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Episode: 2741
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Title: HPR2741: HPR Community News for January 2019
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Source: https://hub.hackerpublicradio.org/ccdn.php?filename=/eps/hpr2741/hpr2741.mp3
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Transcribed: 2025-10-19 16:10:35
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---
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This is HBR episode 2741 entitled HBR Community News for January 2019 and is part of the series
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HBR Community News. It is posted by HBR volunteers and is about 77 minutes long and carries an
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explicit flag. The summary is Janik Mane and can talk about shows released and comments posted
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in January 2019. This episode of HBR is brought to you by an honest host.com.
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Get 15% discount on all shared hosting with the offer code HBR15. That's HBR15.
|
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Better web hosting that's honest and fair at An HonestHose.com.
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Greetings, humans. You're listening to HBR Community News for January 2019. Joining me tonight
|
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are... Hi, Steve. Hi, it's Janik. So Dave, crawling back, crawling back after
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missing last month. Oh, I know. I'm so ashamed of myself. I'll try my best to feel like I'm
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playing the fine. It just took a long time to get over that, whatever it was. Okay. And Janik, how
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are you dude? I'm fine. Thank you. Sorry. Go ahead or work. It's a bit snowy here in Sweden and we
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lots of snow and lots of wind, so it's a bit cold, but I managed to not get any not flu.
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Okay. How are you good? So, this ladies and gentlemen is HBR Community News for January 2019 and
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HPR is Community Podcast Network, where the shows are contributed by people like you and we
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sometimes forget that. And I think it's very important to remember that while you hear a lot of
|
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voices on the network that you're familiar with, you shouldn't. You should only hear each of those
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voices once a year. That is because there are 260 slots. There are definitely loads more people
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who listen to this show and if everything was working correctly, people would not have enough
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space to submit shows. So, you're listening to this show, you listen to more than two podcasts,
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then you should really consider contributing back to the community by first of all introducing
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us to yourself, telling us what you do, why you're listening to the podcast, and basically saying
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yellow. What do you think of that, Chaps? Sounds like a good idea to me. Yeah, yeah, and it's
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really not that complicated. I mean, everyone has a phone in their pockets, so just press record
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and send the audio. Yep. And all the rest of the stuff, becoming an expert, worrying about the
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Omsanas, doing good show notes, all that can come later. But first thing is sending shows. The
|
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reason I want to harp on a little bit about this was we've already had a call for shows
|
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already this year. So, that's not good, really. In the wintertime, there's usually plenty of wintertime
|
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northern hemisphere, obviously. There's plenty of time to be recording shows, and actually during
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the summertime, the schools are off, guys in New Zealand and Australia, so no excuse not to have
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some time to record a show and send them on in. Anyway, this show, we put on once a month,
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to make sure that everybody gets some feedback on the shows that have occurred in the previous
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month. And the previous month started with a mobile device security by Edward Miro, who is also
|
||||
known as Cypher. Did you guys listen to it? Yes, I did. Yep. Me too. Me too. It scares me every time
|
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I hear things like this. I wonder why I have a smartphone in my pocket. Yes. Yeah, go ahead.
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It's funny because people tend to secure their servers and PC and home router and everything.
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And yet, how phones are the first thing we're going to route or a gel break to install
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applications from shady app stores, while this is perhaps the single place where you have
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pretty much hold your life. Yeah. So, it's a bit strange. Although, I do exactly what he says you
|
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shouldn't do for the reasons that he's giving the show. I have my phone and I route it so that I
|
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install everything just from F-Troid. Nothing else gets installed unless it's on F-Troid. And I trust
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those guys to have done their due diligence because they don't even allow, you know, the only allow
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free and open source software in there and give you a warning. And the applications are usually
|
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take a long time to go on there, but I route it so that I can put a firewall on. And then,
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then you really see what's going on because you have all these pop-ups for applications that are
|
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going out to websites that you're going, why is this going out there? Very, very interesting.
|
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Yes. Yes. I was just discussing with my son putting lineageOS on my one person. That's the one. Yep.
|
||||
And he was demonstrating his, which has gone on and all of the controls you have. I don't,
|
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I have a signage and derivative at the moment, but it shines fair bit. Yeah, but it feels like an
|
||||
enemy in my phone. I don't know. Do you feel like it? So, I don't like it very much. Until I have
|
||||
lineage running on us, I don't trust the phone. I don't trust anything on us. But anyway, that's a
|
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digression from this show. I am actually planning in the fullness of time on doing an episode on
|
||||
that. So, hashtag, I owe myself a show. There was one comment on that and that was read by
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sent in by RTSN, exclamation mark, good episode, exclamation mark, probably. It's definitely very
|
||||
good then. I think that actually does summarize the, the feeling of that show. So, moving on to the
|
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next day, what is turning out to be one of my favorite series here on HPR is genres in storytelling,
|
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Lost in Bronx, looking into the importance of genres in storytelling. And I don't, I don't know
|
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if he listened to his voice from the Void podcast, which is open to Patreon subscribers, Hint Hint.
|
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And this guy, Lost in Bronx, who's also known as, what's Lost in Bronx, really? David Collins.
|
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That's the money. David Collins. He will always be Lost in Bronx. He, the amount of effort he
|
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puts into his craft is just amazing, absolutely amazing. It's worth it. Just throw the guy a dollar
|
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and download the voice from the Void podcast and have a listen to it if you're into, even if you're
|
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not into stories or space operas or stuff, the level of detail that he has on his, the world that
|
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he's building is absolutely incredible. Makes me run from storytelling. To be honest.
|
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Yes, yes. We are ruining it for me, Lost in Bronx, you're ruining it. I thought I was just sitting
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down and writing something, but no. So there was no comments on that for some reason, don't know.
|
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And the following day, we had Bash tips 17, this time it's personal. Bash arrays part two, Dave,
|
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why? It's auxiliary bash tips. That was called additional auxiliary bash tips. Somebody was
|
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hacking my show titles and adding things to it. So I decided to go back to the silly titles.
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I've got a matrix of the things. So this one became additional auxiliary bash tips just to,
|
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just to stop that person from their vandalism.
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Yes, yes. Abusing the power that was laid before them. Some guy called Ken Fallon says things I
|
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didn't know. I didn't know about the substring manipulation and also found out why the following
|
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works, uh, their name, source, uh, with a hash hash. So the final name's extensions. But of course,
|
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Dave has to correct me. Well, no, exactly. We're just, uh, just extended, uh, rift on that subject.
|
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So yeah, it's, I try not to use, do a name and base name anymore, because you can do it in the,
|
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in the shell itself. But, uh, you know, use to his own. What I find amazing with this series is that
|
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uh, 17, yeah, 17 episodes ago from this series, I thought I knew bash. And now 18, 18, 19 episodes later,
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I feel like I didn't know anything about that. And I still, I still learn everything,
|
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uh, something, at least one thing every episode. And, uh, and now Dave, you've turned my life
|
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into a nightmare because every time I write a, a bash script, I have a little voice in my head
|
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that says, that's not how you should do it. I actually have a voice to my head, as we'll see later on.
|
||||
I, uh, I also have that voice though, because it's saying, surely there's a better way of doing this,
|
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and let's see more efficient way of doing this. So I'm, I'm, I'm, uh, Hagrid and myself for this,
|
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this sort of stuff. The other thing is that when I first started using bash, you go and look at
|
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that man page and it's vast. Yeah. And you think, how am I ever going to understand this? So my,
|
||||
my goal was to sort of pick out individual bits and then learn them. And then I thought, oh, I could
|
||||
do shows on this as well. So you're suffering along with me. Yeah, but it's really a really nice
|
||||
series. I love it. I could, good, good. Yeah, yeah. It's, well, I like to share these things. So
|
||||
hopefully people are getting stuff out of it. No, we are. I am, because I'm, I've been using stuff
|
||||
for years. I'm wondering why it, uh, why it's worked. And now I'm beginning to understand it.
|
||||
The following day was an episode by myself, which was downloading YouTube channels using the
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||||
USS feed, which is a thing actually that you put me on today. And I like it. This, uh, this is how
|
||||
I'm listening to YouTube videos now. Yeah. Yeah. I don't actually do that myself. Although I knew
|
||||
it existed. So I found that really helpful to, to have that sort of different viewpoint on it.
|
||||
And it also gave me a chance to do a show at some point. Yes.
|
||||
Well, this is all part of my form series that I haven't done yet, but now that I'm telling people
|
||||
about how I'll probably do it in 20 years. And that is how to minimize, you know, data usage and
|
||||
use Wi-Fi and stuff. So I got my mobile phone usage down from four gigabytes a month, down to
|
||||
300 megabytes some months. Oh. So all of that is, yeah, basically don't watch videos online. That's
|
||||
a bad thing. Yeah. That's, that's really good, actually. Yeah. I, I was bitten by that very
|
||||
seriously when I first had a, a smartphone. So yeah, these are good lessons. I'm sure.
|
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So the following day, we had the community news. Well, actually, it was a Monday community news for
|
||||
December 2018. And the comments from Dave, do you want to read your own comment? Comment?
|
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Comment. Comment. Comment. Comment. It's not that funny. It's hilarious. So I said very nice
|
||||
show. Thanks. Yeah. And like I really enjoyed listening to this very well done. It's also great
|
||||
to hear Jerome. Jerome. Jerome. Jerome. Jerome. I've said this so many times. And anyway,
|
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sorry, you're on the community news again, the record, the HPR Muggers at old camp 2018 that you
|
||||
mentioned that suggested he join us were JWP of myself. And I said I caught a little something
|
||||
a bit like flew up to Christmas kind of in flu because I had my flu shot. Anyway, the not flu
|
||||
or its aftermath is still hanging on three weeks later, cough, cough.
|
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Yes, you can still hear us in your voice. And hinting, a camp 2019 is actually going to
|
||||
take place in October this year. October. That's an interesting time. And where has it been held?
|
||||
A Manchester. I wonder, I actually wondered, I'd love to hear the answer to this because every year
|
||||
there's a big skeptical conference in Manchester called QED. And they're skipping a year this
|
||||
this year. And I wanted if that made there were more openings for doing our camp. So I'll be
|
||||
fascinated to see whether they choose the same place that QED normally uses.
|
||||
I like that it's in Manchester because my plane will land in Manchester, so that means no need to
|
||||
take a train to go to wherever it's going to be. Oh, it'll be really handy. Yeah, I'm looking forward to
|
||||
Manchester UK 10th anniversary spectacular. Yes. And we'd be there, right? Perhaps, perhaps,
|
||||
do we know what location? No, that's it. Who's the main people? Who's driving it? I don't know either.
|
||||
Not sure if it's John the nice guy again. I know it's not John, but I don't know who is in charge
|
||||
this year. Oh, cool. I'm interested to find out. It would be great anyway. Okay, I'm going to stop
|
||||
googling flights. I'm sprued back to the comments. Yes, there's another comment. Do you want to read
|
||||
the one you go on? Well, I could go my flight. Yeah, okay. So we'll start to go just so you know.
|
||||
So, Windigo said, listening through the back catalogue, I'm one of the folks listening through
|
||||
the HPR back catalogue in descending order. Other episodes are often still relevant and those that
|
||||
are a little dated as the fascinating from from a historical perspective. Like I mentioned,
|
||||
this is also a fantastic way to flesh out the tags and summaries on other episodes. It only takes
|
||||
a few extra minutes per show and yes, it's true. We need HPR needs volunteers to tag all chose so
|
||||
we can find them more easily. And Windigo is somebody who does contribute quite often to that
|
||||
project. He is nice guy. Thanks. Thank you, Windigo. He does have a tendency to submit too many
|
||||
shows and ones, but other than that failing, he's a nice guy. So the following day we had a drive
|
||||
by Absorbed with JWP, RAID 6, a short description, which was interesting actually. Two protective drives.
|
||||
Yeah, go ahead. No, no, that's that's all I had to say. Okay,
|
||||
because we tend to be tending to sort of clash all these I do anyway. I know I'm just going to say
|
||||
I didn't know RAID 6 all that well. So it's kind of quite useful to to get to JWP's pointer to
|
||||
it. So I then went up and read up more about it. There are so many flavors of RAIDs. I always miss
|
||||
them up. Yeah, me too. Okay, I'm dragging myself away from airport search sites and coming back to
|
||||
the next episode, which was using ELM in the context of a 4x game client. This can only be
|
||||
Turo Toto talks about the decisions on structuring ELM applications. And I did I did have to follow
|
||||
along with this by reading the show notes, to be honest. And I'm beginning to think that I might
|
||||
at some point in the future understand issues. Yeah, yeah, I think we're all in that same position.
|
||||
You're all thinking I really must go and research has school in more detail and work at what
|
||||
these things are doing. So it looks fascinating. Yeah, yeah, as I said last month, this episode,
|
||||
I was in the car when I listened to that and it kind of flew over my head and flew over my head,
|
||||
sorry. But yeah, still I'm still interesting in checking out ASCAL.
|
||||
It's a it's a completely different way of writing. The whole syntax seems
|
||||
completely different than anything that I've come across before. But it's a good series, keep
|
||||
keep it up. Don't stop the fact that I can't follow it in any way to tell you from
|
||||
because I'm closer now than I was. Yeah, you know, it's like when you're learning a foreign language
|
||||
and you listen to some sort of text at the beginning, you just pick a word maybe in a sentence
|
||||
and then it becomes clearer and clearer. And then one day you say, oh, that's what it means.
|
||||
Yeah, yeah, I get it. So yeah, keep doing this show, please. Yes, indeed. And the notes are great.
|
||||
I must compliment them on the quality of the notes. It really helps a lot. Yeah, very much.
|
||||
And you if you're listening to this to his shows on this, you and you're not familiar with
|
||||
ASCAL. I mean, ASCAL people, I think Clacket is having no problem going following along, but
|
||||
if you're not, then the show notes really do help. The following day, a din rail to mount your
|
||||
raspberry pies, somebody shoving the fact that they've got a 3D printer in your face. Hey,
|
||||
hey, hey, you know what I got one to me. Oh, yeah, yeah, we're all the 3D printers shows, guys.
|
||||
Well, I'm still learning. Yes, yes. This is an interesting one. How I'm interested to see how you,
|
||||
how dust would work basically over time. That said, I have three raspberry pies down on the
|
||||
basement, just screwed to the to a piece of board. So fair enough. Yeah, yeah, I know the dust issue
|
||||
does bother me slightly, but my pies are just floating about over the place and they do have dust,
|
||||
dust in the fittings. I just go and use a blower to blow them out every so often because we have a cat,
|
||||
we have a cat that tends to wander about over the pies and stuff that you get cat hair all over
|
||||
the place, you know. Yeah, not good, good show. They've keep keep sending them in. And I'd be
|
||||
interested in getting an update on this one in about two or three years. How, how you progress with
|
||||
it. Yeah, yeah, yeah. I want to develop the whole idea. Maybe see if we could stack them and
|
||||
or man them or something like that. The illuminus, the following day, illuminus shutdown command
|
||||
explain a short podcast about the illuminus OS shutdown command, which is a clone of Solaris.
|
||||
This is actually one of JWP's episodes that caused a lot of stir actually. Claudio M made a comment
|
||||
about about open Solaris and Tlatu had the facility to be able to investigate it and do a show.
|
||||
And Claudio M says quite a different shutdown, a very informative episode. I hadn't realized how
|
||||
different the shutdown command functions on illuminus, luminous based operating systems is
|
||||
from the BSDs and Linux. You've also inspired me to make a HPR episode on a similar command
|
||||
with the same name in another OIS, another OS I have to use from time to time.
|
||||
Well now, Claudio M owes me a show right there. That's how you do it. Yeah.
|
||||
Indeed, I think he knows how the games played though, so I think we're going to get one.
|
||||
We're going to get one. Yeah, interesting. I used to manage some systems at one time,
|
||||
but I have to admit that I never noticed the shutdown, the same thing different, but that's
|
||||
okay, I had it at the time. What's interesting is that he said in this episode that
|
||||
in it five is the way to alter or reboot the system. On Unix,
|
||||
RL5 is actually the multi-user. Switching from one to the other can be really,
|
||||
if you come from Linux and you want to switch to multi-user RL5, you have to take care to not stop
|
||||
your server. And I don't even think a lot of people running Linux now knows about the run level.
|
||||
Yeah. Yeah, you don't bother with that now.
|
||||
It used to be a big thing, all right. There was a time you were looking on the console and then
|
||||
you had to run level 5. Do you need 5 by hand? Yeah, yeah, yeah. What just happened? Where am I?
|
||||
Okay, the next day we had home theater part two software high level, and this one was sent in by
|
||||
operator. Very, very detailed explanation. He already did a show on the hardware of the setup,
|
||||
and this is a detailed explanation on the software, which was a loss. It's got coding,
|
||||
you play a subsonic, spider, or a small minder. Wow, what this thing can't do.
|
||||
Yeah, that's the first of that I did use before my Netflix era. And it was hard.
|
||||
Yeah. Yeah, it's Google Docs notes look really impressive.
|
||||
The, that's linked in the show notes here. I also took a PDF of them and attached those as well.
|
||||
Yeah, we discussed that didn't we that these things can be fairly ephemeral, I think.
|
||||
More about that later. So RTSN, also exclamation mark, saying cool, thanks for sharing
|
||||
a very interesting episode. It's nice to get some feedback. Thank you very much. And the
|
||||
following day, privacy and security, we had Edward Miro again, Cypher, already sending
|
||||
into shows in January. You should feel guilty. Okay, about passwords and security,
|
||||
about good passwords and to use password managers to factor on that occasion couldn't agree more.
|
||||
Well, yeah, I did one step further in this, in this, using those tools that I have now,
|
||||
a bit more than instance that I do host myself. So not only do I use a password manager,
|
||||
but I am in control of my data. Yes.
|
||||
Very good. I use Kipaz X locally. Yeah. And then sync is into Giz. Yeah, I do a similar,
|
||||
similar thing. I did. I'm sorry. I was saying I didn't thought about I didn't think about
|
||||
syncing the Kipaz fine with Git, which is, yeah, I should look into that.
|
||||
It's a very logical captain. Yeah, I might do an HP RPG on that.
|
||||
I like his password creation advice, because it's pretty similar to what we used to use when I
|
||||
worked at my last job at the university. We used to tell the students and the staff to do
|
||||
something very similar to that. And I've never heard anybody else say that, probably because I
|
||||
don't listen to enough people talking about passwords, but I was really pleased that he talked about
|
||||
that and explained it quite well too. The only thing very glad. Much more effective than using
|
||||
password one, password two, password three. Yeah. Yeah. Well, if you're taking all your
|
||||
passwords from the password manager, then you only really need one really good password to maintain
|
||||
that. And then I do, I tell people to use a variation in the horse battery thing, but instead of
|
||||
changing letters for a lot, the only issue I have with some of this is that the at sign
|
||||
people know that's another ancillary for a. So you get that quite a lot in dictionary attacks
|
||||
that they will just try Apple and then they'll try the at sign pull. So you want to be just careful
|
||||
on that one. So what I tend to do is advise people maybe to create their own letters like a pipe
|
||||
symbol, the dash and the pipe symbol would be H, for example. I never use that one myself and
|
||||
will never use it, but you know, there you go. That sort of basically you need to use a lead text
|
||||
generator on your password. Well, not even a lead text. It's like every letter composed of three
|
||||
other letters. So, I don't know, let me let me have a look. I might be the pipe with a period
|
||||
afterwards or a period and then a dash would be two extended letters and it looks like an eye on
|
||||
that side to you if you're crazy drunk. Okay. But if you look at the keyboard, you can kind of go,
|
||||
okay, well, you know, I can make letters with the other letters and then every time I use that
|
||||
or some of the time I use that letter, I will replace it for those two three combinations of
|
||||
extended characters, but not all the time. Anyway, coming out to the rabbit hole, moving to the next
|
||||
show, the unreliable narrator in storytelling. And I had one comment on that, which is from myself.
|
||||
As a means of telling two store, so my comment was that basically lost and Bronx explains why
|
||||
you would use the unreliable narrator and gives some examples. And I said, high lost and Bronx,
|
||||
love the shows ever. You got me thinking that I enjoyed the usual suspects and fight club
|
||||
as two well executed movies. Both had me going back to watch it again to see how they fooled me.
|
||||
I would argue that the sixth sense took the premise of unreliable narrators and did something unique
|
||||
that set it apart from the other two. Namely, they produced two entirely different films
|
||||
from the same series of pictures. The first time I saw it, I watched a horror film starring Bruce
|
||||
Willis and saw a story about a man who discovers the truth. The second time I watched it, I saw a drama
|
||||
starring Haley Joel Osmet and saw a story about a boy struggling to accept that he is different
|
||||
and having to deal with difficult situations and learning to trust again.
|
||||
After listening to your show, I realized that this was only possible because both characters were
|
||||
unreliable narrators, one on knowing and the other using it as a tool to help.
|
||||
There you go, profound thing to see here on the boss.
|
||||
I think you're spun with the sixth sense. I mean,
|
||||
the second time you watch it, it's not the same film. No, it's not the same movie at all.
|
||||
Whereas the other two movies are the same movie, it's just, oh, I don't see that, oh,
|
||||
yeah, yeah. There's a hint. There's a hint in the sixth sense when you watch it and you don't
|
||||
know that. It's that I think every time, what was it? It's something with
|
||||
his wife wearing red or something red, the red thing. The second time I watched the movie,
|
||||
I didn't know that, so I didn't notice that and then I learned about that. So I went back
|
||||
to watch it. Yeah, it was the third time and I was, oh, yeah, okay, and it all makes sense and
|
||||
it's, yeah, it's a good movie and a good episode too from HBO. Yeah.
|
||||
Bash tips 18, arrays and bash, extra auxiliary bash tips. Thanks Dave.
|
||||
I have to insist on you continuing that those extra names.
|
||||
Well, yeah, yeah, I'm just writing episode 20 where I just explain what I'm doing.
|
||||
Some of these ones are very useful. Some of this, so in this one, you're repacing various
|
||||
different words in an array and this would be extremely handy in certain situations as a very
|
||||
clean and easy way to replace, I don't know, the first character of a of a file or the last
|
||||
part of a file. Yeah, yeah, yeah, yeah, yeah, yeah. It's useful. The array thing in Bash I think
|
||||
is really cool. This is why I've been going on about it so much. Yeah, yeah. Of course,
|
||||
I feel like an idiot now, but that's fine. Yeah, I know the feeling. Resizing images for V card
|
||||
in Android was the next one. Automating the steps needed to get images formatted for V card
|
||||
import into Android phones. This actually is part of my replacing, you know, having a free and
|
||||
open source phone using lineage OS and having no, having all your data, owning all your data.
|
||||
So as part of that, the V card thing was one thing that I needed to be able to do. So more on that.
|
||||
But this was just a show that allowed you to basically explain that if you want to have images
|
||||
in your V cards, there is a specific format that they must be. It's not like you can throw any
|
||||
image in there and expect it to work as a ward and then just automating the process of doing that.
|
||||
And the realization that graphics magic is fantastic to a lot better than image magic.
|
||||
That's what I was going to say. I didn't know anything about the graphics magic now. I have to
|
||||
look into it. It's a fork and it's been maintained. So yeah, and the documentation is just,
|
||||
it's just sainter, I think, a lot sainter. Yeah, documentation on image magic is a bit,
|
||||
how can I say that politely? Yes. You know, old. Yeah, yeah. I really love image magic when I
|
||||
first came to Canada after reading all that documentation, which was not easy to read. But it
|
||||
falls out of your head as soon as you put it in, I find. Whereas this, as you say, it does seem to
|
||||
be more logical. I'm definitely going to learn my way around graphics magic. Use that all the time.
|
||||
So it's really, really helpful show to sort of broaden my horizons, I think.
|
||||
The amount of stuff you can do with both image magic and graphic magic is like phenomenal.
|
||||
They're really, really good tools for doing manipulation of images.
|
||||
Yeah, use that. Sorry. I use that much magic to generate
|
||||
podcast, episode cover art automatically from, from episode number, date, etc. Do you have a
|
||||
script for that? And you can, I did, I did when I was actively publishing my podcast, I can
|
||||
look into it and see if I still have the script. Throw it over here because I want to do something
|
||||
similar. Okay. So then we had my 8-bit Christmas Andrew Conway got what turned out to be a presence
|
||||
that every little boy wanted. The total says amazing memories. I never actually owned the BBC,
|
||||
but read about them a lot when I was a kid. Same here, especially elite was touted as the best
|
||||
space game ever, and the BBC version being superior in every possible way. Thanks for making the
|
||||
episode. It sure resurrected a bunch of old memories. Speaking of old people, the next comments
|
||||
is read by Dave. Dave, Dave, Dave, Dave, Dave. Oh, I did. Because you're rolling back to
|
||||
I did. I know how your friends are. So I said this was a real treat. It's a great episode.
|
||||
I'm jealous. So much nostalgia. I actually bought a BBC micro in about 1981 having previously
|
||||
owned an ACON. It was actually an electron, not an atom, I think. I used to teach a class
|
||||
in basic using ACON electron. But it's more, I still have the bead. So it's molded away
|
||||
many years in the attic. I bought the Z80 code processor, the press-del adapter, which is
|
||||
the modem in a beige box. A dual floppy disk drive, a bunch of other stuff including
|
||||
RGB monitor. It's my main computer for many years. It's been something I've been meaning to do
|
||||
sometime resurrect these devices. Replacement with all the dead electrolytic capacitors might
|
||||
be more than I can manage, but I'll have a go. If not, then I know I can probably refurbish one
|
||||
off eBay. I hope you'll do more shows about your experiences with this magnificent machine.
|
||||
Playing the part of John Culp is unique. Sorry. So yeah, John Culp commented. I love legacy
|
||||
hardware. That's the title of the comment. I loved this episode in all caps. I like anything
|
||||
about retro equipment, making old stuff work again using legacy equipment formats.
|
||||
This was great. My own interest is mainly audio, but it's great hearing about any of these
|
||||
old tech products that are still usable or are being refurbished and loved again. Thanks.
|
||||
Yes, I think definitely this sounds like there's enough enthusiasm for a series here on this
|
||||
type of thing. The last comment on the show was by Tim Timmy. Our Tim Timmy. First contact.
|
||||
Thanks for the show Andrew. My first contact with any computer was the BBC in the big class
|
||||
final year at primary school. I can vividly remember playing Granny's Garden linking the show notes
|
||||
when I was nine or ten. Then at secondary school, while everybody was messing around with the new
|
||||
Windows 3.1 i3.6 machines, I spent days on the only BBC left in the school typing code
|
||||
in from a magazine called Quest link in the show notes. The code was some sort of database
|
||||
program, but I never ever worked and so far above my skill set to the book. I just sat on my
|
||||
it's just sat on my five and a half inch floppy design to stay in my school bag until the end of
|
||||
time. I actually gasped and swore when you joked, well set and you'd hear bomb off in my memory
|
||||
with the two words star dot. I had forgotten how simple the commands were. Anyway, please please
|
||||
do a follow-up show. I would love to hear more about the BBC and see how much I can remember.
|
||||
Oh no, there's loads more comments. This is what I was going to say.
|
||||
So I'll do the next one please. RTSN says comment with zero. I don't know if you meant that.
|
||||
Thanks this wonderful episode. The BBC's scenes are like a pretty cool machine.
|
||||
More episodes on this please. And then Mike Ray says,
|
||||
Janus, I spent probably most of the first half of the 80s playing Elite on the BBC Micro
|
||||
or Donkey Kong or writing code for it. Last time I used the one was it too, was to calculate the
|
||||
position of the moon and steer a huge VHF antenna array to point at it, late 80s and early 90s.
|
||||
Yeah, that's amazing. That's like show. Yeah, we need to show that.
|
||||
Wasn't ideal since the ADC port was only 11 bit, so not great accuracy with the moon's position
|
||||
could not have pointed Jodrel Bunk with sufficient definition. I don't know what Jodrel Bunk is,
|
||||
but it's a big radio telescope in near Manchester. Okay. I could see back then. I am very jealous
|
||||
of all those classic 8-bit classic games at your fingertips and all loading fast.
|
||||
You must have been sick when the PSU blew up. Last question, where can I find a wife like that?
|
||||
First experience I had with a BBC Micro was in third level. There were still
|
||||
using them because it was the only way to interface with relays and stuff. You could like poke
|
||||
ease and we'll just turn it all. Which is awesome. When I worked at the university job I had,
|
||||
we before PCs, we all were given a VHC Micro on our desks, so that was the main machine we used
|
||||
for writing documents and accessing the mainframe in many cases. So yeah, it was an amazingly
|
||||
popular machine. We also had e-prom programmers and used to generate our own e-proms for the things
|
||||
and so on. Gosh, there's a whole series there. Yes, very good. I'm looking forward to it.
|
||||
The following show was storytelling formula where Klaatu ruins every movie I ever watched Klaatu.
|
||||
Thank you. Oh my god. Every movie I liked has been ruined. Thank you very much.
|
||||
Boss, yes. I think it's a glimpse behind the curtain actually. Boss, yeah. What do you think of
|
||||
this one? Well, I get a little bit bored with movies these days because they seem formulaic
|
||||
and in many, many cases. The ones that really surprised you are quite exciting, but I just find it
|
||||
so interesting to see it broken down this level because although I know it's a bit of a formula
|
||||
and I'm bored, I don't know why and I haven't ever expended the mental exercise to find out why.
|
||||
And Klaatu has actually opened a door as far as that's concerned. I'll probably still be bored,
|
||||
but I'll know. They have to analyze it and think, why am I bored with this?
|
||||
Yeah. Now, I think to a joking aside, he even does say in it just because it's following the
|
||||
formula doesn't necessarily make it a bad movie, but sometimes you can see them following the
|
||||
formula and you think that should have been a good movie, but it wasn't. And I didn't know about
|
||||
the formula, you know, boy meets girl, boy loses girl, you know, boy gets girl back. You know,
|
||||
is essentially the formula both in a delusion.
|
||||
Yeah, but yeah, now we can watch the movies and see, they made a mistake here that didn't
|
||||
they didn't follow the formula or, or you can, I mean, even before listening to the episode,
|
||||
there were some movies where you watch for 10 minutes and then you say, okay, here's what's
|
||||
going to happen. Yeah, exactly. Very true. Yeah, they're trying too hard to follow the formula.
|
||||
I wonder, I mean, this is something, Yannick, that you as our official foreigner,
|
||||
foreign person. Is this, this formula is very hollybody. I wonder, does this, is this a universal
|
||||
thing in storytelling that we expect this? I mean, I don't think, probably France and Switzerland
|
||||
are not far enough away. I wonder what aging cultures do they follow the formula? Does the formula
|
||||
work everywhere? Does it work in any way tribes? Does it work in South America? Does it, you know,
|
||||
regardless of your, your background, or are we now all so, um, brainwash that we all expect this
|
||||
formula? Yeah, I would tend to say that it's more of the later that we're, we're so used to
|
||||
hollywood movies being done like that, that Wix, we kind of expect all every movie to be
|
||||
the same, well, following the same general formula. And that's when movies, you know, when they don't
|
||||
follow this pattern, then that's when they can be very interesting, but also I think they lose some
|
||||
audience and that's what makes those movies particularly, but we tend to say that French movies
|
||||
are not as good as US movies, but that's probably because they don't follow this formula. Yeah,
|
||||
to the latter. And still, there are very good movies, but I think less people go watch them
|
||||
because of that. Yeah, because you don't know what you're going to get. Yeah, you're not,
|
||||
you're not going to get that satisfied feeling at the end. Yeah, there's kind of an expectation
|
||||
when you go to the movie to see, okay, I'm going to see a very nice story and that, you know, it's,
|
||||
it's, it's a new story, but still I want to be, I don't want to be surprised or, you know,
|
||||
because if I don't know what I'm going to see, maybe I don't want to spend some money on that,
|
||||
because I don't want to be disappointed. Yeah, it's so shame because there are very good movies
|
||||
that don't follow this San Patan. Yeah, but again, okay, I was very harsh and I'm not too there,
|
||||
and I didn't tend to, as I say, didn't intend to be harsh or whatever, but this actually reminds
|
||||
to, as I was thinking about what Latu put in the show here, it reminds me why I like Terry Pratchett
|
||||
books because there's a safety in them where there's a kind of formula that you know what the
|
||||
formula kind of is, and you know, it's all going to work out okay in the end. And lost in Bronx,
|
||||
when David Collins Rivera writes this story, you do not know whether that's going to be a happy
|
||||
go lucky story. It may be following the formula as well, but you don't know what type of story
|
||||
is going to be. So there's a little bit of more fear and angst when you approach a lost in Bronx
|
||||
production, because you don't know what it's going to be. Anyk, you know, it's going to be a comedy show,
|
||||
but in his old Star Drifter series, he's had some very lighthearted stuff and some very
|
||||
dark stuff at the same time. I don't really know if that's got anything to do with the formula or not,
|
||||
but yeah, it's they, you know, it's going to turn out okay type thing. Right, that was a diversion.
|
||||
Trunk kid silences, rules, the love silences. What is that all about? No, no, no, I'm just sort of
|
||||
coach attending here because I don't, I don't really actually spend enough brain power thinking
|
||||
about these things. So it's a bit of a revelation for me in some respect. Three hour commute, Dave.
|
||||
Three hour commute. Yeah, yeah, yeah, yeah. And the, the comment about the French movies is actually
|
||||
quite interesting. I was just trying to remember what I've seen in the distant past that are really
|
||||
like the Gorshima or something I saw a year ago. Which is, I don't know what the hell the story
|
||||
was about. It was just just so pleasing. I just found it when the, I can never go, I can never find a
|
||||
copy of it to on DVD or anything. But anyway, yeah, yeah, there's a lot like that, I think. My
|
||||
favorite French movie is Amelie, but it follows the formula. Yeah, yeah. So in a rather idiosyncratic way.
|
||||
Yes, as movie, but it's, you know, this is why all my nice movies have been ruined by
|
||||
it. I like Amelie so much. I spent a week in Paris going around all the places from the movie,
|
||||
you know, you don't adore, don't lose, they show floor. I tried to find that place, I never did.
|
||||
You know, with the guy falls asleep in the cauliflower? No, I don't, but, you know, they often
|
||||
make up places names and things like that. Yeah, I know, I know. But it's just, it's just quite nice
|
||||
to, to, to, to like a film so much and go to the place or this show. It's just, yeah, I don't know.
|
||||
Okay, enough about this week in a movie making. But Latu can feel free to do more of these
|
||||
type of shows, but I think Latu will do is whatever shows that he wants us to do. Writing web
|
||||
game in Haskell, news and notifications. Turo Turo talks about the game. They're writing in Haskell
|
||||
completely, completely new system they make. This seems like a very small amount of code in order
|
||||
to be able to do an API sort of exchange. Yeah, very, very small amount of code.
|
||||
Well, I know, I was thinking that too, because he talks about how the, the sort of
|
||||
queue of news messages is in the database. I couldn't see anywhere that it was accessing a
|
||||
database, except that, you know, there's, there's JSON structures that presumably are held in the
|
||||
database. But, yeah, I must be missing something, I don't know. Yeah, but is that not what the data
|
||||
declaration is? Is there an in-memory database? Yeah, maybe, maybe so, yeah. Wow, this guy's brain
|
||||
is just operating at a completely different level. And yet, it still gives me the the urge to
|
||||
look into Haskell. So there's something, there's something special. Yeah, it's like he's got a
|
||||
screen shot right there showing it working. Unbelievable. Well, not unbelievable. It's just, yeah,
|
||||
fine. One man's effort to get us all converted to writing in Haskell.
|
||||
See, I'd be lost, I'd be lost in the, in the font and the icons and the layout and stuff.
|
||||
Yeah, yeah. Where it looks like if you're writing in Haskell, you just get the meat of it and,
|
||||
and, and, you know, you probably need to know a lot more than an idea to achieve that. But just,
|
||||
it's, it's, it, it seems so, so lightweight in terms of its expressiveness. I really hope he,
|
||||
he doesn't stop sending in tools because like we're acting like dummies here and not knowing what
|
||||
he's doing. But I'm, I really do hope that in the fullness of time, I will be sitting down right
|
||||
my hello world program in Haskell. Yeah, yeah. I started reading the book, but I, but I don't,
|
||||
it's got me nowhere as far as this is concerned. Anyway, the following day,
|
||||
Mash Potter, a poor rushed attempt at covering an excellent podcast client by Mash Potter. And
|
||||
there was reading that thinking, that was a, some cobbins came in on this show and I was thinking,
|
||||
that's a, that's a very harsh sort of common to write to somebody, but it's actually the,
|
||||
the title by Mr. X and so, so that's why it was not that rushed. No, I mean, yeah, it's
|
||||
was 20 minutes long, so it's not that rushed. I think it was rushed that he just went and did
|
||||
the sort of the cough. Yes. Well, which is, which is one way to do it, you know, you want to,
|
||||
because if you put too many thoughts into it and you say, okay, I'm going to do that. Oh,
|
||||
no, I'm going to, well, I'm going to say that like, no, I'm good. Oh, well, okay, never mind.
|
||||
Proclamation has so many fucking shows here on this network. Sorry for using the app for
|
||||
a guy's, but procrastination is the killer of this network. I'll tell you right now. Yeah,
|
||||
so whenever you want to share something, pick up your phone, pitch record, record send this
|
||||
file to, to, to, to one of us. I mean, if you record and send, that's it. That's it. It can be
|
||||
easier. And if you don't know how to upload now to do things like that, just send us the file.
|
||||
We'll do that for you. Yes, Mr. X has got a lot of skills and he doesn't realize that he can
|
||||
make really nice, really good podcasts just off the cuff. He's, I think it's sort of him saying
|
||||
that he can't, he's apologizing for doing it that way, where I think it's some of his best work
|
||||
he's done that way. Yeah, more of that type of thing. Comments we had,
|
||||
tattoos. Who wants to do the voice of tattoos? Okay, I will, I will. Clato said, coincidentally,
|
||||
I've resumed using my, my folder for podcasting just recently. The audio jack on my mobile failed
|
||||
rendering, my mobile functionally useless as a podcast listening device. So I dug out an old
|
||||
media player loaded with rockbox and I use it as my listening device. For one day, I tried
|
||||
loading it manually with podcasts and then realized that I needed something to manage,
|
||||
show downloads for me. And my folder is what I turned to. I started modifying it so that it would
|
||||
run an arbitrary script such as a conversion script, but got distracted maybe later.
|
||||
So I do Mr. X's, please. He says, read coincidentally. Hi, Clato. I took some advice from our friend,
|
||||
Dave Morris. Oh, he suggested I might like to use the RSS feed to keep track of comments.
|
||||
Yes, I did do that. I got hold of a simple RSS reader, feeder reader, perhaps I mean,
|
||||
on the Android Play store, it seems to be working out great as I was alerted to your comment.
|
||||
Without the reader, months may have gone by before stumbling across your comments.
|
||||
Mash Potter is right for modifying, especially since it's so well written with loads of good comments.
|
||||
I have plenty of unfinished projects so I can relate to what you're saying, all the best Mr. X.
|
||||
And Mash Potter was written by friend of the show Chess Griffin, who I think has done more for
|
||||
Linux than a lot of people would would be aware of. He was a podcaster, did the 100 episodes of
|
||||
Linux reality. And if somebody wants to go back and listen to them, I imagine they would be as
|
||||
fresh now as they were the day they were produced. Yes, his, his, his Mash Potter is great, actually.
|
||||
It's, I only realised recently having looked at it following this show that he, he's actually handled
|
||||
the situation that Mash Potter never did, which is if a, if a feed is syntactically incorrect,
|
||||
uh, Bash Potter crashes because it uses X, XSL T Brock, which says, nah, this is not valid XML
|
||||
go away. Whereas, um, Mash Potter actually falls back to using said, I think, to, uh, to pick up
|
||||
the, the enclosures, which, you know, it's just, just really good, good designer, I like that.
|
||||
I don't know whether it handles atom, it didn't used to, but it's very easy to modify it to make it,
|
||||
uh, okay, the next episode, I have no clue how to pronounce that, div, diva pdf. Oh, sorry,
|
||||
yet so free door. Thank you. Cooking sense. Cooking stuff. Really, not my, not my thing. Although,
|
||||
that's it, we sit down and watch the group that you speak of, the entire thing, we bother
|
||||
than DVD. Why? I don't know. Now I know all the reasons, uh, hello, second. You know,
|
||||
what's funny? I, I, I kind of like, uh, cooking, but I, I don't, uh, I don't like cooking for myself,
|
||||
you know, so I, I always look at recipes and things like that and say, oh, that's looks good. I,
|
||||
I want to do that. I want to do that. And then I say, yeah, but why? I mean, I'm going to cook
|
||||
that for myself, which is good, but, uh, yeah, so I think if I, if I, maybe if I had like good risen,
|
||||
you know, uh, and a bunch of people to feed, then, uh, yes, yes, yes. Uh, I, I feel the same way.
|
||||
I'm probably just to egg on toast or something for myself, but my, my kids come and come and eat with
|
||||
me every week or a couple of nights. I, uh, it's just that I make them food to just save them some
|
||||
money. Yeah. So I, yeah, I cooked twice, uh, twice a week for them. So yeah, I really look forward
|
||||
to doing that from the, the point of view of what shall I do for them this time, you know, and, uh,
|
||||
make it particularly interesting and pleasant or whatever, you know, so, uh, yeah.
|
||||
But I, yeah, I do have my daughter at every, every other week, every other weekend. So I kind of
|
||||
have to cook, but since she's only three and a half, she doesn't really care about what's in her
|
||||
plate. Yes. Yes. The curry I made on Wednesday is, it was so popular that they wanted to come back
|
||||
on Friday and help me finish it off. So, uh, but wow, there's a lot of work in that one, I tell you.
|
||||
Yes. I find it. I really enjoy it. I mean, I mean, you spend like hours, uh,
|
||||
preparing something that's, uh, that's gotten in 50 minutes. Oh, yeah. Definitely.
|
||||
That's good. Yeah. It's a good sign, of course. Absolutely. We could do with more cooking
|
||||
shows, I think. Yes. Yes. We can, especially, uh, you know, um, uh, uh, beginners level,
|
||||
and I would love that. Yes. Yeah. Yeah. That was the note I made to myself, but yeah,
|
||||
let's have more, more cookery, please. Well, the following day, we had a response to show
|
||||
2720, where Ken was brought back in time to the parent teacher meetings.
|
||||
Sished down before his teachers where they go, Ken, you know, if you only just applied yourself,
|
||||
you could do that. You know, it's how I apologize. Yeah. Well, you know, there's this guy who
|
||||
keeps saying we need shows and it shows. There you go. You got to show. No, I, uh, yeah,
|
||||
but that's the thing about open sort of, open sort of software free liberal open sort of blah,
|
||||
blah, blah, whatever. You think, oh, I want to put it out there and it's absolutely perfect. And
|
||||
then you say stuff and you go, okay, yeah, that's obvious. I should have fixed that. Yeah.
|
||||
Especially the eGrep. I know that and I've stopped using eGrep and I have switched to moving
|
||||
using e, uh, just grip capital E. But for some reason, I don't go back and refactor my scripts.
|
||||
So, well, yeah, no, I mean, I don't do that as much as I should, but, uh, yeah, no, uh, the part of
|
||||
the point of doing this is the fact and the, the, the reason I demonstrated the use of shell check
|
||||
was that, um, it nagged you so much that you have to, you have a sort of passing on and it's nagging to
|
||||
you. Yeah. And, uh, which is good. It's, it's good to have something, uh, telling you, no, no,
|
||||
that, that won't work. Well, you made a mistake here and it will fail under these circumstances.
|
||||
So it is good, but it's, it's, it's literally rotating, but it, it does improve the quality of what
|
||||
you write. So no, I did, uh, I did laugh. I was chuckling as, uh, as you were, uh, doing this episode.
|
||||
So I for one, it could have been more, it could have been a lot worse.
|
||||
I didn't know that eGrep was the Pricotty, for example. So I learned something.
|
||||
Yeah. Yeah. Well, this is what shell check told me I didn't know either. Don't use that.
|
||||
Use this. So 29th of the month, we had my Pioneer RT707 real to real tape deck.
|
||||
Yay, by JWP. Sorry, JWP, not at all. John Culp from Lafayette, Louisiana.
|
||||
Loads of, uh, comments. John sent in an update saying the tape counter is now functioning,
|
||||
follow up. Research on the issue indicates that a non-functioning tape counter in this machine
|
||||
was about 99% likely to be from a broken belt. The reels are direct drive, but the belt turns
|
||||
the counter. I got a replacement belt from eBay, installed it today, and happy to report that
|
||||
everything is working perfectly now. Yeah. Uh, Bookworm says, uh, ancient media, I just finished
|
||||
listening to the episode of, wow, I loved finding and listening to older media. The crown jewel
|
||||
in my collection is an Edison record. Sadly, it came to me broken, but I do have all the pieces
|
||||
on the cardboard storage cylinder as whole. So even if I, if I do ever find a player, I couldn't
|
||||
play it. But those interested, here's a link to the Edison, to, to inform on Edison cylinder records.
|
||||
And then John of Replayed, uh, Victrola episode. Thanks for your comments, Bookworm. It's too bad
|
||||
about your edition disc. If you enjoyed this episode about open, real tape, then you might
|
||||
enjoy what you might enjoy when I did a few years ago about my Victrola in episode 1339.
|
||||
Incidentally, I recently discovered a guy on YouTube who does amazing videos about legacy audio
|
||||
formats. A user called TechMone. There's, these are just awesome. I highly recommend subscribing.
|
||||
I'll do mine. I said, wow, what a beautiful tape deck. Thanks, John. This was a wonderful
|
||||
voyage of nostalgia. As a teenager, I had a portable clarion tape deck, and I give a link to,
|
||||
one in a museum site, which I bought from my cousin. I got a lot of use. It got a lot of use,
|
||||
and I learned how to splice tape and make tape loops back then. I'd record the latest
|
||||
hit records off the radio to share with friends and family. I did some basic repairs on the
|
||||
player and learned to solder when the leads and plugs needed fixing. The clarion died eventually
|
||||
and probably got jumped sadly. I was wanted, but never required a big real-to-real
|
||||
like a gronding Phillips T-Act or whatever. Great to hear about your adventures in this area.
|
||||
And John said, I want one. Wow, Dave, I really wish you still had that clarion tape machine.
|
||||
I love stuff like that. A portable real-to-real tape deck is definitely on my wish list of vintage audio.
|
||||
Incidentally, the YouTuber Technoman did an amazing episode about the tape decks of Mission
|
||||
Impossible featuring the Craig 212, and thanks for the feedback. Have you seen him at
|
||||
Tecmoan? Have you followed him? I've seen a few of his episodes put up and subscribed.
|
||||
I actually had a small tape deck when I was a young boy. You know what? I think
|
||||
I kind of did my first podcast episode back then because I was recording stuff from the radio
|
||||
and then I had a microphone and then I would turn the recording on the tape and say stupid things
|
||||
and then play another song. That's the thing too. Yeah, that's the closest thing to the podcast.
|
||||
There you go. So yeah, with mine I used to sneak it into sort of family gatherings and put the
|
||||
microphone under a cushion and record them and stuff and then play them later on.
|
||||
Ha, ha, look at that. I got you. So my drive was more to be a spy than it was to be in TG.
|
||||
You got to do a lot of trouble doing that. Yeah, I can imagine that.
|
||||
I was amazed at the quality of the sound that we heard in this episode when he was playing the
|
||||
audio. It's amazing that you can still get such a good quality out of those 20, 30-year
|
||||
tapes. Yeah, yeah, yeah. You'd think they would sort of gradually leak through,
|
||||
because that's what I have to take, doesn't it? So yeah, there must be particularly high quality.
|
||||
Right. Moving on, my applications. This is Tony Hughes sending in the show about the apps he
|
||||
uses because we were short of shows. But I think this is a very, very useful insight into what
|
||||
people are using. Thunderbird, first email, LibreOffice, VLC, or that's the obviously.
|
||||
Yeah, VLC is a software that you either like or hate. I think there's no mid-range for VLC.
|
||||
There's a lot of people who don't like VLC because it's either not working for them or
|
||||
you don't like the express. Yeah, I've never seen VLC notes working, but apparently it's a thing.
|
||||
Maybe it's just to do with video cards, maybe I don't know, but I know a lot of people who
|
||||
absolutely don't like VLC and they replace it with whatever they like. I like VLC. I think it's
|
||||
it's really useful. It never failed me. I personally use M Player on the command line for everything.
|
||||
Just because it's so simple and yeah, it's all for, you know, there's no menus, no nothing,
|
||||
just M Player, few shortcuts and then replace. Then you've got your command, the keyboard shortcuts
|
||||
for all sorts of stuff and pausing, rewinding, fast forwarding, one frame at a time, it's necessary.
|
||||
Okay, I don't know this one, but I will. Could be a show there, could be a show.
|
||||
Could be, could be. I'd like to hear that.
|
||||
Yes, Dave. Bash scripting. Supplementary. Like slippery Bash scripts.
|
||||
How was this one about, Dave? Let me see. Supplementary.
|
||||
Supplementary. Oh, sorry. Oh, that's stuck up because of the mixies. So yeah,
|
||||
declare and read only in local and map file. Ah, yes, yes, yes.
|
||||
These are on Friday, actually. These are really cool. I was very pleased that I discovered these
|
||||
and learned how to use them. Read a ray thing. Sorry, the map file thing is a bit of a new concept
|
||||
for me, I must say. Yeah. I need to let that one sink in. Yes, I saw it's existence year to
|
||||
back. I thought, ah, yeah, I can do it fine without that. I don't want to have to read it,
|
||||
how to work out, how to use it. But now I've worked, now I've actually understood it. I found
|
||||
it really really quite good. There's another one of the ones I'm going to have to put on my list of,
|
||||
yeah, there's a reason why I will need that. But the problem now, which you're a show's
|
||||
Dave, is yeah, there's so many of them that I'm finding it impossible to go back and find
|
||||
the, you know, where you discussed particular things. Yeah, me too, me too. I have to make an index
|
||||
or do something like that. You have to do a show, indexing all your shows. That's right, that's right.
|
||||
Yeah, just read through all the topics and say, see, show, answer, these, those and such.
|
||||
Yeah, that'd be great. No, but I do plan to make some sort of a document ditching all this together.
|
||||
Keep saying this, but I do plan to do. What's going on? I think we've we're done with the
|
||||
last month's show. Yes, looks like it. What comes next, Dave? So next, we need to look at the older
|
||||
comments, I think, don't we? Yes, the oldest show is from Common Thoughts on Learning
|
||||
a language part three, the game story mode by D-O-D-D dummy. And the comment was by himself
|
||||
the Stanley parable. And it was an answer to Joel H, who had left a comment going about the Stanley
|
||||
parable. And D-O-D-D dummy says, just read your comment. I think it would work just fine in a first
|
||||
person exploratory game as I've taught us as I've taught us about this and games more.
|
||||
I can't think of a game type this wouldn't work in actually as I've taught about it. Okay,
|
||||
anyway, first person mode will be interesting in the thoughts could switch from initially being
|
||||
in the native language, but switching to the new language as the processes progress is made.
|
||||
That's a sort of ideal situation I suppose in general. If you can think of in the new language,
|
||||
I suppose you want, which is correct. So this was about his idea to have a game and learn a
|
||||
language through using a game. Do you want to do explaining the controls? I'll do that. Yes,
|
||||
two, six, six, eight. Comment number three from Mr. X saying he was replying to Michael.
|
||||
And he thanks the comment much appreciated. Very sorry for taking so long in replying.
|
||||
We're not very good at checking for new comments. Probably for the same reason I didn't include
|
||||
the interesting noise from my tuner. I'm afraid it all boils down to time or lack of how to set
|
||||
things up and make a separate recording. I was just keen to get the show finished apologies.
|
||||
Again, the same reason for not giving all due examples of the noise blanket. Also, thanks for the
|
||||
information on relays having never owned a modern HF radio. I assume they would be silent.
|
||||
Thanks for the clarification. But it was just a certain aside, I pointed Mr. X to the comment feed.
|
||||
So he could he could keep an eye on whether anybody had written to him with a comment and it was
|
||||
that. But prompted me to do it. So he seems to be a lot happier finding. Yep, if you were just to close
|
||||
the loop there. If you click on the P of public radio, is that it? Yep. Or of public radio.
|
||||
Yes, yes, yes. So Mr.
|
||||
do you want to do it? Yeah, yeah, yeah. And then Mr. X also replied to
|
||||
Austin Bronx. So the original comment was wonderful, Mick, and very classy,
|
||||
meta-grade overall. So Mr. X said, hi, yes indeed, wonderful microphone. Unfortunately, I've never had
|
||||
the pleasure of using such a mic myself. The picture was actually to show an example of a radio
|
||||
with a moving analog tuning needle that moves across the front of the radio. The microphone
|
||||
just happened to be in the picture. The AVO meter is indeed a classic and something I have personally
|
||||
used on numerous occasions many years ago. They look like something out of an old horror film
|
||||
and how very heavy built to last best wishes Mr. X.
|
||||
Nice. Nice. He's right about the old horror film type things. So on Dave Morris'
|
||||
bash tips 16, DODD Dommie says, in case you're worried, Dave will run out of material,
|
||||
and he gives a link to a new message, bash 5! Excellent. Yeah, 18 more episodes on bash 5 and
|
||||
what's different from bash 4. Well, that was my reply pretty much. Yes, I just saw that on
|
||||
Masterlon. I said, thanks for the heads up. Oh boy, lots of fun for me. Infinite
|
||||
vistas of teaching for my audience, right? That's all Dave. No, I actually got bash 5 because I run
|
||||
Debian testing. I just looked the other day. Oh, it's five already. So yeah, yeah, I should have
|
||||
to start writing some shows straight away. So the last few comments were on the Stagnography
|
||||
Stagnography. Stagnography. Thank you. By Tatoo. And he was saying to our comments about where
|
||||
there were winners in the last month's show, no lucky winners. Nobody emailed me revealing that
|
||||
they'd found the hidden object. To be fair, there wasn't much time. It was around the holidays
|
||||
and people are busy. I should look at the server's logs to see how many people actually downloaded
|
||||
the sample PDF containing the payload. I believe most listeners consume HDR from the RSS
|
||||
and never see the show notes. And all of my subtle hints that there was more than meets the
|
||||
eye about this mini series were only in the show notes. Anyway, it was a fun experiment, an
|
||||
interesting data about whatever that word is and the PDF format. Yeah, I think he's right on that.
|
||||
Most people consume podcasts from the RSS directly in the podcatcher and probably not in a place
|
||||
where there are access to a computer while listening. So there's a whole subject on either website
|
||||
useful for a podcast or not going around in a different podcast. I listen to podcasts about
|
||||
app, I'm sorry, podcast about podcasting. So yeah, putting stuff in the show notes without
|
||||
actually referring to them in the actual show has very little chance of being seen.
|
||||
Well, for HPR, if you have this very strange thing where 50% of the people, and it is about 50%,
|
||||
people listen via the RSS feed only and don't hit the website. And then quite a lot of other people
|
||||
only go to the website and download episodes from there. So that's not typical. But we are unique,
|
||||
I think, in many respects. Yeah. And tattoo also said, thanks God, thanks for the comment
|
||||
and offer, Scott. I'm more a coffee drinker and rarely in Seattle anymore. Sorry, since not
|
||||
in any way. But drinking and talking about tech is pretty much my favorite fast past time.
|
||||
So if I'm in the area, I'll absolutely broadcast it on the HPR mailing list,
|
||||
so I can take you up on your offer or your offer to meet up for a coffee and stuff.
|
||||
So excellent. And that brings us up to date with the comments, doesn't it? It does indeed, yes,
|
||||
yes. So let's move you over to the HPR mailing list and see what else is happening.
|
||||
There were calls for shows. Many calls for sure. And that was about this. And yes,
|
||||
then we were, yeah, Google Plus is shutting down on April the 2nd. So you have one month to get
|
||||
your files, photos, anything that you post it up there is going to be deleted in a month.
|
||||
So back up your data now before it's gone. Do you want to do the next phone?
|
||||
Well, you shouldn't have anything on Google Plus that don't have anywhere else anyway.
|
||||
Well, it's gone away for sure. And you only have a limited amount of time to get your stuff
|
||||
off there. So if you don't, and yeah, if you have any stuff out there, go and get it now,
|
||||
just to be on the safe side. And Mad Sweeney's wrote in to tell us about DNS flag day. And some
|
||||
software and service providers basically Google, Facebook, etc. Have a great coordinate
|
||||
for moving accommodation for non-compliant DNS implementations from their software or services
|
||||
on or around February the 1st, 2019. So if you go to DNS flagday.net and have a look to see if
|
||||
your domains are going to be affected by this decision by people. David, you want to do the
|
||||
missing tags? Yes, yes. The only thing to say is that in the last month we've managed to get
|
||||
a 11 more shows upgraded with tags and summaries and stuff. Awesome stuff. So that was me rushing
|
||||
about thinking, Shipweam, don't know, these ages and ages are bad. Get some ready before the
|
||||
community news. So, but these if you have a moment and you'd like to look back, the old shows
|
||||
and feel like and do it in the project do so because we can do it with more progress.
|
||||
Can I ask the hosts who have hosted just to go and do their own shows? That will be just
|
||||
the simplest thing. If you're a host, can you go back, click into the about page there and click
|
||||
on host, go into your own page and basically send in a list of tags for your own shows. I will do that.
|
||||
Yeah, yeah. In fact, it's listed. It's in the report missing tags.php page. It's ordered by hosts
|
||||
who who published the shows that still need tags and whatever. So, yeah, because if you've hosted
|
||||
the show, you don't even need to go back and relisten. You know what it was about.
|
||||
You got me worried for a moment. I thought I didn't add tags to my shows, but they're there.
|
||||
They get hired by Dave. Do you gradually get there? Yeah, if they're not there as the shows come
|
||||
through, then I add them because I wrote my scripts that upload them to nag me saying,
|
||||
I'm not going to do this because there's no tags. So it forced me to do. Okay, guys, is there anything
|
||||
else that we need to discuss? I don't think so. I don't think so either. Okay, so without further
|
||||
review, tune in next week for another exciting episode of Hacker Public Radio.
|
||||
Join us now and share the software. You'll be free. Hacker's you'll be free.
|
||||
You've been listening to Hacker Public Radio at Hacker Public Radio dot org. We are a community
|
||||
podcast network that releases shows every weekday Monday to Friday. Today's show, like all our shows,
|
||||
was contributed by an HBR listener like yourself. If you ever thought of recording a podcast,
|
||||
then click on our contribute link to find out how easy it really is. Hacker Public Radio was
|
||||
founded by the digital dog pound and the infonomican computer club and is part of the binary revolution
|
||||
at binrev.com. If you have comments on today's show, please email the host directly, leave a comment
|
||||
on the website or record a follow-up episode yourself. Unless otherwise stated, today's show is
|
||||
released on the creative comments, attribution, share a like, 3.0 license.
|
||||
Reference in New Issue
Block a user