Initial commit: HPR Knowledge Base MCP Server
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Episode: 1781
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Title: HPR1781: HPR Community News for May 2015
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Source: https://hub.hackerpublicradio.org/ccdn.php?filename=/eps/hpr1781/hpr1781.mp3
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Transcribed: 2025-10-18 09:16:07
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---
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This is HBR episode 1,781 entitled HBR Community News for May 2015 and is part of the series
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HBR Community News. It is hosted by HBR volunteers and is about 67 minutes long. The summer is
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main and can waffle on and on.
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This episode of HBR is brought to you by an honesthost.com.
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Get 15% discount on all shared hosting with the offer code HBR15. That's HBR15.
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Better web hosting that's honest and fair at An Honesthost.com.
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Hello everybody, my name is Ken Fallon. You're listening to another exciting
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episode of HBR15 Community News for May 2015. Joining me tonight are, hello, this is Dave
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and Dave and Dave. Actually, I should rename this to John Colpe, Dave Morris Community News.
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I don't know, I think John should be here earlier, rather than me.
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Yeah, it's true, it's true. I mean, welcoming our new hosts, which I'll do this month for no
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reason whatsoever, other than if we're welcoming Alpha32. Amazing editing managed to work that up.
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Anyway, for those of you joining HBR is a community podcast. What that means is
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the shows are submitted. The whole thing is contributed by and for members of the community.
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So everybody that listens to the shows are an equal member of the community. We would expect
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you to record some shows from time to time, and this is not a joke. We do actually expect you
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to record shows. It's not that difficult. It can be just as simple as my name is Blah. This is my
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story. I cannot think of a show to record. Thank you very much. This gets me off the hook for the
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year. And after hearing your story, we will no doubt be able to ask you for 20 or 30 different
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show topics. As John Colpe and Dave Morris are more than used to getting suggestions from me
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or stuff to record, correct or not Dave? That's that's very true. Yeah, yeah, to my cast, I can say
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that's true. So anyways, community news. What is this? It's the community news. It is a show where we
|
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talk about the stuff that's been going on behind the scenes. Behind the scenes is actually
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completely in front of the scenes, to be honest, because it's the behind the scenes are what's
|
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the shows that have been played, which are obviously on the RSS feed, mailing these discussions,
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which is open to anyone, and the comments for the episodes, which are on the website,
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which are also open to anybody. Any other stuff that goes on, which you know, just posting
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shows and that sort of stuff we don't bore you with. And if it comes to a point where we're having
|
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problems with it, it goes on to the mailing list. And this month there has been something on the
|
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mailing list about Gmail, not accepting stuff from us. So if you're subscribed via Gmail, you need
|
||||
to go in and make sure Hacker Public Radio is in your list of nice shows. It's been put into your
|
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spam. So if you haven't heard from the mailing list for a while or you've had trouble uploading
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shows, make sure a whitelist Hacker Public Radio, thank you very much.
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Okay, shall we do the shows for the month? Let's do that thing.
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Okay, 1760. I was in the gym while I was listening to this one. It was the PDF TK by John Colp.
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Well, this is an amazing thing, isn't it? What did you make of this? I was with everything with
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this guy who is trying to take over the network. The only way we can stop him is by you sending
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in shills is to get amazed with this. I have used this toolkit to take out to extract some
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files and to push some PDF stuff together, but the concept that you will be able to put a
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bookmark, make your own index is absolutely brilliant. Yeah, that's a bit that I thought was
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the most impressive. I've tinkered at this thing before, but I don't really have a need for it,
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but the bookmark thing I can definitely see a need for, and I thought that was pretty smart.
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It's very, very handy. I've got, I keep my wife's recipes and just scan them all into a document
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and then put them together and boom, you've got yourself a book, awesome stuff, awesome stuff.
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Great idea. Yeah, so the following day was community news followed closely by the HPR audiobook
|
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club, which was Revolution Radio by Seth Kenlon, who we all now know is Latu. Yep, he's now revealed.
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I think I think a lot of people do that already, didn't they? His true identity has been
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revealed to us. A few things about this was it took a while to post, or at least to go while to
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get up. So a lot of a lot of water has gone onto the bridge with this, and I thought it was a,
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it took me a while to get into the story, I must say, but then, then it was like all my podcast
|
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listening got just, well, it first started, it took me a while to download it because of the
|
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album art in the Og file, which is still up there. Basically, it doesn't play in my Sansa clip,
|
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so once I figured that out, I had it downloaded a few times. First time they tarfled with an extract,
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then when the digs come down, the Og file doesn't play because of the embedded audio,
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and then finally I started hearing this, and it was a nice, a nice book, and I really
|
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curse the time zones that I can't participate in this myself. Yeah, it's a really difficult time,
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isn't it for us on this side of the Atlantic? Yeah, but to get back, we put this on,
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it was a really awkward time for the US people. Yeah, yeah, it cuts both ways, I know.
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The following day we had 1763 introduction to home brewing. This was the first time
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sure by Alfa 32, and I was actually dreading getting this because I don't need another hobby,
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and I very much like to get into home brewing, so there you go. Yeah, I wasn't dreading it,
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but I was fascinated here, I was looking forward to hearing it, and because it is something I've
|
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been saying I want to do, and I haven't gotten around to it yet. It's another stick I'm beaten
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myself with for not having achieved the goal I'd set myself, but yeah, it sounds pretty easy.
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I used to do wine making, you know, fruit-based wines and stuff when I was younger,
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and I've always thought getting into beer would be great, but looking forward to your shells on that
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topic. Oh no, what have I done? Adios, yeah. But actually, I think when I was looking into it
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a few years ago, most difficult thing was getting the valves and everything right, and that it doesn't
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explode, but there seemed to have lots of valves and little helping things now that will prevent a
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lot of the dangers from days of yours. Yeah, I think when you're doing the first fermentation
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it's similar to wine, because basically you just want to keep stuff out of it bacteria, and
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the fruit flies go for it, they call them vinegar flies in the brewing world, because they carry
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bacteria that will turn your alcohol into vinegar. And if they get in there, your brew is ruined.
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So you just have a trap that prevents that sort of stuff getting in, but when it gets to the
|
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the later phases where you're actually trying to pressurize, then I'm all at sea there. I don't
|
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know exactly how to do that, so that's where I want to do some further investigations, but
|
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and that's where I think you need some more specialized kit. This is, yeah, hopefully there
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will be more episodes coming on this, and as with the bread, there's something that I do plan to
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take up. Okay, the following day we had Rogue Class Linux, a special LLC distribution for Linux
|
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and playing old games, did not know about this Frank, did not know about this, thank you very much,
|
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and it looks absolutely excellent. Yeah, Frank's always got some surprises for us, I find he's always
|
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coming up with some really interesting things. I like this one, this is, this is tempting to
|
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get into. Yeah, and then we use kind of a saying that you should kind of run out of the M, and just
|
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run us from the VN for excellence. Is it the exact sort of thing that I'm looking for for the kids?
|
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You know, nothing too hectic, termless games and you know, nice simple games.
|
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Let me go. Libra office, outlining, and blank presentations. I liked, I liked what Hoku was saying
|
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here actually, because he was, he was effectively saying, don't fiddle about with the details to
|
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start with, but just get in there and, and put your material down, because how many of us have
|
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done that thing off, making the thing look pretty first, and then worrying about what we're going
|
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to say, what we're actually going to put in the presentation. I, I've been, I've been preaching this
|
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for ages, you know, when people say, oh yeah, I want a new website, can you do design a website
|
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for me? And I go, yeah, here's a, here's a new four sheet, oh yeah, you want me to draw that?
|
||||
No, no, no, I want you to write down exactly each of the pages that you want, and you know,
|
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this is, this is page number one, there's a page number two, and yeah, that's actually, you know,
|
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gets, gets people thinking and gets the websites up a lot faster. It's, yeah, I know, I've fallen
|
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into the trap, but the Hoku was warning about, although back in the day when I first started doing
|
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presentation, it was all the time on a typewriter on an, on an acetate, you know, so, so that's all we
|
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had in those days, you know, we lived in cardboard boxes and all that stuff, yeah, yeah,
|
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I know, you had to chisel, you were lucky, you had typewriter's in my day, we had stone tablets
|
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that we had to do out of the quarry ourselves. Out of literally. Oh, following day, 1766,
|
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sucks of silence, was myself kind of a lot of comments, not a lot of comments in the feedback,
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but I got a lot more feedback than normal about this, people seem to be surprised at the speed
|
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of which I claim my script, my podcast. Yes, I don't think my brain doesn't work that fast,
|
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any more, so it's a bit fast for me, but I, I am using, I am using that. I was using FFN
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peg before and I found it was a little bit weird, whereas socks does a better job actually.
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I do this, I do all my podcasts to this speed, and then when I'm playing them in work, I will speed up
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this, the podcasts, even more with the left and right square brackets in FFN or in M player,
|
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M player actually, so when I'm playing them out, or on my Sansa tape, I've got a speed up button
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for putt, this is the, this is the fastest I will go for the, for the lowest, for all the podcasts
|
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that I do this to. Yeah, it's, it's, it's really useful, it's very useful. I, yeah, I'm just not sure
|
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what number I'm going to feed into it for the, for the speed myself, but I'm going to have to work
|
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on that one to get it perfected. Yeah, you start off, I start it off, but just one that too and just
|
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work my way up, you know, sometimes you think, you find yourself speeding up every podcast,
|
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then, and then just work your way up, as, but I know we're near, and it's something like Jonathan
|
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Nadu, I can just barely make out his stuff when he's, he's doing it so I have a ways to go yet.
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It is practice after all, I think, isn't it? I say I can't do it, but I'm sure I couldn't
|
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for practice enough. Yeah, and it's, but this actually was about the truncate silence feature,
|
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which is a filter we use quite a lot in audacity for these shows, and, and this is just something
|
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I wanted to add to my toolchain for Biscuit TL out of TS so that I could move the, the on-edited
|
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silences from there. That's, that's very good. I actually ran it on one of mine, and which I had
|
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used silence truncation through audacity on, and it, it did take a little bit off, very, very little,
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so I think that proved something that I'd done a reasonable job when I first made it, and that's
|
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all it told me. Yeah. Okay, the following day was David Whitman, interviews Ed Cable from the
|
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MIFOS Initiative at Linux Fest in Northwest, and I've just processed another one of his shows as well.
|
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Yeah, I, I, I, I just checking my notes and I said to myself, listen to this again before you
|
||||
talk about it, because I didn't, it, it, it needs, needs more of a more than one listen. I found
|
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the way. Yeah, it's, it's basically the, the, what they're doing is, you know, the whole concept of
|
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micro payments where you, you give law, rather than given it to large institutions, you learn to
|
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small, to small institutions, to, to small businesses in developing nations or in nations that
|
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need the help, and this is a, a solution that you can use to build your applications, to support
|
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that, very interesting, very interesting one. Okay, an introduction to C, episode one, introduction
|
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and types. This was great. I thought this was a good, really good, it wasn't his first, was it,
|
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we, we discovered he'd already done a show under a different handle, but it, I thought it was
|
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a great, great introduction to C, and I love these notes too, the notes are brilliant. Fantastic,
|
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yeah, they were done in, or mark up, mark down, mark down, yeah, that's pretty good like it, but
|
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something you was thinking about this is in 32 bits, isn't an int going from zero to, no, an int,
|
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not an int along short, or car, a car is using the full 64 K though, isn't it? No, that's an
|
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8-bit entity always, because I think it's, historically, came from being a, a character, an
|
||||
ASCII character, yeah, or an EBSIDIC character, even, so it's traditionally been 8, 8 bits,
|
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doesn't make much sense in the days of Unicode, of course, but that's what it still is. I think
|
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hope there's going to be more of this, all is interested in hearing about C, actually, it's a
|
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program in language, I assume they should know. Yeah, I've written maybe two programs in C,
|
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in my entire career, and managed a few more than that, but I've never really had any great
|
||||
need to use it, but I'm tempted to get back into a bit more, now just to see what things I could
|
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actually write in it that would be really efficient. I've seen people use it recently for
|
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somewhere doing all this stuff, it's kind of useful for that. Yeah, yeah, that's a great place to
|
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do it. Yeah, exactly, but I think, for me, it's too much like coding without a safety measure.
|
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I've got that, to be honest, I, in my early programming career, I was an assembler programmer,
|
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but, yeah, yeah, I wasn't a very good one, but that's what we have to do, and my brain was
|
||||
was a tune to doing things that way, but I've lost the, the knack now, so it's always getting
|
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into, back into C again, would be, would wake up some of that stuff again. Cool, no doubt you will
|
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record shows as you go, see what they did there. I've done it again. I've done it again. He's a sucker.
|
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Yeah, yeah, I'm just a, just a soft target, that's me. The following day, we had John Culp,
|
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the rayon of John Culp, the return of John Culp, John Culp too, with a demonstration
|
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of dictation software on my office computer. And this, this one actually was hard to listen to.
|
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I really had to, well, not hard to listen to, but my brain had to flick into, what the hell is he
|
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doing more? You know, thankfully he had an explanation at the beginning of what he was doing.
|
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No, it's a great idea, great idea. I just came to the conclusion that, I don't think I could do
|
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that. I would need to plan out what I was going to say in a quite low detail. And I might as well
|
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have written it down by the time I was, with the way I was thinking, but all power to John for,
|
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for doing stuff that way. But I guess it is, again, what you're used to doing, you know,
|
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your liquid speed up thing, you would get used to doing this. And you could also pause and do
|
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the truncated silence trick that he was talking about before you feed it. Yeah, that's true.
|
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What was a bit sad is the fact that there's no good, there's no solution on Linux at all.
|
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Yeah, that, that, it is sad, isn't it? That's what somebody was asking in the comments about that.
|
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And it really highlights the, the deficiency there. John Kilp 3, the following day, Episode 1770,
|
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this time it's personal, so much personal that it's accessibility about the open dyslexic font.
|
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Very good, very good information. And I think we have, I have plans to put it on to the
|
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interviewer website that if you click the dyslexic font, not link at the top, the menu that it would
|
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turn into the dyslexic font, but I haven't been able to get around to do that yet.
|
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Yeah, it would be good to have, I think. But yeah, I was impressed with what John was saying. I love
|
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that. How he prints out special exam papers for students with dyslexia. That's, that's amazing.
|
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I might show my, my old university would have done that, I think, quite like that.
|
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No, and when I think of all the stuff he's doing for his students to try to keep the
|
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course down and whatever, and the fact that you can tell from his shows that he absolutely knows
|
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what he's doing, and that his teaching style is very comfortable, very, you can't
|
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help learning stuff from the guy here. And I think Oki, Oki, all refer to it as reading a
|
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form book and you get to be able to get some information from it. But yeah, it's, my wife has
|
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done some research into this and there's no evidence to say it does or doesn't help this font,
|
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but if, like, there's not enough studies been done enough, but as he says himself on the episode,
|
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if people, if it works for you good and well, if it doesn't, you know, fair enough,
|
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but if it works for you and if it's, you know, psychosomatic or whatever, who cares, you know,
|
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if it, if you think it's helping you, then it's helping you. Yeah, yeah, fair enough.
|
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Jungle 3 comes back from the dead with audacity label tracks. You know what's annoying,
|
||||
that somebody can put the shows back to back one after the other, right? And come out with interesting
|
||||
shows from completely different topics, with loads, nuggets of information and every one of them,
|
||||
but you just want to hear the guy, but you can't. No, I know, I know. This is great. Yeah, I had not,
|
||||
it was there in front of us all. I think anybody using audacity could have seen this. I probably
|
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did see it, but never bothered to go and find out what it was. So yeah, I started using it since
|
||||
hearing this and I found it a very useful thing. I was trying to think of a use case for it,
|
||||
and it's one of those shows that I've had quite a lot of before where I think, okay,
|
||||
that's interesting. I need to file that under. I heard that somewhere. I heard that on HPR,
|
||||
put it down to jungle because there will be a time when I need to do this and split it up into
|
||||
different, uh, split issue based on track name. It will be absolutely awesome to do like a, uh,
|
||||
oh, I remember what I was thinking. Yes, converting, um, cassette tapes, mixed tapes that I met,
|
||||
but when I was a kid, I have like one of my, yeah, if I ever get around to doing the, doing the
|
||||
things is where I would convert those to audio, um, those to actual, uh, digitize them. And then
|
||||
you could go into the audacity track, find the, find the song break, type in the, what the song is,
|
||||
and then just go file export based on track labels, right? There is a use case. I found it useful when
|
||||
I was, uh, editing a show that, um, uh, as I was recording the show, there was much banging and, uh,
|
||||
and rattling at the front door as the Amazon man was, was delivering something. And, uh, so I,
|
||||
I paused the recording. And when I, I, I, I, I, I then went and hunted for that bit when I was
|
||||
editing it, uh, the market to, uh, to, to cut it out, you know, um, I know I could have just cut it
|
||||
out, but I found it was useful just to have it marked and, and do other stuff with it because I,
|
||||
I'm always getting distracted. So it's useful to, to know, so where the hell was that thing, you know,
|
||||
and similarly if you're processing through a show, then I, I just mark how far I've got to before
|
||||
I, uh, stopped to, to do something else, you know, so the Almanair removal type thing. Yeah,
|
||||
if I'm got working through doing some Almanair removal and sometimes I'd ramble and, uh,
|
||||
and then I think, ah, that was rubbish. I'll cut that out. And, uh, so it, it's useful to, to,
|
||||
to be able to label it, cut this cut here or something. Um, it's, yeah, it's, I think there's quite a
|
||||
lot of applications. The following day we had in a break from John Colp, we had Swift, uh, 110,
|
||||
who took a walk to a park. I thought this was a rather refreshing episode. Nothing, that sounds
|
||||
terrible now, John, but pulling your leg with no, it was a really, uh, because I was walking outside,
|
||||
getting the bus and just had a look, you know, look around at nature and the plants and stuff that
|
||||
were in the park and, yeah, cool, nice show. Yeah, I, I, I, I love these, I've said before I like
|
||||
anything with ambient sands in it because it sounds like much more like real life, some bird song
|
||||
with wind noise and that sort of thing. It sounds real, and I like it. Oh, very good.
|
||||
John Whitman with a interview, uh, Debora Nicholson from the Open Invention Network,
|
||||
very, very good show. And this is the one where they, um, have the patent pools and stuff, um,
|
||||
to, uh, protect various different, you know, to protect Linux and users of Linux from, uh,
|
||||
patent trolls or cross patent, cross patent, but it doesn't actually work so well against patent
|
||||
trolls as pointed out on freeism freedom, but US one pound of time. Yeah, I think, yeah, I enjoyed
|
||||
this. David's a great interviewer, actually, he's really good at doing this. I didn't also know
|
||||
that she was involved in the Media Goblin project, which was interesting. Yes, I, I found that
|
||||
interesting. I don't know a huge lot about it, but it's another, another bookmark to go and
|
||||
search more about. So the next day we had routing hacking by John Culp. Yes, you guessed it.
|
||||
And again, I thought, yeah, this is, this isn't going to be one that I'm that interested in,
|
||||
but it was, I've done this a few times, but it was, uh, quite interesting. The 30, 30, 30, 30
|
||||
ruler was of the 2020, 20, 20, we were 10, 10, 10, 10, 10, 20, uh, portalizer. We put out from
|
||||
the farm to which information I know. He lost me that can. That's fine. There's loads of people
|
||||
from Ireland going, oh, we all right. Oh, what's your other one? Anyway, yes. How to flash a
|
||||
router? Always cool. Definitely should be. We've never done it. What I want to know is where in,
|
||||
in my country, can I go and get a pretty smart router for, for $3.99, though. Yeah, that's my problem.
|
||||
The thing is these links, this is that they've brought out. They, indeed, of your, it completely
|
||||
goes against the Moore's Law thing. The newer ones, they've got less RAM, they've got less memory,
|
||||
they've got less processor. I don't know about processors, but they're more expensive. So you have
|
||||
to be absolutely 100% sure that you're reading the serial number because sometimes it's like 1, 2,
|
||||
3, 4, A and 1, 2, 3, 4, B anything. Hey, the B1 will be better. Whereas actually you want the A1
|
||||
because it's got twice the RAM and more capabilities. Yeah, I know. I know. It's, it's a very thorny issue.
|
||||
Any of that sort of stuff. You're really going to be quite careful what you've, what you've got.
|
||||
I do have a little side project that one day might turn into an HPR episode, which is one of
|
||||
these little teeny tiny routers, smaller than a Raspberry Pi one. I've forgotten what it's model
|
||||
number. It's a TP link thing and you can get, I think it might be DDWRT on it. So far, I think I've
|
||||
bricked it, but maybe the unbricking will make a show. I don't know. Yeah, if you have, or,
|
||||
or the bricking actually because there's, you know, sometimes sooner or later you're going to
|
||||
brick something. So I'm looking for a sort of Raspberry Pi type size and cost, obviously,
|
||||
with two Ethernet interfaces, preferably gigabit Ethernet interfaces, two actors are fireball,
|
||||
that's what I'd look. Yeah, I know. Are there not any add-on cards for a Raspberry Pi that would
|
||||
let you do that? Yeah, but it's the whole, the pie's networking stack is pretty pathetic,
|
||||
actually. Everything goes over the USB port. You're right. Yeah, you've got that. But you need
|
||||
something like a vehicle bone or something like that with extra ports on it. Yeah, something
|
||||
a little bit of them. Anyway, Steve Bickle had 1775 Sonic Pi and this, this, I had no clue. You
|
||||
mentioned this before and he came back and did an episode on it, and I'm so glad he did because
|
||||
it seems like such a cool thing. Unfortunately, as I mentioned to him, I don't know in the comments,
|
||||
but it's unfortunate. It's not available just as a straight app getter or human store.
|
||||
Yeah, it's status is a little bit weird, isn't it? I'm not, it's precisely sure
|
||||
what it's available for. I think it runs on max or something, does it, as well?
|
||||
But yeah, and the Raspberry Pi, which is, and you can't compile it because it's, you can't run
|
||||
it because it's compiled for the arm, so you have to cross compile or you have to, I don't know
|
||||
even know if the code is available presumably. It was cool. Just say the HBR song.
|
||||
Come on then. That's awesome. I really want to get around to doing this. It's really good. I
|
||||
was so glad that Steve had mentioned this before and expanded on it here. Really good.
|
||||
So the following day, we had Vimhins 04 and I have been saving this on Octave because every time
|
||||
we came up with the queue, I was, I needed a stretch where I could have the show notes in front of
|
||||
me to be able to follow along. And the show notes are excellent. Absolutely excellent. Well done
|
||||
on this series. Thank you. The show notes take me all the time. So it's why the rate of releases
|
||||
slow down because I'm sitting there writing show notes that I'm being absolutely 100% certain
|
||||
that I'm right and not telling you a lot of nonsense. Take some time to do. I'm afraid. Yeah,
|
||||
it's this sort of episode is really, you know, people don't realize them on the work that
|
||||
the series takes. So the fun thing about it, fun thing about doing this sort of thing.
|
||||
And it's always been whenever you have to teach somebody a thing,
|
||||
exactly, exactly, a huge lot myself. But when you have to do my goodness, you have to
|
||||
and it is well yourself. And it's a really, really good incentive to do it. And I really enjoy that.
|
||||
It is, yeah, but you're covering everything. It's like the Linux and the Shell series,
|
||||
but Dan absolutely brilliant. Everything covered. Nothing more than reading the ManPage. And indeed,
|
||||
this is nothing more than reading the ManPages either, but and a hookah's open office,
|
||||
a liberal office series, exactly the same thing. You guys are doing nothing more than reading
|
||||
the ManPages, but describing this and giving us an example. So absolutely awesome. Thank you very
|
||||
much. Keep it coming. Sure. Well, I think I insulted you there by saying it's nothing more than
|
||||
reading the ManPages. Not really, because you're right. But we're filtering it through
|
||||
and a human opinion, you know, I found Dan's things really useful because he highlighted things
|
||||
that I might well have skimmed over just scanning through the ManPage and saying, yeah, yeah, yeah,
|
||||
I'm not interested, not interested. But he'd actually delved a little bit deeper and said, look,
|
||||
this is interesting. And that's the key thing, isn't it? Somebody else feeding you that
|
||||
information through the filter of their own brains is a valuable thing. Yeah. And it's like,
|
||||
you might think the first time I read this, I thought it was going to do this, but what it actually
|
||||
does is this or I was doing this, you know, I was doing this use case and then I needed a way to
|
||||
undo like the highlighting turn off the highlighting thing. When you do a search day,
|
||||
I search for E one day in the text document. And for multiple week one, for one, say exaggerate,
|
||||
for say, poor ages, every time I open this document, the E got highlighted and I was just so low.
|
||||
So good for them and remembering, I mean, you should you should upload it. But yeah, I know,
|
||||
I've fallen down that one as well. How the hell do you turn this off? But yeah, so yeah,
|
||||
I'll be showing you a way to configure a key to do it in due course.
|
||||
And this this one links in the shell and the hooker thing, I really think we should,
|
||||
you know, have have DVDs available of these with the show notes on it. Now here is Libra Office,
|
||||
here is how do you use the I instructional instructional videos? Yeah, yeah. Well, John Cubs
|
||||
been saying to me, why don't you produce all the turn all the notes into E pub and then stick them
|
||||
all together into into one giant E pub. And I think he's right. It's going to take a bit of work
|
||||
to get it looking good, but but it sounds like a worthwhile thing to do. If somebody could start
|
||||
working on the cover art for this book, you could actually put you could actually sell that as a
|
||||
book date. Yeah, I know. I've done this sort of thing before. I've written what effectively were
|
||||
books that they could have been marketed and never never bothered. So, so, release some CC and
|
||||
sell publishing. Do it. Yeah, yeah, I would be quite an interesting voice. I could do an HPR and
|
||||
it couldn't I can. You could worry what? See what I'm doing here for now. After a while,
|
||||
this starts suggesting them themselves. I've been there for a long time. Yes, suckers.
|
||||
Anyway, Andrew and Dave, magnitudes. This is another one that I had to download separately, Dave,
|
||||
because Tom Kade's silence and speeding it up didn't actually work.
|
||||
I'm sorry. Now we're going to have people put in music into their shows. So, I have to download
|
||||
and listen to them as a normal speed bot. That said, I was listening to this coming out of
|
||||
just coming through Amsterdam through the rail yards and stuff where you have very industrialized
|
||||
stylized Dutch-ordered landscapes and industrial landscapes and the music just
|
||||
fitted each of the songs. It seems like each of the songs that are coming out just suited the
|
||||
area that I was going through. It was like, you know, a pot, a camera there and you have like a
|
||||
channel for film, you know, late night at two o'clock in the morning, you know. That's a great idea.
|
||||
Yes, I know. I'm glad. Yeah, that's good. It's nice to have some sort of background of sounds
|
||||
or whether it's good. Yeah, I'd enjoyed it. Yeah, I actually had to upgrade my earphones to
|
||||
proper set of headsets while I was listening. By the way, that's that big earphone thing.
|
||||
You know what I think that is? Is the photograph I'm talking about? I've turned on the war. They
|
||||
used to position doors on beaches along the coast to listen for incoming Europeans. They did.
|
||||
Yes, I actually found out a bit more. I did. There's a reference I've put in the notes there.
|
||||
It's pointing to a museum where they talk a bit about this. In fact, that's just half of the
|
||||
apparatus. There's another one. The guy sits behind on an equivalent device which points
|
||||
up and down or something. I can't remember now. And it explains quite a lot about what it does.
|
||||
You should definitely follow that link to the Netherlands Museum. So you should check it out
|
||||
because there's some amazing pictures in there. I think we're actually due to go to that this
|
||||
this summer. Well, well, that needs an HPR episode. I think that can. Well, there you go. How
|
||||
Holland works and the windmill and the flying fiber optic cables, two other ones that have recorded
|
||||
what happened. You see, again, people waffling on about editing shows that you shouldn't be editing
|
||||
shows. You shouldn't take so long about it. When you point a finger at somebody dead, there are
|
||||
three fingers pointing back at you. Yes, sorry everybody. I'll get my finger out and do that someday.
|
||||
But I wasn't expecting this music from you to be honest. Oh, right. Yeah, this is sort of stuff I
|
||||
listened to. I was amazed to find that Andrew is very, very similar taste as well. That was
|
||||
that was a big surprise. I thought I had weird tastes, but it seems like there's more of us.
|
||||
I wouldn't have I wouldn't have picked a lot of them. I think it was the only one I didn't
|
||||
particularly like. And I didn't particularly like it because music for television's volume two.
|
||||
And I didn't like it because it was predictable. The one before that died volume one. I also found
|
||||
predictable, but in a way that I enjoyed. I don't know. It was really weird thinking about that.
|
||||
Yeah, I think I chose Callabi with the organoid track is when the television's thing.
|
||||
But because I liked the album, I thought it was possible. But also because it just had the sort of
|
||||
right sort of chill to it that sometimes it's quite relaxing when you're doing something else,
|
||||
you know. Maybe that's not a thing to present to somebody else. He's the boring stuff I like
|
||||
to listen to when I'm thinking of other things. It's maybe not always a good thing to share,
|
||||
but I think that's maybe why I chose it. Yeah, but this is the audience that you're talking to,
|
||||
like I think a lot of people here are getting to coding sessions where you just want to drown out
|
||||
the world, but you don't want to be listening to music. Yeah, ambient music. You don't want to be
|
||||
listening to whatever classical music. Yeah, yeah, yeah. Well, anyway, we'll see. We'll
|
||||
hopefully it went down well with people in general. But he can't buy an album though. I still think
|
||||
that's a pity. I can't buy the albums anymore. Yeah, I guess it just turned out to be
|
||||
not a very good business model for them. But that have many thinking about the whole concepts
|
||||
of subscriptions. And I do like the lifetime subscription, which is 250 years or something like that.
|
||||
But with all these subscriptions like, I don't know, you know, you got your Netflix for 14 years,
|
||||
you got your, um, what's the other one with the, um, with all the songs. Can't think of it. Yeah,
|
||||
can't think of it, but you're selling it with lots of things now. Google next sound cloud or something,
|
||||
is it? Any thinking Spotify? That's the one. Oh, right, right, right. Yeah. So with Spotify or whatever,
|
||||
you've got, you know, it kind of mounts up all these subscription services. I think myself.
|
||||
There you go. And if you don't pay, then you don't have the music. At least with this, you pay
|
||||
your lifetime subscription and you got us here. You have a very time to do that. All of it too.
|
||||
And there's quite a lot. Okay. Um, Netax and VI cursor keys. Very useful, I thought I added this
|
||||
to the Vimhins series. Yes, I was pleased to see that. Um, certainly didn't want Vimhins to be
|
||||
monopolized by me and happy to see, you know, anybody else doing stuff under the same heading.
|
||||
This is what we want to see more of on, on HPR I think. And I do seem to remember seeing
|
||||
keyboards with those arrows on the HJK and L keys at one stage way back. I felt a complete idiot.
|
||||
I felt a real fool when I saw this because I must have used this sort of keyboard for quite some
|
||||
time back in the day. And I really forgot now. And a very nice, I'm, I must actually dig out that
|
||||
game. It sounds interesting. And I really like the idea of his, his idea of having the Vimh that
|
||||
boots up does something in shuts down. Awesome. Need that for something completely different. So I
|
||||
will be using that for something completely different. Great idea. Great idea. When in my time
|
||||
working on mainframes, we all used to play zork and those sorts of things, you know, the dungeons
|
||||
things. You're in a room with doors here there and ever, you know, twisty passages with
|
||||
whatever. I can't remember that. I never, never got into them. I was never really good. You,
|
||||
you type, where am I? You're in the room. Okay, move forward. You've been eaten by a
|
||||
shit, fallen down a cliff there. Okay, that's not very good to those games. There was, there was
|
||||
a bunch of us in a shared office that used to play this, you know, so be a fight for who,
|
||||
who got shot next and avoided the management coming along to see if we were working hard. I always
|
||||
felt guilty going into a game because I've ever went into a game like that. I'm gone. I'm in
|
||||
the, I'm in the world and you won't get me off for a love of a month. Thing is though, we,
|
||||
we were hackers and we had the Fortran source. So somebody, somebody was, was reading the damn
|
||||
source and working that way to go and stuff in there. Very good, very good. Okay, Jungkook again,
|
||||
this time with Kaose and Piglet. Very, very awesome. Just, I, I just can't comment on this
|
||||
episode really. It's so funny. Yeah, it's, it's, it's great. Yeah, we need, we need more stuff like this.
|
||||
It's just completely, and you know, it's, it's completely, everybody who uses a unique system
|
||||
needs this because you got, you know, you've got to do that. Log in screen, you know, you've logged
|
||||
into whatever server with those, with those ASCII characters. Yeah, it's, it's great. I quite
|
||||
like Piglet actually. It reminds me of other things that I've seen in the past. In fact, I,
|
||||
I've bunged it into one or two scripts that I run regularly just to, you know, shout things at me
|
||||
and stuff and, and Piglet's a nice way of doing it. Why does that not surprise me to?
|
||||
Yeah. It says because I'm a bit feeble minded and stuff, you know, but I can just imagine reading
|
||||
John's notes, you know, chapter one, some very serious topic of a Mozart, and then you've got a
|
||||
dragon saying chapter two. Yes, I like that. It would be very much. No, I've been slacking on John's,
|
||||
he's all week. He is an absolute gentleman. I, I would like to personally thank him for saving
|
||||
HPR this month because we didn't have any shows and he stepped up to the plate and basically
|
||||
out in order brought in many, many excellent shows and basically, yes, covered your ass. If you
|
||||
haven't sent in the show this year, then you should really, really sit down right in the email to
|
||||
thank John called for sending in the show that you haven't done. So that's all I'll say about that.
|
||||
Thanks very much, John. Much appreciated. And not only that, he had time to figure out what a guitar
|
||||
chord was for me and the on a personal side note. Oh, cool. And needless to say, I asked him to do
|
||||
a show about guitar chords and tabulations and how to do this. Which I'm sure we'll beffered in
|
||||
due course. In due course? In due course, it's not the first suggestion I've met to him either.
|
||||
So there you go. Then we had Ahuka with True Crypt and GNUPEG and it was actually nice to get
|
||||
an update of these two projects. I found this really, really useful. I was expression,
|
||||
I was off the ball as far as some of these were concerned and it was very helpful to point out
|
||||
the fact that we've got yet more people, single people sat there in a lonely garret doing stuff
|
||||
that the whole world depends on. And we should do something about it. Yes, two things sprang to
|
||||
mind. One was that we need to do something about this. A sort of, you can say that they
|
||||
big corporations should pay for it and that's all very well, but actually I don't think that's the
|
||||
open source floss way. It should be something like a free implementation of a flatter where
|
||||
you know, where you as a citizen contributes, I don't know, however much you can afford annually or
|
||||
monthly to a central place and they then divvy it up to these developers who get grad funded and
|
||||
it's all public and whatever. Probably best to talk to, you know, somebody like Sofer and the
|
||||
public interest or Karen or Bradley about some services like that. But I definitely think that's
|
||||
something that I would like to do. Give it to give some money to a central place and this is the
|
||||
value I get out of or this is at least what I can afford to give and get it to be done. Yeah,
|
||||
yeah. People are using Patreon. Is it these days for as an alternative? Is it to flatter? Yeah,
|
||||
but I don't know. Is that open source? Does 100% of the thing I don't know. I've not followed
|
||||
followed it through yet, but no, I find myself going to the sites of people that I particularly
|
||||
like the products of and every so often just chuck you know a few dollars their way.
|
||||
And that's not really a very efficient way then because I don't necessarily keep
|
||||
proper track of what I've done and to whom and when and so forth. Yeah, and we see it here on
|
||||
HPR as well. You people forget they think, look, gosh, I've contributed and then they'll look at
|
||||
their when the last time they contributed and it was three years ago, you know, it's and you don't
|
||||
want to be sending out emails going, no, okay, it's been a year since you contributed. Do you want to
|
||||
consider contributing now? You know, there's it's it's not a problem. It's it's a problem, but I don't
|
||||
think it's a problem that can't be solved if people apply, if people come up with a way to,
|
||||
you know, it's just an implementation issue, actually, I think. Yeah, I'm sure you're right.
|
||||
And the other thought that struck me was how invalid the arguments in the Cathedral and the
|
||||
Bazaar are that it's been a while since I've read that. So well, can you expand every many,
|
||||
well, let's say the the Linus theory with enough eyes, every bogus shallow, which I guess is true,
|
||||
but a lot of these projects simply don't have enough eyes on us and you know, we're talking about
|
||||
two pieces of software here that were essentially written by an Armin, been written and maintained
|
||||
by individual people. That's only two eyes looking at the cold. It's absolutely not enough.
|
||||
Two quarter, I feel on my like, is about a boy, you know, two is not enough. Yes. So not only should
|
||||
there be more money going to these projects that should be definitely more people working off.
|
||||
So what do we do now, Dave? Do you want to do the email, the mailing list discussion next? Yes,
|
||||
do you have a list you think for that or not? No, you have the comments on the list you think.
|
||||
The the the show notes for today are on 1781 and there you have a list of all of the
|
||||
the names of the threads. I can never say this properly. So you can see the however many there are
|
||||
threads laid out there. That's actually you have no idea how much that saves me. Just hassles knowing
|
||||
that that's working. So this is all on the mailing list discussion section on the show notes for
|
||||
today's episode. Yeah. And the first one was a call for shows, which were started by me.
|
||||
And basically a lot of people were commenting about that. John was saying that he's got a lot
|
||||
of shows and basically saved our bacon that week. Then we had Mike Ray asking some questions about
|
||||
new pre-formatted sheets for Libra office and naturally Kevin O'Brien replied to that with
|
||||
Sissing Tamsu. Lord D has done a video series on using the Zoom H1 and you should give that a
|
||||
listen actually. If you want to if you're taking I think we have the Zoom H1 shared HPR recording
|
||||
device. So if you want to have a have a watch of that, which is very important for the press once
|
||||
to lose your recording press twice to actually record your recording bug with the Zoom stuff.
|
||||
It's not only the Zoom that does that. My son's task ham works the same way. Out.
|
||||
Tear, tear, tear. Yeah. Seriously, this is not a joke. That is something to watch out for.
|
||||
This is a very important issue is we have Gmail marking all HPR hacker public radio.org emails
|
||||
as spam. So unless you do something about it actively taking it out of the spam folder or
|
||||
white listing is they will even not see it. You won't see the mailing list. You won't see
|
||||
your request for shows. There's been some report by you Dave that Josh is going to be looking
|
||||
to see if there's additional markers that we can we can do to to take it out. But I don't know.
|
||||
I won't go into it. There was there was also a reference to a website that will
|
||||
analyze issues on your site which looked like it could be useful as well. Mx2 box. Yeah,
|
||||
that actually was pretty cool and they explain what they're doing as well. So it's pretty cool.
|
||||
Don't forget the call for shows. Libro of cell style background, no fill, another micro episode
|
||||
or request. And I think he solved it himself. That was my impression. Yeah. But if not we'll hear
|
||||
from from Kevin. And David Whitman was asking for the HPR presentation for cggl.sigl.org show
|
||||
that he's going to. And I don't know. I did one. But if whoever's done the latest one,
|
||||
if they want to send it, I can get more information. We have stats.php. So if you go to
|
||||
hackupubblegradio.org and type in stats.php, which opens a text file giving you when it's
|
||||
started nine years, seven months, 24 days ago. So our anniversary will be on
|
||||
2015, the 10th of the 10th. I should actually mark that as a reserved show, which should do
|
||||
something for that. Shows stuff like the total number of shows, which is 2348. Total HPR shows is
|
||||
2448 at the moment. That includes shows that are in the queue and in the reserved as well. 23 days
|
||||
to the next three slots. There are 12 shows, 12 hosts in the queue, 28 shows in the queue. There's one
|
||||
comment waiting for approval and one file on the ftp server. And then the comments for this month,
|
||||
Dave, you definitely do have a script somewhere for this. We do have a script. But first of all,
|
||||
I've got to actually arrange my desk. I printed it on a piece of paper because there's so many
|
||||
comments, which is wonderful, but I wanted to do them justice. So in the same order as we have them
|
||||
on the show notes for today, I have made the same script that generates the show notes,
|
||||
generate me a crib sheet. So I can not sound like a total idiot and not being able to find anything.
|
||||
I probably still will do, but anyway, I'm going to try my best. So first of all, we had a comment
|
||||
on show 1726. And this was nightwise show. Excuse us, not to record show for HPR. This is Epicanus,
|
||||
who was commenting that he should have an award for not having done a show and scored points on all
|
||||
of the points that nightwise are good together, I think is what you're saying. We forgive him,
|
||||
I think, but it's nice to hear from him again soon. And we had 1754. It was commented on. This was
|
||||
John Culp's show D7Y7. And 5150 was making. I had made a comment that it was a
|
||||
cling on battle cruiser or something. I did not know that being a trekkie. I
|
||||
apologize. I throw myself at the fee of 5150 and beg forgiveness. 5150 came back with
|
||||
comment number four in this thread explaining what he was talking about, which is very good. And
|
||||
giving references there too. So you can go and follow that if you want to. And John came back to say
|
||||
the ship looks like it has some dissonance in it. So I thought that was very witty on his part.
|
||||
So I won't read these all out in detail. I think you should go and read them yourself.
|
||||
Then the next show we had comments on was 1759, which was still Void's
|
||||
brief review of Firefox OS. And somebody had commented on this and still Void is going back saying
|
||||
thanks for the feedback. And he's going to do a follow up to this. He thinks at some point.
|
||||
John Culp's show 1760 about PDFTK had a, almost seen here. Yeah. Oh yes, John himself
|
||||
followed up with a comment saying there's a YouTube video showing him processing the bookmarks.
|
||||
These are fascinating. They are absolutely fascinating. Yes, I know. It's the way that you can
|
||||
select stuff and then feed it to a script using XClip and then process it and then drop it back
|
||||
in again. It's really, really good. I'm amazed. I'm actually using computers look like what
|
||||
we all put using computers would be on them a few years ago, you know, those videos. In the
|
||||
2000s people will be talking to other computers and the computers will be doing things.
|
||||
Absolutely. Yes. Yes. And oh yeah, you just need the right voiceover and it would be perfect,
|
||||
it should be in a CPA tone probably as well. Then we had 1762, which was the audio book club
|
||||
show where an individual called Ken Fallon made a comment. Do you care to explain your comment?
|
||||
Tyrell, I want to see that work in a person. I want to see a negative before I pause the positive
|
||||
techer. What's that going to prove? Tyrell, indulge me. This is a riddles throughout
|
||||
and tattoos work was thousands and thousands of references to different things and that one
|
||||
was from Blade Runner. I'm just wondering how many other ones I missed or many other ones people
|
||||
picked up and the references to KDE and BSD and the GPL were obvious throughout but there were
|
||||
definitely a lot of other ones as well. There you go. Very cool. Yes. So next we had 1766
|
||||
which was your show Socks of Silence and John Culp says that he was already listening to your
|
||||
episode at 1.5 times speed and then you speed you did a demo of what 1.8 sounded like so
|
||||
the two mulliply together was ridiculously fast so I had to slow down and listen to it again
|
||||
to work out why I don't know what it was. It's just amusing. Somebody emailed, I don't know what's
|
||||
on the mailing list about, can't remember, sorry. That doesn't ring any bells with me, I'm afraid.
|
||||
Was it Mike Ray's comment that he was going to do a show speaking very, very, very slowly so that
|
||||
when you speed it up it would come out at normal speed and then that would completely throw you.
|
||||
Yeah but if you speak very slowly if the truncated silence would take out all the bits.
|
||||
Yeah it was actually in the audio club discussion the guys were on about saying that he couldn't
|
||||
understand my accent. I think it's just because I speak too fast. Okay okay well yeah I can't
|
||||
comment on that. Just to finish John's comment he says he uses BeyondPod which has a speed
|
||||
up capability in itself and of course he mentions that Rockbox can do it as well as we know.
|
||||
I just recently was listening to I tried BLC on my from the F-Troid on my Android and they have
|
||||
a speed up option and it turns it into chipbox. Why would you do that in this day and age? Why would
|
||||
you speed it up and then alter the pitch? That's disappointing given that other things have
|
||||
solved that problem really well but by default also in player will speed it up like a jakemalk
|
||||
unless you actively go into the settings and change it. Yeah shame. Very much so. Yes.
|
||||
Karyl 1767 was next this was David Whitman's interview with the Meefoss as it pronounced initiative.
|
||||
Ed Cable he was speaking to and Mike Ray comments that it was a great interview and the initiative
|
||||
is a great one as well and he makes some some telling comments. I was going to leave the audience
|
||||
to go and say. Talk to the bird eggs. I mean it was a I don't necessarily disagree with it.
|
||||
There you go there's yours political offices. 1768 was next which was the
|
||||
intro to Ceeb episode one by CGM and Cigflup made the comment right or some high praise indeed
|
||||
from our release. Yeah absolutely good show she says so what can what else can we say?
|
||||
Steve Smith says thanks and some more please and he's talking about his his history with C
|
||||
I think it sounds similar to mine than C years ago got diverged into Pearl and JavaScript and
|
||||
Python and yeah talking about the the way that data types are and memory allocation that sort of
|
||||
thing. So yeah so did very some very positive comments there about about that show which is
|
||||
which is really good. I think the old C series is something people have been waiting for her
|
||||
long time and realize how much work it's going to be with I don't want to say that out loud.
|
||||
Yeah quite correct. Yeah I'm looking forward to more it's it is the sort of thing we need on
|
||||
HPR I think. Next comment comment three was somebody with the name of Keat Keat or something
|
||||
didn't think there was enough for a host. Yeah no that's the comment four that says
|
||||
enjoyed the recording but didn't think there was enough C but then there wasn't enough C because
|
||||
it was about types and and data types and that sort of thing so yeah you have to yeah you have
|
||||
to start slow I think. Katie Murray says good start thanks for the show it was a good first look
|
||||
at some C basics I haven't been exposed to since school so more please I think this is a message
|
||||
there. It's nice to positive positive feedback. Yeah yeah yeah that's that sort of thing. Yeah
|
||||
exactly also you have no idea how much somebody posts them in your episode or drop a new
|
||||
email gives you a bit of encouragement it's fantastic just to know someone's listening.
|
||||
Yeah that's what I was going to say that it's a it's a great thing to see
|
||||
four comments for supportive comments in a row like that on a on an episode very very nice.
|
||||
1769 John Culp's show about dictation software.
|
||||
Moral Volcano asks is dragon naturally speaking open source.
|
||||
John Culp has to reply. Nope sadly no it's very proprietary and there's no open source
|
||||
dictation software that I'm aware of so you know it's almost we were saying yeah it's grim it's
|
||||
grim because I would I have a long running fault where I'd like to run HVR shells through
|
||||
Translator. Yeah it's it's a thing that you would imagine would be be very much in demand
|
||||
I'm sure that that is it's like the screen reader situation I guess in many respects isn't it?
|
||||
You know we know how bad that is as well. Well how bad about how little resources are applied to
|
||||
well quite quite yeah so pressing on 1770 the open dyslexic font from John again
|
||||
Jezre came back to say that the arch Linux the the font is available from the arch user repository
|
||||
and he gives a link to that so that's that that's very useful. We should um some of those links
|
||||
Steve if you come across them and that when you're doing the comments you can add them to
|
||||
the as click of the links to the show notes at the end. Yeah that's getting you more work to do
|
||||
or anything but that's what I would normally have done. That's a good idea actually yes I haven't
|
||||
quite thought of that I do go through the shows before they go up to archive.org and check that
|
||||
things are okay and you know and and that would be a good point at which to to do that I've already
|
||||
done it today so so but yeah a good point actually that would be a useful thing to do and for everybody
|
||||
listening to point out how much work Dave is now doing on HPR doing all the comments all the uploads
|
||||
to the archive.org and a lot of the simers you're checking up stuff that I'm doing in the background
|
||||
it's it's because I'm a compulsive tidy yeah if you this is did my house you'd know that you know
|
||||
it's amazingly tidy but oh sorry I take a bun to do that. It's a complete lie of course with
|
||||
there you go yeah the cat just walked across my my script here as I was saying that so you can
|
||||
tell how well organized is that the cat can do that. Anyway too much of an insight there perhaps
|
||||
audacity label tracks episode was the next one which was 1771 and some geese I call Dave
|
||||
Morris said this was very useful and commented that he hadn't noticed this feature and had to
|
||||
recently stick various bits of audio together in a in a show which was the the the magnetine one
|
||||
and labeling them along the way was was rather helpful because knowing what they are you get a hint
|
||||
from them if you look at the left hand end of each track but since they're all you know
|
||||
following one after the other in time order it's quite hard to know what they are so putting
|
||||
a label on prove to be an extraordinarily useful thing to do. Oh that's quite cool. What
|
||||
does the way to auto label them in any way based on file numbers and that would be good yeah I
|
||||
found that if you double click the track piece the piece of track and then was it I can't
|
||||
remember what the control key sequence was to get the label to pop up and it just labeled the entire
|
||||
track and offered you a dialogue to put the label takes it into and so it's really quick to do
|
||||
and yeah I was really really cool. Can you use that a lot? Excellent. Then Katie Murray commented
|
||||
on the same show saying I can't believe I've never seen this which is it's just the point we
|
||||
were making earlier I think that it's it's it's another case of somebody else seeing a thing
|
||||
that you missed and and this is why sharing this sort of stuff is so useful. And also why you know
|
||||
you think when you're sitting down and you want to do an episode and then yeah surely everybody knows
|
||||
this it's this is so obvious but when you do it it's like quite a lot of people will be going yeah
|
||||
yeah I knew that but a lot of other people will be going oh my god how did I miss that for some
|
||||
of the years? Absolutely yeah yeah this is this is the great thing about sharing this this type of
|
||||
stuff so show 1774 the Ruta Hacking show from John Colp Ken Fallon commented you say tomato and
|
||||
and John did actually say tomato I think he started off saying tomato but he moved on to tomato
|
||||
which I reminded to make sure I'm sure you did I had to download it in real time with a list
|
||||
said tomato he's a spy it proves he's an undercover appreciation as you say yeah he's
|
||||
covers the blood and yeah number two comment on this one was from Mark who said I wanted to try this
|
||||
before and that John's lead here was useful and he's got a Ruta that he wants to he's bought
|
||||
the garage sale he wants to have a go at doing this type of thing to running a printer off it as
|
||||
well because it's not always obvious that you can you can do that if you have a USB capability on
|
||||
on a on a Ruta some of some of the more modern ones come with factory software that let you do it
|
||||
but I guess some of the other ones which just had the ability to plug in the USB key didn't run
|
||||
printer software but with with these open source packages then it seems to be pretty common
|
||||
that it's available and why not you know just be cups installed on the thing presumably yeah and
|
||||
you you just do a pass through and suddenly it becomes very very well two reasons the printers with
|
||||
network capabilities tend to be more expensive annually and secondly even the ones that have
|
||||
network capabilities you're not 100% sure what they're going out to do and guess so if you've
|
||||
got an old Ruta there it might be no harm just to run through that so that you can you can apply
|
||||
your own firewalls on it so that's you know there's no USB chat a USB chat's not gonna get anywhere
|
||||
and the printer's not gonna be calling home and reporting you know all your print jobs to who knows
|
||||
where and if you think I'm a paranoid that's actual documented cases of stuff like that that's
|
||||
oh I have no doubt yeah good so the next one we're getting close to the end now was 1775 which
|
||||
was Steve Pickle's excellent episode on Sonic Pie KD Murray comments saying that he'd never heard
|
||||
of Sonic Pie before and he's been using it since since he heard the episode so very good and
|
||||
yeah I imagine a few people would have been tempted to rush off and and mess around with it
|
||||
I am but I haven't got around to yet so then 1776 was Vim Hintz 4 by by me yours truly and the love
|
||||
book commented missed out on the chance of an Independence Day joke 1776 and all and some smart
|
||||
asked I commented back saying I always thought that film was a bit silly myself and so I'm really sorry
|
||||
terribly terribly sorry I had to magnitude in favour at 1777 in skis where I kindly commented
|
||||
say thank you DJ Andrew and DJ Dave I didn't think we came across as DJs but you know we
|
||||
and we have we have alternate grids waiting for us somewhere anyway so nice episode he says
|
||||
and he's magnitude member himself and didn't know of most of the artists that we play but then
|
||||
that's another one of those fun things you know you person A spots a thing that person B doesn't
|
||||
and then shares it with them and they go wow thanks very much and go ahead
|
||||
okay last one then 1780 was a hookers update on True Crypt and GNU PG and and I commented on this
|
||||
but just for the record but pretty much what I said earlier on that I was not aware of the problems
|
||||
that Verna Koch had been suffering as the the originator of GNU PG and and I used this package
|
||||
every day pretty much and it's bad bad bad so I went and found his donation page and
|
||||
checked him out a little contribution as one you know it's not saying you should but that
|
||||
that's that's what I feel I should do so that's what I did yeah if you're if you're doing something
|
||||
like that or just thinking maybe it's something you can put into your calendar to email yourself
|
||||
you know renew set up an automatic thing with whatever PayPal or whatever you use or
|
||||
or set up a reminder in your calendar to go around to these sites and if you can't afford it that
|
||||
month well yeah you just have got the guilty feeling the next time you buy a cappuccino or something
|
||||
yeah yeah yeah it's it's uh I just need to come up with a with a system as you say and then
|
||||
then I feel doubt you will do so it'll be written in pearl or perhaps it'll be a script absolutely
|
||||
yes it will be sending me pop up saying contribute now do it do it do it do it exactly all right well
|
||||
I don't have anything more to comment on I'm extremely tired and I've got to go to bed
|
||||
now I've finished two and that's uh that's good that's one that's one finished and you can put
|
||||
it to bed excellent anyway tune in tomorrow for another exciting episode of chorus non-video
|
||||
text editor open assistive device project by Kura Kura I've no idea what that is so we will
|
||||
find out tomorrow tune in tomorrow for another exciting episode of packer public radio joy
|
||||
now and cheers all right goodnight bye good night
|
||||
you've been listening to hecka public radio at hecka public radio dot org we are a community podcast
|
||||
network that release the shows every weekday Monday through Friday today's show like all our
|
||||
shows was contributed by an hbr listener like yourself if you ever thought of recording a
|
||||
podcast then click on our contribute link to find out how easy it really is hecka public radio
|
||||
was founded by the digital dog pound and the infonomicon computer club and it's part of the binary
|
||||
revolution at binrev.com if you have comments on today's show please email the host directly leave
|
||||
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|
||||
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|
||||
Reference in New Issue
Block a user