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1181 lines
49 KiB
Plaintext
Episode: 659
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Title: HPR0659: 10 Buck Review - Serenity
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Source: https://hub.hackerpublicradio.org/ccdn.php?filename=/eps/hpr0659/hpr0659.mp3
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Transcribed: 2025-10-08 00:33:43
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---
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Welcome to syndicated Thursday on HPR.
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Today we present Ten Book Review.
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Yeah, you got your ten bucks, well now, yeah, yeah.
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All right, everyone, and welcome to Ten Book Review.
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I'm one of your hosts today.
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I am Lord Drakenblut, the digital dragon, and with me today I have...
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Dragon's Angel.
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Welcome to the show.
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Hey, thanks for inviting.
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Now, we've done four episodes so far, and this is the first time you're showing up,
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so why don't you introduce yourself to everyone, so they've got a clue who you are.
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Well, there's interesting clues about me.
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I am Lord Drakenblut, like call it Best Friend, Possible Future One.
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We have...
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Best Friend, I thought you were my fiancee.
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When did I get to grade it?
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Oh my god.
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Folks, please help me.
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The first day I have her on this show, and already somehow I've been degraded from...
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Don't be degraded.
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Beyonce to friend.
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Oh, I have the trouble people.
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Great trouble it is.
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I know where you sleep tonight.
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Oh, it's so much fun to be in that trouble.
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Oh, I know where you sleep tonight.
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And I know where you sleep.
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But before we have the audience completely thinking, you know, horrible, horrible,
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or wonderful thoughts, depending on who it is.
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Today, we're back with another movie, and this time we're going sci-fi again,
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and 28 days later, which we talked about last episode, was also considered sci-fi,
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but this one is much more sci-fi than that.
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This time we have...
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90.
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2005, Serenity by Joss Whedon.
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Yeah.
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Now, for, you know, Joss Whedon, the thing most people are going to know him for right off,
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our three TV series, Firefly, Angel, and Buffy.
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And of course, Angel has been off of Buffy.
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He's just a vampire trying to kill everyone.
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Yep.
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It's a vampire trying to kill other vampires.
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How lovely is it?
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Exactly.
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Now, today we're going to start off with just describing the box art,
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and we'll let Dragon's Angel do that one.
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Yes, it's a more color-oriented than bow.
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Okay, to start off, we have experienced the ultimate action adventure.
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So, my letter is over.
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It's kind of a tallicky ocean blue.
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Now, first off, I'm getting really tired of people trying to hype up their own fucking movies.
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Just do me a favor, put the name of the fucking movie on it, and a nice cover art.
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Don't tell me it is the biggest, baddest thing to rampage across the world since God's Zilla.
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Okay.
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Ain't nothing better than God's Zilla that rampage across the face of this planet.
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All right.
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But anyways, has another little, you know, as he was saying, a praise mark there.
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You see a woman on the front with holding a ball or a b-ball thing?
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I don't think it's so much he's holding it that she's right behind it.
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Well, she's right behind it. She can be holding it. There's an arm. There goes that way.
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Well, the story is written across the front and the middle of it, across the blue ball.
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Well, we have two more characters at the bottom. One point, what looks like to be a gun or a fire flame thing.
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That's the same with the other.
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A gun.
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Gun and the other one's on here. Not the same gun.
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Let's see.
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Back. You just get three screenshots of the entire thing. You get a basic description.
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This movie is rated PG-13.
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Yeah. Now, why don't you read the description for people who aren't aware of this movie?
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Okay. For Surnady.
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Okay. A passenger with deadly secret. Six levels on the run.
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An assassin in pursuit where the retrograde crew have Surnady.
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It's fun.
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It's a little small for you to do that.
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Yeah. That way my glasses stay different. It's a little small.
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All right. So I'll start over for one thing. It says it's an absolute blast.
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Again, stop trying to hype the movie for me.
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If I didn't have it in my hand, I probably wouldn't give a shit.
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So just, you know, stop trying to praise your own movie and just let the movie stand on its own merits.
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A passenger with a deadly secret. Six levels on the run.
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An assassin in pursuit when the retrograde crew of Surnady agrees to hide a fugitive on their ship.
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They find themselves in an action-packed battle between the relentless military might of a totalitarian regime
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that will destroy anything and free folks out there listening know this is not George Bush they're hiding from.
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Or anyone to get the girl back and the bloodthirsty creatures who roam the uncharted areas of space.
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But the greatest danger of all may be on their ship.
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From the mind of Joss Wheaton TV's Buffy the vampire slayer angel and they leave out firefly for some reason.
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Comes a new edge of your seat adventure loaded with explosive battles, gripping special effects and fantastic new worlds.
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Again, you know, the descriptions all right, they overblow at some, but, you know, what can you do?
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Now bonus features, you know, over 20 minutes of deleted scenes and outtakes.
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Joss Wheaton introduction, relighting the firefly, the story of how a television show gained enough of a cult following to become a major feature film.
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And feature commentary with writer, director Joss Wheaton and much more.
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First off, I've got to say go blow it out your ass.
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Because 20 minutes of deleted scenes and outtakes is not a fucking special feature.
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We have gone over this time and time again at this point and you probably hear me rant about it some more.
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Deleted scenes and outtakes are not a special feature by now.
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If you don't have these, you're not a DVD. You might as well just put it on VHS.
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But, relighting the firefly, that to me sounds like a special feature.
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To, you know, sit down and find out how a show that Fox screwed up its run by running it originally out of sequence to where it only ran part of the episodes before they stopped it.
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Got enough of a cult audience and a cult following that they were able to make this movie, able to justify making this movie.
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And Buffy and Angel have yet to touch the big screen. Thank God.
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Too much hype there when I was a fifth grader at Buffy and Angel. Too much hype there.
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Yep. Now, one thing I'll say about the cases, it has the stupid little snap tabs.
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Can you cut them off?
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I could, but I don't like destroying my stuff like that.
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Some people will cut them off, I don't, because it's just an inside on the DVD itself will let dragons and Angel describe this.
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Take sure how blue light is coming out in a straight column and then yes, white in the middle of it.
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And then just also face out to the same blue.
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Kind of crystal in a sense how it looks.
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The title surrounding these on tabs are universal.
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All that little stuff doesn't quite.
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Because it's a no brainer, but hey, I thought I was going to point it in.
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Now, it does, as she started to say a minute ago, it has English French languages in 5.1.
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And it has subtitles in English, Spanish and French.
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And it's the Anamorphic 2.351, which if I remember right from the last movie we did, this will not fill up a 16 by 9 widescreen TV.
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It will be left with bars at the top of the bottom.
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And it has a 1 hour and 59 minute runtime.
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You know, we're talking 60 seconds short of 2 hours.
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Couldn't you have had someone scratch their ass like three times in the movie for 20 seconds to get that 2 hour point.
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But you know, that's just whatever.
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That's true.
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Now on to the cast.
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You know, the cast of this movie, they worked very well together in this.
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But we went out, we did a little searching, and we found some information out.
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And first we'll start with Nathan Filion, who plays a character named Mal.
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And a little searching into what he's done on IMDB is he was on Dr. Horrible Sing Along Blog as a character named Captain Hammer.
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Now if I'm not mistaken, this was actually a project done by Seth Green.
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And it had a pretty good following.
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He was also a voice actor in Halo 3 as the sergeants.
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Now I don't know if he was all the sergeants or what, but for all you Halo fanboys, you know, the worst shooter in history.
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It's not that bad for a first person shooter, the first person decent.
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It's a good first person shooter only on a console.
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You take it off a console and it is a mediocre show.
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But how many people play Halo for a computer instead of playing it for a console?
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And how many people can't recognize a good game and have just bought into the hype.
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But anyway, that would be a completely different show.
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We'll leave that one over to C4 and Kobar at Gamer.
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Next thing was White Noise 2.
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Now I've never seen this one, but if I'm not mistaken, he was actually the star for that one.
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And the first one didn't do so well.
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Of course, he was in Firefly.
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But before that, something I found interesting was,
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he was in Buffy the Vampire Slayer for five episodes.
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And he did that kind of right in the middle of Firefly.
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Because Firefly the TV show was 2002 to 2003.
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He was in Buffy in 2003.
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So right in the middle, right at the end of Firefly, he was showing up in Buffy also, showing that we didn't like the guy and worked with him more.
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Now, this one surprised me actually.
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He was in the movie Dracula 2000 as Father David,
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which I did not know that one of the titles for it was Wes Craven presents Dracula 2000, but that's pointless.
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Now, something other people will care about is, he was in the movie Saving Private Ryan.
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And this was a very good movie by all accounts.
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I haven't quite got around to watching it yet.
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But he was in there as Private James Frederick Minnesota Ryan.
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And now we'll go on to Gina Torres playing a character named Zoe.
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And we'll turn this over to Dragon's Angel.
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All righty. She had Torres and Zoe.
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She's also in Matrix and Online.
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She's the voice of Nairobi.
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This I find interesting because most of the time when you have a character who is in both a movie and a video game,
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the same actor who does the voice or is the character in the movie isn't the voice for the game.
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This is one of the first times I've ever seen where you have a character in both movie and video game
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that the actor from the movie is not the voice for their own character in the video game.
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Well, does you also know Leia was supposed to be in Nairobi before that play in Crash Leia?
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You have to clean the damn shooting.
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Yeah.
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But if we want to go on that track, Jeta Pinkett Smith had originally auditioned for the role of Trinity and got turned down.
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We have the Matrix Revolutions as Cass.
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Since it's an IMAX experience, we have Matrix Reloaded, Cass.
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Angel.
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Which she was in five episodes in 2003.
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Showing again that we didn't like to work with some of the same people if he brought her.
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Now going back to Revolutions and Reloaded on the Matrix.
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Cass, this is kind of a bit character in some respects in that movie that this is Link's wife's sister.
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Long, long, long weird track, isn't it?
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Exactly.
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But all right.
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And now we're on to Alan Tudic.
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I'm guessing.
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I do not know how to pronounce his name.
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He plays a character named Wash.
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Now he was also a voice in Halo 3.
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So he was one of the Marines.
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Now I got to wonder who ever was doing the voice casting for this.
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If they sat down and just liked the way those two worked in Serenity,
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and that's why they both got picked up for this at the same time.
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With Fillian playing the Commander and Walsh playing, you know,
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someone reporting to him.
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So it's just interesting.
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Now he was in Ice Age 2.
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Some people will care.
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As the voice for a character named Choli.
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He was in the video game and the movie.
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Now this one I also didn't realize.
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He was in the movie Eye Robot.
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As Sunny.
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Now if I'm not mistaken, Sunny might have been the main robot that the movie focuses on.
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So basically he's in there as a voice.
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He was in Dodgeball, a true underdog story.
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I've never bothered to watch that movie, but he was in it.
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Her dodgeball itself was one of those movies.
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If you are under the age of 14, you can know like 12 and 14.
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You just want to watch something utterly stupid.
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But lots and lots of vulgarity and you can get away with.
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Your parents don't care.
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That's the movie to watch.
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Now he was also in a night's tale.
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Some people will know this was the movie that Heath Ledger was also in.
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Moving on.
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Ice Age he was also in.
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Now he wasn't in Ice Age the original as the same voice.
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I find this interesting that maybe they just like to working with them well enough
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that they brought him back for Ice Age 2 to play a different character.
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And now on to Marina Basarine.
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She played a character named Annara in this movie.
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And the only thing we found of any real interest other than she's got a decent list of TV stuff
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but nothing that popped out to me or Dragon's Angel.
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And she was in Stargate the Ark of Truth.
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Now this was a movie that was a straight to DVD release as far as I know.
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And now we're on to Adam Baldwin who plays Jane.
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Alrighty.
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He also, other movies, he's in Half-Life 2, Episode 2.
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That was a video game.
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He was a voice actor for that one and unconfirmed at that.
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That's it.
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Yeah, that's it. Unconfirmed.
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That's his voice.
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If Halo 3 who is also a voice, he's in the Marines.
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So once again, I'm really wondering if whoever did this just like the way those guys work together
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and does that make sense to you?
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They probably did.
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I mean, it wouldn't make sense.
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Why don't you bring a good system rather than having to bring a new one?
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Like a math class.
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Every teacher feels like they have to teach a math a brand new way.
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One of my brothers try to do that and try and keep it up.
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We have Superman Doomsday, the voice of Clark Kent slash Superman.
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We have Inviter Zim, one of my favorite shows to watch whenever I get a hold of it.
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He's in first episode 6.
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The fried coke that came from all outer space is just...
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That is off of food corda.
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You get a clip there and this is him.
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But Angel, Marcus Hilton, five episodes.
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Now, this comes in 2004, which is, you know, a year after the end of the run of Firefly.
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Yeah.
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We also have Independence Day with Major Michelle, Major Mitchell, aka ID4.
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Yeah, a lot of people know that movie.
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Yeah, Predator 2.
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From 1990, he was Garber.
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Now, Predator 2, for some people think we're talking about Alien vs Predator 2.
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No, we're talking about the original Predator 2 that starred Danny Glouffer in the main role.
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Yeah, we have Full Metal Jagged.
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Ooh, yeah.
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A lot of people know this movie.
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Yes, yes, I've seen this movie.
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It's good.
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He's the animal mother, aka Stanley Cumbricks Full Metal Jagged.
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Yep.
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Now, we move on to Jewel State, as Kaylee.
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And we'll just go ahead and throw Sean Marr in here as well, who plays a character named Simon.
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As far as we've found and can tell, neither of these two actors really do much past TV.
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Now, which brings up, if these people are mostly TV actors, why are they in the movie?
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Simple enough.
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This movie is, of course, based off the TV show Firefly.
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So, it only makes sense to have them come back and reprising their roles.
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And now we have Summer Glow as River.
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And really, she's also another TV person.
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And right now, the thing that she's in that most people would recognize by name at police is Terminator,
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the Sarah Connor Chronicles, as Cameron Phillips.
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I have not seen this show at all yet.
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It's on my two watch list at some point.
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It gets good thumbs up for me.
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And she was also an angel in 2002, but only in one episode.
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So...
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Someone got a bit.
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She was just a prima ballerina.
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You know, it sounds like it was a bit part at best.
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And...
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But again, we're seeing kind of this repeating pattern in the cast and crew
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that they've done quite a bit of work for most of them with Joss Wheaton before coming
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over and doing Firefly the TV show or the movie.
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And now we've got Ron Glass as Shepard Book.
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Which all you have for him, basically, is fabled too as Garth.
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Yeah.
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Now, he had...
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This is another person who is a heavy, heavy TV person.
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And if you go way, way back in this history and you're an older person listening to this show,
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you may recognize him from the TV show Barney Miller,
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which it appears he was in almost every episode of.
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So, with all of this laid out, do you have any comments before?
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No.
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You have actually...
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You have never even seen the TV show or this movie yet.
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Yeah, I have this to be a total shock to me.
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Now, I have to say I have seen this movie several times.
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I own the TV series too.
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And this is a show that could have achieved greatness and really could have taught
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George Lucas how he should have done Star Wars one, two, and three.
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And I'm not talking about the original three that were the good three.
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So, Lucas, wake up.
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Talk to Weedon.
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Find out how to do a movie nowadays.
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Stop remaking and trashing your old stuff.
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With that, I think it's kind of funny.
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I'm not really much of a movie watcher per se,
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but when you get engaged to him, you gotta start watching your movies.
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But other than that, I know they'll say.
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All right, folks, well, I think we'll wrap it there and we'll come back after the movie.
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All right, everyone, and we're back after the movie.
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Yeah.
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Let's start off with a brief, real quick brief thoughts on it, not breaking down anything.
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But we'll start with Dragon's Angel.
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What do you have to say, my dear?
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Personally, I've never seen this movie before, so I thought it was going to be an interesting look.
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It's an awesome thing between sci-fi.
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This is like this really super sci-fi stuff.
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I don't really don't watch.
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This kind of stuff in Lord of the Rings and I'm only trying to stay away from.
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But for some reason, I like this a lot.
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I had lots of guns, explosions, and really, really spontaneous, very funny word usage
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and some of the parts.
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It just seemed a good movie overall for my opinion.
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Now, would you agree that there's...
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Now, you haven't seen the TV show, so this wouldn't stick out as much to you, perhaps.
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But would you agree that there seems to be kind of an interesting cross of technology here?
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Actually, yes.
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The lead character's running around what looks like a revolver almost.
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And Jane is running around with fully automatic weapons and grenades.
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Exactly.
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That would be fun interesting.
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But is there really a lot of pawn shop?
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You know, and then Jane miss it.
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That's the thing.
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No, you have to think about that.
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You almost have to think about the universe therein as the wild...
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of America back during the Wild West days.
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That if you went to, you know, out west, you got low tech, revolvers kind of grungy.
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But if you went back to the East Coast, it was much more advanced,
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a little more civilized.
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And more click, click, boom.
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As to Coastaliva.
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Yeah.
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So, would you agree that it's kind of like that?
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But you put it on a more universal scale.
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Yeah, good.
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It's been more like that.
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Just thanks for that.
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I understand why that's how it came about.
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All right.
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Now, the opening scene we've got.
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Let's start with...
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Okay.
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Opening scene.
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Little girl named River.
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Correct?
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Could you sit in this little...
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like, I don't know, egg-shaped bubble thing?
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Well, actually, let's back up a little.
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You're just a little...
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A little too far ahead?
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A little too far ahead.
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First, it talks off.
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It shows it's talking about the Earth that was.
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And it's a woman's voice talking.
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And you see ships flying away from the Earth.
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But it's not a blowing, glowing blue orb in the sky.
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It's kind of...
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gray...
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dingy looking.
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It's like the moon doesn't know.
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And it talks about the history of what happened to mankind
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leaving Earth.
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How they found a new universe started colonizing.
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Doing a process called terraforming.
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Now, are you aware of what terraforming is?
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No, I am not.
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It is taking a planet that is unsuitable for life.
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And transforming it to be suitable for human-type life.
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Terraforming.
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Hmm.
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That's you.
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And now we cut back to where it's a woman standing up
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talking in front of an entire classroom.
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But this is an outdoor classroom.
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All the kids are kneeling in front of these little desks
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with embedded computer monitors.
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Would be fun, by the way.
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Yeah.
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And, you know, she's explaining that, you know,
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here in the inner planets we're all civilized
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and we're trying to bring it to the outside ones.
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But they're resisting.
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And she asked the question, why?
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Why are they resisting us?
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And that's when it cuts into her little leg.
|
|
Nope.
|
|
It's the little girl talking.
|
|
Yeah, it's the little river.
|
|
But she's not in an egg.
|
|
She's sitting in the classroom with the rest of them.
|
|
Next scene.
|
|
But the little girl river sits there and says,
|
|
because we metal.
|
|
They don't like it to metal.
|
|
No one likes it when we metal.
|
|
Of course.
|
|
And the teacher kneels down to talk to her
|
|
and starts explaining, we're not trying to teach anyone
|
|
how to think or what to do.
|
|
You wouldn't show them the right way.
|
|
It's what she says.
|
|
And she picks up the pencil and then frames it into her forehead.
|
|
And then this is where it cuts to the scene.
|
|
I think you keep wanting to talk about.
|
|
That's the basic thing I remember.
|
|
I don't remember very much.
|
|
My memory is trashed, as you know.
|
|
Almost if not the worst train both of us.
|
|
Yeah.
|
|
But she's like a little egg.
|
|
And they have all these needles and pains inside her head and stuff.
|
|
And the river was apparently supposed to be some kind of
|
|
agent of weapon-ish, massive war thing.
|
|
I really don't know how to describe it.
|
|
She was just basically an armed weapon, a human armed weapon.
|
|
They were, first off, she's psychic.
|
|
They explain at one point.
|
|
Yes.
|
|
And that they're subliminally training her basically to be a weapon.
|
|
Yeah.
|
|
And they're all explaining this to a guy who's standing there holding us.
|
|
Kind of a staff.
|
|
And they even go on to say even key members of parliament have overlooked this.
|
|
And they'd say that she is our most prodigal.
|
|
And in combat, she's the best we've ever seen.
|
|
She has a gracefulness to it.
|
|
At this point, the guy says, and she always did, she always did love to dance.
|
|
And then this guy looks over at him.
|
|
Kind of what?
|
|
And the guy with the staff slams it on the ground as he's ducking down.
|
|
And the end pops up.
|
|
And laser.
|
|
Yeah, this beam shoots out in a pulse around it.
|
|
I would, you know, to go with the sci-fi explanation,
|
|
I would imagine that this is a neural disruptor.
|
|
Basically something that is meant because of the level it hits,
|
|
it shoots across all of their heads and their faces.
|
|
So it's something that basically stuns and incapacitates.
|
|
Yes.
|
|
And they now make their escape and they go up and elevate her shaft.
|
|
Where a ship flies over and a pan drops down.
|
|
Yeah, and pan drops down.
|
|
They go up, they go up.
|
|
And you get another thing in the next scene.
|
|
You get something on the lines of.
|
|
One thing I have to comment on about as they're going up the elevator shaft,
|
|
whoever designed their security system is a fucktard.
|
|
That's all there is to it.
|
|
Because these laser grid, this laser grid, start shooting up floor by floor.
|
|
Why are you going from the bottom up?
|
|
If you're trying to prevent an escape from a maximum security system,
|
|
wouldn't you want to go from the top down?
|
|
And part of the phone, you know, first time it happened, but.
|
|
Fun, fun, fun.
|
|
Exactly.
|
|
But it's not a podcast until someone's phone rings at least once.
|
|
So I guess we're now officially, this is now officially a podcast.
|
|
Oh yeah, the very first time too, I feel so honored.
|
|
And at this point as they're starting to rise, it stops.
|
|
And a guy walks through the scene.
|
|
And this guy, his world cuts scene.
|
|
They're escaping the escape, but this is different.
|
|
It's a pre-cut scene.
|
|
It looks like they're in the scene.
|
|
And this guy walks through it.
|
|
And it's like, so can you tell me how she escaped from something along the lines of that?
|
|
And it goes back to tell all these other men.
|
|
And it's telling one of them how it's really natural for the leader to fall on his own sword.
|
|
Well, we're jumping a little bit, but you're hitting some important stuff.
|
|
He walks through it.
|
|
And people walk in.
|
|
What are you doing here?
|
|
What's your authorization?
|
|
No one's in the gentleman.
|
|
It's a black gentleman.
|
|
Blue clothes.
|
|
Fairly nonsense script compared to everything else everyone there's wearing.
|
|
And he's, you know, I'm going to need to see your authorization.
|
|
And he's, of course, very agreeable, very polite and nice.
|
|
Puts his hand on a palm reader.
|
|
And it's no name, no rank.
|
|
I have neither.
|
|
Just like this place, I don't exist.
|
|
And he goes on, you know, to tell the guy you have failed completely.
|
|
Do you know what your sin is?
|
|
Pride.
|
|
That's what sin was.
|
|
Pride.
|
|
And they go on to talk about the escape as it being madness.
|
|
He's like, it was complete madness that Simon Tam would spend all his money throw away a career, promising medical career.
|
|
This guy's basically a prodigal medical student and surgeon throws it all away and it's madness.
|
|
And the operative, that's all we ever know him as, is madness.
|
|
And it's a questioning kind of statement.
|
|
He's like, no, look at him.
|
|
This isn't madness.
|
|
This is love.
|
|
Something far more dangerous.
|
|
And then he goes on to saying, you'll fall on your own sword.
|
|
Where are you just supposed to stick the guy with some helmet and fall over and go, come.
|
|
I'll ever sword.
|
|
And the whole time he's talking to, there's four people in the room.
|
|
He's talking to one of the ladies.
|
|
Yeah, there's four people.
|
|
The guy he was talking to who runs the facility.
|
|
Two black suited agents who you get the idea, there's security, he asks.
|
|
He cuts them down and he nails the guy in the back in a nerve cluster paralyzing him.
|
|
And the whole time, you know, after that, he talks to the woman and says, I'm going to need information.
|
|
Tell us what he needs.
|
|
And he walks in front of the guy, flips his hand on the sword so he's holding it in a reverse hold,
|
|
kneels down and just holding it there.
|
|
Guy falls on it.
|
|
And he's, do not be ashamed.
|
|
This is a good death.
|
|
You've done good work here.
|
|
And the guy just falls further down the blade and dies.
|
|
Which would suck, honestly.
|
|
Yeah.
|
|
I mean, impalement itself that I'd rather not have on my list of things to do.
|
|
Yeah, but this is an old Japanese custom.
|
|
Perhaps some others.
|
|
No, it's not.
|
|
It's not.
|
|
It's up to you don't really fall on your own sword.
|
|
You'd have, you'd have to take us like a tonto, which is a really small knife.
|
|
You know, rip, rip, open your organs and if best try to cut your head off.
|
|
Yep.
|
|
Now, you, it would, would be used your own katana too, but you would wrap the blade so you could hold it and do the cut.
|
|
And all it was required was to do the cut, spilling your organs in and your friend could sever your head, sparing your life at that point.
|
|
Sparing a horrible death.
|
|
Now, the next scene we cut to, they're, where on a ship.
|
|
And they're, they're doing an entry into the atmosphere.
|
|
And something flies off, clings off this, you know, glass or, you know, whatever it is that they can see through.
|
|
And he's like, was that just the front panel bumper or buffer?
|
|
And at this point, you know, we get into where they're talking, you know, the captain reaches over, grabs the intercom and says,
|
|
they're in for a bit of a bumpy ride after a little bit more of a conversation, a little bit of turbulence and then explosion.
|
|
And he goes, I mean, that's one, one thing that people loved about this character is he's very straightforward.
|
|
He doesn't pull punches.
|
|
He's pretty much ass, but the smart ass.
|
|
Yeah.
|
|
So he goes towards the back of the ship trying to, back towards the engine room because if they don't get some more power, they're toast.
|
|
And on the way, he stops and talks to, you know, kind of gets sidetracked a little bit here and there.
|
|
The first person we run into is Jane.
|
|
And Jane is the weapons guy of the ship.
|
|
And he's sitting there, he's got a couple of guns and grenades and they're like.
|
|
Big, big, big rifle in his back or massive magazine.
|
|
And he's like, look, we don't need all this.
|
|
I don't mean there to be shooting.
|
|
He's like, look, what you mean for there to be and what is are not always the same thing.
|
|
You know, there's just smart ass comments flying back and forth.
|
|
He's like, just leave the grenades.
|
|
Leave the grenades.
|
|
You need to go down there and we'll get to that.
|
|
Then he goes back and we've run into Zoe.
|
|
Zoe is the second and commanded the ship.
|
|
And, you know, he has a little conversation with her before going back.
|
|
And as he's going back, you hear Zoe.
|
|
We're just robbing the place.
|
|
We're not occupying it.
|
|
And obviously you can tell she's talking to Jane.
|
|
And then, you know, he talks to Kaylee, comes out of the engine room.
|
|
But Kaylee says, as, you know, there's sparks fly and lights coming from wherever.
|
|
She's like, everything shiny, captain, nothing to worry about here.
|
|
Turns around and there is sighting.
|
|
Simon is the ship's doctor.
|
|
You know, either you know this from the show or you'll find this out as we go.
|
|
So, I ain't killing anything for you.
|
|
And he's like, ain't nothing to be afraid of.
|
|
The same fear you see.
|
|
Well, with a face like yours, it'd be hard to tell.
|
|
If this were fear, my eyes would probably be wider.
|
|
You're not taking her.
|
|
This whole conversation is centering around Simon's little sister.
|
|
River.
|
|
Which, river is kind of, river is the key character in this movie at least.
|
|
And he's talking about, you're not taking her.
|
|
You're not taking her.
|
|
I don't care.
|
|
You know, you're not taking her.
|
|
That's final.
|
|
And the captain turns on his heels.
|
|
I think if I ever hear the words that final come out of your mouth, it will be.
|
|
Which they go down into the medical lab.
|
|
And the conversation continues.
|
|
He's like, look, she's a reader.
|
|
You know, she can help us stop there from being trouble.
|
|
So, you know, little more conversation.
|
|
They all load up onto this thing called a mule.
|
|
Basically, an anti-gravity conveyance of some nature.
|
|
It's just kind of funky to look at, but fun.
|
|
So they go to town.
|
|
And one of the last comments made before they jet for town is the fact that, you know,
|
|
oh, that was it.
|
|
Oh, yes, yes.
|
|
Here we go.
|
|
That I'm not going to, you know, if anything happens to her, I'd get very choked up.
|
|
I promise, there might even be tears.
|
|
Which again, you have more asked than comments.
|
|
And they leave.
|
|
And Kayley says to Simon, he's going to take care of her.
|
|
He always does.
|
|
You know, he, you know, he watches after his own, basically.
|
|
And they get there right about during the time of Sunday service.
|
|
And the highest they're pulling is for the payroll department, basically,
|
|
of a security force.
|
|
Because as they say, you know, the alliance cannot practically send people to every place
|
|
to enforce the law.
|
|
True.
|
|
So they go.
|
|
And, you know, they go in and they just start shooting the place up.
|
|
Not so much shooting.
|
|
They fire off a couple of rounds so they can, you know, get everyone's attention.
|
|
Yeah.
|
|
Fire off lots of rounds.
|
|
Guns, guns, gunscope, boo, boo, boo.
|
|
Just a few rounds.
|
|
And he's like, look, everyone should just be looking at their belly buttons.
|
|
Anyone who looks up, their will, violence will ensue.
|
|
And Jason's back at this vault saying, oh, it's locked.
|
|
And, you know, they, and then in walks forever.
|
|
And she's walking in barefoot, very gracefully.
|
|
And she just kind of stands there for a moment before pointing at one guy.
|
|
She is, she read the guy's mind.
|
|
Because this guy is sitting on his belly, such poor, his little gun.
|
|
And then click right by his ear.
|
|
You know, he'd been pointed out.
|
|
And Zoe at this point says, do you know what the definition of a hero is?
|
|
A hero is someone who gets people dead.
|
|
Exactly.
|
|
And he throws it off to the side.
|
|
Well, they open the vault and look in.
|
|
And we're talking small change for, you know,
|
|
fly in a ship all the way out here to rob it.
|
|
Well, Mal looks at it, reaches up and pops a switch.
|
|
Yay, good job.
|
|
Pops a switch and everything.
|
|
He's noticed.
|
|
Yep.
|
|
The vault slides back.
|
|
And there's just more.
|
|
Sorry.
|
|
There's just more and more of it.
|
|
And you kind of see more of what this little vault had portray.
|
|
It's not just small change.
|
|
There is another two panels.
|
|
I think there is.
|
|
There's two panels full of money.
|
|
Yep.
|
|
Now, you hear a voice.
|
|
You know, they say, we're coming down to clear that out.
|
|
He's like, what's your authorization?
|
|
Okay.
|
|
So they, you know, they cut to, they're down there.
|
|
And Mal is talking to the guy who is down there saying,
|
|
look, I was thinking a leg shot.
|
|
You know, make them look like you put up a fight.
|
|
Nothing vital.
|
|
A little bit of bleeding.
|
|
Some pain.
|
|
Nothing really bad.
|
|
Guys, like, you know, I was thinking more of a crazy.
|
|
He's like, no, no, you don't want to do that.
|
|
You want to make, don't want to make it look like you just gave up.
|
|
This is just hilarious.
|
|
He's sitting there.
|
|
Doesn't want to hurt the guy.
|
|
But the guy, give the guy an out.
|
|
So it doesn't look like he just gave up.
|
|
It's rendered.
|
|
Now.
|
|
You're in the foot.
|
|
At this point, River starts going off the deep end.
|
|
She starts freaking out because guess who's coming?
|
|
Revers.
|
|
Now, we're not going to really talk about Revers much.
|
|
Other than, I'm going to reference a bit of an explanation that came out of the TV show
|
|
that Revers will kill you, eat you, and rape you.
|
|
And if you're lucky, they'll do it in that order.
|
|
So they bug out.
|
|
Oh, wouldn't it be killing you, rape you, then eat you?
|
|
For each is a rape.
|
|
It's the Revers.
|
|
You're not.
|
|
But anyway, so they, you know, they bug out.
|
|
And one guy comes running out.
|
|
You can't leave me.
|
|
You can't leave me.
|
|
You got me.
|
|
And I was like, get back in the vault with everyone else.
|
|
Pushes them off.
|
|
And they bug out.
|
|
And right as they start to go, two Revers fall on.
|
|
Now, Revers from what you can tell right now are humanoid at least.
|
|
And Mal turns around and just fires off one shot right into the guy's chest dropping
|
|
him, sparing him in the pain.
|
|
Whatever's going to happen to him.
|
|
And they jet with a ship in pursuit.
|
|
Now, this is probably one of the best chase scenes I've ever seen in any movie.
|
|
And you've got, you know, a spaceship tailing and anti-grave sled basically.
|
|
And they're just booking for it.
|
|
And they call up walls who is the pilot of the serenity.
|
|
It's like, we got Revers behind us.
|
|
And he switches on the intercom.
|
|
We've got Revers fired up to Kaylee, the engineer.
|
|
Kaylee's cool.
|
|
I mean, there's a little quirky.
|
|
Kaylee's a very interesting character to say the least.
|
|
So, you know, they're coming up.
|
|
And they're just booking along this flat.
|
|
And, you know, shots are exchanged fired.
|
|
We're not going to blow too much here.
|
|
So, but they do manage to clip a boulder, sending chunks of it into the ship,
|
|
getting it off their ass for a moment.
|
|
Now, income serenity as they whip around 180 degrees.
|
|
Robs is chunking up.
|
|
Basically doing a barn, what I believe they call a barn swallow.
|
|
Where serenity is moving, it's moving.
|
|
They just fly it right up there.
|
|
And they just drop and run right into the back.
|
|
Yep.
|
|
And, of course, there's also a reaver manages to get up in there with them too.
|
|
And it pops up and mal just bam again.
|
|
This is a guy who is a man of little words sometimes, but very decisive action.
|
|
When he sets his mind, he's going to do something.
|
|
It gets done.
|
|
It gets done to the team.
|
|
All right. Now, what's the next scene that sticks out to you at this point?
|
|
The next thing that sticks out to me is, it's actually closer to the end
|
|
when they arrive on this planet.
|
|
Well, we're jumping away.
|
|
I don't think that's the next thing that we're going up to.
|
|
We're jumping way too far up.
|
|
But you stole me.
|
|
Anyways, back track a little here.
|
|
Oh, little.
|
|
Three quarters of the movie back.
|
|
They're on the ship and Jason's having or Jane is having a conversation with Kaylee.
|
|
But he doesn't understand how people go so bad.
|
|
You know, killing, raping, eating people.
|
|
I mean, eating people.
|
|
How's that fun?
|
|
I mean, I'll kill people.
|
|
I'll kill people if it's a fair fight.
|
|
If it's a man, I think he's going to start a fair fight.
|
|
Or if there's a woman.
|
|
Or if I'm being paid.
|
|
Especially if I'm being paid.
|
|
Yeah.
|
|
Yeah, that's a funny scene.
|
|
Or how about the part which is I ate a bug right after the gun.
|
|
I get we've almost left that out.
|
|
Yeah.
|
|
River.
|
|
They're coming back onto the surrounding.
|
|
And Simon comes running down and he ignores everyone else.
|
|
Comes running up to them.
|
|
You are you okay?
|
|
Are you okay?
|
|
Are you okay to, to river?
|
|
And she just looks up all sweet, cute and innocent.
|
|
I eat a bug.
|
|
I mean, it's just, it had us both giggling.
|
|
Oh, it's good.
|
|
So, and that's when they mentioned, you know,
|
|
Kaylee mentions Shepard, Shepard book that, you know,
|
|
man got out there and he saw too much and went crazy.
|
|
So, you know, they eventually, they go to exchange the money
|
|
for clean money, basically kind of a money laundering operation
|
|
where you bring us a lot of money, we take a percentage.
|
|
And because of altercation between Mal and Simon,
|
|
Simon decides him and River are going to leave the boat.
|
|
They're done.
|
|
He's done with it.
|
|
Don't know how the stress fair is over the river.
|
|
Yeah.
|
|
Now they get down into the bar and they start talking business.
|
|
And instantly, this is kind of interesting.
|
|
That Minty and Fango or something like that.
|
|
I forget their names exactly, but they're twins.
|
|
And, you know, they're like, he's in, he's like, no, no,
|
|
that one's this, you know, whichever.
|
|
He's like, how do you know?
|
|
Because he's, you know, he's prettier.
|
|
And the one twin kind of smirks and they wander off
|
|
and start talking business.
|
|
Well, in walks River.
|
|
And she just kind of looks up at the TV.
|
|
And the lighting changes.
|
|
It goes from the normal lighting to kind of a,
|
|
pure, no, kind of a, like there's a blue filter
|
|
over everything.
|
|
Yeah, but the whole screen, not just the lighting.
|
|
The whole screen goes that blue.
|
|
And she just looks at it for a moment and then one word comes
|
|
out of her mouth.
|
|
Miranda.
|
|
And then, oh my god, River goes ape shit.
|
|
She's the ass of everyone in there.
|
|
Ha, make sure a little 17, 90, 90 pound on the girl here,
|
|
kind of pulling all this crazy converse shit on everybody.
|
|
Like no man is safe.
|
|
I mean, put her 400 pound guy in front of her.
|
|
He's down in five seconds.
|
|
She, she manages to knock Jane out.
|
|
Yeah, and Jane's like the most big dude.
|
|
Jane is like six, you know, you get the feeling he's supposed
|
|
to be like six, six, kind of a hulking guy,
|
|
a little 90 pound girl, knocks him out with a serving tray.
|
|
Yeah, it's like kind of on.
|
|
And the whole time Mal is sprinting up to get his gun.
|
|
And as soon as he whips it out, River pops hers up.
|
|
Simon charges in, says some form of gibberish,
|
|
which, you know, actually it's Russian.
|
|
I didn't think of the Russian.
|
|
I speak Russian.
|
|
It's actually Russian comment that he says that I've got,
|
|
I don't think I got the note written down,
|
|
but it's something like some bizarreness about the hen.
|
|
And she falls down.
|
|
Just drops cold and they take her and sprint out of there.
|
|
Well, a lot of conversation and you're like,
|
|
we're flying blinder than we normally do.
|
|
We need to get some help.
|
|
We need to talk to Mr. Universe.
|
|
Now, this is a kooky character.
|
|
He is hacker-o-extraordinaire.
|
|
That lives in, you know, like some kind of storm cloud
|
|
in outer space with a doll.
|
|
A sex android.
|
|
A sex android.
|
|
Thank you.
|
|
Well, this looks like a android.
|
|
In the end, it's turned very, very helpful to the story,
|
|
but just kind of stood there and it's like,
|
|
well, she lives a Barbie look.
|
|
Really, this is what Barbies would really look like
|
|
if they were lifeless.
|
|
Yeah, so Mr. Universe is definitely an interesting character.
|
|
Yeah.
|
|
So we move forward from there and they throw river
|
|
into basically the storage area for the food.
|
|
Locks her down.
|
|
She manages to break out and gets to the bridge.
|
|
And when she gets there, she's not even looking.
|
|
She's just typing away one handed on the screen as Malwalks in.
|
|
And she just creep before he even brings his gun up
|
|
and there's a whole conversation that breaks out here
|
|
that's well worth listening to where he says,
|
|
look, I told them all that I think you're a person.
|
|
But the operative says, you're not.
|
|
You're just dangerous.
|
|
You're a risk.
|
|
I don't think that's true.
|
|
That's taking my entire life screw on this.
|
|
Yeah.
|
|
Now they sit there and they pan in on the screen
|
|
and she looks back Miranda.
|
|
Well, we come to find out that Miranda is a planet
|
|
that doesn't exist in any record.
|
|
The only thing is Kaylee can vaguely remember,
|
|
mention that they were looking for settlers to go there
|
|
and help set up the colony.
|
|
That's the only thing anyone knows about it.
|
|
But sadly, things went ape shit there
|
|
where they try to create a utopia.
|
|
We'll get there.
|
|
Yeah.
|
|
They go to Haven because Mal wants the advice of one person.
|
|
The person he always wants advice from Shepard Book.
|
|
But they get there and the place has been demolished.
|
|
Everyone's been shot.
|
|
Only survivor barely is Shepard.
|
|
And kind of one of the funny things that happens here
|
|
is with Shepard Stein saying what he did,
|
|
Mal goes, it should have been me.
|
|
And Shepard looks up at him and says,
|
|
Yeah, it should have.
|
|
He the fuck crossed my mind.
|
|
Well, they go on from there and Mal comes out.
|
|
He is pissed, he's hot.
|
|
He throws down a coil rope,
|
|
string up five or six of these bodies.
|
|
I want it on the nose of the ship.
|
|
I want you and you to mount this gun
|
|
which is a World War II German flat cannon.
|
|
And mount it to the top of the ship.
|
|
And they all start, you know, we can't do this.
|
|
You know, you aren't thinking about doing a suicidal run
|
|
through reverse space to get to this planet.
|
|
And he's like, look, I plan to get there.
|
|
There's information there.
|
|
They don't want out.
|
|
We're getting it.
|
|
So anyone who is the next word I hear out at anyone's mouth
|
|
that is not helping me or saying their goodbyes,
|
|
I shoot.
|
|
Yeah.
|
|
Sounds like fun, doesn't it?
|
|
Oh, yeah.
|
|
So now they're, you know, the next scene we see,
|
|
you know, skeletons, scorch skeletons,
|
|
strap to the front of the ship.
|
|
Yeah, but the rope still holds.
|
|
Yeah, that's kind of one of those, what?
|
|
I don't see anything.
|
|
I don't see anything.
|
|
And they fly through the reverse space
|
|
and everyone's on edge and they're twitching
|
|
at every single thing but they make it through fine.
|
|
And get to Miranda where they land.
|
|
And here's where the whole crux of everything comes out.
|
|
We're not even going to explain to you what happened
|
|
because that would just blow a major plot point
|
|
if we tell you what happened.
|
|
Yeah, that would be nice.
|
|
I want to make them square up to watch the movie.
|
|
Yeah.
|
|
But we'll go back to, they leave with the information
|
|
they came for and they're flying back
|
|
through reverse space.
|
|
And so and wash are in the cabin
|
|
and they're talking to the captain.
|
|
But you're not quite sure where he is because, you know,
|
|
you can tell it's, you know, over the intercom system
|
|
or, you know, something like that.
|
|
And, you know, the communication for the captain
|
|
is, are we almost out?
|
|
Well, there's one ship that's starting to come up
|
|
and it looks like it's got these big scissor kind of things
|
|
meant for cutting a ship in space in half.
|
|
Well, all of a sudden, you hear the captain yell,
|
|
now, they've got the gun mounted on top of the ship.
|
|
They swing it over directly at the ship
|
|
and this is where I call bullshit.
|
|
I don't know that much about ballistic weapons
|
|
but I'm pretty sure most of them need atmosphere of some nature
|
|
to work.
|
|
True.
|
|
They blow up a revership and then just kick it into overdrive.
|
|
So they need air in the fire for the air
|
|
because the fire cannot really exist.
|
|
It's such an atmosphere.
|
|
But they just haul ass out of there.
|
|
And they are, you know, all of a sudden,
|
|
all the engine runs every revership,
|
|
fires up and gives pursuit.
|
|
They all start hunting down there.
|
|
You know, you just want to be in the beans nest.
|
|
All of these want to come at you.
|
|
Yep.
|
|
So, you know, they're...
|
|
Now, the next scene we talk about really
|
|
is we see all these alliance ships
|
|
between the ion...
|
|
ion cloud and the planet that Mr. Universe is on.
|
|
And they're all just lined up
|
|
and here comes Surinity out of the cloud.
|
|
And the operatives like, you know,
|
|
Crazy Bastard isn't even changing course.
|
|
And, you know, just smug and arrogant that they're...
|
|
Yeah.
|
|
They just come out from it's little leadership
|
|
then without further ado,
|
|
every living ship that had all...
|
|
Every gore-am revership busts out of the ion cloud.
|
|
Oh, I was poom.
|
|
And he just starts, oh my god.
|
|
Aim for the revers.
|
|
Every god on the revers.
|
|
God, why won't someone fire?
|
|
I know.
|
|
And he runs off the deck.
|
|
And the whole time,
|
|
he's just sitting there flying.
|
|
He's just saying,
|
|
I am a, you know,
|
|
I am a leaf on the wind.
|
|
Watch how I fly.
|
|
Exactly.
|
|
I'm a leaf on the wind.
|
|
Watch how I fly.
|
|
And I've got to say, you know,
|
|
whereas earlier was one of the best chase scenes I've ever seen.
|
|
This has got to be one of the best flight scenes I have ever seen
|
|
of a ship zipping through
|
|
a massive outer space firefight.
|
|
And to make it even better,
|
|
this is cargo ship.
|
|
This thing has no weapons,
|
|
except for the one thing on top of it.
|
|
And that's not even a permanent part of it.
|
|
Yeah.
|
|
So that's absolutely hysterical to me.
|
|
Yeah.
|
|
So.
|
|
They break through the atmosphere
|
|
and they get hit with an EMP pulse.
|
|
And this is where shit starts to go sideways.
|
|
But as they're, you know,
|
|
they lose all power and they're falling.
|
|
And this is where I've got to give Jane credit.
|
|
Jane is normally one of these bastards
|
|
who's all about me, me, me, me, me, me.
|
|
Me first.
|
|
Screw y'all.
|
|
Yeah.
|
|
And instead, he pulls off.
|
|
Go looks at every person on that helmet system.
|
|
Well, except for the people who are up in the cockpit.
|
|
Yeah.
|
|
Everyone who's not in the cockpit,
|
|
goes around and checks or seatbelts, checks or bells.
|
|
Make sure to latch down.
|
|
Yep.
|
|
Which is just an incredible scene to see out of Jane of all people.
|
|
Huh?
|
|
And they manage to land.
|
|
If you want to call it a landing.
|
|
It would be more like, you know,
|
|
trying to put a Boeing 747 into the Hudson River.
|
|
No, I think it's more like a lion's of a grape on a highway.
|
|
No, there's a reason I talk about the Boeing 747
|
|
and the Hudson River.
|
|
Remember a couple of weeks ago, the story.
|
|
New story where the pilot lands.
|
|
Oh, yeah, yeah, yeah, yeah.
|
|
You know, they land in all the sudden.
|
|
Wham!
|
|
Something pierces through the cockpit, killing walls.
|
|
And you realize really quickly the reavers are in there too.
|
|
So they run, you know, they get off the ship
|
|
and they find a place where they can mount a good defense.
|
|
You know, and Zoe tells the captain, go, do it, you know.
|
|
It's more important to get this.
|
|
We'll hold them off while you get the information out.
|
|
And now the one of the last things we'll talk about
|
|
before we go, before we wrap up for the day,
|
|
is Simon and Kaylee start talking.
|
|
And Simon's like, you know, I'm, you know,
|
|
I spent so much time, you know, worrying about River on that ship.
|
|
You know, putting her my first priority,
|
|
I never got to, you know, anything I wanted,
|
|
like being with you.
|
|
And she kind of, you mean like sex?
|
|
Sex?
|
|
Sex?
|
|
It looks up, I mean to be saying.
|
|
And she's like, screw this, I've got to be living!
|
|
I know!
|
|
Now, one thing she said earlier that we've complete left out
|
|
is, at one point, she actually looks up and says,
|
|
I haven't had nothing near my nether regions
|
|
that weren't run on batteries for a year.
|
|
The captain's like, I don't need to be knowing that.
|
|
And James, like, I could be using to hear a little more of this.
|
|
So, at this point, I think we're going to pretty much wrap up
|
|
because we're at the, you know, coming towards the last little bit.
|
|
And we don't want to, we don't like to spoil the ending.
|
|
The rest of it, eh.
|
|
Yeah.
|
|
All right.
|
|
Now, any final thoughts on this movie as a whole?
|
|
Um, movie I thought was entertaining.
|
|
It kept me occupied.
|
|
Most of it, bad, bad, bad, bad case of A to D.
|
|
So, about 90 to 75% of the time I was actually focused.
|
|
Which is good.
|
|
Now, I've got to say,
|
|
this movie is a sci-fi of Western.
|
|
In fact, some of the shots are actually shot with a shaky cam.
|
|
And by shaky cam, I mean, they aren't mounted
|
|
so everything's 100% perfect, crystal clear,
|
|
seeing how it's all going.
|
|
The camera shakes.
|
|
And this is very reminiscent of the old sci-fi,
|
|
or the old Westerns, how they would do it.
|
|
Yeah.
|
|
You know, it's a very unique story you have going on here.
|
|
And there's very interesting crosses of culture going on
|
|
where every time someone's swearing, they break out into Chinese.
|
|
You'll have to watch the series to understand the wise of that people.
|
|
Now, I paid $9 for this movie.
|
|
Brand new.
|
|
And that seems to still be the relative going price.
|
|
Now, out of $9, what do you think this movie
|
|
was worth to you, Dragon Sangel?
|
|
That's a really hard call.
|
|
I give it props that kept my attention span most of the time.
|
|
So I can definitely see it to be above a six.
|
|
But as for the funny parts of the movie,
|
|
they just made me laugh for no apparent reason.
|
|
I can also like to give it like an 850.
|
|
I've seen better movies, but I'd like to give it an 850,
|
|
considering all that was in it.
|
|
Yep.
|
|
I have to give this one an 875.
|
|
I'm knocking it a quarter out of the $9 that I paid for it
|
|
for the DVD menus itself.
|
|
Because you get in the opening menu,
|
|
it's really nice, well animated,
|
|
but any sub menu you go to is very static, very boring.
|
|
It's one of those, it's that little touch that they left out
|
|
at the end that why.
|
|
You have something that's so good up to this point
|
|
and you just screw it up right then and there.
|
|
Egg second.
|
|
All right.
|
|
Well, everyone, I think that pretty much wraps up the show.
|
|
I would like to remind you that we now have a store up on the site
|
|
where you can purchase any one of the movies
|
|
we have purchased previously.
|
|
So, any last words?
|
|
Enough.
|
|
None.
|
|
Nine.
|
|
Yet, EA.
|
|
Oh, otherwise I'd say no wind.
|
|
All right, folks.
|
|
Well, thank you for listening.
|
|
Stay subscribed and we'll be back with more soon.
|
|
Yep.
|
|
You know, the first rule of flying is vote.
|
|
You're listening to the signal.
|
|
Well, we hope you are.
|
|
We're back with season five.
|
|
Shiny.
|
|
Must be bad guys.
|
|
Could be bumpy.
|
|
Always use.
|
|
God, God.
|
|
And this year, we're going further than we ever have before.
|
|
To bring you the best articles.
|
|
Interviews.
|
|
News.
|
|
And reviews from in and around the world of Joshua's Firefly and Serenbee.
|
|
I love this ship.
|
|
I have for the first moment I saw that.
|
|
I care about it.
|
|
It ships and mine's a knife.
|
|
It's love.
|
|
And point to fact.
|
|
She loves this ship.
|
|
If you love Firefly, you need to listen to the signal.
|
|
With new writers, new ideas, new content.
|
|
And loads of your favorite regular segments.
|
|
Helping to keep Firefly and Serenbee alive
|
|
in the hearts of brown coats everywhere.
|
|
You're holding.
|
|
Hold till I get back.
|
|
Oh, with this.
|
|
I'm going to live.
|
|
The signal still flying in 2009.
|
|
Join us at www.SerenadyFirefly.com.
|
|
Still flying.
|
|
That's not much.
|
|
That's enough.
|
|
The signal.
|
|
Season five.
|
|
What was that?
|
|
Thank you for listening to H.P.R.
|
|
sponsored by Carol.net.
|
|
So head on over to C.A.R.O.
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