107 lines
7.0 KiB
Plaintext
107 lines
7.0 KiB
Plaintext
|
|
Episode: 1831
|
||
|
|
Title: HPR1831: Are speed listening and slow background music compatible?
|
||
|
|
Source: https://hub.hackerpublicradio.org/ccdn.php?filename=/eps/hpr1831/hpr1831.mp3
|
||
|
|
Transcribed: 2025-10-18 09:52:11
|
||
|
|
|
||
|
|
---
|
||
|
|
|
||
|
|
This is HPR episode 1,831 entitled R speed listening and slow background music compatible.
|
||
|
|
It is posted by first time post a shadowy figure and is about 7 minutes long.
|
||
|
|
The summary is in their room for background music and podcasts for speed listening.
|
||
|
|
This episode of HPR is brought to you by Ananasthhost.com.
|
||
|
|
Get 15% discount on all shared hosting with the offer code HPR15, that's HPR15.
|
||
|
|
Better web hosting that's honest and fair at Ananasthhost.com.
|
||
|
|
This is a shadowy figure speaking to you from Southwest Florida on Hacker Public
|
||
|
|
Radio, brought to you by Ananasthhost.com, where you get 15% discount on all shared hosting
|
||
|
|
with the offer code HPR15, that's HPR15, better hosting that's honest and fair at Ananasthhost.com.
|
||
|
|
Not only did I mention Ananasthhost.com out of commitment, but also out of respect.
|
||
|
|
I've listened to the interview by Ken Palin of the man behind Ananasthhost.com, Josh
|
||
|
|
Nab, not long ago, and came away with a certain amount of appreciation for what Josh does,
|
||
|
|
which is basically keeping Hacker Public Radio live, along with many other things he does.
|
||
|
|
Thanks Josh, your generosity does not go unnoticed.
|
||
|
|
I've been listening to HPR for about a year now, and recently purchased a blue-yetting
|
||
|
|
microphone off eBay, which turned out to be misrepresented, and not in the condition
|
||
|
|
it was claimed.
|
||
|
|
As a side note, the day I received the blue-yetting in the mail, I found the same microphone,
|
||
|
|
brand-spanking new on Amazon, for the same price as the one I purchased on eBay.
|
||
|
|
At one time I would have been disappointed by such a situation, but if there's anything
|
||
|
|
I've learned from experience, no matter how hard you punched the wall, the train still
|
||
|
|
left at four o'clock.
|
||
|
|
Forwarded voting in motion to every real or perceived injustice I came across, I wouldn't
|
||
|
|
have time to vote any emotions to the things I enjoy.
|
||
|
|
Anyway, my computing background goes all the way back to the original TRS-80.
|
||
|
|
The experience of writing basic for four hours to create a pathetic facsimile of the game
|
||
|
|
Pong, turned me away from computing until the graphical user interface of Windows 3.11
|
||
|
|
came along.
|
||
|
|
It was alright with the direction of where computing was moving along once Windows matured,
|
||
|
|
but I never had any love for Microsoft products.
|
||
|
|
Macs are prettier, but a lot more expensive, and had great hardware to boot.
|
||
|
|
But I never caught the Mac addiction either.
|
||
|
|
Slackware caught my interest, but wasn't ready for prime time, and Red Hat was a bit more
|
||
|
|
complicated than I was comfortable with in the mid-90s.
|
||
|
|
Since 2006 I've been using debut and bass pop premium systems exclusively, but still
|
||
|
|
keep a MacBook Pro, and Windows 8.1 laptop nearby for specific tasks I'd want to take
|
||
|
|
my Linux box with.
|
||
|
|
DDE Plasma has been my desktop of Joyce since 2010, and I don't use Google, Facebook,
|
||
|
|
Twitter, or any other corporate tracking devices including cell phones.
|
||
|
|
Smoke signals and emails are about the best way to get a hold of me, and smoke signals
|
||
|
|
have been notoriously ineffective in the past.
|
||
|
|
So moving along, my day job includes leadership training, which was a big step up for my
|
||
|
|
old job in one of the most reviled professions known to man.
|
||
|
|
Yes, that's right, I used to be a used car salesman.
|
||
|
|
You thought I was going to say lawyer, didn't you?
|
||
|
|
No, but a data lawyer, but I try to keep that a secret.
|
||
|
|
So now that I've tainted my reputation for good with the hacker public radio audience,
|
||
|
|
I may as well plow forward and see what other damage to my reputation I can do.
|
||
|
|
You can think of my handle, as Shatterway Figure, as damage control for all the stupid things
|
||
|
|
I end up doing by mistake.
|
||
|
|
Like buying things off eBay.
|
||
|
|
Anyway, I thought I'd share with the HPR audience my experience as a listener, and what
|
||
|
|
I feel I can do to contribute.
|
||
|
|
I love the mission statement behind HPR, and feel the need to do my part to see, too,
|
||
|
|
at HPR continues to offer something of value to the hacker community.
|
||
|
|
Like many listeners and contributors to HPR, I listen to dozens of podcasts each week,
|
||
|
|
many of which belong in their spot of the most downloaded podcast.
|
||
|
|
But I find a certain amount of charm in the grassroots nature of HPR.
|
||
|
|
Much like the Norwegian trend of engaging in slow media content, as mentioned in a recent
|
||
|
|
HPR episode, I actually find myself hypnotically engaged to 5150s, once in my pickup toolbox
|
||
|
|
episode.
|
||
|
|
I found myself cheering on 5150 to come up with a pair of lug nuts to an unknown vehicle.
|
||
|
|
I was looking for solidarity there.
|
||
|
|
Being as for some reason, my prior toolbox always seemed to have a couple of unknown parts,
|
||
|
|
or even broken tools that should have been thrown out years ago, like 5150s wire strippers.
|
||
|
|
I have to admit, Ken Falun's amazing life hack episode of how to tell your left earbud
|
||
|
|
from your right, lived up to its claim of setting a low bar.
|
||
|
|
Ken has given some terrific episodes in the past, but this one fell short of his standard
|
||
|
|
of excellence.
|
||
|
|
But I must admit, his goal was achieved.
|
||
|
|
As I listen, I said to myself, even I can top that, and thus, Ken inspired me to step
|
||
|
|
over that low bar of quality he set, and record my own episode.
|
||
|
|
After reading up on the procedures for contributing the show, I came across the advice to not
|
||
|
|
using betting or background music due to the diverse listening style of many HPR listeners.
|
||
|
|
One of those listening styles I'm vaguely familiar with was listening to podcasts
|
||
|
|
speed it up.
|
||
|
|
Some were I read about some people really, really speeding up their recordings to the point
|
||
|
|
most people can only hear a rapid fire series of blips and clicks.
|
||
|
|
I don't know if that is typical, but I'm inclined to think that is something found on
|
||
|
|
the fringe, and that most speed listeners fall in the range of two to three times normal
|
||
|
|
rate.
|
||
|
|
I'm also aware of a trend of some people to listen to music slowed down to the point
|
||
|
|
of being one long drone that changes pitches every now and then.
|
||
|
|
Perhaps in the future, depending on what sort of feedback I receive, I like to experiment
|
||
|
|
with combining or two.
|
||
|
|
Basically, recording normally recorded vocal content with an ultra slow music soundtrack
|
||
|
|
that would balance out with speed listening.
|
||
|
|
In essence, hacking the audio to provide speed listeners with a soundtrack.
|
||
|
|
On the flip side, one can hack the audio to appeal to slow listeners, speeding up the
|
||
|
|
soundtrack and changing the pitch of the vocals to account for slow listening.
|
||
|
|
But that would probably kill some speed listeners with weak cards.
|
||
|
|
So I'll steer away from that unless there's enough demand to justify it.
|
||
|
|
It seems like a concept is destined to fail, but it's something I was pondering would
|
||
|
|
try if there were an audience for it.
|
||
|
|
If there were any interest, what I'd need to know is how fast a speed listeners listen
|
||
|
|
to their audio, which is probably all over the map making any effort futile.
|
||
|
|
But it's just a thought I thought I'd throw out there, along with introducing myself
|
||
|
|
to the HPR audience, and saying thanks to all the people who make HPR possible.
|
||
|
|
This is a shadowy figure signing out.
|