112 lines
6.4 KiB
Plaintext
112 lines
6.4 KiB
Plaintext
|
|
Episode: 4167
|
||
|
|
Title: HPR4167: Removing another obstacle to recording an HPR show
|
||
|
|
Source: https://hub.hackerpublicradio.org/ccdn.php?filename=/eps/hpr4167/hpr4167.mp3
|
||
|
|
Transcribed: 2025-10-25 20:39:03
|
||
|
|
|
||
|
|
---
|
||
|
|
|
||
|
|
This is Hacker Public Radio Episode 4167 for Tuesday, the 23rd of July 2024.
|
||
|
|
Today's show is entitled, removing another obstacle to recording an HPR show.
|
||
|
|
It is the tenth show of Biza, and is about five minutes long.
|
||
|
|
It carries a clean flag.
|
||
|
|
The summary is, not everyone is comfortable speaking to an audience directly.
|
||
|
|
Biza addresses this problem.
|
||
|
|
Hello again, this is Biza.
|
||
|
|
It's been quite a while since I last submitted a show to Hacker Public Radio.
|
||
|
|
I've been shamed into producing a new one by the number of recent episodes which have
|
||
|
|
been drawn from the reserves.
|
||
|
|
There's really no excuse for me or anybody else.
|
||
|
|
Everybody who listens to HPR has something worth saying.
|
||
|
|
Who listens to HPR can produce a show.
|
||
|
|
What's stopping you?
|
||
|
|
Perhaps you think you need some expensive recording gear or complex editing software.
|
||
|
|
If you've got a phone or a tablet then you've got a viable audio recorder.
|
||
|
|
Write a script and read it, or speak off the cuff.
|
||
|
|
It doesn't matter, as far as editing is concerned it really isn't difficult at all.
|
||
|
|
You can pick up the basics of cutting out any unwanted bits, using a tool like Audacity
|
||
|
|
in a few minutes.
|
||
|
|
Personally I prefer an application called MHWaveEdit, which is simpler still.
|
||
|
|
However, you may not need editing software at all.
|
||
|
|
There is a certain charm and honesty about uncut recordings, where every hesitation,
|
||
|
|
cough or any other extraneous sound is left in.
|
||
|
|
I often find myself preferring these rough recordings to the super slick ones produced
|
||
|
|
to professional standards.
|
||
|
|
I'm sure I'm far from being the only HPR listener who feels that way.
|
||
|
|
So you've got the equipment and decided whether or not to use editing software.
|
||
|
|
What else is holding you back?
|
||
|
|
You think you have nothing that anybody will be interested in hearing?
|
||
|
|
You're not an expert in anything?
|
||
|
|
You just don't realize how wrong you are.
|
||
|
|
The HPR audience is not made up of one-dimensional nerds with no interest in anything but tech.
|
||
|
|
Well I suppose there may be one or two, but they will be by far the exception.
|
||
|
|
There have been dozens or even hundreds of episodes which have nothing at all to do
|
||
|
|
with information technology, or any other aspect of technology for that matter.
|
||
|
|
Among my personal favorites were Klaatu talking about urban camping and Dave Morris
|
||
|
|
talking about fountain pens.
|
||
|
|
Everybody has had unique experiences.
|
||
|
|
Perhaps something has happened to you from which you learned a valuable life lesson.
|
||
|
|
Recording an episode about it might just save somebody from making a serious mistake.
|
||
|
|
They say that everybody has at least one book in them.
|
||
|
|
I would bring that up to date by saying everyone has at least one HPR episode in them.
|
||
|
|
There is however still one more potential barrier to recording an episode that nobody ever talks about,
|
||
|
|
and it's the one that affects me.
|
||
|
|
I hate public speaking and I dislike the sound of my own voice,
|
||
|
|
so I get very self-conscious speaking into a microphone.
|
||
|
|
I've had to give my share of presentations in my time but never felt comfortable doing it.
|
||
|
|
I used to be told that the more often you speak to an audience the easier it gets.
|
||
|
|
I didn't find that to be true at all.
|
||
|
|
Then one day I saw a video somebody had recorded of me giving a presentation.
|
||
|
|
It was dreadful and that destroyed what little confidence I had left to speak in public.
|
||
|
|
In my case it's more than a little ironic because after a couple of beers in the pub you can't shut me up,
|
||
|
|
but as soon as that red light on my audio recorder comes on,
|
||
|
|
I have a tendency to lose my train of thought or just dry up.
|
||
|
|
I'll bet I'm not the only person afflicted in this way.
|
||
|
|
This short episode is a demonstration of a solution to this problem.
|
||
|
|
I've got the equipment, I've got the software and I know how to use it.
|
||
|
|
I've got things to say as well, but I can't get a new personality or a new voice.
|
||
|
|
Fortunately technology has come to the rescue.
|
||
|
|
I'm not going to say it's artificial intelligence because it's not.
|
||
|
|
Same as with the 99% or more of all the many applications for which that claims me.
|
||
|
|
It is though a technology developed by some very clever people.
|
||
|
|
It's text to speech software.
|
||
|
|
It's been around for years of course.
|
||
|
|
In fact, my daughter who has mild learning difficulties used some software called
|
||
|
|
Dragon Naturally speaking at school well over 10 years ago,
|
||
|
|
which could convert any text into recognizable speech.
|
||
|
|
Back then the output was decidedly robotic.
|
||
|
|
What has changed dramatically in recent years though is the realism of the spoken words
|
||
|
|
transpose from the text.
|
||
|
|
For this episode I'm using an online tool called text magic.
|
||
|
|
It can process text up to 2,500 characters in length written or pasted into a text box
|
||
|
|
or uploaded in a text file.
|
||
|
|
It only takes a minute or so to process the text and playback the output.
|
||
|
|
You can also download the output as an MP3 file.
|
||
|
|
You can join those downloaded files together using any audio editor
|
||
|
|
and thereby get around that 2,500 character limit.
|
||
|
|
I'll put a link to this TTS tool in the show notes but there are many others these days,
|
||
|
|
both online and those you install locally.
|
||
|
|
There are lots of voices to choose from.
|
||
|
|
I'm using one called English US casual K,
|
||
|
|
which to my ears is the most realistic of the lot,
|
||
|
|
but you may well think otherwise and choose a different voice
|
||
|
|
or a different TTS application for that matter.
|
||
|
|
While I wouldn't call it a downside,
|
||
|
|
using this voice gives me an American accent,
|
||
|
|
which I find amusing being a London boy,
|
||
|
|
but that doesn't matter in the slightest.
|
||
|
|
You'll have to judge for yourself how effective this electronic voice is at recording an HPR show.
|
||
|
|
My own view is that it is not too far off the mark where intonation and stress are concerned.
|
||
|
|
It certainly does a far better job than I could do with my own voice.
|
||
|
|
If this experiment opens the door to just one other person recording an HPR episode,
|
||
|
|
it will have been worth it.
|
||
|
|
I have a feeling that I will be recording episodes a bit more frequently now.
|
||
|
|
Bye for now.
|
||
|
|
You have been listening to Hacker Public Radio
|
||
|
|
at Hacker Public Radio.org.
|
||
|
|
Today's show was contributed by a HPR listener like yourself.
|
||
|
|
If you ever thought of recording podcasts,
|
||
|
|
then click on our contribute link to find out how easy it really is.
|
||
|
|
Hosting for HPR has been kindly provided by
|
||
|
|
www.unsthost.com, the Internet Archive, and our Sync.net.
|
||
|
|
On this otherwise stated, today's show is released under Creative Commons Attribution 4.0 International License.
|