Episode: 856
Title: HPR0856: GNU Emacs 2
Source: https://hub.hackerpublicradio.org/ccdn.php?filename=/eps/hpr0856/hpr0856.mp3
Transcribed: 2025-10-08 03:38:38

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Well everyone, this is Clat 2 and this is Hacker Public Radio.
This is episode 2 of my intro to Emacs, a mini miniseries.
It's a little tiny series because it's only three episodes and we're not really that long
and so it's a miniseries, very small series.
Plus I'm not trying to sell you anything.
I'm going to tell you about Emacs because it is a pretty cool thing.
And hopefully you've been able to play around with it a little bit since the last episode
in the last episode if you'll recall.
I'm sure you do because you've probably been using it all week long or the past couple of days
whenever you're hearing this in relation to the first one.
You will recall that you learned about Control-X, Control-F for finding a file
whether it's new or already existing. That's how you open up your documents in Emacs.
You learned about Control-X, Control-F for save and Control-X, Control-C to close.
You learned that Emacs in a GUI is actually a good thing.
Control-G is a panic button that bails you out of initiating commands that you didn't mean to initiate.
And of course you learned just a little tiny bit about the buffer paradigm that Emacs uses,
meaning that even though you only see one window,
there are actually multiple documents layered on top of each other
that you can switch back and forth between with Control-X, B for buffer.
So recall also that the mini buffer is that little thin stripe down at the bottom of Emacs window.
That's where the interactive stuff gets entered into.
So if you're going to Control-X, Control-F to find a file,
it's going to ask you in that little mini buffer where that file exists
or alternatively if it doesn't exist yet, where it should be saved to.
You can just type in the path there.
Or if you like the GUI parts better than typing,
you can go to the GUI menu up at the top and do a file open or a file new file, whatever.
Okay, so today we're going to talk about customization,
because I said last time that it was really, really customizable,
and it's true, it is.
And honestly, that's one of the most fun parts about it,
because not everyone works the same way.
Everyone doesn't want to use the exact same commands in Emacs,
and everyone's not using Emacs for the same activity.
Not everyone writes screenplays or grades screenplays on Emacs.
Not everyone does dockbook.
Not everyone does HTML.
You might be doing completely different set of tasks.
Or your hands might just be different than mine.
Your motor, your muscle memory is different, whatever.
You can customize just about anything you want in Emacs.
Most of the customization in Emacs can be done through the .emacs file.
The .emacs file is almost as famous as Emacs itself, frankly.
A .emacs is a V file that is the configuration file for Emacs.
It loses in your home directory for all of your personal customizations.
And it's one of those things that people tend to kind of collect over the years,
and they keep putting new things into their .emacs file,
and it just kind of grows and gets bigger and better,
and typically you'll want to save yours somewhere.
If you have done that much work into getting Emacs,
fitting you just so, then you might as well back that .emacs file up.
I actually have it backed up on Gatorius,
and that way any computer I sit at, if I decide,
this is a good computer to do some Emacs stuff in right now,
then I just get clone my Emacs config file
and the little applications that I typically, the little plugins that I use with Emacs,
and I can just pull all of that down,
move my .emacs into that home directory as .emacs,
and suddenly Emacs is exactly how I want it to be.
It's a very, very nice little feature of Emacs, very easy to configure that way.
So it's going to be a .emacs file, meaning it's going to be a period,
and then the word Emacs, all lowercase,
and it needs to be in your home directory.
That's where Emacs is going to look for personalization of your environment.
The first thing just to get us started,
just to see what exactly we're talking about here.
Well, I guess you first need to see what won't happen
with a set of customizations before I show you the cool stuff that will happen.
So, assuming you don't have a .emacs file yet,
I do, so I'm going to move mine to .emacs-stash.
Now, I'm going to launch Emacs, and this is the default Emacs now,
because I just moved my .emacs out of my home directory.
So, if you control X, control F to get a new file,
and just do some new file like a temp.emacs or something,
and enter some text, enter some text.
All right.
Now, on your word processor at home,
what would you do to select that text?
Let's say you wanted to copy it, you wanted to paste it,
you wanted to cut it,
you wanted to do something with that text that you've just entered.
How would you do that?
Well, you might do it with a mouse,
and actually, if you're doing the GUI version,
that actually does work.
But let's say you're not using the mouse,
you're not using the GUI version,
or you just don't want to take your hands off the keyboard yet.
So, in a normal word processor that we're used to,
we would hit the shift key,
and then the arrow key,
and that would select that text as we pass over it with our arrow key,
the shift arrow, that selects text on the fairly modern
by comparison newer text editors,
newer than Emacs anyway.
So, those are conventions,
that's the convention that we've gotten used to in modern text editors.
It doesn't exist in Emacs,
but it can if you want it to.
And I don't actually use this feature,
so I'm only doing it because it is something that a lot of people
do tend to like, I think,
and it's also something that will just introduce you to how easy it is
to configure. Emacs through.Emacs.
So, right now we're going to go back into Emacs,
if you're not in it already.
Control X, Control F,
and I'm going to do it till they slash.Emacs.
So, I'm establishing a new.Emacs file for myself.
It should be pretty much empty right now,
because it doesn't exist.
It might exist for you if you ditched the splash screen last time.
There might be a custom set faces addition at the top of your.Emacs file
that you probably didn't even know you had.
So, that's fine.
If that's there, don't get rid of it.
That's nice.
So, just somewhere in this file,
put PC-Selection-Mode
close for indices.
So, that's parent PC-Selection-Mode-Parent.
Control X, Control S to save that.
And now we can control X, Control C to get out of Emacs,
and then relaunch Emacs.
And there's a way to do that from the mini-buffer as well without closing,
but let's just keep it simple.
So, close Emacs and reopen it.
And now it should open with its new configuration,
your personalized configuration.
Control X, Control F to open back up a temp file.
It could be the one that you did earlier,
or if you didn't save it, that's fine.
Point being, grab some text,
put your cursor at the beginning of some text,
hit the shift key in the arrow key, and look at that.
It's selecting text, just like you would normally select text
in a newer, more modern text editor.
That's obviously a really simple example.
And it was simple because I wanted it to be fast
so you could see how quick this sort of thing is.
And it really is that simple.
Customization to your .emacs file takes place.
You put in some text into your .emacs file,
and you go back into Emacs and it works.
It just suddenly is a completely different style of working.
So, let's do something a little bit more drastic,
a little bit more daring.
And that is, of course,
because I haven't told you about this yet,
but I'm going to tell you about it right now.
So, it turns out in Emacs,
the whole control C for copy, control X for cut,
control V for paste,
that doesn't actually work.
Weird, huh?
Well, Emacs is old.
It wasn't around when Microsoft,
and I don't know, word perfect,
whoever the, you know, the GUI text editors were back then,
they hadn't come up with the idea of control C,
control X, control V yet.
That was not even around yet.
Emacs had their own conventions.
So, the conventions in Emacs are actually quite nice.
I use them all the time.
I don't actually use the,
what we'll call the new besettings,
but I'll tell it to you,
but then we'll change it anyway.
We'll keep it or not,
depending on how you want.
So, for selecting,
you can do control shift,
the number two.
So, the at symbol really control,
and then the at symbol,
or control shift two.
Now you're in selection mode,
and you can select text.
Once you have everything selected that you want,
you can either copy it with Alt W,
or you can cut it with control W.
And then you navigate to wherever you want to dump that,
and hit control Y,
and that pastes it,
or yanks it out of the kill ring.
So, that's the way that Emacs typically copies and pastes.
If you're daring,
you can try to learn that,
and remember that.
It took me a while.
I'd write it down on a little sheet of paper by my computer.
I'm not afraid of cheat sheets,
and neither should you be,
but hey,
maybe you're showing this to someone
who just doesn't want to have to learn a new text editor.
They want some feature that they saw on Emacs
that they thought was really cool,
but they're not down with the idea of learning new commands
for stuff that they consider just a given.
If they're editing text,
they want control C,
control X, control V.
That's fine.
We can make that happen for them.
As of Emacs 22.1.
Yeah.
Took them 22 versions to add this feature.
But as of Emacs 22.1,
and hire,
there's a mode built in called CUA.
I don't know what that stands for,
but there you go.
It's CuaMode,
and if we add this to our .emacs file in our home folder,
then we can activate CuaMode,
and we can have our standard copy-paste and cut commands.
And it works really, really well.
Open .emacs back up,
control X, control F,
and I'm going to .emacs.
Of course, you have tabed completion.
If you haven't already figured that out,
like if I'm going to tilt this slash,
I can put .emacs.
Now I've got my .emacs.
Now I'm going to enter under the PC selection mode.
We want the PC selection mode to stay.
So under that,
the parent Cua-mode space T,
as in true,
closed parent.
Okay, so that activates the mode,
and then we're going to set a variable,
and setting a quoted variable in E-list
or whatever we're in,
is setQ,
like set quoted variable.
So it's parent setQ,
space Cua-auto,
dash tabify,
TABIFY,
dash rectangle,
space nil,
closed parent.
I've never used Cua-mode without that,
so I have no idea what we just set.
Next line,
parent transient dash mark,
dash mode space 1,
closed parent.
This simply says that,
if something's not highlighted,
don't turn Cua-mode on,
essentially.
And then the final option here,
or the variable that we're going to set,
is parent setQ,
space Cua,
dash keep,
dash region,
dash after,
dash copy,
space T,
closed parent.
And what we said there,
is that after we select some text,
and after we copy it
with our new little control C command,
or cut it,
we stay in Cua-mode,
meaning that it's now waiting
for us to paste it somewhere.
It's not going to take away
those special keyboard bindings.
And that's kind of handy.
And if you save that,
and again just close Emax and reopen it,
get a new text file up.
Since we're here in .emax,
making all these changes anyway,
we might as well make,
yet one more little modification
to make it a little bit more,
quote unquote, user-friendly.
We might also say new,
but friendly.
And that is, of course,
Control-Z.
Control-Z on the keyboard
doesn't undo, usually,
in lots of different programs.
And it doesn't,
in the standard Emax setup.
In Emax, it's Control-X,
and then U.
Which, really,
if you think about it,
it makes sense, right?
I mean, you're doing a Control-X
to get into your command mode,
and then U for undo.
It's pretty simple.
And yet,
because the later text editors
that came out after Emax,
decided it was going to be Control-Z,
that's just what it became.
So, if you want to change that,
and again, this isn't actually something
that I do for myself,
but I've got it,
as a comment,
in my standard.emax file,
so that if I'm setting it up for someone,
I can activate that.
So, that would be,
well,
Paran-global-set-key-space-paran.
Yes, this is actually a nested parent.
So, it's Paran-global-set-key-space-open-paran.
Again, KBD,
like Keyboard, KBD-space-double-quote-capital-c-
lowercase-z,
double-quote-close-the-first-paran-space-single-quote-undue-close-the-paran.
So, we've got global-set-key-as-keyboard-phrase-control-z,
meaning to launch the...
I don't know what they call it,
a macro or a command, I guess,
that is called undue.
The interesting thing about a lot of this stuff
that you can do in .emax,
you can actually almost...
I think of it as reverse-engineering almost.
I mean, it's not really,
but that's how it feels to me.
Because, like,
in order to launch some kind of command within emax,
the way that you can do that
is hit meta-x,
which meta is the alt-key on your keyboard,
or if your alt-key isn't working,
or, you know, like,
if you're SSH through some box,
and then SSH into another box,
and you're all over the place,
and your alt-key signal just isn't getting through,
or if you're on a Mac,
and they double up,
they're alt and they're option-key.
So, if you hit meta-x on emax,
it doesn't get that meta-x signal.
It just...
I forget what it does,
but it doesn't do what you think it wanted to do.
So, the other option,
if you don't have an alt-key,
or it's not working,
the way you think it should be,
it would be the escape key,
but it's a different kind of hit.
So, when you do a normal meta-x,
like alt-x, you know,
you just hit it like normal,
just like you're doing any other keyboard combination.
But if you have to use substitute escape for it,
then you hit escape,
and then you hit x,
or whatever key.
But in this case, yeah,
meta-x, escape-x,
or just normal meta-x,
and that gets you down to your little mini buffer,
a little stripped down at the bottom,
and you can type something in.
And for instance,
you could type in the word undo,
and sure enough,
it does an undo.
It executes an undo.
So, a lot of these commands
that you can set up in .emax
are simply commands that exist in emax.
It's almost like setting an alias in bash.
So, if I do meta-x again,
and let's say that I want to do something really fancy,
well, let's just type in CUA actually,
and then tab,
and then actually how about copy?
Copy tab,
and then you'll see a little pop-up frame,
pop-in frame,
and it gives you the possible completions
of the word copy,
or CUA,
or whatever you typed in there.
And in this case,
there's a copy-file,
copy-region,
as dash-kill,
copy-to-register,
copy-rectangle-to-register,
copy-to-buffer.
Lots of different things that you can do.
Let's do the CUA.
CUA mode, CUA selection mode.
You know, just use your imagination.
There's all kinds of different things
that you can call in EMAX,
and anything that you can call on that little mini-buffer line
to execute is something that you can assign very easily.
Without writing any new code,
you can assign it to any given keyboard combination
that you want.
So that's pretty powerful,
because you can do a lot of customizations just kind of
by getting used to the things that you like to have happen,
assigned to a quicker keyboard shortcut,
and you're done.
And you can even string them together and stuff like that,
but we're not going to get into that.
Just know that that is all very...
It's almost like scripting, I guess,
or assigning very complex aliases.
Okay, so now we've got all that in our .emax file,
so let's save it,
and try it out.
Get a new text file.
Open emax, get a blank,
or get the old text document up,
whatever you're using,
and select some stuff with the Shift key,
and the arrow keys.
That should select everything,
like a normal text editor.
And then go ahead and try out your new
fancy copy paste commands.
Control X should cut it,
or Control C should copy it,
and then you can move around in the document
with your arrow keys,
Control V to paste,
and it works.
Exactly as we would have expected.
So as you can see,
if you're attracted to the power of emax,
but you've been put off a little bit by the keyboard shortcuts
that are involved,
it can all be changed.
It's very, very malleable.
You can reassign whatever you want.
The typical convention in emax is Control X
belongs to the emax system.
It's the thing that makes all the commands kind of go.
It's the major.
I think of them as system commands,
although they're not system commands,
because obviously they're not things that go outside
and affect your computer.
But they're emax commands.
Control H is a reserved key that gives,
that brings up the help system.
But Control C is reserved as a user-specific key combination.
So you as a user will always have every possible combination
after Control C for yourself to define.
And that's a really, really powerful thing,
because that opens up any possible interface that you want.
You want something to happen when you hit a key.
You can always know that Control C,
Foo, will never be interfering with any other emax control,
because anyone who writes a major mode,
as long as they're following the new emax-lisp reference manuals
sort of guidelines,
then they will never define Control C as a function in their application.
So that's something that only users get to define,
and you can do whatever you want with that.
I think F5 through F9 keys are also reserved.
For user definitions, I took it over anyway myself,
but I knew that I was clobbering something,
so I don't care.
But the safe bets, if you want to make sure
that you're not clobbering any existing key binding
in any existing plug-in, Control C,
and anything from F5 up to F9,
they're completely reserved for you.
Okay, I've talked a little bit about plug-ins.
I've mentioned them.
I've danced around this subject.
You're probably getting pretty interested
in just what kind of plug-ins there are.
Well, I'm pretty simple emax user.
I use in XML,
which is an XML automatic completion validation little mode.
I use a lot for dock book and HTML.
I use dock book menu,
which is actually it's not really a mode.
It just adds a menu in my bar
to give me some dock book reference help.
I use screenwriter.el,
and I play around with org mode,
and I use W3,
or 3WM, or whatever it's called,
which is the, no, it would be W3M,
which is a web browser for EMAX.
And I use Eshell quite a bit as well,
because I find myself,
I used to find myself always launching a new X term
every time I wanted to reference something
in a terminal.
And now I just leave Eshell open in a frame,
and I just switch over there,
and there's my terminal.
So that's quite nice as well.
So these are all plug-ins.
A lot of them are so well established
that if you install EMAX on any major distribution,
part of that big 75 megabyte download
that you're getting are those plug-ins.
So you're not just getting the EMAX framework,
is it were just the text editor?
You're getting the whole,
the really common plug-ins as well.
So common, I think,
that people almost don't even think of them as plug-ins,
or I don't even know if I'm using the right word,
modules, whatever.
So you can get plug-ins on your own,
you can find them and install them.
Some of them are quite complex.
org mode is such a vast thing,
such a vast application all on its own,
that to grab that,
you actually make it and make install and stuff like that.
So it's a big one,
or you can get it from your repository
and it does all that work for you,
which is kind of nice.
But you can get,
I mean, if you find something randomly online
and want to install it,
you can.
That's the thing to do.
It's a little bit like,
almost like Python or something.
You know, you can open up the thing,
and you can read it.
You can read the plug-in that you're about to install
because it will usually in the comments.
I shouldn't say usually.
Often, I have found in the comments,
it tells you a lot of stuff.
It tells you how to use it,
how to install it,
different things like that,
what your different options might be,
different ideas on how you could use it,
that sort of thing.
So I would read the code myself.
And if you're happy with it,
if you understand it,
it looks like something you're interested in
and it's telling you how to install it,
then install it the way that it tells you to.
I can give you a general idea
of how they are typically installed.
There are two different ways.
There's the system-wide installation,
and there's the user installation.
So system-wide would be,
if you're setting up computers for other people,
and it's a, you know,
a multi-user kind of situation,
so you want everyone to have access to the same modules.
You would drop these modules into slash,
U.S.R. slash share,
slash emacs,
slash sites-lisp,
and you put the module right in there,
and site-lisp.
The path might be a little bit different,
depending on the system that you're on,
whatever,
but typically that's,
that's roughly it,
looking to user-share,
because it's something that all the users are going to be able to access.
And it'll, it'll,
it should probably be in some kind of emacs directory,
emacs 22, emacs 23,
emacs whatever.
And then usually it's in site-lisp,
is the, uh,
the name of the folder that contains all those different little plugins.
And they usually end in a dash,
e-l,
if it ends in a dash,
e-l-c, that means it's been,
I guess it's called byte compiled or something like that,
where it's been,
maybe optimized or processed to some degree.
But the dot e-l is the one that,
that's the master,
that's the one that you really want to have,
and kind of if you like it,
you want to kind of keep track of it probably.
Um,
so as long as it's in there,
in that folder,
emacs always,
that's in emacs's path.
So it's going to be aware,
to some degree of that module.
Now, I say to some degree
because that module may be very complex.
It might require, um,
a lot of other submodules
or other code to load along with it,
in which case you might be instructed, again,
by the module itself,
by the code,
or by their install instructions on their site.
You might be told to place some extra lines
in your dot emacs mode.
And that's not a big deal,
you know how to do that now,
so it's not your emacs mode,
your dot emacs file.
It's not a big deal,
you know how to do that,
we've just done it a couple of times,
so just add whatever they tell you to add to your dot emacs file.
I usually like to comment it,
so that I know what plugin
those requirements refer to,
and then relaunch emacs,
and everything should just kind of work.
Now, a lot of times,
I mean again, if you read the code,
you'll get an idea of this,
but if you're not going to do that,
then you might have to kind of look around
and figure out how to use that mode,
how to get into that mode.
For instance, in XML mode,
that is, I just hit MetaX,
and then in XML,
and then you could tab to get completion,
and it'll tell you,
oh, here's the closest match in XML mode,
and sure enough,
that launches in XML mode,
and gives me all kinds of cool little features,
like on the fly validation,
automatic tag completion,
stuff like that.
Now, I've got a lot of customizations
for in XML mode in my dot emacs file,
which gives me even more functionality.
Like whenever I open an XML file,
it automatically launches in XML mode.
So that's really nice.
I never actually have to hit MetaX,
and type in XML mode.
I can just, unless I want to start from scratch,
but more often than not,
I'm opening up files that already exist,
and they end in dot XML,
so I go into XML mode automatically.
So those are some nice features
that you can add for yourself,
and the other place to put that,
so if you're on a computer
where you don't have access to the user,
share emacs,
e-list site list directory,
then you can simply place it
in a local directory,
and add that to your emacs path.
So this is a lot like bash kinds of stuff,
like when you're modifying your execution,
your environment's path,
it's essentially the same idea.
I do this for a lot of my modules,
my emacs, modes, and plugins,
because I don't want to forget,
you know, if I'm updating my system,
or if I'm, I don't know,
if I lose a computer or something,
or you know, lose the data on it,
or something,
I don't want to lose all my emacs stuff,
so I prefer not to put it
in the slash usr, slash share,
slash emacs,
but slash site list directory.
I actually prefer to place it in my home directory,
so till the slash,
I just call my folder e-lisp,
some people I've seen online call it e-lisp.d,
other people might call it emacs,
I don't know,
whatever you want to call it,
I call it e-lisp,
I make a directory called e-lisp,
and I put all my modules in there that I want,
and I do that again,
so that it always,
it's always backed up with the rest of my data,
because I always back up my home directory,
and so that if I'm going to go to a different computer somewhere,
and I want to make sure that I have my version of emacs with me,
all I have to do is grab that e-lisp directory,
and put it on a phone drive,
and then I use that in tandem with the emacs on whatever computer
I'm in front of,
and suddenly my emacs was acting exactly how I wanted to act,
so that's really, really, really powerful stuff,
I don't know if I can emphasize it enough,
I mean, honestly, I've gotten to the point where that e-lisp directory,
I've got that on me at all times,
literally at all times,
and if I didn't have it on me all at all times,
it's on Gatorius,
Gatorius.org slash emacs, actually,
if you want a copy of it,
and it's got all my favorite stuff in it,
it's got all my key bindings in it and everything,
and so I mean, at this point,
I don't even know what stock emacs looks like or acts like,
it's all in my .emacs or my e-lisp directory
and my .emacs file,
and I've got all my favorite little add-ons right there,
always ready to be used.
So to do that,
you would make a directory,
and you could of course do this from within emacs,
you could do MetaXeShell,
and there it launches a terminal,
it drops you into your home directory,
so we'll just do a make-der e-lisp,
and then we can move into e-lisp,
well, actually we won't yet,
because we don't have anything to put in there,
but go online and find some cool plugin that you want.
I might mention non-genew.org slash screenwriter,
you know you want it.
Grab that, it's one single file,
it was not written by me,
being maintained by me currently,
and drop that into your e-lisp directory.
So if you've done that,
then we would go into the .emacs file,
and again we could do that from within emacs,
you'll start to notice how often you don't have to leave emacs.
Control X, Control F,
and load up your tilde slash .emacs,
and then we'll add to your .emacs file.
Again, I like to comment this stuff,
so my colon is the comment key for .emacs,
and so we'll put in here that this is a class 2 config options,
stuff, whatever,
and then we want to add to list,
so this is parent add-2-list space,
single quote, load-path,
space, double quote,
tilde slash e-lisp,
double quote, close parent.
I think it's almost fairly obvious what we did there.
We said add to the list,
and the list that we're adding to is load-path this directory,
and that is tilde slash e-lisp,
so that means that the load-path of emacs
has now had appended to it dynamically every time it loads.
It's having e-lisp in my home directory added to its little load-path.
It's a lot like when you say in your bash rc,
or your bash underscore profile,
to make the path equal
dollar sign path colon slash off to slash local slash bin,
or whatever you're doing,
you're saying take your current path,
and then append this to it,
or take the system default path,
which comes from slash edc slash dot,
or not dot, but just what profile I think,
is it just profile?
I'm pretty sure it's just profile in edc.
Take that entity,
and then append colon slash local,
slash off slash local slash bin to that.
Therefore, you're not writing over the path,
you're just taking the variable that exists and adding to it.
That's what we're doing here.
We're saying add to list,
the list being the load-path this directory.
Okay, I think you probably get that,
and then we'll say,
for instance, in this case,
we'll say, well,
parent require space single-quote screenwriter,
close parent.
That means that for the next set of options,
we're going to require the screenwriting,
the screenwriter mode,
and for those modes,
we will have global set,
parent global set key space,
parent kbd,
double-quote c-c-s,
double-quote parent,
space single-quote screenplay-slugline,
close parent,
and a whole bunch of other options.
You can see them all in gotorious.org slash emax.
My .emax file is there.
You can check it out,
clone it,
rather pull it, whatever.
So now, if we were to launch emax,
and we were to type in meta-x screenwriter dash mode,
we would be in screenwriter mode,
and then if we typed in control c-s,
we would be in slugline entry mode,
and it would execute a series of commands
that is written in the screenwriter.el,
and it would proceed from there.
So what we've just done is,
we've moved screenwriter.el to our e-lisp directory.
We've added our e-lisp directory
to the load path of emax,
so that it can detect that screenwriter.el,
and we even went so far as to say,
okay, for the screenwriter mode,
require quote screenwriter,
let's set some global key bindings,
and you can kind of go crazy with that.
I mean, once you get the load path added,
it'll just see every module you put into that e-lisp directory,
and you're pretty much good to go.
With the exception, like I say,
with the exception stuff that it's really complex,
and it needs more code,
so it will tell you,
well, in addition to placing this into your e-lisp directory,
add such and such to your load path,
or require some other function to be loaded,
or whatever.
So sometimes there are additional things
that you'll want to put in your .emax.
It's not a big deal, though.
It's just, like I say,
read either their install instructions
or the code itself in the comments,
and you'll see what you have to do.
Hopefully, they'll be very explicit about it.
I had really good luck with it, honestly.
I haven't found a plug-in so far that's really overly complex
to install.
With the exception of W3M,
that was pretty complex,
but there was an installer for it,
so I installed that,
and then added some cool features into the .emax,
and I get the same results,
so no worries.
So to see what plug-ins you have installed,
well, actually, and I should mention,
that in your repository,
you might find a package called, like,
emax-extras,
or you might find just the modes themselves
packaged individually.
Like I found the W3M mode packaged up as a Slack build,
and it was really easy to install.
Alternatively, I think on either
Red Hatter for Door or Both,
or neither.
I found, like, a sort of a package,
a power pack of a bunch of emax modes.
But regardless of how you get them,
you can always find them, obviously,
in the user slash usr slash share slash emax slash
slash site list.
You can see what's already on your system.
You can look at the emax wiki website
to learn about new ones,
and you can look in your repository.
So those are where you can find plug-ins.
Now you know how to install them,
either from your repository,
or just dropping them in your home directory
in an e-lisp directory,
which, necessarily, you'll have to add to your dot emax file
so that it knows to look in your e-lisp folder.
And if you look in slash usr slash share slash emax slash
site list, try some of those out.
Try, try hitting MetaX type in something,
like ERC, and suddenly you find yourself on IRC
in free node, chatting with people.
So try, try the little plug-ins out.
You've got more than you think you do, probably,
and you never know what you might find,
and you also never know how you might cut down on your clicking
and opening of windows and stuff like that.
Like I say, I used to always find myself
obsessively opening up X terms for some stupid reason.
I mean, I had it bound to a global key shortcut
in KDE and Fluxbox, both,
so it's really quick for me,
but it's still kind of annoying,
because that stupid window always pops up,
and then you have to tab alt and alt tab and stuff.
Just MetaX e-shell and bang, you're there,
or just assign it to F5 or something, or F6,
whatever you want to do it, or control CX,
whatever, you can make stuff pop up all over the screen.
And in fact, next episode, the final episode,
the big finale episode of this emax tour,
we're going to talk about frames and buffers
splitting the screen, doing all kinds of cool things like that.
So tune in next time.
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