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1581 lines
68 KiB
Plaintext
1581 lines
68 KiB
Plaintext
Episode: 478
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Title: HPR0478: Demo or Bust 2010 Ep 5
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Source: https://hub.hackerpublicradio.org/ccdn.php?filename=/eps/hpr0478/hpr0478.mp3
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Transcribed: 2025-10-07 21:26:18
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---
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Music
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The time is 8.30, you're listening to WART radio, which means it's time once again for
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Demore Bust 2010.
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The time is 8.30, you're listening to WART radio.
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The time is 8.30, you're listening to WART radio.
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The time is 8.30, you're listening to WART radio.
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The time is 8.30, you're listening to WART radio.
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The time is 8.30, you're listening to WART radio.
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Hello and welcome to Demore Bust No. 5.
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The time is 8.30, you're listening to WART radio.
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Let's get straight into it after this.
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Let's get straight into it after this.
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Let's get straight into it after this.
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Let's get straight into it after this.
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Let's get straight into it after this.
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Let's get straight into it after this.
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Let's get straight into it after this.
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Let's get straight into it after this.
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Let's get straight into it after this.
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That was Kani Tron by Far Brush.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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I declared myself the master of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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What did you start to think about this?
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A lot of it happened because pilgrimage was awful.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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We are here talking with Jason Scott, probably best known for his mastery of the pan flute.
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only knew as
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he's got guys living in all these disparate other countries
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who were were right here in front of them and they could ask questions and for
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a lot of the guys that was having a little you know it's like
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it on that level man great often
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but i knew the minute they did that they were never gonna have another one
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they were convinced and saying oh we're gonna have another one like you are
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never gonna have another one
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see your cousin video of so much money on this event
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is promotional that and the other thing of course was that they kept calling
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themselves the largest
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american demo party
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and the problem is is that
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what they did was it was in a corner
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and there were
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four or five thousand people
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who had the right to walk into that room
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but only about a hundred some odd did
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and of that hundred only twenty or thirty were there for the whole event
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most were just there for the show
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would you like in that respect of it to assembly would you say
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like assembly you know i mean assembly has a large portion of people there who are
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not directly doing demos but it's
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big demo event
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yeah i mean so there's there's been some reaction to this with blue assembly
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and things like that from what i've gathered from other people
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everyone loves envy scene i've heard aside from you now i've heard no i
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complaints
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i don't have any complaints about the event itself
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all of mine are purely a case of
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not liking the approach like i knew that they were going to just basically try to
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Walmart the demo scene
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drop a bunch of money pulling a whole bunch of stuff
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bring in the best of the best
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and then disappear
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yes you're seeing this
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sucking wound and
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it's what happened they're gone
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they're not going to have another one
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uh... and so the groups around here who have done work will have to either they
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will they can either do our
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demo party or contribute remotely to other demo parties and so on is no
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you know there was no five year plan
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for them they were never going to do a five year they may have convinced the
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people who are organizing the actual specific event but it was like a demo
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party you do
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you more than a demo party and and again
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it can't i mean it's like
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if you win some crazy start-up
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and the crazy start-up
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rents limos to go anywhere and there's crazy hot tub parties at a big rented
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mansion every weekend
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you know that they're probably not going to stick around that long
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doesn't mean you shouldn't enjoy the hot tub parties
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and the free drinks in the limo right you know have a great time
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just don't get around going man why doesn't everyone do it this way
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or
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man you guys have to get with the time everyone doing hot tub party limo rides
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you know it's like that it was like
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i knew them in the grand scheme of things is going to be five block parties in
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one nb scene and nb scene was awesome i would love it
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if there were other parties
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and i'm not saying that in some fake
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bullshit i know there aren't any therefore i can say it things
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i wish that there were like four
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like three really good ones and one that kind of sucked but it was pretty good at
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parties so a lot of people go to it
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and
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bernie has had mentioned a little bit
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thinking about hosting i don't know if you've approached you
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because he came to me for whatever reason and i said well you should talk to
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Jason about this
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about hosting one at hope
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have you heard of this
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that was mentioned to me in this kind of man we ought to do one at hope
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yeah yeah that's how it's meant to be
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yeah man we ought to do this at hope
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i don't know it's like
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hey we ought to do a field trip to the planetarium
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i mean planetariums are awesome
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and the fact is that yeah they could have a really good demo party at hope
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they certainly have the space there's a
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there's a couple places where they can have them
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i don't know how willing they are to do it quote-unquote
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right yeah and they tend to stumble on those kind of logistics
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like they're very not surprisingly self-directed
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like we'll give you this option then this
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you can do it and make it happen
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but you know when we did ours with with with with not a con we said well we
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really want you know we really want this kind of plot
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we need a room that does this we we came in a whole bunch of things and they
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were very nice about it and gave us a whole bunch of things
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and i think the only thing we shifted from like the second to the third was
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we had always done it at midnight and that was killing people so we made it
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ten although it ended up being obviously later
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well we tried to make it eight and ended up being ten or whatever you know
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in other words we shifted it forward we just said okay we're going to
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shift it forward that seems to work better
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but in doing so you kill off your primary
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your primary time slot at your cons
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and not all cons are comfortable with that and i don't know what hope is
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i mean i would love it if they were i would love it if death come did
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you know it's like great do a demo party
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get a prize and get everything great i think go to great
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do you think do you think block party um we'll stick canonical
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do you think perhaps should block party reach its 10th year
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that uh it will be moved to other parties
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well fronky is always stated and this isn't anything back
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back channel or anything fronky is always stated that it's not it if if block
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party were to move yeah not a con would continue to have a demo party
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like he just sees it as a thing that would be great
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yeah that a bad that that that's the way it should be so
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that's cool you know you know so think of it as like
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an inevitable part of the genesis that might occur
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but you know there's no um there's no reason
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if block party quote unquote got huge enough
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that it wouldn't be its own event i just don't see where that's going to
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happen personally under my tutelage i just don't
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see that happening i couldn't be wrong i mean i'm saying moving uh to
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other uh like block party part of hope block party
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what do you mean um we
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i think it just comes down to uh like if somebody came to me and said we'd like
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to run with hope yeah and i would go
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and would you like to help us and i would go yeah i hope yeah
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um but i'm not gonna put a large amount of money into it
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i'm not going to spend that money because that's just more money than i
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can possibly spare but if you know it was kind of the same thing with
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the retro room that i ran at death con this year
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we're basically i didn't pay any money
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all i did was help broker all the people and i said you're good you know
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you've got this huge vacs you've got this con that has a room
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let's put you two together let's make sure that the con
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gives the guy with the back's money for his moving
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cost and is truck and and everything else
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and let's make that happen and then we'll put it all together and
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promote it and it'll be great and i'll be here as a person you can
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yell at if there's a problem of which of course there were like five
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that we had to fix i don't mind that role i kind of enjoy that role i don't
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mind the ups and downs of that role so something like that
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happening at hope or something that helps me i'd be
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more than happy to be part of it um i just wonder you know
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you know hope tends to be like we've given you
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300 square feet to do your thing enjoy
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your Monday um and that may or may not work with whoever's organizing it
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doing things to go what don't i need this and this and i could really use
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some money and i could be like we don't have any money for that
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uh you know a big thing is sometimes having some level of prizes well what
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if there's no prizes yeah is that good that bad so yeah okay
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yeah you get to you get to rent your your equipment so you get to
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well borrow the equipment from not a con and the nullies other things
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right or whatever man it's like you know i i i love demo parties uh more
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the better i just don't like it when somebody acts like they're a demo party
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and they're not or if somebody is uh trying to to uh come off
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being a demo party for the purposes of promotion
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and then they're not actually a demo party so you know that that's my
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problem what i mean you're gonna have that problem with anything
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right you're gonna have that problem where anybody does some sort of endeavor
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like like this is a side thing um i see yeah is a part of the community
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that creates those rockets that shoot pumpkins wait i see is yeah i see
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big in it huge in that shit like behind i forgot which one
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i think it's called i think he's i think he's behind the one that's called
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force amendment yeah but there's um you know that's one of the things he does
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right yeah and he has fun with it and he goes to it and he's involved in this
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community and they do their stuff and they have their big event and it's got
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some rules you know you can't use certain kinds of explosives and you got
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a pumpkin can't break apart and you know they do their thing
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you know and he doesn't sit around telling people what they can do and what
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they shouldn't do and go well i've run this event over here therefore you know
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i mean it's like he's to me like nobody else is like kind of fighting the
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pumpkin nobody's like trying to make the better version or
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using it as a way to make some extra money by claiming oh we do
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pumpkin flinging things too well sponsored by this you know so
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demo party wise um i think the country could sustain
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probably a half dozen before things start to get kind of stupid
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in america we really really big on this maker thing
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and i think that's our demo party and we're bigger on the big on this maker thing
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what do you yeah we're really big on like that whole like
|
|
smash and shit apart and making it and yeah
|
|
market that you know it's kind of what what we're trying to kind of aim a lot
|
|
of people at and we have a couple superstars
|
|
we got a lot of people who are noodling right we got a lot of people who are like
|
|
i just added an LED in my radio like okay you go to town
|
|
and you got like Jerry turning the person to an intendo
|
|
which is a flashy thing not overly complicated but a flashy
|
|
need example of doing something simple and producing it really well
|
|
yeah and then you have people who are like building
|
|
custom fun boxes and building modifications
|
|
so that they can broadcast stuff or or or you know
|
|
putting out you know VGA signal to create something that initiates
|
|
its current status and stuff you know that people are like really taking it to
|
|
some crazy level there there's a whole range of it
|
|
and it just seems like that caught the spark and the fire
|
|
that demo parties has in other country yeah i see where you're saying hi
|
|
like we're almost positive that we're going to have an Arduino
|
|
category next year
|
|
because it's so dominant here so or con you know you you got to go with things
|
|
are and it's like people want
|
|
Arduino's and so i'm like maybe we'll do an Arduino category fine
|
|
you know a lot of European parties have spectrum categories for instance
|
|
there are no spectrums in the states and they're there are some but there's not
|
|
nearly as many as there are in europe right but there are so many adrenos
|
|
here and so many people playing with those like uh
|
|
yeah they have spectrums we have adrenos kind of weird but
|
|
i just sort of um i'm uh yeah i i can see that sort of uh
|
|
separation of mentality or not mentality of uh culture that you're
|
|
getting it yeah and i think that there's some level where you're like i
|
|
really wish they did that here i'm going to do things
|
|
ludicrously so that um you know i'm going to do things ludicrously
|
|
even though at great loss you know uh
|
|
to make something that shouldn't be happen
|
|
or you can say well no you're in america this is what they do
|
|
this is how it works and we got to suck it up um
|
|
you know yeah yeah yeah i spend a lot of time
|
|
right in the real instead of the i wish
|
|
you spend a lot of time in the real a lot of but there's so many people like you're
|
|
like you know there ought to be a demo party that's going to be this
|
|
and i'm like great do it you know a lot of people don't you know
|
|
as a certain kind of person organizes these things
|
|
well hopefully more people will get to organizing
|
|
they won't party i mean you know this is common pitfall
|
|
uh one is making way to any big promises
|
|
yeah now one of them is like um failing to account for things being a
|
|
certain way or acting a certain way you know people not
|
|
really uh what's the word thinking out a uh
|
|
um you know what could not work or what might work
|
|
do you think um um these sort of i'm wondering how many
|
|
hacker parties there are in europe and these things because in the states it
|
|
seems like we have quite a few and i'm wondering
|
|
if hacker parties are sort of a little bit more popular here
|
|
whereas demo parties are more popular there
|
|
yeah it gets here's the thing it gets
|
|
it gets relatively complicated because a lot of what we call hacker
|
|
parties yeah or hacker events are actually security events
|
|
yeah so with a very heavy security industry
|
|
bent which is totally incompatible with everything ever in terms of
|
|
demo and hacking and so on and so that happens a lot like
|
|
you know like there's a real you know i mean the
|
|
security is like kind of like the way of the day so
|
|
there's a lot of those kind of conferences in europe
|
|
see see uh hits b uh there's one in Asia whose name i'm forgetting
|
|
um there's um you know there's a lot actually
|
|
if you are willing to accept certain aspects of them
|
|
that some people might say no no no it's not real because
|
|
they don't do a bnc and that's well that's only time it's a real hacker part
|
|
a lot of people just walk around it would i consider to be totally hacker
|
|
parties who um we'll say no no no this is just
|
|
some corporate piece of crap
|
|
there's not much i can do about that you know i'd like good so
|
|
the problem is when can you pass a certain number of people at a party
|
|
yeah you start running into insurance issues
|
|
and organizational issues and so if you have a hacker party that's like
|
|
20 people you have it at the bar because there's one i go to that like that
|
|
they don't have to worry about insurance they just find the bar out for the
|
|
afternoon but if you have an event where it's like
|
|
we're gonna have a hotel break we're gonna have rooms we have to buy the rooms
|
|
the room is three or four thousand dollars and they want an
|
|
advance so we have to ask people for money uh i know freaks nick the hacker
|
|
what they do is they do all sorts of networking and computer work for this
|
|
hotel and then return the hotel what's them have the room for free
|
|
okay they you know they'd barter it but there aren't many like that
|
|
do you think uh do you think naticon is uh in any way unique uh
|
|
in any sense when compared to other hacker parties
|
|
you don't mind me asking well the thing i like about naticon is that they're
|
|
extremely self-study yeah they don't really depend heavily on others
|
|
and say well you know we make this happen um in terms of like
|
|
we need to have x amount of sponsors paying for every single piece of it and we're
|
|
gonna add this in and that and as we look you know like they'll have sponsors
|
|
but it's not their driving forces how many sponsors can we pack
|
|
in every single thing and i think that comes off on a lot of it of like
|
|
it's a it's an event put together for the sake of it
|
|
of its people and i don't know how well i'm expressing all this but that's not
|
|
always the push of a lot of hacking conventions a lot of hacking conventions
|
|
are like well there's some more sort of organization or company that's put
|
|
together an event for people to show up to and naticon is just for itself
|
|
yeah and i think that that's relatively rare now
|
|
and so there's not a security event there's not a like let's have this event with
|
|
um like there's not a sales floor at that naticon it's not only a vendor
|
|
area there's a couple people who sell things but there's not like a room of
|
|
people selling things simply to sell things to that group of people
|
|
yeah tend to be people who are at the event
|
|
selling stuff of theirs when they're not contributing a talk
|
|
it's a much more honest i don't know maybe it's a bit not the best word but
|
|
honesty the more of a watch word with naticon the most which is why of course i've
|
|
enjoyed working with them because i know i'm in there
|
|
they're like let's do block party because block party sounds like a
|
|
cool thing to do not oh boy let's
|
|
figure out how we can make more money from something like block party
|
|
yeah so we're gonna have block party and we're gonna have
|
|
um this other event because that other event even though it's not always
|
|
compatible with us we'll bring in this amount of money
|
|
you know that's not always kind of where they roll
|
|
what are any sense at all what are what are uh you are holding this for five
|
|
years of course uh what are some of the other goals with block party have you
|
|
thought about uh some of long-term goals with block party
|
|
no there's not really any long-term goals like that
|
|
it's more like man they really wish there were american demo parties
|
|
and um now i'm gonna be like well that's what five of them feels like
|
|
um and either people go wow you know that was awesome let's do more
|
|
more people go that was fun what's on tv and you know that that'll be what it is i
|
|
i'm not really aiming for one thing to win over another or you know what's
|
|
turned us into this or i'm hoping that we'll find out arenas or anything like
|
|
that's not really anything kind of i make i'm excited for
|
|
for an in our in val to be honest with you and seeing how these things go
|
|
so um yeah it sounds like uh it sounds like they had a lot of fun
|
|
here as well and um maybe cleaveland was too far for them or something like that
|
|
like not exactly sure what their mentalities are yet because i'm interviewing you
|
|
first yeah right so cleaveland is a tough sell it will always be a tough sell
|
|
it is a tough city to convince people to go to just like it's a tough thing to convince people
|
|
to go to st. Louis or to go to a non coastal city that hasn't dove itself up
|
|
as some sort of turic mecca um you know i think nothing um
|
|
demonstrates cleaveland's primary issue with them the fact that they have a rock and roll hall
|
|
of fame and the induction ceremony for the rock and roll hall of fame is held in
|
|
New York City so you know if they can't even get people to come out for that
|
|
big event and they have to hold it elsewhere in another city that really kind of a test
|
|
what we're dealing with there and i think there's really an i don't really have
|
|
a solution um their taxes are relatively
|
|
vaguely crippling um you know they haven't discovered what their next big
|
|
industry is you know like they're not like we're going to like drop taxes for every new biotech
|
|
like like basically Cambridge Massachusetts did that they were like oh you're in biotech oh you
|
|
don't pay much back here get a bateman's on your property and so as a result it became a biotech
|
|
center of the world because somebody there said we want to be this nobody's only done that yet
|
|
with really with cleaveland yet we see um that's all you know well i i plan quite frankly on
|
|
exploiting the fact that um that the discs were invented in Minneapolis that's what's going to
|
|
that's going to be my motto for this huge party coming to the Minneapolis
|
|
we did happen in the valley too because it's the problem is it gets cold yeah yeah that's so that's
|
|
when it's what what months you can have it and also it's not a hub for any airlines so it's a
|
|
double hop for everybody yeah that's this it's funny how much the airlines kind of affect things
|
|
um so you end up saying oh i'm going to have to fly two legs to get to your city at top i mean
|
|
i've been to Minneapolis once hope to be there again um well let me know if you come again
|
|
so i can say hi at least but uh yeah i don't know next time i'll be there but one of you know
|
|
that that's the same problem my and um you know it's it's unfortunately for people who are listening
|
|
i don't know how much this is just them but i mean it's just the case of conference organizing
|
|
is a dreary and sometimes terrifying business with a lot of back channel work and political issues
|
|
and concerns and and go between you know this stuff that just happened and it's just a fact of
|
|
life and it doesn't go in that way if it's a hacking convention a demo party uh science fiction
|
|
convention a big quilt convention you know it's all gonna have this kind of power of organizing
|
|
behind it there's just no way around it and it's just one of those things and people show up and
|
|
they're just like oh this was all put together for me and it was easiest pie and so i am on
|
|
to have a fun time and you know and they don't realize this you know sometimes people put
|
|
themselves in nature financial risk for these events and we'll know by sunday or saturday morning
|
|
how fat they are in terms of finances you know it's it's it's pretty pretty gruesome business
|
|
i'm just really thankful that not a con takes a lot of that off of my hands
|
|
let me tell you i mean i wish you good luck to anyone who thinks they want to do it because
|
|
there are some pitfalls but if it's successful you feel great yeah it sounds like you just have to
|
|
do it to be honest if you it sounds like the complexities that uh organizing these things um
|
|
and the hardship of organizing these things is just it's going to be the same uh no matter what
|
|
you just should do it and see what happens yeah exactly so um i'm going to close this this interview
|
|
is there anything that uh you think we should discuss before now i think we we've destroyed
|
|
everyone's faith in how long a podcast can be i know i'm i'm shooting for six hours next time
|
|
that's yeah yeah that would all right uh so um we will be right back
|
|
uh take care Jason all right all right
|
|
oh
|
|
you
|
|
I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't
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know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do,
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I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I
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don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don
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I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm about, I don't know what I'm going to do, I don't know what, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going to do, I don't know what I'm going
|
|
Um, who is the author of that, uh, of that demo was shown a block party, uh, 20109, and, uh, how's it going in and R?
|
|
It's, uh, it's going quite well, and you made the same mistake as me.
|
|
Yeah, I'm sorry.
|
|
It's okay. It's okay. Um, call them in and R all the time, in RR.
|
|
Yes. Um, it's just another Saturday.
|
|
As I understand, uh, Sully Lowell was, uh, actually party-coded.
|
|
It's highly party-coded, um, the whole thing is, I, I had sent my laptop, my laptop off for repairs a week before.
|
|
Yeah.
|
|
That's why I came to the party to pass the wing, nothing.
|
|
No, no hardware, no software, nothing.
|
|
Were you planning on doing anything, or is this something?
|
|
Yes, I had actually landed on it on the meeting of our production.
|
|
So, so, I, I was kind of the shot when it came to, to the event, without anything at hand.
|
|
Um, so, uh, with Coda, I wasn't clean off because, uh, you know, I actually landed at the same time.
|
|
So, uh, on the train right up from the airport, you know, or just kind of lamenting about it.
|
|
Uh, I was, being whiny and kind of, like, I was crying about it.
|
|
Uh, so, so we took the, uh, the demo lounge.
|
|
And, one of the things that Jason Scott says is, hey, we have laptops for rent tech because they felt sorry for us.
|
|
Yeah.
|
|
And, right, right at that moment, my eyes lit up.
|
|
I was, I was, I was, I was seriously like, oh, cool.
|
|
I have something I can use for writing a production.
|
|
Yeah.
|
|
I had joked with Coda and a couple of other people before just, you know, uh, off the cost saying, hey,
|
|
I might actually write a production for myself.
|
|
Well, I had originally needed to write something using OpenGL and STL and stuff like that to do it on PC.
|
|
But, since I didn't have anything like that handy and I didn't have my framework and stuff to make, but together for it,
|
|
I didn't really feel like sitting down and trying to rewrite all that stuff by hand.
|
|
I just didn't know where to do.
|
|
I saw you talking.
|
|
Yeah.
|
|
Uh, so I did.
|
|
And that would be, that would be, the end result of it.
|
|
Well, it's, it's pretty nice.
|
|
It sounds nice.
|
|
I, I like it.
|
|
As I understand, uh, Virg did the soundtrack on this?
|
|
Yep.
|
|
Virg did the soundtrack of it.
|
|
Um, I, that was also kind of, uh, uh, an auditory as well.
|
|
And I was actually thinking of having COTA do it.
|
|
Yeah.
|
|
But we figured out that there was a, a sort of, uh,
|
|
I don't remember exactly what it was, but, um,
|
|
Hey, so the quality with how that, with how the combos are,
|
|
it's not permitted to do that.
|
|
So, um, I asked Virg, he was like,
|
|
I asked, uh, it originally came up because I took him out to, uh,
|
|
just every content street in the hotel.
|
|
Yeah.
|
|
If he was just like, hey, man, I'm kind of Jones personally,
|
|
and everyone else has gone out to charity.
|
|
So, uh, you know, you want to go out and say goodbye, like, that's cool.
|
|
So, all right, ladies and gentlemen,
|
|
okay, I think the moral of this, this story so far is,
|
|
if you take Virg out to eat, he'll make music for you.
|
|
No.
|
|
So, I'm, I'm highly on it.
|
|
Uh, so, so, the whole thing is,
|
|
uh, so, he and I live in Illinois.
|
|
Yeah.
|
|
Okay, he just recently moved, uh,
|
|
I think the, the me before it's been used to,
|
|
it was springtime, springtime before,
|
|
uh, this, this last, last, last, last party.
|
|
Um, you know, you actually got into,
|
|
to experience Jimmy Johnson, experience, you know,
|
|
what it was like, and I was like, hey,
|
|
this all went down the street when I was walking from the train station.
|
|
So, let's just, let's go ahead and go there,
|
|
and see if I can eat.
|
|
Um, and to keep him out when I sat myself on down the train,
|
|
it was a bit flat.
|
|
Uh, kind of a demo scene,
|
|
that Lee, that coat of head put together,
|
|
using midi.
|
|
Yeah.
|
|
Um, so he covered, uh, like,
|
|
the second reality soundtrack,
|
|
the stigma from phenomena.
|
|
Uh, shoes are flying,
|
|
the shaders are spying,
|
|
little bitchered.
|
|
So, he, he covered,
|
|
he covered these three songs.
|
|
And the midi, that was,
|
|
about two minutes of the,
|
|
fifty seconds long,
|
|
on the streets of law.
|
|
Yeah.
|
|
And there was,
|
|
one prominent orchestra head.
|
|
And thus, the,
|
|
the group was born, I suppose, huh?
|
|
Yes.
|
|
That's what,
|
|
it's just his children.
|
|
Right?
|
|
So,
|
|
so he could hold him down on it.
|
|
That was, that was his big thing,
|
|
like, he, he really, really,
|
|
really easy to do on that,
|
|
on that orchestra head.
|
|
Yeah.
|
|
He started laughing.
|
|
Like, it was,
|
|
it was just hilarious to him that,
|
|
a phone like line would have,
|
|
a general midi set,
|
|
with such a nice,
|
|
a set of patches,
|
|
good at that.
|
|
He said it almost like
|
|
he was on an actual,
|
|
no synthesizer.
|
|
But the orchestra head
|
|
was something special to him,
|
|
because it was just,
|
|
it stood out more.
|
|
So, so he was like,
|
|
okay,
|
|
I will go ahead and end right,
|
|
something like crack,
|
|
crack,
|
|
and then,
|
|
I will just finish
|
|
4k demo,
|
|
you see that,
|
|
you think that sort of,
|
|
that sort of,
|
|
uh,
|
|
uh,
|
|
as it were.
|
|
So,
|
|
so, I mean, that's,
|
|
that's where history kind of
|
|
began with that.
|
|
And then, um,
|
|
I was just getting so frustrated
|
|
with, was writing it at the,
|
|
at the,
|
|
already writing the actual,
|
|
the actual demo,
|
|
because,
|
|
job on a cell phone,
|
|
like, line,
|
|
is stupidly restrictive,
|
|
yeah.
|
|
To the point where,
|
|
I was actually asking friends
|
|
of mine who were experienced
|
|
at it,
|
|
to see if I could like,
|
|
their sway,
|
|
the duty,
|
|
and to get me more eager.
|
|
All of them laughed.
|
|
They, they, they,
|
|
they completely,
|
|
utterly just,
|
|
laughed in my face,
|
|
and told me,
|
|
no, are you nuts?
|
|
Yeah.
|
|
Really, really,
|
|
you think so?
|
|
Um,
|
|
and it was,
|
|
this, this really good,
|
|
uh,
|
|
that, because,
|
|
I had all these,
|
|
these demo effects,
|
|
written,
|
|
that had never actually
|
|
made it into the final
|
|
production,
|
|
because,
|
|
they all paused
|
|
into crashing.
|
|
Um,
|
|
to see the end,
|
|
which has just been out,
|
|
all sorts of interesting,
|
|
e-heirs,
|
|
just,
|
|
just,
|
|
reading from,
|
|
don't want your exceptions,
|
|
because of,
|
|
you know, lack of heat,
|
|
through,
|
|
uh,
|
|
out of memory exceptions,
|
|
because,
|
|
you know,
|
|
lack of heat,
|
|
out of memory exceptions,
|
|
and everything else
|
|
in between,
|
|
so,
|
|
I started getting really,
|
|
really,
|
|
really,
|
|
this,
|
|
this hard diet,
|
|
um,
|
|
is I,
|
|
as I understand,
|
|
you are,
|
|
either in the process of,
|
|
or have you released,
|
|
a, uh,
|
|
final version of this?
|
|
I've been in the process
|
|
of,
|
|
um,
|
|
well,
|
|
okay.
|
|
Um,
|
|
so, the whole,
|
|
the whole thing is,
|
|
uh,
|
|
I didn't have,
|
|
uh,
|
|
So I'm just going to go ahead and rewrite a lot of the really, really critical parts in
|
|
Jasmine and try to make it actually run with something.
|
|
You had mentioned that maybe stepping back a little bit.
|
|
You had mentioned that you had open GL, STL sort of framework that you were planning
|
|
on.
|
|
You're releasing a PC demo.
|
|
Do you plan on doing anything PC-wise for 2010 or your party?
|
|
I'm going to hope so, like, I'm crossing my fingers and hoping that I don't have the same
|
|
sort of, if you see happen with my hardware, I can.
|
|
Yeah.
|
|
Yeah, you've been doing like cash flow and how much I'm dumping it through a sort of
|
|
at the moment.
|
|
I don't think I'm really changing that pops anytime soon.
|
|
So I'm going to keep my fingers crossed and like, hoping for you that I don't have to
|
|
send my laptop in for repairs again because that would just, that would make a lot of parties
|
|
such a, such a, a, a bad look of that.
|
|
But no, going back to the whole distance part of it, though, and it hurts soundtrack.
|
|
Yeah.
|
|
I was getting so frustrated with actually writing the productions that it was getting, it was
|
|
getting out of my mind, but you just give up on it.
|
|
Yeah.
|
|
Yeah.
|
|
A lot of people have that thought.
|
|
It's like, okay, okay, no, no, no.
|
|
Okay.
|
|
If I may interrupt here, it's, you have like, yeah, it's like one person or one group going,
|
|
we gave up.
|
|
We, we, it just, no, it's not happening.
|
|
And then everyone's like, oh, boo, boo, you gave up.
|
|
No, you got to keep on going.
|
|
And then maybe the next day, they're like, we gave up.
|
|
Yeah.
|
|
It happens a lot.
|
|
Well, it actually was, it was anyone thought in the back of my mind, but what really stitched
|
|
it was the fact that Bert delivered the soundtrack.
|
|
That really, really, really sold the deal for me.
|
|
And, and after that, it was just, it was a matter of just either admitting defeat and then
|
|
being kind of looked down upon by everybody or actually like going through with production
|
|
and getting it submitted and actually presenting it.
|
|
Yeah.
|
|
And, and obviously, I went with the latter on this one.
|
|
It was just, it was an over here.
|
|
I was going to go ahead and actually submit my production as, as, as proud as it was.
|
|
Um, I, it sounds, I'm also creating it as, it is a kind of production.
|
|
Um, that's okay.
|
|
Like.
|
|
But, I mean, it's, yeah, I, it got down to it where I was down to the, down to the wire.
|
|
Yeah.
|
|
And I had, I had to do something.
|
|
So I just kind of said, hey, I will clean up what I have and I will just show it.
|
|
But, the crowd liked it.
|
|
They got shown and they never went there.
|
|
I was saying to, you got a big, uh, round of applause and wasn't so bad, right?
|
|
But what really got me, though, is the fact that they cheered for a starfield on a self-owness flag.
|
|
How did I get to you?
|
|
Well, it was, it's a fresh for me.
|
|
I've never actually had anybody cheered for anything that I've done like that before.
|
|
Like, it's, I've always usually just done, like, boring and bad talks and stuff like that.
|
|
So, yeah.
|
|
Yeah.
|
|
Yeah.
|
|
I have, I have stuff to say about that later, but no, it was, it was kind of cool to have everyone cheering with the starfield on screen.
|
|
Like, that actually, that was just, that made my night.
|
|
Like, I live in the starfields under way too long, but...
|
|
Yeah, I'll have criticisms for it.
|
|
I think we all have criticisms for our productions.
|
|
Yeah.
|
|
Right, so.
|
|
Yeah.
|
|
It was good.
|
|
But that was, that was, that was a good first production.
|
|
That was actually my very first demo ever.
|
|
Yeah.
|
|
Uh, because I understand it was your first party ever as well.
|
|
Yeah.
|
|
Now, uh, you have decided to host your own party.
|
|
Oh, man.
|
|
And this is actually kind of grew out of, out of the offensive launch line at Macfest, right?
|
|
Yeah.
|
|
So, in front of mine told me one winter that he was going to drag me kicking and screaming to Macfest.
|
|
So, he did just that.
|
|
He dragged me kicking and screaming to Washington DC.
|
|
Yeah.
|
|
And the moment I know that it was going to be my experience.
|
|
I, it was, it was awesome.
|
|
I'm just going to leave it at that.
|
|
I can't, I can't offer it at the worst.
|
|
I see.
|
|
Um, the, the, it was not what I was expecting it to be.
|
|
So, they, they told me that it was a, like, a video game sort of, like, convention thing.
|
|
And I was, I instantly had the bad connotations in the back of my mind, just kind of, like, showing up.
|
|
Yeah.
|
|
I may, you know, I've never been to Macfest and I may have some biases against it just for the fact that, like, that's how it was presented to me, too.
|
|
Like, uh, or just reading about it, rather, this is a video game sort of confidence.
|
|
But it's, it's really, it's...
|
|
But Modtrine is there, right?
|
|
So...
|
|
Modtrine is there.
|
|
So, you do have a big habit, like, Tiger contingent.
|
|
Yeah.
|
|
The thing that really seals Macfest, though, is the fact that it's more about music.
|
|
Oh.
|
|
So, you guys actually take the video game soundtracks.
|
|
They will actually, like, do live covers of them and just do really, really insane stuff with them.
|
|
Yeah.
|
|
I mean, it's all very creative and it's all very...
|
|
It's very much the same thing on...
|
|
And...
|
|
To make, to make that as worse.
|
|
Uh, the event organizers at one point, uh, I think, for Macfest for...
|
|
Macfest Aid is coming up this January.
|
|
So, let's...
|
|
Let's respect this right away.
|
|
Um...
|
|
So, Macfest Sport was the pilot event for...
|
|
He sort of this small demo show.
|
|
Hmm.
|
|
Okay.
|
|
So, he actually had...
|
|
He actually tried to have competitions where it's set up there.
|
|
Um...
|
|
And it flopped.
|
|
I mean, they were frustrated with the turn out of it and it just flopped.
|
|
Yeah.
|
|
Um...
|
|
So, I was talking about it.
|
|
And I mean, the primary goal wasn't really a demo scene stuff.
|
|
I mean, it is, but it's not really more demos.
|
|
It's more fun music instead.
|
|
Yeah.
|
|
With a reluctant demo combo, because GarGuy kind of, like, twisted my hand and said,
|
|
no, you're going to have a demo combo.
|
|
Uh...
|
|
He has to be quiet and have a demo combo and I was just like, uh,
|
|
because none of the people really there are demo covers.
|
|
I don't know if I'm some sort of mailing list or something like that, but I remember this...
|
|
Parts of this conversation somehow.
|
|
Or maybe this is in my head, like, I don't know, like, uh...
|
|
I remember GarGuy pushing for a demo competition.
|
|
I wonder what this was.
|
|
Um...
|
|
That was probably on some sort of a live journal or something.
|
|
Yeah.
|
|
Actually, I think it wasn't live journal.
|
|
Um...
|
|
But, uh...
|
|
But no, he twisted my arm and said, no, you're going to have a demo combo.
|
|
You're going to have remote submissions.
|
|
Yeah.
|
|
Um...
|
|
So...
|
|
I kind of had to say...
|
|
Yes.
|
|
I will have a demo combo.
|
|
Please let go of my arm.
|
|
Well, um...
|
|
DR, are you going to...
|
|
Are there someone producing an invite for this?
|
|
I had...
|
|
I had every intention of getting one together.
|
|
Yeah.
|
|
But everything has just been falling apart.
|
|
Nesby's...
|
|
Nesby has been trying to approach you.
|
|
I don't know if you know this or not.
|
|
He has been in...
|
|
I...
|
|
Like...
|
|
I guess I need to poke him again,
|
|
but it's been several weeks.
|
|
Um...
|
|
I can tell him right away.
|
|
I'll call him after this.
|
|
And if...
|
|
Oh, okay.
|
|
Yeah, that's right.
|
|
He lives nearby you, doesn't he?
|
|
No, it was California.
|
|
Oh, okay.
|
|
No, I was completely...
|
|
Okay.
|
|
Nevermind.
|
|
Uh...
|
|
Yeah.
|
|
No, no, no.
|
|
I need to poke him and tell him, hey, uh...
|
|
Like...
|
|
Invite stuff is not coming together.
|
|
Uh...
|
|
Do it as you wish.
|
|
Yeah.
|
|
All right.
|
|
Cool.
|
|
I'll tell him that.
|
|
Like, I'll give him...
|
|
I'll give him party information and stuff,
|
|
if he can't readily get through it.
|
|
Um...
|
|
Oh, yeah.
|
|
That's you.
|
|
Uh...
|
|
I've been working on a party website as well.
|
|
Yeah.
|
|
That was supposed to go up a couple days ago.
|
|
But...
|
|
Uh...
|
|
A plan that mine had some really, really, really pressing issues
|
|
that needed to be taken care of.
|
|
So I had to drop everything and work on that for a while.
|
|
Yeah.
|
|
Uh...
|
|
How it goes, right?
|
|
Yeah.
|
|
It's...
|
|
I look at the party website up here pretty soon.
|
|
Like, real soon now.
|
|
Hahaha.
|
|
Um...
|
|
It's...
|
|
It's going to get up this week.
|
|
Um...
|
|
And I understand you have a...
|
|
A wiki...
|
|
Uh...
|
|
For...
|
|
For this party?
|
|
Uh...
|
|
Yeah, wiki page.
|
|
Your personal website.
|
|
Um...
|
|
This...
|
|
This address is actually kind of awkward to...
|
|
To tell people because it's...
|
|
It's a sign to the classification for roads, right?
|
|
And the backpies.
|
|
And people don't usually get it right away.
|
|
Yeah.
|
|
Um...
|
|
So...
|
|
It depends on really how you're moving it to...
|
|
To give you a URL.
|
|
I guess I'll just spell it.
|
|
Okay.
|
|
It's that.
|
|
But even then, it's the zero approach.
|
|
Okay, so...
|
|
I understand that was seen by the US.
|
|
Uh...
|
|
This...
|
|
Uh...
|
|
Some information about this party?
|
|
Yes.
|
|
The US does have information about...
|
|
Uh...
|
|
No hope.
|
|
But, uh...
|
|
It's somebody...
|
|
I forget, I forget who it was...
|
|
But the posting up on the front page.
|
|
Yeah.
|
|
And then...
|
|
If you...
|
|
If you look back through...
|
|
Uh...
|
|
Some of the...
|
|
The history...
|
|
The new history for going up that...
|
|
You can find it there as well.
|
|
Or on the coronavirus.
|
|
A lot of people actually learn about it through the coronavirus.
|
|
Which was actually really bizarre for me.
|
|
Because that's...
|
|
That's a big...
|
|
That's a big fight for domestic conditions.
|
|
Yeah.
|
|
Um...
|
|
domestic conditions and...
|
|
Graphic coders and...
|
|
Even if...
|
|
It's...
|
|
It's their square figure.
|
|
So it was...
|
|
It was kind of bizarre to have it show up there.
|
|
Like...
|
|
It's an already good way.
|
|
Do you know...
|
|
Do you know who is responsible for that?
|
|
Or is...
|
|
Oh!
|
|
I don't...
|
|
I don't know if you had it.
|
|
I'm not on the computer right now.
|
|
So...
|
|
So I really can't say anything.
|
|
I just thought about that.
|
|
Um...
|
|
Whoever it was, I do appreciate their...
|
|
Their enthusiasm and getting the word out.
|
|
That was actually kind of cool.
|
|
Okay.
|
|
So this is...
|
|
This is a part of MakeFest 8.
|
|
Um...
|
|
This is happening in January?
|
|
New Year's Day.
|
|
New Year's Day.
|
|
And...
|
|
New Year's Day.
|
|
New Year's Day.
|
|
New Year's Day to the fourth.
|
|
So where is this being held exactly?
|
|
MakeFest.
|
|
Now in January of Virginia.
|
|
On DC Metro.
|
|
So if you...
|
|
If you fly into Ronald Reagan International Airport and take...
|
|
I think the yellow line...
|
|
How it's...
|
|
Like...
|
|
Change Street Station.
|
|
You're right at the hotel all of us.
|
|
So it's right there.
|
|
Uh...
|
|
Quotal will be there.
|
|
I'm pretty sure.
|
|
Quotal is going to be there.
|
|
If you...
|
|
If you know anybody from lunch trying...
|
|
You're...
|
|
You're certainly going to know people.
|
|
Yeah.
|
|
And the bird...
|
|
The bird's a celebrity there.
|
|
Yeah.
|
|
But then again, bird's a celebrity everywhere.
|
|
Wow.
|
|
Uh...
|
|
That's why you have to show up to the places, right?
|
|
So...
|
|
Is Mad Brain going to be there, do you know?
|
|
No.
|
|
Uh...
|
|
Unless...
|
|
Mad Brain cannot...
|
|
Cannot come down from Quebec to...
|
|
As much...
|
|
As much as you would love to.
|
|
Um...
|
|
I think you actually got university stuff going on at that time.
|
|
Hmm, I see.
|
|
No.
|
|
I think so.
|
|
But I'm not sure.
|
|
No.
|
|
You said you accept remote entries.
|
|
Or is this just for the demo competition?
|
|
Or is this for all the competitions?
|
|
This is for everything accessible or...
|
|
Um...
|
|
The fast music competition?
|
|
Yeah.
|
|
Well.
|
|
Uh...
|
|
We're...
|
|
We're kind of locking the room for that.
|
|
Like...
|
|
Really?
|
|
Not really.
|
|
Uh...
|
|
That's so less exciting.
|
|
I can't...
|
|
Well, it would be exciting.
|
|
But...
|
|
We have the lanterns giving kind of irony with us.
|
|
Um...
|
|
So, yeah.
|
|
This is actually a true, sort of, assembly-like style.
|
|
I'm already almost...
|
|
Except...
|
|
And all the foods.
|
|
Well, that's a lie.
|
|
But...
|
|
Just...
|
|
For the sake of...
|
|
I'm saying...
|
|
It's just...
|
|
Like, assembly without foods.
|
|
Um...
|
|
But, uh...
|
|
No, we've got lanterns and stuff in the same room.
|
|
So, I mean, if we locked the doors...
|
|
They would be kind of irony with us.
|
|
Uh...
|
|
Okay.
|
|
So, I was just going to mention the competitions.
|
|
You have a demo competition.
|
|
Um...
|
|
You have a fast music competition.
|
|
What are their compos?
|
|
Are you, uh...
|
|
Are you doing?
|
|
We're looking at...
|
|
Uh...
|
|
Also a streamed music.
|
|
So, MP3.
|
|
Orpus.
|
|
Black.
|
|
Alac.
|
|
The whole gamut.
|
|
You...
|
|
You have a player for it that we can use.
|
|
Fine.
|
|
It's streaming.
|
|
Fine.
|
|
We'll play it.
|
|
Um...
|
|
And then we have the old school tracked competition.
|
|
So, anything that's...
|
|
Like NSF for...
|
|
For a Super Nintendo or...
|
|
Or...
|
|
Nintendo Entertainment.
|
|
Or SPC for Super Nintendo.
|
|
Or...
|
|
Uh...
|
|
The VGM stuff for the Sega Genesis.
|
|
Big club.
|
|
Yeah.
|
|
Yeah.
|
|
Um...
|
|
Uh...
|
|
Or...
|
|
Or spin champions.
|
|
Um...
|
|
Trying to...
|
|
I sent an email back to no carrier.
|
|
He has an NGSC-D64.
|
|
Yeah.
|
|
But he...
|
|
Like...
|
|
Offered to...
|
|
Takeover.
|
|
He took the product last year.
|
|
Um...
|
|
But he offered...
|
|
No one has to use it for a short time.
|
|
And, uh...
|
|
As far as probably more logistical issues are concerned, uh...
|
|
How much is the entry fee for...
|
|
For this party?
|
|
Entry is...
|
|
The MagFest registration fee, which should be 45 months to the work.
|
|
Uh...
|
|
It should be 48 free registration.
|
|
But don't grow up feeling that.
|
|
Uh...
|
|
It's...
|
|
It's about as cheap as...
|
|
Some of the cheaper European parties.
|
|
So if you can afford to go there, you can afford to go here.
|
|
Uh...
|
|
The only thing that can be killing you...
|
|
Is the accommodations.
|
|
Uh...
|
|
That's ninety-nine a night.
|
|
Yeah.
|
|
Uh...
|
|
That's...
|
|
That's something I know to be fact.
|
|
So if you can at all, like...
|
|
Ask somebody very nicely if you can crash on their floor.
|
|
Yeah.
|
|
That's what a lot of people do.
|
|
Well, I mean...
|
|
And that's actually encouraged by the organizers of the event.
|
|
They're like, hey, um...
|
|
We don't like having to ask the hotel for more hotel rooms.
|
|
Um...
|
|
So if you don't mind crashing on the floor, like...
|
|
Feel free.
|
|
Yeah.
|
|
Um...
|
|
Just ask very nicely.
|
|
No, I wonder...
|
|
We have a lot of the uh...
|
|
North American parties have been in hotels.
|
|
So, traditionally, a lot of the hacker parties as well.
|
|
And...
|
|
I'm wondering, uh...
|
|
Will we have a sleeping hall somewhere?
|
|
I mean, I know Nade, for instance, was in a...
|
|
Uh...
|
|
Jason Scott was just mentioning that...
|
|
Nade, uh, was in a school.
|
|
And for ten bucks, he could sleep on the floor.
|
|
In the school.
|
|
Hey, yeah, no dice.
|
|
Um...
|
|
The hotel would really, really, really fall upon that, um...
|
|
But...
|
|
I mean, if you notice me nearby, I mean, that's...
|
|
Yeah.
|
|
It's just the same as coming to a convention for a day.
|
|
And...
|
|
I'm saying, in general, for perhaps other parties, is...
|
|
I imagine, yeah, it would probably be difficult to strike a deal with the hotel.
|
|
Just thinking on the floor.
|
|
Well, ideally, ideally what should happen is...
|
|
All right, I would get this...
|
|
I would get this event kind of kickstarted, right?
|
|
Yeah.
|
|
And then pass the buck off through...
|
|
The guys who actually run mags ass...
|
|
And say, hey, like...
|
|
You have to start it.
|
|
Um...
|
|
You have something with it.
|
|
Hmm.
|
|
Okay.
|
|
All right, so this is...
|
|
This is not really something for me to...
|
|
To acquire fame, this is actually something for me to...
|
|
To try to get something that I'd like...
|
|
And to catch something I'd like to go through.
|
|
Well, they...
|
|
They tried one, it...
|
|
They confessed for, you say it.
|
|
Right.
|
|
Um, so...
|
|
So here's...
|
|
So here's the breakdown of it, right?
|
|
They...
|
|
They tried.
|
|
Um...
|
|
But they didn't do it...
|
|
In the right way, apparently,
|
|
it's locked.
|
|
Something happens.
|
|
That's good and evident.
|
|
Yeah.
|
|
Come on.
|
|
You're not sure what they did...
|
|
They did it wrong.
|
|
And apparently, I've...
|
|
managed to get some traction in the community.
|
|
Um...
|
|
To the point where people actually...
|
|
People are actually enthusiastic in...
|
|
Like, helping out and...
|
|
Uh...
|
|
Assisting wasn't to do that.
|
|
I have that stuff in the works.
|
|
People who are asking me questions about...
|
|
I think...
|
|
Helping you organize it.
|
|
You'll see the emails later.
|
|
Um...
|
|
But, um...
|
|
Although, they try...
|
|
They try to make this work.
|
|
Um...
|
|
And they fail.
|
|
And I'm like, well, okay.
|
|
Let's...
|
|
Let's give it another shot.
|
|
We have first blessing now.
|
|
Um...
|
|
Hopefully I can...
|
|
Like start off a good trend...
|
|
With one year, and then, like, maybe try to get the ends off...
|
|
Next year.
|
|
I really like to do that. I like to rent out a university gymnasium somewhere. Maybe like a gymnasium at Washington University in St. Louis, for example.
|
|
I just kind of like have the party there. And we've got showers. We've got a big gymnasium board.
|
|
Yeah. The fact that you don't have to pay for a hotel room, just maybe getting back a little bit. This has just been in complaint for me. I hope that would draw a lot more people.
|
|
Do you think that would affect people's showing at a demo party?
|
|
Definitely. In fact, a couple of the other subcultures that I'm part of, most of the complaints usually do involve a hotel.
|
|
It's either too expensive or too expensive in an area. I mean, it's best to be complete too. So if you go to the restaurant, turn on the hotel. They're usually a lot more expensive.
|
|
Oh, that's their industry, right? So.
|
|
So all of the whole thing is, all right, you bring it to a university. Who goes to the university?
|
|
Or college students who have barely any money, barely have two nipples broke together. So a lot of places nearby are going to be very cheap.
|
|
I mean, that's definitely something to consider, right? Yeah.
|
|
There's a telecomination. You've got the places nearby to be. But I mean, how do hotels usually require exclusively agreements with events?
|
|
This was an evident cat, the window for walk party, where they kind of forbade us from bringing in outside here.
|
|
Yeah. So yeah, that's definitely something to consider as well. Yes, it would help.
|
|
Do you have any sponsors for you seeking any sponsorship or?
|
|
None. No, okay.
|
|
None entirely non-commercial. If somebody wants to give us money?
|
|
Doesn't necessarily have to be money, just like soda, for instance.
|
|
Yeah, I mean, if they want to give us something like that, we'll do it not to get the word out.
|
|
But I mean, we're not going to sit down and roll over to get corporate word out.
|
|
I mean, that's one of the things that I'm kind of adverse to, because everyone knows already about AMD and Nvidia and Intel and all the other computer marketing factors.
|
|
And I don't really see the need to bring them in so much. If it's the neat new product idea, like cooking.
|
|
That I can actually kind of go with.
|
|
If it's right to do it, it can be.
|
|
So, I mean, it really kind of depends, right?
|
|
I say, I say, it's fairly non-commercial. It's like a little bit on that, maybe.
|
|
So it's not really like black and white.
|
|
No, I'm not seeking sponsorship right now.
|
|
It's just me putting me in my lap that's, hey, this can't be, it's new trash handed out to people.
|
|
We'll give you money.
|
|
Yeah.
|
|
I'm not going to say no.
|
|
When did you rethinking of thinking of hosting a party before black party?
|
|
Or is this something that occurred to you during black party or have you been thinking about this for a while?
|
|
No, this party actually came out just out of the attendance of Montrion at Macfast.
|
|
How did you, how did you get into Montrion in these people?
|
|
I blame Coda for a lot of things.
|
|
I blame Coda for a lot of things too.
|
|
I blame Coda.
|
|
Coda is the reason you're at stocks right now.
|
|
Well, Coda and Coda as well, I think, these two things combined.
|
|
But, I'm sorry.
|
|
Okay, okay, all right, all right. So, what were you to say?
|
|
All right, so.
|
|
Coda, we love you.
|
|
Okay, no.
|
|
You can laugh at it anyway.
|
|
So, sliding out a channel on another network called the Open Canvas sessions, OCS.
|
|
Yeah.
|
|
A friend of mine from the West Chicago suburbs is the annual channel founder and I just kind of hang out there.
|
|
It's become quite the noticing channel for some reason.
|
|
Because we've got a German guy from Karlsruhe who hangs out there now.
|
|
And, I mean, he was actually, he came from fortune and so it kind of came full circle.
|
|
It was kind of funny how that happened.
|
|
And, Coda mentioned it's not trying.
|
|
So, I go in there and I'm told they're talking about music.
|
|
And, they're actually blanking.
|
|
They're talking about chord progression.
|
|
And, what happens is you flat a certain degree of a note or a certain degree of a chord.
|
|
So, I mean, what happens if you say some random chord and you flat the fifth degree?
|
|
And, these guys are talking about hardcore due to composition stuff.
|
|
And, I'm just like, oh, hey, it's cool.
|
|
Uh, nationally Coda's in there.
|
|
But then, you've got some of us in the math brain and a couple of others' celebrities in there.
|
|
And, they're all talking about their own little things.
|
|
I mean, the math brain has this thing with that sense of this.
|
|
Like, he's a master at it.
|
|
I mean, you won't be able to do that.
|
|
Really?
|
|
Yes, he's an F.M. since God.
|
|
Hi.
|
|
That's a talk to him.
|
|
It's a math brain.
|
|
Yes, dude, you talked to him.
|
|
He has a wealth of information to divulge.
|
|
And, he loves to tell you about it.
|
|
And, that's not a bad thing either.
|
|
Like, I genuinely appreciated that.
|
|
I took, he gave me sensual algorithms, right?
|
|
For, um, cooking up operators?
|
|
Yeah.
|
|
And, I took a post-it note and I wrote down all the algorithms he gave me and I stuck them on the wall.
|
|
That's how much I appreciated it.
|
|
Like, I stared every day.
|
|
That's something that I was really, really kind of cool.
|
|
Um, and then I came in and I came into that and told him, hey, I kind of know some of the physics and math behind that.
|
|
So, I mean, we got that kind of relationship going and then come to think of it.
|
|
And math is also a eight linguistics guy, which is kind of right up my alley, too.
|
|
So, you know, we've got that much to talk about still.
|
|
I mean, all these guys are more than just music, right?
|
|
So, I mean, you go in there and you listen to them or be what they're talking about, you know, with regard to music.
|
|
But then they'll go on top of the conversation and then they'll start talking about programming and linguistics.
|
|
And then, if it's in the session, all these other topics that don't really release tracking so much, that's how I kind of got into it.
|
|
Yeah.
|
|
So, I'm not, I'm not some extractor myself because I do with programming and math stuff, right?
|
|
Yeah.
|
|
My creativity really comes through writing the most elegant math proofs.
|
|
I'm kind of working in there hard on the brain.
|
|
Ah, boring to some people.
|
|
Well, yeah, only with some people.
|
|
You get some kind of math decisions.
|
|
You think they're gods of times.
|
|
They say that you're preaching from the book.
|
|
As Paul Erdisch used to say when he came up with that, the most elegant person he could think of.
|
|
He would actually like hold the paper out and say, this one is from the book, right?
|
|
So, I mean, you can people who appreciate it, but I mean it's boring to most because they don't understand it.
|
|
Right?
|
|
They just don't care.
|
|
It's kind of sad, but at the same time, it's understandable.
|
|
Either way.
|
|
Either way.
|
|
Ah, that's kind of how I got into math trying.
|
|
I just kind of hang out there and whenever they have a tracker combo, it's kind of a capture.
|
|
Rather than I'm going to have the time to sit down and actually try to hack something together.
|
|
Okay.
|
|
So, everyone, do you mind if I close this interview up?
|
|
No, go ahead.
|
|
Please.
|
|
All right.
|
|
So, everyone, you've got to come.
|
|
Okay.
|
|
So, everyone, you've got to come to...
|
|
All right, I've been pronouncing this new repute, but it's actually pronounced nor pub.
|
|
Right?
|
|
No pub, yep.
|
|
Yep.
|
|
Yeah.
|
|
And mod trying will be there.
|
|
A lot of those people.
|
|
And all your favorite people that you know from the scene, more or less.
|
|
So...
|
|
I'm sorry?
|
|
You were in the American scene.
|
|
Yeah.
|
|
Well, we're like family, right?
|
|
So...
|
|
Morning.
|
|
It's me.
|
|
We're a festival type group of people, so I suppose we are family.
|
|
Oh, man.
|
|
What was his name?
|
|
There was a...
|
|
Oh.
|
|
All right.
|
|
I came to Block Party on a bus, right?
|
|
It was terrible.
|
|
It took a long time.
|
|
It was a horrible bus ride.
|
|
But that aside, there's another person who came his name.
|
|
He submitted...
|
|
He did a track.
|
|
A piece of music that he submitted into the competition for Block Party.
|
|
His name begins with L.
|
|
Do you know who I'm talking about?
|
|
Uh...
|
|
Uh...
|
|
Not Sean.
|
|
Your neck is a width.
|
|
No.
|
|
No, not from my neck of the woods.
|
|
I think he was in Michigan or something.
|
|
I don't know exactly where he was.
|
|
Well, again, that's kind of your neck of the woods.
|
|
It's from the north.
|
|
Uh...
|
|
Uh-huh.
|
|
The only person I can think of with an L offhand is Lapine from...
|
|
That's him.
|
|
Lapine.
|
|
Was it him?
|
|
Yeah.
|
|
Yeah.
|
|
All right.
|
|
All right.
|
|
Yeah.
|
|
He had a hell of a fun time.
|
|
He did.
|
|
Um...
|
|
He started really lamenting about some of the things that went wrong.
|
|
I couldn't remember exactly what he was...
|
|
What he was planning about.
|
|
But, uh...
|
|
Like the last time he got from his boss was...
|
|
Was there anything weird?
|
|
And a number of other things.
|
|
He's kind of like...
|
|
That meet of the screens.
|
|
He got a little bit.
|
|
Uh-huh.
|
|
And then the competition section came by and...
|
|
And he cheered about quite a bit.
|
|
Yeah.
|
|
And that's over our antics in the hotel room.
|
|
Uh...
|
|
There are photos.
|
|
There are photos of shops.
|
|
Of photos.
|
|
Uh...
|
|
How's stuff that happened in the boss trying to go to the hotel room?
|
|
All right.
|
|
So...
|
|
Um...
|
|
It was a good time.
|
|
So, I guess, uh...
|
|
Thanks for joining us.
|
|
Thank you.
|
|
All right.
|
|
Take care.
|
|
All right.
|
|
All right.
|
|
All right.
|
|
All right.
|
|
All right.
|
|
All right.
|
|
All right.
|
|
All right.
|
|
All right.
|
|
All right.
|
|
All right.
|
|
All right.
|
|
All right.
|
|
All right.
|
|
All right.
|
|
All right.
|
|
All right.
|
|
All right.
|
|
All right.
|
|
All right.
|
|
All right.
|
|
All right.
|
|
All right.
|
|
All right.
|
|
All right.
|
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All right.
|
|
All right.
|
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All right.
|
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All right.
|
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All right.
|
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All right.
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All right.
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All right.
|
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All right.
|
|
All right.
|
|
All right.
|
|
All right.
|
|
All right.
|
|
All right.
|
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All right.
|
|
All right.
|
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All right.
|
|
All right.
|
|
All right.
|