303 lines
28 KiB
Plaintext
303 lines
28 KiB
Plaintext
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Episode: 852
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Title: HPR0852: GNU Emacs 1
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Source: https://hub.hackerpublicradio.org/ccdn.php?filename=/eps/hpr0852/hpr0852.mp3
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Transcribed: 2025-10-08 03:34:00
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---
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Everyone, this is HackerPublic Radio. My name is Klattu, and this is the beginning of a mini-series
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on EMAX, and before you press fast forward, don't worry, this is not a religious word.
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I'm actually kind of both an EMAX and VIN user. I use EMAX for my creative and technical
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writing, and I use documentation kinds of things, and then I use VIN really for conf files
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or quick edits when I'm updating my index page on my little other podcasts website. I
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use both. I can't get into the whole EMAX versus VIN ones better than the other. I'm
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just not there. Maybe at some point in the future someone will make me a really good
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offer, the EMAX liberation front or the VIN people's army will make some kind of offer
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to me and sway me over to their side, and I'll use one or the other exclusively, but for
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now I'm pretty good with both of them. I'm happy with both of them. I think they both
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do different, they both feel different needs quite, quite well. I'm well aware that both
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of them are powerful enough really to be expanded upon and really become really the
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only editor one may ever need, but right now I'm fine with using both. Besides that,
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I think that we all know that the real in any here are those little or text editors
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like Nana or Pico or G-Edit, which claim to be real text editors when really they're
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just trying to detract from the power and market share of EMAX and VIN. So watch out
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for those. Anyway, my point is that I'm not selling you EMAX here. This is not a show
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about why you must use EMAX, why it's so great, why it has a bad rap, but really it's such
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a great application. I don't care about any of that stuff. I just am finding that like
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any really good application, the further you, the more you use it and the further you
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kind of like start to explore all of the different options, the more you find out that,
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wow, it really lives up to its reputation as a robust platform. So here's what EMAX does
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for me. It's got plugins galore. If you want, I don't know that they're called plugins,
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like I say I'm not, I haven't really been indoctrinated into the whole EMAX fold and I don't
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know the terminology. I call them plugins. They could be called modules, whatever. It's got a
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lot of them. I don't know if you've heard, but yes, it's got a lot of stuff that you can
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load into EMAX and they become little applications in and as of themselves. And it's very powerful.
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So no matter what kind of text editing you are doing, you could probably imagine, you can probably
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count on there being a module to help you do that thing. So whether you're programming in Ruby
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or Python or C code, I imagine, or you're editing confiles, XML work like Docbook, whatever,
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or even HTML, I use the XML mode for HTML. Or like I've mentioned on my show quite a bit,
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even screenwriting. There's just all kinds of modules that you can load up. And of course,
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it's customizable enough that you can just assign them to a certain key binding and it can be like
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F1 or F4 or whatever you want. So they're very, very easy to get to. EMAX has accessible programming
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language that it uses called Lisp. And I believe that the variant that EMAX specifically uses is
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called ELisp. And I don't know anything about Lisp or ELisp. I don't know why it exists or who
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came up with it. I know it's pretty old. It's actually pretty easy. Well, I shouldn't say easy.
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It's accessible, meaning that even if you're just a new like me, non-programmer, don't know what
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you're doing. If you open up a couple of ELisp plugins that you use, or you open up even a very
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complex .emax file, which is a config file for EMAX, you look at it and you honestly, you start
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to get a feel for what they're doing. You start catching on to little conventions that, you know,
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if you hang around enough, you start to really kind of get into it and you start to make up some
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of your own. You save it. You try it out. It doesn't work. You go back, you do it again, and it
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kind of works. You finesse it. And finally, you've got little stanzas of ELisp that you've written
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and is working, you know. So I don't know if that's really programming. I don't know what that
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would be called, but it is very, I guess, hackable. And I'm telling you, it's very hackable from,
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this is coming from me. Clat 2, not a programmer. And even I, little old me, was able to take
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the screenwriting plugin that changed my life and let me write screenplays in EMAX
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on any platform that EMAX would run on, which is basically everything, any processor, you know,
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in EOS, whatever. I was able to take that plugin and actually patch it and add functionality to it.
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And that's not normal. So, so there's obviously something going on with this little Lisp or EOS
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thing that someone who doesn't know anything about programming can actually figure out. So,
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that's exciting. It's also accessible to blind people. And I've done a, I think, a whole episode
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on this and and I've written an article on it. I don't, I think it was about to be published and
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then it wasn't published, but, you know, it's out there anyway. And it's, there's this whole
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interface called EMAX speak, which is an E speak based interface that will read lines
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on it within EMAX. And since EMAX has so many plugins in theory, you could really,
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if you're blind, you could launch EMAX. You could even launch it upon login. And you'd have a
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fully spoken text based spoken interface that you can use at any time. And especially since,
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I mean, like I say, if you have any kind of propensity toward coding, you, you might even be able
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to really kind of tweak your environment to exactly how you want it simply because it is so
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accessible for, for everyone. There's endless customization. Like I say, it's very accessible,
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programming environment, but it's also just, it's, it's, there's so much you can do with it.
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Everything is customizable. It's, it's really, it strikes me as something a lot like KDE,
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for instance, where if I want to put Mac keyboard bindings on KDE, it takes me one moment to load
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my little config file and bang, I've got that. If I want to make it look completely different,
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I can take away menu bars, I can move panels, I can do whatever I want to.
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So easily on, for instance, KDE, so that it works exactly how I want it, same deal with EMAX.
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You can just go into the dot EMAX file, your main configuration, and totally change everything
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around, change the keyboard bindings. If you don't like the whole control X, control Y, control X,
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control S, you know, all the control X control, you, you can change it. You can actually just tell
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EMAX to do a global set key and change the bindings. So you don't have to settle for whatever
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people are handing you, which is one of those oft sighted reasons for using Linux in the first
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place, right? People say, well, I really like Linux because I can customize it exactly for me,
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and the same truly applies to EMAX. It does teach you bash tricks ever since I started using EMAX
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on a fairly regular basis. My bash navigation has become a lot more efficient. I've gotten around
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in bash so much smoother, just from knowing all the EMAX key bindings. Now, again, I'm not trying
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to sell you on EMAX or anything. I'm simply telling you this. You're free to use, for instance,
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the Z shell and put in your VIM key bindings. And you too will be more efficient in your shell,
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in your terminal emulator. So the end result is the same, and that equals you getting better at
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what you do all day anyway. But I'm just saying, if you prefer, if you're using bash, if you know
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bash, you're comfortable in bash, and you are curious about EMAX, then learning the two
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in tandem actually really work well. Did I mention that there were plugins available? I think I did,
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but I should probably just mention that again. There are a lot of plugins for EMAX. And, of course,
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last but not least, there's even a text editor. Yes, I threw in that old joke. Okay, so some words
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of warnings because EMAX is very famous entity. And so there are some things that we should talk
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about, kind of clear the air, get a common understanding here. So first of all, yes, run EMAX in a GUI.
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Believe me, I used to think, because see, my introduction to EMAX was on MacOS 10. And MacOS 10
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ships with a slightly older version of EMAX, and you access it through the terminal, and you'll
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see on all these Mac rumor sites and Mac forums that there are these cool little hacks in the
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terminal. And what you do is you go in and you type in the word EMAX, and then once that launches,
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then you type in, I forget how they get you there, but it would be something like Meta X,
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the word Tetris. And then you can play Tetris in the terminal. And it's so cool. And people are like,
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oh, this is great. I don't know what this EMAX thing is, but there's Tetris. And it's in the
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terminal. So I must be really a power user now. When I found out about EMAX, which, of course,
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was actually because of Tetris, I realized that this must be a really cool application, and I
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started reading up on it, and I kind of found the GPL through that. Basically, it all went downhill
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from there. No more Mac. But yes, in my mind, EMAX was like this cool terminal thing. And when I
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heard that there was a GUI out for it, I just thought, well, that's just crazy. That's ridiculous.
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No one wants a GUI. And so I tried to teach myself EMAX in the terminal. And let me tell you, it was
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just with the tutorial, no less, the EMAX tutorial. And it was the most miserable experience of my
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life, I think. It was just, it was hard. They kept telling me not to use arrow keys, and I felt bad,
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because I wanted to use the arrow keys, so I was using control F and B and N and P, and they were
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all over the keyboard. It was horrible. It felt terrible. Do not do that. Don't do that to yourself.
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The non-X version of EMAX is so much easier to run after you run the X version of the Zorg
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version of EMAX. I'm not saying X EMAX. X EMAX is a different project, but there is X. And you should
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run X. And you should run EMAX in X. Do yourself that favor. You get the mouse, you get a friendly
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little menu, you get a scroll bar on the side. It will make you happy. You will like it.
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So that's probably how it's already installed on your distro. Like if you get EMAX from your
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repository, it's going to come down with X, but don't be like me and always launch it with the
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no X flag or whatever it was. It's just not worth it, trust me. You can learn it in Zorg,
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and then in the X graphic environment, and then you can SSH into a box somewhere and start using
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it without X, and it'll be great, because you won't need the menus by then. But at first,
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just don't do it to yourself. And for the record, one of the smartest,
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unix guys that I know swears by EMAX, and yes, he runs it in X. So don't fear the GUI. In this case,
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don't be a key binding snob. Again, I was trying to do the EMAX tutorial. They kept telling me
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don't use the arrow keys. I was learning Control F and B and P and N and all these other commands,
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and it was just terrible. It was a horrible way to navigate on a daily basis. The arrow keys are a
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wonderful invention. No one should have her have a keyboard without arrow keys. And I was trying
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to avoid them for a long while, and I just ended up with me not using EMAX at all. That was the
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end result. Rather than going into EMAX and using it, I would avoid it because I knew that I
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couldn't use the arrow keys or something stupid like that. So I finally realized that I have not
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been at a keyboard without arrows in a very, very long time, at least not regularly. Admittedly,
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there have been those times. And they're not computer keyboards. They'll be cell phone or Nokia,
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handset, things where you're in this hacked together terminal on a rooted device, and they don't
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have arrow keys. They didn't allow for that. So that's when you just kind of pull back from the old
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memory banks, the fact that Control F is for, Control B is back, Control P is previous line, Control
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N is next line, and that's all you have to do. That's enough. You've heard it from me once. You
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will probably remember it the next time you happen to find yourself in front of a keyboard without
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arrow keys using EMAX or BASH. Like I said, you can actually benefit a lot from these EMAX
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tips in BASH. But my point is, don't worry about having to play by rules and having this fear
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that, oh, what if I'm in front of someone else's computer, and they've got a standard install of EMAX,
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then what will I do? Because I won't know the key bindings. Yes, you will. Don't worry about it.
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It's not that complex. Customize. That's why we use this OS, and you'll be using this text editor
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for the same reason. So, yeah, feel free. Customize it. Make it exactly how you want it. You will enjoy it a
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lot more. And finally, don't be exclusive. Like I've said, I use both EMAX and VIM, and sometimes Kate,
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you know, I mean, it's just whatever you want to use. Don't think that you have to get into the
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whole cliche of, I'm a VIM user or I'm an EMAX user only or whatever. It doesn't matter. EMAX
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is a program. VIM is a program. They don't actually care what you use. They're not aware of your
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feelings. Use whatever you want to in that moment. If you're doing a quick edit to something and
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you want to use VIM, go for it. If you want to do something a little bit more complex or something
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with a plugin that you know you love, and you want to use EMAX, do that too. As funny as the
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the little cliche is, a little in joke about VIM versus EMAX, I think in real life people don't
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actually care. So you shouldn't either, really. So we should get started then. So if you haven't
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installed EMAX yet, or if it doesn't come pre-installed, and a lot of times it doesn't come pre-installed,
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because it is a big program. It's a very, very large program. And with just cause, I mean,
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if it was just a text editor at 75 megabytes, admittedly I would look at it maybe with a little
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bit of trepidation or suspicion, but it's so much more. So install EMAX from your distribution,
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or if you are not on Linux at the moment, you can of course get it for OS 10 from EMAX for OS X.com.
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I think it is. It's a nice little Coco GUI that you can use, and it'll still work exactly like
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normal EMAX. It's really, really great. And on Windows, they have a Windows binary on the EMAX site.
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You can download it. I don't really know how to install it, or how to even run it, but it's a
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binary. So you can launch it however you launch it on Windows, and it will open in some fashion.
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And again, it'll be exactly like EMAX that I'm talking about on Linux with the couple of
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exceptions, like I don't know where you would put the .emax file on Windows, for instance,
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but on OS X it'll be exactly the same. All the paths and everything will be basically the same.
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So yeah, it will run on anything, believe me. It's fantastic. I've got power PC boxes all over
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the place, and happily all of them run EMAX, and I can write a screenplay at a moments notice on
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any computer. So it's really nice, which is actually more than you can say for any other screen
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playwriting solution out there. But I digress. So let's get started. So launch EMAX.
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And the first thing you should see is a splash screen. And somewhere on that splash screen,
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there will be a little check box that says, don't show this next time. If I were you,
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personally, I would check that box because the splash screen starts to get annoying after a while.
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But whatever you want, but if you check that, then next time you launch it, it won't give you this
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splash screen. Here are the must-know key bindings. Control X, hit Control X, and then Control F.
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That finds a file. What is finding a file? Well, it means it's going to open a file that already
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exists, or it will establish a new file that does not yet exist. Now, if you hit Control X and then
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Control F, you'll notice that, well, in the GUI version, no, it's actually the same in both.
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You'll notice that your cursor kind of disappears sort of. And if you look down at the bottom of
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your EMAX window, there's this little strip down at the bottom. And it's asking you to find a file.
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So that's just where you can text into what file you want to open. This little strip at the bottom
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is called the Mini Buffer. And that's a term that you're going to want to remember. I'm going to
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try to use it fairly frequently. And I'll also call it the little strip at the bottom so that we
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keep remembering that we're talking about the little strip at the bottom. But that's the Mini Buffer.
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And that's kind of the interactive mode of the functions of EMAX. So anytime you're in EMAX and
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you're doing something, you're executing some kind of command that's then going to need another
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argument from you. It drops you down into the Mini Buffer. The great thing about EMAX is,
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one of the many great things is that there are no pop-up windows. I mean, obviously this is
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fairly common for textual, terminal kind of based editors. There really can't be pop-up windows
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exactly. I mean, there can be links uses it or e-links one of those two. But it's not really the same
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paradigm anyway. But EMAX doesn't do that. They give you little, what are called buffers,
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little frames within your window to respond within. On the other hand, if you want the GUI,
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you want the pop-up boxes and the dialog boxes, which is fine. Like I say, you don't have to
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be exclusive here and say that, well, I'm going to use EMAX and I'm not going to use any pop-up
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windows dialog boxes or for noobs. It's not necessarily true, or you might be setting this up
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for a noob. Either way, if you feel like that right now, then go to the file menu and you can
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choose either visit a new file, which will, if you select it, it will bring up a dialog box,
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just like a normal GNOME, probably XFCE, that kind of GTK dialog box, and you can create a new
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file. You can name the file whatever you want to, or you can visit or rather open file,
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and that will let you grab a file that already exists, and it will open it up in your main screen,
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in your main buffer, not the mini buffer, in the big buffer. And so that's opening a new file,
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or establishing a new file, either way. So if you do that, and you just type some random
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stuff into it, doesn't really matter what you write, but just give yourself some text to play
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around with. There you go. Now, the next thing you would probably want to do is save it,
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and that's Control-X, Control-S, for save. So already, you're probably getting the idea,
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okay, so these commands are largely based around Control-X. You would be right. A lot of the commands
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in EMAX, the preset commands that EMAX pushes over onto us are Control-X, or they're Control-X,
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and then some other thing. So it's a little bit like VIM, where you hit the Escape key,
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and then something. This is kind of like, okay, we're going to hit Control-X to get into a
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into a mode, we're into an executing something mode, and then we hit another keyboard shortcut,
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or another key, and it does something. So kind of good to remember that, and like I say,
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everything's customizable, as you'll see, but we'll stick with this for now. Control-X, Control-C,
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will close EMAX. Now, if you haven't saved your document yet, it will ask you, are you sure,
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you want to save? Now, like I said, normally in EMAX, it won't ask you in a pop-up window. I've
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seen the pop-up window come up, and that is if you go to the menu and select Quit, for instance,
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then yes, a graphical pop-up window will pop up, and you can choose whether you want to save it,
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or save all the buffers, or whatever. And we'll talk more about buffers, don't panic.
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But in, if you're just doing it with the Control-X, Control-C, then down in the mini-buffer,
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that little strip down at the bottom, it asks you, hey, or it tells you, hey, this buffer that
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you've got here isn't saved yet, you've made some changes, are you sure you want to quit?
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So you can say yes, and you want to save that yes, or no, I don't want to save it continue.
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So just read it, respond, it will do what you ask it to. It's very nice like that.
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Okay, what if you accidentally hit a key, like accidentally Control-X, and actually you didn't want
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to do anything, you don't have anything to do, you don't want to save it, you don't want to
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open a new file, you don't want to close, what do you do? Well, you hit Control-G. Control-G
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is the panic button. I don't know why it's Control-G, I always think of it as Gnu, like you have to
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call on Gnu to help you or something, I don't really know, but Control-G, that's like the panic button.
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If you ever do anything, and it's trying to get you into some other mode, or force you to give it
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a command, just hit Control-G a bunch of times, and it'll get out of that mode, and you're just
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being normal sort of text editing mode again. Okay, so those are the must-know key bindings,
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the ones that you've just absolutely, you've got to know about them. It is very powerful EMAX,
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because it has a built-in Gnu screen. I don't know if you know of Gnu screen, if you're
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a frequent terminal user, I'll bet you do know about Gnu screen. Gnu screen is this
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thing in the terminal that will launch invisible terminals on top of each other, and you can
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switch back and forth. So you have one terminal window open, and you might do a top on one,
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and then you can launch a new screen, and it just kind of overlays a new terminal over top,
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and you could do, I don't know, tail or demessage pipe tail dash F. Now you're looking at your
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little kernel message log interactively or continuously, and then you could do a new screen,
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and you'd have that open, and then you could go into a cont file and edit some stuff.
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You're using screen. Well, in EMAX, it's very, very similar to that concept. So you've got one
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window, right? You've got an EMAX window, and it's open. Well, right now we're sitting in this
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file, this Foo.TXT file that we started, but you could open a new file and call it bar.TXT,
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and then you'd be in that file. Where did Foo.TXT go? Don't worry, it's still open. It's just
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in this little invisible stack of windows that you've got inside of your EMAX window.
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So let's play around with that a little bit, and then we'll call it a day for this episode.
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But this is a cool feature, and I want to kind of get you familiar with this concept before we
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call it done. So buffers. Like I said, Control-X Control-F will open a file, right? So if you
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are without a file, do a Control-X Control-F to find a file, and you can create a new file,
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for instance, Foo.TXT. So this creates a new buffer, and the buffer is by default named
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whatever the file that it contains is named. So right now, if you've just typed in Control-X,
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Control-F, and then gave it the name of tilde slash Foo.TXT, or tilde slash documents slash Foo.TXT,
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whatever you're naming the thing, then your buffer is called Foo.TXT. And inside of that buffer,
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that buffer is an unsaved document without anything in it yet called Foo.TXT. So type some stuff
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into it. Just, again, just kind of give yourself something to play around with.
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Some text. Okay. And then Control-X Control-F. Now we're going to open a new file. So find a new
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file, maybe tilde slash bar.TXT. And now we've got another buffer called bar.TXT. How do I know
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this? Well, because I'm staring at a blank screen again. So we'll type in some more stuff. Now,
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we'll identify this for ourselves. I'm just going to type bar, bar, bar, bar, bar. So now I know
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|
this is bar.TXT. It's very readily apparent. Okay. So now we know because we did it that we have
|
||
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|
two buffers open. The question is how to get between them. It's actually really easy. Control-X,
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||
|
|
and then the letter B, as in buffer. So when you do that, look down at your mini buffer. That little
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||
|
|
strip down at the bottom. It says switch to buffer. And mine says default messages. That's because
|
||
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|
I'm not really doing everything that I'm saying I'm doing. But yours should, I think, say default
|
||
|
|
food.TXT. So you can hit return to switch over to food.TXT or you can hit the up arrow. And you'll
|
||
|
|
scroll through all of the different buffers that are actually open. You probably didn't even realize
|
||
|
|
they're open. There's a scratch. There's messages. And in mine, of course, there's a food.TXT.
|
||
|
|
And then hpr underscore emax, which is my little, the notes that I'm doing to keep me on track for
|
||
|
|
this. And then there's a blank one. And there's a dot emax. So there's all kinds of things open
|
||
|
|
right now. And if I just scroll up or down with my arrows, then they scroll through those buffers and
|
||
|
|
get me into one or the other. So I can switch back and forth. Essentially, I mean, if you think
|
||
|
|
of it, it's kind of like two windows on a desktop. If you do an alt tab, then you're switching back
|
||
|
|
and forth between those two windows. That's what you're doing here. Control X and then B. And you're
|
||
|
|
switching back and forth between your open documents. You can also, if you are a little bit overwhelmed by
|
||
|
|
so much scrolling, is just, instead of hitting up or down or enter in your little buffer dialog box,
|
||
|
|
just hit the question mark. And you'll see a new frame slide in from the side. And it has a list
|
||
|
|
of each different buffer that is available to you. And you can with your mouse. Yes, I know.
|
||
|
|
Using a mouse in emax, it's phenomenal. Now there are other ways to do this, but I'm going to,
|
||
|
|
we're going to use the mouse right now because I'm sure you're probably starting to get
|
||
|
|
pretty nervous with all this stuff going on. So we'll just click on the buffer that we want to
|
||
|
|
go into. And sure enough, it opens that buffer for us. Pretty impressive. So yes, there is a mouse
|
||
|
|
and you can use it to some degree. So that's buffers. That's the general idea of buffers. You should
|
||
|
|
try to play around with those buffers. That concept over the next week or so or whatever. Play around
|
||
|
|
with the keyboard shortcut. Control X, Control X, Control F for file, Control X, Control F for save,
|
||
|
|
Control X, Control C to close, and then Control X B to switch to a buffer. And you can always kill a
|
||
|
|
buffer too. If you get tired of looking at the same buffer all the time and you're annoyed with it,
|
||
|
|
you can Control X B to the one that you want to get rid of. Let's say the scratch, and then Control X
|
||
|
|
K to kill it. And it says kill buffer, default scratch. That's the one I'm in right now. I'll hit
|
||
|
|
return and now it's gone. It's no longer in my list of buffers. So that's kind of nice.
|
||
|
|
And remember, Control G is the old, good old panic button. It's really important to remember,
|
||
|
|
because you'll be using it a lot. Trust me. So that's it. I mean, that's the beginning of EMAX.
|
||
|
|
And already we've seen some pretty cool features like these buffers that keep getting automatically
|
||
|
|
created. When you open a new document, we've seen a new frame slide in from the side. It created
|
||
|
|
a slide that popped in. But you know, the new frame with this list that we could even click on with
|
||
|
|
our mouse, modern technology at its finest. So yeah, this is, this is very exciting. I can tell you're
|
||
|
|
you're excited for more, but I'm going to, I'm going to cut you off. I'm going to call it quits
|
||
|
|
for your own good. We will resume our EMAX lessons in another episode. For now, just practice the
|
||
|
|
commands and the keyboard shortcuts that I've given you. And then we'll do more in part two of EMAX
|
||
|
|
from Newbed to Pro. You have been listening to Hacker Public Radio. Our Hacker Public Radio does
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are we are a community podcast network that releases shows every weekday Monday through Friday.
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Today's show, like all our shows, was contributed by a HBR listener by yourself. If you ever consider
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recording a podcast, then visit our website to find out how easy it really is. Hacker Public Radio
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was founded by the digital dot pound and the infonomicum computer cloud. HBR is funded by the
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binary revolution at binref.com. All binref projects are crowd-responsive by linear pages. From shared
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hosting to custom private clouds, go to lunarpages.com for all your hosting needs. Unless otherwise
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stasis, today's show is released on the creative commons, attribution, share a line, read
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