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Episode: 2416
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Title: HPR2416: HPR Community News for October 2017
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Source: https://hub.hackerpublicradio.org/ccdn.php?filename=/eps/hpr2416/hpr2416.mp3
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Transcribed: 2025-10-19 02:38:35
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---
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This is HBR episode 2416 entitled HBR Community News for October 2017 and is part of the series
|
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HBR Community News. It is posted by HBR volunteers and is about 79 minutes long and carries an
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explicit flag. The summary is HBR volunteers talk about shows released and comment posted
|
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in October 2017.
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This episode of HBR is brought to you by Ananasthost.com. Get 15% discount on all shared hosting
|
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with the offer code HBR15. That's HBR15.
|
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Better web hosting that's honest and fair at Ananasthost.com.
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Hi everybody, my name is Ken Fallon and you're listening to another episode of HBR Community News.
|
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This time it's October 2017. Joining me tonight is Dave. How are you Dave?
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Hi Ken, I'm doing fine. Thank you. And it's almost one fire night over there.
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It is yes you hear some noises off because some people are rushing for it and it's letting
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off fireworks tonight. I think judging by the noises I have learned anything so far so we will
|
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continue on. Okay. Alrighty the community news is a monthly look at what's been going on in the
|
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HBR community. This is a regular show scheduled for the first Monday of the month. Basically it gives
|
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us an opportunity to talk about every show that happened in the last month and to make sure that
|
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we give at least some feedback on them. So starting with show 2391 which was HBR Community News
|
||||
for last month and there were no comments on that show so let's skip merely over to the following
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one. And before I do that Dave, I need you to pick a red or a blue, red or a blue Dave.
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Red. And that is Van Dieu Brown, a beer from Belgium Dave.
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How good for you. Good excellent choice. So yes, that show was Weather on Camp,
|
||||
Server Rooms and IOT collection by JWP and aside from each of them needing to be their own show,
|
||||
I thought it was an excellent summary of Hog Camp. Yeah, it sounded good. It was interesting to hear
|
||||
about how things were at Hog Camp. Sounded like they have a good venue there. What was ITO
|
||||
collection and get what that was? Did he mention that? It was in his title but I can work out
|
||||
with you say Raspberry Pi. Oh right right. He was talking about his server room or something
|
||||
of that sort. I don't know. Anyway, it's just me. I'm going to have to go and sell her a while.
|
||||
All right, I've got a duvel or a duvel in the fridge here. No, no, I'm not going to break up.
|
||||
You go get the following day, we had PW Gen Zork talking about PW Gen to set people's
|
||||
passers at work. Very useful little tool I called. Yeah, yes, it sounded good. I'd not come across
|
||||
this one. I think it's a Windows only, wasn't it? Yeah, but how would it be for if you're doing
|
||||
system meaning? Yes, there are a number of others I used to use think called APG when I was in a
|
||||
similar situation to the one he described. People, but I also wrote my own which is maybe not the
|
||||
wisest thing, but anyway. I would I would one thing that did jump in my mind about the XKCD
|
||||
was a horse patchy correct thing. You're only using five letter words is kind of dangerous
|
||||
because then you can just use this list as a brute force attack and you know, it'd be trivial to
|
||||
script that. So I know that a lot of password cracking tools are now designing themselves for
|
||||
the fact that people are using straight words, rather than words with letters and numbers in them.
|
||||
So yeah, yeah, whatever happens, evolution will occur and people will find a way around that
|
||||
significantly. Yeah, exactly. Moving on to the following day, we had the law step-sode.
|
||||
Bill talks about building an inexpensive transistor tester a year after the fact. It's been quite
|
||||
a bit of that this month. So it's it's good that he managed to find the the audio. Yeah, exactly,
|
||||
a lot. Yeah, even as a glass, I was just shouldn't throw stones, looking at shows that I still need to
|
||||
send it. All right, well, it happens. It happens. Now, this was great. I always like to hear Bill
|
||||
doing his his electronic stuff. You really feel like they're with him, knowing it's great. Yeah,
|
||||
and he says in the comments to his own show, there seems to be a new version of these kits for 2017.
|
||||
There are multiple options of ordering just the case, just the parts are the fully assembled board.
|
||||
I might pick up the $16 kit with the Plexiglass case just for fun. Search for 2017 English,
|
||||
DIY Mega, 328 transistor tester, LC or diode capacitor, ES or memory PWM, square wave frequency
|
||||
signal generator. Oh, now the express. That's that's his password. Yeah, that's a good password,
|
||||
too. Right now, somebody's gone through the HBRO Accommod list added to a dictionary attack. Anyway,
|
||||
I still plan to try and flash this 2016 kit I have, then I can do a follow up episode to this show,
|
||||
to which I replied. Oh, absolutely, absolutely. And my bill comes back and says,
|
||||
oh, Taskmaster, master, smiley face with the tongue out, I guess that is. I'm on it, buddy. I'm
|
||||
waiting for an electronic shipment that should let me program the thing. An episode is inbound
|
||||
in three, two. Although that said, these things are coming from the other side of the world,
|
||||
so they do take a while. Yes, yes. But they're quicker than you imagine. Sometimes anyway.
|
||||
So the following day, 2395 Obamacare and all the pieces of the puzzle just slotted right in there,
|
||||
I was stuck in, I was late on the train train delays and I was listening to this episode and I was
|
||||
going, now I know why we had all the preparation episodes by Ohuka. This was for something that was
|
||||
in the news so often. This was the best explanation I've ever seen about Obamacare. And I don't know
|
||||
how independent it was, but to me, it was very clear. Yes, yes, it was, it was a great capping off
|
||||
the old series, I thought, and I certainly did get some better idea of it, of what's gone behind it.
|
||||
Still don't fully understand how such a situation can come about, but that's probably me or
|
||||
anything else. Yeah, yeah, but it was, it was a very good explanation of what they're at least
|
||||
the idea behind it and what they're trying to do and the history of it and stuff.
|
||||
Yep. So the next day was information underground, state of independence, and I don't know if
|
||||
you know this, but information underground used to be a podcast that was hosted on Gofer,
|
||||
no less, by DQ, Lost and Blinds and Tattoo. Their latest episode mentions Gofer quite a lot,
|
||||
and I hadn't quite picked that up, but not surprised from what you say, yeah, yeah. I really enjoy
|
||||
these guys, these guys show. I think it's one for putting on the stereo and the front room,
|
||||
you know, with a, with the blazing fire and the, and the glass of brandy or something with the
|
||||
feet off, perhaps, you know, with a hypothetical cigar listening, listening to the wireless
|
||||
and having them talk. Yes, I find it's hard to concentrate if you're trying to do something
|
||||
else at the same time you need to, you need to give it more attention than I tend to give a lot of
|
||||
my podcasts. So that's, that's good for them. Yeah, I struggle with this one because it is
|
||||
difficult to, I just start writing comments back about stuff I wanted to say, and then they
|
||||
address them later in the show, and it's just one of these ones that you really want to be,
|
||||
want to be there. Like, it's like, these types of shows remind me, I don't know if you ever were
|
||||
in this situation, but, you know, you're out on the west coast of Ireland somewhere and there's a storm,
|
||||
yeah, and you've been, and you've been blocked off, so there's no way home, and the only thing you
|
||||
can do is stay in this pub that's open all night, and there's a massive big fire, there's a
|
||||
non-limited supply of drink, and you're sitting, you know, that's sort of warm, chatty feeling that
|
||||
you get, there's no way the guards are going to be coming in. Yeah, that's the sort of atmosphere I
|
||||
get when these three guys are talking about. Yes, yes, not a scenario, I know particularly, but I get
|
||||
the picture. Yeah, yeah, yeah. Anyways, the dude, an awesome handle, if you've ever heard it,
|
||||
the struggle is real. Finding your audience is really hard, especially when not only do you have
|
||||
to compete with your contemporaries, corporate or independent, but you also have to deal with everything
|
||||
in the past as well. If not, there is a lot more noise, but you do have a lot more control
|
||||
of what you do with your art. We kind of didn't even summarize what the show was about. Do you want
|
||||
to give it a go? My notes on it really saying that it's the sort of trials and tribulations of
|
||||
independent art and independent artists, that it was really the picture that I came away with,
|
||||
but I probably didn't give it enough attention actually. I was thinking it was like you've got
|
||||
an audience, how do you grow your audience, and especially now that's more mainstream media
|
||||
taking advantage of this, how do you compete? And I guess the best thing is to do what you do,
|
||||
and then get spread the word. Yeah, it's a relevant point in today's world.
|
||||
I mean, like my son wanted to go into music as a career and then realized that nobody particularly
|
||||
wanted to hear his music or anything like that. So the prospect of actually making the living
|
||||
out of it was actually zero for those sort of reasons they discussed, I guess.
|
||||
That's the same if you look at Branko. Yeah, it was the same thing. He was essentially sponsored by
|
||||
his brother, and during his lifetime nobody particularly bought his work. So a lot of the
|
||||
struggling artists, you know, the struggling artists mean is a thing really. So modern
|
||||
all the wise, this is a, this is kind of a problem that's been going on for quite a while.
|
||||
So there's more of them and more competition and so on, I guess.
|
||||
Well, there was enough, like, were there not thousands of local, you know, musicians who never
|
||||
rolled a thing down, you know, went from house to house at the time, you know, maybe so, maybe so.
|
||||
Yeah, the guy has changed in the pub that time. Exactly. And most famous in his local area and then
|
||||
he died and everybody else died. End of story. God. Yeah, again, this is the sort of conversations
|
||||
that's probably best to have at four o'clock in the morning on the west coast of Ireland in the
|
||||
storm. Anyway, the next day, Urban Astronomer night show. This was you taking advantage of our
|
||||
our CC, CC creative commons, attributions, or creative commons thing where you can put in
|
||||
other shows into the feed to alert people to them. Yes, yes, yes.
|
||||
Do you want to get a rundown? Why don't you? Of the show. Yeah, well, this is a podcast
|
||||
called the Urban Astronomer, which is a guy based in South Africa, who is, the works in the
|
||||
astronomy field, although he doesn't have a qualifications per se. I think he's still working
|
||||
towards them, actually. But so he does what I thought was a really nice podcast. And he tends to
|
||||
interview quite a lot. And he has some really good interviews, the very interesting people. And
|
||||
he says the technique of interviewing off very well, I think. And this was a show where he was
|
||||
interviewing somebody from another astronomy podcast, who had recently been in South Africa
|
||||
to one of the big radio telescopes there, I think. And so yeah, it was sort of a podcast,
|
||||
doing a podcast about a podcast. And you know, there was nested to the nested level.
|
||||
I get an appropriate for the west coast of Ireland four o'clock in the morning, believe me.
|
||||
To which Kevin O'Brien says, enjoy the show. I'm a long time science and space geek and I
|
||||
quite enjoy this. If you like this, you might also check out the astronomy cast and the link to
|
||||
astronomycast.com and the planetary radio, the planetary radio.org or such multimedia or such
|
||||
planetary dash radio. They are both on my pod catcher. Kevin should do a show about what's on your
|
||||
pod catcher Dave. Well, yes, yes, he has done one, I believe. What's this? I don't remember
|
||||
with him being on his list, but it's hard to remember these things. Well, top up is always a good
|
||||
thing to do, I believe. Anyway, so I replied, should I do my reply? I said, I said thanks.
|
||||
Hello, dear. No, I said, sorry, sorry. I don't know what makes me do. It's okay. It's okay.
|
||||
I used to work with a nourished guy and we were always doing that to one another. So it's something
|
||||
great. Anyway, thanks, thanks Kevin. I said, I listened to astronomycast myself and recommend it to.
|
||||
I actually get the raw version before they edit it and I've given the link to that. Since it's a
|
||||
music to hear what goes on behind the scenes. So yes, it's fun. I also greatly enjoy the weekly
|
||||
space hangout and it's another link. And of course, awesome astronomy, which was the podcast that was
|
||||
being inside the urban astronomy podcast in this case. So there's a link to that in case you didn't
|
||||
spot it elsewhere. And I say I shall check planetary radio, which I haven't ever listened to thanks
|
||||
the pointer. And it's in my podcast now. I haven't listened yet, though.
|
||||
Okay. And the following day we had operator with I will go over my autohakie script. I used to
|
||||
give our free money in GTA dropping. Apparently that's not just cold. And this was a show about a way
|
||||
he figured out to get the money and give out virtual coins in this game. And the rather hilarious
|
||||
response he got back from the guys, the creators. And the video says, legally, I love that their
|
||||
notice is trying to sound sinister and fit and official, failing a boat. After all, Anilaya
|
||||
worth their soul, their ways, starts their cons, correspondence with deer, so on. So I really enjoyed
|
||||
this episode. I find automation in games to be a natural reaction to developers introducing
|
||||
more green grind and busy work into their games. I think it's fascinating that you're overcoming it
|
||||
with intelligence instead of brute force. Oh, yeah. It's very impressive. Where he's done that.
|
||||
Cool. Cool. Yeah. Moving on. Moving on. Husing super glue to create landmarks on keyboards. Now
|
||||
speaking of lawyers, Dododomi has haven't my lawyers come down because, you know, he's infringing
|
||||
of my intellectual property rights there with the left earbud tank. Yes. Yeah. Hey,
|
||||
shaking those boots now. I'll tell you that for another. Jan says HBR2399. Hi, thanks for the
|
||||
effort. You have been working on a mainframe. Please consider podcasting on how things are done
|
||||
in the world of mainframes. Thanks, Jan from Germany. I couldn't agree more. Yeah. Yeah. Yeah.
|
||||
When people say mainframe, because to me, they were, they were, everything was mainframes,
|
||||
and I started programming. So I'd like to know more about what mainframe, what manufacture,
|
||||
what operating system. So yeah, yeah, definitely like to know more. The Dododomi says shows on
|
||||
the mainframe. I've considered doing some shows on the mainframe so far I haven't because I'm
|
||||
lazy of using work assets for non-work reasons. I would need to do that. However, I do have a show
|
||||
in the works on my favorite editor, the hybrid editor, XE, which works like standard mainframe,
|
||||
ISPF editor. I also do a show on the mainframe emulator, Hercules. They're related topics I could do
|
||||
without using work resources, rex and cobalt come to mind. But it's not likely I'll do a show on
|
||||
my day-to-day work on the mainframe. Well, right there, I heard four shows, Dave. Well, I would have
|
||||
thought there was tons to say. Yeah, I mean, the work thing is definitely a thing you have to be
|
||||
careful of. However, I've asked work from time to time and they know with permission, they don't
|
||||
particularly have a problem if you, you know, make sure you go to HR, make sure you go to your managers
|
||||
and stuff, and so long it's generic. They're actually quite happy because, you know, I think
|
||||
it encourages people to come and work for them because they're a cool hip and trendy.
|
||||
Yeah, yeah. No, personally, I can't see why any, unless it's highly secret or something.
|
||||
Yeah. I wouldn't be a noosh, but there you go. But still, I saw an episode on the editor,
|
||||
on the emulator, on two languages. There you go. Already four shows. Shane Shannon says,
|
||||
great episode. Thanks for the idea. I often work with people who are learning to touch type,
|
||||
but who do not have the feeling in their fingertips? I'd be suggesting your hack to them
|
||||
so that they can feel the F and the J keys more easily. Do you know, D.D. Dummy says in reply,
|
||||
accessibility. Shane Shannon, I hadn't considered the accessibility use. I'll keep it in mind,
|
||||
but what it's worth, the landsmarks I added are still holding up, which is interesting to know.
|
||||
Super good. It's pretty strong stuff. Yeah. Cool. Good, good, good, good. Fast forwarding to the
|
||||
following day. My commute to work. Dave, not this Dave, the other Dave, the broadcast Dave,
|
||||
records an episode across his entire commute to work. And this was inspired by Mr. Ex's show.
|
||||
And he went through the cars that he had. And this is warming to me. So it is this type of show,
|
||||
I must say. I'm beginning to warm to it. It's, I find it fascinating. Yeah, I enjoy this,
|
||||
this type of thing. What a lot of cars are. Yeah, but the poor, you are the poor cars,
|
||||
you know? Well, yeah, yeah, I know. I, yeah, I was so poor I didn't have enough money to buy
|
||||
a new one after buying the, you know, another one after the, he thrust that originally boy,
|
||||
you know. So the turnover rate wasn't high. After the Ferrari, you know, one doesn't do.
|
||||
He was, he was, he was much more upmarket than I was. I think mine was, first one was a
|
||||
Persia 104, which is recorded. This is my series. Okay. Okay. Yeah. Yeah.
|
||||
Did mine mumble just crash? No, you're still good. You're still good. I can hear you.
|
||||
Excellent. Music theory, Harry Curie. This is by the dude. And lovely introduction there to some
|
||||
of the concepts of music theory. Yes. Yes. This is, this is good. It's, um, yeah. I, I found myself
|
||||
flandering a bit because there's a lot of information there. And I found it a bit hard to follow.
|
||||
But I'm getting old. So, you know, it's probably me. Don't be, don't be afraid to, um, to do
|
||||
individual shows and things. Don't assume that people know, um, yes, there will be people who
|
||||
know more than you on a particular topic, but I guarantee you the vast majority of people will
|
||||
always know less than you on a particular topic. So don't be afraid to fill out the, um, the
|
||||
acronyms and stuff. So, um, well, we continue sending in shows similar to this. Yeah, I'd like to hear
|
||||
more on this subject, particularly. Yeah. Be good. And the following day, we had to put,
|
||||
now, Dave, this is the abuse of the network that we have here. People pushing their proprietary
|
||||
games on us, trying to vlog stuff. Absolutely terrible. Oh, yeah. Oh, the spammers, they're here.
|
||||
This, this dude from, I don't know, the other side of the world trying to, trying to sell his
|
||||
cheap kit here on us. We were not having any of it. Um, unfortunately, yeah, of course, I
|
||||
just, um, tattoo, which is Kickstarter, uh, in order to get the game going. And unfortunately,
|
||||
it didn't meet its target, which was a pity because I did bag it. But I was wondering why he didn't,
|
||||
didn't do something like Andy Google and just take as much as he got. But he's already done a show
|
||||
on, there's a show in the queue about lessons learned from the Kickstarter campaign. So,
|
||||
perhaps he'll address it there, feeling that I'll, uh, I'll send my comments to after that show.
|
||||
Do you want to read my values? Uh, yes. Yes. Um, he says intriguing. I've never really enjoyed your,
|
||||
sorry, start again. I've really enjoyed your talk. I don't know why, my friend. It was only a
|
||||
cover T. And we, I've really enjoyed your tabletop gaming series. And this show fascinated me.
|
||||
I think I'm going to have to listen to it again because I didn't really follow how the game
|
||||
blow worked. That was not necessarily a fault, though, as while listening, my brain power is
|
||||
taken up with making dinner, which got complicated as the recipe required improvisation around
|
||||
ingredients I lacked. Anyway, I digress. I love the idea of the game and we'll give
|
||||
serious consideration to the Kickstarter. Any chance of a summary or audio, even video of an
|
||||
actual game? Yeah, well, I very much doubt that this game is not going to get produced. It's just
|
||||
going to be slightly delayed. Um, so, yeah. Yeah, that was, I was trying to follow on a,
|
||||
and I wind it, rewind it. That's a word, yeah. Rewind. Rewound. Thank you.
|
||||
Yes, I ruined a few times and found it difficult in spots, but it seems intriguing.
|
||||
If nothing else, I want to be, how cool would it be just to, you know, I know the designer of this
|
||||
game. Well, yeah, yeah, yeah, yeah. I'm fascinated with the, the process of designing something like that.
|
||||
I don't, I think I probably missed, missed a few brain cells when it comes to games because I,
|
||||
I don't fully get the thinking behind it. I'd love to understand the better. So the following day,
|
||||
we had amateur radio roundtable three, where I, I sort of just shut my mouth pretty much.
|
||||
Well, I don't know. I thought that was, that really made the program, made the episode.
|
||||
I've, you were asking questions that I would have asked, um, and I was interested to know the
|
||||
answers to. And the, the, the issue of, so there's all this stuff floating about in the air. And
|
||||
there's this radio thing that picks it up. Well, how does it get from there to there? And what the
|
||||
hell's going on? Because this is not a thing that's, that's, um, talked about and explained all
|
||||
that well, at least not in a way I've ever understood. So I, that, that, that seemed to be the, the,
|
||||
the thing you, you were trying, you were looking for analogies for how it worked, weren't you? Yeah,
|
||||
exactly. But, and that's reasonable. It's reasonable enough, but I don't think I can prepare it enough,
|
||||
or had them prepared enough for it. You did floor them a few times. It's certainly
|
||||
true. But I thought they rallied brilliantly. They, they came back with some great answers.
|
||||
What, I was just more on ask. What are you? Yes. They're, they're a great guys that has to be said.
|
||||
They're really. Confucius says, you know, he who I asked, who asked the question may look
|
||||
a fool for the moment, but he who doesn't ask the questions a fool forever. So ask the bloody
|
||||
question. God. Did he actually say that? Something like that. I was paraphrased. No, no, it's,
|
||||
it's, it's, that's what, that's what's in my head in here. There, there is, there is a confusion
|
||||
saying that it retains that. Yes. Cool. Okay. What he said, that's why I did it, you know,
|
||||
it was all a show. The following day we had open source gaming, Meridian number one,
|
||||
that implies a series. Don't you think? It does. It does. Yes. Yes. Depends. It implies more
|
||||
sure coming, Dave. A series is going for you. Yes. Yes. Meridian 52, the first 3D graphical massively
|
||||
multiplayer online role-playing game. And he added commons giving links to both servers.
|
||||
I'm not, I'm not a gamer of myself, Dave. I must say. No, I'm not. I, yeah. Since games got more
|
||||
complicated than asteroids and stuff, I've really sort of been left behind by them, I think, really.
|
||||
No, I think, yeah, just when I lost so many hours on Lemmings, I thought, yeah,
|
||||
would become an addictive habit or no. I did use to play on the BBC Micro stuff. Like,
|
||||
there was this one called Chucky Egg, which is, you know, all those platform games and nonsense
|
||||
like that. But yeah, and then they got more complicated than I could deal with, so I gave up.
|
||||
Yeah. So Nokia 6 Review, an excellent little show, actually, because I prompted me to do
|
||||
maybe a show on my, my own form to give an idea of what the options are out there. Great.
|
||||
No, it's, it's a good subject. It's a great subject. I was amazed that Tony
|
||||
found his OnePlus 1 was inadequate. That's what I've got here, but it's probably because I don't
|
||||
want to know that it's inadequate. And the Nokia 6 ended quite interesting.
|
||||
Very nice. I like the dual sims, seems to be a thing though. Yeah, very useful. My daughter has
|
||||
has a bare phone, and she found the two sims when she was away in Romania, with a work
|
||||
fantasticly useful, you know. And there's a comments there. Do you want to go through that?
|
||||
Yes, indeed. The Kuvmo says, great show. That's a great price for a well-powered phone.
|
||||
Added to Amazon Wishlist. Very nice. So the following day, we had Shane Shannon putting
|
||||
ends onto Cat 6 Ethernet cable. Oh, yes. Oh, yes. People stand in over you just as your underpressure
|
||||
who has not been there. Absolutely. Are you done yet? Would you like a cup of tea? Would you like a biscuit?
|
||||
Yeah, obviously it's not finished. Oh, one time. One, one, one. Sure. No, no, it's, it's a,
|
||||
it was a great story. I thought he, he told it extremely well. Okay. He has a good delivery to
|
||||
the early nice sort of calm, quiet way of speaking. Funny thought that they're now recommending
|
||||
straight through cables, because there's a reason you have their twisted in to contract the
|
||||
electrical interference on both sides. If you do the, if you do the switch to pass,
|
||||
the twisted pass, isn't it? Yeah, yeah. That the twisted pair, that the signal going down one,
|
||||
on one wire is contracted by the equal and opposite out of phase signal going down the other side.
|
||||
So it's less prone to picking up noise or than a straight through cable would be, but I mean,
|
||||
it's in the church, you know, it's not running through the center of a data center. And it's,
|
||||
is not cat six shielded in some way as well. I think it is. Yeah, no, I've got some ready to work
|
||||
to do things with him. I've known to do it yet. Well, we know harm if there was a data center
|
||||
wireless person could do a show on the benefits of the different types of wiring of a,
|
||||
of a ethernet cable. As we were always, yeah, always advised to use the, the,
|
||||
TVO's ARB type. Well, yes, cool. The last episode, Bart, do you, and my bill takes talks about
|
||||
flashing firmware with the 80 mega three to nine P chip to get a transistor test kit working.
|
||||
Yes, well, this is, this is the puller up that we, we heard about earlier. No, we had expected,
|
||||
yes, it's, it's quite a, quite a follow up to this very exciting stuff. Do you want to do, Mike's
|
||||
comment? Yes, scrolling down. I was actually gazing at the show there. Anyway, Mike race says
|
||||
AVR dude fuses clone programmers, et cetera, cracking episode, brilliantly time for me as I'm
|
||||
just starting down the path of AVR programming. I bought several programmers, USB tiny,
|
||||
LibUSB, USB, USB AVR, AVR, ISP2. A lot of them seem to be less than perfect clones of known
|
||||
designs, and they spit out like error messages that you can suppress with the minus capital F flag
|
||||
and then carry on working. Fuses are confusing, but there is an online fuse calculator. I'll look it
|
||||
up and post a link if you haven't found it. I didn't know about AVR due, due deaths, I think it is,
|
||||
and I will look at it, but a lot of GUI programs are written with inaccessible toolkits like QT.
|
||||
Oh, it's still inaccessible. I don't know, but Mike would know if anybody would, I think.
|
||||
Arduino IDE is itself inaccessible, so I stick to the command line. Take a look at
|
||||
Arduino.mk, which is a make file system you can use as programmers to avoid Arduino IDE.
|
||||
It's interesting. My first project is an audible logic probe, had a logic probe with LEDs for
|
||||
years, but that's used to me now, of course. I'm jealous of all the little gizmos now appearing
|
||||
with cheap and colorful displays like your transistor tester. And I replied, can you hear me?
|
||||
Yep, and I replied, ordered my first real soldering project. I hope that thing is programmed. Oh, yes,
|
||||
I do. Yes, yes. I mean, to any program yourself would be a bit of a bit of a blow, I think.
|
||||
And I build the replies, thanks, Mike. Yeah, I can tell I'm just scratching the surface with
|
||||
this AVR programming stuff. I'm sure I'll be messing with it more in the future. I'm not sure AVR
|
||||
due desk is necessary. It just helped me find out quickly. There was a verify option. I'm sure
|
||||
the GUI is just setting some flag for AVR due, I don't know about. And he says to you, nice, Ken,
|
||||
you ordered one nice. It's a fun project to solder up. And the best part is when you're done,
|
||||
you'll have a useful piece of test equipment. Yes, and he replies, we will expect to show about
|
||||
the build, Ken. Yep. Yes, yes, spite a bit, I think. That might not be flagged as clean in the feed.
|
||||
Yes, no, good luck with that. So Shane Shannon, three guys, three questions,
|
||||
a clinger word from the word, cool tools, utility closets, Ken and Robin talk about stuff,
|
||||
and the good stuff. Morning show, nice, from the nice recommendations there for your podcast.
|
||||
Yeah, yeah, yeah. The three guys, three questions that followed through to see you, they were asking
|
||||
questions off and stuff. There's some interesting people being talked to there. No, no, not that one.
|
||||
It's the cool tool, I think, is the one I've thought up. And there's some interesting people
|
||||
interviewing there. I followed up all of them. They clinging on word from the word, did the
|
||||
movie. And I started at the following day, RPG counter note, Lost and Bronx, offers his thoughts
|
||||
concerning tattoos, recent episode about RPGs. And I was expecting flames here, but yes, good,
|
||||
good point of view, actually, the whole experience of it. There's more, the more social aspect,
|
||||
I think, is where he was. Yeah, yeah. Does some really thoughtful stuff to Lost and Bronx?
|
||||
All three of them do. And that's the impression on the ground. On one hand, I think, oh, I'd
|
||||
love to be there. And in the other hand, I don't have the vocabulary for it. Yeah, yeah. It's an
|
||||
interesting, yeah, it sounded like it was going to be strong disagreement from when you read the notes.
|
||||
It's just a very interesting counter, yeah, counter point. Yeah, yeah. Another good reason to get
|
||||
into RPGs. And the OLF 20, oh, no, no, can we talk about that yet? And the OLF 2017 report
|
||||
always liked to get these in from OUCA. Yes, yes. And he does a lovely job of it too. Yeah, he really
|
||||
gave a good, good sort of description of his, his, I view point of being there and what he saw
|
||||
and so forth, which is, yeah, that's good. From our roving reporter type of thing, it's very good.
|
||||
That is the thing. So the next day we had co-op Paradise with the information on the ground
|
||||
to discussing a server cooperative. Yeah, that sounded a most interesting thing to do. I've never,
|
||||
never particularly said such a thing and haven't wanted particularly to do it by myself. But
|
||||
that's, yeah, it sounded like a really good solution to many problems. That's why they were talking
|
||||
about Gofer. Yeah. Yeah, exactly. There wasn't quite clear where they liked Gofer so much. I'd
|
||||
like to hear why, but we ran it at the university. I worked out for a few years before the web
|
||||
started to grow. It's all right, but it's pretty boring. Yeah, but I think that's the point.
|
||||
It's just boring. It always works. Yeah. Easy to page. There's nothing very little to get wrong.
|
||||
Yes, there were a bunch of other things that were being called campus-wide information systems
|
||||
prior to that. And we ran one, which was, you know, you could just go there and find out
|
||||
stuff about the bus time table and things of that sort. And, you know, when the next meeting of
|
||||
the such-and-such committee was, and, you know, it's all open-stable, and Gofer did the job well,
|
||||
but it's fairly, fairly uninsvaring. It's so retro now, you know, you know what I mean?
|
||||
Web 2.0. I'm still on web version. You know, I'm still on Gofer.
|
||||
Yes, yes, yes. It's a, it's a very thing. It's just I've been there.
|
||||
And done that. So I'm just sort of jaded probably, or, yeah, old fart or something. I don't know.
|
||||
The following day perfectly time. Hang on. Hang on. Hang on. Hang on. There was a comment.
|
||||
There's a comment. There's a comment. Windy gold. Yes. And although it's a November comment,
|
||||
we do these, don't we? We do. We do. Fascinating. It's the first time I've ever heard
|
||||
of the concept of a server cooperative. What a superb idea. Very pragmatic compromise between
|
||||
self-hosting and going with a corporate service. I would listen to an entire week of shows
|
||||
discussing this different aspects of this arrangement. Well done. Yep. Yep. Don't know. You want to,
|
||||
you're still a lot to running a server. Or is there? Well, keeping the secure and stuff.
|
||||
When is out there in the world? I personally have not wanted to do it. Having spent my work in
|
||||
life defending university service. And I had a team to do it. And I didn't really want to get
|
||||
into that on my own anymore. So, you know, anyway, that's just. I have the best of both worlds.
|
||||
I think I have a ex colleague who was very good at it. And he has his own server in one of the
|
||||
Amsterdam internet exchanges. And I just pay him a few credit every month. And he just does all
|
||||
of the names, all the emails, all the security patches. And I just maintain a few pies for access
|
||||
and stuff. Well, that sounds like a great compromise. Yeah. Yeah. Yeah. Yeah. Anyway, the call of
|
||||
Tlatou. No, it's not Tlatou. Yeah. Yeah. Yeah. Yeah. Yeah. Let's, let's ignore the fact I get this
|
||||
wrong any month and blame the strong Belgian beer, shall we? That's a good one. It's a good one. Yes.
|
||||
I had no interest in what? Well, one thing, what perfectly timed show that audiobook club has
|
||||
to time the shows so that they're released right before Halloween. Did you? Yes. Yes. Oh, yes. Yes,
|
||||
yes. They were not messing around with that one. It's, it's, it's well done. It's, it's an
|
||||
interesting choice to it. I've, I hadn't heard of this book for years and years and years.
|
||||
Never bothered to read it. It's available on Gutenberg and I read it a few years ago.
|
||||
Yeah. I think it must have gone out of copyright. And I thought, I didn't actually enjoy it
|
||||
very much. I just thought it was stupid. That's just me because I don't like horror very much,
|
||||
because you can, you can see, you know, this guy's trying to manipulate us to think this way.
|
||||
I don't want to be manipulated by him, but it's, did you get the impression that they were sort of
|
||||
questioning quite why it was the cult thing that it's become? Were they saying the same thing
|
||||
in some ways? Well, I don't know whether they were, yes, they said that, but I don't know whether
|
||||
they were referring to the book itself or the cult of, or the cult outside the book or inside the
|
||||
book. Yeah. Yeah. I don't know. I don't know. It's a fascinating discussion anyway. I like,
|
||||
I just like hearing them take stories apart. They, I choose to skip over the horror ones,
|
||||
but I do, I'm really happy that the book club is back and posting shows again.
|
||||
Absolutely. Yes. Absolutely awesome. Yes. Yes. This was, this was very good. I enjoyed the
|
||||
the discussion very much. And they do analyse books at the level where you, if you do have a view
|
||||
on it, you, I anyway have to rethink them a bit and think, oh, maybe I did, I did, didn't like
|
||||
this for reasons that were not rational. So I'd quite like to hear the, I'd like to hear the,
|
||||
the audio book of it, I've never, never found that one myself. And, and maybe read some more of
|
||||
things. What's his name? Of course. That's his name. I've lost, I've lost his name now. But, you know,
|
||||
what is his name? He's one of his famous editors. It is, I just drawn a blank. It's not even written
|
||||
there are guys. The book has to be the call of blah, blah, blah, bye. I'm going to have to go,
|
||||
actually, duck, duck, go, this whole, I remember, HP Lovecraft, that's the money, HP Lovecraft. Yes.
|
||||
Yes. Yes. Yes. Yes. Yes. Yes. I must read more, especially since there are, there are comments
|
||||
to come which which suggest others. So, so the next book for those of you who would need a time
|
||||
time machine to participate in the discussion about it, is Cybrosis? Is it Cybrosis?
|
||||
I'm just, it takes me a while to scroll through this. Cybrosis is where I'd pronounce it,
|
||||
yeah, PC, airing. Lovely. Cool. We might join on that. They, recording for that show is already done
|
||||
that just needs to get posted. And hopefully they'll catch up and we can, we can then join along
|
||||
in the monthly show. Frank Bell says Lovecraft. This is hardly the best Lovecraft stories. My two
|
||||
personal favourites are at the mountains of madness and the dream quest of the Unknown Catat.
|
||||
Catat, maybe. Fair enough. The Belgian beer. I'm blaming the Belgian beer. Remember, I've now moved on
|
||||
to a Schufeld solider which is not really nice. It's, you think it's going to be nice, but it's,
|
||||
it's very summery. I could take it or leave it Dave. I'm choosing to leave it while taking it
|
||||
at the same time. Lovecraft was a hack, right? Lovecraft was a hack writer. He was a brilliant hack,
|
||||
but a hack nonetheless. Many of his works were the same story over and over, but when he got
|
||||
the right, he was a genius. If you want more Lovecraft, check out a Dagen, Dagenbytes,
|
||||
Dagenbytes.com, the library Lovecraft. That was by Frank Bell. Kevin O'Brien says,
|
||||
agreeing with Frank, mountains of madness is a great story. Not a big horror guy though myself.
|
||||
I have enough horrors in my daily life. I read loads and loads of horror when I was youngster
|
||||
and my teens and stuff. You still love it. You know, all these really spine tingling stuff.
|
||||
And then I got to the point where I was thinking, but this is just formulaic. I've seen this formula
|
||||
before. People just do this stuff. The team that are going through the forest have to split up,
|
||||
because otherwise, if they don't, then they could tackle the nasties. Well, that sort of stuff,
|
||||
I just get bored with the cliches of it. Don't enjoy it. Don't split up.
|
||||
Rule number one of that. Exactly, exactly. And why do you go out if you're spacecraft without
|
||||
the space helmet on when you're in the alien-infested planet? No, that's not, you know.
|
||||
Those sorts of things, you think, what the hell are you doing? How long does it last? Yeah, that's just me.
|
||||
And the thing about that is, that's why I like lost and Bronx stories. There are some elements of
|
||||
of his stories that are, yes, you've got faster than light drives, yes, you've got gravity, blah, blah, blah.
|
||||
But within the compounds of those things, his stories are like dwell on the mundane things
|
||||
that can go wrong. It's just really, really like in his stories. If you're into well-written
|
||||
science fiction, check out Lost and Bronx stories. That is all. This was a part of political
|
||||
broadcast on behalf of Lost and Bronx. Anyways, where are we with Commonstave? Why are there no
|
||||
colorful commons in the show notes this month? They're because of the way the months
|
||||
overlap with our show and stuff, because they were none that we read last time that next month,
|
||||
it will be different. Okay, comments on previous shows, the Apollo guidance computer,
|
||||
while, oh yeah, that was my one, you sent an email, which was actually better.
|
||||
I did, yes, yes, if you, because the textual thing has the, yeah, has the actual comment
|
||||
contents inside. Super duper. I was going through, as you do,
|
||||
Fran blanches old videos, because I've gone through big lives now, Julian Elets, and I'm going
|
||||
through France, and I'm going through the EEV blogs, YouTube things. I came across that she has
|
||||
a board from the Apollo Saturn V, Saturn V launch vehicle digital computer. If you remember back
|
||||
in episode 2150, we did a show with about the Apollo guidance computer. This was a completely
|
||||
different computer for actually steering the engines themselves, and this was, if she has,
|
||||
she's taken X-rays and stuff of that board and done a breakdown of it as well. So if you're
|
||||
into that sort of thing, there is some more stuff for you to be following up. Yeah, wow, amazing,
|
||||
all these breakdowns of ancient kit like this is, seriously, if I found that board in my parts
|
||||
bin, I would think, yeah, this is just, you know, something from, from a 1980s computer,
|
||||
it's amazing, the technology in it, multi-layered PCBs and printed, you know, integrated chips,
|
||||
soldered on chips, it's even more advanced than the guidance computer that we did that we were
|
||||
talking about. Yeah, anyway, no glob, Dave, people are commenting. So, yeah, Clack came back with
|
||||
a comment on the, on that particular show bash snippet about no glob. So I read his, and you can
|
||||
do yours. Yeah, yeah, yeah, you do that. Happy to know that I have now used SH Opt-S, no glob
|
||||
professionally. Never do, never do it in interactive shell, though, and never set
|
||||
dash you either. I did solve a mistake while troubleshooting and making a careless copy and
|
||||
paste, all kinds of prompt rendering and tap completion will feel loudly and hilariously.
|
||||
So yes, I commented on this saying, delighted you found a use for no glob. I too have been surprised
|
||||
by its side effect, presumably because stuff like bash completion makes use of it and doesn't
|
||||
just say enable disable it in the way I walked about in this episode because I'd done stuff about
|
||||
how you save it state and then change it and then put it back together again. And I said, there's
|
||||
always a slight air of incompleteness about bash, I feel, though it's a hell of a lot more polished
|
||||
than it was. I was forced to use CSH and TCSH at one point in my unique life and boy, just bash
|
||||
make those shells look terrible. I'm afraid the old glob thing lost me a while back, but I know it's
|
||||
one of these things that I will eventually be going back to at four o'clock in the morning going,
|
||||
where did I hear that? Yes, yes, yes. I did do an example of why you want to use it. The reason
|
||||
for doing this particular show is because I suddenly hit on something where I thought I could
|
||||
use an algorithm this and thought I'd share it. But you have to have the need before you do that,
|
||||
I guess. Blind Abe, excellent handle, replied to information underground 21st century superstar.
|
||||
I really got really behind on my podcast playlist while on vacation this year. I've just heard
|
||||
this at the end of October, so Kevin begged me to say that I wish I was part of the discussion.
|
||||
I could not find any evidence to support this, but some of set, frightening links, songs have a very
|
||||
key way sound to them. This sound and style was common among bands, New Zevens flying on record
|
||||
label from roughly the mid 80s to the mid 90s. I was going to add more to this comment, but there is
|
||||
just so much to say from my own experiences, and also from watching how my children consume media
|
||||
that I really need to record proper response to this. We don't get many Kiwis doing shows
|
||||
these days. Yes, if they promise to show, they'll show. That's what we've agreed. You get them for
|
||||
free, although some people would argue that one show a year wouldn't be a lot to ask. One show a
|
||||
year. You could say these people from endless boredom. Think of the children. Anyway, my rambling
|
||||
drive into work by Mr. X, high-dota dummy. This is Mr. X replying. Many thanks for leaving in
|
||||
comment and sorry for taking so long replying. Yes, that's a good tip in the noisy environment,
|
||||
which I knew about, and I did give it a go, but the quality was so poor that I didn't think
|
||||
it really helped. I think it may be okay up to a point, but past that point, it just makes things
|
||||
worse. Thanks for the tip. Much appreciated regarding Mr. X. That was a reply to a comment about
|
||||
using Orphonic to do leveling out. I tried it myself. It didn't help. It was actually trying to do
|
||||
their truncates, you know, find a piece of silence in the thing, and then use the silence to
|
||||
help modify the audio. But if you do a, or not truncate silence, it's eliminate noise. So if you're
|
||||
in an environment where there's a constant buzz or something, and you can capture a sample of
|
||||
that recurring noise, then audacity can take that into account and eliminate it from the show.
|
||||
So the longer the sample is, the better. So if I was in the noisy environment here with a
|
||||
clock ticking and, you know, mains, mains home on the line or something, then you take that into
|
||||
account, and then that's just subtracted from the rest of the recording. So that helps. But in the
|
||||
car, you know, there's so many, you're going over different types of road. It was just not possible.
|
||||
I don't think it'll work. But it didn't work because I tried it. Yeah. Yeah. The, actually,
|
||||
Orphonic comment was from Dave Lee, which is Mr. X's second answer. He says, hi, Dave, many
|
||||
thanks for the comment. I think I think you've hit it on the, I think you probably meant to say
|
||||
head there or something. The internal, dictophone microphone. Do you hear that one? Oh, cool.
|
||||
I saw these banging a Hiscaterna or something like that. That's some hellish big fireworks.
|
||||
Anyway, the internal dictophone microphone is reasonably sensitive, but the external clip on one
|
||||
supplied which I use is even more so. It's clear that the audio was badly clipping when looking
|
||||
at the recording in audacity. I think I'll be investing one in one of those excellent microphones
|
||||
recommended by John Culp. Many thanks for the useful advice. Really look forward to hearing your
|
||||
episode. And yes, I hope to have another go. I get a chance. Best regards, Mr. X. And why duck
|
||||
book by Latou? Got a comment about clacky. S-G-M-L. It seems unclear on what S-G-M it's seen. You
|
||||
see one clear on what S-G-M-L is. So here's a quick summary. S-G-M-L to tell a simplifying lie is
|
||||
the idea of using a tag name enclosed in a less than and greater than bracket to mark up text. The
|
||||
original duck book is one application H-G-M-L as another. X-M-L is a further evolution of S-G-M-L
|
||||
with both constraints which both constraints and extends S-G-M-L to enable new ways of defining
|
||||
or working with applications of the format. The counterpart of S-G-M-L in S-G-M-L schema in S-G-M-L
|
||||
is the D-T-D, the document type definition, and the counterpart of X-S-L is D-S-S-S-L,
|
||||
which is a form of schema. Yay! Looks like tacky could do an episode or two.
|
||||
Is it a great proponent of scheme, the language? So yeah, yeah. That's interesting. I never knew
|
||||
there's a lot of people used to go on about S-G-M-L when I was at work because it was university and all.
|
||||
But I never really got much into it. So it's an interesting insight. Like I also says,
|
||||
markdown. Markdown, the specification of markdown, the Perl script came out in March 2004 and he
|
||||
gives a reference. And we're last updated in December, the reference, the same year. I think it's
|
||||
fair to assume that John Gruber, that's the author, considers it perfected for the use case he had
|
||||
in mind. Any further evolution of the language is now at to anyone who cares to implement the
|
||||
processor. There is nobody maintaining the language itself. I absolutely agree that it's pretty
|
||||
useless for anything bigger than a small read me without resorting to HTML, but I don't think
|
||||
that's a big problem. I don't think it makes markdown meaningless. I used to write documentation
|
||||
in HTML and I think replacing 95% of the HTML with markdown makes it much nicer to work with.
|
||||
I wouldn't write a book in HTML, but there are those that have using CSS3 print styling.
|
||||
Before hearing your argument, if I were hypothetically to ever write a book, I would likely not even consider
|
||||
use anything but latex. But thanks to your episode and you simply reminded me that Doc Book is
|
||||
still out there, I might spare Doc Booker look first. It was a good episode and your points are
|
||||
thanks. Right there, I want the following shows from Clacket, HTML, HTML, DTD, XML, DSSL,
|
||||
latex or late, latex, what do you call it? The last x is not an x, it's a chi symbol. So it's
|
||||
pronounced latex. It's a what? La tech, you know chi, the Greek thing that looks a bit like an x.
|
||||
You know chi squared and all that stuff? No, no, no, no, no, no, no, no, no, no, no, I
|
||||
avoided that. Thank God. I'm barely an engineer, Dave. I'm just a biologist, but we have to do a lot
|
||||
of statistics. Yeah, but anyway, La tech is the way he was supposed to say, but who the hell does
|
||||
I don't only meet probably? Cool. Yeah. Aside from all those shows, you know, he does know all
|
||||
some of the shows. Well, if he was thinking of perhaps doing a show, couldn't think of a topic,
|
||||
all of these would be valid shows. Yeah, yeah, I agree. I would, I would be
|
||||
for this thing. I wanted somebody to do latex for a while, but nobody, I haven't found a
|
||||
sucker to do it. I, yeah, yeah, I've used it for years at work, but before I have a new
|
||||
official, I don't know if you were joined up, sure, like you did with, uh, with a, um, easy.
|
||||
Yeah, yeah, yeah, yeah, that would be fun. That would be fun. We, um, yeah, I've forgotten just
|
||||
for everything I knew about it, but, okay. That's a great invite, David, a lot of back.
|
||||
Probably, yes, probably is. Yeah, yeah, yeah. Wow. You hear these, it's pretty cool.
|
||||
It's pretty cool. Yeah. Yeah. I don't know. I don't know. I've got all the curtains shut,
|
||||
so I can't see. No, it's just people, there's things being fired up into the sky. So it sounds
|
||||
like it's over the top of my house, sort of thing. Anyway, um, there's another comment, which is from,
|
||||
did you, did I read the last one? Yeah, it is Bob Youngman, reference to your podcast in the
|
||||
nonprofit CIS admin meeting. I conveniently listened to your podcast just before going to the KWN
|
||||
PSA Kitchener Waterloo non-profit CIS admin meeting on markup lounges and note-taking,
|
||||
where I took notes for the meeting. I added the podcast as one of the resources. Thanks for
|
||||
telling us about duckbook and some of the markup lounges. There you go, Dave, affecting change.
|
||||
That's what we do here at HPR. Yeah, he's, he's, um, meeting sounded like fun. He did point to the
|
||||
notes. Oh, yeah, there's another comment that we should have provided a link to the meeting notes
|
||||
for our KWN PSA meeting, markup lounges, etc. And he gives a couple of, it gives a, gives a link
|
||||
maybe the HPR comment demons can just depend that link to my previous comment. Well, this particular
|
||||
comment demon didn't because it seemed like it was, it would just run straight on without any,
|
||||
any problems. So it's, uh, come through now as a clicky link, doesn't it? It certainly does, yeah,
|
||||
yeah, yeah. So it's, so it's perfect. Yeah, I did follow it up and have a look. Looks like a
|
||||
pretty co-meeting they have there. Two, the episode by Latu, benefits of table top,
|
||||
benefits of it. Well, obviously, aside from your coffee, we'll follow on the ground. Thanks for the
|
||||
comments. Thanks to Gurdon, Nark and Shane. Glad you enjoyed the episode. The comparison between books
|
||||
and movies is such a great meaty topic. Everyone ought to do a series on the subject. Somebody ought
|
||||
to do a series on the subject. It's true. It's true. You can do the Slack where I want.
|
||||
I'm not going to do it. I don't know. Um, I would have to be a Kiwi, American Kiwi. Anyway,
|
||||
Klaatu says Slackware everywhere. Could we start a series in which a Slackware user,
|
||||
which named Nation State, doesn't have to be acknowledged by the UN or any agency checks in.
|
||||
Let's hear about Slack, wherever it may occur. Hmm, Slackware is a scover too. I love the
|
||||
show. I also like to take the time to mention sport. I read it as Slack ports as an alternative tool
|
||||
for SBO PKG. It offers no new features. It just doesn't have the incurses interface and is written
|
||||
in Python. Hmm, Gidee Slack sport for such sport. PS, Latu, this is a nonverbal check-in of a Slack
|
||||
abuser. Cool. And health care calls by Ahuka, Kevin O'Brien, on reply to be easy. Thanks for
|
||||
the kind comment. I happen to have a strong opinion on what should be done. But this is, but in this
|
||||
series, my primary goal was to be objective and you are relieving me that I sit, that I may have
|
||||
succeeded. I think he has done so. Yes, indeed. Yeah, he's certainly explained things very, very well.
|
||||
He did a, he commented on Bob's message. Kevin O'Brien did, Adam Ruins, everything is very
|
||||
entertaining, but not exactly complete in its analysis. So this comes across to me like
|
||||
cherry picking the data. Hospitals do indeed have charge masters and the prices there in our
|
||||
largely made up, but it is also true that margins at most hospitals are rather thin. So I think
|
||||
it's not accurate to imply that hospitals are simply being greedy and waving around large
|
||||
bags of money. So I think Adam is essentially confusing cause and effect here. Yeah, I think
|
||||
I read that. Did you watch that video? Did actually, yeah, yeah, yeah. It's entertaining. Yes, it's
|
||||
entertaining. But he has a link, Bob put a link to resources in there as well. So they are,
|
||||
he's coming to you on newspaper articles and stuff that's been published. Yeah, yeah. But
|
||||
that style of delivery compared to sort of a proper analysis, you know, you wonder how much is
|
||||
being done for the, yeah, yeah. On the point there, I think Adam Ruins, everything was trying to
|
||||
make was that, okay, they, yeah, yeah, the big bags of cash been handed over to the hospital.
|
||||
Like Kevin's point, but I think the point there was that if you're not insured that the hiking of
|
||||
the prices for the charge master means that if you're not insured, you have to pay a full price,
|
||||
even though that price may be inflated. But yeah, I find it all very confusing. I'm really,
|
||||
I don't know why it's political topic, but it seems to be. Yeah, it's a strange thing. I find it
|
||||
hard to reach conclusions about this because there's so many layers of people doing bizarre,
|
||||
what to me, bizarre things. Yeah, but you have to ask yourself and this is something that Kevin's
|
||||
show really made me realize that I may, I have an opinion on this and I've never really
|
||||
questioned that my opinions until I realized that there are so many people with completely
|
||||
opposite opinions that I would never have in my life and they have them and they seem valid.
|
||||
So yeah, I guess. Yeah, yeah, yeah. Well, exactly. This is why I find it difficult to reach any
|
||||
conclusions because, you know, you might see one one argument and it looks perfectly valid
|
||||
followed by another. So I'm just, which is going completely different angle. So you'd have to,
|
||||
you'd have to collect all of the information and analyze it very, very carefully to have a
|
||||
proper view, you know. And I haven't got time to make an inclination to get that deep into
|
||||
personally. You know, I would like to thank Kevin for putting on this, this series because
|
||||
especially with the last show, it just completely brought together the whole background of it.
|
||||
And, you know, he tried made a very valiant effort to remain impartial to it, something that at
|
||||
the beginning, I was thinking, why do you need to be impartial about it? But now I see that he does
|
||||
need to be impartial. Yeah, so yes, yes, no, he did, he did go a long way towards doing the thing I
|
||||
said I wasn't doing for myself. So, so yes, we'll power to him for that. Do we, oh yeah,
|
||||
and the other ones are comments that we probably have already commented on.
|
||||
They are indeed, yes, yes. So they put the mailing list, I put the mailing list stuff towards
|
||||
the end of the notes, it changed it to different directions. So do you want to say anything about
|
||||
the mailing list? Yes, just what do we have? Let me see all done here. Any other business,
|
||||
htbs.narkup.org? Do you want to go through that? Yes, just really to solicit comments, I guess.
|
||||
So when an htbs show contains an image, or a link to an image, or an image which has been
|
||||
uploaded, then it adds a level of complexity to the, the uploading to archive.org. And I just
|
||||
itemize the issues. If the file's been submitted as part of the original htbs.narkup.org,
|
||||
then we've got a copy of it. And I simply, the code of written uploads it to archive.org and
|
||||
then changes the notes to point to that copy rather than the hpr copy. The idea being that we then
|
||||
have a self-contained show on archive.org that can be referred to if hpr has gone away for the day
|
||||
or something. And that's something I've added relatively recently, so not all shows do this yet,
|
||||
till I get ran to to fixing them all up. So that's the first case. And if the notes contain a
|
||||
link to an external file or files, then something that's happened on archive.org makes them
|
||||
inaccessible sometimes. So for example, was it Shane Chenichou on Cat6? 2406 was he links to his
|
||||
image of a cat6 pinout. And when it's uploaded to the internet archive, it doesn't show anything.
|
||||
You know, it's just the link is to the same places it is on hpr. But they're doing something on
|
||||
archive.org that makes it invisible, which I don't fully understand. I haven't asked them, but then
|
||||
having conversations with the guys at internet archive is difficult because they never seem to answer.
|
||||
They're so busy and there are lots of them are volunteers. I do understand, but it's just
|
||||
difficult to get anything resolved. So what do we do with the external file case? One way would be to
|
||||
make a copy of it. So if somebody uploads a file with a reference to an external file, we copy it
|
||||
to get on the hpr site. And then it could be treated like the example I mentioned earlier and
|
||||
uploaded to internet archive. But I'm not quite sure where we would stand as regards copyright.
|
||||
In this particular image, I'm talking about 2406 is not owned. I don't think by Shane Chenichou himself.
|
||||
It's a referral to probably a creative commons file or something. Don't know exactly what it is.
|
||||
So you need to trace all the copyright issues in order to do that. The other way would be to point
|
||||
to a copy in the archive to organotes to the wayback machine. Now the wayback machine
|
||||
snapshots a lot of stuff, but it doesn't do it in any pattern and it does an amazing job.
|
||||
But if you point to it and you don't know where it is necessarily, you have to find it.
|
||||
And then you can point at it. What I did for 2406, which does show the image on archive.org,
|
||||
is I went to the wayback machine and asked it about this particular file. And it says, I don't know
|
||||
what that is, but I cannot load it if you like. So I said yes. And it then grabbed a copy of it and
|
||||
put it in its own archive. And then I was able to make a link to it. But that's hugely labor intensive.
|
||||
So really what I'm asking is for any thoughts from the community is the best way to deal with this.
|
||||
Well I've been thinking about this myself and I think the best thing is if we consider
|
||||
the entire show as to be creative commons by a say, which is a default license. So if you
|
||||
whatever license you upload the show, any image or media that you're referring to should also be
|
||||
covered by that license. And I would prefer that we have, if there are images attached,
|
||||
that those get attached and served locally from the HPR website because that then gives the option
|
||||
to include that with the show as part, ideally as part of the RSS feed. But also as part of the
|
||||
package that we upload to the internet archive. And later on if you want to distribute the show
|
||||
that we could distribute the whole thing. Yeah, I like that. I like that solution.
|
||||
The way back machine stuff is fine and dandy, but it's not, it's a mess. It's messy. No.
|
||||
It's not ideal. But have you sent this out to the millest? I haven't. No, no.
|
||||
I think I will. Yeah, yeah. But we were discussing it the other day and decided to put it up on the
|
||||
any other business first off. But yeah, I'll ask for opinions out there.
|
||||
I'd just go back to the story finished with that.
|
||||
Yes, we have. I think, yeah, I'd like to see. I've always had this feeling that we should have
|
||||
like a pre-packed show that everything related to the show was packaged by us even going as far
|
||||
as if it's a YouTube video that we have that YouTube video as well, you know, that video file
|
||||
associated with the show itself. But there's a there's a cost associated with that. And sometimes
|
||||
you're linking to something that yeah, you're not going to be able to get back. But then I guess
|
||||
if you're linking to a website, then the internet archive is a way to get around that. And you can
|
||||
use the search feature on the internet archive to create backup links if necessary. Yeah, yeah,
|
||||
into a particular image. That's a tough one. Yes, yes, I haven't explored all of the possibilities
|
||||
using archive.org. I'm sure there are there are there are tools I haven't found yet.
|
||||
But yeah, it's achieving the the bundle of all of the bits of a show as one package. It's definitely
|
||||
a thing I've been trying to to work towards. So yeah, okay. Going to the mailing list now for a
|
||||
minute, we had the micro commenting that site was unavailable. It was intermittent, intermittently
|
||||
unavailable. And I think it's due to a script that Josh was running that that flagged suspicious
|
||||
activity. And well, suspicious activity due to poorly configured ISP addresses and reverse
|
||||
lookups. But unfortunately, as I pointed out to Josh, there's not a lot we as a user can do,
|
||||
you know, either you've got an ISP and that's the ISP you have. There's nothing you can do about it.
|
||||
So that's been disabled. If anyone is unable to get to the HPR website, I'm now able to go in and
|
||||
check that stuff myself. So email admin at HPR and we can see about getting that sorted.
|
||||
Excellent. Yep. It seems to be a bit more stable now since since this thread was discussing it.
|
||||
Do you want to go through your shows of multiple hosts thing as well, that email?
|
||||
Just give a quick summary about what we're trying to do with the shows of multiple hosts.
|
||||
Okay, yeah, yeah. So I wrote an email that spoke of the issue shows multiple hosts of which
|
||||
are a number and the fact that I'm rebuilding currently designing a new HPR database and I'm
|
||||
using Postgres to do it. We've looked at the issue of one to many many to many relationships in
|
||||
the database. For various points, I've done shows on the mic, rated, a brilliant show on
|
||||
the subject way back and basically we want to be able to do this. So two people jointly do a show
|
||||
then we want to be able to signal this in the database in the usual database-y way.
|
||||
So what I was asking for, I have actually written code which will go through the current database
|
||||
and we'll find cases where we have instances like show a show done by NY Bill and Windigo.
|
||||
NY Bill and Windigo is a separate host in the normal, in the sense of hosts in the current
|
||||
database and I go to those and I split it up and find the NY Bill case and then the Windigo case
|
||||
and then make the show owned by the two hosts rather than this single, single, strange double host
|
||||
thing. So that's fine, that seems to be working. But I believe there are
|
||||
other cases where people might wish there to be multiple hosts credited for a show.
|
||||
Well, I mean, it will have the effect that if you go to the database to find out which shows have
|
||||
been done by host X, you will get back all the ones they've done single and also the ones
|
||||
they've done jointly, which to me seems the right thing to do. So I was asking for one would be an
|
||||
example. Well, I thought so too, yes, yes. So I was just asking for anybody who had a done a show
|
||||
of that sort, if they wish to flag it to me, I can use it, I can modify the date, my new database
|
||||
to reflect it and keep a record of it so that when we have something that goes live, we can make sure
|
||||
it gets sorted then. So that's it. Yeah, I like it. And something I was thinking about there, Dave,
|
||||
is how we will represent this in your SS feeds. Yes, yes, yes, yes. How do we represent which host
|
||||
is the author of a show? No, because you under the item section in an RSS feed, you have an author
|
||||
and that's a single, single thing in RSS. Yeah, that's a problem. All right. Okay, that's interesting
|
||||
because, yeah, okay, that's such. Well, it's a specification. It's vague and liable to
|
||||
breakage because people will assume. So there are possible ways around it. We need to have a lock
|
||||
and see. You need to bug me about it so that I have a look and see actually. Yeah, yeah, yeah. So
|
||||
some people would say, well, throw away RSS and use Atom, but yeah, and then you have other people
|
||||
who say, yeah, Atom is killed by the fact that you can extend it with with your own namespaces.
|
||||
Yeah, yeah, yeah. I know. So six and a half a dozen or the other, I guess.
|
||||
Chris, you can extend RSS with other namespaces as well. Just true, just true. Could there be one
|
||||
that has multiple authors? Yeah, but we could do whatever we all we can create our own HPR namespace,
|
||||
but then if that has the side effect of breaking every feed reader out there, then that kind of
|
||||
defeats the purpose. So that's it. Yeah. We need to practice solution. Interesting to see. Yeah.
|
||||
And it's really hard to find as we could. What we could do is author multiple hosts
|
||||
are, you know, change the authors to be hosts underscore HPR blah, blah, blah, which is a male list,
|
||||
you know, type thing. But is the author a, is it a link of any sort? Is it just ten?
|
||||
No, it's an email address. Okay. Okay. I'll have a think about it. Yeah. It needs some
|
||||
cool. There was conversations about that. Do you want to give the summary of the conversations or
|
||||
not? The conversations were largely about, should we be looking at Postgres? Josh commented that
|
||||
he had no specific experience of administering Postgres if we were going to be implementing that
|
||||
on the server, which is, which is fine. And it's, there are questions to be answered there,
|
||||
obviously. Yeah. But I think what's missing is that we would probably be just running Postgres
|
||||
on the HPR BPS and then push out a normalized view into my SQL or sorry, yeah, into MariaDB
|
||||
and then host that out there. So I'd possibly be tempted to move a lot of the pages to static pages
|
||||
as opposed to requiring the database for everything. So I'm trying to keep database access
|
||||
on the back end and then having as many static pages as possible on the front end. Yeah. Yeah.
|
||||
Yeah. No, that's fair enough. One very interesting comment came from Nigel Verity who was pointing out
|
||||
that my SQL MariaDB and Postgres are all fine and dandy. But since we're dealing with a relatively
|
||||
small and relatively simple database, maybe something like SQL Lite would be worth a look.
|
||||
Not really. We were looking at that. We had, in fact, been discussing this,
|
||||
having just heard Floss Weekly's show about, what was the name of the thing I've forgotten?
|
||||
Yeah, I can't remember, but if you go back, it's the last one or two shows on Floss Weekly has been
|
||||
about clustering of my SQL databases on the back end. It's called Bedrock, I think, say so in the thread.
|
||||
Yeah. Episode 456 of Floss Weekly. They looked at Bedrock, which is, which has clustered
|
||||
SQL Lite instances, which might be overkill. But still, it's something well worth looking at.
|
||||
And SQL Lite is actually very powerful considering it's a database in one file.
|
||||
Yeah. There are advantages to it because we could put that at the back end of a read on the
|
||||
RSS feed or think server. And then whoever wants it, can grab it. Yep. Yep. It's, yeah.
|
||||
People want interesting comments, feel free to do so. Yeah. I plan to put out the work I've
|
||||
done so far in the next week or so. One or two weeks is what we used to say in my workplace,
|
||||
one to two weeks. So sometimes when I get a moment in the next couple of weeks, I plan to put
|
||||
stuff out for people to look at if they're interested in comment. And that would all be most
|
||||
appreciated. And I would like to thank NYU Bill for the pulse card, which he found my address.
|
||||
If anybody else finds my address, and send me a pulse card, I will send them on back. Thank you
|
||||
very much. That's good. That's very good. Have you found my address on the website, Steve? Yeah,
|
||||
I know. I know your address. There are various ways. There are various ways to find it.
|
||||
Yeah. I ain't hard to find. That's for sure. Is there anything else that we missed or we should
|
||||
be discussing? I think we've covered it. My can't think of anything further. So we have a little
|
||||
look at the old queue and see how it's doing. We could do with some shows. Next week is full.
|
||||
The week after that is not is not full. And there are plenty. There are a few shows for the next
|
||||
three weeks, but it's looking slim. Slim pickings is what I'm seeing. Slim pickings. So yeah,
|
||||
if you were thinking of doing a few shows, now is the ideal time. Northern hemisphere of the winter
|
||||
is coming in. Southern hemisphere long summer days ahead of you. And no reason not to do a show.
|
||||
Yep. That sounds about right. Okay, let's call this a day, Dave, and tune in tomorrow for
|
||||
another exciting episode of Hacker Public Radio. Join us now and share the software. You'll be
|
||||
free. Hacker, you'll be free. Join us now and share the software. You'll be free. Hacker, you'll be free.
|
||||
You've been listening to Hacker Public Radio at Hacker Public Radio. We are a community podcast
|
||||
network that releases shows every weekday Monday through Friday. Today's show, like all our shows,
|
||||
was contributed by an HBR listener like yourself. If you ever thought of recording a podcast,
|
||||
then click on our contributing to find out how easy it really is. Hacker Public Radio was founded
|
||||
by the digital dog pound and the infonomicon computer club, and it's part of the binary revolution
|
||||
at binrev.com. If you have comments on today's show, please email the host directly, leave a
|
||||
comment on the website or record a follow-up episode yourself. Unless otherwise status,
|
||||
today's show is released on the creative comments, attribution, share a live 3.0 license.
|
||||
Reference in New Issue
Block a user