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661 lines
60 KiB
Plaintext
Episode: 3348
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Title: HPR3348: Feedback on the Article by hedorah about HPR
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Source: https://hub.hackerpublicradio.org/ccdn.php?filename=/eps/hpr3348/hpr3348.mp3
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Transcribed: 2025-10-24 21:18:50
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---
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This is Hacker Public Radio Episode 3348 for Wednesday, the 2nd of June 2021.
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Today's show is entitled, Feedback on the Article by Heather about HPR it is hosted by Ken
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Felon and is about 74 minutes long and carries an explicit flag. The summary is,
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Join the policy discussions on the mail list.
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This episode of HPR is brought to you by an honesthost.com.
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Get 15% discount on all shared hosting with the offer code HPR15.
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That's HPR15. Better web hosting that's honest and fair at An Honesthost.com.
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Hi everybody, my name is Ken Felon and you're listening to another episode of Hacker Public Radio.
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This is not the community news for April 2021 part due, although I suppose technically you could say
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it is Dave, what do you think? Well it feels a bit like it, especially since we said we're
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going to do this on the community news. So what we're doing here is there was a lot of comments
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on the mailing list so we're just going to go through the mobile one and release it as a separate
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show following my old mantra of like, why waste, why waste a show and you can have two shows.
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It all started on a cold winter's night.
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It all started by a blog post by a headron, is it? I read that as headdora.
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That will be it because you read stuff and I don't.
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Anyway, headdora, I came across this article on the mastodons and I posted a nice article on HPR
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with a valid question at the end and I got permission from him or her to read out this article.
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So shall we do that? Yeah, you know, May 2nd.
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There'll be a rough reading of the articles in this just in the morning.
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And was that a cue to me? Are you going to manage it?
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I don't know, I could, let's, I'll do it soon as I posted the person.
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Okay, right. Okay. So this was posted on the 24th of the 4th 2021.
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High above the radio is a wonderful project. Anyone ambitious can submit,
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you see, this is how it's going to be the whole show. Let's start again.
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And no, I'm not editing this out. Hacker Public Radio is a wonderful project.
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Anyone can submit a show and get it published into the virtual eater.
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This is a beautiful thing. You end up with some absolute gems but also some weird ones
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about belt buckles, historical political rants and people fixing garage doors.
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But I enjoy it and it's easy to filter out the episodes you don't want to listen to.
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When I first found out about HGR, I thought it would be a hacker podcast in the other
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sense of the world, breaking into systems and such. But it's really more about general
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Linux and Unix like topics, free open source software, tinkering, maker stuff, learning and
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free culture, even though it occasionally drops an episode about security related topics.
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The project aims to without five shows a week. That's a lot if you're counting on volunteers
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producing content in their spare time. I've never done it myself but I understand that recording,
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researching, recording and editing and writing show notes is a lot of work. Every year,
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there are inevitably periods where there are calls for shows, often resulting in some of the
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usual suspects, aka long standing time, long time contributors quickly putting something together
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and submitting. I think the quality of the episodes greatly decline during these periods.
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You sometimes get episodes where the intro and outro together is longer than
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in duration than the actual content. It's not my place to criticize the project since I'm just
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a non-contributing listener but I can't help but wonder if the goal of five shows per week
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is too ambitious. I think it would be nicer if some slots were kept empty if somebody submitted
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a show for that that day. If a show drops, it drops. I suspect that the quality of the shows
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generally would improve and fewer episodes would be produced in a rush. I can imagine that this would
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also take some stress off the regular contributors. On the other hand, these call for shows might
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give contributors a kick in the butt to finish and submit their current work in progress. I feel like
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an asshole from bringing this up. I love HBO and I've gotten so much knowledge, value and good
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last out of it over the many years in a listener. This is updated after I posted the link. I regret
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writing this post after Kevin Fallon linked to it on the hacker public radio mailing list which
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is where their policy decisions are proposed and discussed. I leave this post up as a reminder to
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myself to think things through before publishing. Quality was a subduptimal choice of words
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how most of the music I listen to is poor quality than any given HDR episode. I have nothing but
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respect towards the contributors of HDR. That was the main thing. To be honest, I'll give you my
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first impression of this was it was an excellent piece. Pretty much they should be doing our
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editing a lot of our pages on HDR because it pretty much describes what HDR is. Very good there.
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It's a valid question and it's so long since that question was brought up. That's why I posted
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to the to the HDR mailing list and this is why we've got an extra show. We've got an extra show
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out of this day. So the first response was from Jason Dodd. Do you want to take that one?
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Okay. Do you have any comments on the original article?
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I certainly liked the original article. I thought it the compliments were very very welcome
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and it was great to get that particular viewpoint of HBR which you know it's seeing through
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somebody else's eyes is usually different from seeing things through your own eyes and it's
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always a very valuable thing to take a different viewpoint. The question of the
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leaving of gaps is also a valid one but without preempting some of the discussion we're going to
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have in a minute. It feels like something which has been hashed out in the past and has been
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concluded upon and somebody coming to it without seeing that those previous discussions and the
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previous history of HBR maybe wouldn't appreciate these things until they were pointed out. So
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entirely valid from that stance. Exactly. That was my feeling as a junitor.
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Even though I don't agree with it as you'll see later in the discussions. As a junitor I felt
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it was important that we discussed these things because HBR as a community changes over time.
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So we see that in the we've seen that recently in some of the policies that I thought
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well this will go this way and it wouldn't completely different way because people all time
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long time listeners drop off and new contributors come in and new people come and new people go
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so it refreshes over time so that's why it is always good to occasionally go back and re-evaluate
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the decisions that you made in the past and that's what we're doing here. So good opportunity
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for that. So Jason Dodd replied and he said this is the same question I asked myself when you
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said we do one every day and if we ran out of shows HBR was over. That's what you said according
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to my memory. I didn't go back to check. I had my doubts but now I'm convinced that this way is
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better. In my honest opinion anyone put off by the quality of HBR shows doesn't get it.
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Some of the best episodes are ones which are most un-listenable. If HBR were to turn into a
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polished deal I'd call it a step backwards. Yeah and I think in my comments I refer to what
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he's on about there so the original paragraph, props I did, props I didn't. Let's make a note
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there just to remember to discuss that. I did want to say that in the original episode
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important to us what didn't come clear is the quality is one point that I didn't point out
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anywhere was that just because the queue comes out Monday, Tuesday, Wednesday, Thursday, Friday
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and there are short shows in there. Those short shows may not be the ones that are submitted as a
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result of call for shows. So that gave and I we would have seen that because we see the order of
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which the shows come in and the order of which we post them. So for example that show that I did
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on the text-to-speech thing. Are they not the text-to-speech thing? The scanning documents which one
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was it? Let me just check. Yeah HBR 315 which was scheduled for the which was released on the 21st
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of the 4th 2016. That was in the queue for the best part of a month I think before it came out
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and it was two minutes long. So there really is no way of knowing if you're just following the HBR
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queue as to whether the show is a response to a call for shows or not. That one definitely
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wasn't but it came within the period of call for shows and yes that was a crappy short episode
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but it happened to know that at least one person went back and used that show for
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pre-tuss. I went back and listened to that show to remember how I did it.
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So there we go. Yes that's the next point I hadn't quite I mean I know how it works but I
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tend to forget that the call shows comes out because the number that's sitting in the queue
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has got to the point where there are gaps coming up in the near future and we want them to be filled
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but but the actual relationship between the release date and the submission date is entirely up to
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the host who's submitting it so yeah it doesn't correlate as you would expect.
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Yeah so for example if you look at the queue now as of today we've got week 19, week 20 and we
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21 all filled for that but what actually tends to happen is the Friday is get filled in first because
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Ahuka usually has a show scheduled for the Friday then Linux inels are usually running two months
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a month or two months ahead and they fill in the Thursdays every every second Thursday and then
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yeah then you have the Monday choose your Wednesdays to be filled in last and this is all
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intentional because if you look at the the way we do the queue and for long reasons so first of all
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you need to have an audio recording ready before you pick a slot because but back in the day we used
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to people were allocated days so there was 30 podcasters who had each being given a day and then
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that kind of slipped and then people were posting shows and then the show will get posted
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alphabetically but not in the order in which it came in so then all that got scrapped and now
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hosts themselves are the ones who post the shows and it's entirely up to them to pick
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a date in a time so sometimes I've had shows where we have gaps in and I've asked a host can we
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can we switch it to put it earlier or I will ask a host occasionally can we take your show and spread
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it out of it because we want to spread these things out but the decision to do that is entirely
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based on what the host wants to do unless it starts becoming an issue with something that we
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agreed in which case it'll go to the main list just you have some background history yeah we're
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never going to get to the show Dave at this rate but anyway no it's some half and hour in already
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so the following comment on the original on Jason's comment Brian you know Hio says I love the
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HBR episodes I like that I can sit at my desk with my phone and do all the producing I need to do
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to get a show out if I want a polished episode I'd listen to it but the content there is terrible
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so I don't especially the spin right guy okay the views of Brian and Ohio do not necessarily reflect
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those of HBR while he does have a point I would come back to this again yes the greatest
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astronomy of HBR despite what Taj is going to say is perfect audio quality and while Taj is correct
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in saying we should have good audio quality I am I have seen down to the ages and Dave you probably
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saw this as well where people have submitted to the admin you know contacted the admin mail
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or admin account and which goes to myself and Dave and the troops I think in a few other people
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and they're yeah I'm kind of brilliant idea for a show I'm going to do a series and about this
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mic and I've got this setup and I got that ready to rock and I'm going to go and then you know
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radio silence or somebody who is going to come on and do those few shows and then you know
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disappears because you set the bar so high that you can't produce good quality shows but
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Taj has different opinions and we'll come across those in a while and he's right both of us are
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right it's just yes do you want to do the next one okay hold on a second I need to move to
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so this one is from Dawesman who says it's a double-edged sword once you fall off the wagon that's
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nice mix from the first day there's less incentive to jump back on less urgency in the calls
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or the queue is low but quality of quantity is very worth considering too yep but then again you have
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to define what we're talking about quality there if you're talking about quantity so we know what the
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quantity is one show a week every one show a day Monday to Friday so what's quality and I've
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all this said quality is where somebody derives value from that where one of interest to hackers
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that means you because one other person which could also be you in a future time zone yeah it's
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some it absolutely the quality thing is often interpreted as oh look at all those professional
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broadcasters doing their stuff or we should be like them whereas I think I'm guessing but I would
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guess that a lot of people who listen to HBO would disagree with that because the professionals
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tend to make very highly polished turds in many cases you know the content is poor the design
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of how it's done I hate what's the one so the one where they say we're gonna we're gonna talk to
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Blair about this and they say hello and then while the guy's answering they put some some audio
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over the top of it in this point he said blah blah blah and you think that is disgusting how would
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you ever have a conversation it's face-to-face where a third person was blabbing over the top of
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the answer you know and that's professional that's professional what have you not noticed that
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well what's the what's the popular America something America podcast I can't remember what it's
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called it's I think it's probably a radio show that turns into a podcast but that seems to be a very
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common thing in in many professional podcasts where they they talk over they they fade down the guy
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who is answering the question and do a summary over the top of them which I switch off straight away
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I cannot stand yeah that's so insulting so yeah anyway it's a few things I feel strongly about here
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actually I should probably shut up okay is it me it is yes Brian in Ohio says in response to
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the double-edged sword by dustman funny why does the blog writer not do a show give an example
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of quality or if there are shy use e-speak or volunteer to read I read it out I'd be willing
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to help with either and do run do you want to do the next one reply to that yeah forgot about that
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hello I'm the author of the post says hidora I regret writing this post in hindsight quality was
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a bad choice of words I also enjoyed the DIY rawness of hb and I certainly don't want it to be more
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polished in the professional sense in some professional sense I should have replaced quality
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with to my subjective interest or something along those lines the main point was to bring up the
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question of perhaps keeping empty slots empty as a non-contributing listener it's not my place to
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try to impose my ideas on the project therefore I choose to post I chose I choose to post it to
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sure I think I chose to post it on a personal blog rather than for example in this mailing list
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as for the reason I'm not submitting a shining example of a quality show I've been listening
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to since at least hpr 980 broad ban for rural north oh that's going back a bit and I considered
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this many times and attempted it a few but I'm terrible at podcasting and after this I don't want
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to be known as the asshole complained about hpr quality but still submits shows it was not my
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intent to offend anyone and I regret my choice of words I have huge respect for all of the
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contributors I want to apologize to all of you I'm sorry all the best no need to be I mean
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it's valid and in my original post I never intended to put them on the spot like that
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right yeah yeah yeah and yes quality is to my subjective interest just we'll be doing a
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rejection let us yeah yeah it's it's it's the quality thing is it's it's pretty subjective I think
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I think it's it's it's a word that has multiple meanings and it depends who's saying in some case
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in the context etc etc and plateau replied to that saying I don't think an apology is necessary
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your post generate is healthy introspection and was itself both respectful and kind I think it's
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great that you're a listener and now by way of constructive criticism you're also a contributor
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keep spreading the word plateau is able to write stuff well yes indeed he has a skill and it comes
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to actually dealing with people with certain certain of us don't and I remember myself I'm like
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those you do your own I am doing yes your own says I had exactly the same feeling
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that was struggling with the wording I think you both said it spot on yes in response to
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tattoo so in response to hedon Jason Dodd reply saying apology is not necessary in fact I'd like
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to thank you for the post and it goes I've considered many times and attempted it a few but
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I'm terrible at podcasting this is the one of the reasons we don't have a minimum quality bar I hope
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you reconsider and put out a show I've read some of your posts and your content is of interest to
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hackers to the question of leaving slots open another reason I like the current mode of operation
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is that it forces us to reduce I like it a bit to like a writer committed to so many words a day
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regardless that being said I'm more of a listener as well and go with the flow assuming quality
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refers to the quality of content versus production quality I'd also conscience against more of a
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minimum bar than of interest to hackers because there are some shows I got value from I think would
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not have made if the if the quality was higher for example we may not have gotten the one that
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suggested using toothpicks to help when threads are stripped or the one untying enough to identify
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which ear headphones go in I don't use this but I gave me some inspiration to mark them another way
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to me HBR is kind of like hanging out in a hackerspace you hear things from across the room
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or in the next room and some of it is useless to you but it's nice to be in the environment nonetheless
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some of the things you hear fall into the too much information category but I listen
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but I listened to the snoring episode all the way to the end anyway I understand that someone's
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catcher is already overflowing and there's a need to curl or curl or skip podcasts that aren't
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pulling their way but I'm fully on board with YAS on how to cook as well known dish from someone
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in the community because we need a show it might sound strange but there's is almost always
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a new to me take on something that I hear a hacker discuss something that's a normal topic
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here don't get me wrong I love HBR back when shows were few and far between so yes
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Brian in Ohio I'm just trying to work out who he's replying to he's replying to Jason God
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thank you for the apology now get out and fill an empty slot in the HPR calendar
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was that to Jason or was it to well it was a reply to Jason because it uh I'm using
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underburden and the threads uh that it draws shows it linking and also he uh quotes Jason
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in there but I don't think he meant it to be to be a reply to he hadn't submitted the show in a
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while himself so okay okay I missed that yeah okay well good point okay I replied speaking as a
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janitor here for a moment as tattoo quite rightly pointed out some years ago our shows are released
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under a creative commons license there is nothing in that license that requires any listener to submit
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a show there are many ways to contribute to HBR and many have done so but have not as yet submitted a
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show I had a look at your site and there's loads of topics of interest tackers there we can always
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get someone to narrate the content for you uh by the just as a by the by uh some of these show
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some of these posts may be repeating commons that you read in other posts but they kind of come in
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more or less at the same time and in this case I had written this before I refreshed my reader
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and here speaking as a fellow HBR community member I'm so glad you submitted this blog post it's
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important that we revisit discussions on topics to see if the community now still agrees with what
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the community then decided back in 20 uh 2010 shows were getting released on an ad help basis
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some days there were as many as two or even three shows released per day more often than not though
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there was no show at all as time and on the period between no shows increased and after a time
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it wasn't clear if HBR was still alive this was reflected in a steady deadline in subscribers
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one of the policies I suggested straight away was that one show a day builds every day builds trust
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and retains listeners this has turned out to be true based on the steadily increasing subscriber
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this of course is my personal opinion and should be challenged so um Taj replies to to that
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well I love for my two cents since I feel as though I'm going to somewhat represent the voice of
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dissent I think the issues raised in the article are very valid as uh some of the issues raised
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in these responses I'm glad we have a space to hash through them like the mailing list
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going back to the original article I would in no way be opposed to changing to a less than
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five days a week schedule we seem to have issues filling slots for a while and the article
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is 100 percent accurate in saying that a lot of the old-timers are the superheroes filling those
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slots if the stress being created by the policy of five days a week is primarily affecting the
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most consistent contributors maybe their voices on the matter should have the most weight
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that being said I'm less than regular contribute to these days so maybe my opinion shouldn't matter
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on this front the concern raised in the responses that I do have a strong opinion on is the question
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of audio quality I've never agreed with the sentiment that audio quality doesn't matter
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anyone who listens to either a podcast that I produce can attest despite my background in pro audio
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I'm not looking for perfection simple things like consistent audio levels normalising the audio
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standard levels matching the intro and outro levels to the levels of the rest of the show and
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awareness of how to properly use a microphone whether that be on a phone or a standalone one
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we're all simple five minute fixes with cross platform free software that can drastically
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improve audio quality of course I have a benefit of knowing this and can't complain
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unless there's a component of this that is educating others I started a series first one
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recorded and should be uploaded today other being scripted to talk through these things while
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those that prefer the convenience of just being able to do everything from their phone will have
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little use for the information maybe it'll help someone I'd echo the sentiment that I don't
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want eight pound to become a polished production I definitely appreciate the re-advive of the place
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but having some intentionality about the quality would create a demonstraably better product
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can mention the purpose of the five days a week rule was to create subscribers I'd argue that
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it only takes one person's first episode of HBR being barely intelligible to turn them off
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from the whole project which is a damn shame scroll I'll finish by saying that over the course
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of the last couple of years I find myself listening to fewer and fewer episodes of HBR for various
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reasons audio quality, disinterest in the topic bait and switch episode where the topic is
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barely discussed and turns into a bizarre political rant etc of course the solution is being more
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engaged and contributing more myself which I plan on doing as always big props to the janitorial
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stuff you'll do much more the most know and it's very appreciated at least by this guy and that's
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okay how can somebody be so run while still being 100% right that's the annoying part of it
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let's see I agree with the article is valid yes yeah they're filling in the slots if you look at
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the number of slots that are contributed by regular hosts that changes over time
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when the call for shows comes there's always been call for shows though always we've never
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cracked this note this is this is the thing how to keep shows coming in new hosts how do we get
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new hosts but every time we have this discussion about the leaky bucket thing Dave what happens on
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the mailing list well if it comes up yeah yeah it's true it's so it's the the feast and famine
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thing is that is precipitated by just some extent by us saying oh my god it's getting very low
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extended some shows and then there's a flood and then it all goes very quiet for a while because
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everybody presumably has other things to do etc yeah now I've actually seen the patterns this
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year has been a bit odd because let's face it this year has been a bit odd but you tend to see
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patterns during the year when when the when the feast and famine occurs and it's you know in the
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autumn of the spring is when we tend to get the most shows because people are in the regular routine
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and they're doing the hgr shows over the beginning of the winter late year then that's where the
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problems start arising then we get more shows coming in towards the end of the year because of the
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new year show generates a bit of publicity and people are aware of hgr again and then if it
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starts to fade off during the summer although we can tend to tide over the summer because then the
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new year show has kind of bumped out the queue a bit so that's the normal thing because generally
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a call for shows and I find the call for shows is a good thing if it's not done too often because
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it encourages people to submit a show it gives you a little bit of urgency for that and I don't
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think it puts I'm not sure puts that much stress on the old timers I'm a bit worried about
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Mr X and the last few years for the yeah I don't know I'd yeah I think that there's a number of
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people who contribute to hbr who's who were able to generate a show with amazing speed it's often
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it doesn't have to be any specialist you would have
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some of them you I think gosh this has been in the pipeline for a while
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yeah but some people just seem to be able to I think it depends on whether you're the sort of
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person who can just do stuff off the cuff or whether you want to prepare I'm a preparer because
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I hate the thought that I've screwed up some way so I go over it minutely in order to to to make
|
|
sure and to make a mistake which is you know a mindset not necessarily a healthy one but it is
|
|
the one I'm landed with but other people seem to be able to just do it and you know there is
|
|
often other people who step up and just bang out a show and the quality I don't think the
|
|
quality is poorer as a consequence you know it's it many cases they they're excellent things
|
|
but down off the cuff which is which are mine honestly yeah and as I said the only way you
|
|
would know is the fact that they said this is a this is a a show I'm posting because we're short
|
|
to shows yeah don't yeah for example touching posts quite a lot of shows and you wouldn't know
|
|
that there were emergency shows at all no no no he I think his his model of producing shows is
|
|
one where he has an idea he knows stuff about it and then he just wings it and produces excellent
|
|
stuff as a consequence yeah I find amazing okay I want to comment on the drastically improves
|
|
audio quality there's two things about that one is excellent that he has submitted his
|
|
he's already done the series introducing a series on audio quality and it's very good it's
|
|
very good and we'll be linked there once he's finished I want the upload a show thing
|
|
to have a link to that series so that will help people out yeah but I just want to come back to
|
|
the all the simplest five minutes fixes on the cross platform so if we take five minutes
|
|
and we multiply it by 260 that gives us 1,360 minutes yeah and that works out to 21 hours and 40
|
|
minutes so that's basically I don't know 21 divided by it's five in a quarter it's about two and a
|
|
half two and a half for this just dedicated to fixing the audio and then you would need to be aware
|
|
of this you would need to be doing that so say we hired somebody that person would need to be
|
|
available when we're posting the shows and sometimes it's last minute then the show needs to get
|
|
edited that's why we don't edit the shows that way that said the processing script that we're
|
|
using is actually terrible and could be improved so if there's somebody who would like to help us
|
|
out with that that would be most excellent so what we do in the script is we take whatever audio
|
|
get and we convert it to a raw PWM file and then assuming the intro and outro sometimes the intro
|
|
and outro are there sometimes they're not if they're not they're added the summary and stuff is
|
|
added then the question is how to get the levels of all of the things matching up automatically
|
|
in a script and there is a service that does that they were on twists on the
|
|
philosophically at one point but they don't actually submit any of their stuff as
|
|
free software the use all free software but in a strip mining sort of approach they've taken
|
|
the code and basically not contributed back we can't see what they've done but if somebody is able
|
|
to work with us on how to how to get audio fixed would be a good thing so the audio quality
|
|
something else of course the benefit so they've no the five-day link rule isn't to get subscribers
|
|
the five-day-a-week rule has given us subscribers so I'm using subscribers as a measurement of
|
|
whether it has built trust or not our goal at HPR is to get contributors not subscribers
|
|
subscribers are a side effect of that in fact I know of two or three hosts who don't listen to HPR
|
|
at all hand contribute chills to HPR and there's nothing nothing in the license that says that
|
|
that should not be the case but there are definitely quick wins we can do to improve the audio
|
|
quality sometimes I've if you go to the internet archive Dave and you know that they have the web
|
|
the frequency spectrum not the frequency the waveform of their and sometimes they into a
|
|
notch are like just massive on either side so we do have all the raw files as well the people sent us
|
|
so we can if somebody has audio that they think this is totally crud all the raw files are available
|
|
on internet archive more recently last few years than previously and those files you can take them
|
|
and we will repost if you have better versions of them so yeah yeah it's not a problem for us
|
|
but yeah yeah we did fiddle around with the internet through many years ago now when I first joined
|
|
I think because they were very loud and we reduced the volume of those it was easier to
|
|
stitch them into audio but the issue is that the levels that you produce versus the ones that you
|
|
are that's getting stuck on it is something that causes this problem and we need some means of
|
|
leveling all out don't we automatically yeah yeah yeah it would be good to actually have a
|
|
little workgroup on that because there's there are some shows where where the hosts add the intro
|
|
and outro and add it badly that it that no matter what we do that's what it is it comes in as a
|
|
fake complete so that's a that's a topic that we could spin off as a thing so Taj is already
|
|
busy doing his episodes which are good and interesting but I will point out that I know for a fact
|
|
that audio quality is important with relation to feedback from the general okay I can't really
|
|
tell you this feedback or yeah audio quality is important but at a particular point it is
|
|
undesirable for a lot of people and the younger generation especially do not
|
|
who are used to of mobile phones and the like don't put as much emphasis into it as the older
|
|
generation may have who have come up with high-fi and stuff may have done in their time yes and
|
|
those of us who get a bit deaf just just want to be able to hear it and that's all okay so we go
|
|
to the next one I feel like I've uh Taj I didn't mean to take your um tiny part I agree with
|
|
everything you're saying just in summary I agree with everything you're saying um but it's also
|
|
important that people don't sit too high a barrier because there's nothing worse than ah there's
|
|
a new host but now the procrastination because the levels of their audio and they've gone out and
|
|
spent the other thing is buying expensive microphones not everybody can afford it you have if you've
|
|
got a mobile phone then that's good that should be good enough always getting better is a thing but
|
|
not at the expense of not submitting shows okay anyway Claudio says hi NSTR which was
|
|
head drawn headdora handle since I follow you and master done I noticed the article when someone
|
|
boosted it and decided to give it a read I also join in with the others in saying that the apology
|
|
is not necessary and I also believe that you made some great points personally I don't mind if
|
|
this shows art and polished as far as recording is concerned in the circumstances maybe the volume
|
|
is a bit uh too low and I just can't be bothered but if someone records something from their phone
|
|
on the way to work which I have done as well as some others that have contributions then that's
|
|
okay for me it doesn't have to be polished as those a podcast too but it also can be if that's
|
|
what the country usually wants so long as the content is of interest to hackers to slogan of HBR
|
|
in the first place there have been some episodes I've heard that were a bit raw but provided some
|
|
amazing info and others that were a little more polished but personally saw no value in them
|
|
it is on a rare occasion that I skip an episode even if I think it won't be interesting
|
|
but it happens and even that's fine because not everything will appeal to everybody as far as the
|
|
schedule is concerned it hasn't been something that's affected me directly that being said I know
|
|
I need to contribute to show because I want HBR to continue for a long time life just gets in
|
|
the way sometimes all things considered you've given everybody a lot to think about
|
|
given all the mailing list response from your blog post so that's a win in my book welcome to the
|
|
community from Claudio that's a very positive isn't it yes that's great so we have
|
|
underbirds thickest one might be a scam this is a very dodgy guy that guy
|
|
I hold on a second I can't get it all in the screen anyway so reading the message asked in
|
|
isolation if your equality of annual recording is important my answer is an unequivocal yes
|
|
ask your isolation if go here in an eloquent speech it's important my answer is again yes
|
|
despite this I feel there are circumstances where the message is more important than the quality
|
|
of its delivery and HBR is one of them in the case of just about every podcast outside of HBR the
|
|
presenters are willingly put themselves forward because they have sufficient confidence in their
|
|
ideas and their ability to deliver them verbally that's neither daunting nor difficult for them
|
|
HBR is different we have of course more than our rightful share of great speakers who are also
|
|
very adept at producing high quality audio recordings however I'm like other podcasts many of
|
|
our contributors might best be characterized as the kid sitting at the back of the class who has
|
|
something to say that's important to him but it's where his ideas may be criticized or even ridiculed
|
|
his natural inclination therefore is to say nothing at all for a lot of contributors that first
|
|
show may be a frustrating or even harrowing experience to produce with sections being re-recorded
|
|
to perhaps over and over again in the hope of getting it right however some of the best shows in
|
|
terms of interesting content come from contributors who are clearly not at ease in front of the
|
|
microphone a high quality audio to be deemed a key attribute of what constitutes a good show
|
|
is perhaps one extra burden on the nervous or reluctant contributor that might just prevent them
|
|
from submitting one at all the stats demonstrate that it's considerably easier to attract a new HBR
|
|
listener than a new HBR contributor so it surely follows that it matters less if occasional sub
|
|
optimal audio quality deters a listener than the drive the drive for audio excellence deters
|
|
a potential contributor my own view is that part of the charm of HBR is precisely that you never
|
|
quite know what you're going to get especially when it's the first show of a new contributor it's
|
|
very rare for me not to listen to every show as it's released I've come to realize that subjects
|
|
on face value have very little interest have little interest to me often turn out to be quite
|
|
the opposite the technical expertise of many contributors is both inspiring and instructive
|
|
but I've enjoyed non-technical show shows every bit as much such as Dave Morris's pen collection
|
|
oops sorry clatos urban camping or chris for mhobs lunch breaks being particular highlights for me
|
|
the classics so I find myself both agreeing and disagreeing with that Claudio at the same time
|
|
best possible audio quality hmm absolutely but in the case of HBR in particular not at those
|
|
expense of content quality yes our content quality that was but that's what it was talking about
|
|
not necessarily the audio quality he was talking about content quality but this is good
|
|
this is our motto flag is best but we accept the rest yeah yeah strive for perfection but don't
|
|
let it at a point we still need the show okay next next one clatu says in response to in response to
|
|
a head or a secret yep adora's comment we're back the question raised by the blog post field ballot
|
|
I think the things to consider are how do we encourage increase quality without also excluding
|
|
those for who good audio quality is difficult to achieve the proposed answer maybe we have
|
|
volunteers to help produce shows rather than to generate content in other words if we aim for one
|
|
show a week and instead of janitor feeling the best way for janitor to contribute is by pumping out
|
|
three shows to fill slots and volunteer would instead foster in a new host with consultation and
|
|
how to achieve good audio quality etc so next point how do we reduce the free how do we reduce
|
|
the frequency of shows without also making a new host wait for months before their show goes live
|
|
an excellent demotivator proposed answer commit one show a week but allow for spontaneous
|
|
impatient bonus episodes next point fewer episodes per week doesn't guarantee that the dollar listener
|
|
is going to suddenly become more interested in each episode or even that dollar listener will
|
|
feel the audio quality is good enough the worldwide audience is huge and each person has their own
|
|
requirements for what they put in their ears and those requirements can change with mood whether
|
|
or whatever else just my thoughts I personally enjoyed the daily release schedule but I wouldn't
|
|
be surprised if I enjoyed a weekly release one two so how many shows did Latu release on HPR last
|
|
year Dave but no the close to 52 would have been single engine in my head if this is not
|
|
able to answer yeah so there's a one show a week is 52 podcasts five show a week says 260
|
|
podcasts there's a huge difference in the numbers there and when the show when the queue is
|
|
fall and we get more contributors coming in then invariably we will have the request to
|
|
pull out shows and hers in on such an end someday as well so yeah I think we are capable of
|
|
producing five shows a week due to the fact that we haven't missed a slot in the last 10 years
|
|
and prior to that the five years we did miss lots so I really convinced that we can we can
|
|
keep that number of episodes up however the sponsor thing is a good idea but we have to be very
|
|
careful there helping somebody out because you take everything as criticism when you're when
|
|
you posted a new show everything comes across as criticism so I was thinking that perhaps we could
|
|
you know the way when we have this is the first show by a new horse blah blah blah that we could
|
|
up until somebody's fifth show we could put in this is the fifth show by this host and that would
|
|
give people an idea of where that person is in their journey whereby say for example I release a
|
|
crappy show on crappy audio Taj could immediately come and say right you know can here's how you can
|
|
improve your audio blah blah where as with a new show you'll be more tech more delicate in how you
|
|
approach a new host there's a balance there maybe that's something that we could do but again it's
|
|
the dollar volunteer thing how do you get somebody to volunteer for this is there interest in that
|
|
I would be interested in hearing that yeah it's potentially a commitment that you know people
|
|
have lives and they're not always available at the the requisite time I guess there is that
|
|
can I take a five-minute break there if I just need to check something sure sure I have to
|
|
oh yeah I've got an hour at least to to go so I just want all right the magical truncate silence
|
|
yep yep yep okay okay back okay okay let's move you through these times of ticking apparently
|
|
and I have a list that I know I had stuff that needs to do it so we've reached Joe Fennel and it's my turn
|
|
so Joe Fennel says hi that's a short time listener February this year you spent a month and a half
|
|
digging through the back catalog I have to say the show itself has kept me constantly enthralled yes
|
|
some of the audio could be better out of the but out of the hundred plus shows I've listened to maybe
|
|
two were totally unlistenable and for content I like how it varies some topics need an hour others
|
|
can be taken care of in three minutes that's always been the beauty of hack spaces yeah there are
|
|
some mobile shows that some might not think are necessarily of interest hackers the hack culture
|
|
is not a monolith or better put the car maintenance episode has just as much value as the bare metal
|
|
programming on the RPI episodes as someone who tries to listen daily or or at minimum be caught up
|
|
with the previous week by the time the next week's episodes drop I look forward to every show
|
|
and as someone who wants to contribute the shorter episodes give me a springboard when I sit down
|
|
to try and draft a show so yeah can I owe you a show you said it's nothing so long ramble short
|
|
I feel that the daily show no matter what is healthy for the ecosystem of HBR and folks like myself
|
|
who open a text editor and stare at a flashing cursor to draft pre-show notes just need to hit record
|
|
and do the thing yeah you know what might be handy as well um is uh i want to be a podcaster
|
|
and they they i'm more than happy just one second to get us into a mumble chat and just talk
|
|
basically why who are you what are you doing um what's your you know the the first show my
|
|
suggest you do if somebody is sitting down the first show should be who am I what I'm doing
|
|
how I got here my interest in tech how I listen to listen to HBR that's your first show it's a
|
|
fact can somebody do a template all questions that you can sit down and act that's a brilliant idea
|
|
template of questions that you can do as your first show um who are you okay yes let's do that
|
|
another thing to take away from this one i made the notes of the stuff that i uh said we should do
|
|
fix all the equality split template for the first show uh modify the introduction so it says
|
|
the up to five shows that they're new to HBR basically uh okay next one from honking
|
|
in response to tattoos um comment about uh encourage audio quality and stuff like that
|
|
just a quick note i may be wrong but i thought the comment about the quality of shows had more to do
|
|
with the shows that felt more like they were put out just to put something out those shows are
|
|
about three minutes long on a side note i have no problem with those shows i didn't think you did
|
|
anything to do with the audio quality or maybe i need to reread the article i have no problem with
|
|
the audio quality we get on HBR the content just what matters any audio is better than no audio
|
|
that's interesting yeah yeah i think that's i think honky's quite right actually with what he's
|
|
saying there it's uh it's it was more uh that uh something to fill the gap was uh you know today
|
|
i shot my pencil this particular way that's good show i'm just do that you know it was just
|
|
something rushed off of very very quickly and maybe a little bit sparse in terms of
|
|
of of quality content as opposed to quality audio but but uh even then i personally don't agree
|
|
that these things are a low quality sometimes it makes you stop and think hang on
|
|
well i never thought of that you know or i've never seen it that way in my mind so you know it's
|
|
valuable from that point of view i find however it's a valid discussion about the audio quality um
|
|
oh no it's what i've just come up before and we'll come up again no doubt and we should definitely
|
|
do something about the audio quality oh yeah i remember what i was put a link to tajas script
|
|
link to tajas uh so i'm not gonna have to go back and listen to this show uh so that i can hear
|
|
all the stuff that i have to do for myself why i like it for myself i know i know i know so um
|
|
jason dodd replied to uh honkitts um email to clatu yeah that's clatu right uh okay
|
|
yeah you see the the thread got broken that confuses the life at me because the
|
|
um underbird thread thingy does not know how to do that anyway um i'm of the opinion he says that
|
|
if we switch to committing to one episode per week we'd still get calls for shows because
|
|
people would be even more concerned about putting out shows they don't feel are worthy of the now
|
|
one slot per week i wonder how the algorithm would go to decide which gets the weekly slot
|
|
versus get put in the slush pile versus what was released as extra shows as i tried to remember
|
|
emergency episodes i don't recall that any that i skipped coincidentally i listened to one just
|
|
today i feel i might i might not have been submitted if we were a s what if we were a sense we only
|
|
needed to fill one slot per week episode three oh three one host specifically said was it was
|
|
in response to a call for shows but i'm not against experimenting with one slot per week
|
|
okay and then in response to the original polls that i met taj said in response to
|
|
uncle mugu it is true that the original article did not mention the audio quality issue that came
|
|
up from the discussion here and since it's my personal crusade i jumped on it i agree that
|
|
considering audio quality does create a barrier to entry for some but my hope is that providing some
|
|
information about the ways to fix things will help people who do care about it to do more while
|
|
i appreciate taj used response i don't know that adding more to the post upload workflow
|
|
would really work that being said i am always available for those who want to talk to someone
|
|
about improving the audio quality and or trying to fix a recording that's already made the
|
|
biggest caveat to the last part is audio is very much garbage in garbage out you can only fix
|
|
things so much if the initial recording is not great that's a good one actually if i had a list
|
|
of people who would volunteer to help out then we can also offer that as a mentorship program
|
|
for people recording their first show and that would also get over the barrier that that would
|
|
be quite good actually because if they or i would post a show except i'm working with my audio
|
|
quality then okay here's taj but taj will also make sure that you do actually submit a show
|
|
you know this is the kit that you got this is the best you're going to sound now we'll do the
|
|
show and the show gets posted so i don't know if we should volunteer taj but did you or did you
|
|
not volunteer himself yes well for people who care about the audio quality let's get them as mentors
|
|
and that that i have no objection to improving the audio quality in the HBR absolutely none
|
|
what i do have an objection to is raising the barrier to entry and those two things do not
|
|
necessarily need to be the word i'm looking for Dave opposed uh yeah i don't know everybody
|
|
screams i can't speak i was i was really reading that email so you didn't get my full attention
|
|
i was right yeah i was just saying that the barrier to entry to HBR doesn't necessarily need to
|
|
be audio quality we don't want to to increase the barrier to entry but audio quality doesn't have
|
|
to be a stumbling block on that road if we have mentors we can actually have them push somebody over
|
|
to that barrier to entry to get their first show out there no that sounds great sounds great
|
|
anybody's up for doing that that would be that would be brilliant so the next next message was
|
|
from mike ray who's responding to taj's message i don't really understand the audio quality issue
|
|
he says it's so easy to produce audio which is of reasonable quality i don't see why anyone should
|
|
be submitting shows where it's not of a basic standard the only possible issue as i see it is when
|
|
somebody is recorded on the move in their car or on foot but even then it's relatively easy to
|
|
make sure your voice is at a level which overrides in the environmental sounds i stop doing shows
|
|
because whatever subject i think of i'm conscious that there are bound to be plenty of people
|
|
listening you know more than i do about that subject oh mike mike mike mike what i want to do
|
|
is put your hand out and slap yourself about the face because i'm not there to do it for you i
|
|
i've stopped doing shows on whatever subject unconscious about because people who listen to it
|
|
know more than about it than i do yes there will be people listening who will know more about the
|
|
subject than you do but there will be hundreds who have heard nothing about the subject and then
|
|
will be interested in it because of the show you're doing have you this is the whole premise of
|
|
tattoos the new world order thing sits down in front of the man page what's this command i'll
|
|
type the command i'll read the man page out to you i will try the what it says in the command i
|
|
can figure this command out and if anybody wants to tell me more about this command please do so
|
|
follow a week to somebody sending him replies that's what's HBR is all about
|
|
mike sometimes really but the even if there are loads of people out there who know the thing backwards
|
|
and upside down they're not they're talking about it they're they're sat there in their
|
|
huge knowledge having a wonderful time no doubt not knowing that anybody would be interested in
|
|
the topic and then they have a show right there's two ways it can go you can annoy somebody so much
|
|
that they go or you can put on the show and you can say well i don't know enough about this topic
|
|
maybe there's somebody out there and if somebody out there comes in and does a show more you
|
|
annoy somebody so much about your lack of knowledge that somebody comes on to do a response show
|
|
and to put to set the record straight on that particular topic either way we get a show
|
|
it's a weird situation yeah yeah yeah i mean the the whole business of groups of people where
|
|
somebody's a bit more able to speak versus those who know um who maybe don't feel that well that
|
|
good at speaking about things you know it between between the extremes there you hopefully
|
|
get something that that is valuable you know absolutely and i don't know if it comes up in the
|
|
comments but a show asking for comments asking for topics on HBR is a valid show your here's a list
|
|
of topics that i would like the HBR community to uh to talk about and we can if you don't want to
|
|
put them on the show send us an email or contact us the master done and we'll add that at the end
|
|
of the community new show in the any other business section near your problem and uh mic seriously
|
|
the next one yes Jason Dodd the way people are always apologizing for perfectly fine audio quality
|
|
i suspect perfectionism trying to creep in this is the line i fear more than anything in this topic
|
|
sometimes hearing something or this is what i've stopped uh doing shows because i think blah blah blah
|
|
this is the line that i fear more than anything on this topic sometimes hearing something from
|
|
those who are just getting into something is most useful for those thinking about getting into it
|
|
that was uh in relation to my grades line no excellent point excellent very disturbing
|
|
so platoon yeah yep um H uh platoon is responding to tages directly to tages message i should
|
|
clarify my off-the-cuff idea was that a volunteer would consult with a prospective host to help
|
|
and prepare good audio input do you have a microphone is it powered or unpowered what are you
|
|
where are you recording etc and then to assist with post-production
|
|
liberal box a web project that records and releases public domain books as audio productions
|
|
has a really interesting volunteer on boarding process that very least is worth looking at
|
|
you have to introduce yourself in there forum and announce your intention to record a book
|
|
then you must submit an audio clip of a standard phrase or a specific bitrate and in a specific
|
|
format which is critiqued by their moderators this process is repeated until the moderators are happy
|
|
and then you get to read your chapter or book or whatever i'm not saying hb i should necessarily
|
|
go this route but i'm just brainstorming yes i'm just doing that down into like having a group
|
|
from mentors a group of mentors for in any event for getting people into uh recording and hb
|
|
that might be a very good thing yeah yeah it's quite interesting yeah i've listened to liberal box
|
|
and never i didn't know quite what their what their process was that's good to know and i can
|
|
understand why liberal box are trying to set a minimum one barrier to entry uh there because
|
|
you know the public domain books and there are people listening to them um but yes again
|
|
keeping the barrier to entry low on hb are but increasing the audio quality as much as we can
|
|
so that the two are not mutually exclusive that's what it was looking for before okay next one
|
|
lost and bronx to me the biggest issue for hb r is and always has been attracting
|
|
contributors lost and bronx nailing it on the head again i'll go back to the thing it stands
|
|
to reason then that lowering the barrier to entry matters more than anything else including
|
|
raising the audio quality while many long time podcasters find the process of recording audio quality
|
|
audio to be trivial at this point i'm not one of them it's precisely why the audio quality of
|
|
number of my own contributions has been so bad because if i didn't compromise the quality
|
|
i couldn't contribute at all granted i all can and the community as show right there now
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but my point is stand which is not i who said it did
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honey how many thousands of downloads does hb r get per episode on average and the answer to that
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is around three uh three and a half thousand episodes so we've got about three thirty five thousand
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um people subscribing um get about three and a half thousand episodes so one and ten people
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listen to the shows and we have three hundred and fifty-ish hosts in the fifteen years so
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per year that's probably about fifteen hosts so there's a i know several order of
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magnitude between the number of hosts we have to the number of shows and we're back to the thing
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and many thousands of downloads to those hb r get per episode on average i don't have the stats handy
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but others do and it's not small now compare that to the number of actual contributors
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whatever that statistic is i'm willing to bet it is small we need more hosts and first time hosts
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that rightfully are rightfully intimidated by the process while we do run the risk of getting
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some shows that are either unlistenable audio quality wise or express the not of interest to hackers
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some of my stuff i can arguing with that i personally believe emphasizing audio quality
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at least outwardly to prevent hosts not subscribing to this list would be counterproductive
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to attracting new contributors i've no doubt we'd lose some listeners due to the audio
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of a few shows that's unfortunate but i've also little doubt we lose potential hosts who find the
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process of contributing to be insurmountable that's flat-out tragic so many people listening feel
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that they don't even have anything worthwhile to say let alone the knowledge to put it out there
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until we can make headway against that sort of thing i can't see throwing up more barriers to entry
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hb r is a hungry beast it's not at all picky about what it eats but it needs constant feeding
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oh yes all the image always yeah need a cartoonist to do that let me yeah
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and bob says i've just finished off most excellent bob courting hb r is a hungry beast it's not
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picky about what it eats but it needs constant feeding yes very much there are two notes i wanted
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to say about this one is he is so right and i disagree with him i found he shows up all to be
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most interesting particularly old soldiers the reason i'm right here right now date is because of
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lost and bronx so that's another story which will be covered in the mother post shortly
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but what can you do the key elephant in the room that nobody talks about is filling
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they just getting new hosts getting new hosts is the key getting i'm going to frame that
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post by lost and bronx you watch the essential craftsman don't you i do yes yes and you know he
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has this thing where he says people ask him how do you get an ample he's into black smithing and
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he's currently building a house but he's into a black smithing he says lots of people talk to him
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about how do you get my first ample and he says make sure you introduce the concept or you
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you you make sure that you have the word anvil in every conversation you have with somebody
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and it'll come up and people do you wouldn't happen to have an ample do you know if anyone around
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here has got an ample in the same way as a hbr listener i'm not talking about contributors now
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i'm not talking about people who who have contributors like um head from here i'm talking about
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listeners those who have subscribed to the field and their listeners this show you come
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contribute to hbr by getting hosts by mentioning hbr to people by saying hey that's a really nice
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topic you know you did a blog post and that would you be interested in recording it for hbr
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would you mind if somebody recorded that for hbr get hbr into the mindset of people and then we
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give more hosts as simple as that okay that was it Dave do we guess anything yep i don't think we
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did now now we covered some ground there good stuff so all in all absolutely excellent the takeaway
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for everybody on this is mention recording audio to people if the word podcast comes up
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mention it if somebody's if you're in a hacker space mention it it's a good way to improve your
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project mention hbr constantly then we have links to taj's series anybody who wants to volunteer to
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look at the anybody who does processing of audio will come online tools if the words like socks
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and ffmpeg resonates with you see what i did there but um then talk to us about getting a better
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script or if you know of other podcasters in freely built in source world who have methods of
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processing script using freely built in source tools then contact us uh we need to do a template
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for your first show uh somebody needs to write that we need to modify the script to um to add this
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is the first second third fourth fifth show of somebody so that we know where they are on the stage
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and then uh we're looking for volunteers to mentor uh people for audio quality or in general
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just mentor people getting the first show in that's that's the key uh and i'm also open for that
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although my audio quality is terrible but i like it that way see taj it's it's good to strive for
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these things but uh it is it shouldn't it shouldn't be too upset if you don't quite achieve them i
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find yes well we can coexist there's absolutely if it makes somebody come back and do more shows
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because they feel like hey that's something i can be proud of as they're all the better
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and if uh somebody's mentoring somebody to do a show then that person will feel
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less likely to procrastinate because procrastination is the is the enemy here if HPR is the warrior
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procrastination is the violent that's the word for violent enemy nemesis nemesis uh-huh yeah okay
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tune in tomorrow for another exciting episode of hacker public radio point is more recording
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not stopped do okay i'll uh don't delete your recording of this please i have to go do stuff now
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bye yep okay thanks can bye i see you're rusty bye
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you've been listening to hacker public radio at hackerpublicradio.org
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we are a community podcast network that releases shows every weekday Monday through Friday
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today's show like all our shows was contributed by an HPR listener like yourself
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if you ever thought of recording a podcast then click on our contributing to find out
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how easy it really is hacker public radio was founded by the digital dog pound and the
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infonomicum computer club and it's part of the binary revolution at binrev.com if you have
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comments on today's show please email the host directly leave a comment on the website or record
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