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117 lines
9.3 KiB
Plaintext
117 lines
9.3 KiB
Plaintext
Episode: 2401
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Title: HPR2401: Music Theory Hara-Kiri
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Source: https://hub.hackerpublicradio.org/ccdn.php?filename=/eps/hpr2401/hpr2401.mp3
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Transcribed: 2025-10-19 02:19:39
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---
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This is HPR episode 2,401 entitled, Music Theory Harakiri.
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It is hosted by the nude and in about 16 minutes long and carries an exquisite flag.
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The summer is a show on music theory and figuring out what nude are on here actually want
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with a music theory show.
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This episode of HPR is brought to you by Ananasthos.com.
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Get 15% discount on all shared hosting with the offer code HPR15.
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Better web hosting that's honest and fair at Ananasthos.com.
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Alright, how are you guys doing?
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This is the dude here going to be talking about some music theory but before I get into
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that, I just want to say sorry for not continuing the tick conspiracy.
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I got really busy over the summer with music projects so therefore I didn't really have
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time to podcast but now I pretty much kind of do not that my music projects are gone
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but this stuff's kind of calmed down a little bit but anyway I'm not quite sure what
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HACCRA public radio expects from a music theory show or not but I guess I just talk about
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the basics at first you know.
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We have, shall we say, the definition of music theories pretty much and this is just
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me explaining this on the top of my head, how people write music and the possibilities
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that you can have with writing music.
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And I like to start with clips which aren't necessarily show you what key something's
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in but it definitely shows which octave range.
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There's three main clips, there's a bass and treble which are the two most common and
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then you also have the tenor clef also known as the C clef because it helps you find
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middle C but anyway this is going to be hard to just scribe without you know showing
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it via video or anything but I'm going to start off with how to read each clef and
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the different techniques to you know pretty much read music because learning how to read
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where the notes are or the central step one for music theory then anyway we're going
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to start the treble clef because that's what usually what everybody starts with.
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Now the treble clef also known as the G clef because it actually helps you find G and
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the treble clef is that when you look at sheet music it's the one that looks like a
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weird S figure 8 and the cool thing about that there is what's called G clef is because
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it helps you find the note of G and that curly cue that's in the middle of the thing will
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go through the G line sometimes I'll just touch it but if they fancy it goes a little bit
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over I'm not over but under it and I'd say find that and then you can just go alphabetically
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from space to line, space to line, space to line and then you can do that backwards as well.
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However if that's a little bit too difficult for you you can always think of the
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game and I can't remember what they're called but where you use a phrase to remember a pattern
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and remember the pattern every good boy does find and that will tell you the notes that are
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on each line which would go E, G, B, D and F. Ellen for the spaces is F, A, C, E which
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spells out face so you got that right there and usually that helps me remind that so every
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good boy does find and face. All right for the base clef that's the one that looks like a
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squiggly line with like two dots. Now the cool thing is that it's also known as the F clef
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which helps you find F and the line that's between the two dots will be F so you can go alphabetically
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up and alphabetically in reverse to find each note for each space and line that way. And again
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with the pneumonics, that's what it is. The pneumonics, the pneumonic for that for the lines is
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good boys do find always so you go from G all the way up to A so you have a good G. All right boys B so G, B,
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fine that's F so G, F. Sorry no not good boys. Sorry it's G, B, D, F, Ellen, A for that. Ellen for the
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spaces it's all cars eat gas or all cows eat grass. I'll get with all cows eat grass because
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that makes more sense but anyway it's A-C-E-G for the spaces. And usually you'll have like your
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baritones and you know bases because obviously it's the base clef. The lower instruments or
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lower voices will go off the base Ellen for trouble that'd be your higher instruments and your
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higher voices. Now there is one more clef like I said the tenor clef, the C clef. That helps you
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find middle C it's the clef looks like a line and there's like a reverse three but anyway in
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the middle line that breaks the thing it has the line that's touching the middle of it will be
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middle C Ellen you just go alphabetically up from there and down from there. Now I don't have any
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new molecules for that one because it's not used commonly so I guess to you is if you can't
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think of going up or down with the notes my suggestion is come up for your pneumonic and that
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will really really help. Alright next thing I should also talk about is leisure lines and those are
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lines that aren't on like the lines that are provided in sheet music. There are notes that
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are added with like a something that looks like a hyphen you know they just add a little bit
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up top because they go off of what's the lines and spaces provided. With those you're pretty much
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going to have to go up the or down the alphabet to figure those out although I will say at the
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bottom of the scale for the treble clef if there is a note with like a line through it just one
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on the bottom way on the bottom of the clef that's middle C and you to remember that it's like
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satirancy and that should really help and the stuff above I know there's other names that you can
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come up with everything on there so that would really help you to identify each thing or at least
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and memorize each thing if you give each a little note that's on winter lines and name.
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But anyway let's see what else can I think of I think I should also talk about like time signatures
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since well first I should probably talk about notes before time signatures that way each note
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you know what it is to help you with the time signatures. Anyway we have different types of notes
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you have like the colored in dot with like a line without any flags that is a quarter note.
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The reason why it's called a quarter note because in standard four four time it's one beat and it
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takes four four entire measure and then what a measure is is a pretty much like a group of notes
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and the end of a measure they usually split it off into like lines it's different sections of like a
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piece of music that's really I can say in my own words. I'm pretty sure there's a more complicated
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definition out there if you really want to look that up. Anyway we're back to the quarter note.
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Now if the dot's not filled in it is a half note and if it's just like the dot that's open then
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it is a whole note so that'd be like one two L and uh
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four so each is divided. So there's two quarter notes and a half note
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L and four quarter notes and a whole note and uh dependent L and when you look at it there's
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a flags on some that are just like the quarter notes that are filled in with flags if there's one
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it's an eighth note if there's two it's a sixteenth note you just keep on dividing after each
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um flag. But anyway now that's being said L and I already talked about the measure
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we're going to go into time signatures we're going to explain with like four four. Four four means
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that there's four notes not really four notes but four beats per measure so that's
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how many like rhythmic pulses I guess I can say but an example of like you know
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pretty much you know if I could be you know with four four or do like four beats per measure sorry
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I'm mumbling but uh I'm kind of holding on to my um microphone here with my mouse so um
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my second like this would be uh four four so yeah one two three four all right oh and uh
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that would be four beats now to figure out which note counts as one beat that'd be the other four
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so four four you'd have four beats per measure illin uh uh which note gets the counted as one beat
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and with there's and what's in four four is the quarter note that gets one beat
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now if we had it as like four two then the half note would be one beat
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and with that being said that uh is pretty much the basics um
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um of music theory uh hopefully I'll be able to do this more often and uh go into more detail
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with the different music theory stuff um I also encourage others to um you know
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give me suggestions on exactly what to do with like the music theory thing like is it just
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to explain like different uh music theory concepts uh make it as like a music theory tutorial but
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I kind of did at first or pretty much talk about like uh music that has like uh weird takes
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upon a music theory so let me know but anyway I am the dude so uh I'll see you guys uh in the uh
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next episode
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