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Episode: 3501
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Title: HPR3501: HPR Community News for December 2021
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Source: https://hub.hackerpublicradio.org/ccdn.php?filename=/eps/hpr3501/hpr3501.mp3
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Transcribed: 2025-10-25 00:33:59
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---
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This is Hacker Public Radio Episode 351 for Monday 3rd of January 2022.
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Today's show is entitled HDR Community News for December 2021 and is part of the series
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HDR Community News. It is hosted by HDR volunteers and is about 72 minutes long and carries a
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explicit flag. The series HDR volunteers talk about show release and comments posted in December 2021.
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Hi everybody my name is Ken Fallon and you're listening to another episode of Hacker Public Radio.
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Today HBR Community News for December 2021. We made it through Dave, we made it through.
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Yeah we did, still alive and everything. Wow, it's not over yet.
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So joining me tonight is Dave and there are a few other people around Don't know if they'll
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unmute later. We're recording this smiginarily in order to facilitate the community
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community news in order to facilitate the HBR New Year show which is scheduled for
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a few days from now. So there we go, scheduled for tomorrow to be honest. Tomorrow, yeah.
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So tomorrow morning 10 o'clock I'll start all these projects that I had left behind
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for the entire year but by the time you hear this it's over possibly, possibly, could be still going,
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you never know. Anyway, as a little bit of background on my HBR is where a community podcast
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that releases shows every weekday Monday through Friday and entirely volunteer organization
|
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where the shows are submitted by the listeners. People are very much like you listening to this
|
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today. And one of those who stepped forward to join us on our quest was
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send my brain working and changing tabs and we are congratulating mechatroniac who joined us
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in this past month. Excellent, excellent handler. Yeah, and why HBR? HBR is dedicated to sharing
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knowledge and you can do so by submitting an audio file of your choosing an only topic that's
|
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of interest to hackers that is in spam. And many of those people who do that we come on here once
|
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a month to give you a first of all to go through all the shows in the month, make sure everybody's
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got at least some feedback and then we go through all the stuff that's been happening on the
|
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mailing list and all the other stuff. So shall we start, David? Indeed, indeed.
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The first one was audio wiring hack in a classroom in Lafayette, Louisiana by John Culpe.
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Yes, this is John going and tweaking the wiring in the lecture at the end, which, you know,
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sounds just like John, it's just this is sort of the thing you'd expect him to do.
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Absolutely, absolutely, yes. We had one wondering was he doing this clandestine like
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but apparently he had asked them to do it but they didn't, so we don't. Yeah, yeah, I could see that
|
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exploding in a literal way, but we'll manner kick back if we dare to do that sort of thing in
|
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the universe arrow type, the audio visual people would be at the doorstep, the heavies would be there.
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What did you do? Indeed, indeed. That's true. I'll read Trace. So Trace says, I'm sure the audio
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strict video development loves you. It's the same view as I do. Thanks for sharing this great little
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hack. It may have a negative impact on the impedance matching for this audio input channel
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but it shouldn't be overtly noticeable when listening. Thanks again for sharing, excellent.
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So the following day we had Linux in-laws with version console control systems and why
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you should bother. Another excellent example as the guys putting together a nutshell given an
|
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overall history actually in the various different. Yeah, it's quite nice to get a bit of context.
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I knew some of it but not all of it, so it's good to have that sort of view.
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And Trace again was here and said thanks for sharing. I've been managing versions of configuration
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files locally on my system and you have inspired me to try to use GitHub instead. GitLab. GitLab.
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We shall see how it goes. Keep up the awesome work. There you go. And continue chugging away
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with a series on the GIMP this time. This is more of Layer Modes in GIMP and a Darken Modes.
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And as ever you should check out the links in his showments.
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Yeah, it's quite interesting insight into how this sort of stuff works. I've never given it much
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thought but it's sort of pulling back the curtain a little bit. Yeah, some of the effects you'd never
|
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really think of doing but then you look at some of them and you go, oh well, I've seen that before.
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That's such in such a person's logo. Yeah, yeah. That's intriguing. Good stuff.
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No comments on this, but I think he's getting a few comments on this. That's not English but I'm tired.
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No, he's just true. It's partly because a hook has become sort of part of the HBO furniture I feel.
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Oh yeah, it's this time. A hook show. Oh yeah, fine. Oh, that was good. But, you know, why would you,
|
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why do you congratulate your chairs? Yeah, exactly. Hold on. I'm on the seating.
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I know it's it's it's it's a shame because he does need the he does deserve lots of congratulations
|
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which we try and give him of course on these shows. Yeah, but even also, you know, if he has three
|
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shows in the one series, we just kind of skip over the other two, you know, but I would go
|
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feel free to take as much credit as you like and indeed there's a beverage of your choice
|
||||
available whenever you've come over to visit. Absolutely, yes, yes, although he's heading to
|
||||
waterproof as RV to get it over the Atlantic. I don't know if he's planning to head to Europe,
|
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not in the RV, I'm sure. There's a there's a show I'd like to hear. How do you?
|
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The following day show was the community news. We said nothing controversial and that was that.
|
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I know we had an introduction to post-apocalyptic robotics method technology from
|
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metatronics and there was one comment on this one. Is he new horse, by the way? My turn is yours.
|
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I think it's mine, isn't it? Yeah, yeah. It took me a while to to scroll down.
|
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Scott, I can click the comment button. Anyway, revealing my idiocy to the world today,
|
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fascinating subject says when to go. This is a stellar first episode. Harvested electronic
|
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components, robotics on the cheap, made for the apocalypse, but fun beforehand as well.
|
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Thank you for the additional video links. I'm glad I was able to see these robots in action.
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I'm looking forward to future shows in this series. Excellent. So you have to do more shorts now.
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Yeah, yeah, yeah. I've not not looked at the video, I've slipped up there, I must have a look at that.
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It sounds a lot fun, not the things like printer motors and stuff. I have a dead, maybe a couple
|
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of dead printers here. I have a lot to throw away, so I'm going to see what I can do with the bits
|
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some stage. Yeah. Okay, next to me was a very short shoe from, I have a silk flop and she's got a
|
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foam. It's a 0.64 foam. I have a 0.64 foam. Did I do a show about it? No. So procrastination,
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procrastination gets it away again. However, I just would be interested to know, does
|
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my 0.64 foam gets really hot? I mean, really burn your leg hot. I'm wondering is that normal?
|
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Anybody out there with a 0.64 foam? Yeah, that doesn't sound good.
|
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And there's an image in the show notes, gimp on the cell phone for obvious reasons.
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As you would, yeah, of course. Why not? I was trying to talk my kids into having one of these,
|
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but they said no, the iPhone will be fine, thanks very much.
|
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Following there, this one will be right up your alley on guessing. My VIM set up with GNU PG.
|
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This is very cool. It's the ability for them to read and write encrypted files, which you've
|
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encrypted with your GPG key and stuff, which is really cool. Yeah, I can't remember if I've
|
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done this. I think I might have tried at some point, but never had any great need for it,
|
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since it's just me. But I do have a few GPG encrypted files, but I don't need to edit them
|
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mostly. But still, it's cool. It's very cool. I love the show notes, even the color.
|
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Yeah, yeah. Archon 72 is doing a wonderful job of preparing show notes, actually. We had a
|
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little bit of a fight with his pictures, as I recall, but not much, because we were sort of
|
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feeling our way to the best way of putting pictures in show notes, which I want to write up at some
|
||||
point and make available to the to the HBR world. But yeah, it worked out really well.
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Yeah. It's very good. Very good. I'm filing this on under the heading of I will lead us at some
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point. Yeah, it's good to have that sort of thing. It is to have that capability. It's going
|
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to be excellent. I have occasions and work to have to have files GPG to at least come into
|
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normal nature. So there you go. The following day, I inspired by a comment on a master done.
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I was 50 years at the time of recording when the first edition of Unix was published and I thought
|
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to myself, well, why not get the book and somebody says here is the original book. So I went and got
|
||||
all the commands from the first version of Unix and then tried them on my laptop, just running
|
||||
for the door to see how many were still working after all these years. And about half of them
|
||||
have survived, but the half that have survived are the ones that have nothing to do with tape decks.
|
||||
So yes, yes. I did actually encounter Unix in about 1970-something. There was a company called
|
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Harris that made a unique sort of mini thing that we were looking at at Plankhurst University
|
||||
when I worked there. I have no idea what version of Unix it was, but tapes were very, very much
|
||||
involved. It was all about using tar to generate stuff and squirt it to tapes and rewind in your
|
||||
tapes and all that stuff. Those were the days. Well, that was the hard disks of the time, the SD
|
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code, as such. So Unix has, what's interesting is all the other ones that continue to work and lots
|
||||
of work. 10,000 LS plans run fine about 3,000 times or about 2,000 times platinum would be pissed with
|
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me, but there you go. Yeah, yeah, yeah, yeah, absolutely, absolutely. It's not really surprising,
|
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is it? These are nuts and bolts of Unix Linux. Yeah, and it's just the whole thing about
|
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Unix being a difficult learning curve and yeah, it's a learning curve, but you've got 50 years
|
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in which to do it like, you know, can you? I remember having an argument in my, when my kids were
|
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in national school or in, I don't know what you call it, in the UK national school, the first school
|
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that they go to. Yeah, digress. About Windows, Windows 2000 or Windows XP at the time and
|
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that, you know, they'll have to learn how to use all this stuff. I don't know. These operating systems
|
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will not exist by the time these kids have finished their education. And yes, the Linux commands,
|
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the Unix commands will. So good. Yeah, yeah, it'd be interesting to just as a personal voyage to see
|
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how different these commands are from their original, because the GNU project has done a huge amount
|
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of work on, on, uh, twiddling them. I think probably find has got a bazillion, or, uh,
|
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objects to it. And all the regular expression stuff. And yeah, I can get on with the find when
|
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I first used it back in HP UX and no tricks and some awesome things. It was very, very strange
|
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thing to use, but it's become much, much easier to use. I think it's just a few if statements from
|
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become sent, from becoming sentient. Yeah, you're probably right. Wait a minute. Okay. Well,
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do you want to read? No, I'm sorry. I'm just wichering in the background here. That's fine.
|
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Not my mom. My mother, Chromix says the show, great show. This of course is a nookie mirror showing
|
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exactly how time flies and how we've been getting older versus. Right, true, true. But thankfully,
|
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we're not, uh, we're not installing Windows 95 floppy disks, so yeah.
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I am still happy with the media, uh, with the choice of media player that I've given the kids,
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which is a bash console and, uh, uh, MPV. And let me to, you know, well, because I was, uh,
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I told you this ages ago about the having to update like XBMC and whatever it wasn't,
|
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whatever it's called, Cody and all the rest and UIs and menus maintaining complicated systems.
|
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So I just said, here's a, here's a bash command. This is how you access,
|
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how you access your media. So they've learned CD, LS and all the shortcuts, like for relative
|
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directories and, and fall directories and director navigation. And occasionally, when they think
|
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I'm not listening, they're teaching my wife how to, how to do stuff.
|
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Well, that's wonderful. That's wonderful. Yeah, yeah.
|
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Listeners. Yep, yep. I think my, I think my son is also a bit of a command line, uh,
|
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freak, because he's had to do quite a lot of basic stuff during his MSC,
|
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including his hands. So, uh, I think he's become more enthusiastic about that. So, yeah, good,
|
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excellent thing. It becomes so much more productive. I don't know, even, even though I have a
|
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Nikon there on the bottom of my screen for open and a browser, the amount of times I've had
|
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alt f2 and xg open the web page either. It's just fine. Okay,
|
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unless the true potential of GNU nano text editor and audio rendition, this would buy hacker
|
||||
default. And yeah, I read it out more or less. Oh, yeah, yeah, yeah, I've forgotten that you,
|
||||
you've done this one. Yeah, yeah, it's excellent. It's really, I had no idea. No, no,
|
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could do all this stuff. I have, I have hated on nano for years, partly because I spent a few years
|
||||
using and supporting people using pico, because we had, we used pine on the, on the back cluster that
|
||||
that I was managing. And so that comes to pico, and that's where nano has come from, because it's
|
||||
it's another one in that range, isn't it? We've had that discussion. But yeah, but it was,
|
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it was, I mean, it does the job. It does the job, but it's like, you know, trying to knock a nail in
|
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with a, with a rock feels like rather than having something which is properly balanced and constructed
|
||||
hammer to it. Oh, no, you are, I think it would be extremely unfair. I know, I know, I know, I know,
|
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I'm just useful editor. Well, I just, just dislike it because I know there are editors
|
||||
where I can say, go through this whole file and do this to everything that manages. And,
|
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and that was the case too on VMS editors. I did a lot of work in editors on VMS, because you could
|
||||
program and they had a programming, when I use, anyway, had programming capabilities to get
|
||||
right sort of things in a past-gallish like language that, that let you extend your editor enormously,
|
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which I did, you know. So, so yeah, to find things that are that basic, just irritates me.
|
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And it's, it's a, it's a character flaw on my part. I really accepted that. I knew you would.
|
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But yeah, but I, I really should have a, I should back away from that and have a proper look at,
|
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nano based on this show, I think. I, following day, we've had installing a tap door, by role.
|
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And this, this I thought was an interesting one. Hot hot doors. Absolutely.
|
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I have to press me so much when I found that out. I know, I know, I have several of those sorts of
|
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doors in my house. In fact, I think they probably all look at it. It's both of two, yeah.
|
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Yeah, they're not cheap. There's ones with the sort of fake panel-y things on them,
|
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but are made of MDF or something with just two people. Yeah, a big hole full of cut-filled
|
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with things like egg boxes. It's just sort of wiggly, wiggly bits of cardboard holding it together.
|
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Yeah, it is intensely frustrating. Having tried to hang door hooks on the inside of the
|
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bathroom door, and then you find that you're, it's like you're attaching it to paper.
|
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It's just, it really is. But what do you do? What do you do? I just had a new door. I've got
|
||||
stairs up into my attic, and the attic is flawed, and I'm trying to turn it into a sort of working
|
||||
area, if I can. And the, I had a joiner in recently, who is doing some, some work up there,
|
||||
putting it in closing the area in blast boards and stuff. And he put a new door on for me,
|
||||
and he said, all right, it's not a bad door. It's got a sort of veneer that makes a flat wood,
|
||||
but when you, you touch the bottom of it, where you had to cut it down to fit the gap.
|
||||
Yeah, it's just, just open. It's just a void. No, it's a cardboard hanging out.
|
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But she don't see, but that's irritating the life out of me. I thought we were going to do something
|
||||
about that. I know the feeling. I know the feeling.
|
||||
So, no comments on that one as yes. No doubt in the fullness of time, electronics will be
|
||||
fitted to that, and we will get a life eve coming in from how often the door is all kept.
|
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Cat goes in, cat comes out. Right. Yes, yes.
|
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It's a good show, though. I really enjoyed, I really enjoyed this sort of thing.
|
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I don't know whether everybody feels the same way, but I did. And it was great.
|
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Yeah. The following day, we had a bi-oral 3D audio recording. Please listen at normal speed
|
||||
with good headphones. And this one annoyed me because I had to rewrite my script to do the
|
||||
to not munch up the channels, but that's that's a new thing, not a, that's like, oh, you just
|
||||
hard-coded all your variables, type problem. You know it's your fault, but still doesn't make it happy.
|
||||
For thankfully, thankfully, that has been fixed at least, so we're good to go.
|
||||
Yeah, it's good. I'm glad. Did we add in the links to the other episodes? I can't remember.
|
||||
If it was Kurt Moher who sent in the, I think he did send in the original links,
|
||||
yeah, which is great because he's been doing this stuff for, for a number of years now.
|
||||
And it's good to hear some more. Yeah, I'm just wondering, does every recording coming out of
|
||||
America have to have a fire alarm or a police alarm going off in the background?
|
||||
I don't know, I've most of the recordings I hear from the states, especially the rain once you
|
||||
hear a siren going off in the background. Yeah, yeah, it happens all over the place. Yeah,
|
||||
sure. When I took my kids to Paris, we stayed in Paris in an hotel. We were walking up
|
||||
regularly by blooming yellow sirens, so they're very sireny in Paris. Yeah, it depends on
|
||||
this sort of local fashion, I think. Yes, but in Paris, it's the flipper of the police.
|
||||
The fashion police. Probably, yeah. Oh, I got it. You have not
|
||||
carrying said bagel properly. Okay, we do apologize to all of our French listeners.
|
||||
We have an inferiority complex of our friends, as most people do. I think it works both ways,
|
||||
actually. I'm sure a number of French people take the making it to a Brit's and whatever.
|
||||
So the following day, she's back this time, it's Haskell, equally, equality of structured
|
||||
errors. Oh, this one I needed to read the notes. I did. The notes are brilliant, as I always say,
|
||||
that they're so full of information. But boy, it's a lot of stuff there. Yeah, I think there are
|
||||
several people on this network operating as a few gigahertz faster than I am.
|
||||
Oh, yeah, digital digital is one of those that is for sure.
|
||||
Yeah, yeah, lots of good stuff about it. Yeah, very much applaud the fact that shows like this
|
||||
are being sent in and so forth. Maybe one day I'll sure get my head around Haskell, but
|
||||
yeah, don't hold your breath. It's been one of these where I interaction with programmers and
|
||||
then, you know, it really shuts them up. If you go, hey, you know, there's a cool series in Haskell,
|
||||
there. You can go have a look at that. Oh, my God, there's person devil tells in the art that
|
||||
is Haskell. Yeah. And here, following day, the path, more undos, this time it's the path,
|
||||
excellent, excellent, excellent memories, memories, traumatic memories, perhaps,
|
||||
both nonetheless memories. Yeah, yeah, yeah, that is a strange beast.
|
||||
Or even is. Yeah, I said before, I've got most of the stuff I ever did, but yeah,
|
||||
it's quite interesting to be reminded. And again, as with the game episode, this is one that,
|
||||
yeah, thank you, thank you, the chair. Absolutely, yeah, yeah, it's a great resource.
|
||||
Now, my github and flick metrics bear with me as I go into my github over the past year for some
|
||||
real gems in here, this operator. Wow, this is a treasure 12 of stuff. This is one you want to
|
||||
check out just to have. Yes, yes, I think there's a, there's a few quite interesting pointers in that
|
||||
lot. I have brain dump as it may be. It's still like, yes, there's weeks of studying. Exactly,
|
||||
I was into this. For some reason, I was going to train somewhere and I was listening and then
|
||||
script after script after script. Oh my god, Floss is going on in here. I don't know what to do.
|
||||
Ah, that's what he's doing. Not very good. Like Android, like Cat, for instance, is just
|
||||
and each of each of them, my only criticism of this is each of these are is a show in itself.
|
||||
Yes, yes. That's very true. But as we know, people, people just don't listen to me, Dave.
|
||||
To which you say, sorry, what did you say? It's on the script. Yeah, the page three.
|
||||
You can see that if you can get all this stuff out in one show rather than sitting down,
|
||||
um, teen times to do several shows, then there might be an incentive to do the former.
|
||||
I mean, the following day we had Linux and Lolls pipe wire, just another audio server,
|
||||
think again. I was complaining about, yes, another pipe, you know, yes, another, I'm running
|
||||
in Fedora, Fedora has adopted pipe wire, didn't mean a few years back, just have this big Huha
|
||||
overpulled audio. And yes, it seems to have worked. And we seem to have migrated. And at the time,
|
||||
I was wondering why another one. And then this episode, the interview Martin, who is the lead developer
|
||||
for, um, for pipe wire, the Martin references that he wasn't there. Sorry, why don't the name,
|
||||
put the name of the people that are interviewing that it is. Oh, sorry, Vim Taismans.
|
||||
Taymans. Vim Taymans. The remaining Vim Tayman adventure. Yeah, that's him.
|
||||
But not only was it a brilliant explanation of pipe wire,
|
||||
the program where it came from on all the rest, but it was a great background to audio in Linux,
|
||||
to which, to which, in actual fact, I've sent this off to several people recently. You asked me
|
||||
about, what's this with Jack and what's this with the pulse audio and stuff. And then forward
|
||||
to them to this episode, brilliant. Yeah, yeah, it really set the scene much better than I've
|
||||
ever heard before, actually. So I did not know most of this stuff, how they, how they interrelated
|
||||
with one another. So yeah, very cool. Very good. Very good. Okay, Monochromic, you get to stay
|
||||
for another month. My first Spanish episode. And we had a, this was, this was an episode that
|
||||
we had a request from somebody to do, could they do a Spanish episode on HPR? And actually Claudio
|
||||
got them to it. So in this show, he's, as I'm joking, he's trying to solicit
|
||||
NFTs in Spanish. I don't think so. I was surprised how much I was able to guess from this, actually.
|
||||
Mm-hmm, mm-hmm. I was surprised how little I could get, actually. But I've only listened to it once,
|
||||
so I need to, need to listen again. But yeah, yeah, Spanish is a nice language, I wouldn't mind
|
||||
learning it. But it's, it's a bit of a, yeah, as with all languages, it, you either need to be
|
||||
in the context of it. And then you start to absorb it, or you need to go through the whole process
|
||||
of doing it in a formal way. So yeah, but very good, very good. I'd love to know what it,
|
||||
I'd like to see a transcript of it in some stage, a translation of it. I mean,
|
||||
Collins. So shall I do the first one? DNT says great episode. Thanks for the podcast
|
||||
recommendation. Great name for it too. And I apologize for this. Oiente says,
|
||||
gracias. Muy bueno, tu podcast, ya hablé español perdón. Can I still know
|
||||
muy bueno. Muy bueno. Salutos, des por favorico.
|
||||
Say a word, Collins. Say a word, Collins. Hi, hi, hi. It's, it's a, it's a, it's a very attractive
|
||||
language. And the structure of it has got a lot, lot in connection, lot connections with
|
||||
French and other, other such, we're so-called romance languages and stuff. So Italian as well,
|
||||
I suppose, yeah, Portuguese. But anyway, yeah, cool. So recent general razor repairs by John
|
||||
Cole from Lafayette, Louisiana, yet again. And I've started now, when they're
|
||||
passed and mastered on the releases, I've started to give a little summary in reply.
|
||||
Did you? Yes. I see you didn't boost them, Dave. So obviously, I just read it. I didn't read
|
||||
only it's me. Something got the little plug in, yes. Okay, fine. Annie, who, yes, the generator,
|
||||
why everybody seems to have a generator. Amazing. How do you balance? How it goes out often,
|
||||
and that's probably a good idea. Yeah. Yeah. So, yeah, John will be laughing when they,
|
||||
when he hears the, the dikes are broken here in the Netherlands and we have no generators.
|
||||
Yeah, yeah, yeah. See, I told you so. Yeah, yeah, yeah, absolutely, absolutely.
|
||||
I, yeah, in the last few years of work, I was tasked with improving electrical power to
|
||||
our computer room. That big, big mainframe e-size computer room. And although we put in a big
|
||||
UPS to power the whole room, the next step in the plan was to have a generator outside,
|
||||
we even expect where it's going to go. We're going to put a concrete blimp out there,
|
||||
have an auto generator that switched in when, when needed and stuff. But then they said,
|
||||
oh, it's going to cost a lot of money. No, we can't do that. The people who wanted it so
|
||||
desperately couldn't want it. You know, you know, it's management. But yeah, it's a, it's a very
|
||||
interesting thing to, to be working with. But I found this show fascinating because I didn't know
|
||||
that you, an alternative would be a pro, was it propane generator as opposed to, you say,
|
||||
this is a gasoline, a petroleum petrol thing. I assume there were diesel in many cases as well.
|
||||
Yeah, fascinating. Absolutely. The insights you get, you assume that you know, you know,
|
||||
you get a feel for a place and then suddenly something completely different.
|
||||
The fact that you can connect it to your house, power supply, presumably, and then switch over
|
||||
to that source rather than the main source is pretty cool. I don't know either. Do I imagine
|
||||
your experience or stuff going on? Yeah, absolutely. Absolutely. I have no idea how that's done
|
||||
in the UK if it is. More shows, folks, more shows. You know, give us a show. Hey,
|
||||
what was that? Do you know if you know, give us a show. Wow. That's slogan. Copyrights are here.
|
||||
I get on the straightaway podcast recommendation, their retroist. And Trace says,
|
||||
great recommendation. Thanks for the recommendation. I listened and it was a great dive into my
|
||||
favorite Christmas films of all time. And I saw the retroist himself or herself themselves.
|
||||
Giving us now boost there on the social medias. Very good.
|
||||
Did you see the video's distance? Creative Commons, because I actually did this. We watched
|
||||
diard over the Christmas, on Christmas day, actually, Christmas evening. My wife had never seen it.
|
||||
And I had confused it with little weapon, which I had seen literally hundreds of times,
|
||||
because it was the only video tape we had when we were in college. So we'd come home from the
|
||||
pop and put on little weapon. So I hadn't seen it as often as I thought I had. And the kids
|
||||
wanted to watch it because it's been referenced all the time. It's a running joke in Brooklyn
|
||||
if you ever watched that series? No. It's a comedy cobshield based in New York and the guy
|
||||
isn't me or it's his favorite movie and everything is basically about dihard. So it's,
|
||||
you know, it's funny. But then the following day afterwards, after listening to it after watching
|
||||
it, I listened to the podcast, not this podcast. I had already listened to this podcast, but I listened
|
||||
to the, um, to the Retrist podcast and very nice. Well, producer. And, uh, yeah.
|
||||
Yeah. And a lot of, a lot of insight into the movie, actually, that I wasn't aware of.
|
||||
It's, it's quite a layered movie. I do recall watching it a long time ago. Um,
|
||||
rarely it's one of the rare films I've actually seen all the way through. So I usually get bored
|
||||
with them and tune it. I'm not a great one for movies. But, uh, yeah, it's actually, um,
|
||||
it's, it's, uh, yeah, it's a, it's a mean, though, isn't it? It's a, is it a Christmas movie?
|
||||
It's not a Christmas movie. Yeah, yeah, yeah. But so it's good, good stuff. So, yeah,
|
||||
it's a shame we couldn't have been included in the, in the, uh, podcast couldn't have included
|
||||
in the episode. Yeah. As you say, it's a copyright issue. Although I've had, I've had look
|
||||
not this month, actually, because I've contacted two different people about changing the copyright
|
||||
and, uh, one, one of them, uh, sent back, not flattering. Uh, yeah. And not, not a great response.
|
||||
But anyway, we do our best to stay polite and try again. But sometimes you have look and I've had,
|
||||
a bit of luck getting people to at least switch to, uh, creative comes license, you know, non-commercial
|
||||
even is at least better than nothing. Mm-hmm. I don't just don't think many people
|
||||
fully understand the nuances of it is part of the issue. I, I must admit to sometimes
|
||||
drawing a blank. I come to, to, uh, think about it. So yeah, I think we've, uh, in the free
|
||||
software community, a lot of people have been exposed to the concept of licenses and then coming
|
||||
into, uh, creative commons is a license on a published work. Then that's, that kind of makes sense.
|
||||
But I think a lot of people just assume, oh, it's on, it's on YouTube. It's, yeah, I can,
|
||||
I can share it. I can upload it to YouTube. It's, it's fine. Yeah. Yeah. Yeah.
|
||||
Yeah. The following day, Norrist. Nor, hit me with that one. I think he pronounced
|
||||
it, Norrist. Norrist. Okay. Norrist. Norrist. Norrist. Says how I record HDR episodes, some
|
||||
Python to record short segment of audio. And I presume you will be doing covers of this.
|
||||
So some guy commented on this saying great show. A very interesting approach to recording HDR shows.
|
||||
It's not a method that ever occurred to me, but that's what HDR is all about, smiley face.
|
||||
Great to hear your comments about Mr. Gadgets. He was an HPR stalwart for many years and I for one
|
||||
miss his contributions. I was listening to some of his shows while working on the tag project and
|
||||
it was great to hear him. Yeah. Yeah. Excellent. But Norris show is brilliant. I really enjoyed it.
|
||||
It's a very, very good show and well done and the thinking behind it is, it's really, you know,
|
||||
bit eye opening, I think really. It's, you know, just seeing how other people do things.
|
||||
Did you want to give people a summary of what the show was about?
|
||||
Well, he is not, he wants to record HDR shows. He's been a long time HPR listener and
|
||||
but he's he's not good at speaking off the cup, which is why he mentioned Mr. Gadgets and
|
||||
and how he always, he used to just phone in shows and he could just talk in a structured way
|
||||
just off the top of his head, I think. But yeah, Norris is saying that he can't do that.
|
||||
So he comes at shows with a script but in some cases he quite likes to do them in small chunks.
|
||||
So he's written a thing that lets him record a bit and then record another bit and then stick
|
||||
them all together and make a show and he drives the recording and sticking with scripts and
|
||||
which use a script as in a written text with markers to separate the chunks. So you can do it.
|
||||
So, you know, overall that's a fantastic idea, I think.
|
||||
I am more than mildly interested in this. That's a word. I'm thinking of doing some stuff
|
||||
like this because if you if you do it this way then you've got your show in the little side of
|
||||
the way straight away and gives you a structure for it. Very very cool. Very cool.
|
||||
Yeah, yeah. It's yeah, it's a really interesting way of approaching it. I've yet to look at it.
|
||||
He's sent in his Python script or script as just the one. But yeah, it I think that's quite a lot
|
||||
to be learned from what he's doing there. So I've yet to look in detail but still very cool.
|
||||
Okay, cool. Next one is Jankilator's, has to be one of school. Follow the whales of the Jankis is
|
||||
all monster to the muddley flux of head torch bordered hands which makes no sense if you didn't
|
||||
listen to the show. Yeah, yeah. I was I have to make go on why and then do a rewind today to
|
||||
the beginning where it was. Ah, it's one of spoons. Right. Rebooting my mind to the correct
|
||||
freedom of reference and the way we go again. Yeah, excellent. The most interesting take on
|
||||
on the subject. We'll also see a photo graph. Yes, yes. Or perhaps a wood carving might be more
|
||||
appropriate. Yeah, yeah, yeah, absolutely. Excellent, excellent. No comments on that as yes.
|
||||
I think everybody's still digesting, bro. Yeah. In shock. Yes. Right. The guys are back with
|
||||
the big Christmas New Year bash with the grumpy. They do a lot of planning. They were able to
|
||||
squeeze this in on the 29th. And just the future is yes, sent to us will always be open. They, yeah.
|
||||
Yeah, it was coherent, but as I was listening to it, it was coherent, but looking at the links,
|
||||
it doesn't seem to be. Yes, it's one of these stream of watches. Yes, thanks. It turns out to be
|
||||
yes, yes. But it's an enjoyable show, particularly if you're into their brand of humor. Yes,
|
||||
yes, yes. Oh, it did a great job. It's quite nice for the more bouncing ideas of
|
||||
each other. That's a good combination, I think. So the next one was today as we recorded this,
|
||||
fixing a noisy blower motor, which was Archer 72. And what I liked about this almost not only did
|
||||
you get a fixed bar, there was a before and after, and it was a definite improvement. Yeah,
|
||||
yeah, yeah, that was that's an important thing, wasn't it? Yeah. I noticed that and
|
||||
noted it to myself. Yeah. And yeah, he sent in some nice pictures too, which I'm always a great fan
|
||||
of, as you know. Yeah. Cool. Law hit leaf blowered myself. I have to tell you.
|
||||
Yeah, we're bordering on the two graveyards behind us, and it's like 247, you know, go
|
||||
why? You know, it's just like the lads have nothing to do there and then write, okay, go out for
|
||||
a few hours and blow the leaves away when there's no possible reason to do it. Anyway,
|
||||
and the last show of the year, I think, rather fittingly, was episode 3500, 3500. That is 3800
|
||||
shows, Dave. So we're going to be hitting our 4,000 episode next year. Mm-hmm. Wow.
|
||||
Yeah. Yeah, impressive stuff. Anyway, the show itself was the Gimp. It was about layer modes,
|
||||
called blending modes, combining layers in different ways. If you don't know about layers,
|
||||
you should, you should listen to this because it's a very good concept of how layers work.
|
||||
And as analogies are quite good in this, I have to say.
|
||||
I'm gonna have to listen yet because I can't see it.
|
||||
It's been a busy, it's been a busy, busy, future day for me to be 22, 22, 22.
|
||||
I know, I know. I'm just under the louche and then we're left.
|
||||
Right, let's do that. Of course, you're going to spend three evenings scripting something
|
||||
to make sure that we do do that. I guess. I might not actually.
|
||||
Do we have any comments that are not covered? Oh, last. So there's six comments from four
|
||||
previous shows apparently. So from the squirrel free software foundation blog,
|
||||
a total tummy says, where's the down comes down button. What are you talking about? I think
|
||||
that should be what are you talking about? You seem to think that if a distro moves an
|
||||
application, the hate is can call. If a distro moves an application, the hate is can call
|
||||
them names. Part of making a distro is adjusting the curate application list. I never, it
|
||||
never occurred to me that HVR should have a thumbs down button until I listened to
|
||||
this piece of work. Next one. Yeah. The next one is from DNT on a show from Klaatu about
|
||||
XML style it. And DNT says, when I listen to we need to talk about XML, I nodded in agreement.
|
||||
Working in localization, there's a lot of XL, I have heard what is that to know about. So
|
||||
I've learned to appreciate it. This week I had a chance to use XML style it that works. I came back
|
||||
another listen to this. There was some trouble figuring out the deal with XML namespaces. I found
|
||||
that in XML style, you can just use double slash underscore colon node where the underscore stands
|
||||
for the default namespace. For now, it's just work. But I didn't need to learn more about namespaces.
|
||||
Thanks again. Yeah, the four such, four such there is not necessary. You can do it with full
|
||||
relative paths with the colon underscore colon. But only if you're not dealing with multiple namespaces.
|
||||
We're doing multiple namespaces. I suppose that's a show there that I need to do.
|
||||
All right, fine. I'll freaking do it. Yeah, yeah, I did try and learn some of this
|
||||
few in a number of years ago and then decided not to. I retired instead. So that's what I was
|
||||
not on the option, Dave. I seem to quite a considerable amount of time going over XML and I have this
|
||||
massive how-to in work that people occasionally hit the like button on. And yeah, it's just tears,
|
||||
tears, tears of pain. Anyway, we covered the love books comment I can guess.
|
||||
We didn't. Yep. We'll go on to the operator who's comment about replace Ken Fallon with a script.
|
||||
This is on my HPR audio phone, which is it comment I made to operator from HPR.
|
||||
Do you want to read that one? And then I think I commented back.
|
||||
All right. Cannot be automated. Oh, shame. Alexa, Siri, neural networks, everything can and
|
||||
will be automated. I would start with detection of notes, similar how singing auto-tune can make
|
||||
people almost sound like they can sing. Where the audio is checked for end length of music.
|
||||
ID, it's near the beginning and matches the intro music by end percent, then they
|
||||
included the intro. And if the notes don't match, maybe it's some other music or singing, same
|
||||
for outro. The only limit is yourself. It gives a link to www.zombo.com. I struck a note there.
|
||||
You make a good point about messing with people's audio. I imagine a fully automated system
|
||||
that will manage at least 75% of uploads, smiley face. Whatever if you only had to answer one
|
||||
question, choose an option. The HPR edit your audio, remove noise, detect presence, intro,
|
||||
detects presence, outro. Question mark, do not edit my audio. Those will be the options that
|
||||
would be presented, perhaps. To which I replied. Thanks for volunteering. Hi operator.
|
||||
Thanks for volunteering to do this. Once you have a script up and running image can
|
||||
announce it to the general population. I intended that to be Tongan cheek, but reading it doesn't seem
|
||||
to be, but if anyone was thinking I was serious about that, that wasn't. But with regards to
|
||||
us options, no, no, because we've already seen with the, is your intro a neutral present?
|
||||
We ask people to fill out a form. It doesn't get filled out properly. Even by seasoned hosts,
|
||||
in fact, especially by seasoned hosts, actually tend not to pay any attention to the radio
|
||||
buttons on the forms. No. And Taj, in the most recent, in the most recent Dev random episode,
|
||||
the RC. Yes, automation of audio is not possible. And I'm agreeing with. Yes,
|
||||
transcording I can do, but don't go messing with audio. Thank you. It's a deadly thing.
|
||||
Though I must admit, my son who is into AI big time seems to think that it is possible.
|
||||
I don't know whether that comes with being an AI person or whether it's reality or not.
|
||||
Theoretically, probably, or manner of things possible, but the reality has an
|
||||
nasty bite sometimes. Correct. And I'm worked with Alexi and Siri, and yeah, and yeah,
|
||||
there did a number of false positives that you get the number of, yeah, I can't really comment on
|
||||
this, but it is, it is interpansea either. And neural networks are just computer generated if
|
||||
statements. Sorry. Yeah, yeah. Yeah. I'll, I'll bring my son on one time and see what he
|
||||
cares about. I would really like to hear him do a show actually. Yeah, he's still
|
||||
still in the early days of his new job. Anyway, there's one more comment from operator said fun.
|
||||
Yeah, I caught the Spanish episode and I thought I could try a rough translation to English
|
||||
with the script I wrote just speech to text any media. And he gives a link to a GitHub script
|
||||
in his GitHub repository. So before detection of standard HPR intro should be possible. And if
|
||||
I'm lucky, I can detect any non-standard like humming it, et cetera, but I only ever done
|
||||
basic Dartnet training with images. Yeah, I'll mess on the side. I had a look at that script and
|
||||
I couldn't see anything in us that would leave me to think that it was going to, yeah, there was
|
||||
going to be able to do stuff, but then again, it calls another script within us. So I'll have to have
|
||||
a look. Yeah, I had a quick idea. I personally, for I uploaded my audio, would really appreciate
|
||||
a D on one fire. So if you can work on a D on an a fire, that would be great. And it should be possible
|
||||
to do that because each person tends to have their own. And I can't remember what the word is for
|
||||
that filler sound that people's makes when they're thinking, but that's the thing. You'll
|
||||
everybody else knows who's listening to my show, knows what my personal ones are.
|
||||
Yep, yep. Oh, I go to a lot of trouble to to remove them out of mind because my brain now being
|
||||
as old as it is, can't go as fast as it could. So there's a lot of, oh, I need to think here.
|
||||
While I do this, I shall just go and and and so on. And but you can spot them because they
|
||||
they have this strange sort of shape like a sort of small whale.
|
||||
Yeah, as you scan everything. Oh, there's an unbam. I get that gone. But yes,
|
||||
so you would think it would be possible to to do that when you, but yeah, wait and see.
|
||||
So that was that for the shows, moving on to the male list discussion.
|
||||
And for people who don't know, we tend to discuss policy stuff on the HQR
|
||||
male list. And basically whenever a question comes in that is above my favorite,
|
||||
that's then I just asked the host to pass that question on to the male list so I can be discussed there.
|
||||
And for some reason, I was checking to see, oh, yeah, I wanted to see if the janitors
|
||||
male was working. So it was no need for a bite. It worked.
|
||||
It looked like there was an issue with male.
|
||||
Um, I don't know if it's you or me. Try again. Can you? Yeah, you're still ziling.
|
||||
Indicate. It could be on my side. How do I stand now?
|
||||
No, still. The unfortunate thing is probably come out from my recording.
|
||||
Okay, I'll go through the male list.
|
||||
Hi, it's that time again. So this is about the New Year show. Not a lot of point because this
|
||||
will be announced after the New Year show. Policy change removal of by a range permission
|
||||
when posting to HPR. So yes, this is we require the license from host submitting a show.
|
||||
As by default, the work is considered to be copyright all rights reserved.
|
||||
We accept shows posted under the Creative Commons license.
|
||||
The new free documentation license and anything in the public domain, anything under a
|
||||
Floss software license. We do not post other copyrighted content even if it is under
|
||||
a fair use clause. And there's a link to this discussion on why that is.
|
||||
We do allow shows by a range permissions where the host has explicit permission to submit the show.
|
||||
But we have never had a show submitted under this clause. I am now proposing that we remove
|
||||
that option. As even though that would give us permission to host it, it would cause problems for
|
||||
our listeners. Our podcasts are played in public spaces. And as the content is Creative Commons,
|
||||
they don't need to pay national license authorities. If we play a content that is not Creative
|
||||
Commons, then they do. It would also prevent anyone from knowing the rights they have without knowing
|
||||
the explicit permissions attached to the visual show and being able to interpret what that would
|
||||
mean to them if they reused it. This clause makes the whole question ambiguous because we flag
|
||||
our free Creative Commons, but the individual show would not be. To be safe, we would need to remove
|
||||
these shows from the main feed and make it so that they would only get these special shows
|
||||
if you explicitly opted in for them. I don't see how this would benefit anyone
|
||||
as no one would be subscribed to this feed. So the proposed change is to remove that text and replace
|
||||
it with. If you are redistribution, really distributing under another Creative Commons license,
|
||||
new free documentation license, public trainer floss, software license, then please signal that
|
||||
when you upload your show, we do not post other copyrighted content, even if it is made available
|
||||
under fair use or by the ranged permission. So the feedback on that,
|
||||
James T says, sounds good, and avoids a legal challenge. Kevin O'Brien, I'm in favor of
|
||||
Use Creative Commons and Normal Content for years. Rome says, I am for it best to do it now before
|
||||
somebody does a show, does submitted a show by ranged permissions. Andrew Kameh and McNally,
|
||||
I have two M in favour, a straightforward policy, but I confess I'm now thinking of quickly submitting
|
||||
a by-eranged permission show only because Rome put the idea in my head.
|
||||
Sporus definitely sounds like the right thing to do to avoid potential future issues. I'm having
|
||||
a hard time thinking of only downsides and I tend to be the person to pick apart proposals at work.
|
||||
Tatoo, I'm in favour, keep it simple, keep it open.
|
||||
X1 or 1, I2, I'm in favour of this change. Chris Monochromic says, given the fact that each
|
||||
and every show carries an explicit copyright notice even if submitted under the default license.
|
||||
Hi. Claudio says, hi all throwing in my vote for this change definitely will be for the better
|
||||
and provides protection as well as making sure the content remains freely accessible.
|
||||
Mark Roy, some in favour also.
|
||||
That's pretty much the feedback on that. Okay, and then Chris requested that we
|
||||
from Monochromic from Linux and most says, hi admins, every considering using
|
||||
Alexa and Tript search for HGPS for the website. I'm putting a redirect in place to avoid
|
||||
browser security warnings to which I said we do have it in place and an automatic redirect.
|
||||
I would like to get people's feeling on an automatic redirect more or less summarising.
|
||||
John sprigs says, better search engine optimisation and reduce the risks of intercept and gives examples
|
||||
where that's happened. Yeah. Kevin O'Brien says he uses HGPS everywhere in his browser so he
|
||||
automatically gets redirected. Claudio says he is an edge case where he has vintage computers
|
||||
accessing the site. And John replies back to Kevin saying that the EFF has deprecated
|
||||
HGPS everywhere. And then we had Monochromic 7 saying linking to 2014 article from Google devs
|
||||
about how they're going to rank HGPS sites more than HGTP sites.
|
||||
And so I can cover with John and other people that the advantages of HGPS far outweigh
|
||||
the disadvantages to which I reply that John had two points. Both of his points are covered by
|
||||
the fact that we have HGTPs already in place. Kevin pointed out that he has an extension.
|
||||
John pointed out that the EFF page says now the world is closer with mainstream browsers offering
|
||||
native support for HGTPs only mode. And I pointed out that the article from Google goes back
|
||||
seven years and in that time we've been contacted an awful lot by Google. Anytime Google changes
|
||||
the policy, in fact we get an email saying that our sites isn't doing this or doing that
|
||||
according to them. I do want to point out that Claudio's I'm summarizing here. Claudio's vintage
|
||||
computer thing is it's kind of valid because there are a lot of local IoT devices that don't
|
||||
necessarily have certs that would allow them to connect. And I think that's going to become a
|
||||
bigger problem here in the future where if you ever load up Windows 95 or a retro computer and
|
||||
try to browse the internet now, how much of a problem that is. Again, my point is Google don't seem
|
||||
to be worried about it and the EFF doesn't seem to be worried about having a HGTP only sites. So
|
||||
what's the point again? What am I missing? Matt says I would prefer the HGTP site to be only
|
||||
available on I don't care about security.hackerpublicradio.org. To which I reply that redirectors like
|
||||
strip SSL take a HGTP connection and basically take advantage of these HGTPs redirects and use it
|
||||
to their advantage to do a man on the middle attack. Then we would need to use a thing called
|
||||
HST which is HGTP strict transport security which is a header that you can put in new URLs to
|
||||
a header that you can put in say that you require HGTPs. And then I bring up the point of are we going
|
||||
to do browser redirects but what about the pod catcher clients and I really kind of want to know
|
||||
why we're doing this now and not in 2014. John the nice guy gives me some advice about UUID's
|
||||
yes John I hear you and when you're on the back end of three or four terabytes of data you got
|
||||
to be a bit careful. So D&T says there are the government website on HST clearly advises against
|
||||
redirecting HGTP to HGTPs because it doesn't deliver the default security and then goes on about
|
||||
maybe we shouldn't implement it and but skip the preload which might be inclined to do.
|
||||
And then Mag gives some more information on on the maxh etc and so D&T actually noticed that
|
||||
the navigation bar on HPR was hard-coded with HGTP which we fixed and I subsequently noticed
|
||||
when was it today or yesterday obviously we'll get to that one in a minute and yeah I say
|
||||
some of the padlocks saying parts of this page are not secure so when we went through and fixed
|
||||
all the all the websites itself they show notes themselves contain images and we're going through
|
||||
a process of fixing those over the holidays so that's a bit of a change that we need to be a
|
||||
little bit careful about doing and Chris has a description about mana in the middle of tech with
|
||||
the mp3 or augfeed but Latu has already hacked us using a similar method so yeah we're never
|
||||
going to be secure but Karl has a recommendations for a web server that does HGTPs
|
||||
and basically was looking at the same issue himself so summary is as of now the main website
|
||||
has been modified to be HGTPs links well modified to be if you come on HGTPs the links are all HGTPs
|
||||
most of the images will probably redirect to the HGTPs website we'll see how we're going to do that
|
||||
in the fullness of time. Any comments there Dave? No not really I mean there's a bit of work to go
|
||||
through the entire database and make changes but we're going to tackle that soon as we can we can
|
||||
get the resources to do it we can do stuff. Yes very good and
|
||||
even I noticed that even though I didn't change any of the RSS feeds that was sufficient to
|
||||
retrigger all the recent show postings to mastodons so I am very concerned about changing the RSS
|
||||
feed stage. In fact I don't see the point someone would really have to convince me with a strong
|
||||
argument as to why that would be useful people are more than welcome to I can do a separate HGTPs
|
||||
feed that people can subscribe to if they wish perhaps that's the way forward and you know
|
||||
we'll let us settle until after the new year show we'll see come back to this one again in
|
||||
January. People's thoughts on this would be appreciated but I'm not going to I'd like to hear
|
||||
I'm not going to change it just because everybody else is doing it I want to know a reason we have
|
||||
a very specific use case on HPR everything we do is in the oven anyway so yes there's a reason
|
||||
to have a HGTPs website which we do so and we should provide an option for people to download
|
||||
their shows I've asked over HGTPs. Is that going to be a separate feed? Sissy to himself?
|
||||
Perhaps, perhaps. Anywho? I to the mailing list I believe the following policy changes have
|
||||
be accepted and will be made over the holiday period this is your last chance to give feedback
|
||||
his field will move from hash orcast planus will move to hash orcast planus on libera
|
||||
and we will also include links to the matrix and mastodon etc and a link to the discussion of that
|
||||
existing shows will be flagged with the current version of the
|
||||
Creative Commons license and new shows will start defaulting to attribution forward at all
|
||||
international license cc by essay 4.0 so that's not correct in the mailing list by the way
|
||||
cc by essay okay the intro natural will be changed and the upload form will remove the option to
|
||||
add the intro natural and I've requested some recording time with my wife to record a new intro
|
||||
or a new outro and the most recent one removal of by arrange permission when posting to hp or
|
||||
so if you have objections to any of those please contact us immediately thank you
|
||||
going to be having a think about the commission news we had a request by Tony and mad swingy about
|
||||
the upcoming new year show or we're going to update the website for a bit some bugs
|
||||
and that was that anything to add Dave oh no no that seems to be
|
||||
yeah indeed chance I'm not sure if I'm still mistoating I was keeping my eye on my side yeah
|
||||
yeah but it could be me yeah yeah shall I do the any other business the older hp or shows on
|
||||
archive.org there were 125 additional shows in the range of 1 to 8 7 0 have been uploaded
|
||||
and the number of shows left to upload now is 244 excellent work I still need to have a look
|
||||
at that one issue that you had half another chance yet and I would like to thank I'll just do
|
||||
them all myself Dave then if that's okay I would like to thank all the hosts that submitted shows
|
||||
this year to be frank trumpet john windigo CRVS or 9L arftab deep gig baza tim timmy tojet anonymous
|
||||
enigma tajsar polkwork clinton roi honky mugu swift 110 kogo some guy in the internet
|
||||
tray be easy placke zenn florter 2 daniel piercens nai nai illosa dev moris platu black carnal andru
|
||||
conway jwp dune dnt mr x jesra the lovebug minix brine in ohio metatronic sickflop hacker defol
|
||||
ron quick new operator claudio maranda john culp norest one of spoons archer 72 tukatoruto
|
||||
ken fallon monochromic ahuka and of course the hbr volunteers that's it Dave are you going to
|
||||
be on the show tomorrow yes i plan to put it in the morning probably okay that's it everybody tune
|
||||
in tomorrow for another exciting episode of hacker public radio you've been listening to
|
||||
hacker public radio at hackerpublicradio.org today's show was contributed by an hbr listener like
|
||||
if you ever thought of recording a podcast then click on our contribute link to find out
|
||||
how easy it really is hosting for hbr this kindly provided by an honest host dot com the internet
|
||||
archive and our sync dot net unless otherwise stated today's show is released under creative
|
||||
commons attribution share like three dot o license
|
||||
Reference in New Issue
Block a user