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Episode: 2475
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Title: HPR2475: Information Underground -- Sex, Drugs, and Rock-n-Roll
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Source: https://hub.hackerpublicradio.org/ccdn.php?filename=/eps/hpr2475/hpr2475.mp3
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Transcribed: 2025-10-19 03:49:45
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---
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This in HP are episode 2475 entitled Information Underground, Sex, Bloods, and Rocknroll, and
|
||||
in part of the series Information Underground.
|
||||
It is hosted by Lost in Drunks, and in about 43 minutes long, and Karim an exquisite
|
||||
flag.
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The summary is...
|
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Did I you guys end up in the first sexual revolution in America, back your impregnation?
|
||||
Today's show is licensed under a CC hero license.
|
||||
This episode of HPR is brought to you by An Honesthost.com.
|
||||
Get 15% discount on all shared hosting with the offer code HPR15.
|
||||
That's HPR15.
|
||||
Better web hosting that's Honest and Fair at An Honesthost.com.
|
||||
Welcome listeners to Information Underground and Hacker Public Radio.
|
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I'm Deep Geek and I have with me Lost in Drunks.
|
||||
Hello everyone.
|
||||
And Klaatu.
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||||
Hello everybody.
|
||||
And today what the topic I would like to open up is the roaring 20s and prohibition
|
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error as the first sexual revolution.
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So a quick note on the beginning of this topic we were recording another episode where
|
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Hugh Hefner came up in a poor light and I felt the need to defend him in some way.
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And so I mentioned that he was the forerunner of the second American sexual revolution.
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And you might say to yourself, what, the second sexual revolution?
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Wasn't the only one the hippies with the sex and the drugs in the Rocknroll in the sixties?
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Well it happened before.
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I am utterly fascinated by the American prohibition of alcohol in the years 1920 to 1933 because
|
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it is a culmination of many things and truly a changed America's character.
|
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America had a truly puritanical character with most of the features we today call patriarchical.
|
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Women were non-working, stay at home home makers with zero political say.
|
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The group was a formal process involving permissions and shaperoning prior to the 1920s.
|
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According to one survey, only 14% of women had premarital sex before the age of 25 while
|
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34% of women who came of age in the 1910s and 20s reported that they had lost their
|
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virginity prior to marriage.
|
||||
The biggest problem in the eyes of many housewives prior to the 20s were the saloons.
|
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30 male only establishments where many married men would literally drink away the money needed
|
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for the household.
|
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This led to a temperance movement aimed against saloons.
|
||||
However, when the Christian women's temperance movement found allies with rural price and
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ethics about sobriety coupled with anti-immigrant and anti-black prejudices, a powerful political
|
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force was established for the 18th amendment.
|
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Life's thought they would get rid of the saloon, white's thought blacks would get deprived
|
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of drink, Americans thought immigrants would be deprived of drink, soft liquor drinkers thought
|
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hard liquor was being illegalized, people were truly surprised that after the 18th amendment
|
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and the Volsette act that they were deprived of their own favorite vice as well as their perceived
|
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enemies.
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Here's the rub, speak easy rose, simultaneously with the 19th amendment women having the
|
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right to vote.
|
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This resulting in modern political women being a possibility.
|
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Speak easy didn't care about the gender of their clients and this led to dating because
|
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men and women could now escape being shaperoned, a private movie and dinner and drink was now
|
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possible and with taxis and cause private transport while out in public was a possibility
|
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too.
|
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Prohibition, the first sexual revolution, jazz was the rock and roll, liquor was the
|
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drugs and flappers were the sex.
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After prohibition we had dating but we still had an amazingly repressive sexual attitude
|
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that would not change until a normalization of pornography in the late 50s.
|
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This led to an open dialogue about sexuality and a variety of changes quickly on the heels
|
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of the normalization of pornography came shifts in attitude regarding fantasy and masturbation,
|
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women's sexuality, prematial sexuality and homosexuality.
|
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And that's how I want to get into the topic and I suppose guys this could go both ways
|
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both in deeper into the prohibition side of the topic and into the change in American
|
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womanhood but let's go from here.
|
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Well I would like first off before we dive into the history of this.
|
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I would like you to expand a bit on your defense of Hugh Hefner and how prohibition links
|
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to the second sexual revolution because I think for a lot of people that thread might
|
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be a little bit thin or a little bit hard to see.
|
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Well Hugh Hefner got into the publishing industry through S. Quire magazine, a well-known
|
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men's magazine but he was also deeply disappointed with it so he slurred out to start his own
|
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magazine and pornography was taboo until that point until he came on the scene.
|
||||
But he bought with it a philosophical basis and a literary character as well as pictures
|
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of the most beautiful woman of the day in the roar.
|
||||
And I remember seeing cartoons about playboy magazine from the fifties, literally cartoons
|
||||
like political kind of cartoons showing men waiting for a train and they would have the
|
||||
nose and would copy a playboy while they waited and the thought bubble would say, yes
|
||||
this is okay now, you know.
|
||||
But it greases a groove therefore Hugh Hefner kind of, if there was a boy with the finger
|
||||
and the die, he's the one who pulled it away and that's my chief defense of Hugh Hefner.
|
||||
Okay.
|
||||
Jumping back again a bit.
|
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Now what exactly is unclear about the role of flappers?
|
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Oh, nothing.
|
||||
I mean, I can go on.
|
||||
Yeah, no, I mean, they were raw sexuality for the time.
|
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Yeah.
|
||||
There's no argument to that at all.
|
||||
Just for the sake of the listeners, we were chatting about this through email for a couple
|
||||
of weeks actually leading up to this episode.
|
||||
And one of the things that I mentioned in an email to DeepGeek was I'd like to see
|
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a little light shed on, now during prohibition, during the rise of prohibition, that is where
|
||||
the power of American gangsters really came into play.
|
||||
You know, that's the legacy of the American mafia.
|
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It really rose during prohibition in America during that time.
|
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And in addition to alcohol, they got into an awful lot of other areas including gambling,
|
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prostitution and pornography.
|
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Now pornography and the rise of video or I should say film and photography during this
|
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time period and how much easier and smaller all of this equipment became how much easier
|
||||
it was to operate so that you didn't have to be a photographic expert anymore to actually
|
||||
use a camera.
|
||||
The Codec Brownie had popped up at some point during this time.
|
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And pornography became more widespread and kind of entrenched in American culture.
|
||||
And a lot of that was controlled by the gangsters during the same time period.
|
||||
So that you had to speak easy that were promoting a, you know, a more sexually free lifestyle.
|
||||
You also had gangsters very often gangsters or at least criminal elements that were also
|
||||
providing pornography at the same time period.
|
||||
Now we go like say 1925.
|
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We go from pornography being illegal pretty much everywhere, probably pretty much everywhere
|
||||
in the world at that time to 1955 is that give a give a take when Playboy came out something.
|
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I think it was 55, I think it was 52 that Denmark legalized it.
|
||||
Okay.
|
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I have a book on that someplace in here.
|
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Okay.
|
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30 years we go from a social mindset or a social view where everything about the human
|
||||
body except your face, your hands and your feet and your feet have to be in shoes.
|
||||
All of you know everything.
|
||||
That was the Victorian standard.
|
||||
Yeah.
|
||||
Those were Victorian standards.
|
||||
And we go from that mindset where those were the only things you could show anybody
|
||||
ever to Hugh Hefner in 30 short years.
|
||||
So well, I mean, I think this is an interesting point about the control of all of this, about
|
||||
it being the mafia or whatever because my problem with Playboy and Hugh Hefner and that sort
|
||||
of industry is that we all have assets that we can capitalize on whether they're natural
|
||||
skills or whether you don't feel like you have natural skills, but you have a great
|
||||
body or whatever.
|
||||
We all have something, right?
|
||||
And one of the most basic things that we all have is sex and there's a market for sex.
|
||||
There's a desire for sex.
|
||||
So it's something that you could feasibly bargain with if it were permitted, but something
|
||||
back way back in history, whether it was, I don't know, you can blame religion, you can
|
||||
blame capitalism, you can blame mind control, the illuminati, whatever.
|
||||
Something said, oh no, you can't do that.
|
||||
You can use whatever you want, but not your body.
|
||||
That's a bad thing.
|
||||
That's evil.
|
||||
Yeah.
|
||||
And that's how it's been.
|
||||
That's how it's been.
|
||||
So I don't really see sort of one guy, Hugh Hefner, capitalizing on that control as actually
|
||||
being very praiseworthy.
|
||||
And I almost, I would equate him with the mafia because they kind of were doing the same
|
||||
thing, right?
|
||||
They were like, oh, you guys made drinking illegal?
|
||||
Well, we'll manufacture and sell the alcohol then, you know, and it's kind of like that
|
||||
same thing.
|
||||
They're finding loopholes, but the loopholes are always coming back for their benefit.
|
||||
And I don't, I don't find that praiseworthy.
|
||||
I don't find it praiseworthy that Bill Gates put a PC in every home because he was a, I
|
||||
think he's an evil guy.
|
||||
I don't find it praiseworthy that Steve Jobs made a happy computer.
|
||||
I don't find it praiseworthy that Napoleon unified the culture of Europe by bringing war
|
||||
throughout the whole thing.
|
||||
You know, it's just like, I don't, I don't look at the result and say, oh, you guys did
|
||||
a good job because they did it for themselves.
|
||||
So you feel their motivation matters more than the accomplishment?
|
||||
Yeah, because I think that the accompli, I don't think that they solved the problem.
|
||||
I think they brought about like Debik says a conversation and they kind of made it more
|
||||
acceptable, but it's, it's not more acceptable, right?
|
||||
Because playboy, yes, sure, they've, it's made pornography somewhat more acceptable.
|
||||
I mean, certainly it's prolific.
|
||||
It's not illegal.
|
||||
But I mean, the base, the, the problem still exists and that is that some people somewhere
|
||||
are saying, hey, you people, you have to be subject to what we say is okay.
|
||||
And we, we, we say pornography is okay now, but prostitution is still not okay.
|
||||
You still can't sell your actual body, but you can sell pictures of your body.
|
||||
That's, you know, and it's just, it's this deep rooted problem of someone else being
|
||||
in control over what we can or cannot do.
|
||||
That problem is deep rooted, but I mean, you know, the interesting thing is the function
|
||||
that he serves as an icon and it goes back also to the first playboy centafold Marilyn
|
||||
Monroe.
|
||||
And there's no reason why you have to think of her as the first sex symbol either, you
|
||||
know, but that's, you know, something that we assigned to their character or their role.
|
||||
Well, she obviously she wasn't the first sex symbol.
|
||||
I mean, you, you were just talking about the flappers.
|
||||
You go back to that era and there were tons of movie stars who were considered sex
|
||||
symbols at the time.
|
||||
Josephine Baker, too.
|
||||
Oh, there you go.
|
||||
Fantastic.
|
||||
She goes, she goes back.
|
||||
Fantastic.
|
||||
Yeah, she was amazing.
|
||||
And she, I mean, if you see any pictures of her dancing today and there is some video
|
||||
as well, or film that survived, I mean, that was an incredibly good looking woman.
|
||||
She's, yes.
|
||||
Incredibly hot, even today by today's standards.
|
||||
So you know, Marilyn didn't create that whole concept, however, she was the sex symbol
|
||||
of the day.
|
||||
And the fact that she chose to reveal her, you know, her body in the nude at that time
|
||||
was considered revolutionary and it helped to add to her mystique and her kind of legend
|
||||
as it were.
|
||||
I think, I think a colleague of mine said it very well that at that juncture and time
|
||||
in America, we needed to have a very high visibility sex object.
|
||||
So there.
|
||||
And I think that, I, I think glad to hit on the right terminology for this.
|
||||
I think that these people, Hugh Hefner, Marilyn Monroe, these people helped open a dialogue,
|
||||
a general way that we can discuss and approach these changes in our societies, changes that
|
||||
clearly society wanted.
|
||||
I mean, you can argue whether or not someone like Hugh Hefner was a good person, but I don't
|
||||
think that anyone today, any reasonable person today would look at a woman who wants to
|
||||
wear a tank top on a hot summer day as being immoral or terrible, but you go back a few
|
||||
years before Hefner.
|
||||
And if a woman walked around like that, she would have been arrested for indecent exposure.
|
||||
Now, I've seen photographs from the 1930s where people were being ticketed on Coney Island
|
||||
Beach in New York City for wearing, quote, unquote, risqué bathing suits, right?
|
||||
But those bathing suits where they were actually measuring from decap to bond with the
|
||||
suit.
|
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Exactly.
|
||||
Oh, my God.
|
||||
That's that picture is so funny.
|
||||
Yeah.
|
||||
And it wasn't, it wasn't just women.
|
||||
Men were, if men were wearing just their trunks without a top on, they were getting tickets.
|
||||
And in such a short time, they went from that to something far less restrictive.
|
||||
By that standard, you know, most women are walking around almost naked today.
|
||||
And many of the men as well.
|
||||
And I don't think anybody would want to go back to a time period when that was different.
|
||||
Any reasonable person anyway would want to go back to a time period where that was considered
|
||||
the proper thing in society.
|
||||
Now, you can wear whatever you want that makes you comfortable.
|
||||
But I would never want to live in a society that would you were person negatively for wearing
|
||||
comfortable clothing.
|
||||
Yeah.
|
||||
Neither would I.
|
||||
I'm 100% with you on this one.
|
||||
Yeah.
|
||||
But I really, I really think that the roaring 20s and the prohibition wore the turning point
|
||||
and did to get back to Kletto's point.
|
||||
No one liked gangsters until prohibition when they became kind of a, I guess you would
|
||||
call it a Robin Hood-esque figure because there are some law passed and people saw that
|
||||
the law was bad way before the halls of government admitted it was bad.
|
||||
And the gangsters were buying it and defying it openly.
|
||||
And people appreciated it and it made the gangsters less evil in their eyes.
|
||||
How much that applies to monographers, I don't know, but that's interesting that the
|
||||
law was actually that bad that it made.
|
||||
The gangsters look good.
|
||||
Deep kick.
|
||||
In my mind, speakeasies, they were very busy places, but they were sort of like underground
|
||||
raves might be considered today, right?
|
||||
Yes.
|
||||
Yes.
|
||||
And underground raves, while they might have a significant impact culturally on the wider
|
||||
dialogue because almost everybody has heard about them, but I don't know very many people
|
||||
who have actually ever been to one.
|
||||
One of those things.
|
||||
I'm wondering.
|
||||
I've been to a BAM.
|
||||
I don't know what that is.
|
||||
A BAM is when you and five to ten friends or so decide to have a street party, a block
|
||||
party in an impromptu manner and you literally pull into a cul-de-sac blocking the world last
|
||||
year radios begin drinking publicly and dancing in the street until they get afraid that the
|
||||
cops are about to come and you split.
|
||||
So I've done that.
|
||||
It's a BAM.
|
||||
It's BAM.
|
||||
You're there.
|
||||
Bam, you're out.
|
||||
Okay.
|
||||
Well, I've never done that.
|
||||
But my point is speakeasies had a major, major impact on American culture, but how many
|
||||
people actually participated?
|
||||
Can we assume that the average person who had to get up and go to work the next day probably
|
||||
never went to one of these things?
|
||||
They even to note, the drinks were priced, similarly, what drinks are priced now.
|
||||
Probably there was a large proportion of people who were living vicariously through
|
||||
them, who knew of them, you know, and some of it depended on the city.
|
||||
I mean, some of the brownstones, there are stories of brownstones in Manhattan that had
|
||||
to put up signs that said we are not at speakeasy, we're trying to sleep, please do not knock,
|
||||
you know.
|
||||
I mean, New York, New York, New York, New York, I should say, has always been a very wet
|
||||
city.
|
||||
Yeah.
|
||||
Yeah.
|
||||
I don't know how much it carries over to other places, but the speakeasy itself is not
|
||||
isolated to the only venue for drinking.
|
||||
No, I know.
|
||||
In fact, it was probably in the minority when it came to the amount of alcohol that was
|
||||
being consumed.
|
||||
I know for a fact that there was a lively, well, a lively gray area prescription business
|
||||
being done by many doctors who were prescribing alcohol for, quote unquote, medicinal purposes.
|
||||
That was a phenomena that led to the expansion of Walgreens from a chain of 25 stores to
|
||||
what it is today.
|
||||
They owe it to the fear that was written into the Vulsad Act for massive delirium
|
||||
trements, and doctors were allowed to prescribe, and it was legal.
|
||||
And some of the prescriptions are actually on the internet.
|
||||
You could read them.
|
||||
They're funny, as in take one ounce per hour for stimulation until stimulated.
|
||||
It's absolutely hysterical.
|
||||
What interests me more than that?
|
||||
And actually I happen to like prohibition error drinks, something I picked up at my father's
|
||||
knee.
|
||||
God blesses.
|
||||
God blesses.
|
||||
You mean cocktail recipes, you mean?
|
||||
Yeah.
|
||||
There were two.
|
||||
One was called the three mile limit and the 12 mile limit.
|
||||
Have you heard these terms?
|
||||
If heard the terms, I've never heard of those cocktails, though.
|
||||
Yeah.
|
||||
They're rum and brandy concoctions.
|
||||
The three mile limit that Coast Guard was founded, you know, maybe three years before prohibition.
|
||||
And you could go out three miles and be in no man's land in the other little waters
|
||||
at that point.
|
||||
You're in international waters.
|
||||
And so people would sub party boats and you want to talk about burdellos and bars and gambling
|
||||
establishments.
|
||||
Well, they became ships out at sea that were cities of vice, little mini-loss vegasis floating
|
||||
three miles off the shore.
|
||||
And people would take a 20, 20 minute steamboat right out to them.
|
||||
So the Coast Guard still trying to figure out how to do their job in four or five years
|
||||
into prohibition.
|
||||
They made it the 12 mile limit and essentially quadrupled the area of sea that the Coast
|
||||
Guard was supposed to be patrolling, making it even easier for nautical rum runners to
|
||||
do their job because they were spread that much more.
|
||||
Another interesting thing is that American prohibition as opposed to say Canadian prohibition
|
||||
at that time or even current day Canada still has prohibition in the northern territories.
|
||||
American prohibition didn't illegalize possession.
|
||||
Just distribution.
|
||||
Yeah.
|
||||
Just distribution.
|
||||
That's why moonshine was a thing, right?
|
||||
Moonshine or bathtub whiskey, I get what it bathed something gin.
|
||||
Those things have different roots.
|
||||
Yeah.
|
||||
And production was still illegal too.
|
||||
I believe you.
|
||||
Oh, yeah.
|
||||
Actually, hard liquor.
|
||||
It's still illegal.
|
||||
Technically.
|
||||
Yeah.
|
||||
Yeah.
|
||||
You can, you can make well, in our country, not clatous.
|
||||
Oh, I admit I have not looked into my own.
|
||||
Your current country, my friend, is one of the few that allows hobbyist distilling.
|
||||
Wow.
|
||||
Wow.
|
||||
I did not know this.
|
||||
Yes.
|
||||
Yes.
|
||||
Yes.
|
||||
But the reason that was written in was more for the rich people because establishments like
|
||||
the Harvard Club, which perfectly the Boston Harvard Club actually stockpiled 14 years
|
||||
of liquor, leading up to the implementation of the Volstad Act.
|
||||
So if you were in the right social class, you were legally allowed to drink from the
|
||||
stockpile and you could actually write out the whole noble experiment as it was called
|
||||
at the time, which is funny.
|
||||
Apparently, the northern provinces of Canada where they have Eskimos have prohibition and
|
||||
disastrously possession is outlawed.
|
||||
And can you imagine why it's disastrous?
|
||||
It's the same issue I would imagine that we have with prohibition era gangsters.
|
||||
By outlawing something that there's a very, very clear demand for and I would imagine
|
||||
up there, the area is fairly hard to patrol.
|
||||
You end up creating a criminal class and opportunistic people are going to serve that market.
|
||||
Yeah.
|
||||
But the reason why possession, the problem the Canadian and the France that have a possession
|
||||
is this, if you take as an example, and I saw this on a vice news reel, a vice news
|
||||
did a special on this, a liquor runner will say go to South Canada and pick up a bottle
|
||||
of Spurnoff, which is a Connecticut vodka, and that will cost $75, transport it north,
|
||||
and now it's worth $575, but possession is illegal.
|
||||
So when he sells it, they have to drink it all in one blast.
|
||||
Wow.
|
||||
So it creates a binge drinking, which has all those negative effects on the consumer at
|
||||
that point.
|
||||
So if you want to have a drink, you have to have $25 because you don't want to get caught
|
||||
having owning the thing.
|
||||
Well, I live in Arizona and the Navajo and Apache reservations are very nearby.
|
||||
And as anyone who knows anything about modern or even historical Indian culture in the
|
||||
United States, alcoholism is a massive, massive problem among Native Americans.
|
||||
So I would imagine the same as, you know, true of indigenous Canadians as well.
|
||||
I mean, I know it's a big problem in Alaska, so it has to be a big problem in Canada as
|
||||
well.
|
||||
They do have a drinking problem.
|
||||
Getting back to the sexual revolution or the first sexual revolution and then our connection
|
||||
to the second one, what do you think the legacy of the first sexual revolution up to
|
||||
and through prohibition?
|
||||
What do you think that legacy was and how did it set the stage for someone like you have
|
||||
there?
|
||||
Oh, the legacy was what the character Tom and the great gaspie called the problem of the
|
||||
modern woman.
|
||||
You know, I don't know how familiar with the novel, but I read it a long time ago.
|
||||
Yeah, the character Tom was against the modern woman, which was she could drink and smoke
|
||||
and vote and have her own affair.
|
||||
If it was really Tom's problem, we'll find out later.
|
||||
So you believe that the fact that women were less disenfranchised, if we put it that way?
|
||||
It was a watershed moment for women's disenfranchisement because of what male culture was, male
|
||||
working class culture was where men were expected to work hard, labor hard, and were given
|
||||
the privilege of drinking hard.
|
||||
And now the woman's domain was now allowed to penetrate the public drinking sphere.
|
||||
That was a watershed event.
|
||||
So now we're getting into sexual politics and really gender politics as well, I would
|
||||
imagine, right?
|
||||
We're not, I mean, at this stage trying to understand where the sexual revolution of
|
||||
the 60s really came from, we have to probably understand where the ability for women to
|
||||
have some sort of power for themselves as opposed to the only power they were given
|
||||
was to serve the men in their lives.
|
||||
As house makers, as home makers, as home makers.
|
||||
Now first off, I would like to point out that much of what we're talking about in my opinion,
|
||||
anyway, much of what we're talking about when it comes to how women were, they were
|
||||
just seen as wives and mothers and that's all they did.
|
||||
That was a social perception, but the reality was that many, many women, many women, in fact,
|
||||
almost every woman who was not comfortably middle class was forced to work for their
|
||||
living, even if their husbands were also gainfully employed because poverty being what it was,
|
||||
at least in the United States, it forced women into sweatshops, it forced them into the
|
||||
fields, it forced them into all sorts of day long labor.
|
||||
And that was primarily, that's what they did all their lives and they were also responsible
|
||||
for the children and for cooking and cleaning at home.
|
||||
So I think it's probably a good idea to point out that much of what we're talking about
|
||||
was social perception, but the reality, a lot of women probably somewhere in prohibition
|
||||
era probably looked at these guys who worked all day, worked really hard, were allowed
|
||||
to drink, were allowed to party and said, I've worked all day, where's my time off?
|
||||
That's a really good point.
|
||||
That is an excellent point, actually, but are you calling it pre-1920s for torn woman
|
||||
as a homemaker only a myth loss from Bronx?
|
||||
I think it's an archetype.
|
||||
I think you can always go back and find tons and tons of examples that support it.
|
||||
I also think that reality doesn't always reflect social perception, I strongly agree.
|
||||
For example, and not to get super political, but the political landscape in the United
|
||||
States is quite fractious right now.
|
||||
We have a president who was voted in and many people don't like him right now.
|
||||
We have other people that are in great support of him, but in point of fact, most of the people
|
||||
that I speak to on a daily basis in the United States are not feeling fractious, they're
|
||||
not angry at everybody, they're not fighting all the time.
|
||||
Much of what our social perception is isn't necessarily reflected on the ground.
|
||||
At ground level, we're not really that way.
|
||||
That just seems to be how we see ourselves, and I think much of our perception of history
|
||||
is a reflection of social perception and not necessarily reality.
|
||||
I don't know if that makes any sense.
|
||||
No, it makes a lot of sense, and I'm right with you.
|
||||
I think, yeah, I've always kind of hated history class in school because of that reason.
|
||||
It was just so—it was always such a blanket statement being made.
|
||||
It was always like, everyone at this time was exactly like this, and you just kind of
|
||||
knows in the back of your head that that's not everybody's experience, and when people
|
||||
look back at the—even people looking back at the 80s and 90s now, they characterize
|
||||
it in a certain way, and I was growing up, so maybe I wasn't aware of certain things,
|
||||
but certainly in the 90s, I was lucid, and a lot of the cliches about that just aren't—it's
|
||||
just like that wasn't my experience, it's just, yeah, it's inaccurate.
|
||||
I've had that experience when I released 80s albums.
|
||||
Yeah, exactly.
|
||||
We would hate tell variety, yeah, that wasn't what it was like.
|
||||
Well, even things—you know, not to rag on the 80s anymore because I hated the 80s,
|
||||
but, you know, even things like fashion.
|
||||
I mean, they'll show women's with the big hair and the jackets with the big shoulders
|
||||
and portray that as average 80s fashion, and I can tell you for a fact, back in the 80s,
|
||||
when you saw a woman dress like that, you laughed out loud even back then because it
|
||||
looked silly even then.
|
||||
Yes, it might have been, quote, unquote, fashionable, but the average woman never wore
|
||||
clothes like that, except maybe on a dare or going out with their friends and they really
|
||||
wanted to dial up and look modern or, quite frankly, the women I knew never dressed like
|
||||
that.
|
||||
Again, we look at that, and that's the 80s, that's what we see as the 80s, you know?
|
||||
My high school scene was deeply populated by big hair girls with hair dryer shrunk
|
||||
quarter-orchains.
|
||||
Again, there's going to be certain fashions and stuff like that, but I've also seen tons
|
||||
of photos from the 50s and 60s, you know, these characters that, you know, since we know
|
||||
it's from the 50s, we would call them greasers, but if you've said it was from the 70s, you
|
||||
could have said they were outlawed byker gang.
|
||||
If you said it from, you know, the 80s, they were punks, you know, you could, you could
|
||||
have signed it.
|
||||
And yet, I've read some place once that the poodle skirt was a complete mythological construct
|
||||
that just wasn't fashionable to have poodle skirts in the 50s.
|
||||
So again, I'm not saying that our perception of flappers is inaccurate because I think
|
||||
on some level, it doesn't really matter how many of them they're actually ever wore,
|
||||
right?
|
||||
Or how many women were flappers, how many women were taking back their sexuality and becoming
|
||||
more in charge of their own lives and destinies and their bodies.
|
||||
There was a social perception that this was happening, and that's all that mattered.
|
||||
You know, because a housewife in Oakland, California might read about all this great stuff
|
||||
that's going on in the Speakeesies in New York and say, look at her.
|
||||
You know, she looks great.
|
||||
I wish I could look pretty good, you know?
|
||||
That wouldn't be bad.
|
||||
And that sticks in her mind.
|
||||
And from that point on, she sees the world a little bit differently, you know, and so does
|
||||
everybody else.
|
||||
I'm saying the housewife, but so does everyone else.
|
||||
They look at the world a little bit differently because they see a media that is saying this
|
||||
is now happening.
|
||||
This is now the new normal, and we all sort of agree with it, you know?
|
||||
And to think about fashion and the new normal is a famous personally from this era was
|
||||
Coco Chanel.
|
||||
And look at the empire that arose from that sense of fashion and sense of what a woman
|
||||
deserves and what a woman should have and a woman should have what she wants, you know?
|
||||
Yeah, her biggest first move was, you know, we're talking about bringing, we were discussing
|
||||
bringing a man's world to the women and they showed the same privilege and her biggest
|
||||
move was the adaptation of pants by women horse riders was her first big move.
|
||||
Just on pants, I remember that I think it was Lauren Bakal in the 30s who very famously
|
||||
went about with very fashionable pants was a Lauren Bakal might have been Catherine
|
||||
Hepper who wore pants in public and it was like, wow, that is so daring because only
|
||||
like 10 to 15 years before women were being arrested for wearing pants in some cities.
|
||||
So it's astounding to think of it, you know, and there were women doing that in the 1800s
|
||||
like 18, you know, the 1890s because they were suffragettes and they were fighting for
|
||||
that.
|
||||
So, you know, it was part of a dialogue that it took a long time.
|
||||
It took decades, but it was part of a dialogue, a social dialogue, you know, that ultimately
|
||||
culminated in a different sort of social acceptance of normality for the sake of women and their
|
||||
lives and their sexuality.
|
||||
I honestly wish that right now we had a female perspective on all this.
|
||||
It is.
|
||||
Yeah, I'm, yeah, I was thinking the same thing.
|
||||
I feel kind of weird about us.
|
||||
I mean, I don't usually think that, oh, we should invite someone else on to this show
|
||||
because it's been established that this is, this is the show.
|
||||
Yeah, that's the same time of us.
|
||||
When discussing something so technically without, you know, outside of our domain, I think
|
||||
that it probably would have been a good idea, but it didn't occur to me until just now.
|
||||
Well, let, why don't we just say this that it's entirely possible.
|
||||
We have absolutely no idea what we're talking about.
|
||||
Hey, yeah.
|
||||
We'll just talk with you.
|
||||
We'll just talk with you.
|
||||
You know, well, I mean, I'm still, I'm afraid that I'm still not, and I'm not even sure
|
||||
what we're talking about at this point.
|
||||
I'm still not clear on what we're discussing.
|
||||
But the one thing that I will say is I don't know how any of this equates to playboy having
|
||||
liberated women.
|
||||
That's, that's the problem.
|
||||
Well, wait, wait, wait.
|
||||
Who said, who, who was talking about Hugh Hefner as a liberator of women, this is news
|
||||
to me.
|
||||
Oh, okay.
|
||||
Liberator of people's bodies.
|
||||
Okay.
|
||||
That's a little bit more like it.
|
||||
I mean, I wasn't thinking of Hugh Hefner as a great liberator of women.
|
||||
I am fascinated the idea of the professional call girl as a liberator woman or as a, as
|
||||
a, as a somehow, some kind of a result of woman's liberation.
|
||||
I mean, I don't, yeah, I don't think that, that, that in order to be, you know, that
|
||||
in order to be modern, someone has to go take off their clothes or, or sell their bodies.
|
||||
You know, that's not, that's not the, the measure of, of modernity.
|
||||
But I do think that, that is an indicator that society has stopped trying to dictate
|
||||
what people can do.
|
||||
And that's important to me.
|
||||
But society will always dictate what people, what they, what it thinks people can do.
|
||||
That, that's something that's, that's, that's just not going to ever go away.
|
||||
By definition, that is society, you know, everyone has an agreement about what is proper
|
||||
and appropriate.
|
||||
Well, one of this, one of the statements I didn't touch on and, and, and, and did happen,
|
||||
you know, outside the show, maybe we should bring it in was that I don't think that I personally
|
||||
could survive in, say, the 50s or the 40s.
|
||||
Yeah, it would have been rough.
|
||||
Yeah, yeah, agree.
|
||||
Because, because I am, I am a very god damn it.
|
||||
I'm just honest, and out there, and I just, I honestly blame my sexuality for my lack
|
||||
of success in the corporate world, but you know what, you know what, though, because I,
|
||||
I used to think the same thing, like, like, you know, I went through the, the typical
|
||||
thing where it's like, oh, I'd have been so cool to live back then because it, look
|
||||
at how they dressed and, and how they talked.
|
||||
And then later, I was like, oh, you know what, I would have hated it because it was just,
|
||||
it was just so oppressive.
|
||||
But then I saw, I went to film school and I saw some avant-garde films by people like,
|
||||
you know, Ginsburg and, uh, Burrows and other people like that, and you, and you do get the,
|
||||
you get the idea that there was like this, you know, there wasn't underground.
|
||||
And I guess there always will be an underground, uh, ideally.
|
||||
And, and yeah, I don't know how real it was or what it was like or how inviting it was,
|
||||
but I mean, there were people doing what they wanted underneath the surface.
|
||||
And that brings me some hope.
|
||||
And see, there we go, because Haffner brought about something that had been underground.
|
||||
It had been under the surface.
|
||||
I mean, pornography had been a big business before then.
|
||||
It big business.
|
||||
Yeah, absolutely.
|
||||
Yeah.
|
||||
But he brought it out into the light.
|
||||
Now, I guess the question I'm having, I'm not certain how I feel about it.
|
||||
I guess I can see a bunch of different sides to this thing.
|
||||
But I guess my question is, was it necessarily a bad or a good thing that this happened?
|
||||
I, I feel for society in general, it was a good thing, okay?
|
||||
Because I think it opened up our dialogue.
|
||||
It made us question.
|
||||
I mean, we're having this conversation right now because of this, right?
|
||||
So I think it's a good thing to always be able to talk about this because it's something
|
||||
that happened and it was important.
|
||||
It was, it was an important moment until Deep Geek brought this subject up.
|
||||
It had never occurred to me that this was not this lightning moment where everything
|
||||
changed.
|
||||
But in point of fact, he was probably the last major element of that change that began
|
||||
during prohibition, during the flapper era.
|
||||
He was probably the tail end of that and not the beginning of this new movement.
|
||||
You know, the new movement came afterwards.
|
||||
You know, it's like, as that cartoon, as he said it was where people said, I guess we're
|
||||
doing this now or I guess we can do this now.
|
||||
Basically, I think that was the door finally opening and everything that came afterwards.
|
||||
That's a new era.
|
||||
But I wouldn't necessarily say Hefner awesured in the era.
|
||||
I would say Hefner was the final moment of the previous one.
|
||||
But that's just how I'm thinking right now.
|
||||
And that could be a very good point because his, when I think of Playboy Magazine, I think
|
||||
of it as a literary magazine.
|
||||
That's my personal perception of it and that actually goes back to my enjoying reading
|
||||
the interviews and the articles and the advisor column and it had an editorial content that
|
||||
I just thought was utterly amazing and I remember distinctly come, you know, being leaving
|
||||
school and having all my PO box mail forwarded to my parents' house and here comes, you
|
||||
know, amongst the other anarchist of Madness that that entailed a copy of Playboy Magazine
|
||||
that had left my mother apoplectic and eventually I just pulled out, she was an artist and
|
||||
I pulled out one of her exacto knives as we argued and I literally cut the nudes out
|
||||
of a copy of Playboy and said, here, you're happy.
|
||||
I'm going to go read the articles now.
|
||||
Well, no, I mean, I wouldn't argue that Playboy did not have good editorial content
|
||||
in the show and what I've read in compilations like Kurt Vonnegut, Thomas Hunter S Tom Thompson.
|
||||
Yeah, I've forgotten his name.
|
||||
Thomas Hunter S Tom, geez, I love it.
|
||||
And since we're all science versus fans, since we're all science versus fans, we shouldn't
|
||||
forget that Fahrenheit 451 was first serialized alongside of Marilyn Monroe's, that first
|
||||
issue of Playboy.
|
||||
Yeah, no, I mean, I get that, I get that they had great, yeah, Bradbury's one of my, literally
|
||||
probably my favorite author, like he's, he's amazing, I, I have several, but here's
|
||||
the thing in old soren, go ahead and old soren pornography is that when it's illegal,
|
||||
and it has to be underground, is you add redeeming value to it by trying to make it
|
||||
litter or something.
|
||||
So instead of having a girly magazine, you have a book about artistic representations
|
||||
of ladies' lingerie, you know, and is this addition of editorial content, the last vestige
|
||||
of dressing up pornographic magazine, or is it actually to say, this is a holistic
|
||||
view of men's interest?
|
||||
Well, even as late as the 1970s, films were being assessed in towns across America, almost
|
||||
every major city in a lot of smaller ones, second, second tier cities throughout the country
|
||||
had those porn theaters, you know, adult movie theaters that people would go to, mostly
|
||||
men, and almost all of them had them, and they were legal in some places, most places,
|
||||
they were legal, but what they were showing, there were restrictions about what kind of
|
||||
pornography could be shown.
|
||||
So you couldn't have something that was purely gratuitous, even up to the 70s, right?
|
||||
That's why there's the old joke about bad acting in porn movies, because they weren't
|
||||
actors, they didn't hire them for their acting abilities, but there had to be a plot,
|
||||
there had to be dialogue, or else it was considered smut, and it was banned, and they couldn't
|
||||
show it.
|
||||
So, you know, I knew a guy, this is back in Waterbury, Connecticut, where I'm from, and he was
|
||||
a teacher at the local college, and they asked him to sit in on a showing of a porn film
|
||||
that was being shown in this movie theater in town, and he was among a group of other
|
||||
important people in town, and they had to assess the artistic value of this thing, because
|
||||
if it didn't have some kind of artistic value to it, it was going to be banned, and the
|
||||
theater was going to be fine, because they broke the law, and this was going on all across
|
||||
the countries, and this is all the way up into the 70s, that this sort of perception that
|
||||
sexuality had to have some other framework around it, you know, in other words, it couldn't
|
||||
exist for its own sake, it couldn't be gratuitous.
|
||||
And yet, that's now turned on its head in a certain way, now you have people trying
|
||||
to get an R rating for marketing purposes, which means you're making it into something
|
||||
other than it is, to have a so-called worst reputation to bring in the paying customers.
|
||||
Well, in point of fact, our perception of pornography has changed quite a bit.
|
||||
Obviously, people don't see it the way they did back then, but also this need to frame
|
||||
it as some sort of adjunct to a story, to a plot, to dialogue, that's been thrown out
|
||||
the window, because it is a waste of time, no one watched the movie for that stuff, they
|
||||
watched it for the naughty bits, right?
|
||||
That's what they wanted to see, and that's all they wanted to see, because that's all
|
||||
anybody was ever after to begin with, they didn't feel like there was a need to dress
|
||||
this up.
|
||||
You know, in those days, we were still hung up on the idea that you cannot enjoy it for
|
||||
its own sake, that has largely faded away.
|
||||
But you think because of the isn't it faded away lost?
|
||||
I do, largely, but it was already happening, but the internet was like floodgate, it just
|
||||
opened it all up, but yeah, largely, I think it was.
|
||||
I finally feel redeemed for 8th pure episode number 6-9, it's taken a while, but you
|
||||
got there.
|
||||
I think you got there.
|
||||
You've been listening to Hacker Public Radio at HackerPublicRadio.org.
|
||||
We are a community podcast network that releases shows every weekday, Monday through Friday.
|
||||
Today's show, like all our shows, was contributed by an HBR listener like yourself.
|
||||
If you ever thought of recording a podcast, then click on our contribute link to find
|
||||
out how easy it really is.
|
||||
Hacker Public Radio was founded by the digital dog pound and the Infonomicon Computer Club,
|
||||
and is part of the binary revolution at binrev.com.
|
||||
If you have comments on today's show, please email the host directly, leave a comment
|
||||
on the website or record a follow-up episode yourself.
|
||||
Unless otherwise stated, today's show is released on the create of comments, attribution,
|
||||
share a life, 3.0 license.
|
||||
Reference in New Issue
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