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1456 lines
44 KiB
Plaintext
Episode: 2539
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Title: HPR2539: Interview - Austin Lee
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Source: https://hub.hackerpublicradio.org/ccdn.php?filename=/eps/hpr2539/hpr2539.mp3
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Transcribed: 2025-10-19 05:07:58
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---
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This episode of HPR is brought to you by An Honest Host.com, get 15% discount on all shared
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hosting with the offer code HPR15, that's HPR15, better web hosting that's
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honest and fair at An Honest Host.com.
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That's your noise floor?
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I'm here with Austin Lee, Austin Lee, where did we originally meet?
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I was going to say, was it not a prize of my Chinese?
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Yeah, I had to live, so that was forever ago, so it was had to live and then I remember you
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brought a big, like at one point in time you've got like a big ammo box, like a light, like a switch on, like a hard core.
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A big lighted switch that you find on a lighter jet with a caveron, you flip the caveron.
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Yeah, yeah.
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And then you flip the switch and this was like, what was in it?
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It was just a battery.
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There's a bunch of batteries and a small DCAC inverter.
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So we plug our laptops in at the cafe at fries because it wasn't a power.
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There was no power there?
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There was no power there and they did not provide Wi-Fi.
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And so that was another one of our crew projects.
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It was two bounce Wi-Fi from the hotel.
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There was like a hotel, like it was a hot water once a week.
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Yeah, a holiday in.
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Oh, probably got a half mile away.
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I used my pickup truck in the parking lot and we tried to set up a repair with some cantanas and beam it straight
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through the glass doors of the device into the cafe.
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And I don't think we got any significant traffic.
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We were able to see SSIDs and some of the signal-to-noise feeds.
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I don't think we ever got any blood on traffic there.
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We had the two cantanas hooked up to our blue.
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It was a thin pan, open pan with a PCMCA, a car that we bought at fries.
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It was a D-link that was hackable to add an external antenna connector.
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That was a big deal if you couldn't get it.
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It was like 15 bucks and you couldn't buy a PCFCA Wi-Fi card that had an external antenna connector
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unless you're going to drop it like an 8 bucks or something.
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I never saw on the internet that set up for whatever happened.
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Well, because it didn't work for a long time.
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Because you had these snoops or whatever.
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Stink dolls.
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I'm going to be in trouble.
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You're going to be in trouble enough.
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Troops.
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Troops.
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Troops.
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Troops.
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Potato potato.
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He's not like a Navy ship or something right now.
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Or was that you?
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I can't remember.
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I heard something about it the whole last time.
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I don't know.
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I really miss seeing all these guys pull up with a car full ring in here.
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Who was the guy?
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Who was the guy?
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It was very like...
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He was taking some more of that.
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He's got droops, me, and...
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I don't remember anyone.
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Yeah, I don't remember anyone.
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He was a daily.
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Dark hair.
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I don't know.
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He was a senior guy.
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Yeah, he was like a senior dude.
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And he got all...
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He got several of us from the hack deluth.
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He got us all hired on to America.
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Oh, that's one of the whole primary cut things started.
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Yep, that's fine.
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So we all meet up in France for a while and then...
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Oh, they're at least a couple of us.
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They worked at Price.
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I didn't work there.
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But several people.
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Cycle didn't out of a worshiped at Price.
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A lot of you grouping there.
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And then a bunch of us headed up over to America
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doing a big roll-ass for their...
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They would replace all of machines.
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Can't swipe.
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It's huge.
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Yeah, we were putting...
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Pouts of old PCs on the dock every day.
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Because there wasn't really anything else.
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There was like hack deluth.
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And like one other thing.
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2600.
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2600 was around.
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And I had gone to a few of them.
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But it was just...
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It was made stolen.
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It was about it.
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Yeah, it was a handful guys.
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But it seemed to be like four or five,
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like really old winning six asses.
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And they seemed to be kind of the core at the time.
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So...
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What do we get here?
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I never really got an information like how you got your start like in IT
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and like with computers in general.
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Like, where did that whole thing start?
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Mainly take...
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So my dad was always working in...
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And he was always doing computer stuff.
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It worked a little bit ahead of...
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Now the main work force curve.
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So we had...
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We had an old office that's not machines in our house.
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Or, you know, some of our earliest memories in my...
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Like that's what it is.
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Or it's certainly finding out that we had figured out how to...
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You know, go into the DOS prompt and undo, you know,
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while we were supposed to be being babysat.
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And here we are playing ultraviolet video games at like 5 and 8.
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Because we had now...
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We had managed to remember the necessary DOS commands to get it into this.
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So was your dad working at Cisco at that time, right?
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No, he worked at Rome.
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And then Rome got bought by Siemens.
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Yeah, it was IBM, Rome, Siemens.
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So you'd be working a bunch of telecom equipment and stuff.
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So long time.
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I mean, we had like video phones in our house,
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like while you're on a studio,
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while you're still...
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Why are you talking about...
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Yeah, dial up modems.
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And, you know, here's a video, you know, teleconference.
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All of it was, you know, awful required, you know,
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like three pieces of rack of equipment.
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Yeah, I think we ended up having like a T1 or something.
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Yeah, we ended up with some connectivity.
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It was very nice.
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I still spent a lot of time working with some like that.
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So my early stuff was really early when there's PCs,
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you know, working with junk hard drives and stuff.
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I uploaded OS's off of floppy disks.
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And not just what floppy disks.
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Yeah, so it was also like your dad.
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Yeah, I left for all computers.
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Left over office computers.
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And then by the time I was getting into middle school,
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I was starting to build computers from my neighbors.
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So, you're going to land at that time?
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No, I was still living in my parents' house in Duluth,
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and you know, Suburban, Winnock County.
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So it was just literally the people that lived on the same street
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that I had to walk down my front door,
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and then down the street, right by five,
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to somebody else's house.
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And they would either pay me to do something
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as a computer or whatever.
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And so it was...
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Do you think of all of my apartment workers?
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Yeah, but without it.
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It would be a podcast with that.
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It would be a podcast with that.
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It would cut stuff on the spacebar or stuff the street.
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Do you want to do the key sounds?
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Let's see.
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Tell us a little bit about your parents.
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I know they're real big into the...
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Because I was talking about foreign films and gaining them.
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Oh, okay.
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You used to go...
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My parents were going to, not only like a film,
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like an art film, like weekly or fine-luckly critique thing,
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but it was, like, typically heavy like art film.
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You know, film festival stuff.
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But my mom's been going to Sundance for years and years
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because one of our neighbors has a place out there.
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And so my mom's been going to Sundance for years
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to see all these cool, you know,
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cool art films and stuff.
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And they're like next year,
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then they're Academy Awards and stuff.
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But yeah, their parents are real cool.
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It's taking a while to come around on this fact,
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but I definitely appreciate it now.
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And then certainly the opportunity to play with a lot of this
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PC hardware and they let me spend a lot of time
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with my head like six inches from a CRG monitor.
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Yeah.
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And it's amazing.
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I kind of like the deal with the tailoring
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and all that stuff, like, like a prodigy net,
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or whatever.
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What is that?
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Can you talk about what's in the blue thing?
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Do I put some books for you?
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Oh, no, this is...
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Or is it...
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It's just rain water.
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Just rain water out for what?
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Your plants?
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Water and plants.
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I got a bunch of...
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I got a bunch of carnivorous plants.
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I actually had one right here.
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And we ended up with several hundred dollars
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worth of plants, lights, aquariums, all kinds of stuff.
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This...
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Was that from the good place, or some more?
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This is from a friend of my girlfriends
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that happened to be moving out of the country.
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He couldn't tape all these carnivorous plants
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playing with them for some reason.
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I'm sure they said, you know, important and dangerous for them.
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I have four.
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You're messing with them by...
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Oh, yeah, you're destabilizing me.
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You go systems and such.
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But...
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That's why you have pets.
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Yeah.
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And so, actually, through my research, I found out that
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almost all of the carnivorous plants in the world
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originate, like, part of South Carolina and North Carolina.
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That's who the swampy has.
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Yeah.
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There's practically no other bubbles of carnivorous plants
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in your personal world.
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It's a handful, but...
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They're very localized.
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Just a few of sorts of sort of stuff.
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Oh, and also one that the Atlanta Botanical Garden
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has their own cultivar of...
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a Venus flytrap that is beautiful.
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And next time that they have them out in the collection,
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I'm going to have to visit him.
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Yeah, let me know.
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So, when did you do this?
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You were doing the computer thing for early, early hour?
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Mm-hmm.
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When did you get into music stuff?
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Oh, it's just a kind of support.
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This would be totally a parallel also.
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My dad was also a part-time DJ during most of my childhood.
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He did radio remotes for, like, 96 rock.
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I don't know.
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Yeah.
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What is radio remotes?
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Well, it's so you would do a...
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What could be a thing?
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It would not be a party.
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He'd bring some speakers.
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And, you know, a DJ set about to a pool party
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and a partner complex, typically.
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And hooters would provide wings.
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And, you know, some places would provide pizza.
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There's something like that.
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There'd be some promotional tie-ins with some other businesses
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to provide as a food and drink.
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And they would bring the music and the, you know,
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the name, the gravity of the name, the 96 rock.
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You know, the local radio stations.
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And then they would literally call on a phone, you know,
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or have the radio station call that on a phone.
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And be like, you know, you know,
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holy, I'll turn the music up in the background.
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And be like, yeah, we're having a crazy party over here.
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It's such and such a partner complex.
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And so it's a...
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There's promotions on all sides, but...
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Did they ever do any...
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I wonder if that was when they were doing an extreme...
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Like streaming through, like, bands and stuff.
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They did a live...
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Live streaming stuff.
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They never did any of that.
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Oh, and...
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This would have been...
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This would have been into the 90s.
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So you had, like, you had, like,
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just stuff to play around with growing up, too?
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I remember dancing to, you know, NC Hander and all that kind of stuff.
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In front of speakers that were exactly as tall as I was.
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So, very...
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From a very young age, you know,
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to hold a woofer up those, you know,
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bigger than my entire, you know, arm spread, etc.
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So did you have more, like...
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I never got any hardware till much later.
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Like, did you have any hardware first,
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and then do software, computer stuff, or...
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It was all second-hand, because I had a strong tendency
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to take apart and break things that were already in the house
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or that were working.
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I was encouraged to take things apart,
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but I was strongly discouraged to take apart anything that was currently working.
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So almost all of my explorations started with physically disassembling
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computer hardware.
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Like, you know, if I can't get it to turn on,
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I'm literally going to pull the cool package from the board,
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where I pull apart, crunch the resistors,
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and see what's inside of it.
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Like, I wouldn't have to know.
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Like, what is this hunk of plastic and metal?
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That does magic, basically.
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And it should be something that I can understand,
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because other people can understand it.
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It shouldn't be...
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Nothing that can be done with this machine
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is something that I can't do.
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And so, that was always my home look.
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I never had any interesting, super interesting stories about it.
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Great, great stuff.
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It's like a topic, certainly.
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My parents separated.
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So I was like, well, I was like, nine.
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And after that, it was just my mom.
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So she didn't really have anything that I had with my home.
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Well, anyways, but I would get rid of, like, malware viruses before.
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And that's an advantage to check.
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But I didn't have a whole lot of electronics.
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And I would have to go get it.
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Second hand, or go get whatever it was, myself.
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Don't dumpster data kind of stuff.
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A lot of the earlier computer stuff
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would be a 40 megabyte hard drive or 400 megabyte hard drive
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or something like that.
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It was really outdated hardware,
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even when I was planning with it.
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And huge ice of us is...
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I mean, I still have my collection of, you know, processors.
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I still got NEM2 slot processors.
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I think those were some of the earliest ports
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that I really got working and got to practice installing operating systems.
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Oh, over and over and over again.
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This is actually the tip.
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I thought about doing a bathroom in this, like,
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getting a, getting a, like, a go-of-fun meter
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or people to send me all their, like, old processors
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to make that actual tile on the bathroom.
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Like, it was something overlay.
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It had a cool, small bathroom,
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but it was like random.
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Yeah, it cast a whole form of boxy.
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I got, I don't know, about at least three or four square feet
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in some processes.
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I tried to, like, shape the bins off some of them
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and make them jewelry.
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But there are, the old processors
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are definitely cool to find.
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Because it's big, you can see all the parts on them,
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the pins and stuff.
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And I really would be interested to, like,
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deal with some of those, you know,
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asset, adjoice, and other, you know,
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DCB and stuff like that.
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Because it doesn't be older processors,
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they're actually able to see the big transistor batches
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and be able to see the functions of the processor.
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Yeah, it's normal.
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But it's one big, yeah, we can bet it thing.
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Yeah, the new stuff is, it's, like,
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looking to do a fractal.
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Okay, I have no idea.
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This is any of this.
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Well, there's zero over there.
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I'm not pretty straightforward.
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It's got the big old capacitors
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and it makes noise when you plug it in,
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and it's not like you'd like,
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so you plug it in,
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and you hear the clicking of like the relays,
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and then you hear the buzz of the,
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the transformer,
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the transformer charging up,
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and then it goes on, on, on, on.
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And then, like, turns,
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like, turns, so it'll be something that,
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like, we didn't take part.
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But I want to talk about the,
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the groove machine thing.
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So, like, I want to get some idea
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of what you think,
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how we can make it lighter,
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or more portable, like,
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put it on the hand truck,
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or, like,
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get nice batteries for it,
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or,
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some way to make it,
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like, the other weird thought ahead is, like,
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have, buy a bunch of cheap generators somehow,
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and have them on the edge of strings,
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and you're just like,
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throw them at people,
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and have them.
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And then, have them,
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if you want to walk,
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and create the wheel,
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and then they just pass it around.
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Cool.
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So, this actually,
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this is a perfect,
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and it's actually recently read an article about the,
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somebody is throwing underground parties in Atlanta,
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in a manly spaces,
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and presumably,
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they're using some sort of portable battery power sound system,
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and the commercial offerings for that
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have expanded dramatically.
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You can now buy a,
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somewhat crappy,
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plastic powered speaker,
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that's similar to,
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you get a guitar center for a 100 bucks.
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You get from China,
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and you get a battery,
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or a unit,
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and it's pretty damn good.
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And so,
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it becomes a, you know,
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a tear, like,
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what, you know,
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what can I fabricate
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that's going to be competitive against,
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some of the stuff that are going to, like,
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blow mold out of plastic.
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And it's,
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it's getting a little tricky,
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but I still have,
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I still have designs in my mind.
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I still think the backpack is,
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the ideal form factor,
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because this is a,
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this is a mobile noise complaint.
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You want to be able to take it with you,
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when you need to go.
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Yeah, if it's got wheels,
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like you're going to have the shoes,
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like, going downstairs,
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and something like that.
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It's, it's slightly the mobile,
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obviously,
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that's the carrier.
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That's the greater amount of weight.
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And I've probably
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destroyed the,
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the hardware,
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it's between my brain and brain.
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Yeah, yeah,
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you said the,
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yeah, the,
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the groove machine is,
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is, is,
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is the allows for it to be damaged to me.
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Yeah.
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So,
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the groove machine is the next,
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the iteration,
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I would think,
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should be something.
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Um,
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still, I like,
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I like the,
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so there's, I think there's a visual aesthetic to it.
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Um, that is helpful.
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Surely,
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being able to blast sound,
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it's, it's the number one priority.
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Um,
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really easy or cheap?
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Like, yeah,
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we get small.
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Yeah.
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Something that incorporates a light show,
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I've considered,
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I have an idea for a,
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either some sort of,
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a,
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a long air,
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assisted banner,
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or something that,
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floats above you,
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floats above your backpack,
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either on, you know,
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you say,
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some efficient rod type,
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like, weight poles.
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Yeah, like,
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they'll say where I,
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like, say where I were,
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when they were around.
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Yeah, like, a little,
|
|
like, a little sail flag thing above you,
|
|
but then you get the,
|
|
the little,
|
|
LED pickup projector,
|
|
and you can throw a light show,
|
|
or a logo,
|
|
or something like that.
|
|
Um,
|
|
and certainly,
|
|
any,
|
|
any fun that I could have with it,
|
|
it would be nice to,
|
|
also have it,
|
|
you know,
|
|
a commercial,
|
|
you know,
|
|
so,
|
|
for money as well as,
|
|
out of the,
|
|
enjoyment of the device.
|
|
Um,
|
|
but, uh,
|
|
I think the potential to use them,
|
|
I see the segue tours
|
|
going around town,
|
|
I see people,
|
|
you know,
|
|
and,
|
|
doing stuff where,
|
|
having a,
|
|
a slight amplification
|
|
of the voice would make a big difference,
|
|
um,
|
|
and certainly,
|
|
the, uh,
|
|
megaphone is the,
|
|
um,
|
|
is the old fashioned way of doing that,
|
|
but I think, you know,
|
|
I had set,
|
|
with the,
|
|
with the group,
|
|
you want to give a walking tour to city,
|
|
and you,
|
|
you've got to cover it through a coin slot on there for tips,
|
|
and you can just run around and talk to yourself,
|
|
and people don't have the money in your back.
|
|
So what about, like,
|
|
to give it more power,
|
|
and,
|
|
and longer,
|
|
or longer time,
|
|
what about it,
|
|
if you had just, like,
|
|
two,
|
|
like, kind of done,
|
|
you had it,
|
|
um,
|
|
have two people carry, like, battery parts,
|
|
or,
|
|
have it split up?
|
|
You still want to split the load between, like, two or three people?
|
|
Now, I think,
|
|
I think,
|
|
from here on,
|
|
and I've,
|
|
the way,
|
|
how you distribute the audio,
|
|
and,
|
|
I want individual notes,
|
|
ideally, each backpack would be,
|
|
um,
|
|
an almost identical clone,
|
|
but a,
|
|
you know,
|
|
it would have a core,
|
|
and then,
|
|
it's case to be variations,
|
|
essentially,
|
|
like, you could have, you know,
|
|
it could be a stereo,
|
|
or a mono backpack,
|
|
but,
|
|
but it's only requirements
|
|
that would need to,
|
|
essentially, be a backpack,
|
|
would be highly mobile,
|
|
relatively lightweight,
|
|
I'm thinking,
|
|
with the online,
|
|
um, like,
|
|
the hobby,
|
|
motors,
|
|
pass,
|
|
or drill batteries,
|
|
I've considered,
|
|
um,
|
|
and the potential to, like,
|
|
three print-a,
|
|
receptacle,
|
|
so that you could really,
|
|
hotspot,
|
|
chuck,
|
|
external,
|
|
drill batteries,
|
|
on to a real minor pack.
|
|
Yeah.
|
|
But that wastes some of the,
|
|
the internal cavity space
|
|
of the green machine,
|
|
could be an asset,
|
|
but, um,
|
|
I thought about,
|
|
you know,
|
|
we could put great dispensers in there,
|
|
like,
|
|
the potential to have a small cargo area
|
|
in the vehicle,
|
|
cargo,
|
|
a, a small battery pack,
|
|
or,
|
|
uh,
|
|
probably a water pack,
|
|
because I'm pretty sure,
|
|
you're getting dehydrated,
|
|
and letting my spine pancake,
|
|
yeah,
|
|
is, uh,
|
|
it's not,
|
|
it's not as quickly to wear it right now.
|
|
But you definitely would have had
|
|
more than one person carry the rig, right?
|
|
Um,
|
|
I think,
|
|
I think the new,
|
|
I think the new rift
|
|
will have a
|
|
source
|
|
and multiple receivers,
|
|
you know,
|
|
and,
|
|
the previous backpack,
|
|
was essentially a,
|
|
you know,
|
|
a source and amplifier,
|
|
usually neat,
|
|
and then two satellite speakers
|
|
that were both the sound and the power.
|
|
Yeah.
|
|
And I think,
|
|
I think we could get all,
|
|
all in one.
|
|
So if you wanted to be a one-man show,
|
|
if you put on the backpack,
|
|
hook up into your mic,
|
|
or your guitar,
|
|
hit the street,
|
|
you know,
|
|
or your MP3 player,
|
|
or your phone,
|
|
or whatever,
|
|
hit the street,
|
|
and make too much noise,
|
|
um,
|
|
or,
|
|
preferably asking some sort of receiver
|
|
and size that,
|
|
you get two friends
|
|
with,
|
|
with the matching backpack,
|
|
so you get as many people
|
|
as you can to show,
|
|
and one place,
|
|
um,
|
|
and the only way
|
|
to be,
|
|
uh, one to many,
|
|
uh, low latency broadcasts
|
|
that has,
|
|
everything I'm looking for,
|
|
is FM.
|
|
So,
|
|
I've pretty much come to the conclusion
|
|
that micro broadcasting,
|
|
FM,
|
|
is the way to go,
|
|
for,
|
|
you know,
|
|
distributing audio,
|
|
mobile,
|
|
in a mobile platform.
|
|
Bluetooth has too much overhead.
|
|
So you can make a super modular
|
|
if you just had,
|
|
you just had the,
|
|
the, the master,
|
|
and then the slaves were just,
|
|
you could just build a million of them.
|
|
Exactly.
|
|
And so,
|
|
and so,
|
|
I've got,
|
|
I've got the FM transmitter,
|
|
I've got a,
|
|
a fairly good way of,
|
|
uh, prepping an audio
|
|
that goes into the transmitters,
|
|
uh,
|
|
I get maximum,
|
|
uh,
|
|
transmission out of it,
|
|
uh,
|
|
excitation.
|
|
Uh,
|
|
it's, uh,
|
|
it's tripier than you would think.
|
|
You just plug,
|
|
you plug your, uh,
|
|
your phone into a FM transmitter,
|
|
and it sounds like crack,
|
|
when you listen to it on your stereo,
|
|
it sounds like,
|
|
this required,
|
|
yes, to, uh,
|
|
get a little bit magic
|
|
to the audio stream before it,
|
|
uh,
|
|
really fills out,
|
|
uh, it's potential in the FM.
|
|
So, you think,
|
|
you see, you think,
|
|
from the modular perspective,
|
|
you can hold your own,
|
|
hour and speakers.
|
|
Absolutely.
|
|
You had the right batteries.
|
|
Yeah, and, uh,
|
|
and the right speakers,
|
|
like, if you want to be crazy,
|
|
you get some, like,
|
|
white white bows,
|
|
and like,
|
|
a ridiculous,
|
|
ridiculous battery,
|
|
and then,
|
|
it would only weigh, like,
|
|
you know,
|
|
250 pounds or something.
|
|
I, I, I,
|
|
everyone's from a lot of your couple months,
|
|
I fill up my Amazon
|
|
and my parts express catalog,
|
|
you know,
|
|
you fill up parts,
|
|
you know,
|
|
actually, some of the parts,
|
|
like a wish list.
|
|
Yeah.
|
|
I have some of them already.
|
|
There's, uh,
|
|
there's a,
|
|
there's a class D amplifier,
|
|
um, ensure,
|
|
uh, God, that's,
|
|
it's four channels,
|
|
so give me, um,
|
|
some really heavy-duty stereo.
|
|
Yeah.
|
|
Um, each speaker would have its own
|
|
independent power source,
|
|
like 25 watts.
|
|
Like, it would be,
|
|
it's certainly loud.
|
|
Um, you know,
|
|
it gets to be an issue
|
|
of tuning the cabinet,
|
|
um, for the drivers,
|
|
especially later,
|
|
to put amateur power through,
|
|
um,
|
|
but thankfully, the,
|
|
uh,
|
|
uh, amplifier,
|
|
so we've got,
|
|
now, the class B amplifier
|
|
is a track pad,
|
|
um,
|
|
um, basic,
|
|
so little power.
|
|
Like, it's,
|
|
it's nothing.
|
|
The, the car out of your stuff
|
|
that I was using before,
|
|
is,
|
|
it was a ton,
|
|
it was,
|
|
it was a ton,
|
|
and it doesn't efficiently
|
|
use the power.
|
|
Um,
|
|
I had a huge cap,
|
|
um,
|
|
you know, on the,
|
|
on the old system,
|
|
uh, was,
|
|
looked amazing,
|
|
and, uh,
|
|
provided a very necessary resource,
|
|
because when the,
|
|
when the bass would kick,
|
|
there'd be a huge,
|
|
brown out on,
|
|
uh, on the amp,
|
|
and it would actually
|
|
click out sometimes,
|
|
flums, yeah.
|
|
Uh, and you could see,
|
|
you could see the, you know,
|
|
with the sustain,
|
|
the bass hit,
|
|
you could watch the,
|
|
the voltage drop,
|
|
rhythmically.
|
|
Um, so,
|
|
it,
|
|
the new,
|
|
the new track pad amplifier
|
|
is a new class B amplifier,
|
|
and the,
|
|
you know,
|
|
lithium ion battery packs,
|
|
are hands down.
|
|
I mean,
|
|
pretty much those two speakers
|
|
they're pushing now,
|
|
then, are,
|
|
really close,
|
|
and they've,
|
|
they've done exactly what they've
|
|
done, and they've,
|
|
you know,
|
|
they've run on there,
|
|
uh,
|
|
an audio sweep through the,
|
|
to the,
|
|
to the cabinet,
|
|
to see that,
|
|
oh, you know,
|
|
it resonates too much here,
|
|
and,
|
|
I think it boosted here,
|
|
so.
|
|
So, do you think,
|
|
do you think,
|
|
the other part could be, um,
|
|
like how you control it?
|
|
Do you have any ideas
|
|
around how to control the audio,
|
|
like, uh,
|
|
do they have, like,
|
|
an Apple app,
|
|
or an Android app,
|
|
that we could put on a tablet,
|
|
that would let you do,
|
|
like,
|
|
you know,
|
|
track,
|
|
uh,
|
|
changing levels of the,
|
|
yeah,
|
|
or even do, like,
|
|
why mixing from the tablet,
|
|
or is that not,
|
|
um,
|
|
ready yet?
|
|
To see that,
|
|
so they do have,
|
|
there are many, um,
|
|
mixing software,
|
|
track,
|
|
track,
|
|
track,
|
|
track,
|
|
track,
|
|
track,
|
|
track,
|
|
track,
|
|
track,
|
|
track,
|
|
track,
|
|
uh,
|
|
changing levels of the,
|
|
yeah,
|
|
or even do,
|
|
like,
|
|
yeah,
|
|
or on my shoulders,
|
|
or a screen not on it,
|
|
it looks pretty good.
|
|
Um,
|
|
it's in guitar with a mixer,
|
|
instead of string.
|
|
Uh, so,
|
|
it's a nice visual effect,
|
|
um,
|
|
but the screen's
|
|
a little too small,
|
|
and I personally have,
|
|
have come to DJ,
|
|
you know,
|
|
with a lot more buttons
|
|
and controls
|
|
of my,
|
|
in your tips,
|
|
so having to use this,
|
|
you know,
|
|
clumsy,
|
|
you know,
|
|
like half mixer,
|
|
that audio is,
|
|
is tortured,
|
|
it's like,
|
|
oh, I can't get the thing
|
|
I want to do,
|
|
that take me either too long to do it with my hands,
|
|
or I just don't have enough hands to do it.
|
|
So you would rather have a hardware controller.
|
|
I need that.
|
|
I need the custom hardware controller personally.
|
|
And I think a lot of DJs would have to go in that direction,
|
|
especially if it's something you're
|
|
going to carry around mobile.
|
|
If you're going to be able to set up on a table,
|
|
then it can be a more traditional CDJ mixer,
|
|
even really simple controls.
|
|
But I think you can just take one of those city tractor
|
|
controllers and just throw it in your life.
|
|
And you can get a couple of them and carry one on the part.
|
|
And then if you fuck it up, you'd at least have one more
|
|
to like whatever.
|
|
I'll take it.
|
|
The idea would be to buy one of those little cheap tractor
|
|
things.
|
|
It'll see.
|
|
Share the part and then make it however you want to make it
|
|
to be portable.
|
|
I don't know if that would be an idea.
|
|
That's kind of what I did with the mixer.
|
|
It doesn't have any job controls, which I think would be nice now.
|
|
The cost of a lot of stuff is come down.
|
|
There's cheaper.
|
|
There's more deploy-like versions of some of the DJ control
|
|
stuff that I could prototype with.
|
|
And that would be a perfectly acceptable end product
|
|
also.
|
|
Like a really cool cobbler gatherer.
|
|
Let's speak and spell some staples.
|
|
Get a bit of a long line.
|
|
But the bottom line would still be that you kind of have
|
|
to have a full fully fledged computer that's on the wrong
|
|
here, running the source, which I don't think
|
|
is necessarily too big of a problem.
|
|
Yeah, we could get it for like three in our box.
|
|
We could do it a few times.
|
|
We could do it a few times.
|
|
Drop it around the back.
|
|
And so the transmitter, so let's say you have your transmit
|
|
unit, which may or may not be a machine but.
|
|
So here's one of the interesting things.
|
|
So Sam, pushing all this audio out to FM,
|
|
FM has somewhat a limited spectrum.
|
|
If I want base, if I want low frequency,
|
|
if I want to hook subwoofers out, which is a pretty high
|
|
goal for a mobile sound system.
|
|
And with those subwoofers, we pretty much
|
|
need to be hooked into the source.
|
|
That's the only place where the low frequency
|
|
unit exists accurately.
|
|
Once they go over the FM, they're not going to be accurate.
|
|
We kind of recreate them on the other end,
|
|
but it's going to be muddy.
|
|
So I actually do have these bazooka tubes that look like
|
|
nitrous oxide tanks for car, there was not any stuff.
|
|
Yeah, so it's supposed to go on your bicep or whatever,
|
|
and it looks like an oscanic.
|
|
But.
|
|
So if you wanted to do a cell, your worst case scenario
|
|
would be physically plugged into someone or something.
|
|
Yeah, and that would be the thing.
|
|
It would either, I mean, you could do a port sub
|
|
on the backpacks.
|
|
I can't see why not.
|
|
Yeah, I guess do a stereo amplifier that runs either two
|
|
or four speakers, and then have an additional amplifier
|
|
that does justice sub.
|
|
All right, an app that goes into open Wi-Fi
|
|
and discovers Bluetooth and wireless receivers.
|
|
Automatically hacks them and bridges them.
|
|
So when we were talking about something as an apartment,
|
|
I'm just like, boom, boom, boom.
|
|
That's a.
|
|
It's like, what the hell?
|
|
There's definitely so that there's a lot of Wi-Fi opens
|
|
and you've got a receiver with Bluetooth.
|
|
Just take over all the Chromecasts.
|
|
Chromecasts, anything.
|
|
All the Apple musics.
|
|
Yeah, it was just an audio-auto phone.
|
|
It was decided manually trying to compromise
|
|
and take over reading audio assistance.
|
|
Because there's so much of that up there.
|
|
There is the iPhone, the Apple's side play, AirPlay.
|
|
Then you got a Chromecast, and then the receiver.
|
|
Another receiver I got has a Bluetooth on it.
|
|
And tons of desktop software is the DLA.
|
|
And they hold already?
|
|
Yeah, so you can stream to or from it.
|
|
I think mindset, by default, you can just connect to
|
|
through DLA and I and play stuff through it.
|
|
That'll be pointless.
|
|
Yeah, I would definitely be interested in that.
|
|
You're almost at that point, you wouldn't necessarily
|
|
want to be the music, because the liveliness of the effect.
|
|
I think of when we've taken it out on the streets and into
|
|
crowded, crowded rooms, densely populated places.
|
|
It has a very magical, live effect on people.
|
|
Most people.
|
|
Some people are upset.
|
|
Recently, it's an obnoxious thing to do.
|
|
But it's so much fun.
|
|
And I think the audience is there for it.
|
|
And it's certainly if you're going to do a bar call or
|
|
something, like having somebody with a big, light up music
|
|
thing that they can talk out of, be super attractive.
|
|
And I've worked at different materials.
|
|
Certainly something cool, like acrylic, where you can see the
|
|
gut and the machine and all the working electronics will be
|
|
cool.
|
|
It kind of goes with the original aesthetic of the building
|
|
itself, like visual.
|
|
A little bit, but if you don't necessarily want it to be a
|
|
black magic box, like everything else in our lives is, my
|
|
phone and it's black magic box, my car underneath the hood.
|
|
I don't know if anything does.
|
|
It's covered by a big plastic wall.
|
|
And I have to assume it does magic under there.
|
|
I like disfilling the magic or ever possible.
|
|
So if nothing else, at least some sort of window or a face
|
|
plate with a wire room diagram on it.
|
|
So just take the cover off of whatever it is you buy and just
|
|
let it.
|
|
Oh, that's, I mean, that's it out there.
|
|
That's exactly what we took this time.
|
|
Spray some, spray some of that, what do you call it?
|
|
It's pouring, yeah, spray stuff over it.
|
|
So it'll protect the leaves and stuff.
|
|
It's a key ingredient, everything.
|
|
Yeah, so we took the lid off the amplifier.
|
|
There used to be on that.
|
|
There is no rear vision instead of down the basement half.
|
|
But when it would rain, there would be a non-animalist.
|
|
Yeah, non-animalist.
|
|
So there's, like, yeah, there's some, there's some
|
|
fuck-ups in the rain, for sure.
|
|
Oh, we got fire.
|
|
We got fire one time.
|
|
Not fire one time.
|
|
That's going to be spectacular.
|
|
It was hot again.
|
|
Because of the rain?
|
|
And it was now rain related.
|
|
So we had this big system, I got, you know,
|
|
sealed lots of batteries in each of the machine backpacks.
|
|
And then the center pack with the amplifier.
|
|
So all the power had to come out of the backpacks
|
|
with the speakers, the batteries had to come out
|
|
two wires back to the amplifier.
|
|
And then the lines to the speakers had to come back out
|
|
to the backpacks also.
|
|
So there was a little kind of, yeah.
|
|
So it's a four conductors total, you know,
|
|
two power, two, and one speaker's left,
|
|
one backpacks left, one backpacks right.
|
|
I like the future ones to be stereo,
|
|
but we can figure that out.
|
|
Maybe a little toggle switch.
|
|
Again, I've diagrammed a lot of this.
|
|
Some of those books, there's a lot of possibilities.
|
|
But the cables were kind of conversant.
|
|
Then there's a rule, specifically a dragon counter,
|
|
you're now about to have your costume attached to anybody else.
|
|
So you can't have a person on a leash, or, you know,
|
|
You can't have two people who's costume.
|
|
You can't have a front of a horse and a back of a horse
|
|
where they're attached together.
|
|
Like, we have to be independent so that they can screen you
|
|
and count you as two different people.
|
|
And we really have people like coming with, like,
|
|
close love.
|
|
Yeah, yeah.
|
|
Oh, clearly.
|
|
Yeah.
|
|
You'll get trampled if you're attached to somebody else
|
|
just in general, because the crowd's a pretty intense.
|
|
So we were trying to conform it, because they had stopped us
|
|
at the door at multiple times, be like, hey, you guys
|
|
are literally tied together.
|
|
You can't do that.
|
|
We'd be like, well, we can't really
|
|
when we can technically unhook, but it's paying me ass.
|
|
So we got some trailer disconnects, quick disconnects,
|
|
like we're working up the power and lights
|
|
from a vehicle trailer.
|
|
And so that actually was their very robust connectors.
|
|
I spent some dollars on them.
|
|
And then we couldn't get the trouble getting the wires
|
|
to slide down the tubing.
|
|
So we had to go to the store and I didn't know
|
|
that you could just finally pour this at the store.
|
|
So we went to the sex store for a little sampling
|
|
of sex loom.
|
|
Not as water-based, or maybe a set of kind of basic loom.
|
|
And so there we are, like, tearing off
|
|
these little one-time use of things
|
|
and squirting them into the tubing.
|
|
And shoving the speaker and the power wires through.
|
|
Yeah, so we spent a much of an afternoon,
|
|
I guess, in that project.
|
|
And we plugged it in, and we had these big, so now somewhat
|
|
heavy because of the weight of the physical connectors
|
|
and the weight of the tubing on the cables.
|
|
They're now kind of heavy.
|
|
And so we started walking around with them
|
|
in the DragonCon a couple of days later.
|
|
And one of the connections gets hot inside
|
|
along the trailer connectors.
|
|
And it surets inside of the connector.
|
|
And then the whole thing wiring all over the place
|
|
starts getting hot and starts shortening out everywhere.
|
|
I swear this speaker went like full jack liner.
|
|
Like the two guys living inside of your bathroom
|
|
turns like, hey, the skills you get hot.
|
|
Like, I'm like, well, that's not good.
|
|
I turn it out, look it over.
|
|
And there is like glowing orange behind the speaker cone.
|
|
Like you can see the light from inside of the speaker box
|
|
pushing out the speaker cone.
|
|
And then after a few seconds of that, smoke under pressure
|
|
starts going, like spreading out
|
|
from around the speaker flange on all sides.
|
|
Like it was, like someone lived in smoke bomb inside there.
|
|
Like it was pushing heat and smoke out on all sides.
|
|
And I still have the wires from it.
|
|
It was kind of a, you know, a safety reminder to myself.
|
|
It was awesome.
|
|
Yeah, it was case scenario.
|
|
It absolutely caught fire in there.
|
|
And it would have, we had sprayed all the cabinets
|
|
with this truck bed liner.
|
|
So it was still a little tacky, to be honest.
|
|
So the nice rubbery coating on the outside,
|
|
very grippy, good aesthetic.
|
|
But if it had caught fire, it would have burned like a tire.
|
|
And there would have been no way to put it out.
|
|
And so there would have been standing on the sidewalk, like,
|
|
well, watching the whole thing burn into a melting puddle.
|
|
And I'm sure the police would have, yeah.
|
|
So maybe like, you know, you see the little Mr. Foggers
|
|
with the little, the little, the kids real hot.
|
|
We could just have one of those on one of the backpacks.
|
|
It's like, like, put it all back in.
|
|
Yeah, because the one I have, I can even give it to you.
|
|
It's got a little circle of elegance.
|
|
And then the part that gets part is in there.
|
|
And then you can just have like a cup.
|
|
And then you go to your cargo area to put more water in it
|
|
or just find some water somewhere.
|
|
And then when you walked around, it would just be like,
|
|
it's chasing us, the trail of steam, the fog.
|
|
So that way, if something actually did catch fire,
|
|
you'd be like, no, no, no, it's just the Mr. Fogger.
|
|
It's fine, there's no actual fire.
|
|
So also, you know, I want to make an impact
|
|
on people when they have this sudden and bizarre experience
|
|
of being assaulted by a lot of music unexpectedly.
|
|
And I've always thought an old factory signature
|
|
would be a nice thing to add to any billion
|
|
in the sort of art experience.
|
|
So it's thinking of running a particular brand of incense
|
|
at every performance or every outing of the museum
|
|
to create a mostly a sudden conscious association
|
|
with that smell and strange things.
|
|
So like encounter all the senses and be like, smell here.
|
|
Blast and flight.
|
|
Yeah, white and then touch.
|
|
No, they didn't touch each other, I guess.
|
|
There tends to be a lot of touch.
|
|
You gotta really go down.
|
|
I think it gets to be a pretty touchy crowd
|
|
if they break a sweat, the inhibitions come down.
|
|
I'm not sure if you're walking around dreaming.
|
|
The whole thing, the whole idea of walking around dreaming
|
|
with something heading around your bed
|
|
doesn't sound like the best of idea.
|
|
But to your point, if you did it at the end,
|
|
and it was modular, you know, if you keep some auxiliary battery
|
|
somewhere, and people could walk around
|
|
and then when they got tired,
|
|
you could just get it back back to somebody else.
|
|
And we didn't have a lot of backpack handing off.
|
|
And I think the, since you'd be transmitting a referendum,
|
|
you could say, hey, if you've got a boobah,
|
|
if you want to hit the thrift shop on your way
|
|
to the gather tonight, you know, get a boobah
|
|
and then you can go back to the box and do batteries.
|
|
Then there's an entry level of proof of machine
|
|
that you can bring, you know, or, you know,
|
|
and you can show up that they took in presents
|
|
that you can still crank, and then the only problem with that
|
|
is with FM, you have all the, you know,
|
|
the entire other half of the FM spectrum
|
|
is your competition.
|
|
So people don't like it to point.
|
|
And they all wrap room boxes,
|
|
and V103 is doing like a killer club matter
|
|
something like, I'm gonna lose out.
|
|
I think it's interesting to see if you can keep a crowd
|
|
that all had their own noise makers,
|
|
you know, to do one frequency.
|
|
I see a lot of them.
|
|
Or just having it say that they could join your phone, too,
|
|
but the phone wouldn't be much of a speaker, though.
|
|
Yeah, and so, and so a lot,
|
|
the big problem becomes latency.
|
|
If you do any sort of digital transformation,
|
|
if you're Bluetooth, Wi-Fi, streamcast.
|
|
Doesn't matter.
|
|
Yeah, if you're doing a Twitter stream,
|
|
or a YouTube stream.
|
|
Yeah, it's all, it all gets started and stuff
|
|
if you get two devices near each other.
|
|
So, but it's okay as long as they are far enough
|
|
with any kind of your experience.
|
|
So you could independently, you know,
|
|
teach a, you know, or broadcast to multiple locations
|
|
as long as they didn't overlap.
|
|
Yeah.
|
|
So the potential there,
|
|
and you have a lot more control over a digital system,
|
|
like that, you could say,
|
|
I want this to be the volume of, you know,
|
|
whatever, whereas if you've got everybody hooked
|
|
at front FM, and a, you know,
|
|
plane flies by or somebody else
|
|
with a transmitter drives by,
|
|
we had a lot of interference initially,
|
|
and I think it was because of the antenna I was using.
|
|
But I did, we did have a set up where I had my laptop
|
|
around my neck with a brake in the shoulder pad,
|
|
and the FM transmitter and some batteries,
|
|
and then in birthday,
|
|
and so I was running around the whole laptop with tractor,
|
|
and it can, and it can pull around my neck,
|
|
and everybody else was running around the root machine,
|
|
and then at the receiver,
|
|
we tried a couple different things,
|
|
and the FM was one of the better sounding ones,
|
|
because I didn't have a UHF stereo receiver,
|
|
that works pretty well too,
|
|
but it just narrowed his hell on the proptimating.
|
|
So, you know, you went around the corner
|
|
and you walked into the killer,
|
|
you know, we were done,
|
|
but the source doesn't think, yeah.
|
|
It was super loud, that was a big problem.
|
|
Yeah, that's probably some of it,
|
|
it's just like audio quality,
|
|
it doesn't really matter all that much,
|
|
and you're walking around circles.
|
|
But audio control,
|
|
because it's okay to have some of a crappier sound,
|
|
or a mono sound, but it's not okay
|
|
to have crazy transients, you know, in the sound.
|
|
Or just to straight up.
|
|
So, if you did like a Wi-Fi with DLNA,
|
|
it does not automatically like do the syncing,
|
|
and you're like, it wouldn't see it to the max,
|
|
or every client gets to decide how they're gonna buffer it.
|
|
Yeah, it does the buffer, it buffers.
|
|
So, you have to like, you have to have
|
|
some kind of mandatory.
|
|
And I see.
|
|
But I know there's whizz-bang chin out there.
|
|
I've probably called it out there like Zigbee,
|
|
or whatever that does the whole Wi-Fi,
|
|
and it's all Wi-Fi, so I don't know how they do it.
|
|
But we might get hacked together,
|
|
by synchronizing the delay.
|
|
And they have to be able to hear each other
|
|
to some degree to all be able to decide
|
|
that they're gonna use a common,
|
|
not a common delay value,
|
|
but we have a delay value that gives them a common final.
|
|
Well, they just do it based on like time.
|
|
So they say, everybody start your buffer here,
|
|
and then start playing.
|
|
But you can make it all,
|
|
you just make a ridiculously high buffer,
|
|
and then make the time be like,
|
|
that would be the same place of the 32nd delay.
|
|
Yeah, no matter what,
|
|
it would just be as long as the time is exact on everything.
|
|
Maybe that's how they,
|
|
it's probably how they do the other stuff.
|
|
I've tried similar stuff,
|
|
because I've tried multi-casting all you,
|
|
and I wanted to do multi-casting video around the house.
|
|
I could have the illusion of having different
|
|
television channels that only play what I want,
|
|
and play fake hilarious commercials,
|
|
and single commercials.
|
|
But I've looked into Raspberry Pi,
|
|
set up sort of like mumble,
|
|
a little bit of humor,
|
|
doing audio streams with a wide pie,
|
|
with super low latency,
|
|
and being able to set the common buffer,
|
|
which it should do me a real time thing.
|
|
I actually haven't run it all over the house at one point,
|
|
at Intercom, or Raspberry Pi,
|
|
based Intercom's running this very microphone, in fact.
|
|
Which, the hubble, or hubble,
|
|
would mumble?
|
|
Well, well, yeah.
|
|
The mumble and murmur,
|
|
which are like gaming,
|
|
you know, the more low-end stuff.
|
|
Yeah, the mumble is the one they use for HDR,
|
|
or the weird thing that they,
|
|
it works great.
|
|
I highly recommend it to me.
|
|
It's extremely lightweight.
|
|
It runs really well on the Raspberry Pi.
|
|
The only problem was that it wasn't the version of the client
|
|
that I had didn't have to have this version for command line,
|
|
so I had to boot all the way into the Raspberry Pi desktop,
|
|
and then have a script locally,
|
|
visual version of the interface,
|
|
and then configure it,
|
|
where, rather than being able to run,
|
|
I guess, single command with the script.
|
|
Yeah.
|
|
Group.
|
|
What is the 8260 HD thing?
|
|
What is that?
|
|
Oh, okay.
|
|
So I've got some 8266 ESP,
|
|
8266 little Wi-Fi modules,
|
|
and I've played around with a bunch of people's,
|
|
like, bad Wi-Fi kind of code on GitHub,
|
|
and then come up with a custom Arduino sketch
|
|
that lets me blast my hashtag, basically.
|
|
So you put in a hashtag that you want to show up,
|
|
and everybody's list of Wi-Fi things,
|
|
and it just, it does your hashtag now.
|
|
And you're, you know, a hash symbol,
|
|
and hold whatever characters you choose,
|
|
and then a random number or a symbol,
|
|
and then it does your hashtag again,
|
|
and then it does it again,
|
|
and that's the SSID.
|
|
It does a new MAC address,
|
|
every, it generates hundreds of new Macs,
|
|
and SSID is a second,
|
|
and it is new things.
|
|
So you pull out your phone,
|
|
and you pull out your laptop,
|
|
and you look at the available Wi-Fi,
|
|
and it just, it falls off the screen.
|
|
It's like, for every second you have it open,
|
|
there's another 10.
|
|
You can even do that with the,
|
|
with the green machine,
|
|
and just have a script running in the background
|
|
on the laptop,
|
|
and it's like spamming the shit out of everything
|
|
when you're walking out of the street.
|
|
So, so it's, it's a cool project,
|
|
and I've had, I've, you know,
|
|
I've flashed a bunch of my ESPs
|
|
that you do this one thing,
|
|
because it works better if you have multiple ESPs
|
|
doing this,
|
|
running the same sketch near each other.
|
|
That way you get,
|
|
you get a handful of different,
|
|
like, uh, strength values.
|
|
Uh, so yeah.
|
|
Anyway, so they show really weird in iPhones,
|
|
Apple devices sometimes,
|
|
each, uh, Android,
|
|
each OS kind of has its own way of showing
|
|
these, uh, slightly out of, uh,
|
|
you know, out of, uh, spec SSID names.
|
|
Weird.
|
|
Yeah.
|
|
Uh, yeah.
|
|
So, it's, it's, it's highly effective
|
|
the only one you know reason it's worth bringing up
|
|
is because it's totally working.
|
|
It is my viral marketing, uh, thing I left it at the bar
|
|
that I need to get in,
|
|
and I'm getting an additional like 30 or 40 views
|
|
across my Facebook page every day.
|
|
Like, people are showing up,
|
|
they're trying to connect the Wi-Fi to the bar,
|
|
and they're seeing my hashtag 100 times down their screen.
|
|
Um, at least some of them are then going to Google,
|
|
like, is doing a question on my way back.
|
|
What does that mean in my act?
|
|
Because this hashtag is showing up.
|
|
I did that with the, the, that,
|
|
it was like the Wi-Fi or whatever,
|
|
and you could spam.
|
|
And I did that,
|
|
I did that to the neighbor,
|
|
the neighbor had an only dog,
|
|
so I just let you go.
|
|
We got, but I just let it,
|
|
left it near the corner of the house,
|
|
like a couple of days.
|
|
And, uh, anybody,
|
|
anybody over there trying to get their Wi-Fi on,
|
|
look what, hopefully get the message,
|
|
because we have nothing but dogs around us.
|
|
So, yeah, yeah, I invested that a little bit.
|
|
Well, cool.
|
|
Is there anything else you want to chat about?
|
|
I think that's enough rambling for today, at least.
|
|
Um, we got some, we got some,
|
|
some homework to do for the, for the green machine.
|
|
Yeah, definitely.
|
|
It's definitely, I have to, like,
|
|
you've been listening to Heka Public Radio at HekaPublicRadio.org.
|
|
We are a community podcast network
|
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that releases shows every weekday,
|
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|
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Today's show, like all our shows,
|
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|
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|
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