Refreshed episodes/hosts/comments/series from hpr.sql, and added official HPR transcripts for the 180 episodes aired since the last sync (hpr4516-hpr4695).
144 lines
12 KiB
Plaintext
144 lines
12 KiB
Plaintext
Episode: 4540
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Title: Arthur C. Clarke: Other Novels, Part 1
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Source: https://hub.hackerpublicradio.org/ccdn.php?filename=/eps/hpr4540/hpr4540.mp3
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Transcribed: 2026-07-31 16:13:30 (official HPR transcript)
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---
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This is Hacker Public Radio Episode 4540, for 2025-12-26
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Today's show is entitled, "Arthur C. Clarke: Other Novels, Part 1"
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The host is Ahuka and the duration is 00:14:20
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The flag is Clean, and the license is CC-BY-SA
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The summary is "A look at some of Arthur C. Clarke's other novels."
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Hello, this is Huka welcome you to Hacker Public Radio and another exciting episode in our ongoing
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series on science fiction and fantasy and we've been working through some of the works of Arthur
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Seek Clark. We looked at two of his big series. Now I want to get back to some of his
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other novels of interest. We might get several shows on those and there's just one more series that I can
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talk about. But the first thing I want to do is just kind of slip this in as a footnote
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so to speak to all of this. Something called the Clark Azimov Treaty. Now this is kind of a in-joke
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sort of thing. But the fact is that both Clark and Azimov were well-known for writing both science fiction
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and science fact and there was a good nature rivalry between them as result. Now they eventually
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settled on something called the Clark Azimov Treaty which explained that if either of them was
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ever asked who was the best, they would agree to say that Clark was the best science fiction writer
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and that Azimov was the best science fact writer. Of course they were both aware that this was a joke.
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They both lost out to Ray Bradbury for the rich row Hugo and of course Robert A. Heinlein was
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very active as a writer at this time. But it's a footnote worthy of mentioning and inject a little
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humor into the discussion so to speak. So the first novel I want to talk about in this episode is
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called the Sands of Mars published in 1951 and it's an early novel of Clark since the date would
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suggest. This was later collected in an anonymous omnibus volume called the space trilogy
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along with two other novels. Islands in the sky written in 1952 which is a juvenile
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is what they call it back then. Now today we would call these young adults and that's a story
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about a boy getting to visit a space station and the other novel is Earthlight from 1955 a story
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about a spy on a moon observatory. Now the three novels are not in any way related and the title
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of the collection can be confusing because there's a much better known space trilogy being that
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written by CS Lewis. We may talk about that at some point I don't know. But you know you might see
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that you know if you're hunting a used bookstore you might see that space trilogy and now that you
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know what's in it you can decide if it's something you'd want to pick up. Now this novel the
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Sands of Mars is to me another example of the careful use of the best science of the time though
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things have changed since it was written. Now by the time Clark was writing this we had figured out
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there weren't any canals on Mars so you don't see any Mars canals appear in the story.
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We did see color changes that looked to be seasonal and vegetation was a plausible explanation
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for this so we do see vegetation in the novel. The protagonist of the story is a famous science
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fixture author named Martin Gibson. He's been invited to travel to Mars as a guest of the crew of
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the spaceship Aries and of course Aries is the name of the Greek god equivalent to the Roman god Mars
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so it's a natural name for a ship that is devoted to traveling between Earth and Mars.
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Now Gibson starts his journey by heading for the space station orbiting Earth before transferring
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to the Aries and this is another good example that even in the 1950s Clark had figured out that this
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made a lot more sense than trying to lift off directly from the Earth and indeed it is how NASA
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plans to move forward though they're looking at a space station orbiting the moon as the gateway to both
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the moon and Mars. Now back to the story the most junior member of the crew who is still
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training to be an astronaut is assigned to Gibson to answer any of his questions and this provides
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an opportunity for what's essentially a flashback of Gibson when he was at university but it plays out
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his you know conversations between him and this junior crew member. Well when he was at university
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had a relationship with the lady and they broke up and what we find out is of course this young
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astronaut trainee is actually Gibson's son from those days. Then they land on Mars and Gibson meets
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with the people on Mars. They go exploring outside the colony and meet some native wildlife
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which they find munching on vegetation. Now later we discovered that these plants are part of a
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secret project that Earth does not know about to add oxygen to the atmosphere of Mars.
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Then we learn that the scientists on Mars have a plan to ignite photos and turn it into a second
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son to help warm Mars. Now this can be done using a mason resonance reaction which frankly is just
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plausible sounding techno babble and if you think hey wait a minute this sounds just like what he did
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with Jupiter in 2001 well you can give yourself a gold star. The Gibson is very attracted by what
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he has learned on Mars and applies to be a permanent resident he's accepted and has given the
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job of selling Mars to the people of Earth pretty much a director of public relations for the planet
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which is something a famous science fiction writer should be well qualified to do.
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This novel is a good example of a mostly plausible hard science fiction novel of its time.
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Some of its extrapolations would be disproved later but when they were written they were plausible
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that was put in was definitely impossible. Now the next novel I wanted to discuss here is
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the deep range which was published in 1957. Now earlier when we gave a little biographical
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information on Clark we mentioned he was very interested in the ocean and in scuba diving.
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He in fact moved to Sri Lanka and made some underwater archaeology discoveries there
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and it should not be surprising that this interest would show up in his writing.
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As has been pointed out by marine scientists we know more about the surface of Mars than we do
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about the ocean floor of our own planet. Of course in some sense it's easier to get to Mars
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than to get to the ocean floor so perhaps this isn't surprising.
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Now the protagonist of this novel is a former astronaut named Walter Franklin.
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The reason he is a former astronaut is that an accident happened during a spacewalk that left him
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floating and isolated for a long time and the resulting psychic stress gave him the severe case
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of aquifobia. This washes him out of any further spacework and permanently separates him from
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his family on Mars. On Earth he transfers to the marine division which is responsible for feeding
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a major part of the world's population through the farming of plankton and the hurting and slaughter
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of whales. Now that last plot would not go over well now in the 21st century from a lot of people
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and in the novel it does become a controversial point which Clark takes on directly.
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Now the book follows Walter's journey in three parts. The first shows him as a trainee adapting
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to his new career choice and in this section he meets a woman who will become his second life
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since he's cut off from his first life on Mars. In the second section he has risen from being a
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trainee to being a veteran warden and you should think of warden as in game warden.
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His job is protecting the whale herds from predators. Mostly these are orchids and sharks
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and the wardens patrolled in their single person's subs to manage the herds and protect them.
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Then it gets a bit more interesting when a giant squid seems to be praying on the whales
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and then there is the giant sea serpent. In the third section of the book Walter is now the
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director of the Bureau of Whales and he has to deal with the usual administrative
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details you would expect for a director. But then a challenge appears that threatens the very
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existence of the Bureau. A Buddhist monk has started a campaign to stop completely the harvesting of
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whales even though this represents an eighth of the world's food supply. As this campaign goes on
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Walter finds he's starting to come around to agreement with the monk. In the last chapter
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Walter and his second wife say goodbye to their son who is going to space where he will meet
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up with the family that Walter had to leave behind on Mars. Now this book illustrates the point
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that science fiction is about the future and not necessarily space travel and you know they say
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you should write what you know and Clark's love of the sea made this the kind of book he had to write.
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It's not the only one. Other novels with an ocean setting include Dolphin Island from 1964
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which is another juvenile slash young adult novel and the ghost from the Grand Banks 1990 which is
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about the Titanic. Now the last one I wanted to discuss in this episode is called The Fountains of Paradise.
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1979. This book is about the construction of the first space elevator. The idea is that you could build
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a massive structure going from the earth to space and use it to bring materials from the bottom of the
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gravity well into space without needing to use rockets. Now Clark puts the other end of this elevator
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in a space station located in geosynchronous orbit about 36,000 kilometers above the earth's surface.
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One of the prerequisites for this is a new fiber material that is immensely strong and light.
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And the opening of the book is in fact a demonstration of such a material which he calls hyperfilament
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and described as an I quote continuous pseudo one dimensional diamond crystal.
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Now in later interviews he suggested it was more likely to be some kind of carbon tubes
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made out of something like Buckminster Fullerry. At present this is perhaps more likely
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but most scientists do not see this as practical in any near term way.
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And the development of reusable rockets has already reduced the cost for sending materials into space
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to the degree that the economic incentive for space elevators has been greatly reduced.
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Now the book is mostly concerned with all of the challenges involved in getting this project done.
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Some of them are technical but others are more political and social.
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This in some ways relates this book to Heinlein's story the man who sold the moon 1950.
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The engineering concerns suggest a location on the equator as the earth end of this elevator
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and Clark had Sri Lanka in mind for this but in the book he creates a fictionalized version
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of Sri Lanka and island he called taprobane. The deals, the details of this fictional island match up
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mostly with those of Sri Lanka. There are also two other stories that frame the main story.
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One is set in the past and concerns a fictional king Khalidasa and this is based on the stories
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of the Sri Lankan King Kashpaya the first. The other story is set in the future and tells
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of the first contact with an extraterrestrial civilization. By now there is a circular structure
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surrounding the earth and six space elevators connect to it. And in the middle of the story
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an uncrewed robotic ship of alien origin passes through the solar system. If this reminds you of
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rendezvous with Rama, give yourself another gold star. Now this novel, a fountain's paradise won
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the Nebula Award for Best Nothel in 1979 and the Hugo Award for Best Nothel in 1980. I explained this
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before but I'll do it again. The Nebula Award is voted on by other science fiction writers.
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It's an award by the science fiction writers of the America organization.
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And the Hugo Award is voted on by the fans. And the Nebula Award comes out first and Hugo
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Award comes out later. So that's why frequently you'll see two different years for these awards.
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So anyway that is the story of some of these other novels from Arthur C. Clark.
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And this is a hookah for Hacker Public Radio signing off and encouraging you to support
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pre-software. Bye-bye!
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You have been listening to Hacker Public Radio at Hacker Public Radio.org.
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Unless otherwise stated, today's show is released under a Creative Commons
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Attribution-ShareAlike 4.0 International (CC BY-SA 4.0) license.
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