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Episode: 2513
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Title: HPR2513: Why I choose Aperture first
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Source: https://hub.hackerpublicradio.org/ccdn.php?filename=/eps/hpr2513/hpr2513.mp3
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Transcribed: 2025-10-19 04:27:57
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---
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This is HPR episode 2,513 entitled, Why I Choose Aperture First.
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It is hosted by David Whitman and in about 12 minutes long and currently in a clean flag.
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The summary is, David Whitman encourages you to choose Aperture as the most important setting
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in setting up your cam.
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This episode of HPR is brought to you by An Honest Host.com.
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At 15% discount on all shared hosting with the offer code HPR15, that's HPR15.
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Better web hosting that's Honest and Fair at An Honest Host.com.
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David Whitman here from beyond the end of the Oregon Trail.
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Today I'm going to tell you why I use Aperture as the beginning point for setting my camera
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for taking pictures.
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I'm not a professional.
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My folder on the internet is bad photos by Dave and I always say it's not my fault if
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I get a good picture, don't blame me.
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There are three things in the exposure triangle to consider when you're setting your camera.
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Now there's many more settings in your camera.
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These three things are the most important or the starting point and they are shutter speed,
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which is how long the shutter is open, aperture, which is how largely opening is in the lens
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when you snap the photograph and the ISO which is the sensitivity of the recording media
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or film.
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On a DSLR camera, you can easily change these settings very quickly.
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The ISO is interesting, you can be changed, you used to have to change film to get a faster
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film but now you can just change the ISO.
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So I choose Aperture to begin my photograph or to begin setting my photograph up because
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it gives the depth of field, it controls the depth of field.
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And the larger the opening is in the camera, the less of the picture will be in focus.
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In other words, there's a depth of field around your subject.
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The background, if you have a large opening in the lens, the background will be blurred and
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the foreground will be slightly blurred and you can get a good, make the subject that
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you're taking a picture of, like in my case, to be a dog, you can get that to be the focal
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point of the picture, the rest of the picture you're considering.
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Not important, it is important because it's background, but it's not as important as
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the subject matter, which in this case would be a running dog with a duck in its mouth
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or a leaping dog or a dog just jumping into the water.
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So I start out there with the aperture.
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Now, apertures are measured in stops, stops are two times.
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So 1.4 to 2 is two times more in the aperture range.
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This has to do with, I think, the square root of 2, which is 1 point, but the approximate
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square root of 2, which is 1.414, I think, anyhow, it has to do with a circle.
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So every time you have a stop, it's going to be two times, you know, the difference
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of two times.
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And so three stops is going to be eight times difference.
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So if you went from 1.4 to 2.0 to 2.8, I think you'd have eight times difference.
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And it changes the depth of field, but the aperture also allows the light in.
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So when you choose your aperture, if you're going to have a blurred out subject, you're
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going to have to adjust the shutter speed in order to let the light, enough light into
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the camera to get that balance there to get the picture look good and or change the ISO
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sensitivity.
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So the first thing I'll do is set my aperture up, shoot some test shots if you're unaware
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of what the background is going to look like because it can make a lot of difference.
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You know, you don't want to always shoot wide open where you have just a subject in focus
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and the background is blurred.
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Sometimes they get dizzy looking, especially like when I take pictures of a dog in the
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grassy field where there's a lot of dried, you know, tall grass and you're shooting, getting
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a picture of a golden retriever or a yellow lab.
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And maybe there's some green in there can be sort of psychedelic looking.
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So I might, you know, decrease the opening size of the aperture in order to get more of
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that in focus so it doesn't just look so weird.
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So then I'm going to have to make a choice on my ISO sensitivity.
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The most important thing to understand here is that there is a point where the ISO sensitivity
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is going to be bad.
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If you get it too sensitive, it just won't make a very good looking picture.
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It'll be kind of blotchy looking.
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So try to avoid that by keeping the ISO sensitivity as low as possible.
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But of course, now I'm shooting for a moving animal that's moving, hopefully at high speed,
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you know, some dogs run really, really fast and some aren't so fast.
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In fact, a golden retriever has a lot different gate than a yellow or brown or chocolate, yellow
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chocolate or black Labador.
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And the pictures turn out a lot different because of the gate.
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But that means that you're going to have to adjust your shutter speed in order to get
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the stop motion on that dog and get it to show up nice and clear.
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And you can play with the shutter speed, you know, to make it look, you know, put the
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dog in motion panel on with it.
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In general, I'll set the aperture, get my ISO sensitivity, set where I want it, or put
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it in auto if I have a lot of variability in my scene.
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And then I will adjust my shutter speed.
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Now the reality of shooting pictures where you're having a basically sports photography,
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for me is I will shoot in what's called aperture priority mode where I lock the aperture
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in.
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It's called AV on a Canon camera.
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And you set it in there.
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And then my shutter speed will vary according to what the camera thinks it needs, you know,
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the computer in there.
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And then the ISO will be set or if it's very, very variable.
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There's a lot of variability.
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I'll set the ISO on sensitivity, on auto sensitivity, so the auto ISO and it'll adjust.
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Now the better cameras, you can adjust the shutter speed to where it has, it only goes
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so slow like many times when I'm shooting a dog, I will go with one and one thousandths
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of a second for my shutter speed, I don't, that'll be my minimum shutter speed.
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And that's because if it's any slower than that, the dog will be blurred.
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And then I will set my ISO a lot of times to, if I have it on auto, I know my camera takes
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good pictures at 3200 ISO or it can.
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Sometimes they're not all that great, but so I will set the ceiling there.
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So knowing your camera controls is really important.
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Being rich I think is probably a good photographer and I know Gorkhan is just from hearing them
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talk on some of the shows I've heard.
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So for me, I just set that aperture up first and I understand that that's going to give
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me what the background is going to look like, how much of the picture will be in focus.
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And it's a hell of a lot of fun to go out and take pictures and it's also just a lot
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of fun to go out and instead of going out, I mean I'm not opposed to hunting an animal
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or anything, but just to get out in the woods and places and just take pictures of things
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and try to set the shot up.
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It's really, really interesting hobby and you can do a lot with the pictures and then
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of course I'm going to suggest you use the Gimp and maybe Inkscape, you know, to do your
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editing and stuff and I've been using a little bit of DigiCam.
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Certainly is a complicated, can be a complicated hobby to have, can be pretty simple to and
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quite satisfying, but I encourage you to start out by experimenting, by using aperture
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first and then adjusting the shutter speed and the ISO to get yourself in place to get
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a good picture.
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One of the interesting exercises that I've done is, you know, they encourage you to learn
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how to shoot in manual with your camera and I'd say this is a good way to go.
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Not that you wouldn't use aperture priority or shutter priority, but when you learn
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how to set the camera up in manual, you get a good idea of what things go with the other
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things and take some pictures of some interesting objects around your place.
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Now, David Dott Whitman is my name on Instagram and I've got a picture of the African, I
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said it because they're African and Queen, but it's not.
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It's the River Queen, a boat that is, it's being torn down now and scrapped, but it's still,
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but it's not going to be there for long.
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It's at Global with the Marina or on the, at a mortgage at Global Oregon on the Columbia
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River.
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Interestingly enough, there was some, it used to be a floating restaurant in Portland
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and my superintendent at the department I work in, so that's where I had a senior prom.
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It was there, we lived about 40 miles from Portland and he lived probably 30 miles from
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Portland when he went to school, so he had a senior prom there.
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I got a nice picture of that and I took a nice lens out and adjusted the, you know, by
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shooting in manual with that.
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So the photography can be a really nice, interesting hobby.
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It can be really time consuming too or it doesn't have to be, but I would encourage
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you to use aperture as your starting point for setting your camera up, understand what
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it is.
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Hey, you know, Wikipedia is great for learning about things, all types of things.
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So you can just kind of, you know, do a duck, go to get there, find out some stuff, get
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in Wikipedia and search around and then lots of other free information online.
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I would encourage you, I think I recorded this so many times, I don't know if I've talked
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about the book, Understanding Exposure by Brian Peterson in this take of the episode,
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but he has a great book that is fantastic, that tells you how he got certain shots and
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he's a professional photographer.
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He's an interesting guy too because when you read his book and then if you then jump
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over to YouTube and look at what, you know, some of the instructional videos that he has
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are there, he doesn't look quite like I thought he would and of course I probably don't
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look quite like you think I do either.
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You never believe I was that handsome, to be honest, haha.
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So with that, I'm going to sign off here and I would encourage you if you have something
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more to add or want to correct an item that I've talked about here about photography.
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Please feel free to make another episode and get it in for Hacker Public Radio.
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I will say I thoroughly enjoy the show, every contribution that comes in and I really
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like listening to the community news and you and Dave do that and I've tried to get
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on there and maybe I'll try again, I have something planned, I'll see how it goes.
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But I really appreciate that and thanks to Anonasos.com for sponsoring us and for everyone
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who's done so much work there, I've learned a lot.
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It's just an enjoyable, enjoyable piece of work, Hacker Public Radio is.
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So I'll be signing off now and hope to hear from you on your own episode of Hacker Public
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Radio.
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Thank you.
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You've been listening to Hacker Public Radio at Hacker Public Radio dot org.
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We are a community podcast network that releases shows every weekday, Monday through Friday.
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Today's show, like all our shows, was contributed by an HPR listener like yourself.
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If you ever thought of recording a podcast and click on our contributing to find out how
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easy it really is, Hacker Public Radio was founded by the digital dog pound and the
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infonomicum computer club and is part of the binary revolution at binrev.com.
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If you have comments on today's show, please email the host directly, leave a comment on
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the website or record a follow-up episode yourself.
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Unless otherwise stated, today's show is released on the Creative Commons' Attribution
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ShareLive 3.0 license.
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