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hpr_transcripts/hpr4475.txt

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+Episode: 4475
+Title: HPR4475: The true audio file for walking tune to(wards) a friend
+Source: https://hub.hackerpublicradio.org/ccdn.php?filename=/eps/hpr4475/hpr4475.mp3
+Transcribed: 2025-10-26 01:03:18
+
+---
+
+This is Hacker Public Radio Episode 4,475 for Friday the 26th of September 2025.
+Today's show is entitled The True Audio File for Walking Tune Towards A Friend.
+It is hosted by Fred Black and is about 22 minutes long.
+It carries an explicit flag.
+The summary is, Fred finally releases the audio file that was supposed to be HBR 4,466 in which they teach a tune.
+So, well, I did then goof up and accidentally submitted the wrong audio file.
+And, well, this is the audio file I actually want to put up.
+The show in question is number 4,466.
+And, well, this is the audio that was actually supposed to be submitted.
+You might notice that it's actually the thing that was posted is part of what was supposed to be posted.
+But, well, just if you thought that my mic was bad now, it will get better.
+Just being recorded just on my laptop to be submitted a bit quicker.
+Oh, wow. Can it really already have been over a year since I contributed my last regular show?
+Well, it's time to record another show.
+What do we have? Oh, wait a second.
+I remember that I wrote a piece of music like three years ago or something.
+It was, it's called Gonglot Tillin-Win, walking tune for a friend or two words of friend.
+Well, yeah, I guess it's time that it comes out into the world.
+I have had people who liked it for some reason.
+I mean, it's way too easy. It's way too simple.
+And, it's barely even walking tune. But, I mean, I had to call it something.
+But, well, it was originally written on a violin.
+But, since my, it just, but since, well, it's a bit hard to teach stuff on the violin.
+At least for me, I will be, I will be, of course, teaching it with the help of my likelhopper.
+But, I could still just play it for you on my viola.
+Because, well, it's a bit more comfortable to play on it.
+And it just sounds better than my violin.
+Sorry, and so here it is.
+And so here it is.
+And so here it is.
+And so here it is.
+And so here it is.
+And so here it is.
+And so here it is.
+And so here it is.
+And so here it is.
+And so here it is.
+And so here it is.
+And so here it is.
+And so here it is.
+And so here it is.
+And so here it is.
+And so here it is.
+And so here it is.
+And so here it is.
+And so here it is.
+And so here it is.
+And so here it is.
+And so here it is.
+And so here it is.
+And so here it is.
+And so here it is.
+And so here it is.
+And so here it is.
+And so here it is.
+It is.
+And so here it is.
+And so here it is.
+And so here it is.
+Well,
+and I don't have been played in the most correct way,
+or with a right bow,
+because well,
+just using my nickel hop a bow for everything. But well, very heavy. It is, I think it is in D major,
+but I might be wrong. I have it written down somewhere, but well those, that sheet music might
+not be the most accurate one. So, well, here it is, taught from my nickel hop. Okay, as far,
+so you need a, the, the, the lowest note is an A, and the highest one I think is a
+D, is a D, the octave above. So, so, first the A part.
+Okay, there's the A part. Now, to teach it, now, to teach it. So, you start on an A,
+the higher one, the octave above the lowest one that you need.
+And you go A, G, F, sharp, D, D, A down there, B, A,
+and then the same thing, basically, A, G, F, but then you, no, F sharp, then you go E,
+then again, A, A, G, F sharp, D, D, A, B, A, C sharp, D, E, D, C sharp.
+Got a bit confusing from my side. So, now again, the, the A part taught, A, A, G, F sharp, D, D, A, A, G, F sharp,
+D, A, G, F sharp, D, A, A, A, C sharp, D, E, D, C sharp, D.
+So, that's the whole A part. Now, again, just played.
+So, that's the A part. Now, over to the B part, which
+yes indeed, it just, it, it just kind of reminds me of some kind of Irish folk thing,
+but sadly, it goes the, the, the re, the note range is a bit awkward for my D-tin whistle. So,
+I, I don't really play it on there, but I think it would work. It's just a bit awkward when you
+got up words. Well, here's the B part.
+Yeah, okay. So, you, so the B part begins on a high D. So, and that goes, let's just go
+with D, C sharp, D, B, B, B, A, F sharp, G, A, F sharp, then basically the same thing again,
+but different. D, C sharp, D, A, A, A, and then comes a little grace note,
+glissando thing, which is, well, it's a bit hard to do on the nickel half, which kind of shows
+that the tune was originally written for a, for an instrument without such stupid stuff,
+the stuff as frets. Yes, I am, I am still kind of a violin player, because frets are the most
+stupid thing ever. So, there you have my opinion on that, but well, basically back, where were we?
+Oh yeah, and then you go, then you basically go, then you basically slide more or less from a B flat to B,
+or, or well, on the, on the violin, or viola in this case. So, there you have that one.
+Then again, this sequence of D, C sharp, D, B, A, F sharp, D, A, F sharp, D, A, D, A,
+D, E, D, C sharp, D, F on the whole B part, again. So, D, C sharp, D, A, A, B, F sharp, D, A,
+C sharp, D, B, A, A, B flat B, D, C sharp, B, A, F sharp, D, A, F sharp,
+D, C sharp, D. So, the whole B part again.
+So, there you have the whole tune. I might, maybe I'll do some kind of thing as I did with the Yanta on who's got to go for Yanta on my thing,
+but since I don't, but since I haven't written a second voice yet or something that won't be a second voice,
+but maybe I'll get forky on this one too, because well, I can also play it on the auto recorder.
+So, that's the way we usually play it, with forky on his neck and me on my, also his auto recorder,
+although he does really use it that often, so I have kind of occupied it.
+So, that's the way we usually play it, so that's the way we usually play it.
+So, that's the way we usually play it, so that's the way we play it, so that's the way we usually play it.
+So, well, since this episode has been in production for a while, and well, since I wanted forky to get on,
+I first had to get him to, I first had to remember to ask him and then get him to actual play,
+so since then, I might have learned it well enough on the flute, but since, well, it's not the most optimal,
+one for like, where the notes are located, I kind of do octave jumps every now and then,
+so I'm just going to play it on the flute.
+So, that's the way we usually play it, so that's the way we usually play it,
+so that's the way we usually play it, so that's the way we usually play it,
+so that's the way we usually play it, so that's the way we usually play it,
+so that's the way we usually play it, so that's the way we usually play it,
+so that's the way we usually play it, so that's the way we usually play it,
+so that's the way we usually play it, so that's the way.
+So thanks for listening. Feel free to comment, critique, whatever. Maybe give me some music
+please. Or just, well, respond with a show or a comment. So bye.
+You have been listening to Hacker Public Radio at Hacker Public Radio.
+Today's show was contributed by a HBR listener like yourself. If you ever thought of recording
+broadcast, you click on our contribute link to find out how easy it really is.
+Hosting for HBR has been kindly provided by an honesthost.com, the Internet Archive and
+R-Sync.net. Unless otherwise stated, today's show is released under Creative Commons,
+Attribution, 4.0 International License.