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211 lines
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211 lines
14 KiB
Plaintext
Episode: 4336
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Title: HPR4336: The Everything-I-Know 20-minutes Show
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Source: https://hub.hackerpublicradio.org/ccdn.php?filename=/eps/hpr4336/hpr4336.mp3
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Transcribed: 2025-10-25 23:14:48
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---
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This is Hacker Public Radio Episode 4336 from Monday the 17th of March 2025.
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Today's show is entitled, The Everything I Know 20 Minutes Show.
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It is hosted by Semla's M. St. Louis and is about 20 minutes long.
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It carries a clean flag.
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The summary is, from Microsoft Word templates to microphone types starting with embracing
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the core.
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I was counting here and in a little more than the fingers of one hand, you can sum up all
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the things that I know and I'm going to share with you in this Everything I Know 10
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Minutes Show.
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Collection 20 Minutes Show.
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Thank you.
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Number 1 is how to carry weight more safely.
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When you carry weight at the gym or at your house or at the work, anywhere.
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If it's a heavy weight, a weight that makes you feel clumsy, not very comfortable carrying
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by your side or in front of you.
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You can have it better by straining your abdomen, your core.
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Technically it is to embrace the core.
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When you tighten the abdomen, you have more stability so you can exert more power, use
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your strength more comfortably and even more safely because you can avoid some minor
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injuries that could occur because your spine also will be more stabilized when you're
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straining and bracing your core to carry weight.
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I hope it helps.
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Number 2 is microphone types.
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Microphone types are specially divided by connection or by its diaphragm and I am going
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to tell you the two most used of each.
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A USB microphone, and that is about the connection, is universal to connect to your computer, to
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record like it can be in a headset or a standalone mic that connects to the universal
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serial bus port of the computer.
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It's plug and use, it's cheaper, it's a good choice if it's okay for your use.
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But if you have more money to spend, the XLR microphone is a good investment because you
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can upgrade the microphone and not the interface or vice versa and have a good quality professional
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mics, use XLR, most of the mics are XLR.
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The addendum is you can't connect directly to your PC because a PC does not have the XLR
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port to connect.
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So you need, if you're using to record, a USB audio interface.
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The most common brands are focus rights or bearinger or M audio that are generally good
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brands and the microphones, well, the variety is great.
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If you're using of course to public address or something a live event, not recording, you
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can plug it directly in a mixer in the room you're doing your presentation of course and
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not needing the USB audio interface that is to record your computer.
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Well, let's say the division of mics but diaphragm they use.
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Let's start with the most simple one, the simpler one, that is the condenser microphone.
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A condenser microphone captures the voice in more detail.
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So you hear a deeper bass, more detail, treble and most of the USB microphones uses this
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technology.
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It's rare a USB that is a dynamic phone that is another diaphragm.
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As at this advantage, they catch even the minimum sound details of the environment because
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it vibrates little waves of sound around, even distant, even if you can't hear monitoring
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by your headphones.
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You hear it later in the recording and listening, so if you have a treated room that is
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isolation without reverberation, a condenser might be a good choice but if you're hearing
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noises all the time from the street or your walls are playing and reverberate too much,
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you might prefer another type of microphone, not the condenser.
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The condenser is a favorite of singers in studio.
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You can see professional singing in videos or live if you are lucky enough to know someone
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that you can see singing in the studio and you see that they don't talk or sing on top
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of the condenser because it might produce a low and undesired muffled sound.
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The condenser needs it to be recorded by the right side of it.
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There is one side of the condenser or sometimes both, that is the correct to record and not
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on top of it.
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Microphones can be dynamic, that responds to the audio source, be it voice instrument,
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that is very close to the diaphragm.
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They do not capture sound, more than some centimeters or some inches away.
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It's the best for amateur use or in a room without acoustic treatment.
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Like for usage, musicians performing live use dynamic microphones, so the instruments
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and the crowd around don't get their sound amplified by the artist's microphone.
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Videos also prefer dynamic mics because it goes to a more impactful voice.
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It rejects eventual sounds from noisy mixers or keyboards nearby that the radio host might
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be operating.
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Right now I am using a dynamic microphone and I am tapping on the table, I don't know
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if you hear it, but I am tapping very, very strong, a condenser would amplify it a lot,
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you would capture it much sensitivity, but maybe here you won't hear it too much or at
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least my voice would be more clear than it would be without the technology of the dynamic
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that captures very better the impact of the source of the sound, very close to it.
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An example, the R-E20 from Electro voice, that is a model and brand of microphone, is
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a favorite of radio stations, maybe you see a lot if you know the mic and pay attention
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to the use.
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In part for being dynamic of course, radios prefer it, and in part because this microphone
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in the specific R-E20 reduces the proximity effect that is the sound exploding when the
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source gets junior to the capsule, like I did right now, because it has the variable D technology
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and it since 1968 it's a long-aged microphone.
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Now polar pattern is about the directional response.
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For example, some are omnidirectional, captures sound equally from all the sides.
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Most of them are cardioid, capturing the sound coming from the front, the speaker, the instrument
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directed to it, but rejects sound from the rear.
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Ah, a detail, my dog barked outside, I don't know if can hear it maybe yes, but with a condenser
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it would be even worse.
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Ok, let's go to number three, Microsoft Word or LibreOffice Writer templates.
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Do you know that one that uses templates for text archives that facilitate the use for
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commonly used documents, like to put up name, age, detail, use of a contract, etc.
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How do you know if you do a template, what do you have to change?
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You had light in yellow, right?
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Or do you put a text in red?
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Well, no, or better.
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My recommendation is to use instead an asterisk in that point or curly brackets or even the
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angle brackets.
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Any other symbol that you can easily type, that your keyboard has an easy shortcut.
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Then you can find better later when you have to change, and when you change everything,
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you can easily control F to find that character to know if it's something missing that you
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have to do or not.
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Of course, if it's in color, you can see by your eyes, but our eyes can fail, and later
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you have to return to the right color in the end.
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It's more work and more prone to errors if you use colors.
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If you use a symbol or symbols to embrace what you have to do, like curly bracket open,
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name a close curly bracket.
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Something then your control F, curly bracket without needing to do anything later, and
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easily check it by a control F instead of seeing with your eyes, if it's only the color
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that many people use.
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With color you can find also, but it's little more work to control F by format, and so
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that's it.
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Let's see if there's something more in this topic that I have notes.
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No, that's it.
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Let's go to the next.
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No, no.
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Of course, if you're a professional, there are forms you can do in the document processors.
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Real templates you can use with different formats that you can open and it automatically
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opens a copy of it.
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You can use fields if you're something used too much, so you have time to perfection it.
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But if you don't use all the template tools specifically and only do the things I'm saying
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that might be okay and satisfying for 90% of the people that do what we can call templates.
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Not on templates specifically, but I have made the revision of books using it, using these
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tips to know where to come back later to review something or to mark where I have stopped
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on some day.
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It was perfect for my use.
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I also use commentaries, so if you don't know these two, the commentaries, you can try
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it also to see if it adapts to your necessities, but we're not going too far here.
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A recording tip.
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Always record at least three seconds totally quiet and in the position you're going to
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be when recording before starting the show.
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This silence is the room tone you may use for three things.
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One, as an adequate silence in the editing process, like you cut apart and for it not
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to be totally silent, that's not good to the listener, you can substitute it with the
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room tone that part that you cut in the middle of the show.
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You may take that room tone in the beginning, if it's noisy, for example, two noise reduction
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to make the noise reduction profile with that part.
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And if not anyone, you can only delete in the end, if you don't find what to do with
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it.
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I record in knowledge number two in the same tip, save always an uncompressed version
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of the raw of your recording and work only on copy, have the original non-compressed version
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secured, so in any problem you have it.
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It's an experience you don't want to do it again, it's an experience you want to learn
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by yourself when you need it, so have your original file.
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Five, permission for amps, see the permissions of it, especially with more or no things not
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from the great names or not open source and renown, see the permissions they need,
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like why your solitaire game is asking for your contacts or internet access, so it may
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not do good to your privacy, it may waste your battery because they can run in the background
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to personalize ads by knowing your interactions with your mobile phone, it's a care you can
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have, not install anything if it's not necessary, but if you need to install something and
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you're just made distrust, you can at least put it to sleep, deep sleep in your configuration,
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so it does not run in background only when you open it, it may be a little better and
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don't give the optional permissions, like contacts or media if you're not explicitly using
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it for the program.
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The same tip is valid for true information you normally have when you open the app in
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the official store of the mobile phone that are the ads, like ads sometimes are invasive,
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if you can avoid ad-based programs, even if you have to pay one time, it's better.
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And about in-app purchases, you can get angry with an app, because you think it's free
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and later you have to pay for minimum features that you expected, sometimes they are recurring
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payments.
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The chairwoman that does clean my house sometimes has said this week that her son used it in
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her credit card, a thousand and thirty reais, five reais is one dollar for comparison, only
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in games, maybe I didn't ask details, but maybe that games, that for the user, they
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uniform of the character you have to pay for a new app or for advancing in the game, that
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in-app purchases might be a loophole, so if you're not likely to go to this journey, avoid
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the ones with in-app purchases.
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Sometimes it's for donations, like signal users in-app purchases, but you see it as described,
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but it's only for, if you want to donate, it's different, it's not something that's
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wanting you to pay.
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Well, with more sensible applications like browser or communicating apps, choose the big
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names, you don't go wrong, or open-source, renounce the developers, do not pick any
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piece, even if it claims that it's private and no one knows, especially those unknown
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that are claiming too much security, it can be a catch that's not safe for your communications.
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And please, don't download any app that promises performance enhancement.
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The system beat and ride or iOS is already optimized for what it is.
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A third-party app can do little or must come only nothing to help, and is more space and
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features load in your system.
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So if it's not fast to you, delete the apps that are not necessary, or at least disable
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notifications of the apps that don't need, like email, you check two, three times a day
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in the phone, so do you need it to be popping up and notificating you when there is a new
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message?
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If you're going to check any way and the email is not instant, if you put it to deep sleep
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and only open when you need it without notification, it will be one last process that's running
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all the time to notify you in a real time of things, that's it.
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Let's go to number six, the battery of the mobile phone.
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You use your phone all day and still have more than 20% of battery, or do you recharge
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two times a day or a three?
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If it's this last option, and your phone is not even three years old, and you never
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use uncertified chargers, chargers that are not from unknown brands, that is, if you're
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treating whatever battery, and it's too low in capacity, you can try to have a worry
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free all day phone usage, doing what was said before, disabling apps that run in the
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background, it's a one by one process of choosing, but it's once and for all.
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Anyway, if it's this way, charging every day more than once a day, because you're using
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intensely for anything that it'd be, well, take profit of your mobile phone and drive
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the product, it's not about the steps, but the battery is using because you use effectively
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your phone.
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We did not enter on details, no explanations or reasons abounding, we didn't even go
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to number seven, even though seven would be the number of perfection, because I have
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not a seven could idea, only the bits here, the six bits of what I think I know, that
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I value as precious, I hug, and bye.
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You have been listening to Hacker Public Radio at HackerPublicRadio.org, today's show
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was contributed by a HBR listener like yourself, if you ever thought of recording a podcast,
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and click on our contribute link to find out how easy it really is, posting for HBR has
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been kindly provided by an honesthost.com, the internet archive, and our sings.net.
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On the Sadois status, today's show is released under Creative Commons, Attribution 4.0 International
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