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851 lines
74 KiB
Plaintext
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Episode: 3409
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Title: HPR3409: Linux Inlaws S01E37: All about Hacker Public Radio
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Source: https://hub.hackerpublicradio.org/ccdn.php?filename=/eps/hpr3409/hpr3409.mp3
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Transcribed: 2025-10-24 22:55:57
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---
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This is Hacker Public Radio Episode 3409430, the 26th of August 2021.
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Today's show is entitled, Linux in laws S0137, all about Hacker Public Radio and is part
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of the series Linux in laws it is hosted by Monochromic and is about 96 minutes long and carries
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an explicit flag. The summary is an interview with Ken Felon, janitor at Hacker Public Radio.
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This episode of HPR is brought to you by Ananasthost.com.
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Get 15% discount on all shared hosting with the offer code HPR15, that's HPR15.
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Better web hosting that's honest and fair at Ananasthost.com.
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This is Linux in laws, a podcast on topics around free and open source software,
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any associated contraband, communism, the revolution in general and whatever fences your
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vehicle. Please note that this and other episodes may contain strong language, offensive
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humor and other certainly not politically correct language you have been warned.
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Our parents insisted on this disclaimer. Happy mom?
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Thus the content is not suitable for consumption in the workplace, especially when played back
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in an open plan office or similar environments, any minors under the age of 35 or any pets including
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fluffy little killer bunnies, you trust the guide dog unless on speed and QT rexes
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or other associated dinosaurs. Welcome to Linux in laws season 1 episode 37.
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Martin how are things? Things are great, we got another great guest tonight.
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Yes we do. Why don't you introduce yourself, Kevin, for the few people who do not know you?
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I'm Ken Fallon, I'm one of the janitors as HPR hacker public radio. I'm on to talk to you
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tonight about hacker public radio in a paid sponsorship deal.
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Needless to say, the listeners hacker public radio is the platform that boosts it a small
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independent podcast by the name of Linux in laws over a year ago to its current fame and fortune.
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So we have been loyal to hacker public radio since it's very beginning as in the beginning of
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something called Linux in laws. So tonight we're going to explore what this platform is all about.
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So hacker public radio is a podcast that is released as one show every weekday, Monday,
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Friday on any topic that is of interest to hackers. That sounds interesting.
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That we've managed to scrape Linux in laws under that.
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And we are more than grateful for this, Ken.
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You touch on a very interesting subject from the start. Before we go into other interesting topics
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like the history of hacker public radio, why don't you explain a little bit about the philosophy
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and why this is not necessarily to bound to tech subjects?
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Well, it's of interest to hackers is a nice
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catch-all really for what's of interest to hackers because what I found interesting down
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through the years is every show is uniquely different. And
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sometimes that might be somebody reading the 80286 instruction set. That's definitely
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of interest to hackers, but equally we had a show where a guy strapped on an MP3 player onto his hat
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went for a swim down a river in France, went as far as the weir turned and swam back.
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And that was of interest to hackers. So the amount of feedback he gets from shows
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is this interesting or not. So yeah, it's been a good barrier. It encompasses the technical
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aspects, but it also encompasses the friendly aspect that you're sitting down listening to
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you know, somebody servicing the car or fixing their bike or painting their house or
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cleaning the gutters. These have all been shows that people are just chatting. So you have
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a hacker space feel as well to it, but equally you have the important messages, you know,
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where in the period of time we've done try to do some social work as well to, you know,
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put forward messages of internet censorship and the like. So whatever it is, if it's of interest
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to hackers. Full disclosure, I first came across hacker public radio ages ago and something called
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Schwarzwicky. I don't know if you remember the episode, I think it was you, but it might have
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been somebody else talking to when Render was still around as in Render Schwarz, the second
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person learning that podcast. And I can't remember who it was basically, but somebody mentioned that
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there was actually an episode on somebody talking about his or her experiences in a mental work
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of hospital. Yeah, and that was an interesting episode and you know, timefully as far as I know,
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they're doing a lot better right now. So that's great, but you know, that's an experience that you're
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not going to, that you're maybe not going to think is going to be of interest to hackers, but yet
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turns out to be, yeah. And experience, we've quite a fairly hefty series on mental health issues.
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And experiment on other things like accessibility and such, but the mental health issue
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series is a popular one. And you know, if anybody listened to this, is having, is feeling a bit
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down, no harm to go have a listen to some of those and reach out to us here on the network,
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where we're happy to check in and see everything is doing okay. Is that so wrong that series?
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Yeah, I'm serious is roaming, so you know, some series go quiet for a while and then they come
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back to life, so yeah. Okay, why don't you explain a little bit about the about the history of
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the project before we continue that discussion? Well, the history of the first mention of hacker
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public radio goes way back to a show called Radio Freak America. And I don't know if you're
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familiar with the freaking scene, but it was like the pre-internet sort of hacking thing,
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where hacking in the sense of gaining access to telecommunication systems of companies usually.
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And at the time, you know, international phone calls and long distance phone calls were
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extremely expensive. You know, we're looking now at all the recording things that we have now,
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it's considered free just the two. What we assume is normal that I'll be able to communicate with
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anyone, anywhere in the world, and have a video conference, and I'll be really annoyed if like
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10 people are not allowed to join or the bandwidth status back in the day we had to pay for stuff,
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so there was a whole underground movement called phone freaking at the time. And on that,
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the internet was starting and one of those groups was started to share information with hackers.
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So to promote hacking as radio while freaking as it was at the time hacking kind of came later.
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And from that, a lot of people were released the show up onto the internet, and then
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the RSS protocol came along, and then that became an RSS feed, and the whole podcasting thing started.
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And then two other computer groups, one was called the Bin-Rev-Radio, Bin-Revolution,
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and they had a podcast coming off from that, called Bin-Rev-Radio, oddly enough.
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And they ran for a few years, and in parallel with them was
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Inflammacon communicators, that they had one as well. And some of those guys had
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podcast incubator things where they were encouraging people to try podcasting, and a lot of people
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were podcasting at the time. Global Linux links was going as well, and TLLTS are still going strong.
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So those guys
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came up with the idea of starting a shared podcast. And one of the last things that was mentioned
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in the Radio Free America was the idea of starting this thing called Hacker Public Radio,
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which is a play on the US public service, called PBS.
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So having like a PBS service book for Hacker, and the idea there originally was that they would
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start a today with a tech issue. It was around the time that Leo Laporte was starting off his
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network, so this was a play on words. Not very... people shouldn't really pick jokes when
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joke names when they're doing podcasts. So today with the tech issue started,
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and the idea was that a calendar will be put up on every podcaster that was podcasting at the time
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would pick a day in which to release a show. And it was actually that project that I started
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I got involved in because they were saying that while after a while we're going to open it up
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to the public so that basically anybody can send it to the show. So that ran for a while, and then
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after 300 episodes that basically just rebranded into Hacker Public Radio overnight, and that was
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the merging of the two podcasts. So
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been radio had stopped, and infonormal con radio had also stopped, and the two teams came together,
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and I think Enigma started posting shows at that time as well. So that continued on for quite a while.
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And that's where Hacker Public Radio came from. So then there was a schedule
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central and basically anybody could post a show, according to you pick a slot pick calendar,
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and that's basically the history of HPR in essence.
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Nice one. So was there any personal motivation for yourself to
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was it creating a forum for people to do this, or was it something that you felt you wanted to
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bring your own messages out there in terms of podcasting?
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Well, at the time I wasn't involved in this, I'm not part of the Ben Rev community,
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I'm also not part of the digital load bound largely because I'm not in the regions where those
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two computer clubs basically, I think we would call them Hacker Spaces now, operate. So
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when they had the opportunity to, when they were doing this idea of sharing knowledge and
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you know, I come and place the post shows, I thought well, brilliant, I'll just contribute as a host,
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but my involvement as a janitor didn't really start for oh, a good, maybe it's uh, so we started
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HPR itself, today with a techie started 15 years, seven months ago, excuse me, 15 years, seven
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months ago today, as you hear this, and 13 years ago it was renamed and they kind of ran for,
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I think I'm started to help out about 10 years ago now, let me see, one second.
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I was actually sponsored, so if you go to the website and go full episode guys, full episode
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guide, I look for old soldiers that was back in 2010 was when I started giving them, you know,
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I volunteered as a janitor to help out, so 2010 that was, yeah, well, this was approaching 10
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years ago now, past 10 years ago now, so fair enough. So 2010, what was happening was the,
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the number of shows coming into the queue was, was going down, basically life happened to the admins
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at the time, and I'm using the word admins and janitor interchangeably here, I can go into that,
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more detail in that later if you want, but at that time, so the project was going for, you know,
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good, a good five years at that time, and then it started basically to pop fade a little bit,
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and I didn't know whether, as a host at the time, we can get a lot of feedback on when your shows
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were put in, basically just put them into on the FTP server and they got posted or they didn't,
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so I had posted two hours and they were working coming out, so I kind of emailed the list to say,
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okay, what's the story are we going to continue with this project, or we're going to put the bed,
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you know, basically, old soldiers was a lost and bronx episode, basically how to deal with
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pod fading, you know, that you have a, if you're building up a listenership as a podcaster,
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and you decide to stop, how is the best way to do that, so you, you know, you tell your audience,
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well, I'm intending to stop, here's the reason why, and then you say it'll be in so many episodes,
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I'm going to stop, not just, okay, this was the last episode, and you leave them high and dry,
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so that was, you know, a new archive, your stuff, and you make sure it's up on internet archive,
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and make it available to people, you know, you don't redirect the website to different places,
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so do you wrap up the project nicely, so I posted a question to the HBR mailing list at the time,
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saying, okay, guys, what are we going to do, are we going to, are we going to keep this thing going,
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and basically, if you, if you want, I can help out, and then, or if you want, I think we should
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continue with this, and then Enigma says, hey, our troops, I can't remember one of the, one of the
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guys says, do you want to post the shows? Okay, fair enough, so from that moment, I got the keys,
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to the history, as they say, I guess. Well, yeah, but it's important to remember a lot, it's
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important for me to, to make it clear what my role it here is, and essentially, I'm a bash script
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that just says, hey, could you do a show on that, could you do a show on that, and our goal has been
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to automate as much as possible, but the thing that she, as a, what we were called was admins,
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but I like to think of us as janitors, if you go to the Hacker Public Radio website, and go to
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the about page, there's a bit there about the HBR community, and the governance of HBR, so we've
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got the, we've got the real admins of Josh, who, who has a, runs the web server and stuff, he is
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the real admin, he does the spam stuff and keeping, keeping people off, keeping, you know, all that
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all that networking stuff is done by him. There's a surprisingly little amount of technology involved
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in, in having this website, so it's basically just a website that we post a copy of the database,
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and put an RSS feed out, so that, on a particular day, it chunks out a show every day.
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Kind of lost material, oh yeah, governance, so what I tried to do was, when I started helping out,
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was to, number one, give feedback on every show, so have a community news episode every first
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released on the first Monday of every month. Then we have a community news show, and what we do
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there is we go and review every episode to make sure that everybody gets some feedback on their
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shows, and it's invariably positive because, you know, I can, I can find something in every show
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that there's been on, that has been, that I've gone, okay, well, I can't see myself using that now,
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but I might be able to see myself using that later, or was entertaining, or made me cry,
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or whatever. So, I already got good. I made you cry in a good way, or in a bad way.
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Sometimes, in a bad way, in that, you know, somebody is not, that episode where,
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where St. Flop was in the hospital was, was not a pleasant episode to listen to,
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but on the other hand, she also made me cry when she did the Cisco episode, where she took some
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Cisco phones, and, and when they modified this firmware and stuff and got them, got running
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VoIP over these phones, and the audio was totally crap, but the enthusiasm of the, you know,
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hey guys, I'm recording this down the VoIP phone, and then here's how I did it, and I just had to
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recompile the component, and get butterflies to float over to change bits on the thing. So, yeah,
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it's, you laugh, you cry. So, yeah, that's, that's it, but governance, important point was,
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for me, was to make sure that everybody got some feedback, because through feedback,
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you know, that's the currency of the podcasters, getting feedback, you guys know that, if, you know,
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somebody sent me an email and it's positive, that's great. That is the currency, so it's
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important to get feedback. The first feedback I got was on a, you know, on a show where it was,
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some guy said, hey, that comment that you had about Ubuntu, that's completely wrong, it doesn't
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work like that, I'm not gonna reply back, yeah, but the episode you're listening to was two years old,
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so, you know, they've fixed it since then. So, yeah, that's, that was my thing, but it's also
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important to remember that we, I do not set the policy, I suggest the policy or I'll bring topics
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up on the mailing list, but equally, other people bring topics up on the mailing list this week,
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because this week has been actually very busy on the mailing list for topic discussions, but
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we'll cover all that in the community news. So, managers, we, we basically, I am not Mr. HPR,
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I'm just essentially a bash script that will ask you to do shows.
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Needless to say, the link for the mailing list will be in the show notes people, so if you want
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to subscribe to this mailing list, you're more than welcome to. And Mr. Felon, sorry, can,
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I understand and correct me if I'm wrong, that there is no censorship on any episode or any content
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that people submit or is there. I'm just wondering if there's a general policy, because I don't
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simply, I don't know about, and if there is, where do you draw the line, if you draw one?
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So, if you go to the HPR website and you go to give shows, the first thing you'll,
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you'll see is the list of stuff you need to know. So, basically, this is summary of the podcast.
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So, we're going to stop as a podcast if we don't get enough shows. So, I will say to you or
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your listeners, if somebody thinks they should, they have written a blog post, ask yourself the
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question, will this make a podcast? And the answer will be yes, yes. Will anybody be interested
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in it? Yes. Yes, send it into how could Bob be creative? We'll come back to that. So,
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the stuff you need to know, we don't send to kid shows, we release them to CCBISA,
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you have permission to register you to show entirely, which means if you've got music on there,
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you need to have permission, and you sure will not be moderated. So, if we click down to that one,
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can, can, sorry, sorry, for the few listeners who don't know what CCBISA means, maybe you should explain
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this. Yeah. So, just in case. Not a good, very good, thanks, and thanks for pointing out. So,
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we are here to promote sharing knowledge. And as part of that, our license is the Creative
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Commons, Creative Commons license, which means that if somebody stumbles upon a piece of work
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that has got a Creative Commons license on it, even though there might be different variants of it,
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at least you know what you're allowed to do with it. So, at the minimum, if it's got a Creative
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Commons license, you're allowed to download it. So, technically, if you listen to a podcast that
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doesn't have, that has create, that has copyright, all right reserves on it, or has no copyright
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on it at all, that work is copyright, all right reserves, which means it's illegal for you to download
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that under, I'm not a lawyer, by the way, but this is my understanding. Now, obviously,
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it would be very difficult to prove that, or it would be very difficult to argue that if somebody
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sputters on the website and says, hey, please download my podcast, but that is the license. So,
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to get around that, this Creative Commons thing has come up where the shows, where you can license
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a work, and you can say, well, I want people to listen to my stuff. And so, I would go and pick
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a license. So, let's go to the Creative Commons website. As you do, amazing how often I go here,
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the Creative Commons website, and there's a lovely button on there called pick a license,
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and it'll tell you the various things that you're allowed to do. So, if you choose a license,
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you get CC. So, you can CC part is Creative Commons. By is, if you see that tag associated with
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the work, it means you have to credit the person who, if you're redistributing it, you have to
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credit the person who has created. SA means share like. So, if you download it under one of the
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Creative Commons licenses, you need to share it under the same license. And sometimes people put
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in a non-commercial clause in there. I would advise people not to do that, because that actually
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prevents people from putting it on a CD or on a USB stick. And then, if you sell that USB stick,
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you know, to cover the call search, promote your project, if it contains a CC bias, a NC,
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non-commercial stuff, then you're into a gray area, do you need to are you violating the terms
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of a person's license by doing that? So, does that explain Creative Commons? It does indeed, thank you.
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So, moving back to the general Packer Public Radio itself about your original question,
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is do we moderate the shows? And the answer is, no, we don't moderate your audio. We might edit
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your audio, we might try to improve it. We convert it to mono usually. But we don't
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vest edit or moderate or censor any audio on the show. We trust you to do that. And that's an
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important thing. So, if anybody wants to talk about pedophilia or drug use or any other
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subject that is illegal in most jurisdictions, these are just examples, but you get my drift,
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you wouldn't censor this at all. No, because I don't even listen to it before it's posted.
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And that has two advantages, one, the history from that is, why should I censor other hackers?
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So, I've got a hacker space or, you know, you can imagine a bar camp, for example,
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Fostem, for example, Lightning Talks at Fostem, I know you, I think we've met at Fostem.
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We did indeed, yes. So, a Lightning Talk, they're a bar camp at a camp or something like that,
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or you're out in the middle of a tent as one of the hacker festivals. Are you going to talk about those
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so you're going to go and a hacker comes along and they are my peers. So, why should I say,
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why should I have any right to say what they can and can't put on the metric? That said, though,
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|
if that said we do, there's a happy balance there and there was a great show done
|
||
|
|
on freedom of speech and censorship done by murder sheds and that basically has set our policy
|
||
|
|
with regard to this because there's a delicate balance there. So, we do ask you to announce the
|
||
|
|
fact that you're going to be discussing these sorts of topics before or, you know, you're going to
|
||
|
|
be talking these sorts of topics. So, you know, say you're in, you want to protect
|
||
|
|
miners or whoever who don't want to listen to this. So, we will put that warning on that the show
|
||
|
|
itself has got an explicit content, although that even the use of the word explicit
|
||
|
|
is also a problem for people who find all my shows are explicit because I go into explicit detail
|
||
|
|
about this technique. In the iTunes version of what explicit means, but also we ask people to
|
||
|
|
put a warning on us and we ask people to give people the opportunity to turn off the radio in
|
||
|
|
case through our miners or in case they're listening in a public area or something like that.
|
||
|
|
And then if you have, if you say things, you know, it'll be making a point about
|
||
|
|
pedophilia, for example. And it's a valid show about dealing with pedophilia or
|
||
|
|
some interesting aspect of it from a social worker point of view I can imagine. That would be
|
||
|
|
of interest tackers. And yeah, so long as it's wrapped up in the, in the, with some warnings and
|
||
|
|
give people notice then, yeah, it's a perfectly acceptable show for the most part. And that show
|
||
|
|
about on freedom of speech and censorship basically uses the analogy of a CD case where the
|
||
|
|
real case, you go into a CD store and there's explicit warning, explicit material elements,
|
||
|
|
so that's what we're asking people to do. I've used that, about warning on several
|
||
|
|
shields. We did, my wife and I did a show on IVF treatments and that can be tough for some people
|
||
|
|
to listen to. And also, as a parent listening in the car, you might be, you might bring up some
|
||
|
|
questions to people. So, yeah. That's it. Yeah, no, it's very sensible. I don't agree with
|
||
|
|
the freedom of speech piece and everybody has a choice to turn it on or off if they want to.
|
||
|
|
Yeah, but it's important that they know the, that you know you have the choice and that's what we
|
||
|
|
ask. That's what we're, the whole point of trust is there. So if you're, if you're just, you know,
|
||
|
|
out cycling and you listen to your podcast and then you don't get this warning, you need some time
|
||
|
|
to, you're listening to a show about something else and then this comes up, then there's a break
|
||
|
|
of trust there. And the only thing we can do as janitors is go back later and put in the explicit
|
||
|
|
warning on the show. But thankfully, that hasn't happened too much. Okay. And the other thing is,
|
||
|
|
of course, the, the safe harbor thing, kind of the fact that we don't listen to it or editors
|
||
|
|
allows us to do the safe harbor thing, not that we've ever been told to take down a piece of
|
||
|
|
work as yes. I think you mentioned earlier that you you listened to each and every show so far.
|
||
|
|
Yes. And so my question on that is when and where do you listen to shows and what is your day job?
|
||
|
|
I listened to, I listened to every show and if you don't, I sometimes think, hey, did I listen
|
||
|
|
to every show and sometimes I, I have to go back and listen to, listen to, there's a topic and I
|
||
|
|
go back to the HBR tags page, which is on the main page and it gives you a link to every, all the
|
||
|
|
topics that we've covered and thanks to all the community who's gone back and added all these tags.
|
||
|
|
And I think, God, did I listen to that or not? And then I play the show and I can immediately
|
||
|
|
remember where I was whenever I heard that podcast or any podcast. So it's, I have listened to them all.
|
||
|
|
Yeah. And it's a requirement to be on the community news show. Well, it's not, yeah, it's a
|
||
|
|
requirement. We ask people if you're going to be come onto the community news show that you listen
|
||
|
|
to all the shows. Well, it's not a burden actually because there, there has not been a show that I
|
||
|
|
haven't listened to from start to finish. Oh, there's been a few, the snoring episode of 5150,
|
||
|
|
may he rest in peace. That was one, that was, that was hard to get through and the one,
|
||
|
|
the April Fool Geokai did where I put in all the pin numbers from zero, zero, zero to 9999.
|
||
|
|
So that, that was more, that was just more boring than anything else.
|
||
|
|
Okay. If you listen to how many shows does it know,
|
||
|
|
three thousand, eight hundred and eighty six shows, then, you know, you, you kind of have to listen to them all.
|
||
|
|
So when do you get it and listen to the shows? So prior to COVID and lockdown, I had a
|
||
|
|
now and a half commute and morning and a now and a half commute and so that was
|
||
|
|
new problem whatsoever. And I also speed up my podcast twice to speed.
|
||
|
|
Fair enough, and who would, I mean, what is your day job with any else?
|
||
|
|
My day job is I work for a large cable operator on their back end.
|
||
|
|
So you're a computer guy yourself.
|
||
|
|
Yeah, my official title is, well, I'll video, video system engineer, but kind of a system engineer.
|
||
|
|
I mean, you sound Irish, but I understand that you don't live in Ireland anymore.
|
||
|
|
No, that's correct. I am Irish. I, uh, be Jesus, but I'm also Dutch now.
|
||
|
|
So you're Dutch on my co-miserations.
|
||
|
|
So if we just go to my co-hosts is of Dutch origin too, but effective to be UK at some stage.
|
||
|
|
Very sensible.
|
||
|
|
While we, uh, I, uh, oddly enough, I think the last, I met my wife in the last place where I
|
||
|
|
expected to meet, uh, my wife, which was in an Irish bar. So, uh, but it's still weird as
|
||
|
|
look would have it. So she moved to Ireland for, uh, two years and then, uh, she works in the
|
||
|
|
healthcare and a lot of the health care in Ireland is, uh, run by, uh, on a voluntary basis, you know,
|
||
|
|
a lot of the, unless she work in Dublin, uh, the, a lot of the treatments are, are Dublin based. So, um,
|
||
|
|
for the stuff that she does, um, anyway, but she's Dutch, I suppose.
|
||
|
|
She's Dutch, uh, although you wouldn't, she's actually the voice who does the intro and outro at the end.
|
||
|
|
Does they? Oh, right. I see. Okay. She's been on quite a lot of shows as well.
|
||
|
|
She's done a few shows as well. Um, uh, so then we moved, we did a year in England, um,
|
||
|
|
under the naive idea that if we were in a country halfway between Ireland and the Netherlands,
|
||
|
|
people coming over, but it just meant that we had to travel to Ireland and we had to travel
|
||
|
|
to the Netherlands. So, um, I, um, I said, you know, in an IT sector, you can get a job anywhere
|
||
|
|
basically. So, uh, I, I thought she'd, uh, moved to the Netherlands and it proved actually, uh, more
|
||
|
|
Irish in a way, um, than, uh, than living in England. It was, it was kind of weird that way.
|
||
|
|
Okay. I'm, you say, no, the Netherlands is more.
|
||
|
|
Can we, in which sector?
|
||
|
|
The curious thing.
|
||
|
|
Ignoring the, the, the term dimension for, for a staff, the police and total lack of geography,
|
||
|
|
other than the geography that they've met themselves. But I actually really find that, um,
|
||
|
|
you know, it's freaky, the whole, the whole Dutch thing, right? You're walking around in a place
|
||
|
|
that's nine meters where I work, uh, where like nine meters below sea level, nine meters below sea
|
||
|
|
level. You could have, we need four people of my height stand on my shoulders and you'd still drown.
|
||
|
|
But nobody passes an eagerness shirt's grand. It's just, we're all over here and they have a,
|
||
|
|
they have a church called the new church, which is under water or, you know, under sea level,
|
||
|
|
which is older than the United States of America. It's just, you see, Ken, there, there's a place
|
||
|
|
in Dublin called the Long Hall that might qualify for the sea level to be depending on,
|
||
|
|
on the spot you're in in there, depending on Bob. And that's another story, I suppose.
|
||
|
|
Yeah. So, um, yeah, no, uh, the Netherlands is, it's, uh, nice. The only thing was that
|
||
|
|
they've all worn anybody. If you come over here, the first Monday of the month at 12 noon,
|
||
|
|
they have this, um, air raid, sorry, I said, it's okay. They're, uh, so you're welcome. This is
|
||
|
|
you, right? You're welcome down on the street, minding your own business, all of a sudden,
|
||
|
|
goes off everywhere. And not just in one place, but everywhere. And your, your mobile phone is going,
|
||
|
|
everybody's mobile phone is going nuts. And nobody is doing the thing. All the Dutch people are
|
||
|
|
cycling along, happy out. Nobody's passing any news of the slush you're in. They,
|
||
|
|
they came from another world. So, yeah, it's, uh, but that's maybe the old adage hasn't changed
|
||
|
|
that the Netherlands wants to consider themselves to be constantly under attack from foreign
|
||
|
|
nations and stuff. Yes. I do not know. Martin may have a comment on this.
|
||
|
|
So, we have these, these neighbors, which are on various sides. We think they're invading us.
|
||
|
|
Martin, I think it's actually other way around. And caravans do play a bad important role in this.
|
||
|
|
Uh, to be fair, but I digress. The, uh, I don't know, have you heard the Dutch National Anthem yet?
|
||
|
|
So, uh, yes, yes, yes, yeah. It talks about the dispensary invasion in the 1600s.
|
||
|
|
We do remember things. I'm of German blood.
|
||
|
|
You are okay. No, no, this is special. I'm William of Orange. I'm having a drink. Sorry. Okay. I just
|
||
|
|
got confused there. Okay. Back to HPR. This is not a podcast on history, but rather on something
|
||
|
|
else. Do you share statistics with, with any of the, of the people who broadcast on HPR? So,
|
||
|
|
they have at least some sort of notion of how many people are listening. As a matter of fact,
|
||
|
|
I mean, if you deploy, you say you've heard of search engine, you see that quite a few sites are
|
||
|
|
actively scraping HPR and syndicating for a, and either unknown or not, the content you have out
|
||
|
|
there, especially as aggregators. Yes, yes, absolutely. And I see loads more of them coming along,
|
||
|
|
they come, and they go, both, that's what the license is. The license is Creative Commons CC
|
||
|
|
by SA, and they do because we have it in the, they do give attribution because we put attribution
|
||
|
|
into the shows itself. So, yeah, that's, that's, but you don't keep stats yourself in terms of you
|
||
|
|
don't provide it to the, to the, to the, to the, to the, to the hosts. They, they, this topic has
|
||
|
|
come up on the mailing list for, and this is one example where I as a janitor will make sure
|
||
|
|
that the topic is discussed and that the requests of the community are supported. So, they,
|
||
|
|
the community wishes to know what the stats are for their shows. And you can get that by going
|
||
|
|
to the internet archive, and basically, it's listed right there for the shows.
|
||
|
|
For this particular, where the archive actually pays you visit, yes.
|
||
|
|
Yeah, so we serve our audio. Any audio that hasn't been, hasn't been in the main feed,
|
||
|
|
comes from the internet archive. Sorry, any audio that hasn't been, you know,
|
||
|
|
if it's on the internet archive, we'll take it from there. If it's not, it'll be from the
|
||
|
|
HBO website itself. So, Dave, my other janitor, Dave Morris, is busy at the moment,
|
||
|
|
going back, finishing off the last few episodes and tidying up the tags. And he's done huge amount
|
||
|
|
to work also with the internet archive people on getting the formatting and, okay, thing,
|
||
|
|
on the internet archive. For example, it turns out now if you type in Hacker Public Radio,
|
||
|
|
you're more likely to hit some of the internet archive page than you are on the Hacker Public
|
||
|
|
Radio site. Are you serious? Yeah, yeah, which is fine. And, okay, a lot of our hosts and
|
||
|
|
contributors have not even seen the website in, you know, five years, ten years, because
|
||
|
|
you have no reason to go there or you, you just go to the upload link and you get everything
|
||
|
|
for your feed. But, I don't believe that stats are useful. And I'll tell you why.
|
||
|
|
This is my own personal opinion. This is not the official opinion of Hacker Public Radio,
|
||
|
|
which is, we did the stat. As a, from a security point of view, I don't, there's a lot of
|
||
|
|
purposely related information that is in those stats, you know, from a GDPR point of view,
|
||
|
|
that your IP address when you log down and stuff, so you need to fiddle with them. But, thankfully,
|
||
|
|
the internet archive sold that first because the stats over there are more or less going to be the
|
||
|
|
stats that you get. So, that's it. If somebody has a request for particular stats, we, you know,
|
||
|
|
put that into the mailing list, we'll get it. But my personal feeling on Hacker Public Radio,
|
||
|
|
I'm only given show on Hacker Public Radio is, it is a standalone entity. And if somebody
|
||
|
|
drives value of that, if only one person drives value from that, then that show is a valid show.
|
||
|
|
And for that person who has driven value from it, then that to them is the best show in the world.
|
||
|
|
I give you an example. Every time I turn on my soldering iron here, this soldering iron,
|
||
|
|
I think of the misdirect show where he taught me how to solder on a podcast. Now,
|
||
|
|
I can imagine people have mentioned to me before when I've said that, they've said,
|
||
|
|
how the hell can you learn how to solder on a podcast? And I imagine a lot of people
|
||
|
|
turned off that episode. Because, yeah, okay, I'm not going to learn how to solder from a podcast,
|
||
|
|
I'll go to a YouTube video. But there you go. So, who am I to judge?
|
||
|
|
And if it's 4 o'clock in the morning, right, and you're stuck in the dust center somewhere,
|
||
|
|
and you find the HPR page with the Ock command that shows you how to transform
|
||
|
|
this stupid file that you have here, those four gigabytes, and you need to transfer it over there.
|
||
|
|
Yeah, that show was a value because it's a person's butt. And we get lots of comments on older shows
|
||
|
|
that come in that, you know, are four or five years old. You go, this really saved my butt.
|
||
|
|
I'm quite a lot of them are from myself to my own shows that I've done because I know I heard
|
||
|
|
that somewhere, and then I go back and I find out that it was a show, but I recorded some years ago.
|
||
|
|
On the issue of telling exactly how to do it. The reason, the initial reason for this question was,
|
||
|
|
basically some people are concerned about monetization of the whole thing. You see, at the moment,
|
||
|
|
and I can only discuss what I can, Linux in-laws, and infrastructure behind it is actually funded
|
||
|
|
by some cartels and other entities. Let's put it this way. But especially Martin is hot on the idea
|
||
|
|
of not only dominating the work, but making it good to deal with money with this podcast.
|
||
|
|
And this is the reason why stats are so important for at least Martin, if not myself.
|
||
|
|
Yeah, but then you don't want our stats because our stats are too honest. What you want to do is do impressions.
|
||
|
|
So the way I do it is, if somebody comes from an IP address within the 24 hour period for
|
||
|
|
any given show, that is one view. Whereas I have, I know of entities where they will gather every
|
||
|
|
impression on a media file and put that in as a view or as a link. Regardless of how long, even if
|
||
|
|
it's only a second, even if it's only the continuation of a block of media where somebody's
|
||
|
|
fast-forwarding from the start to the middle to the end, that's three impressions.
|
||
|
|
And then they will also multiply that by a number, five or so, and we'll give you the
|
||
|
|
M count, and that will be used for advertising review. So it's all, Leo the Port,
|
||
|
|
where does that fight? There's some very good episodes on subscriber count and how
|
||
|
|
basically it's, it's bull. And I find it completely, you're saying there's an episode on this.
|
||
|
|
I know Leo the Port has done an episode on this. We've had this discussion on the mailing list
|
||
|
|
several times. It's no harm if you want to bring it up again. We can happily, happily have this
|
||
|
|
discussion. But how do you, how do you, how do you consider what an impression is because,
|
||
|
|
you know, you could argue that a particular IP address, where there's 200 downloads from a
|
||
|
|
particular IP address, well, yeah, it could be that that IP address is, you know, in the Great
|
||
|
|
Wall of China, those are 200 valid views on the other side of that wall. So yeah, you could,
|
||
|
|
you could say it's been proxied on another network. Yeah, so it could be an impression.
|
||
|
|
Well, again, from my point of view, I'm not really less interested in listeners. I'm,
|
||
|
|
I am interested in this. Yes. I don't care about you people. No, I, I am interested in turning
|
||
|
|
you people into hosts on the network, even if it is only one show.
|
||
|
|
Sorry. Can Leo Laporte of Twit fame? Yeah, yeah. Are you serious? Yeah, Leo Laporte back in the
|
||
|
|
day, and it will be in the day now, did a, I can't remember. I'll try and root it out for you.
|
||
|
|
He has done, when he was starting up his, the Twit network, he was very open about how much money
|
||
|
|
they made. The impression is that when, when they were discussing with advertisers, so you know,
|
||
|
|
that those magazines on the couch, they were, you know, if you've got a subscription to a magazine,
|
||
|
|
I don't know, like, I don't know, flowers or else or something, yeah, the monthly magazine,
|
||
|
|
usually how to cut your flowers. And the advertisers and that will be told, even though they've only
|
||
|
|
got 1,500 physical prints, they will say, oh, well, those 1,500 things are sitting in a doctor's
|
||
|
|
office. So each, each one of those magazines is viewed on the coffee table of a doctor's office
|
||
|
|
200 times. So they'll take the numbers and multiply that out the number of impressions. So it's all
|
||
|
|
like pick a number, which is why I, I don't find it interesting. What I do find interesting, though,
|
||
|
|
is the relationship between people who use a thing and subscribe to a thing. And that is you,
|
||
|
|
NPR in America have done a breakdown and it's about somewhere around the 1%
|
||
|
|
will voluntarily give back to a project. So I don't know, if you ever listen to YouTube or
|
||
|
|
other podcasts, you know, if only one person give a dollar for, if I only had a dollar for
|
||
|
|
everybody who downloaded this episode, you know, I'd be a millionaire. Yeah, exactly. You would be,
|
||
|
|
but, you know, that's not how the world works. One can expect feedback of about 1%.
|
||
|
|
So given the number of subscribers that we have, I would have expected a lot more people coming in.
|
||
|
|
So that's, there's a bridge there. There's a number of the number of subscribers we have,
|
||
|
|
a number of listeners we have. If we got 1% to that, that's the number of hosts that we should have
|
||
|
|
in the year. So say if we have about three and a half thousand, four thousand people per show,
|
||
|
|
we should have, I don't know, 40 hosts per year. Yes.
|
||
|
|
What else? It just counts as a lot more than this. Can just do people promote
|
||
|
|
Patreon and the likes on their shows on HBR? Big non-managerations.
|
||
|
|
Well, here's the thing, right? The HBR, the Hacker Public Radio is being paid for out of the pocket
|
||
|
|
of Josh, now, one of our hosts, Josh. So he has a business, an honest host.com,
|
||
|
|
and if you're looking for serious hosting from somebody who, and this is an advertisement,
|
||
|
|
I absolutely appreciate it. It's a recommendation, a real one.
|
||
|
|
Josh knows his stuff, and when he says anonymous host, he means if you buy this amount of bandwidth,
|
||
|
|
you're going to get this amount of bandwidth. I'm not going to over-subscribe and do all the sort of
|
||
|
|
tricks. So, he's a good guy, and he does know his stuff. I mean, he kept us in the air for quite a
|
||
|
|
while. And the other people that we have is the hosting from the Internet Archive, which is
|
||
|
|
Exynoprojection, where they are basically directing as the Internet's library, and their data
|
||
|
|
servers are maintained voluntarily. So, I subscribe, I donate to them on the monthly basis as well.
|
||
|
|
So, there's nothing to stop you saying, hey, subscribe to my Patreon within your account, but it would
|
||
|
|
be within the context that the actual media has been served by these two people, either the Internet
|
||
|
|
Archive or Josh. And that's also, you know, if you go to something like Stitcher or Apple
|
||
|
|
podcasts or, I don't know, Google podcasts or one of Apple's iTunes or whatever, and you play your,
|
||
|
|
your, you play in HBR up, so there, that data is not coming from their servers, that data is just
|
||
|
|
coming from our servers. It's Josh who's paying for that, or it's the Internet Archive who's paying for that.
|
||
|
|
Don't, indeed, under any doubt as to who exactly is paying for that. Yeah.
|
||
|
|
But to be honest, a lot of the, I mean, we have people who financially contribute to HBR in the
|
||
|
|
sense that we have these booth kits that go around. And so, the idea there is you got free
|
||
|
|
back in the day. Whenever you're a lad, you could go to a meeting and you didn't have to wear no mask.
|
||
|
|
Ancient times, you know, where people would actually be within one and a half meters of each other
|
||
|
|
and share a pint and breathe into somebody's face, shout into their ear, and you're back in those days.
|
||
|
|
And we had a booth kits, we have a booth kit in the States. I'm going to book it here. And it contains
|
||
|
|
a audio recorder and stickers and pamphlets and HBR logos and stuff. And recently got some free
|
||
|
|
software foundation Europe stickers and that sort of thing. And it's basically a booth kit.
|
||
|
|
So we go and we'll ask at, I don't know, Ohio Linux Fester or Camp or our first time we were
|
||
|
|
lucky to get a table last year. Yeah, it was actually last year. So that was brilliant. But we're there
|
||
|
|
as a community. So if there's any swag that's paid for by volunteers. So I only need to go to
|
||
|
|
the mailing list and say guys, somebody send me on some stickers or I'll get them myself or pay for
|
||
|
|
the, pay for the banners and domain hosting and stuff like that. But, you know, it's not,
|
||
|
|
it's not worth the hassle dealing with the financial, you know, patent donations and all that sort of thing.
|
||
|
|
Just send us, you know, if we need stickers, we'll ask. And the tables are cool because, you know,
|
||
|
|
at the, at the first time table that was, that was brilliant. First time I usually went around and
|
||
|
|
interviewed all the kind of hallway tracks. It's kind of the hallway tracks that we do. So if somebody's
|
||
|
|
out there at an event and OLF or somewhere in America or wherever and you're never going to be
|
||
|
|
able to get there, then a HBR host will go around, record people, you know, on the hallway track.
|
||
|
|
Oh, I met the Linux in those guys. How you doing? What do you think of the, what do you think of
|
||
|
|
the show? And what would you recommend seeing blah, blah, blah. And then that comes up as a show.
|
||
|
|
We did have quite successfully for FostM for a few years. And those audio then are on the FostM
|
||
|
|
website. So that captured the whole feel of walking around to the Debian booth and to the
|
||
|
|
free software Europe booth and all the other places. So that's, that's, that's kind of cool.
|
||
|
|
But last year we asked every year for a, a booth. But I felt like the whole idea behind FostM
|
||
|
|
anyway is that you want to, they want to encourage more people to mingle. So they don't, you know,
|
||
|
|
you know, they will have a database room as opposed to a post catch room. So they're always trying
|
||
|
|
to cross-pollimate things. So we submitted a proposal for a podcast. They're free. It's on the
|
||
|
|
main HBR website, actually, if you go to there. It's they, and the site is down now because I'm
|
||
|
|
currently moving it to another one free culture podcast network. And that is basically any podcast,
|
||
|
|
anything, a list of podcasts that are active, that are released under Creative Commons license.
|
||
|
|
So we put that in there and I have a link. And then on the day we had like an A4 brochure
|
||
|
|
list in the podcast. So that, you know, if you're into, you might be into HBR, but you might very
|
||
|
|
well be into metal music. So the open metal cast is right off your street. That's sort of, so.
|
||
|
|
I can recall you giving this out at FostM. And yes, I, if I'm not completely mistaken, I saw this at
|
||
|
|
an up and an up come to in the UK. Yes, but maybe I'm wrong. I don't know. I mean, it's not.
|
||
|
|
I really like this FostM thing because I FostM for the few listens who do not know FostM
|
||
|
|
kids back in the olden days when people could still meet. You're looking at a gathering in Brussels
|
||
|
|
where about the official version is anything between six and eight thousand people would gather
|
||
|
|
over a weekend and discuss open source software. Notches from a technical but also from a
|
||
|
|
political and philosophical perspective. More realistically, I reckon we were looking at
|
||
|
|
at anything between 10 and 12,000 people at the hardware tracks. Never mind, never. Besides,
|
||
|
|
the official kind of schedule are the most important things because you get to meet people there.
|
||
|
|
As a matter of fact, this is basically where I run into Ken Fatton first time around and kind of
|
||
|
|
pitched the idea of something called English in Los NHPR. In 2020. In fact, the first,
|
||
|
|
well, the second talk that I attended after going to FostM for about four years was this year when
|
||
|
|
it was online. Prior to that, I was just too busy to go down the morning. No, you're on the
|
||
|
|
loop. Somebody's got a yaggy antenna pointing it up and you go, okay, what's this?
|
||
|
|
And then they're talking to you and you go, hold on, let me take out my recorder because this
|
||
|
|
is just too interesting. Okay, hi, who are you? What's this about? What are you doing here?
|
||
|
|
Nice, nice. It wasn't the case that Chris was actually stalking you at FostM, but
|
||
|
|
I've never stalked that FostM. You should know this.
|
||
|
|
I wanted to ask a bit about the hosts that you have and how they, I mean, I know you're always
|
||
|
|
asking for shows and I can see a lot of different topics on the shows. Is there something you would
|
||
|
|
like to encourage people to say about encouraging people to go onto HPR and do a show or is there
|
||
|
|
a specific show that you would say? Listen to this one because this is how it's really done,
|
||
|
|
excuse me, obviously. And then that should inspire people perhaps to do a show. Is there something
|
||
|
|
like that that you can point people at? I don't know. I don't know what floats your boat and I would say
|
||
|
|
actually, no, don't listen to somebody else. Don't try to get perfect audio. Don't set the bar
|
||
|
|
too high for yourself. Your first show is going to be shit anyway. Just as soon as you send it in
|
||
|
|
the better and we can all forget about it. It's a best show you can do, but especially if you're
|
||
|
|
a long-term listener is, I'm a long-term listener. I've been listening to HPR since Bla,
|
||
|
|
who am I? You know, basically this thing, who am I? It's like if you walk into a hackerspace
|
||
|
|
and you've got this HPR, if you imagine HPR is this hackerspace, you get this whole group of people
|
||
|
|
that we know exist and then you got this massive 35,000 people who we don't know exist. So send us
|
||
|
|
a show in just to introduce yourself. It's just, you don't commit to somebody's house and just go,
|
||
|
|
I am at the party and they don't say hello. You know, say hello. That's show number one.
|
||
|
|
They're like, of course. Dave and I will listen to your show and we'll go, hey, you got into
|
||
|
|
use this Epic microcomputer and you just happened to mention that and passing, come on,
|
||
|
|
do a show about that. Oh, and then we hook in, that's how we do it. And then we listen to that show
|
||
|
|
and we tell you to submit other shows. And then you become a regular and then then you're doomed,
|
||
|
|
you become a podcaster. But don't, HPR, we have this, we have this, a whole group of models,
|
||
|
|
one of them is, a flag is the best, but we'll accept the rest. So we do want perfect audio. Who
|
||
|
|
doesn't? You know, you don't want to listen, you don't want to be listening to crap audio. But
|
||
|
|
at the same time, you know, if you're, have the opportunity, you're in a boss and Linus Torvels
|
||
|
|
happens to be sitting there next year. And he's the only thing that you have is your crappy MP3
|
||
|
|
player. Yeah, that audio is going to be better than no audio. So that, you know, let's put things
|
||
|
|
into context because you know, yeah. And then another thing I read this week, Mike, one of our
|
||
|
|
long temples says he doesn't submit shows because, because he's afraid other people might know more
|
||
|
|
about what? Yeah, we have, we have plateau who does the new world order and he, he is basically
|
||
|
|
going through all the packages in the slackware. So essentially all the packages on the Linux
|
||
|
|
distro. And for some of the applications, he will open the image. I have not knew what this does.
|
||
|
|
And you can hear like, ma in space command. And then he reads it out. Okay, this is what it is.
|
||
|
|
I don't know why you would use that. And then Baba. And then two weeks later, there's a feedback
|
||
|
|
from some dude who has an old blah, blah, blah computer runs a tip deck. And this is the basis
|
||
|
|
of their inventory. And, you know, they have no money to update this tip deck and their entire
|
||
|
|
business is relying on this. And this command is very, very important to me. Yep. So like I did
|
||
|
|
one show right where we were short to shows and I give a tip on how to tell your left earbud from
|
||
|
|
your writing board, but put them not in it. That was basically just a call for shows. But it is
|
||
|
|
extremely useful actually. It's a good tip. And that spawned three different shows where people
|
||
|
|
send in other tips on how to introduce tactile feedback to the keyboard and to their mic and other
|
||
|
|
things. So it gets people thinking, my job is to is to lower the bar so much that people will
|
||
|
|
want to submit to us. I don't even know if that answers the question. And as far as the whole
|
||
|
|
circumcerned, I this weird thing where one of us, we've had, we've been running so long, I guess,
|
||
|
|
and that two of our hosts, I know, have passed away. Maybe more of them have, but Lord, Lord
|
||
|
|
Dragonwood passed away from cancer and 5150 passed away. It was a very good, very committed
|
||
|
|
to HPR and as was Lord D. And the weird thing was that we had known him by his, by his
|
||
|
|
both of them actually, by their handles. And then all of a sudden, this real name comes out,
|
||
|
|
you know, and this whole, for these people, there's a whole other part of their life that hasn't
|
||
|
|
been associated with HPR. So, you know, I've been, a kind of point I'm trying to make is, you know,
|
||
|
|
on the internet, nobody knows your account. So I was at a camp one day and I was just sitting at
|
||
|
|
the breakfast table, breakfast table, nothing on the Maywest, you know, yourself. And I heard some
|
||
|
|
do I? Yeah, well, you know, it's okay. No details, Christopher, please.
|
||
|
|
You've been tired of it, right? You've seen Irish people go follow one more. I've lived, I've lived
|
||
|
|
that for about eight years, yes. Yes, yes, I think you very well know one of me. If you haven't
|
||
|
|
experienced yourself, you've seen other people living this. But anyway, turns out, like,
|
||
|
|
you hear another fellow podcaster. And, oh, yeah, but you don't look like that. So it's,
|
||
|
|
it's, yeah, it's kind of weird, not knowing who your hosts are. Joe wrestling comes to mind, yes.
|
||
|
|
Yeah, yeah. I can't just, just wondering, you will see or HPR seems to have quite a few
|
||
|
|
regulars on this schedule, like clad to, like anonymous, like other people come to mind. What do you
|
||
|
|
think or what with the ratio between regulars and ones off? Or people who just produce shows very
|
||
|
|
irregularly, let's put it this way, as in what's in the blue moon? And the quick answer to that is
|
||
|
|
not, not enough. We don't have enough dried by horse. So if in the morning, everybody who listens
|
||
|
|
to HPR submitted a show for a start, we would have enough shows for the next 10 to 15 years. But
|
||
|
|
if everybody did that, then like we have 260 slots per year. So that's, that's not really a lot.
|
||
|
|
But of those about a half or more would be done by regular hosts. Half of them, okay. Yeah,
|
||
|
|
or more. And that's, and that's a bad statistic. Because, you know, I want the situation where you're
|
||
|
|
fighting to get a slot. And there's no such thing as an ideal show link that I always, I think,
|
||
|
|
I've seen some really short ones and some, some very long ones. I think you mentioned 24 hours.
|
||
|
|
Exactly. The, the thing, there's no limit on what the content can be. There's no limit about
|
||
|
|
what the topic is. You know, it can't be spam. Just, and I'm, yeah, it can't be spam. And it has to be,
|
||
|
|
you know, you've got to be, yeah, of interest hackers. But then again, if you're doing it,
|
||
|
|
then right there, you've got 50% of the hackers that you need. So you only need one more person
|
||
|
|
to be interested in what you're talking about for it to be of interest hackers. And as yet,
|
||
|
|
I have them across the show that I didn't find interesting. So, you know, that, the whole bar is
|
||
|
|
covered right there. Can't just wondering, define spam in, in, in HBAR context. Would be like, like,
|
||
|
|
art, like, you're not referring to the food stuff then. Yeah, I, I'll know when I see it. What,
|
||
|
|
what we, we have not had any, while we have had loads of comments spam, and even some good
|
||
|
|
comments spam. And I will say, if you are a spammer, please do a show on HBAR about that whole
|
||
|
|
technology, that whole field, that would be absolutely awesome. I'd love to, to hear about the
|
||
|
|
motivation, why you do this, the, the, the, the things that, the issues that you come across,
|
||
|
|
how you get around, uh, uh, blogs, what exports you, what exploits you use.
|
||
|
|
Can, you can only do so many shows on can't meet, no? Yeah, exactly. You could, you could make
|
||
|
|
it. But, uh, what I'll do is, I'll just listen to it. And, um, there have been one or two
|
||
|
|
occasions where we've had a comment spam come in, where it's been dodgy as to whether it is or not.
|
||
|
|
And what I'll do in that occasion is send it to the mailing list and say, okay, I think
|
||
|
|
this is spam, what do you think? Okay. Go by consensus at the point. If I, if I have a show,
|
||
|
|
and I'll fast forward, and those words like Linux and stuff, maybe it'll get posted before I
|
||
|
|
realize it. But more than, more often than not, I'll be more attentive to new hosts than regular hosts.
|
||
|
|
And just curious, um, never attempts to post shows by bots or something.
|
||
|
|
Bots tend, don't tend to post shows, no. Um, they do. The partles comments and the dead giveaways.
|
||
|
|
Hey, this was an excellent article, you know, it's not, it's not an article, it's a show. So, yeah.
|
||
|
|
Apart from the Selenium scripts are wrote to automate the upload process.
|
||
|
|
Yes, which brings me actually to a kind of minor, tiny question. There was some
|
||
|
|
letter proposing a, an API, a few, a few moons back. Um, unfortunately, there hasn't been much
|
||
|
|
progress on this. I'm just, and subsequently, this letter had to resort to other kind of more
|
||
|
|
mechanical devices like Selenium scripts. I'm just wondering if there will be ever an API
|
||
|
|
where you can simply include this upload process in your podcasting, producing workflow.
|
||
|
|
I think that the person who's requesting this is a, um, is unique in HPR's land.
|
||
|
|
Fair enough. It does happen. I guess, I guess. Other show, other hosts who post regularly do it
|
||
|
|
differently. They go through the process. Um, boss, I've been thinking, um, whatever I get time,
|
||
|
|
you know, the mythical, uh, mythical land where there is time. There is kind of a few things that we
|
||
|
|
are planning on doing with HGUR. One of them will not be done until I move doing some renovation
|
||
|
|
and the house and stuff. So, after that's done, later on this year. So, one of the things that we
|
||
|
|
would like to do is move the entire site to a text-based, uh, static site generated.
|
||
|
|
Like, like, like Hugo Orpingo in a sunflower dish. Something like, um, yeah, it'll be something
|
||
|
|
pythony because, uh, anything that we do in HGUR, we are a long tail project. So, if,
|
||
|
|
if we get volunteers coming to the project, their minimum commitment is they have to be willing
|
||
|
|
to support whatever it is they are contributing in terms of code for a minimum of two years.
|
||
|
|
And the reason for that is, like, we've been going for 15 years. So, it's a long-term commitment
|
||
|
|
on here in HGUR. And if you decide, if that contribution, um, is brilliant, whatever,
|
||
|
|
but if anything happens to you or you decide not to continue it, then other generators have to come
|
||
|
|
in and take over the maintenance of that code and we're already flooded. The main thing that we do
|
||
|
|
is trying to get new shows, trying to get people to submit shows. That is the main thing that we do.
|
||
|
|
Which is another reason why, if other people, if you meet somebody and you come across a topic,
|
||
|
|
always have in the back of your mind, would that be an interesting HGUR episode? And lots of people
|
||
|
|
will say no, but if 10% of those people say yes, then we have a new host. And if we can get one,
|
||
|
|
then to submit one show, it's possible we can get them to submit two shows, etc, etc. So that
|
||
|
|
keeps that in mind. However, if we go to a static site generated, um,
|
||
|
|
website, my kind of view is then we put in a distributed, um, we have, like, something perhaps
|
||
|
|
like a no-sequel database. Not a no-sequel database, but an SQL-like database. So the website itself
|
||
|
|
for the upload and the spam and whatever, that's a separate thing that will continue to be a
|
||
|
|
stack. But for the rest, um, excuse me, for the rest, I'm thinking of a sort of giz-like thing,
|
||
|
|
where you can edit your shows using GitLab instance, or GitLab instance, or our, you know,
|
||
|
|
GitLab-ish instance, GitLab-ish instance. That way, you know, if you want to go and edit
|
||
|
|
your show notes, you can, and we know it's you because you've got to log in and not the system
|
||
|
|
knows it's you because it's you. And that way, perhaps, we can upload shows that way as well.
|
||
|
|
Then it becomes like just a Git workflow that you submit shows, and then we need to,
|
||
|
|
we need to treat it like a pull request, basically. That's kind of very good.
|
||
|
|
Somebody wants to, uh, somebody wants to work with me on that at some point, bearing in mind,
|
||
|
|
I've been saying this for ages, but, no, very effectively.
|
||
|
|
So, that's the case, very good. And then the whole point is, I want to be able to take that database
|
||
|
|
so that anybody can replicate it, and then, you know, good luck trying to ded our sauce, because
|
||
|
|
everybody's got a copy of the database, and everybody can just check it, check, get, check out
|
||
|
|
their version of nursing, the media, and boom, you've got, you've got this distribution metric.
|
||
|
|
And again, like you were saying earlier, oh, uh, all these other people are syndicate in your
|
||
|
|
content. Great. Now, syndicate the database, syndicate the content system. So that's, I mean,
|
||
|
|
good to hear because the luck that I'm kind of tech supporting, and has made this move about
|
||
|
|
two weeks ago, we were running in my mind, which is a Python based CMS, and that given the fact that
|
||
|
|
the Python 3 part is nowhere near, uh, completion with regards to being able to run on Python 3,
|
||
|
|
we decided to abandon the idea of continuing my mind, and went for you, which is a set exact
|
||
|
|
generator, and that is basically combined with a GTIA instance. So essentially, it's, it's that
|
||
|
|
where, it's that where workflow that you're describing, you simply basically, whoever has,
|
||
|
|
whoever has, as a token or like, or login access to that side, can submit a pull request,
|
||
|
|
this is then approved, and then as part of an automated workflow, once you submit, or once
|
||
|
|
you pull request is accepted, you simply put in a hook that essentially regenerates the
|
||
|
|
setting HTML, and that works flawlessly. Perfect. I look forward to your show on that. In fact,
|
||
|
|
let's walk on this, yes. Because I would really like, um, you to do something like that,
|
||
|
|
uh, but like, take it as a, I don't know, a pet shop or something, you know, take a,
|
||
|
|
doesn't have to be here for take it as a, as a static website, um, and try and keep it as simple,
|
||
|
|
just bare bones as possible. You mean that by Selenium's script are basically then we will be
|
||
|
|
a think of the past? Excellent. You're on weight. I really want to go to a, I want to go to a stage
|
||
|
|
where people have their own, I don't know who you are. It's some of the fundamental things that
|
||
|
|
that HPR Center is kind of the whole, um, the whole energy in the sense that we, we don't want
|
||
|
|
rules. The only rule really is the one show a day, five days a week, and that, that rule is
|
||
|
|
currently up for discussion, discussion on the mailing list, uh, and as good that it is, um, as a
|
||
|
|
contributor as a HPR member, um, not as a janitor at the moment, my feeling on it is that we should
|
||
|
|
release every weekday, wanted to Friday because you have consistency, and you know, if you turn
|
||
|
|
on the radio in the morning and the news isn't there at nine o'clock, you know, your friendly weather
|
||
|
|
guy, uh, isn't there telling you what the traffic situation is, then you lose trust in that network.
|
||
|
|
So that's one thing. But a lot of guys and a lot of podcasts, especially when we started, there was
|
||
|
|
not the, the joy of podcasting back in the day was, hey, the show can have efforts in it great.
|
||
|
|
My show can have, can be four hours long today and I'll release another one in four weeks time
|
||
|
|
and our assessor will just pick it up, but we keep it a lot of that on the HPR, and it's important
|
||
|
|
I think that we do. Nice, nice. Yeah, so I was going to kind of follow on from that is, you know,
|
||
|
|
I've done about you, but it sounds so, or it sounds so, I got the impression that podcasting is
|
||
|
|
becoming more and more mainstream. Yeah, mainstream. Um,
|
||
|
|
Martin, we are obviously not for the youngsters, but
|
||
|
|
are you implying we are mainstream now? Oh god, I don't think so.
|
||
|
|
But, um, I mean, you've done this for, well, you know, not yourself, but, um,
|
||
|
|
HPR has been going on for 15 years. How do you see this, um, ending up in the next,
|
||
|
|
oh, I'll say 15 years. It's, it's, it's, it's kind of funny as I said earlier, it's a long-term
|
||
|
|
project and you see stuff calm when you stings have to go, you've seen, you know, what goes around
|
||
|
|
comes around. And we're, we're in a situation now where a lot of people are, there's a lot of
|
||
|
|
podcasts out there and there's a lot of aircoats competition. So we are going to see a, a case in
|
||
|
|
the subscriber numbers, which we have. And also the COVID has hit the subscriber numbers. So it's
|
||
|
|
been in a bad way or in a good way. Yeah, yeah, it's going to, it's, um, there's, let me see, um,
|
||
|
|
Dar, over there on the, if you go to the HPR, uh, Twitter feed, there's a, um,
|
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HPR statistics. So we've got, uh, 40, we were steadily grown from around, say, 2017,
|
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up until the start of the pandemic, we went from, uh, 25,000 to 40,000 subscribers a month,
|
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you know, steady growth, up and down. Yeah. Wow. And we, and we've seen that now, uh, plateau in the
|
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|
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last year or two, um, to around 35,000. So our gaming subscribers, uh, at the same rate as we're
|
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|
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kind of losing. But that's down to the COVID. I mean, I don't, that's down to the COVID, Jesus,
|
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|
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because I, uh, I also, I don't have a three hour commute anymore. So, uh, I've got a Q
|
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|
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podcast. I, I'm working or I'm doing tech support for the kids, uh, or I'm going out for my
|
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mandatory walk with my wife. Not that I, you know, life's different. I don't have as much, uh,
|
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downtime waste of time. So, uh, that's the thing. And then you have, you have things like the BBC,
|
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you are releasing a lot of shows on, uh, you know, shows that, that they, and even our,
|
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|
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the national broadcasters here, the national broadcasters are in order to be relevant. They're
|
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spinning off lots of shows that are relatively niche into the podcasting world. And that's,
|
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|
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that's great. Which is, you know, it's funny because, um, I was a merc, and, uh, one of the managers
|
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come up to me and goes, Hey, Ken, does this cool thing podcasting ever heard about it?
|
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I'll do it for your business darling. Yeah, we've been running for 15 years.
|
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You used to say that, but it's, it's good. It's good. The guys, you know, yeah, again, back in the day,
|
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it was, it was kind of this rebel belay thing. And then that went to how do we monetize it and,
|
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you know, I got to monetize it and produce in 50 shows a week and basically living in my mom's
|
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|
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basement, um, which is absolutely fine, of course. Um, but, you know, that was, that was the thing,
|
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|
|
how to monetize it. And now national broadcasters need to do it in order to stay relevant. So, yeah,
|
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|
|
but then again, there comes a point where you listen to all these shows, and I had at least a
|
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|
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point where I'm listening to all these shows. And I think, well, I can contribute, how do I contribute
|
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|
|
back? I've got all this excellent knowledge, um, from people, how do I contribute back and
|
||
|
|
podcasting yourself is a way to do that. But this particularly in HBO, if you have something
|
||
|
|
that's relevant, then, um, then it's submitted here because, uh, we go on the internet archive,
|
||
|
|
and that's, you know, that's got a, the whole point of the archive project is, which is an
|
||
|
|
interesting thing if you do some research on what they've done. Um, they're replicating the,
|
||
|
|
the archive in multiple places. And hopefully, you know, if Armageddon comes, the, the recordings
|
||
|
|
of your voice in HBO will be there forever. And when the aliens come along to figure out
|
||
|
|
what it was, they'll be tuning into the Linux and those go, yeah, I can see why this project was
|
||
|
|
destroyed. Yeah, enough. So, so can find it before we wrap this up because we have to, in a few
|
||
|
|
minutes, because we don't want to kind of break the two hour mark, I suppose, any final call to action.
|
||
|
|
Yes, um, I, I need you to submit yours, uh, the people listening, and I need you if you think
|
||
|
|
that you can't submit show because, I don't know, English is in your first language, you'll have
|
||
|
|
speech impediments or whatever. Then write the script for us, and we have a team of highly-paid
|
||
|
|
professionals who will, uh, who will narrate that for you and submit it as your show. That's not a
|
||
|
|
problem. Um, if you are just keep it in the back of your mind is this HBO show hacked as a scout
|
||
|
|
for HBO. And, um, have a listen because getting, keeping the show, uh, the, the fees,
|
||
|
|
elderfold, that's a full time job. And if, if we have scouts out there helping us to do that,
|
||
|
|
that will be great. And another thing is we don't have a, we don't have a Wikipedia entry.
|
||
|
|
And the reason for that is we have, uh, how many homes,
|
||
|
|
all the people who are technical in nature are barred from doing that because they've also
|
||
|
|
missed the shows to HBO. And they're no longer, uh, no longer allowed to do that.
|
||
|
|
So, I mean, this is, this is the important bit people. Yeah, that's 24 people.
|
||
|
|
If, if you can manage to put in references that point to HBR of good quality,
|
||
|
|
on good quality websites, finally, Wikipedia will accept the entry. The entry is there.
|
||
|
|
It just needs a few more references. And then it's good to go. Then the editors will decide
|
||
|
|
that this is worth publishing. I taught myself about a year ago, or maybe one and a half years ago,
|
||
|
|
but I, but the, but the links simply weren't there. So the feedback that I got basically was,
|
||
|
|
if you can provide more quality links, we think about publishing this Wikipedia entry.
|
||
|
|
I reckon it's about 97% complete. All we're missing is a good few backlinks to HBR of quality
|
||
|
|
sites coming, coming from quality sites. And then we're there. And can to your first point,
|
||
|
|
absolutely. I mean, just the links in us is probably the best example about almost over,
|
||
|
|
slightly over a year ago, we were a little unknown herd of podcasts. Now we are getting offers
|
||
|
|
for TV shows. Cartels hunt us with the guts to kind of, I can't really talk about the details,
|
||
|
|
but there's a lot of money involved. Never mind global syndication rights people. Think about it.
|
||
|
|
It only took a year. Jokes aside. We do have bottom line is actually HBR's
|
||
|
|
the place to be. That's what I'm saying. Absolutely. On the above page of HBR,
|
||
|
|
there are references to where we've been published in news articles and print media and stuff like that.
|
||
|
|
So who can that has been more than wonderful? And we would love to work on ours, but yes,
|
||
|
|
but unfortunately we're working on the time budget. Thank you very much for being on this.
|
||
|
|
I'm dead sure that this won't be the last show that the Linux in-laws will do on HBR.
|
||
|
|
So we'll stay tuned and thank you for your time. And of course we are happy to be on HBR.
|
||
|
|
Yeah indeed. Thanks a lot Ken for all the great work. Yes, we do have feedback.
|
||
|
|
We do. We do. It's great. Some are called Brian.
|
||
|
|
In Ohio, if I'm a completely mistaken. Yeah, it's certainly confusing whether he's
|
||
|
|
suggesting he's not from Ohio. It's just temporary visiting. Brian, if you, if you're listening,
|
||
|
|
please do get in touch. The email does the feedback and it will send us on the you.
|
||
|
|
You don't have to post a comment on that. He just got in touch.
|
||
|
|
Yeah indeed. You want him to come in touch again.
|
||
|
|
No, but he posted this on on HBR. Brian from a personal approach, which is of course always
|
||
|
|
appreciated. The email does the feedback and Linux in-laws on the you, but of course posting
|
||
|
|
comments on HB radio is fine as well. So why don't you read out the feedback?
|
||
|
|
Well, the good idea. Yes. So Brian, not Brian from the
|
||
|
|
life of Brian, I think. Brian, as a topic is free speech and he says, so free speech is okay
|
||
|
|
unless the FSFE decides it's not okay. Except for RMS's quirky behaviour, he was never
|
||
|
|
accused of doing anything illegal. He was merely exercising his right endowed by our creator
|
||
|
|
of free speech. His only fail was not realizing that the source police had invaded the FSFE
|
||
|
|
down with Big Brother. So Brian, fair point. Indeed.
|
||
|
|
No, no, Martin, of course, he's absolutely spot on. It's all about free speech. So if you want
|
||
|
|
to endorse pedophilia, I'm just saying that as an example, you're free to do so, of course.
|
||
|
|
But as pedophilia implies, there is a certain, what's what I'm looking for?
|
||
|
|
Common sense. Yeah, there's common sense in this legality, right?
|
||
|
|
Yes, not to bring up certain subjects in certain contexts. And if the track card of a certain
|
||
|
|
written instrument never mind the historical records I need to go by. He didn't endorse,
|
||
|
|
he didn't endorse pedophilia, but what he said came, that came very close to this. My personal
|
||
|
|
interpretation of the matter, I need to say, but links, of course, will be in the show notes. But
|
||
|
|
even just from an ethical perspective, and this is exactly what the FSFE and the FSFE
|
||
|
|
and certain parts of the FSFE and the FSFE in particular, basically objected to. It's simply not on.
|
||
|
|
You see, you do not make jokes about that people. There's reason for this.
|
||
|
|
Similar, you don't endorse pedophilia. What's wrong with making jokes about that people?
|
||
|
|
You don't do it. Well, they're not going to hear it, are they? Correct, but you see the people who
|
||
|
|
still do it. They're not mine either. They object to this. Yes, that's fair.
|
||
|
|
Wait, not all of them, but certain people will. So it's about basic social protocols
|
||
|
|
that may have been violated here, and even the thought of this, and this is nothing to do with
|
||
|
|
thought police. Sorry, it's simply not on. So of course, Richard Amsterdam claimed that he's
|
||
|
|
suffering from autism. Even if there's not a pretext, that's only a lame excuse, at least
|
||
|
|
that's what it's coming across like. Sorry, this is not really on. Of course, this is my personal
|
||
|
|
opinion. Martin may disagree, but in the broader social context remarks like this that won't fly.
|
||
|
|
And that's exactly what many people have reacted to. Of course, we are talking about democracy here.
|
||
|
|
So everybody is free to voice their own opinion goes without saying. But quite a few people have
|
||
|
|
objected. Have voiced their objection on place like GitHub, and that's exactly what happened
|
||
|
|
in within the FSFE. And there has nothing to do with with with with big brother or the
|
||
|
|
police. No, it's basic moral standards here. Well, it's it's more so as you say, I'm putting in with
|
||
|
|
the society, live in my view. It's it's well in good saying that pre-speech has to be completely
|
||
|
|
free and nothing else matters. But if you're operating within the society, you have to abide by the
|
||
|
|
that's that's exactly the legal rules, but also the unbuttoned rules. Yes, we are marked as
|
||
|
|
explicit for a reason, a lack of public radio, because we do say things that might offend people.
|
||
|
|
But if Mama subscribe, we've never really endorsed Peter, Peter, or the way Martin
|
||
|
|
not that wouldn't go past. No, our own salt police system. And that's and that's exactly it.
|
||
|
|
We may imply unions and with vampires and all the rest of it, but there's a certain threshold
|
||
|
|
that we normally do not cross. We we we we we may we may make jokes about certain topics.
|
||
|
|
But for example, we do not endorse pedophilia. It goes without saying at least not in this
|
||
|
|
year's context. And I think that we should leave that. Yeah, yeah, I'm sure that some people
|
||
|
|
may comment should they wish to. That is our needs. And of course, exactly. If you disagree,
|
||
|
|
feel free to send mail to a former session deaf, former session, no, of course not. The email
|
||
|
|
says feedback. This is the Linux in laws. You come for the knowledge. But stay for the madness.
|
||
|
|
Thank you for listening. This podcast is licensed under the latest version of the creative
|
||
|
|
commons license. Tap attribution share like credits for the entry music. Go to bluesy roosters
|
||
|
|
for the song salute margo to twin flames for their peace called the flow used for the segment
|
||
|
|
intros. And finally to the lesser ground for the songs we just is used by the dark side.
|
||
|
|
You find these and other ditties license under creative comments at your mando. The website
|
||
|
|
dedicated to liberate the music industry from choking corporate legislation and other crap concepts.
|
||
|
|
Ever wondered what my beloved co host gets up to when nobody's listening?
|
||
|
|
Is it peddling contraband to cartels in central america?
|
||
|
|
Hold cell weapons dealing or organizing coke supply chains on the global level.
|
||
|
|
Stay tuned and find out yourself.
|
||
|
|
You
|
||
|
|
That's a little
|
||
|
|
Um...
|
||
|
|
Shocking, isn't it?
|
||
|
|
Semipro-Wistling and humming?
|
||
|
|
Who thought of that?
|
||
|
|
But wait, there's more.
|
||
|
|
Now for the grand finale.
|
||
|
|
Is that on...
|
||
|
|
Thingy...
|
||
|
|
...blowd...
|
||
|
|
...thingy-cloud, or a thingy-cloud?
|
||
|
|
Oh, there is, got it.
|
||
|
|
Okay.
|
||
|
|
You see, Martin, it's not enough to increase the lock-in.
|
||
|
|
You have to take a look at the locks too.
|
||
|
|
I'm just saying. That's a good idea. Why didn't I think of that?
|
||
|
|
You know what the latest craze is?
|
||
|
|
I just found out the other day because the federal idiots are running the show now.
|
||
|
|
Okay. You heard about this, right?
|
||
|
|
The individual federal states and listen to this.
|
||
|
|
Past a law? Yes.
|
||
|
|
Past an emergency legislation that allows, that gives Berlin more power.
|
||
|
|
In terms of really cracking down on local level with regards to school openings,
|
||
|
|
barbershops, shops in general, all the rest of it.
|
||
|
|
But you see, it's a federal state. It's not the UK. There's a difference.
|
||
|
|
It's a federal country where we have these weird splinter groups as well, like Wales and Scotland.
|
||
|
|
Not even coming close, Martin.
|
||
|
|
Okay. Now my local gym demands an attestation from a doctor so that I can get in.
|
||
|
|
Okay. And this is coming directly from Berlin.
|
||
|
|
You've been listening to Hacker Public Radio at HackerPublicRadio.org.
|
||
|
|
We are a community podcast network that releases shows every weekday, Monday through Friday.
|
||
|
|
Today's show, like all our shows, was contributed by an HPR listener like yourself.
|
||
|
|
If you ever thought of recording a podcast, then click on our contributing to find out how easy it really is.
|
||
|
|
Hacker Public Radio was founded by the digital dog pound and the Infonomicon Computer Club.
|
||
|
|
And it's part of the binary revolution at binrev.com.
|
||
|
|
If you have comments on today's show, please email the host directly.
|
||
|
|
Leave a comment on the website or record a follow-up episode yourself.
|
||
|
|
Unless otherwise stated, today's show is released under Creative Commons,
|
||
|
|
Introduction, ShareLite, 3.0 license.
|