal beer tonight. I've got a long trail, and it's harvest is what it's called,
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and it's a brown ale, and it's, it's good, but it's not that good. I'm not, I'm not real thrilled
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with it. It's, it says it's brewed with maple syrup, which is appropriate, because the long
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trail brewery is in, is in Vermont, and that's, that's one of their big exports over there. And I
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usually like the long trails. I like their double bag is, is pretty good in flavor, and long trail will
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put you on your ass pretty fast if you're not careful. It's, it does go straight to your head,
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but this one is kind of a, it's almost a sudsy feeling in the mouth, but it's not a sudsy beer. It
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doesn't bubble a whole lot. You, it's got a really thick head when you pour it, but it hasn't got
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much carbonation after that, and it's very dark, which I'm usually very fond of, but it, it's got
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such a light flavor to it. I don't know, it's just not what I was expecting. How's the head retention
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on that? I don't know, I haven't said, let it sit long enough to see how the head, you know,
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dissolves, but there's still a little bit left in them about halfway down. Okay, that's pretty decent
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I bet if you take a shot onto it, it lasts longer, some of the zombies in this book.
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Okay, my first complaint about this book is the title. Hold on, hold on, let me, let me
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regge your first second here. We've now entered the spoiler zone. If anybody, after having heard
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the first part of this review, is still planning on listening to the book, you want to quit it now,
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but since I don't think that there's anybody there in that category, we're just going to go.
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I did not like the title of this book, handbook for the criminally insane. There was nobody in this
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book who was actually criminally insane. Everyone who was... What about the axe murderer? He was possessed,
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he was demon possessed. He was a bit part that was barely in the book. The chapter names were all
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based on, you know, different things about the criminally insane or something that you would expect
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it to be, but they didn't describe the chapters at all. No, they didn't at all, and they had like a
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that kind of 1920sish music going and the guy would say, choosing a victim, and then they wouldn't
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choose a victim, it didn't have anything to do with it. Well, then they kind of choose the innocent.
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That way, there wasn't a choice. It's sort of like, yeah, we need somebody who's innocent. Well,
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there's exactly one person in this entire town. But wait, all of a sudden, there's three.
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And she's just the person who just moved in. It's a good thing she moved in here because we
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didn't have any last week. Maybe it's a most innocent thing. Whoever the most innocent person in
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town is, that's who they have to go with. Well, she had the location though that the other people
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didn't. She was, she was right across the street. So maybe that was the the added benefit. That was
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another thing that I disliked about the book. She didn't have the location because the location was
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only good if the zombies had to lure her into the graveyard. But the mayor was demon possessed.
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The police chief was in on it. The deputies were all in it. They could have just arrested her at
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any time and walked her over to the damn graveyard. What the hell were the zombies for?
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Maybe it was that she had to come over over her own accord or something. They kept trying to lure her.
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Maybe it was the fact that none of the zombies of the demon possessed could actually go in the house
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because it was protected by the ghost. So it could have been that that they just couldn't go in.
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Yeah, but I'm saying, you know, she went to the police station. She was in the police chief's office.
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All he had to do is just to arrest her. Slap a couple cups on her and chunk her in the graveyard.
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But then that ruins the story. You know, what's the storyline if you just, you know, this is the
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problem you ran into a lot of movies. You know, if you say, well, you could just cut this whole thing
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and if you just did this one action, you don't have a storyline. Well, is it a storyline worth having?
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That's a very good question. I mean, my wife watches movies where I'm like, well, if you just cut
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that part out, this movie would be over already. And so I guess you asked the question, you know,
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I guess it's a worth having. I didn't see the zombies as worth having. They were there just to be
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zombies. They served no purpose in the underworld. They served no purpose in the overworld.
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I don't know why they were there other than zombies. I think the only two internet
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clicks of this guy missed pirates and ninjas. He hit everything else in this book. He's got robots.
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He's got zombies. He's got aliens. He's got freaking demons. He's got robots. Exactly. It's all over
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the place and discordant to boot. Had he tied them together any better, it probably might have
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helped to make some sense, but it just didn't make sense the way that it was. Like everything that
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was in there was like a convenience. It was really convenient for him to have a robot superhero,
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you know, and it was really convenient for him to have a ghost that could scare away all the zombies
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and all the monsters and every other thing. I'm not sure where he, what he was trying to do with it.
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I have this thing where I can really suspend my disbelief. Like, you know how a good story is
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always supposed to be the willful suspension disbelief. So I was like, yeah, this is a pretty good
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story. I mean, there's some good pacing. I mean, there was that. If you ignored all the various
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plot holes, it's like, yeah, there was some good pacing. There's some suspense and there was
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that whole point where they introduced that one guy who goes off in his own and he's like, yeah,
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I found the robot that was stolen. And it's like, yeah, for a quick second, you actually worry that
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he's going to succeed, but you know that the whole plot depends on him getting eaten and that whole
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plot device is neatly tied up. It was sort of like, yeah, that could have been expanded some more.
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They introduced that character to have the robot shut down for five whole minutes worth of
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story time. Five minutes. There were 14 chapters in the book and he showed up in 13. Exactly.
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Another character that could have completely been thrown away from this book and it would have
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had no problems. And he had the same effect as like a secret super weapon does in a science fiction
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book. Wait, so he's using my absolute favorite form of literary device here. Is that what you're
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saying? Could that be why he had this character? It seems to me that yes, he was there just for you.
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Do you not like the secret super weapon? Deus Ex is my least favorite of all literary devices.
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It's such a calm. There's better ways to do it always.
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If he were an interesting character, he would have shown up in chapter one or chapter two.
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And he'd have been hunting the whole time. And if people are familiar with with
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audio books, like think of a JC Hutchins character where the guys just struggling and struggling
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and struggling at something the whole time. And finally, he has a timely breakthrough. I mean,
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that's understandable. But this guy just showed up and was like, ah, I have found her.
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The FBI couldn't find her. The other people couldn't find her. But I'm the one who found her.
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And with these three switches, I'm going to deactivate her. Well, she is a badass.
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I will say the one thing that I really thought was kind of cool was the one conversation between
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the two women. I found it to be like really, I could see, I could really picture that whole
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conversation going on. And when it happened, it was kind of, I don't know, kind of cordial to me.
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I really like cordial. Is that the right word? I thought it was kind of cool how they did that.
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The conversation, at least the conversation between them. It kind of made it more realistic.
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And that sends to me. That's my positive comment. Wow. Those conversations pulled me out of the
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story every time they happened. Because all I could think of when I heard those two chatting was,
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doesn't this chick work? How can she afford to buy a house out in the middle of nowhere and just not work?
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Well, that's breaking with the storyline. It needed to be explained. It really did. It's like,
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okay, yeah, she just buys a house out in the country. Well, what's she going to do?
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Don't you understand the reason that she bought the house out in the country is so she could be part
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of this story? And it's not like I'm asking a question that wasn't asked. She asked, Betty,
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don't you work? So, you know, it came up. This is not just me being picky. She asked, Betty,
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do you have a job? What do you do for work? And Betty's, oh, I'm independently wealthy. But then
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this girl just never, not once, does it come into into the story, what she did for work,
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what she plans to do for work? Does she have money of her own? You know, if the author's going to
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have the character ask that, he's got to answer it for her. Otherwise, it flattens the character
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out. You're exactly right, Pokey. And the big thing I was like was, well, yeah, this,
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||
|
|
this chick's a little bit like, you know, even like sponging off the alimony chick,
|
||
|
|
and you know, perfectly explainable. And relatable? Well, only to some of us. I didn't actually
|
||
|
|
mean it in that way, Pokey. No, I know you didn't, but I mean, whereas the question was never asked,
|
||
|
|
it took me right out of the story. Every time they talked, I'm going, when is she going to go to work,
|
||
|
|
when is she going to find a job? But had she said, I'm sponging off my ex, I've got an alimony
|
||
|
|
settlement, I've got this set. Okay, you can relate to that. And I didn't mean personally,
|
||
|
|
I mean, as a character, you're okay now, I can relate with that character, now I'm interested
|
||
|
|
in what happens to her. Really, that's amazing. I say, oh, you're probably rooting for a death.
|
||
|
|
I know I would, considering, Pokey just suggested, however, that's a little different.
|
||
|
|
I didn't really root for anything in this book. I just rooted for the chapters to be shorter.
|
||
|
|
I actually liked them long because that means I had to drag, you know, another file and just
|
||
|
|
sell it in a little less often. So in comparison to other audio books, is this
|
||
|
|
where the episodes are tapped, are they generally more chapters or the chapters usually longer?
|
||
|
|
It really depends on the author. In my opinion, I wouldn't look at it as chapters, look at the
|
||
|
|
thing from, you know, start to end because you can pause a audio book at any time.
|
||
|
|
Yep, as long as you have an MP3 player that can resume, you can stop it in the middle of an
|
||
|
|
episode and walk away. And if you don't, click on one. Make, for example, Shadow Magic,
|
||
|
|
they ended, he ended every chapter of the cliffhanger. So the idea that when we were getting this
|
||
|
|
original, it was serialized, it was like, man, I can't wait for the next episode. This time,
|
||
|
|
it was just like, you know, I'm not really excited to read the next chapter. I'm just kind of
|
||
|
|
doing it for this, you know, review. That's exactly why I listened to it. I listened to it the day
|
||
|
|
after we recorded the last book club. And I listened to it all in one day because I just couldn't
|
||
|
|
wait for it to be over and I didn't want to do it the more days. But then everybody took so long
|
||
|
|
to listen to it. I had to listen again so I could remember because I forgot about it.
|
||
|
|
I blame Dan. You will know it is not even here. Yeah, exactly.
|
||
|
|
I'll take the blame for it because I started right in that very next day talking about how bad
|
||
|
|
the book was. That's my fault. At the end, it's all for picking it, but my fault for turning
|
||
|
|
everybody else off. Well, I was turned off by the title. I won't lie. Um, little that I know,
|
||
|
|
the title is actually the part of this book. Oh, to be honest with you, I'd rather listen to
|
||
|
|
Carrot Top, do a 12 hour audio book on prop comedy than listen to this book again.
|
||
|
|
The cover didn't draw me any there. Definitely not. I have to tell you though,
|
||
|
|
the guitar riff that opened up the story was awesome. I loved it. I danced to it every time I came on.
|
||
|
|
You and your guitar riff. I got a little tired of it. It was really well done, but it's not my
|
||
|
|
kind of music. So I just didn't do anything for me. Did you like the more classical tune that followed
|
||
|
|
the one where he told you the title, the chapter of the book? Yeah, that one was actually better,
|
||
|
|
but see that the book itself had a very clockwork orange effect on me. So while I'm listening
|
||
|
|
to beautiful music, at the same time, I know I'm going to start throwing up any moment now.
|
||
|
|
Was your head going to spin around and you start projectile vomiting?
|
||
|
|
No, that's, that's a different movie. That's another thing too, is a lot of what actually happened
|
||
|
|
in the book. I didn't want to hear about, you know, I didn't want to hear about them digging up
|
||
|
|
some little kid and folding the corpse up. And I just, I got to that part in particular,
|
||
|
|
and was like, you know, this is not what I want to hear. The robot sex was hard for me.
|
||
|
|
It was all pretty descriptive where it just didn't need to be. In fact, I'd say it was ruthlessly
|
||
|
|
descriptive. I appreciated that. I think he was going for that in like a genre sense. He was going
|
||
|
|
for the, the gore and the gruesomeness. And I can understand that, but, and I can even accept it
|
||
|
|
in certain cases, but the stuff that he talked about, I just, I just, yeah, didn't want to hear it.
|
||
|
|
Yeah, I very often found myself tuning part of the book out or removing my headphones,
|
||
|
|
till he stopped talking about somebody's guts or whatever, especially in the zombie scenes.
|
||
|
|
Like the cop being handcuffed naked to the goat, that was pretty funny though.
|
||
|
|
That was actually, I thought that was funny. And I thought a lot of the zombie scenes were actually
|
||
|
|
funny. Had, had he made a comedy about zombies, I'd be all in. Resna, what did you think of his
|
||
|
|
descriptiveness and, and gore and all that? We bothered by it, turned on by it, whatever.
|
||
|
|
I thought it was pretty good. So as I said, this is my first patio book. So I thought, I thought
|
||
|
|
his descriptiveness was enough to help paint the scene. I tried to listen as much as I could,
|
||
|
|
and there was no part where I said, I'm just going to turn it down and walk away. I listened
|
||
|
|
as thoroughly as possible. Oh, you know, the other thing, the one thing that kind of,
|
||
|
|
that I was actually making notes, because I said, okay, I want to make sure I cover these points
|
||
|
|
during the talk. The one thing that kind of took me off was all the cliches. And so one he said,
|
||
|
|
in life there are like drivers and writers, be a driver or something, you know, like from the
|
||
|
|
Volkswagen commercial. Yeah, and he kept switching them from life to death, because they were
|
||
|
|
always zombies doing it. Yeah, I hated those pop culture references. I mean, I got the point.
|
||
|
|
I mean, the guy was supposed to be like this really annoying, like motivational speaker. It's like,
|
||
|
|
yeah, you have nailed it. Can we move on? I think part of this has to deal with author himself.
|
||
|
|
At a certain point, whenever he's talking about the little demon dog and it's changing shapes and
|
||
|
|
stuff like that, he literally says that the dog changes shape into a lion and then a tiger and
|
||
|
|
then a grizzly bear. And nowhere within his deck sentences did he say, oh my, it wasn't there.
|
||
|
|
The opportunity was there. He wrote it into the book and then he completely ignored it.
|
||
|
|
And the cliches didn't end with the the ad guy, the motivational speaker guy either. They were all
|
||
|
|
through the book. At one point, someone was naked as the day they were born. I specifically
|
||
|
|
remember, and there was all kinds of stuff like that. So look at that, that bug,
|
||
|
|
those constant references. I mean, if you make one, that's fine, but all throughout the book,
|
||
|
|
I just, I got tired. I did get tired of hearing that because it kind of lost his originality
|
||
|
|
and his vision, I guess, of the book. So yeah. Dan, what did you think of the cliches?
|
||
|
|
I was not overly put off by the cliches I must admit. I did not detract me from enjoying
|
||
|
|
any chapters of this book. Did you enjoy any chapters of the book? I enjoyed every single chapter
|
||
|
|
of the book. To me, it was like listening to a really fun B movie, but you are by definition
|
||
|
|
saying that it is a lesser, a lesser book. Right. I do not imply that it is a lesser book. I just
|
||
|
|
said to me, it was like listening to a B, like a B horror movie, like watching a B horror movie.
|
||
|
|
And I'm not saying I love B horror movies. I don't think it was badly written, but I mean,
|
||
|
|
it's, it's not any, it's not Hawthorne. I definitely got in my mind's eye. I was like,
|
||
|
|
yeah, I'm painting a scene as he's describing it. You know, I had a lot of paint to work with
|
||
|
|
because he was very descriptive as we've heard before. And we were sort of like, yeah, this comes
|
||
|
|
off as a B horror movie. There's lots of like little jumps in the plot and there's lots of
|
||
|
|
little contrivances. It's a little cheesy and you're getting the limber territory towards the end
|
||
|
|
of it with all the clichés. But that's what I got out of it. It was definitely trying to be like a B
|
||
|
|
horror movie. Yeah, I mean, I guess when I started listening to it and I was like, I was captured
|
||
|
|
by the talking zombies, you know, communicating with one another, seeing stuff from a zombie's
|
||
|
|
perspective, you know, usually get a lot of that. And then, you know, it kind of went over to
|
||
|
|
deep in with the robotic, um, bionic woman, um, and, you know, the demonic Chihuahua and everything.
|
||
|
|
It was just, it got crazy, but I thought he pulled it together pretty well.
|
||
|
|
Dan, I want to know what you thought about the zombie speak and the zombie translation.
|
||
|
|
I enjoy, I guess kind of enjoyed the fact that the zombies could communicate with one another.
|
||
|
|
It provided a human element to the zombies. And they were quite, I thought a lot of them were
|
||
|
|
comical. Was it Tom? Every time I heard Tom, I kept thinking of, um, guarding your brains by
|
||
|
|
Jonathan Colton. You know, that's every time I heard him speak or they reference his name,
|
||
|
|
I kept thinking of that song. But, uh, I was not thrown at all by the zombie speak.
|
||
|
|
I didn't mean their dialogue though. I meant their speech, their, their,
|
||
|
|
their, uh, which translates to, I guess it kind of took a little bit away from it. I don't
|
||
|
|
know, it's the whole thing when she was walking, um, with, um, whoa, what's the red hair
|
||
|
|
chick's name? Was it Sue? Help me somebody. I think it was Sue. I think we'll just go with that name.
|
||
|
|
I, Susette, Suzanne, I think it was Suzanne. And character was Monica. Monica was a main character.
|
||
|
|
Monica. Yeah, and Suzanne, I think was her friend, the red hair, the kid now, that whole thing,
|
||
|
|
like, if I was Tom the zombie, I would have killed her right off the back because she was just
|
||
|
|
annoying. I had no redeeming value whatsoever. And how she could be the one, I don't know, but, um,
|
||
|
|
how she could be the quote, innocent. I don't know. I really miss a lot of room for the blonde,
|
||
|
|
the brunette and the red head walking to, you know, X jokes, you know, but I'm totally missed that
|
||
|
|
opportunity. He had an effect of Charlie's angels. So, you know, I don't know. Yeah, the zombie talk,
|
||
|
|
enjoy being able to, you know, get a little insight into seeing what they were saying. I
|
||
|
|
got to dumb without the blurring and the blurring. What the hell? That's translates to, I hate
|
||
|
|
at this book. How could you hate before? You was that bad. No, no, it wasn't that bad. I will say
|
||
|
|
that the translations, I like the perspective of being able to hear what they're saying and what's
|
||
|
|
going on with them. But for me, I think just that extra step of blah, blah, blah, okay, that
|
||
|
|
translated to, hello, how are you doing? Um, it kind of, I guess, slowed it down a little bit
|
||
|
|
and slowed down the progress of it somewhat. Yeah, this boy, he could have just stopped doing it
|
||
|
|
after chapter one and it would have been fine. You're right. He could have just stopped the book
|
||
|
|
after chapter one and it would have been fine. Oh, that's terrible. You know, I really, I thought
|
||
|
|
the zombies were hilarious through a lot of this. There are little antics to get her to come out of
|
||
|
|
out of the house. And the whole concept of them just not being mindless, I'm going to chase you
|
||
|
|
down and eat your brains type thing. But when she came out with shotgun, they took off.
|
||
|
|
But half of them were completely mindless. Literally, they didn't have minds in their heads.
|
||
|
|
Yeah, they'd been blown out or torn out or whatever. Rotted out.
|
||
|
|
They still had enough sense to get the hell out of there when danger came around.
|
||
|
|
I didn't like the whole like practice. Oh, yeah, we just kind of screwed up the ritual.
|
||
|
|
Like that was kind of just silly. The fact that like Tom was the only one that kept his free will
|
||
|
|
or whatever. I don't want to do this. I'll help you. But what I actually do is completely useless.
|
||
|
|
That was the one thing I didn't mind. Wow, people are all over the place with this book.
|
||
|
|
Yes, there's lots to find fault. Yeah, how about the part where, you know, the scientist that
|
||
|
|
eat the mad scientist, of course, steals the robot and the thing controlling it. And the hardest
|
||
|
|
part about it was getting the emotions to work, but he just did that. No, the hardest part was
|
||
|
|
lo and the damn thing on the pillar. I mean, he was talking about like this control unit's huge.
|
||
|
|
It's like, how do you find underground and not get noticed? Now, whole thing, we're the
|
||
|
|
attractive down that guy that I thought that was kind of point was that I could have done without
|
||
|
|
him going down, finding the barn, earning off the supply, having a hole, trying to
|
||
|
|
get suspense, biting her shut down. Yeah, we covered that earlier and we pretty much had
|
||
|
|
the same opinion as you. I mean, the thing that really bothered me was the dude is such a great
|
||
|
|
programmer, he had his security can be broken by a 10 year old. Just type over ride Rome,
|
||
|
|
don't you know that trick? Don't forget, he did have several backup batteries. Those were
|
||
|
|
there for protection. How many people in the room right now have ever had a backup battery last
|
||
|
|
longer than two, three, four years? Not me. Fuck you, the last six months. Yeah, those were 10
|
||
|
|
year old batteries. I haven't had a pair of double A's last that long that I didn't use.
|
||
|
|
I was going to say maybe if you turned on the intensity on your personal massage.
|
||
|
|
Those are your snee batteries. Also, you do know. I will say listening to Pokey and I think
|
||
|
|
integral playing so much about this book on IRC before I even started it. I came in with like,
|
||
|
|
this is going to be horrible, but I was surprised at bad. So what you're saying is that
|
||
|
|
our complaining made this book better? I don't know. I don't know. The way you guys were coming off
|
||
|
|
and saying it was terrible, it was so hard to get into a drag. I didn't get that at all when I
|
||
|
|
started listening to it. He appreciated the positive points. Is that why you didn't like the
|
||
|
|
Lunessa music last time? I will stand by the fact that when the book three comes out, I will not
|
||
|
|
enjoy the Lunessa music. Lunessa, whatever they are. I just hope you text me in themes.
|
||
|
|
You know, that would probably go a long way. And that's probably one of the things that I
|
||
|
|
noticed about this book too. The transitional music or whatever in there, very quick. And it wasn't
|
||
|
|
as I thought imposing and repetitive and as Lunessa got. Had he chosen different songs or
|
||
|
|
something in between maybe books, I might have not own the disgust. That is Lunessa.
|
||
|
|
Yeah, we complained about the flatter, especially between scenes a little earlier. The biggest
|
||
|
|
complaint we had was it wasn't consistent. Did you find that at all, Dan? Which wasn't consistent?
|
||
|
|
A little brown. Yeah, I saw that. I should say I heard that. Sorry. It became a device to do
|
||
|
|
whatever he wanted to do, whether that be a scene change or a couple minutes later or whatever
|
||
|
|
he thought he should do at this particular moment in time. I will kind of also say, you were talking
|
||
|
|
about, I heard you talking about the Chihuahua changing into the lion, the tiger and the bear on my.
|
||
|
|
I was a little like disappointed in that because you got these zombies running around and you got
|
||
|
|
these like really imposing demons running around. And what is the main bad guy turned into a giant
|
||
|
|
bear and a shark and then then at one time he turned into Griffin. All I can say is the shark
|
||
|
|
did not have freaking laser beams. Pew, pew. That would have been awesome. So when he did turn into
|
||
|
|
the shark, Dan, were you absolutely terrified? Were you on your inflatable kayak when you heard that
|
||
|
|
part of this? No, but I'm glad I wasn't because I would have been shaking it my shoes.
|
||
|
|
No, I've read most of the or I listen to most of this I can do in yard work. And was it better
|
||
|
|
than yard work? Very a whole lot better than yard work. You must have a big yard, Dan. I don't
|
||
|
|
know. When the guy when either the demon turned like the third form, it's just like come on and
|
||
|
|
this fight already. I could have had a little more death in this. Like everybody survived at the
|
||
|
|
end and it was all good. Well, for various values to survive, didn't Tom meet a max again?
|
||
|
|
Who didn't get an axe? This book budget? Did anybody else find it also annoyed? You know, a lot of
|
||
|
|
the technical things annoyed me and not just like, you know, oh, I know more about computers than
|
||
|
|
the author of this book, but like other technical things where, you know, Betty is underground,
|
||
|
|
but yet her radio still works. You know, she's they're 60 feet down under dirt and water and
|
||
|
|
stone, but she's receiving just fine. And then her walkie talkie breaks, but she doesn't have it
|
||
|
|
built in that she can listen to the walkie talkie. She's got a built in that she can pick up TV
|
||
|
|
channels. That's a good point. Probably licensing rules. Didn't they specifically say that she
|
||
|
|
uses short wave radio? She talked to the satellite via AM. A lot of AM is, you know, you can do AM
|
||
|
|
with walkie talkie. Yeah. Yeah, but she just said she could she could just close her eyes and watch
|
||
|
|
television. But she can't pick up a walkie talkie. That's a good point. Wow, that's a huge hole.
|
||
|
|
Yeah, there was a lot of that stuff at the beginning before you were made aware that she was a robot
|
||
|
|
that, you know, she she talked about stuff like that, like the purish she'd never been outside
|
||
|
|
the perimeter. And she can pick up television just by closing her eyes and like silly things like
|
||
|
|
that that were, I don't know if they were meant to be hints, but they didn't really come across as
|
||
|
|
hints to me. The perimeter is something I brought it with an integral. We were talking when
|
||
|
|
I said, what's so deal about the perimeter? And this was before I had I think he had finished it
|
||
|
|
and I was still trying to progress through the through the book. And he said, oh, it doesn't mean
|
||
|
|
anything. I think it's one of those things that they dropped later on. But it really came back to
|
||
|
|
be something about, you know, the her being a robot and whatnot. But on a side note, listening to
|
||
|
|
if someone just listened to excerpts of this whole conversation, it's really kind of funny because
|
||
|
|
you're like the dog that turned into the Griffin and all this stuff. And it's like, wow, this story
|
||
|
|
is really all over the place. That's what it felt like listening to it. Like I said,
|
||
|
|
is it every single genre? It's a pirate ninja. I'm going to paraphrase something I heard on
|
||
|
|
another podcast, but I don't know if you guys ever listened to Geek Knights, but the guy on their
|
||
|
|
rim, someone apparently once said to him, I think you tried to do too much with that. And I thought
|
||
|
|
that about this book all over the place. I would agree with that. I would, uh,
|
||
|
|
that's a tough one. Part of me was like, all right, I'm in, I bought it all,
|
||
|
|
listening to it. I took the package home. Okay, I got it. Another part of me kind of agrees
|
||
|
|
with you on that that there was just a whole lot of so much stuff thrown in here.
|
||
|
|
That I wonder had gotten rid of the, you know, the robotic heroine or supernatural if
|
||
|
|
the direction that story could have taken. No, I think if he had gotten rid of the heroine,
|
||
|
|
he wouldn't have had a story anymore. No, the robot, you think if he didn't have the robotic
|
||
|
|
heroine, there would be no story. Oh, I thought you meant like actual heroine.
|
||
|
|
Well, that's one thing that wasn't this, there wasn't no drug use in this book. Was there?
|
||
|
|
No, there was no drug use, just like there was no insanity. Well, there was insanity
|
||
|
|
because, uh, the axe dude and the guy who wrote the journal went insane. They were possessed
|
||
|
|
weren't insane. All right, because the axe murder dude, he was exercised. He became a good guy
|
||
|
|
again, just like the zombie became a good guy again. Well, the whole point is he was a good guy for
|
||
|
|
like exactly what one chapter. Wait, so you're saying that most of the characters in this book were
|
||
|
|
there the entire time to do something in one chapter? Yeah, do you die like the next chapter?
|
||
|
|
He was basically a giant Deus Ex Machina. Oh, I did something really bad. The, the, what was
|
||
|
|
it? The shaman woman? She was there for one chapter just to reverse him and then he came back
|
||
|
|
and he did something and he sacrificed himself. So somebody could get into a better position
|
||
|
|
and that was the end of his whole story. Yeah, Dan, I want to ask you something too and we
|
||
|
|
talked about this before you got here, but you said you bought the whole book. So,
|
||
|
|
what did you think about the fact that the zombies couldn't get to the house and couldn't
|
||
|
|
capture her, but the entire evil side of this depended on the fact that she needed to be captured
|
||
|
|
and brought into the cemetery, but all of the people that were on the bad guy's side other than
|
||
|
|
the zombies, you know, the sheriff and the mayor and all the deputies. They could have just
|
||
|
|
grabbed her at any time and just brought her over there. Well, I kind of got the impression that
|
||
|
|
there was a little middle management going on in this whole thing and not the left hand wasn't
|
||
|
|
talking to the right hand into all this and that the whole concept of finding the innocent
|
||
|
|
sacrifice was left to the job of the zombies and everybody else was more worried about getting
|
||
|
|
the mayor reelected or something, but I do see what you're saying because it almost, right,
|
||
|
|
it does and it does feel like precisely the left hand was not talking to the right hand.
|
||
|
|
My favorite character in the whole book was the hamster because he was the most believable.
|
||
|
|
And it was sad when he died too. I thought it was funny when he died. It was one of the only parts
|
||
|
|
I laughed at. God, killed God. Oh my god. Resident, do you have a favorite character because you
|
||
|
|
liked the book? I didn't, I don't know. I liked the, I think my favorite thing was just the conversation
|
||
|
|
between Betty and Monica. I guess I kind of, I think I liked, was Betty was the robot?
|
||
|
|
Yeah, Betty was the robot. Yeah, I think I liked Betty. I think I liked Betty. I think Monica had
|
||
|
|
some some redeeming qualities, but I guess I kind of, I like both of these characters. I just like
|
||
|
|
the conversation that felt believable. That was pretty much the only thing that I thought was like
|
||
|
|
really spot on. You liked the girl talk? I like the girl talk. What about Dylan Stallone run there
|
||
|
|
again? He's like running from the, you know, we're going to have to swim away from this gigantic
|
||
|
|
explosion. Nobody might die. He's like, yeah, Dylan's not going to die. And he was more interesting
|
||
|
|
than a lot of the other characters. He's just like, oh yeah, I'm just paranormal activity
|
||
|
|
searching. He's like, yeah, you can imagine this could be driving around a little van looking for
|
||
|
|
ghosts. That was actually kind of entertaining. You know, it was. And I think he, he brought
|
||
|
|
something interesting to the storyline, especially I thought was kind of cool. He was walking around
|
||
|
|
with the equipment figuring out where the ghosts were downstairs in the basement. No, I thought
|
||
|
|
that was kind of cool. And I could kind of believe that being like a paranormal activity type of
|
||
|
|
thing, you know, really down there and searching all out. The first time I listened to this book,
|
||
|
|
the download for chapter six got corrupted. And I didn't realize it. So it skipped from chapter
|
||
|
|
five to chapter seven. And the only thing I missed was who the hell are these two people with the,
|
||
|
|
the, you know, chasing ghosts? And where did this notebook come from? And when I went back and
|
||
|
|
relistened to chapter six, the whole rest of that chapter was so completely useless and frustrating.
|
||
|
|
And it's only purpose was here's these two people and they have a notebook.
|
||
|
|
What, what you're saying there is this you could throw entire chapters of this book out and it
|
||
|
|
wouldn't even make a difference. It'd be just as using and just as crazy. It didn't make any
|
||
|
|
difference. I literally threw out chapter six unknowingly and I missed nothing. It was the ghost
|
||
|
|
hunting chapter where they looked through the house and just nothing happened in that chapter.
|
||
|
|
I'll agree with that. It was really just to introduce the characters. Those are some fighting
|
||
|
|
words right there. If anyone listening is friends with Brian Holtz, the author, please don't
|
||
|
|
tell him about this yet. No, please do. So he can never write another book and save my years for
|
||
|
|
the rest of eternity. Oh, man, you guys are just lame and on a too hard. I enjoyed it. I would read
|
||
|
|
another one a, listen to another one is not me. You're in luck, Dan. He's got more. Oh, I know he
|
||
|
|
does. Dan, I think the only reason that you find him interesting is because you came into the
|
||
|
|
mindset that it was a B, it's a B list book and if you come into with the expectation that it's
|
||
|
|
supposed to be a list, then it doesn't match that. If you, by definition, say it's a B list,
|
||
|
|
then you're fine with it and it's a perfectly good book. But if you think that this should be a
|
||
|
|
book that should hold up to the test of time, then I think we all basically agree that it's not
|
||
|
|
an A list book. It's a B list book or C or D or whatever else you want to call it.
|
||
|
|
You know, the only reason Dan liked this book is because he likes dola. That's not true. I like
|
||
|
|
zombies. A good B list movie. When Dan was talking about that makes me think of like Sean of the
|
||
|
|
dead. This was no Sean of the dead. I can see this being made into a movie with Bruce Campbell in it.
|
||
|
|
No, Bruce Campbell wouldn't play this talk. Bruce Campbell would kill himself first.
|
||
|
|
Oh, come on. It was not that bad. Integral, didn't you see Baba Hotepp? He would totally do this.
|
||
|
|
I saw Baba Hotepp. I enjoyed Baba Hotepp. That at least had some interesting factors to it,
|
||
|
|
some story coherency, even if the plot was ridiculous. It had some intelligence in there.
|
||
|
|
This just maybe the handbook for the criminally insane was what he used to write this book.
|
||
|
|
Maybe I kept having the feeling. I kept having the thought that at the beginning of the chapters
|
||
|
|
when that like music came on and the old sounding recording happened. It made me think that he
|
||
|
|
found that those recordings before writing the book and he just tried to match up to what those
|
||
|
|
were because they'd be fun to have in an audiobook. Those were my favorite parts of the book actually.
|
||
|
|
They were really good. I kept hoping it would go deeper into that.
|
||
|
|
I just now went to Portio Books just to look at the reviews and amazingly the reviews seem
|
||
|
|
to be pretty high. Almost five out of five stars or at least four and a half stars.
|
||
|
|
Yeah, we've said that before that you just can't trust the star reviews on Portio Books.
|
||
|
|
You just can't trust star reviews period.
|
||
|
|
I would give this book a three. I enjoyed it. Maybe not a five.
|
||
|
|
I'd give it a three out of seven. It had some redeeming of all these but it wasn't really great out of par.
|
||
|
|
I'd give it a two and a half or a three and you know I agree with you Dan it was that good
|
||
|
|
but there's so many better audiobooks available on Portio Books and on Libravox that a two or a three
|
||
|
|
in my opinion isn't worth my time. I would say I'd give it a three. I like some of those things
|
||
|
|
that I liked about it and I guess the sport stands with me. I would give this book a two
|
||
|
|
out of all the numbers in the universe that are positive and real.
|
||
|
|
Ouch. Boy, I thought brome was harsh. You said that you don't see this book standing up to
|
||
|
|
the test of time. Do you see shadow magic standing up test of time?
|
||
|
|
In comparison yes by far. I've listened to shadow magic probably seven times and I've enjoyed it
|
||
|
|
every time. That's six more times than I have. Only seven? Well you know Luna said it was kind of
|
||
|
|
great on you. I mean look shadow magic was a book even with some of the pronunciation
|
||
|
|
errors like that and glaring. John Lennon knows how to pace and it's how a story he's a career
|
||
|
|
magician. Brian Holtz knows how to do a good audio recording at least that's the summation I've
|
||
|
|
been getting here. His book is just not very coherent and it drives us nuts. It makes me think that
|
||
|
|
if he had given it to somebody to proofread first who would be harsh you know with him and honest
|
||
|
|
with him and maybe not as harsh as we've been but someone who would be honest he probably could have
|
||
|
|
fixed it up because there were several storylines there that he could have gone with.
|
||
|
|
Several storylines for several different books if that you know or continuation of a book you know
|
||
|
|
they could have had these characters that they had and built up into several books that's
|
||
|
|
precisely what I mean. Wait a second maybe he wrote you know 14 different books but they were
|
||
|
|
also short so he just shoved them all together at the one. No I might have it like you know there's
|
||
|
|
a certain amount of archetypes of stories and one of them is like heroes journey and you see it
|
||
|
|
everywhere. I did not see any element of heroes during there was no growth of Monica there was
|
||
|
|
some growth of Betty that was us discovering Betty it had nothing to do with you know everything
|
||
|
|
was already there it was like oh yeah I did this and then and then this happened oh and I'm really
|
||
|
|
like this and then I read my dead husband and she cried a robot cried. Hey he was a good
|
||
|
|
emotion programmer remember it's hard doesn't mean she has tear ducts. So I'm reading here I'm kind
|
||
|
|
of looking over some of the website and seeing if there's any other details the gleam it said it's
|
||
|
|
a funny yet dark tale do you all think it was funny in the least. I said I found the zombie
|
||
|
|
humorous there were funny parts and it was intended to be humorous so yes I believe that's an
|
||
|
|
accurate description. I found a lot of the cup it seems as I said like the cup getting handcuffed
|
||
|
|
to the goat naked that was hilarious I left out loud when I heard that and other things that were
|
||
|
|
pretty funny a lot of the come up but just someone was just like come on. Yeah the the copy and
|
||
|
|
handcuffed to the goat was a humorous thing and it was funny to picture but the goat was so
|
||
|
|
convenient and I really hate convenience in a in a story that it who's still getting over
|
||
|
|
they're trying to get over that when the humor came around and missed me. That's why you hated
|
||
|
|
this story because like everything was convenient. Some convenience is okay you're allowed to have
|
||
|
|
like oh hey there's this thing here that you know we wrote in and you know I saw it is like oh
|
||
|
|
what can we do to those comments absolutely oh oh there's a goat here we can just hand
|
||
|
|
cuff and naked to the goat that'll be perfect. You know we talked earlier about the secret weapon
|
||
|
|
that destroys everything like in the sci-fi movies you know they got this perfect weapon that can
|
||
|
|
destroy everything with one click those kind of conveniences I dislike because I think it ruins
|
||
|
|
the whole plot line of the story. Yeah and that's what you had here with the goat. Had the author
|
||
|
|
decided that it would be really really funny to push the guy out of a plane there would have
|
||
|
|
conveniently been a plane in the field or he could have fallen into pig's line that would have
|
||
|
|
conveniently been pigs you know whatever it was he just keep threw it in there just for the punchline
|
||
|
|
you know. For example the guy hated manure he would have driven his old Chevy into a truck that
|
||
|
|
poured manure all over him. I hate you McFly. Oh my god man tough crowd. I'm glad you guys
|
||
|
|
are doing local recordings because I know there's laughter there trying to make you know work now
|
||
|
|
you're gonna have tons of mumbling as well like what the heck what what I'm talking about now.
|
||
|
|
So yeah I've said about all I have to say. So do I involve the book that I've decided now
|
||
|
|
or is it some day in the future or what? I'm excited yeah you but I that's the only reason why I'm
|
||
|
|
on here tonight. To hear my book suggestion? Yes yeah we've been waiting for this. I thought you
|
||
|
|
liked us. I did. I like doing these things for us. I do and I'm excited to do another one.
|
||
|
|
So I'm in between two books and I don't know which way to go. So say one or two and that's
|
||
|
|
how I decide. Seven. Okay the book the book is called Dead Hunt by Ken Crawford. And this is
|
||
|
|
one we can get for free somewhere right like audio books. Yes it's on audio books. Correct sir
|
||
|
|
it is on audio books. That that dead hunt or dead with the C word. H word. Oh H word okay.
|
||
|
|
You guys know it's not that you know like he's coming from killing up and I was
|
||
|
|
that would have been something in the book we just read. Not something in the next one.
|
||
|
|
17 chapters of goodness huh. Have you started listening to this already?
|
||
|
|
I listened to the first chapter and that's where I stopped. I listened to about maybe about 10
|
||
|
|
minutes of the first chapter. Wow that is one creepy book cover. It really is. So according to
|
||
|
|
to the audio books description here, Dead Hunt is Ken Crawford's chilling tale of a desperate
|
||
|
|
father's undying love. A daughter frozen in time and the small group of teens trapped in the
|
||
|
|
aftermath. If it's as good as the cover looks, I'm not going to like it because I don't like horror.
|
||
|
|
But it's I'm interested in it and I'm definitely going to enjoy it but I'm not going to like
|
||
|
|
enjoying it. I can I can predict that already. You're going to enjoy it but you're not going to like
|
||
|
|
do that's creepy. Yeah I just I don't like horror a whole lot and this is going to like keep me
|
||
|
|
up at night. Okay this that one is is horror slash dark something. Supposedly handbook for the
|
||
|
|
cramely insane is humor. Supposedly. Hey Rezno you said you liked the conversation in this book a
|
||
|
|
lot and that the conversation was really believable and good and you enjoyed that and if you
|
||
|
|
enjoyed that in a book, there is a audio book that I think you would really really like a lot
|
||
|
|
and you should check out when you're done with of course Dead Hunt. You should check out
|
||
|
|
Quarter Share by Nathan Lowell. If if it's the conversation and the realism of the book you liked,
|
||
|
|
you're going to go insane over that. Really insane wow that's that's a bold words.
|
||
|
|
Daniel backed me up on that he's read them. I read the first one and it was really good.
|
||
|
|
Wait this is a sequel? No it's not a sequel there's there's sorry Quarter Share is the first of
|
||
|
|
like five or six books and they're all just very good. Okay well I can see like Dan would like this
|
||
|
|
next upcoming title. I mean Ken Crawford spells his name with two ends. Double N Ken.
|
||
|
|
Ken double N. Dan just was to pipe up with something there. Anything. To busy looking at her face
|
||
|
|
can't tell if it's a little girl or a heroine addict. Does it matter? Not at this point. They're
|
||
|
|
all heroine addicts in the end aren't they? Only in Brian Holtz's view. Watch she's going to turn
|
||
|
|
out to be a robot too. You just wait. I'll quit. As long as you don't have a catchphrase like
|
||
|
|
well I am about us. Let's hope the one liners are down to a minimum.
|
||
|
|
I can that little girl on the cover that book I can picture my little girls like dressing up
|
||
|
|
like that just to make the silly face and just having a blast with it. Totally hope that it was
|
||
|
|
like a family project. I know there are multiple voices in it so let's hope I was hoping that
|
||
|
|
that would bring something a little bit different to the scene. You mean somebody did voices better
|
||
|
|
than in this one or there's different actors doing the voices? There are different actors. So
|
||
|
|
let me whenever this thing pops up again I'll tell you with the other what I was up the other
|
||
|
|
choice but I listened to this one and it had multiple people in there and I thought that might
|
||
|
|
if there was multiple people maybe that might bring it something different I guess. Just looking
|
||
|
|
through the chapter list I don't thought of the author narrating anything in here or performing in
|
||
|
|
this at all. I think he does the prologue but then kind of like hands it away to some of the people
|
||
|
|
to do all the rest of the acting. Yeah the official website actually has like some bonus episodes
|
||
|
|
on it where they have like audio comments for the cast of Dead Hunt and there's like six people,
|
||
|
|
eight people. I really enjoy audiobooks with like a full cast those like a full cast audiobook
|
||
|
|
those are really good. I think I like them even more than I like audio dramas. You see that you
|
||
|
|
put some thought into picking something here not like mine I just chose randomly popped up.
|
||
|
|
Oh we know you just chose randomly.
|
||
|
|
It took me maybe five, ten minutes but I put a little bit of thought so I didn't want to be the
|
||
|
|
person to kill but the book review like some people were. But aren't you better for it?
|
||
|
|
I'm struggling through it. I made certain Dan to keep telling Resno ahead of time that he has to
|
||
|
|
pick a book he has to pick a book just so he wouldn't get because I did this same with you and you
|
||
|
|
blew it off till the last minute. Well on the upside for the next time that it ends up being my
|
||
|
|
decision again I have another book. Why you've already pre-selected a book? I have already
|
||
|
|
pre-selected a book. And this book will be awesome on a stick?
|
||
|
|
And then I got one too. I can't wait for my next turn. I got nothing.
|
||
|
|
You'll get something. Dan you don't get another choice. He's just too bad.
|
||
|
|
You've been voted off the island. You are the weakest link goodbye. Oh no he has to stick around.
|
||
|
|
The vote kick in this show means the rest of us hang up on Dan.
|
||
|
|
Somebody translate that please. He said thank you for listening. We'll join you next time
|
||
|
|
for the audiobook review of Dead Hunt. Please be sure to listen to the audiobook before listening
|
||
|
|
to the show so that you don't have to hang up on or quit the show on us after the review.
|
||
|
|
Yeah because Dead Speak is really efficient. Good night everybody.
|
||
|
|
You have been listening to Hacker Public Radio at HackerPublicRadio.org.
|
||
|
|
We are a community podcast network that releases shows every weekday Monday through Friday.
|
||
|
|
Today's show, like all our shows, was contributed by a HPR listener like yourself.
|
||
|
|
If you ever considered recording a podcast, then visit our website to find out how easy it really is.
|
||
|
|
Hacker Public Radio was founded by the Digital Dog Pound and the Infonomicon Computer Cloud.
|
||
|
|
HPR is funded by the binary revolution at binrev.com. All binrev projects are proud to sponsor
|
||
|
|
by lunar pages. From shared hosting to custom private clouds, go to lunarpages.com for all your
|
||
|
|
hosting needs. Unless otherwise stated, today's show is released under a creative comments,
|
||
|
|
attribution, share a like, free.or license.
|