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79 lines
6.6 KiB
Plaintext
79 lines
6.6 KiB
Plaintext
Episode: 2954
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Title: HPR2954: Wrestling As You Like It episode 1
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Source: https://hub.hackerpublicradio.org/ccdn.php?filename=/eps/hpr2954/hpr2954.mp3
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Transcribed: 2025-10-24 13:48:29
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---
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This is HPR Episode 2954 for Thursday 28 November 2019. Today's show isn't titled
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Wrestling as you like it, Episode 1, and it's hosted by The Dude. It's about 8 minutes long,
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carries an explicit flag. The summary is, our Wrestling Podcast report on Indie Wrestling.
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Today we're talking about different TV styles.
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This episode of HPR is brought to you by AnanasThost.com. Get 15% discount on all shared hosting
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with the offer code HPR15. That's HPR15. Better web hosting that's honest and fair at AnanasThost.com.
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Okay, this is, oh sorry about that. We're going to put that over there. Hopefully this won't work out all right.
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Anyway, this is the Wrestling as you like it. Podcasts on hacker public radio. And yes, I am driving
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right now, but whatever. This podcast needs to be done. Today we're going to talk about a couple of
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things. Mainly wrestling style, such as how wrestling is filmed or recorded.
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Specifically, we're going to talk about my interest in two organizations that I've been following.
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Actually, three. We're going to actually include CMLL on this and a little bit of WWE,
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but it's mainly going to be Capital Wrestling and the NWA. Now,
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wrestling is usually shot kind of like a boxy match, but there's also like reality TV in the
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background, which all goes down to, well, the riding aspect mainly Vince Russo for that type of
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style, also Vince the man, but to how to shoot wrestling, how people see how wrestling is shot
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all goes to a man named Kevin Dunn. And although a lot of people in the wrestling business don't
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really care for Mr. Kevin Dunn, but you can't not deny his influence on how wrestling is shot on TV.
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Now that being said, everybody tries to shoot in that style, it seems anymore, until recently.
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Well, I wouldn't say until recently, because there's a couple other CMLLs, the odd mall. But anyway,
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nowadays, you had a show called Lucha Underground, which filmed everything cinematic.
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And they had the cinematic look for everything except the matches, the matches are typical
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NWA, but everything in the background was not cinematic. Well, this brings me to a
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promotion that has been influenced by this, and that is Capital Wrestling, which is on the
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fight network. It's a promotion out of New Jersey. And how it shot is cinematic throughout the
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entire thing, for the most part. And that difference in how they set up everything, especially since
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sometimes their shows are at schools, so they'll take the school stage, or even a theater, they have
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the entrances come off the stage. And that is something that hasn't really been seen before,
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especially when people equate wrestling to theater. It definitely makes, like for a unique experience
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in a unique launch. That in the wrestling is really great as well. Next up, we come to the NWA,
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which with NWA power, they did theirs as like an old school 70s, in 80s wrestling studio show,
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which great, even though the style is old, it's so old that it's new and refreshing.
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And with that style comes with a lot of chaos, which is great, especially since,
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well, this is taped in the studio, but if it was live in the studio, it'd be amazing.
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And also, new freaking spoilers, which is what happened with a tape show, unfortunately,
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and I wish my fellow wrestling journalists would stop broadcasting spoilers and run for everybody
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else. But anyway, that being said, with the chaos that comes with a studio wrestling show,
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it breathes like an nostalgia value and also is extremely refreshing. And it also is identifiable,
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especially, like I said, with like cap of wrestling, it is identifiable. Well, how lucha underground was,
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it was identifiable. You know, it's not like you pop on a wrestling show and it's like, okay,
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it's this wrestling show. It's exactly like the other wrestling show, but with different wrestlers.
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This, it completely looks different and puts you in a different experience, like you're actually
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fall in love with wrestling for the first time. And now this brings me to CMLL. Now, CMLL,
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they're formats completely different. As opposed to like backstage segments for the provos or
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how the NWA does it, they have like it all in the studio.
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CMLL, all the provos and everything leading up to match. They actually have a separate show,
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like a press conference, where the wrestlers, you know, they promote the match coming up. So,
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it's kind of like a boxing. And it is definitely shot, kind of, old school boxing with,
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with, you know, card girls, you know, with, you have girls that carry around the round cards in
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boxing. Well, and CMLL, wrestling, you actually have girls that hold the cards for like each fall.
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So round one, round two is, you know, each pinfall, you know, pinfall one, pinfall two,
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pinfall three. And it gives like a really huge sports vibe with it. Of course, that again,
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CMLL, you know, Mexico, I mean, wrestling in a Mexico is taking a lot more serious than it is.
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Up here, same with Japan, but I'm not really familiar with New Japan style. So, I'll have to come back
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to you on that. But, when it comes to visual style, it's nice to have a lot of variety,
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which I believe has been lacking for the longest time. Because before, it's really only CMLL,
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is the only thing doing anything different from the WWE style that I've seen so far.
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Maybe the promotions in Japan do something different. As far as I wear, it's more like a clip show,
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but that being said, it's nice that all of American promotions have been doing a different style
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and just to stand out. And it also keeps you hooked. And next week, well, not next week, next month,
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I'm going to try to go in the detail. I'm going to be following mainly NWA cap or wrestling.
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CMLL, if I have the time to, but until then, keep on looking at more episodes. And also,
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if you're a wrestling fan, keep watching.
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You've been listening to Hacker Public Radio at Hacker Public Radio. We are a community podcast
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network that releases shows every weekday Monday through Friday. Today's show, like all our shows,
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was contributed by an HPR listener like yourself. If you ever thought of recording a podcast,
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then click on our contribute link to find out how easy it really is. Hacker Public Radio was
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founded by the digital dog pound and the infonomicon computer club, and it's part of the binary
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revolution at binrev.com. If you have comments on today's show, please email the host directly,
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leave a comment on the website or record a follow-up episode yourself. Unless otherwise status,
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today's show is released on the creative comments, attribution, share a like, 3.0 license.
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